#i like to think of them as tragic

[just-mebs]

Whenever I think about HamBurr, I can't help but think of it as a fluctuating one-sided mess starting with what is Hamilton's crush on Burr in the beginning, and later Burr's own crush on Hamilton.

Hamilton is starstrucked when he meets Burr. It might be a case of puppy love or similar, but I think that through the first act you see this crush on his side that is persistent even despite their butting heads. Maybe Burr sees it too. Maybe he takes it for granted. Maybe he thinks it's silly or unimportant or just a distraction while he waits for life to make decisions for him.

And then BOOM: Hamilton moves on (both physically with the war ending and emotionally seeing how Burr never reciprocated his feelings in any concrete way). He's going for more in life. He's moving forward to make a life out of the world he's helped create that Burr seems uninterested in in a way (see: Non-Stop). And I think it's this turning point that makes Burr kind of "wake up" and realize his own feelings. He sees Hamilton moving on and making a life for himself and suddenly its like all the feeling he did have for Hamilton, the feelings he either ignored and pushed aside, come front and center and he's realizes that he's missed such an important part of his own life.

Or maybe it's now that Hamilton isn't actively pursuing him/giving him as much attention that he's realized that it's something he did take for granted and now regrets. So now, with Burr harboring these feelings, feeling the way that Hamilton probably felt for years during the war, he slowly becomes bitter. He's constantly trying to outdo Hamilton or prove himself to be on the same level or higher than he his. And while Hamilton acknowledges Burr throughout all of this, he never gets back to that contemporaneous war time love Burr so desperately wants from him.

[lotus-pear]

learning to love

[darkmuffinstudios]

HAD THE MOST INSANE DREAM JUST NOW AND THESE TWO WERE IN IT AND I WAS JUST LIKE JSVFIJVFSJIVFSIKVSFIKSFV STEALING YOU GUYS

LIKE I LITERSLLY ROLLED OUT OF BED AND GRABBED MY TABLET AND SCRIBBLED THESE GUYS BEFORE I FORGOT

SO SO SO! THE IDEA IS THAT SOMETHING SOMETHING WHEN PPL DIE, THEY GET THESE HALOS ON THEIR HEADS WHICH TIE THEM TO THE LIVING WORLD AS A SORT OF LIKE “THEY CANT MOVE ON” SORT OF THING

AND WHEN KILLER GETS KILLED, HE HAS SO MANY DIFFERENT REGRETS AND SO MANY DIFFERENT WANTS THAT HIS SOUL ESSENTIALLY SPLITS INTO TWO—. UT THEYRE STILL VERY MUCH CONNECTED? LIKE THEY ARE DRASTICALLY DIFFERENT VERSIONS OF HIM BUT NEITHER CAN MOVE ON UNTIL THE OTHER IS SATIATED AND EISJCNDJSKCSKCMDLD

GOD THESE TWO ARE SO BADASS DISJCJCJC MY OWN BRAINROT IS GOING NUTS

MAYBE MORE TO COME SOON OK BYEEEEE

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[sublimerences]

Yuri…. Save me yuri…

[idolomantises]

I'm ngl i kinda wish people wouldn't look at a character I create, see that they're mean, and then immediately assume by default they're actually super tragic and a sad woobie. And I'm not even saying this to be like "people need to appreciate 2-dimensional villains!" because I don't agree with those people either.

It's like if a character is a jerk, it either needs to be justified with a sad backstory, or they need to be a saturday morning cartoon villain. it can't just be a part of their personality.

[carthonasi]

what do you know about my mother? she was like you. she was kind. and loving.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[mamawasatesttube]

superboy (2011) #3

do u ever think about how ridiculously cute this is. he just shows up!! kon calls and hes like. ding! here i am. hes perfect. the only thing about this i would change is that bart shouldve slammed directly into him with a huge dust cloud looney-tunes style (and when the dust cloud cleared they shouldve been hugging). you know. unstoppable force meets immovable object or whatever

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[musubiki]

danmarch 🐉💎

[spkyart]

It's not my fault y'all ugly

[rainesjupiter]

Beneath the veil of the Moon, another pair of vows was made. Here we sow the catalyst for a mother's grief. For the Will's rage. For the Queen's madness. Now cometh the Age of the Stars.

[starry-bi-sky]

DPXDC Idea: Mother of Monsters Dan(yal)

Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS

Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.

Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.

And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.

From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.

Earth doesn't know what hit it when she attacks them.

There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.

I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.

Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.

long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it

Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.

[turtleblogatlast]

One of the absolute best things about the bros is that they just. Play. They play around like the teens they are, playing ball, or video games, or anything else. They just play and have fun together, genuinely enjoying each other’s company. I dunno, I just appreciate how easy it is for them to mess around and be kids.