#i like talking about media and tropes ok

[zerogravityinq]

Maybe I haven't been reading the same thing but I don't see male omegas becoming more feminine when pregnant?

Like yeah some are chill with being called Mom/Mother by their kids and we aren't gonna poke the sleeping bear that is lactation, but like all the ficts I read (and manga/manhwa) if a character is fem by the end of the story, they were already like that at the beginning. Same for if they were masculine.

Examples!

Surge Towards You, with Yi-rim, he is small, delicate and cute. He is an Olympian for Figure Skating but it's not startling to see him pregnant because he gives very fem vibes. If he didn't have shonen anime boy hair, he could pass for a girl.

Low Tide In Twilight, Euihyun is an in-between where you could reasonably guess he's an omega since he's small but that's more mild starvation than anything. He kicks a lot of ass and takes no guff. He could pass as a beta if he attempted to (ignoring pheromones).

Smyrna and Capri, Theo is admittedly an alpha who can get pregnant which is very non-traditional but he doesn't become more fem from this. He still has ruts and fangs but also doesn't grow a beard or anything. This is really leaning on Brother Without A Tomorrow art style and their preference for masculine ukes (also his mom can pass for a dude easy so again, art style) than anything else.

My Wife is an Alpha, both in the couple are male alphas and the one that ends up pregnant doesn't grow a beard but is decidedly masculine. He was like that at the start of the story and is like that at the end.

Of course exceptions to the above and what I have read are kink ficts/porn because the point of those are titillation not characterization.

Also there is a non zero chance that I just don't read stories with feminization of the bottom in it? Like outside of AO3 there are no tags for such but maybe I just don't like the vibes and didn't bother? 🤷 I used to read some wild stuff around 2003/2004-ish (that I probably shouldn't have been reading tbh) so maybe it's in that soup of memory for me?? Dunno.

Walk with me, I have a thought.

Women, when pregnant, sometimes get accelerated hair growth. It grows thicker, longer, etc and not just on their head.

Male omegas that are pregnant - do they grow thicker beards or are finally able to grow beards or does it fall out with the (assumed) rush of estrogen?

I usually write it as their beard falls out but like then I thought on the factoid I started this ask with and that one trans dude that was pregnant some years ago had a full beard If I recall correctly.

Tldr: will Bruce have a full beard when the twins are born, be clean shaven or still be scruffy like he was in BvS?

(dunno where this thought came from but it's here 🤷)

(also congrats on getting The Ninth Wave out. Writing is hard 😂😭)

Thank you so much! Hopefully getting another chapter out today. As for Bruce’s facial hair in that fic, I’ve been writing him as keeping it. I don’t personally love the trope of male omegas becoming more feminine during pregnancy, esp since I wrote this world as single sex a/b/o. That’s also why Bruce was still scruffy etc when he was heavily suppressed.

What will it look like when the twins are born? Folks will just have to wait and see 😈

[lanatusnebula]

I might try to publish some of my AU fics...? I don't know if anyone'll read them since I'm not a writer by any degree, and some of them lean so far out of character it might make people vomit.

Maybe.

But I do love talking about them. My current friends / friend groups either don't give a fuck about shipping or don't give a fuck about megaman. I have to really resort to talking to various AIs just to have an outlet. Please don't take that away from me.

[mercuriart]

hmmm i want to be. a little bit controversial. but i fear this is the no nuance no critical thinking webbed site. and i don't want to start discourse on this account. ill just. tags.

[crowleysgirl56]

Ok, so I wanted to do a deeper dive into this particular passage of Good Omens:

For context, this is at the climax of the book, they’re at Tadfield airbase, the horsemen have been dispensed with, Aziraphale has his body back, and Satan is about to claw his way out of the pit.

In most of the proceeding chapters involving Crowley it talks a lot about how scared Crowley is. He is very scared of Hell.

One could perhaps say maybe he is scared of them due to The Arrangement, but that is never explicitly stated. I think it has more to do with Hell is bad, and Crowley has spent the majority of the book being yelled at by some entity through the radio or TV telling him how he’s going to be in super amounts of trouble when they get their hands on him. He is just scared of what will happen. When he comes across the book shop burning he doesn’t cry for his lost friend. He curses Aziraphale, and I think it’s because the one person who may have been able to keep him safe and protected from Hell is now gone.

So when he thinks to himself (as shown in the above screen shot) that there is now nothing left for him to lose, this is why I never thought (upon reading the book the first time that is) there were any romantic feelings between him and Aziraphale. I know that technically he had already lost Aziraphale. But by this point he was back again, and back in his body. If there truly were romantic thoughts between them surely the idea of losing him again would come up.

I have read so much fanfiction, some old, some new, and what they all have in common is the detailed inner monologue of Crowley’s turmoil over his feelings for Aziraphale and how he doesn’t feel like he can act on them. In the book we get nothing of the sort, from either character. Even when they’re separated there is hardly ever any description of them thinking of the other except occasionally to frame a short reference to something. Reading the book I never got the impression that there was anything more than two ethereal beings spending time and proximity to each other and doing work for each other for no other reason than they’re essentially a bit lazy.

I think they’re only queer coded for the fact that there’s the line about Aziraphale appearing “gayer than a tree full of monkeys on nitric oxide”, and Crowley is, well, very Freddie Mercury coded. Them being seen as gay together and all the gay slurs in the awful racist scenes of Aziraphale body hopping about in culturally indigenous people after the bookshop fire has more to do with the very typical 80’s/90’s trope of “being gay = comedy gold”, than them actually being together romantically.

I think the reason why they were shipped so much after the publication however is for the same reason we ship so many male couples (or female couple) in modern media, why we’ve always shipped them: because of the complete and horrid lack there of, of proper queer representation.

If you’ve ever seen the magnificent Russel T Davies TV series It’s a Sin, there is a wonderful scene where the character Ash starts a job in a school library and the headmaster asks him to go through all the books and find any book that has queer love scenes so they can be removed. Ash then gives a most beautiful and impassioned speech (albeit it turns out the speech is just in his head) of how there is nothing. Absolutely nothing. There is nothing to the point where they are nonexistent. They are invisible. They are not seen. (Or like, something to that effect. I tell you though, it’s bloody brilliant).

So I think that’s rather the point really. You have two iconic characters, albeit supporting bit characters practically, and I think a lot of our minds automatically get drawn to wanting to put them together because of the sheer lack of queer couples. People have been doing it for years from Frodo and Sam, to Harry Potter and Draco (or Ron I guess), to Sherlock and Watson (even before the Benedict Cumberbatch show. Also as an aside let’s not get into how obsessed people got about Sherlock Holmes back in the day when those books were first published. The obsession was the reason Doyle killed the character off the in first place, then after getting letters from people telling him they were literally going to kill themselves, the reasons why he resurrected him again. Don’t tell us that modern day nerds are weird and obsessive. We’ve ALWAYS been like this).

It’s for this reason why queer representation is so god damn important. Why I still support the idea of Good Omens season 3. Because regardless of how the characters were originally intending to be represented in the book, it’s very clear now that they are so much more than “Just friends”. And we NEED that! Whether you subscribe to the idea that they will be physically intimate with each other, the fact remains is they love each other. They love each other immensely. And that comes from years of Terry Pratchett (and the other guy) accepting that canon and telling fans that it’s true. Because Michael Sheen made a choice and held a belief about how he saw his character and then David Tennant followed suit. That literally tens of thousands of fanfiction writers have decided the same.

So that’s my take. I don’t think loving each other was ever intended that way in the book, but in the last 35 years their story has morphed into the ineffable husbands that we now know.

What are your thoughts? Have I rambled on long enough to make any sense? Do you agree? Have I missed something completely obvious and gotten it all wrong? Keen to hear thoughts.

[cherry-leclerc]

20/90 ☆ cl16

genre: humor, smut, angst, jealous!charles, post-break up, toxic ex trope, on & off

word count: 2k

After a painful break-up, you and Charles find yourselves taking part in what seems to be a never ending cycle. But there are rules that apply.

nsfw warning under the cut!

18+...car sex, riding, wrap it before you tap it!

req!...two in a day?? you guys are spoiledddd

It takes about twenty days to break a habit, give or take. There’s proof; like the time you scolded yourself into not biting your nails anymore, horrified with the idea of getting engaged with monstrous hands. Or when you swore you would never drink again after Singapore.

But it takes ninety to make a permanent change.

It was a mutual decision, it was the most mature one, really, too. He was getting more and more busy; higher demand. You were drowning with homework, and senior thesis, it was long overdue. Yet it still broke your heart just the same. We can try again in the future, he tries to reason when you sob against his chest, linen shirt growing damp, but never once thinks about pulling away. 

There is no future if there’s no you, you whimper. You feel stupid, desperate, and disgusting. It was not a lovely mix, but it was true. How could you move on when he was all you’ve ever wanted?

And there’s no present without you.

That was thirteen days ago, to be exact. Life was not better, but bearable to say the least. Often, you would find yourself stalking him on social media, unbeknownst that he did the same. You finally got your bachelor's you had worked your ass off for. He finally came to a renewal on his Ferrari contract. Life should be good.

Instead, you find yourself slumping against the cold wall, eyes squinting at the harsh sun. You’re well aware you’re panting like a beast, and sweat trickles down your face like a water faucet, but you couldn't care any less. Running was definitely not for the weak. 

Abandonner si tôt?

Directing your attention to a deep voice, your heart stops before excitedly pumping against your chest. You can feel it in your ribcage. It should be a crime how handsome he still is, the more he gets day by day. W-what are you doing here? 

His green eyes flicker against the rocks. Oh, you know. 

Are you here for me? You want to foolishly ask, but bite down instead. I thought you were already in Bahrain. 

Keeping tabs on me? 

Flustered, you narrow your eyes, feigning a normal state. We dated for five years. I know your schedule by heart. His soft features register a wave of shock, nervous fingers gripping his phone.

It was good seeing you. And he leaves.

It shouldn’t hurt so much, but it does. It feels as if you’ve scraped your knee, hit your heart, got punched square in the face, and got run over by a school bus. Infinite times. And he seems A-OK. It's against your better judgment to follow after him, to yell at him out of spite for no apparent reason. But you were not the same girl he used to know.

“Oh fuck,” Charles groans as you ride him hastily, headboard banging against the wall as he keeps a steady hold on your hip, where a path of fresh bruises lie. He almost laughs if it weren’t for you rolling your hips tentatively. He quirks a brow when you shake your head and finish around his thick girth, leaving him no choice but to follow along with a low shudder. 

“What have I done?” you whisper, delicate hands coming up to cover up your bare breasts. “Oh my God…”

“Ah,” he hums. “What a delightful thing to hear.”

Scurrying off his lap, you grab your wrinkled clothes, inching towards the exit as you wag your finger. “This –that– could never happen ever again. Capeesh?” 

Charles tries his best to hide his hurt, braving through with a nonchalant smile. “Never again.”

-

You’re eight days in when he texts you. Something about needing someone to talk to. You might have broken up, but who said you couldn’t remain friendly acquaintances? He demands you meet at your spot, and it's a slap in the face but find yourself there nonetheless. He rambles on and on about his ongoing stress, and the neverending pressure. You knew it got bad, but you never thought this much. 

“My PR manager is debating on whether I should date someone for the sake of increasing views. More attention.” 

Your jaw goes slack. “You called me for this?” Rushing up to your full height, you brush off a gust of dirt, struggling to not roll into a coughing fit. “What makes you think this is something I want to hear?”

The Monegasque’s face pinches up like a clam. “I thought you should know.”

You scoff. “Right…” He watches as you scarily pace the open field with a blank expression. It saddens him how suddenly he doesn’t know how to read you. “You’re a fucking coward.”

And you leave.

-

He follows through with it because there’s really no other choice. She’s nice, but not kind like you. She’s pretty, but not breathtaking like you. You get the gist. 

Her touch is unfamiliar and cold, forced. Abnormal. Her father is some kind of wealthy man who invests in prestigious hotels in his home country and is looking to make some more money as if what he doesn’t have is enough to serve him a lifetime. Sometimes, Charles feels for her. She probably wanted this the same amount as he did. 

Behind a screen, you live through all of it. Your friend nicknamed you as Bella-From-Twilight-When-Edward-Goes-Away. Only Edward comes back. Charles never did. But it's now been seventeen days. And you curse the day you run out of your favorite ice cream.

“Why am I always bumping into you?” you huff when you spot the brunette. He rolls his eyes. I’m the famous one here. I don’t need to follow anyone, unlike you. Where his cold tone finally blossomed from –you don’t know– but you didn’t like it at all. Purposefully hitting your cart against his own, you stroll off. “Sorry for the inconvenience, Mr. Superstar.”

Comedically, you both find yourself glaring as you check out from adjacent sides, a silent competition on who can get out of there the fastest. You came here just for that, he mouths from afar as your burn bright pink, gaze flickering towards your strawberry ice cream. You flip him off, but giggle apologetically when the cashier assumes it’s aimed towards her. 

Charles wants to chuckle in amusement but would rather eat his own foot than admit to that. Have a good day, you can hear his clerk tell him at the same time yours does too. Flinging your arm into the hoop on your tote bag, you run off as he races you with a full cart of groceries. There’s a curve you hit as you manage to squeeze through and smile back at your ex, somehow satisfied. Amidst skip, you feel a harsh push as you fling forward, falling onto your knees as a little boy winces, licks his lollipop, and walks away. 

Blood trickles down your knees as you fiercely turn back to look at a regretful loser. “Is it really that deep?” you spit out, ears turning bright red from your reasonable anger. He tries to help you up but that only receives him a slap in the face. “Great. I look like I just got my period. Unbelievable.” 

“You just hit me,” he speaks in disbelief.

“You just pushed me,” you retort pointing at your injury, flesh being creepily visible. “On purpose, I might add.”

The Monegasque scoffs, gently massaging his aching face, dark brows pointed at you like knives. “You’re one crazy fucking girl…”

“Thanks, I get that a lot.”

It's all a fateful haze, the way you end up in his car. You suppose it starts the moment he presses on helping you unload your groceries, as some sick apology. But it’s only my ice cream. But he sheepishly shrugs. Now blood paints his driver's seat as you sit on top of him, and occasional grunts overflow due to his red cheek. “I can’t have sex with you,” you mumble against his swollen lips, chest heaving as your tinted windows begin to fog up. It was still early, but you didn’t care. 

“And I shouldn’t want to have sex with you, and yet.” 

“Yeah,” you pant, kisses steaming up. “Okay then.”

Shame lingers on your drive back home, and grows even deeper when you realize your strawberry treat has melted.

-

You would never take yourself as a self-driven person; not like most people. It was only one of your many flaws, but in this very moment, bent over the kitchen counter, you promise to become one.

“I can’t keep going back to him,” you groan over the phone as Lily attentively listens to what she considers gossip, and you consider a mid-life crisis. “We broke up months ago, why do I keep doing this to myself?”

“Perhaps because two still care for one another.” And because you know you still love him, and he loves you, she wants to add but stops herself when you glare coldly. 

“I am so over him, are you kidding? I’ve never been better. In fact, I’m going out tonight. First man I see boom! Fuck him. Just like that.” You click your fingers magically for emphasis. 

Lily’s face drops as her eyes zigzag towards something behind her screen. Before she can try to talk you out of it, you hang up. She’s obviously joking, she stutters when Charles freezes, midway from hanging Alex a pair of joggers, since he had forgotten his own. The green-eyed boy forces a dark smile, tipping his head and heading out without a goodbye. 

“I should probably warn her.”

You weren’t picking up–you weren’t going to. It was starting to hit you how stupid this all was and you did not need your friends erasing the last bits of determination you had within you. Beaming at a group of guys, you can’t help but flutter your eyes as they quietly fight over who gets to have the first move. Dibs, if you must. Swallowing the last bit of your awful drink, you start making your way over before a warm hand grips your wrist. “No. I’m not doing this again.”

Charles rolls his eyes. “And you’re not doing that either, we’re leaving.” It takes a lot of mental strength to not kick him in the shin and run off, but you can’t help but slap him once again as soon as he drags you out into the alleyway. A habit you’ve picked up, I see, he growls.

“Why are you still doing this?” you whimper, glassy eyes looking up in complete defeat. “You broke up with me. I agreed. We’re supposed to be moving on from one another. Why can’t you at least try to let me go?”

It’s a punch to the gut, the sound of your raw voice, broken and weak. He takes a clumsy step back, chest tightening from the tense situation he has wheezed himself into. “Believe me, I’m trying but I just can’t…”

Your nose is runny, mascara coats you like a baby racoon, cheekbones are splotchy as if you’ve just been hit, and you were still the most beautiful thing he’s ever seen. Which is part of the reason why he can’t walk away from everything you've been through. 

“Well you’re not going to try, but I am. For real this time.”

-

It’s been ninety-two days, a lot, but not enough at the same time. But there was a piece of you that knew you weren’t missing him as much. So, maybe–it was. Enough, you suppose. It still hurts a tiny bit sometimes, watching him pose with fake smiles, or maybe they’re genuine, you can’t really tell the difference anymore. The way his eyes learned to sparkle for her over time. Fake can become real, it appears. But you being yearnful didn’t mean you weren’t moving on for your own sake. This was good, a new start. The kind you now looked forward to.

And it only took ninety-two fucking days.

taglist: @urfavnoirette @lpab @d3kstar @namgification @myownwritings

*feel free to let me know if you would like to be included in the general taglist!!

[moviecritc]

easiest conversation ⋆ carlos sainz

pairing: carlos sainz x fem!oc (named Angelique)

tropes: strangers to lovers

summary: carlos and angelique sat next to each other in a tennis match in monaco, leading to an endless conversation.

a/n: english is not my first language, sorry for the mistakes and poor storytelling. maybe a part 2 if you like it?

masterlist

Everybody was focused on Carlos' future in Formula 1, he tried so hard to not be worried about it, but every thing he does, the media somehow made it about his career as a driver. So, at the end, he couldn't do anything except being worried too. Many what ifs were in his mind anytime he thought about it.

The past weekend wete the Masters of Montecarlo, a tennis match, and taking advantage of the fact that he was in the city and most of he's teammates were also watching it, he attended as well.

Carlos didn't have the opportunity to talk to any of them, they were seated in different places in the public. Either way, seeing George, Charles and even Lando with their partners made him feel a little bit more miserable than he already felt. No seat and no girlfriend, that's not a very cool situation to be involved.

And there's even more, he doesn't even know a shit about tennis. He played paddel a few times with Lando, but tennis? He had no idea. So he just sat there, gasping when other people gasp and checking his phone once in a while.

"You seem lost," someone said.

Carlos lifts his head that exact moment, connecting looks with a light brunette that was looking at him above her sunglasses.

"Are you talking to me?" he asked, totally confused. Since when that woman was sitting by his side?.

"Yes. You look bored, maybe you just need someone to explain tennis in a cool way," she smiled. A beautiful smile.

Carlos also smiled a bit, in a weird way. Sometimes he forgots that there's people who can effortlesly talk to strangers in a cool and mysterious way. This woman was one of them.

"Yeah, sure. If you can,"

"If I can?" she seemed dramaticly offended. "You don't think a woman can explain tennis to you, man?"

"Oh, no, no, no. I didn't mean it in that way," he said quickly. "Please, go ahead."

She smiled and started explaining all about tennis in the most interesting and funny way possible.

"How do you know so much about tennis?" he asked.

"Well, I'm a tennis player," she explain. "I thought it was obvious."

Carlos noded a bit, noticing a few mobile phones and cameras pointing at them. He didn't realised it until now, and now he was wondering how many pictures and videos of him and that woman would be around the media.

"Uh, well... I mean, I have no idea about tennis," he said, nervously.

"Yeah, I could tell that," she laughed and she infected Carlos with the laughter. "I'm Angelique, by the way."

"Beautiful name. I'm Carlos," they shaked hands with smiles in their faces. He saw some redness on Angelique face after he complimented her. "So you are a tennis player?"

"Yeah." she simply answered.

"Are you good?" Carlos didn't want the conversation to die.

"I try to be," she said. "I'm fifth in the Women's Tennis Association, I don't know if that's enough for you."

Angelique pursed her lips, making a funny face that made Carlos smiled.

"That sounds really good," he said, truly impressed. They were both athletes, maybe that's why it feels so easy to talk to her.

"What about you?" she asked, raising her eyebrows.

"I'm a race driver,"

Angelique raised even more her eyebrows and wide-opened her eyes "Ok, that is so fucking cool!" she remarked. "Which team do you drive for?"

"Ferrari, but..."

"No way! That's even cooler!" she boasted. "I mean, I have no idea about Formula 1. But Ferrari? That is cool guy material, undoubtedly"

Carlos was too invested in Angelique's voice and eyebrow game that wasn't able to tell her that he isn't staying in Ferrari for too long. But they've just met, and being unemployed isn't something to say to someone right off the bat.

He realised that it was the first conversation in a while that he didn't have to mention anything about his future in Formula 1, another reason of him being this comfortable around Angelique.

"And, how did you became a tennis player?" Carlos asked, leaning a little bit to her.

Now, she was focusing on the ball and the movements of the players.

"My brother used to use me as a ball picker when he played tennis, then he broke his arm and I kept his racket," she explained without divert her eyes from the field.

"He stopped playing tennis after that?"

"Well, yes. When he could come back, he was too old and unexperience to achieve something," she said. "But he wasn't very good anyways."

They both laughed and Angelique take off her sunglasses so she could see Carlos better.

"Have you won something in tennis?" he curiously asked.

"Yeah, of course. Matchs and all those things,"

"Have you beaten Serena Williams?" he wondered, with a smirk.

"Not yet," she admited. "But I've won against people who beat Serena."

She smiled proudly. The match was about to end, and none of them were paying attention to it.

"Okey, that's pretty awesome," he said.

She crossed her legs and accomodated her long brown hair to one side, which left Carlos eyeing her in a romantic way.

"And you? How someone decides that he wants to drive really fast cars?"

"My father has been involved in motorsports for a long time,"

"It's always a family thing, don't you think?" she said. "It is hard to find someone who started in sports by themselves."

"It is!" Carlos agreed with her.

He was going to say something else, but they announce the end of the match, everybody standed up to give an applause. Both of them copied the rest of the people.

"Wait, who won?" Carlos asked, totally confused.

Angelique lean into him, whispering "I've no idea,"

They laughed and kept applausing. That was the end of the match and the end of their conversation. Angelique's agent rapidly came to her to take some pictures with the winner.

"Wait, wait," she insisted to her agent and then walked close to Carlos. "It was lovely talking to you, Carlos,"

"Same, Angelique. You seem an interesting person," he complimented. Carlos was willing to ask her for her number, or something.

"Are you coming to the finals tomorrow?" she asked, praying for a yes.

"I don't think so... I have a race soon in China,"

"Oh," she seemed disappointed. "Well, good luck for your race and..."

"Can I asked you for your number?" he said unexpectedly.

"Yes!" she realised that maybe she was too effusive, so she lower her tone. "I mean, yeah, sure. If you want."

Carlos laughed and Angelique did it too, in a more ashamed way. He gave her his phone so she could write her number.

"There you go," she said and her agent was already near her to leave the match. "Text me!"

Carlos laughed and waved at her, when he looked at his phone, he could do anything but laughed again. Angelique saved her as "That cute girl from the tennis match".

He wondered what was about that girl that made her so unique and easy to talk to her. Carlos didn't think about it very much, instead, he texted her right after she left the field.

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[cy-cyborg]

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

[emptylotfiasco]

i think a lot about the unstoppable march of time being a big theme in yakuza kiryu comes back ten years later to a world full of people thats completely moved on from him his brother hates him his love interest i just burny my hand on my cup oh my god. anyway yeah basically time marches on and fate does its thing ow ow ow. this is definitely amplified retroactively by yakuza 0 giving you this story about a guy whos gonna be a real yakuza star and his bond with his brother and sticking to their ideals and then cut to y1 kiryu has no standing nowhere to sleep basically nothing of his old life. but yeah i think the main thing is that this is a guy who is almost 40 years old who spent a decade of his life in prison and gave his life to an organisation and got nothing from it. and majima is also old old old and has nobody because his only family is a sworn brother whos waiting to get out of prison. hes 41 and he is not married and has no children and is giving his life to this organisation and he has been doing this for 17 years. really majima is a perfect yakuza he is a dangerous thug at the top of the ladder who does whatever the fuck he wants whenever he wants and even then all being a yakuza has ever done is chew him up and spit him out. kiryu is an exile who threw his name and criminal career and greatness down the shitter. his ideals and the path he follows make him a disgrace to their organisation and their ultraviolence lifestyle and make him a disgrace to majima who was gutted out in his pursuit of it and must constantly perpetuate it to have any kind of agency. okay what was i saying. these are not teenagers fooling around these are old men with empty existences at a collision point. who are fooling around

i gotta get my kazumaji thoughts together because i hate everyone

[beartitled]

Did you play the pristine cut of STP? What do you think of Dragon, Cage and HappilyEverAfter if so?

Spoilers for STP pristine cut under read more (+ a lot of text warning)

Hehe I see STP ppl are excited and want more silly comics

Well there’s a lot of things to say tbh 👀

Overall really enjoyed new content so far

It kinda feels like a fanservice for the people who already played the game

Which is not a bad thing, don’t get me wrong ☝️

I just view the original game as a perfect instalment, which doesn’t really need a continuation

New scenarios is just a pleasant bonus

(I’m one shot/short story fan okay 👉👈)

I already saw Dragon and Happily After routes

Yet to see all the variations the Cage route has to offer (heard ppl said it’s the most diverse one)

The Princess and The Dragon

HEY REMEMBER HOW I SAID I DON’T LIKE THE IDEA OF CHANGING THE GENDERS OF THE CHARACTERS BC THAT WAY THE DYNAMIC WOULD BE UNSETTLING?

YEA SO THIS ROUTE EXPLORED THAT DYNAMIC GUYS

I enjoyed this route, bc again

It’s scary, uncomfortable, makes you feel unsafe and uneasy 👁️👁️

Awesome depiction of how scary this type of situation would be

And of course bonus points, we got to see the bird bois 🎉

(Opportunist go brush yo teeth, u spooky lookin ass)

Happily ever after

Ok

Noooow we’re talking

I love that route, it’s my favourite so far

The pain, the suffering, the absolutely devastated British crowman

Brilliant, chills

This one actually feels like a missing part of the og game to me

I wanted to go into details about my opinions on that route in the future post

But now I want to talk 😈

👏Smitten👏my boy👏how are you in your edgy villain era already omg

Can we just admit for a second how badass Smitten is for escaping protagonist’s body?

Like-💥

This was the first route I saw and was like “Ooooh that’s probably the new gimmick, every voice is doing to escape and shenanigans happen” AND NO Smitten is just that guy™️ absolute chad

Minus points for “we will give her something she doesn’t know she wants yet”

*hits Smitten with newspaper*

Bad voice 💥🗞️bad 💥🗞️ we listen to what 💥🗞️our queen 💥🗞️wants 🗞️💥🗞️💥💥

But it works okay

The atmosphere is immaculate, I was legit concerned for a moment

Ok now give me a moment to be a nerd ☝️🤓

I love how this route gives Smitten flaws

I think finally we saw that every voice has them, because voices are an isolated part of a person, a pure feeling if you will

And Smitten represents that naïve love idealisation/love obsession

The guy loves the princess, she is pure perfection to him

This feeling is blinding and honestly pretty toxic irl

During the whole og game Smitten was never conflicting?

He pretty much the comedic relief of the whole game (and least it felt like that to me)

I think he was kinda a missed potential

Yes, love is sweet

Crushes are can be funny, silly and overall just positive

But it can be so destructive, so painful and so so exhausting when it gets to the point of obsession

And that route gives you a direct illustration of it

Which is amazing

I honestly think we don’t have enough media just showcasing this feeling of obsessive love and how dangerous it is

(yandere trope doesn’t count 👿 this trope just kinda glorified the issue)

And the tragedy is SMITTEN IS TOO DELUSIONAL TO EVEN UNDERSTAND WHAT HE’S DOING WRONG

My poor poor birb boy

He’s too focused on doing everything perfectly, to make princess satisfied, to make us satisfied, why isn’t it working? He does everything he can, why doesn’t it work? How doesn’t it work?

HE’S TOO LOVESTRUCK TO TAKE A STEP BACK AND REFLECT

AAAAAAAAA

God I’m insane about Happily ever after

As a person who struggles with this exact feeling of idolising and obsessing over ppl, I just really feel that route

Goth Smitten incoming *coughs*

Thanks for your question ❤️ hope you enjoyed reading my mess of thoughts💥

Share your thoughts in comments/reblogs if you want ppl

[writingwithcolor]

Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?

Dear readers: 

Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 

To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 

Opening Comments

I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 

Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 

I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 

Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 

Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.

R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 

When we say something is “not okay,” do we mean:

It’s offensive to the general majority of XYZ group? 

It’s contentious among people who ID in the group? 

It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?

Insetad try asking:

What are the reasons this subject is offensive? 

What makes cultural appropriation bad? 

When might it be “okay” to intentionally discuss a difficult or controversial topic?

What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 

What stereotypes or tropes might it be consistently identified as or associated with, and why? 

When might it be justified to bring up these tropes?

With That In Mind...

Let’s get into the rest of the ask below. 

…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.

M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 

R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 

There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 

M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.

R: Same. It’s boring tbh. 

M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!

The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…

M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 

…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.

R: Marika, looks like you were right on the Gaelic/Nordic influence /j 

Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 

One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.

[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.

M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 

The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]

R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 

The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 

M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 

2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]

R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 

So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?

It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!

M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 

You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 

FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 

P.S. 

We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!

[twisted-wonderland-but-gayer]

Oh! I dont usually see Grim dislike/hate. Can I ask why you don't like him? I think there's def room for improvement for him, but I cant find it in me to truely hate him since he reminds me of a character I really like. (Puppycat from Bee and Puppycat)

He's just such wasted potential.

Look I'm into flawed characters, but I don't like stagnant asshole characters that are in the majority of a media. Grim has barely improved since the start of the game.

He's rude, obnoxious, continues to actively cause you problems and throws you under the bus quite often (I mean look at the most recent Crewels SSR card– he tries to blame you for his mistakes and yet still gets you in trouble).

In every event he's the same. Be annoying, make a few dumb/rude remarks abt the culture, "I'm hungrryyy". I think in one event I've counted him talking abt food abt 35 times? Like I don't mind the trope of "monster creature loves food" but that's all he is and doesn't have half the endearing traits. He never shuts up about himself. He's so boring/generic. How is Morgana better than him

He still seldom shows affection for you. Like you barely get to semi bond when talking about his past. This was the only main scene we had to get attached to him before book 6. Seriously throughout every book he's just been overly cocky, rude, annoying, and suddenly you care only about him and not the fact that several people were kidnapped and the school was trashed and that the world is ending.

I thought he would have a huge change of heart after book 6 and his moment of him crying— which honestly didn't move me cause he didn't do anything for us to get attached to in canon. You really have to make up your own headcanons and theories to really make him "good". He's also your buddy but it seems he aknowedges as much as the rest of the cast

He didn't even have a change of heart as he immediately went back to being him. Sure there was that scene in book 7 where he says he's gonna protect you and calls out for you but it's like... cool you had several years to develop and we have maybe 4 scenes of you being an actual character and not some plot device/instigator.

The other thing too is how he is in school. He wants so badly to be a good mage and be the best in NRC but doesn't actively do anything to achieve that. He continues to never study and slack off (which fucks Yuu over cause they're 1/2 a student).

By all means, I'm not saying he can't be annoyed at what being a mage entails or a hypocrite (flaws are important). But he's been one for years and hasn't changed a bit. He still has shown very little improvement for someone who claims to sorta care about his "henchhuman" he certainly continues to impact their grades and school life. (Plus consider yuu not being from this world and all the extra effort they have to put in for a -C, its implied in the book). I wouldn't be surprised if he hurt Yuus pockets a lot too with his selfish appetite.

The main issue I have with him overall is the lack of consequences for him. He almost set everyone on fire? OK. He apparently scratched yuu very bad and that's that. No scene where you confront him about it or the rocks that he eats that you continuously warn him about. You can argue book 6 was the punishment but it didn't seem like it. He'll cause so many issues and get a slap on the wrist for it.

I think the best thing to do right now is to have Yuu snap at him so he improves. Fuck up their friendship. Make him realize he has been bad and actually have him change. A dramatic friend breakup. It would be the only way for Grim to change quickly rn with how long it's been

Have Yuu become a full student and watch him fall apart as Yuu doesn't need to rely on him and they're able to get their As in peace as Grim gets his Fs. Let them get angry. Seriously I'm so mentally ill over the concept of Yuu in general esp in game Yuu and all the ways to make them foils to characters or have them be angst fuel.

I want to like Grim. I love found family. But he just doesn't deserve that currently. He just sucks.

Do do understand why people like him. But I'm not one of them with the state he's in. I'm sorry I don't feel bad at all.

[bakasara]

Trying to parse my thoughts on Izzy's death and why I had a different reaction to it than I thought I would. To summarize: I thought I wouldn't like it, but also that they wouldn't do it; the opposite happened– they did it but I'm ok with it.

I'm also feeling like talking through some mourning for an amazing character, so follow along if that's you, too 😌

(I should probably clarify the following thoughts are coming from someone who deeply enjoyed this season.)

I first wondered what would be of Izzy around the end of season 1. I expected him to have a heel-face turn – which I object to calling a redemption arc and I'll get into why, because the distinction ties into his death imo. A lot of antagonistic characters' changes of heart end directly in death, but I thought they'd subvert that trope. And they... did, actually, despite Izzy dying. Not an option I had imagined.

What the show avoided is the logic, the set of tropes attached to the deaths of this kind of character. These deaths usually come as a consequence of the character's changed ethics or "redemption". My being against that scenario came from the diverging natures of traditional redemption arcs and OFMD's rhetoric.

A traditional redemption arc functions by a kind of catholic logic, if you will: the villain can become one of the good guys by balancing out his "sins"/bad deeds with enough good deeds to tip a moral scale. This often involves a purifying suffering, which acts as an agent to expiate one's faults. To the viewer, this suffering can serve to activate our empathy and make the character more sympathetic. It can also legitimize his quest: our trust in the character's good intentions comes from seeing that the character is ready to make sacrifices to become better and he isn't deterred by the hardships of doing the right thing.

The death occurring at the end of a traditional redemption arc acts as the ultimate sacrifice and/or purification. A number of ideas might be at play behind it, depending on each story: only in death can the soul become fully pure, or a final sacrifice is "needed" to demonstrate the change once and for all, or change was only possible up to a point after which there is no viable/acceptable future – the character deserves moral points for changing, but not so many that he also deserves a full life, or past crimes make him more expendable, etc.

But these are all ideas that aren't evoked in any of the crew's journey in OFMD. For starters, the show isn't interested in "catholic" redemption; its focus is on reintegration/rehabilitation into the community. Rather than appealing to the more traditional (in Western media) and more christian principle of "purification of the soul through mortification of the body", it plays with notions of restorative justice.

We see it especially this season with Ed and Izzy. Ed's arc is a whole little lab for it. We have the community being made to decide whether he can stay or should leave; catbell!Ed is made to apologize to the people affected – which he initially does abysmally, with what fandom has dubbed his "CEO's/YouTube apology". Later, he's given the opportunity to have a more honest and genuine conversation with Fang where he learns about how he hurt him. He's made to repair some of the material damage his behavior caused. Some members feel repaid by the idea that they did to him the same he did to them (Fang) while others don't (Lucius), and the show touches on what this means for each/legitimizes both feelings. Arguably, Ed using his treasure to throw Calypso's birthday party – a much needed refrain and moment of social (re-)connection within the community – is an additional form of reparation. While Stede's belief in Ed has a clear role in helping Ed change for the better, Izzy's s2 journey focuses even more intensely on the role of social support within an individual's constructive (re-)integration into their community. The show is condensed by choice of format, but the beats are all there.

With that kind of rhetoric set up, I'd never be able to accept Izzy dying in a way that feels like a punishment for his past crimes, nor in a way that should "confirm" his positive change/"purify" him for good. And he doesn't! By the time he dies, we know full well he's deeply changed, it's already established to completion. How it happens has nothing to do with proving himself – he's randomly shot in battle. It's never questioned that the time he got to live surrounded by affection mattered. The speech he gives Ed is only possible because he's changed, accessing a completely different perspective on piracy/life than before, like we see when he talks to Ricky earlier. The reason the whole crew is paying respect and crying is because he became "the new unicorn", a treasured member with a defined role. But his death itself is the show going back to the initial symbolism of Izzy as ultimate pirate. The narrative function of his death is underscoring that the age of piracy has come to an end. It's nothing to do with his change. It's posited as the "natural conclusion" (again, by symbolic function) of a character that represented piracy through-and-through, not the "natural conclusion" of a process of becoming better.

And for me, that difference changes everything. I can see and accept the logic behind it, even as I mourn Izzy as a character. It makes the grief feel like a catharsis I experience within the context of the story I'm watching, rather than a grief I feel from a show "betraying" me.

It's also a difference that completely changes how Izzy's death relates to his queerness. Izzy's change is intertwined with being able to express queer affection openly. Becoming "a unicorn" is this extremely queer imagery already – a magical rainbow creature. His role becomes akin to a mother to the crew (the mother hen!Izzy many headcanoned last season, tapping into his potential), a position that isn't extraneous to older queens, including our honored real-life mean-old-queer men. Last season he threatened another queer man for showing too much delicacy, effeminacy, vulnerability. Now, his change is a process that culminates in him singing a tender love song among the crew in drag. He's given the privilege of playing the soundtrack to our protagonists making love for the first time, which ties him symbolically to the event in a way it does no other crew member. Suffice it to say that insinuating his process of change should end in death would have been disastrous, as far as I'm concerned. Antithetical to the show's supporting ideology.

But that's not how it went. Grief occupies a big role in the queer community, but it's so rare that we get to experience it cathartically. In real life, we often have to contend with the ways queerphobia causes us trauma or even shortens our lives, or the lives of our friends. In fictional narratives, a lot of characters that get to express queerness unabashedly still die for the transgression. They're still usually the only queer character with relevant screen time or at all, at best one of two that formed a tragic couple.

We almost never have the opportunity to just mourn some motherfucker who died because they meant something else as well that was central to their character. To mourn and know we're mourning someone who wasn't ever punished for being queer-as-in-fuck-you and going all out. To mourn and not feel like it's another message of queer doom, because for once the character is surrounded by an entire crew of other queer characters that go on to live and be happy. To know the story is saying something about life, not about being queer. To know this kind of crafting was deliberate, too, because the creator has talked about working to avoid those tropes. I struggle to remember another time I had the opportunity to grieve for a queer character like they're a human being, without the implication that it's queerness itself that's a death sentence.

And honestly? It feels good. It feels like a form of catharsis I do not dislike. That I'm maybe kinda glad for. OFMD is and stays a magical world. Beyond that, in a show full of queers, one of them dies after getting some extraordinarily meaningful happiness, and it's peaceful, and I get to just be sad for the fucker without the gutting of being reminded that if you're gay, better not shoot too high. It feels like a completely different emotion that no other show, for now, would give me, but OFMD. To me, it's yet another thing it's pulled off.

As it's been known to do.

[luvsturniolo]

hi!! i rlly love ur writing and i wanted to ask if i could request something where readers reputation is ruined by a false rumor which leads reader to thinking they aren’t loveable but chris doesn’t think that cause he’s in love with her?

basically the trope “one believes they’re hard to love and someone who loves them like it’s breathing”.

ー ★ !! unloveable

pairing : chris sturniolo x fem!reader

synopsis : after some bad rumors are past around social media, you begin to overthink about whether or not you’re even loveable

a/n : ok but why this is request so fucking adorable ???? like the trope u put at the end makes me want to put my blood, sweat, and tears into this. UGHHHHH no matter who it's written, i'm gonna be 100% convinced it's not good enough because i love this prompt so insanely much

wc : 3.7k

you have been friends with the triplets for a few years now, and you all agreed to keep your face off of social media. it started when you jokingly voiced that you were a bit scared to be judged by the entire world. the triplets — mainly chris — took this seriously, though. they know how difficult it can be to have millions of eyes glued to you at all times. due to their awareness, nick suggested that you stayed off of their platforms to avoid any backlash that you're not ready for.

to be honest, at first you were a bit skeptical of his idea. i mean, you'd never had a ton of random people watching you like they always do. it seems easy enough, though. just make sure to keep your privacy hidden and don't do anything bad on camera. despite your questions, you agreed with nick's proposal. plus, the triplets are the experts here ; not you.

it's been three years since you guys came to this agreement. and it's been working out pretty well, frankly. nobody knows that you're friends with the triplets at all. nobody even has had the thought cross their mind. you're a random chick with a few hundred followers and they're famous youtubers with millions. no sane person would make that connection.

a year and a half ago, you and chris started dating. your relationship is the healthiest you've ever been in. he's caring, he listens when you talk, he hugs you a lot, he likes to compliment you, he buys 'just because' flowers.

you have had a past of toxic relationships. you told chris about them and he's been trying his hardest to heal the mental scars your exes have left behind. one of your past boyfriends was manipulative, another one was narcissistic, another was a proud cheater, and the last wasn't even present in your life.

"hey," you whisper into the darkness before you.

you're currently at the triplets' house, staying the night. nick texted you and asked if you wanted to have a sleepover — which you happily agreed to. you'd been watching a movie with nick in his room for the past hour or two, but he fell asleep a few minutes ago. you were on your way to sneak into chris's room when you heard someone rummaging through the kitchen cabinets.

overtaken by curiosity, you tip-toed down the hall to see who it was. you poked your head around the corner to make sure it wasn't an intruder. your nerves instantly calmed down at the sight of your boyfriend, hungrily searching for a midnight snack.

"hey," he answers, turning around to face you as you stand in the doorway, "why are you still up? it's late."

"i could ask you the same thing." you tell him with a light chuckle shaking your chest. you then walk into the kitchen and over to where chris stands in front of the pantry. he smiles down at you, causing your stomach to twist. its pretty crazy to think that you still get butterflies from him. most people say that you won't feel giddy forever, but you seem to have proven that theory to be incorrect. it's been nearly two years and you still get flustered when he smiles at you.

you lift your hands into the air before dramatically flopping down onto his chest. your wrap your arms around his neck and bury your face into his shirt. he smells like home, a comforting scent that always makes you relax as it meets your nostrils. chris grins down at you before wrapping his arms around your torso, holding you by the waist lovingly.

"i'm assuming nick fell asleep?" he asks you.

not in the mood to open your mouth, you simply nod in response. he feels your head shift against his chest and he accepts the answer. normally, he teases you for being lazy. but chris loves it when you're sleepy like this. he loves seeing you all delirious and disoriented. teasing you would be like taunting a lost puppy — it's not right. morally.

"he always falls asleep when you guys watch movies together." chris says as though you didn't know that. "didn't he promise to stay awake this time? i thought you guys were planning to pull and all-nighter."

"that didn't happen." you say. your voice comes out muffled from his shirt presses to your face. "he pinky promised to stay awake, but fell asleep thirty minutes into the film we were watching. i stayed up and finished it, though."

"you finished it before or after you came to find me?" chris asks with a laugh. you just roll your eyes as a smile grazes your lips. he can feel the way your mouth pulls upward against his skin. knowing that you're smiling and he can't see it kinda pisses him off. your smile is his favorite thing in the whole world and he's missing it? that's completely unacceptable.

you yawn, blinking a few times to keep yourself from succumbing to slumber. chris notices your fatigue and asks if you're ready for bed. "yes, please!" you respond eagerly, excited to lay down with him and go to sleep in his arms. chris laughs at your excitement, honestly finding it adorable that you're so impatient to sleep.

the two of you walk back to his room together and you grin at the sight of his bed. you rush ahead of him and flop down onto the mattress. your face is pointed up at the ceiling as chris plops down next to you, looking at the ceiling as well.

"is this your equivalent to star gazing?" he asks you, knowing how obsessed you are with the thought of looking at stars together. it's something you've always begged him to do with you. but chris has refused. not because he doesn't want to, but because he wants to do it right. you're looking forward to doing this so bad that he refuses to settle for anything less than the absolute best.

he thinks the stars aren't bright enough in the city. he wants to bring you out to a field and look at them. but you still complain about it constantly �� unaware of his little plan.

"yeah," you say with a groan, "since my boyfriend won't look at stars with me, i have to look at your popcorn ceiling instead. my standards have been lowered for you by a lot, i hope you know!"

chris laughs, leaning over to place a kiss on your forehead. he stays hovering over you before he whispers "soon, baby." against your skin. the feeling of his lips grazing your head tickles, making you giggle a little. chris's grin widens at the sound. he sits up and watches your giggles fade away, enjoying the bliss of seeing you smile like this.

"what?" you ask with a laugh, noticing the way your boyfriend is staring at you shamelessly.

"nothing." he replies with a shrug. "you're just so beautiful, i can't help but stare."

you look at him with nothing but admiration behind your gaze. it's truly surreal how far you've come in such a little amount of time. just a few years ago, you were in a toxic relationship with a guy who cheated on you with a different girl each night. and whenever you would confront him about it, he would turn it into an argument — which he would win every time. but now? now you're with chris. who is the literal epitome of perfection. you genuinely want to spend the rest of your life with him. nothing else matters but you two.

you and chris end the night in each other's arms. he holds your body against his side, your face buried in the crook of his neck.

the both of you find yourselves falling into an easy, dreamless slumber. this is your favorite place in the world — his arms. no matter what's wrong in your life, the feeling of security always patches every issue. regardless of how messy.

after a few hours of bliss, you jump awake at the sound of chris's bedroom door slamming open. the back of the door hits his wall, the sound of impact waking up chris as well. you feel his shift next to you, his arms still wrapped around your waist. you groan, not wanting to open your eyes.

suddenly, you hear chris gasp. then he pulls the blanket over your face, holding you against his chest protectively. of course, your mind jumps to the worst conclusion — someone broke in and you're all gonna die! you find out that this wasn't this case, though, when you hear chris's voice begin to scold his brother.

"nicolas!" chris shouts. the anger in his voice tells you that this is serious and you should stay out of it. "what the actual fuck are you thinking!?"

"i didn't know you guys were cuddling!" nick tries to defend himself. "if i'd known, i wouldn't have come in! you know i respect your decision to keep y/n hidden! why the hell would i ever do this on purpose!?"

"well where else would she be sleeping if she wasn't with you!?" chris argues back.

slowly, you peak your head out from under the blanket before cautiously asking, "what happened?"

"nick thought it'd be clever to start a live stream at eleven in the fucking morning! then, he had the bright idea to come in here and surprise us!" chris explains, still very very pissed off. "and of course he didn't think to knock like a normal person. he instead took it upon himself to walk right on in and record us!"

"i thought it was just chris!" nick says, stuffing his phone in his pocket now that he's ended the live. "i don't even know if anyone saw her. maybe they missed it and we can just say that it was matt?"

"why the fuck would i be snuggling matt?"

you laugh, trying to lighten the mood. "chris, lets be real. you cuddle your brother more than your girlfriend."

"i love you," chris says softly, "but it's now is not the time for jokes. this could be a huge fucking problem."

"okay, i'm sorry." you're quick to apologize, stretching up to press a kiss to his cheek before gently whispering, "i love you too." against skin.

you notice nick slowly back out of chris's room, not wanting to be around if chris decides to get angry again. you glance up at your boyfriend only to see that he's already staring at nick's departing form. chris is obviously still angry, but he doesn't seem to care enough to argue with his brother again. so he lets nick leave without giving him a hard time.

once nick is completely out of the room, you hear chris sigh. like it's a pained, saddened sigh that makes you want to cry for him. you look up to meet his worried eyes already glancing down at you.

"hey," you whisper, propping yourself up on your elbow to look at him better. "it'll be okay. we'll work it out like we always do." chris smiles at this before leaning down to press a slow, gentle kiss to your lips. you kiss him back before giggling and grimacing away from it. "i have horrid morning breath. let me brush my teeth before you kiss me."

you begin to move around toward the edge of the bed, aiming to leave and brush your teeth so you can start the day. before you can even make it to the side of the mattress, you feel chris's arms wrap around your torso and pull your body backward against his chest.

"i don't care about your breath," he tells you, "i just want you to stay with me a while longer. brush your teeth later."

you chuckle, "that's so nasty."

"pleeeease," he begs, tightening his grip around you, pulling your body firmly against his own. "stay with me, baby."

chris know how you feel about pet names. you hate them. they make you cringe. but when he whispers it against the back of your neck and you feel his breath against the hairs of your skin, you can't help the butterflies that swarm your stomach. you instantly give in and twist around to hug him.

"okay. i'll stay." you inform him, returning to the position you guys were in while sleeping. you shut your eyes before continuing. "but don't ever call me baby again."

"why not?" chris asks, clearly upset. "i could tell you liked it by the way you gave in so quickly. why can't i call you a nickname every once in a while. i think they're cute."

you groan, "i'm sleepy. let's talk about this later."

chris agrees and you both fall back asleep, enjoying the comfort of being in each other's arms. you know that no matter what happens with the media seeing your face, you'll always have chris by your side. nothing else is important as long as he is next to you.

the next time you wake up, it's bright outside.

you're no longer in chris's arms with him spooning you. you're now laying diagonally across the bed with your head in his lap as he scrolls through his phone. you blink a few times to let your eyes focus to the light of the room.

"mornin' baby." he says, quickly shutting off his phone and hiding it under his leg.

the action of him hiding his phone is enough to distract you from the use of the pet name. you raise a brow at his behavior, growing a bit concerned. you trust chris more than anything, but considering your history with cheaters, you can't help the annoyance that resides in your gut.

"what were you looking at, hm?" you ask him, trying not to be rude or anything. you want to stay calm with him because it's probably nothing.

"nothing, babe."

again, you ignore the nickname and focus on his suspicious demeanor. you thin your eyes at him, trying to read his body language. but it's difficult. he doesn't seem like he was texting some random chick, but why else would he hide his phone from you? you guys always share everything because he knows how you can get with this sort of thing.

curiosity overtaking your mind, you reach over and snatch his phone out from under his leg. chris opens his mouth to argue, but doesn't do anything to stop you from opening it and going to his recently opened app.

he was on tiktok, scrolling through the comments of some random fan page. you shoot chris a weird look before reading a few of them, your heart dropping to your ass from a mix of embarrassment and shame.

"did y'all see nick's live this morning?"

"who tf was that girl w chris? lmao she's not even pretty 💀"

"i found the chick's insta and she's apparently been in some rly shitty relationships. i mean lets be real. chris has never seriously dated anyone but this girl has been cheated on, manipulated, and abused? there's a clear denominator here. she's def done smth to cause that (for attention i'm guessing) "

"guys chris won't stay w her for long anyway after he finds out ab her ugly history!"

you read through the comments with an expression of pure disgust. how the fuck are these people going to sit here and talk bad about you when you've never even shown your face on the triplets channel? it's completely unfair.

you look at chris, but he's looking away. you wonder why he hasn't defended you on this. also, he was reading these people's opinions with a straight face. you begin to worry if he believes what they're saying. you glance back down at his screen, reading the third comment over and over.

there's a clear denominator here they had said. i mean, they're not necessarily wrong about that. you've been in bad relationships whereas chris has never dated anyone for a long period of time. in this light, of course you look like the bad guy. you can't technically blame their fans for judging you. you're easy to judge.

tears begin to prick your eye and you hand chris back his phone before wordlessly standing up from the bed and leaving his room. not once did he try to stop you or ask you to stay with him. you walk down the triplets' hallway and enter the bathroom, locking the door behind you and sitting down on the closed toilet seat.

you hold your face in your hands and try your hardest not to start crying over a bunch of teenagers talking shit on your name. but you can't help the intense weight on your chest and the lump in your throat.

to be honest, you don't give a shit about their insults. what you care about is the fact that they're right. you don't deserve someone like chris. he's so sweet and kind and understanding while you're irritable and skeptical of every little thing he does. you've done nothing to earn someone like him. maybe you have only ever been in toxic situations because that's what you deserve.

before you can stop them, tears begin to pour from your eyes. your cheeks become soaked with your pain. your entire body trembles as you sob into your hands, making it harder and harder to breathe correctly.

you love chris. you love him more than anything. you want to share the rest of your life with him. but you don't want to make him settle for less — the less in this case being your relationship. he deserves someone better. someone who won't snatch his phone from him when he's only trying to protect you from pain. someone who will let him call you pentanes because he loves them. someone who will be better. someone who's not you.

suddenly, you hear a knock at the door.

already knowing who it is, you tell chris to go away. your voice comes out shaky and hoarse, making it incredibly easy to know you'd been crying. the tone practically screams at him, saying that you're upset over something he tried to save you from in the first place.

"will you please let me in, baby?" chris asks. his voice is soft and gentle. you're suddenly craving the feeling of being in his arms. the feeling of being loved. the feeling of having him comfort you.

the greedy emotions you feel paired with the nickname makes it impossible to not open the door for him. you shuffle over to the door and let him in. you sit back down on the toilet seat, keeping your head downcast the whole time as to not see his face or show your tears.

you stare at the floor, watching his feet pad across the tiled floor before he stops in front of you. he drops to his knees so his face is in line with yours. you quickly turn away and stare at the shower curtain, letting your hair to cover your puffy eyes.

chris sighs before grabbing your chin and forcing you to look at him. he lifts his other hand to your hair, tucking it behind your ears so he can admire every inch of your beauty with no veil to cover the rawness of it. he lets out a shaky exhale, using his thumb to wipe away your tears. all the while, you keep your eyes pinned to his face. you watch every single movement he makes, knowing that you don't deserve any of the kindness he's offering you.

knowing that this relationship will not last forever, you begin to cry again. you lean forward and rest your forehead against chris's shoulder, allowing tears to pool from your eyes as he rubs a hand up and down your back.

"what's going on in that pretty head of yours?" he asks with his voice in a whisper. "i wanna know what you're thinking so i can tell you how irrational it is."

you laugh at him, but it just causes you to let out a choked sob. his humor is your favorite part about him. the fact that chris can make you laugh in any given situation is what you adore most. hearing him do it while you're thinking of how to break the news that you're leaving him so he can find someone better? this is gut wrenching.

"i love you." you tell him. "so, so fucking much."

"i love you too." he replies easily, not thinking anything of the fact that you're telling him this right now. but when you continue, chris begins to put the pieces together and he starts vigorously shaking his head in refusal.

"these past two years have been the best of my whole life," you tell him with a wavering voice. "but you deserve better. you deserve the world. and i can't offer that to you, chris."

"i don't want the fucking world." he says, grabbing you by the shoulders and pulling you to be in front of him to look you in the eyes. "i want you and only you."

"but-"

"no." he interrupts. "i don't give a single fuck what anyone else thinks. and i'm sorry, but i don't even really care what you think right now. because you're all wrong. i belong with you and i don't want anyone else even if i was paid a million dollars."

you stare at him with wide eyes, your dried tears still adorning your skin. the would could be ending outside, and you would stay in this bathroom and continue to stare at chris. his eyes are so gorgeously blue that you find yourself getting lost in them.

if you guys get married and live the rest of your lives together, your bodies will change. your skin will wrinkle. your hair will grey. your lips will thin. your hands will shake. your back will hunch. nothing about your appearance is permanent. nothing except the eyes. the shade, the hue, and the iris will all stay the same until they close for the last time. and you can't wait to look into chris's eyes for the rest of your life.

"i think you would be crazy to reject a million dollars for me." you tell him with a little giggle, wiping at your cheeks to rid them of the leftover tears.

chris's heart flutters at the sight of your smile, "there she is."

tags : @kasqnxx @lvrsparadise @prettysturniolo @strniolo @urmyslxt @cupidsturniolo @opheliaofficial07 @thetriplets3 @sturn1olo-ffics @uhnanix @deadxrx @kitaysworld @lovelysturniolo @wilmalovegood @ladylokilaufeyson5 @sturniolopepsi @strnilolo @knowingnothingnoel @its-jennarose @lea0518 @slaysturniolo @sturnlover @tcvazq

[kinardsevan]

After 8x06, I thought the support dialogue was to show how "Buck will be ok, he has his people", but now I'm reading it the way you do. Seriously, if the 118 doesn't show up to either support Tommy in the waiting room with Buck at death's door or for Tommy when he's the one close to dying, I'll give the bvddies a win and actually start questioning my media literacy.

so here's why i'm in the helicopter crash trope:

it FILLS so many foreshadowed moments. we have from 710 onward, moments that have built up to something happening to Tommy. we also have the fallout of the breakup and how we see Buck dealing. we have callbacks in so many different ways that all lend themselves to this story going their way. and if anyone needs me to spell it out again:

704: "the way the 118 has become like a family over there. I wanted to be a part of that."

710: "my dad and i don't really talk that much.... when i was at the 118, I had Gerrard. come to think of it, having Gerrard was like having the father I already had." (I might be butchering this since I'm quoting from memory and not watching clips).

805: "people are what make our lives worth living." "It's a beautiful thing, isn't it? Having a crew like this around you when things go wrong?" "Especially when things go wrong." >>> I cannot address ENOUGH how important this exchange felt from the minute it was said. It tied directly back to the fact that Tommy was still on the outside to some degree.

I think we've also seen though from 805 that the team does care about Tommy being around. if they didn't want him there, he could've been asked to leave, etc. I'm not entirely sure how we get to the resolution of "this is not just my family, it's our family", but I do think it starts with Tommy getting hurt and seeing people show up for him.

finally though, 😂😂😂😂 i've never claimed to know SHIT about media literacy. what I do know a crap ton about though, is psychology. and as i said last week (when I was assuming it was Tommy on the crane), i'm just over here picking up the breadcrumbs they lay down. maybe those breadcrumbs lead to nowhere, but also maybe they do lead to somewhere.

all I know is, it seems to easy to let the story be told the way they have with these stories weaving the way they do and not have some kind of pay off for it. it just feel like cheap writing then, and leads me back to my point that if that's all it is, these people don't belong running a network show.

[xinganhao]

ⓘ frequently asked questions.

put together a quick list of common asks i get, just to make things easier. ദ്ദി ˉ͈̀꒳ˉ͈́ )✧ may update as i see fit. last updated: dec. 29, 2024

what apps do you use?

i primarily use social maker; secondarily, social dummy. unfortunately, both apps are no longer on the app/play store. :( i've seen people use memi message as an alternative for texts + twinote for sns.

how do you do the instagram stories?

i go in depth on it here. the general gist is that i make a highlight on instagram -> rename the highlight to the 'username' i want -> add to the highlight & screenshot from there.

how do i read all of your work?

my masterlist is in my pinned tweet, but you can also check out the #── ᵎᵎ ✦ mine tag to scroll through my work without my answered asks, yapping, etc.

how do i know if/when requests are open?

i indicate on my pinned post whether requests are open or not. as i've mentioned in my guidelines, i don't consider requests sent while the requesting period is closed.

what types of requests are ok?

🟢 fluff, angst, crack. established relationships, platonic relationships/friendships, poly relationships. a range of au's including non-idol, idol!reader, etc. boyfriend!svt, brother!svt, husband!svt. reqs based on songs, media (i.e. movies, series), tropes, or prompts. 🟡 smut/suggestive (can be difficult to translate in this format). cheating/infidelity, emotional hurt/comfort, themes of grief, high school aus. reqs based on another author's body of work (unless they've explicitly stated they are okay with remixes/spin-offs). 🔴 abuse, age gaps, character death, emotional manipulation, gender swap, sa/sh/ed, terminal illnesses, yandere. reqs based on a different user's smau/text imagines.

why haven't you answered my ask for a certain request?

i'm still slowly but surely working through my inbox. sometimes, i'll time/schedule a release, which is why i may keep an ask as i consider how to execute it. i'm never intentionally unresponsive; there's just a lot of asks to work through and, again, i sometimes like to bide my time to ensure the quality of my work. there are also times where i simply do not have the inspiration for a certain request. i sometimes still keep an ask, just in case i might be inspired at a later date/time. otherwise, i make no promises on the fulfillment of any requests/prompts sent my way.

will [insert verse] have a part two?

sequels to any verse is always subject to inspiration. i don't mind getting asks/comments like this, if only because it gives me some idea of what people might want to see more of! but please understand that━ for the most part━ each piece of work should be able to stand on its own, unless otherwise stated.

can you give us more headcanons/drabbles for [insert verse]?

gladly! it's sometimes easier for me to come up with brief headcanons or drabbles for my work, and i love, love, love talking about most verses. if you have any questions or clarifications, my inbox is always open. i'm usually more open to these than making a full second 'part'.

what are your favorite tropes/alternate universes?

second chance romance/exes to lovers, enemies/rivals to lovers, first loves, slowburn, idiots in love. aus: soulmates, dystopias, college/university, sports, entertainment industry.

why don't you follow back?

xinganhao is a sideblog to @ylangelegy.

are you filipino?

🫡 so feel free to interact with me in fil/eng! hehe.

who are your bias/es?

i ult hao (surprise, surprise), but my bias line includes vernon, jihoon, and soonyoung.

what other groups do you stan?

stray kids is my ult. i also follow day6, tomorrow x together, xdinary heroes, and p1harmony. fun fact: i got into k-pop via yook sungjae of btob! (•ᴗ•,, )

🧾 © xinganhao, est. 2024. good morning, and in case i don't see ya— good afternoon, good evening, and good night! 🧸