#i like dean as a character he’s very interesting

[e-dubbc11]

Such a Flirt

Photos are not mine. They are courtesy of Pinterest/Google.

Pairing: Dean Winchester x F! Hunter Reader; supporting character Sam Winchester

Warnings: SMUT! (18+ please or I’m telling on you) fingering, oral, p in v protected sex (be safe out there everyone), couple of swear words, love confessions

Word Count: 3.3K-ish

Summary: Dean and Sam ask for your help getting information from a bartender at a local bar. You’re a smooth talker and can get info from anyone but Dean hates having to watch you flirt with handsome men.

A/N: Fair warning, there’s only a little plot with this one. I really just wanted to get to the smexy time. I had the strongest urge to write some smut for this smexy son of a bitch, I don’t know why but I’m just very much in love with all things Jensen Ackles right now(I’ve watched Tracker, My Bloody Valentine, and started watching season 3 of the Boys again plus random episodes of Supernatural) I can’t wait to meet him in October! I hope you like this one!

As always, thank you for reading!  I appreciate it so much and comments, reblogs are welcome and encouraged. Don’t be shy to tell me your favorite part. 💕💕 💕

“Dude, why are you grinding your teeth like that?” Asked Sam.

Dean’s eyes were fixated on you as you flirted with the bartender. You were trying to see if he knew anything about a man who was in the bar a couple of days ago.

Later, the man couldn’t explain why he had beaten his girlfriend to death after being seen in the bar with a beautiful woman who was definitely NOT his girlfriend.

“Does she have to flirt so hard with that guy?!” Growled Dean. “He’s not even that good looking!”

Dean angrily took a sip of his beer and continued to watch you like a hawk.

Sam rolled his eyes, pressed his lips together in a straight line and tried to continue talking about the case with Dean but he was more interested in what you were saying to the bartender.

“She’s trying to get information for us, Dean. Relax.” Said Sam.

The boys didn’t always need a third “FBI agent.” Sometimes they just needed help getting information from the opposite sex. Men were a lot freer with their words with you rather than the “feds.”

You mostly hunted on your own but they would call you from time to time when they needed your…”wits,” so to speak. Plus, you liked to watch Dean struggle with his feelings for you and you very much liked him back but it was fun to make him jealous.

**********

Before leaving the bunker, you had asked, “What kinda bar is it?”

“What do you mean what kind? It’s a bar, y/n.” Answered Dean.

“Ok, I realize that, Dean but is it a biker bar, a country western bar, one that doesn’t have a theme? I need to know what kinda clothes to bring. I threw a whole bunch in my car, I’ll bring the one outfit I need, and pick up the rest back here before I head home.” You replied.

Sam was already on his laptop doing research so he did a quick search and found the bar’s website online.

“Looks like it’s quite the nice place, y/n. Reviews say it’s an after work hot spot for bankers, real estate brokers, professionals, etc.” Said Sam.

You replied, “Soooooo a little swanky, but don’t dress like a high end call girl, got it. You guys will fit in perfectly wearing your FED suits.”

You decided to go for the “classy attorney” look but without a blazer. A Kelly green fitted silk blouse, black wide-leg pants that had black studs on the seam, and black ankle boots. Your perfectly chosen outfit, paired with a black structured tote bag seemed like impeccable choices.

Eat your heart out, Dean Winchester.

While they were out eating lunch, you did your hair and makeup. You didn’t do this super girly stuff very often but you liked…feeling pretty. The times that the boys needed you to turn on the charm and bat your long lashes to get information, were really fun for you.

Drawing on your black winged eyeliner after having a little too much coffee proved to be difficult sometimes but you were a professional and could probably do it with your eyes closed if you needed to.

A medium tone matte eyeshadow and a bold lip completed the look while a strobe light like highlighter emphasized the high points of your face.

Satisfied with your look, you watched a little tv before changing clothes. They would be back soon to pick you up for drinks after they talked to the local cops.

While in the bathroom, you heard the door open and Dean called out to you.

“Y/n?! You better be ready; we gotta go!” Said Dean.

You emerged from the bathroom fully dressed with the exception of your shoes.

“Ok, ok keep your shirt on, Winchester. I just need my boots.” You replied.

After slipping into your boots, you picked up your bag and finally had a chance to look up. For once, Dean’s brow wasn’t furrowed and you could see his hypnotizing green eyes much better which caught you off guard.

“What is it? Do I have something on my pants?” You said, gazing down at your pants then turning in a circle with your head over your shoulder, trying to look at your own ass.

Dean was speechless and couldn’t get any words out so Sam answered as he tossed a burger at you, “Nope, all good. Let’s go. You can eat in the car.”

They walked up ahead as you locked the door behind you.

“Dude, what is wrong with you? You were staring at her.” Said Sam.

Dean replied, “She looks too good, Sam.”

“Can you wrestle with your feelings for her another time? She’s supposed to look nice.” Sam said.

Nervously, Dean whispered, “Well she’s distracting! And I don’t have THOSE kinds of feelings for her.”

“Whatever you say, dude.” Replied Sam with raised eyebrows.

You covered your mouth so they wouldn’t see you crack a smile.

While riding in the car, you leaned forward so the boys could hear you better. Making sure he could feel your breath on his ear, you said, “You two can go in first, have a seat, and I’ll make my way in after a few minutes. You can keep an eye on me as I walk up to the bar.”

A sly smirk stretched across your lips as you slinked back into your seat and looked at Dean in the rearview mirror, trying his hardest NOT to appear flustered but failing miserably.

You could have made it easy and told Dean how you felt about him but he deserved to be on the receiving end of the teasing. Women made it easy for him, just falling at his feet which meant he had his pick and he hated every time you teased him.

And now, drinking at the corner of the bar, you could feel him burning a hole in your head with his angry stare. It appeared that Dean couldn’t take just sitting there anymore. Sam tried to grab hold of his jacket but he missed and Dean started to walk over to the bar when the bartender walked away to wait on someone else.

“I’m getting some good stuff, Dean. Get outta here!” You whisper yelled at him without looking and without drawing attention to yourself.

He nonchalantly whisper yelled back at you, “You’re being a little TOO friendly with him, don’t ya think?”

“I’m perfectly capable of weaseling information out of a dumb bartender. Now get outta here before I kick your ass all over this bar!” You growled.

“Need something, friend?” The bartender asked Dean.

A tad flustered, Dean replied with a narrowed expression, “Two more beers, buddy. Thanks.”

You got what you needed from the bartender and after another hour or so, you paid for your drinks and left. Dean and Sam followed you out a handful of minutes later.

“Can we get pizza?” You asked.

Dean was always in a better mood if he was fed properly so as a peace offering, you bought pizza on the way back to the motel. And of course, Dean picked up more beer.

Settling in with your dinner, you told them everything Jeremy, the bartender, told you about what he witnessed.

“Whoa, whoa, whoa, I didn’t know the two of you were on a first name basis.” Said Dean.

You rolled your eyes.

“Will you let me finish, please!?” You asked.

“Dean…let her finish. Come on.” Said Sam.

Dean continued to pace back and forth while you talked.

“…So the woman that he left with, Jeremy had never seen before. And this guy hung on her every word, gazed at her like she hung the moon, she said all the right things. Almost like he was legit under a spell or something.” You finished.

Sam had his laptop open. His fingers swiftly typed words into the search engine and he then flipped the screen around to show you and Dean what he found.

“I think we might be dealing with another siren.” Said Sam, confidently. “Two other women were murdered by husbands or boyfriends after encounters with beautiful women at that bar. Sirens need love and they compel people to kill to show devotion to them.” He turned to Dean. “Remember that one we dealt with before? The time where we were trying to kill each other?”

Dean nodded. “Yeah, I remember. I try not to though.”

Preoccupied with Dean’s eyes, they had darkened a little to match better with the green shirt you had on, you covered your infatuation by pushing the chair across from you out from under the table.

“Take a load off, tiger. You’re makin’ me nervous with all this pacin’ around you’re doin’.” You said in between bites of pizza.

The Winchester brothers were your second family and you knew them well, especially Dean so you knew when something was really bothering him. And right now, something was definitely bothering him.

Sam’s face was buried in his laptop, it was quiet in the room except for the sounds of fingers moving across a keyboard, and the tension in the room was so thick, you could cut it with a knife. Something about you being there was keeping Dean on edge so you finally decided to break the silence.

“Dean? Come on. What is it? You’re being extra grouchy right now, so grouchy that pizza couldn’t fix it. Ever since I walked outta the bathroom earlier, you’ve been short with me.” You said, calmly.

He pressed the palm of his hand to his forehead and traced the outside of his lips with his thumb and forefinger before narrowing his eyes at you.

You knew that look. The look of an extremely handsome literal green-eyed monster glaring at you from across the table. Dean was close to blowing a gasket.

He pointed at you and in his low gravelly voice said, “I don’t like it when you flirt with other men. There! I said it, ok!? You happy!?”

In one fluid motion, Sam closed his laptop, grabbed the keys to the car and said, “I’m gonna go talk to the cops again. Lemme know when you two work THIS out.”

You started to say, “O-ok, well just be—“

“Yep, I’ll be careful. I know what to look for. I’ll see ya guys later.” Said Sam.

The door closed behind him, the Impala roared to life, and Sam drove off, leaving you and Dean alone in the motel room.

“Well that was weird. Anyway…Dean, I’m just doing what you guys asked me to do! You needed me to get information, so I turned on my charm and I got what we needed just like any other time you’ve needed me for something like this!” You said with a raised voice.

Dean stood up from the table and loosened his tie a little. Unbuttoning the top button on his dress shirt, he didn’t take his gaze away from you.

“You don’t have to be THAT good, ya know! They eat it up every single time! Lemme ask you this…did that Jeremy guy ask for your number?”

Seeing Dean this upset made you think that he didn’t just have a little crush on you.

Feeling a little warm, you unbuttoned a couple of buttons on your blouse and stood up also. You were reluctant to answer him but finally said softly, “Yes, he did.”

“HA! I fuckin’ knew it! They always do and did you give it to him?” Asked Dean.

You started to answer before he interrupted you, “Dean…”

“Did you!?” He asked again.

Not wanting to confess your feelings first, you tried to stall.

“No, I didn’t!” You shouted.

The table was in between the two of you. Both of you were breathing heavily, your jawlines tight with anger and frustration, and the sound of your heart beating inside your chest was deafening.

“Oh yeah?! And why should I believe you, y/n?!” Dean growled.

“I’ve never given any of them my number, Dean! Not a single one!” You bellowed.

His expression softened as he asked, “Well…why not?”

After a long day, you couldn’t help but collapse onto the bed. You allowed your legs to give out and sat down on the edge of the mattress before answering him.

“Why do you think, ya big dumb animal?! Because the only guy's number I want in my phone is yours, Dean! And Sam’s but for different reasons. You know what I’m trying to say, stop looking at me like that.” You said, nervously.

He walked around the table, gazed down at you with his beautiful green eyes, they were the color of fresh blades of grass, and leaned over to inch his face closer to yours. The sprinkling of freckles across his nose was so youthful and adorable. You swallowed hard as you felt his breath against your eyelashes.

“And why do you think I get the way that I do when I see you flirt with other guys? You know why, don’t you sweetheart.” He said, melodiously.

Dean’s lips were ghosting over yours. You were silently begging him to just kiss you and kiss you hard. All the tension that had been building over the years was coming to a head right now. His tie dangled down from around his neck, you were dying to just pull him on top of you and find out what he tastes like…all of him.

“Because you want me as much as I want you?” You replied, gently touching his tie.

Still holding his tie, you inched yourself up toward the headboard. Dean followed your lead as you removed his tie and began to unbutton his dress shirt.

“I want you more.” He purred into your ear before his perfect lips crashed onto yours.

Dean covered your mouth with his own, devouring you with every kiss he placed on your lips, neck and jaw. You won the fight to be on top, although you were sure he let you win, and you continued to unbutton his shirt while he grasped clumsily at the buttons on yours.

They were small so he was having a hard time with them until you stepped in.

“I’ll do them, baby.” You whispered as he haphazardly tossed his clothes to the side.

You stood up and let your pants fall to your ankles while you finished unbuttoning your silk shirt. His desire for you was very apparent by the large tent in his boxers that you felt against your core as soon as you straddled him. The bottom of the shirt brushed against his thighs and goosebumps peppered across his skin.

You decided to let him finish undressing you.

Dean’s hands gently pushed your shirt off of your shoulders and all that was left was the black lace bra that was barely containing your breasts that he could not wait to get you out of. The man was a pro at unhooking your bra with one hand. If you didn’t want him so badly, you would have stopped to give him shit for it.

He lightly nipped the skin down the side of your neck, making you gasp when he got to the spot where your neck meets your shoulder. You felt like you could have come just by him biting down on that sweet spot. The growing ache between your thighs was torture and you desperately wanted him to touch you.

Like he read your mind, his strong hands migrated from your breasts down to your waist. Reaching in between your thighs, Dean teased your entrance with one finger, then slid another inside with ease.

“You’re soaked, sweetheart.” He whispered as a strangled moan escaped your lips.

To suffocate your screams, you bit down on your lower lip as he continued to move his talented fingers, hooking them in just the right spot to make you see stars, and drew circles on your clit to really tease you.

“Dean!” You pleaded, just before you hit your peak and tightly clenched around his fingers.

“You can be loud, baby. These kinds of places are used to noises like that, if ya know what I mean.” He said with a wink and a smirk.

You smiled back, pressed your lips to his, and lightly bit down on his bottom lip before starting to pepper kisses down his chest.

After pulling down his boxers, you took him into your mouth. A deep guttural moan and words of praise fled from Dean’s lips when your tongue circled the underside. That made him draw in a sharp breath as his fingers tangled in your hair.

“Fuck, that feels good, sweetheart.” He hissed and mumbled something else incoherently.

Crawling up his body, he slipped on a condom and then as you straddled him, you replied, “My mouth isn’t just for flirting, Dean.”

He slid into you with ease, burying himself to the hilt, causing you both to gasp before he cut your moan short with a hard kiss. You circled your hips slowly, allowing him to go deeper inside you, and it sent sharp tingles down your spine.

You pulled him in close as your walls began to tighten around him, clinging to him like your life depended on it with your climax starting to build.

Dean’s body was a warm cradle for yours as his fast abrupt strokes were about to send you over the edge and fast. But he loved to look at you so he pulled away slightly and watched your pleasure surge through you.

As you were riding out one orgasm, Dean managed to pull another one from you as you loudly called out his name like no one else was around which made him feral.

His movements became faster, more brutal, pulling out of you just so he could slam into you again and again as his body went rigid underneath you. Crushing your waist, his arms were wrapped around you so tightly that all of the air escaped your lungs.

His release came hard and fast, followed by a strangled moan while your bodies trembled from overstimulation. Dean’s eyes were wide and unfocused as he tried to catch his breath while you leaned in for a gentle kiss and let your fingers glide through his soft brown hair.

Collapsing on top of him, you smiled against his chest as his fingers tickled the outside of your arm and the only thing you could hear was Dean’s heart beating rapidly against your ear.

Trying to get your breathing under control, you covered yourself with the sheet and finally managed to ask, “So…does this mean you don’t want me to flirt for information anymore?”

Dean kissed the top of your head and replied, “As long as you come home with me, I’ll allow it.”

“ALLOW IT?! You’re not the boss of me, Winchester.” You said, sarcastically.

He licked his lips as you looked up at him through your long dark lashes.

In barely more than a whisper, he said, “Well what if I told you you’re really pretty and that I might be…in love with you?”

“Awww…you’re really pretty too!” You said, jokingly.

Dean rolled his eyes, “Alright, I’m tryin’ to—“

Wrapped up in the sheet, you sat upright, cupped his cheeks and pressed your lips to his, your tongue slipped into his mouth to tangle with his as a low growl escaped his lips.

“I might be in love with you too.” You whispered against his mouth.

Chasing each other’s smiles, he continued to kiss you until you heard a key in the door. Sam walked in, took one look at the two of you and without missing a beat said, “Oh good, you two worked it out. So I was thinking, I might know who—“

He stopped, looked at the two of you and shouted, “Guys…that’s MY bed!!”

You and Dean started to laugh.

Oops.

Tag List: @munsonownsmyass @gijos @stoneyggirl2 @vaguekayla

Others that might enjoy: @k-marzolf @jvanilly @fluffyprettykitty @imagine-a-fictional-boyfriend @deans-spinster-witch @savorxe

If you would like to be added to(or removed from) my tag list(s) for this smexy Winchester, just let me know!

[keen-eye]

Hello, Dean 🫵

[normalbrothershow]

sam keeping the door to his room ajar both during the day and when hes sleeping + azazel and lucifer appearing to him for the first time in sams bedrooms + pattern of shots with sam in a bedroom/motel rooms from a voyeuristic angle + dean breaking into sams apartment in the pilot and his motel room in 7.03 + lucifer using sams room + death waiting for him in a secluded cabin (and dean/gadreel still able to worm inside) = sam never having anywhere private, "safe" or where he can truly hide himself away, not even "his own rooms", because if anyone wants to get in, they WILL get in = metaphor for sams body, mind, thoughts

[fernhelm]

people who are afraid of fem sirius are the weakest links in this fandom

[aliusfrater]

for the life of me i cannot figure out why people are so desperate to apply a version of dean's facade to sam

[adreamoverlife]

Is this a safe place to admit I don’t really like the way Castiel is often talked about in relation to destiel or will I be crucified for the second time

[acediscowlng]

okay, time for some dean musings before i get to 13x21 just because i feel like i haven't been talking about him as much and like you know, i always think of sam's progression through the show as a process of unbecoming, and in contrast to that, i think that dean's arc is one of becoming.

like way back in season 1 when we first meet him, he's this boy playing at being a man wearing his dad's old leather jacket and driving his dad's car, and the jacket doesn't quite fit and the car isn't quite his, but he's getting there and we see him get there as the show progresses. he outwardly becomes more and more of himself and the person he's always meant to be: the fictionalized and idealized version of a man, moral and righteous but not soft, battered and experienced and worldly but unbeaten and unbroken. he has everything anyone could possibly want, the women and the drink and the car but he's not allowed to like or find any pleasure in any of them because pleasure leads to desire and desire leads to sin and he can't do that. he can't be anything other than what he was always meant to be.

and i think that tension is at the core of dean winchester and ties into the dean's relationship with the story, particularly his relationship with violence. because this is a story where violence isn't bad as long as you're catholic about it, violence is okay as long as you have a righteous cause and a crusade to fight and as long as you don't want it. And Dean is the poster child of this. In the things he did in Hell with Alistair and what he did in Purgatory and what he did with the Mark of Cain and as a demon. He likes violence. He likes that it gives him power and agency, he likes that it gives him control in a situation where he is not meant to be anything other than a role to play. So he suppresses it the way he suppress the part of him that also likes the stability and agency and emotional clarity that violence gives him because those things are inherently tied to violence and his life since he was four years old is just violence, just guns and killing things, so life is violence and he might even like it and he might even want it but he's not supposed to do that so he doesn't.

So you get to who he is in late seasons: a person who cannot separate family from violence and violence from power and power from stability, and a man who isn't allowed to change. a man who seems to care more about having people-cas, mary, sam-than actually cultivating a relationship with them because that means he has to be dynamic, he has to change, he has to want to have something with them and he has to let himself have it, and well. he was never allowed to do that, so it never occurs to him that he can be anything other than what he is supposed to be.

And you know, it's easy to lean into the toxicity of that, I certainly do, but I don't know. There is something so deeply human about that. It's an old truism in writing that interesting characters change, but there is also something really interesting in stasis. In the discomfort and pain of being stuck. In a story that is both steady and volatile at once and being right in the middle of that and being the anchoring point in a storm and a world falling apart, and in both a watsonian and a doylist sense, the world, dean's world will quite literally collapse if he moves, so he doesn't. And it's not noble and it's not tragic and it's not sinister or despicable. It just is. And that kind of helplessness and powerlessness is impossible to navigate, and i don't know. i can't help but feel for him.

[flugame-mp3]

SEASON NINE FINALE WAS WILD. I HAVE MANY MANY THOUGHTS. WHAT JUST HAPPENED. A FUCKING ROLLER COASTER FOR SURE

[incesthemes]

ok what i really like about the family dynamics presented in spn is that dean, despite being a cocky, sarcastic, emotionally stunted bastard, is the mediator and the family man. honestly it reminds me a lot of my own family, so the seeming contradiction makes perfect sense because i'm so familiar with it. he has next to no emotional intelligence, but he's unwaveringly devoted to his family and will do anything to keep them safe, even going so far as to sacrifice himself emotionally and physically for john and sam. it's a very unique brand of selflessness that i don't see portrayed all that often because the "mediator" characters are usually the more emotional and kind-hearted characters (take, for example, piper in charmed)

[paradesgoby]

kinda funny that despite dean being my favourite character in jadoat and by far the most relatable, i cannot write in his POV. he's a fucking mystery to me.

[cassael]

You know . I've mentioned this at some point on here before but I've heard jo was created as a character that's meant to be ThE fEmAlE dean and I really really don't see it.

[tuesdaykiss]

“touching toes”

rafe cameron social media au

“he’s over more and more, had to give him a whole drawer. to be honest, kinda like seeing his trainers by the door.” — olivia dean, ‘touching toes’.

synopsis: after finishing her fashion studies at college in nyc, y/n moves to outerbanks to live with her grandparents. she worries about the loneliness that comes with being in a new place, knowing only her cousin topper and other relatives… that is until she is acquainted with a certain cameron.

important character details:

sarah cameron - a popular and highly successful model, dividing her time between the glamorous world of la and her home in the obx.

rafe cameron - the older brother of sarah cameron, known for being just that (the fan girls love him). i guess you could call him an influencer, but i doubt he’d be very fond of that label: he models from time to time.

y/n - topper’s cousin, up-and-coming social media influencer, recently moving to the obx after studying fashion at a college in nyc.

some of her interests;

⋆ ballet

⋆ photography

⋆ fashion (duh!)

everyone else in outerbanks is pretty normal, in terms of social media presence. this is set post-college; everyone is early 20s. they’re all still finding their feet, getting to grips with the world.

masterlist:

1 - goodbye lady liberty

2 - good morning obx

3 - after the party

4 - photographing

5 - his trainers by the door

6 - morning, nan!

7 - let’s go to the beach, beach

8 - in a magazine

9 - i hate men

10 - i love your dad

11 - that’s how it goes

12 - la?

13 - i’ll be so safe

14 - what you didn’t plan for

15 - friends

16 - you know me so well

17 - room service

18 - talk to me

19 - sarah

20 - she knows

21 - nice to have some help

22 - i knew it!

23 - telling top

24 - enemies to lovers

25 - that’s what sea said

26 - we’re doing this

27 - she got a boyfriend

a/n: i have never written anything on tumblr ever, so please bare with as i get to grips with how to use it. i don’t have a full plan… i’m just going with the flow! (wish me luck ig)

[dreamerimpossible]

Slasher Reaction When You're Not Interested In Sex

Warnings: +18 content, manipulation, obsession, unhealthy relationships, dark content, there is a hint of non-con in Art the Clown and Alex DeLarge (are you surprised?), angst, mentions of infidelity in some.

Characters: Michael Myers, Chucky, Billy Loomis, Stu Macher, Patrick Bateman, Hannibal Lecter, Vincent Sinclair, Jason Voorhees, Leatherface, Art The Clown, Jason Dean, Alex DeLarge, Kurt Kunkle, Brahms.

Michael Myers

Does he really care about that stuff? I feel like you'd have to actively provoke him to get him interested in having sex with you. If you don't bring out that side of him, he won't care. Seriously, he doesn't care. It's quite likely that he won't even care whether or not you want to have sex. He'd rather have you have a bad side that you can't control, something that makes you more like him than anyone else. He'll enjoy that badness and chaos. Sex takes a backseat.

Chucky (Human Version)

I honestly don't think it would work. However, if he really wants to keep you for himself, you'll have to agree to let him have sex with other people. In that case, I think it would work. He'll try to convince you anyway, but he won't force you if you say no. But you'll probably fight, because he'll think it's personal and that you have something against him, and then you'll have an argument that escalates and you'll end your relationship in the worst way. After that they'll get back together and then break up again. And so on. Although, if we're being honest, that scenario is going to happen either way (Chucky is toxic).

Billy Loomis

Okay, he will. But he'll be very manipulative; he'll push you all the time about it, and it'll be much worse if you know he's Ghostface since he might threaten you, and his manipulations will be much worse than if he was pretending to be a good boyfriend. I think you'd eventually agree, but he'll get used to you giving it to him, and it'll be much worse when you say no. I think he wouldn't force you physically, but he'll pretty much use psychological manipulation to get you to do what he wants from you, which is still forcing.

Stu Macher

If you're just another low-level conquest, he'll cheat on you or leave you for someone else. If you're someone special, he'll stick with you even though he gets frustrated. He could be very loyal if you push his weaknesses correctly without Billy finding out. He will insist that you have sex with him in a silly way, acting innocent and playful, but you will be able to see his disappointed and upset face when you say no. However, if you play your cards right, I think he might continue with you without cheating on you; but you have to manipulate him, which will make your relationship even more toxic, but at this point…who cares?

Patrick Bateman

Tough scenario for you. If he thinks you are a person worthy of him, but you just happen not to want to have sex as often as he does, he will overlook that little flaw of yours. However, that doesn't mean it will be good. He wants you to admire him, to be the center of his life, to moan his name loud enough for everyone to hear. If he doesn't feel that way in the sexual realm as well, he will end up cheating on you with other people, but he will keep you by his side selfishly.

Hannibal Lecter

He doesn't care. Just give him control over you in all the other areas of your life. Give him the pleasure of watching you break down to the point of questioning your own morals and life choices. Make him play with your mind and show him your reactions. Tell him everything that happens to you so he can see if he can use it in some way. Give him a challenge and keep him entertained with your conversations. Provide him with a context that leaves him in euphoria and maximum exaltation. If you can do that…who needs sex?

Vincent Sinclair

He will be slightly disappointed, but he will respect you. He will not treat you differently or anything like that. He will not cheat on you or betray you in any way either. He will be very frustrated if Bo finds out and starts bothering him, but it is nothing he cannot handle. Other than that, I don't see any other problems. He cares more about your loyalty and that you follow the orders imposed on you. That's all.

Jason Voorhees

The best scenario for him. It will be much better if you do not want to have sex ever. He likes not having to fight those instincts that disturb him greatly. It's not even going to be brought up; just tell him you're not interested, and the subject will be forgotten as if it never even existed. This doesn't change your relationship at all. In fact, I think it will be better, because for Jason you won't be an unwanted temptation for him, so he won't have two opposing thoughts about you to deal with.

Leatherface

It's okay; he'll understand. He won't force you or anything like that. He won't treat you differently either. I don't think he cares about those things, if I'm honest. He's more focused on his family and loyalty. And that includes you too. He asks that you get along with his family and be okay with what they do. That you don't have a problem, basically.

Art the Clown

He doesn't care in the conventional way. But if he finds out that the subject is sensitive for you, he will use it against you. So it's best not to let it show or say anything to him, because this man is a fucking madman who enjoys other people's pain (you know that). If you don't say it, the subject will go unnoticed for a long time. If Art ever feels sexual desire towards you and wants to have sex with you, he will simply take you and use you. Seriously, he won't ask questions. He sees you as his toy.

Jason Dean

For him not to care, you would have to be crazy like him. In that case, he will overlook it, because he will believe that something as crude as sex does not have to hinder a love as perfect as yours. I think that at first he will feel personally offended by your refusal; he will try to explain to you that he feels rejected. If you explain it sincerely, he will understand and will not insist further. But he will use it against you in arguments to get you to give him more attention and spend more time with him, claiming that he does a lot of things for you.

Alex DeLarge

Uh… no. He wouldn't take you seriously if you didn't want to have sex as much as he does. He likes sex quite a bit; he's not going to give that up. I think he might keep you around if you like ultraviolence and enjoy it as much as he does. I don't think he'll leave behind a person to help him and follow his orders. But you two can't be a couple; it just wouldn't work. He'll actively try to provoke you into falling for it. In your case, it would be much more fun if you gave it to him consensually, because that would mean he has complete control over you and can make you do things he wants of your own free will. However, if he doesn't want you around him because he's not interested in you in any way other than sexually… then things get darker. We already know his tendencies.

Kurt Kunkle

If he doesn't feel rejected, he doesn't care. If he feels rejected, the relationship will be more toxic. He is manipulative and obsessive. He wants you to admire and love him; if he feels that you dislike him sexually, he will not force you, but he will be excessively controlling, and you will argue a lot. He uses it to victimize himself. There will come a point where he becomes a nuisance to you. On the other hand, if he does not feel rejected, that is fine; he will be toxic in other aspects of the relationship.

Brahms

He will take it personally, no matter what you tell him. He will manipulate you, and it will be emotionally draining for you. You will probably agree on several occasions to get him to shut up, or you will end up manipulating him with sex to obey you. He will obey you every time if you offer him sex. He would like to resist, but he is too hungry for contact and needs to feel the sensation.

[quietwingsinthesky]

zachariah is the best character on this show actually

[countingdots-tc]

TEACHER/STUDENT BOOK RECS

*if you want me to add a forbidden romance list, let me know*

𓃠 This is a list with hyperlinks to books that have teacher/student, age gap, and experienced/less experienced themes that I have read! These are in order from most recommended to least recommended based on my opinion.

𓃠 This will be updated as I read more! Think something should be added to the list? then let me know!

𓃠 Happy reading!

⭐️= highly recommend/changed my life

😇= no smut

🌶️=contains smut

💦=read to really get your rocks off

highlighted=warning

PROFESSOR/COACH BOOK LIST

The Unrequited by Saffron A. Kent-⭐️😇

ProfessorxStudent & mental health themes

Cute little poet embarrassingly falls for her grumpy professor. Beautiful slow burn and perfectly describes what it feels like to want someone and not feel enough for them. She is such a realistic female lead and reminds me a lot of y’all 😂. This is THE teacher crush community book. If you don’t read anything, read this!!

The Professor by Invi Wright-⭐️🌶️

ProfessorxStudent

Cute romance by young, new, and self published author. Very relatable female lead. If you enjoyed The Unrequited, you will like this book for all of the same reasons. Quick and easy read, only 240. She isn’t perfect, she’s clumsy, and I wouldn’t even say she’s socially awkward, she’s just a normal college student in her early 20s. She’s a fun narrator. This author has a lot of potential and her writing will only get better.

Gabriel’s Inferno by Slyvain Reynard-⭐️😇

ProfessorxStudent

Such a good dark academia book. Beautifully written and actually has a movie adaptation. I would definitely recommend this if you want a realistic couple but a bit more serious. Characters have so much depth

Off Balance Series by Lucia Franco- 💦

CoachxStudent

Warning: female lead is age of consent NOT legal age.

If you want something really forbidden and fucked up, read this. If you want the MOST insane sex scenes, read this (MINORS STOP). I really don’t even want to add this series to this list but for the girls who wanna go there, have fun. I started this when I was still in high school, read the 3rd one as an adult, it’s not as easy to read now. Take that info as you please. With that being said, it’s one of the best writing and plots I’ve ever read. Lucia Franco’s other work is 😍

The Professor by Skye Warren-🌶️

ProfessorxStudent

Also an ex-boyfriend’s dad book! This book was amazing! Read it in a day and immediately pre ordered the second. The plot twist in this book made me throw my phone! Narrator/FMC is a bit less relatable for me. Has a secret society plot! Potentially brooding Professor

The 4th Degree by Nikki Castle- 💦

MMA CoachxStudent

Warning: parent death & parent w/ chronic illness

Coach is so broody but has a big heart, he just doesn’t like to show it. FMC has so much depth and is really mature for a 19 y.o. Coach is a quiet character with a dirty mouth. Doesn’t talk much but when he does??? The tension between them is chefs kiss. Not too much a a slow burn. “Will they, won’t they, will they, won’t they” vibes.

Lessons In Sin by Pam Goodwin-🌶️

TeacherxStudent with 18 Y.O female lead

Troubled rich girl gets sent off to a catholic boarding school and falls for the asshole Dean of the school. Smut is pretty good, plot works. I’m not going to say it’s bad, I think whether or not it’s enjoyable depends on the person. It wasn’t bad, I just wasn’t obsessed. If you’re just trying to live vicariously through her (aren’t we all), then it works!

Teach Me by L. L. Ash-🌶️

ProfessorxStudent

Really good start, and I do mean GREAT start… I just feel like the sex scene came too soon (Ch. 9/32) and it threw me off but I also like SUPER slow burns. It’s still a good book. I enjoyed the male love interest, Professor Harlo. They’re cute together. Grump and Sunshine.

Waking Olivia by Elizabeth O’Roark

CoachxCollege Athlete & mental health themes

Great concept! Rare that you see two moody & broody MCs… not my favorite execution of it. It’s not so bad that i think it’s objectively bad. I could see where someone else likes it. But I don’t. Why are they grumpily ogling each others bodies by the 3rd chapter? If you just need ur fix, it works. Has potential

Dark Notes by Pam Goodwin-

TeacherxStudent & themes of abuse

Probably DNF-ing

AGE GAP BOOK LIST

Something In The Way Series by Jessica Hawkins-⭐️😇

Sister’s Boyfriend/Husband & “I saw him first”

Most beautiful romance series I’ve ever read, best written books by Jessica Hawkins. I recommend all of her other books. Lake is 16 when she first meets Manning but nothing sexual happens between them for another 3 books until she’s in her 20s. Beautiful slow burn with characters full of depth.

Sinner by Sierra Simone- ⭐️💦

Brother’s Best Friend & religious themes

Amazing character creation and mapping. These characters feel real! This book is about “teaching” a girl about sex before she becomes a nun. It’s not just a bang bang, hump hump book. It has heart and it really good. If you enjoy religious themed romance, you may enjoy Priest by Sierra Simone too. I didn’t 💀

Birthday Girl by Penelope Douglas- 💦

Ex’s Dad

Most popular forbidden romance so whatever you’ve heard about it, dump it. This might be the most tame book on this list. Pacing is good, well written main character. Insane amounts of smut but it doesn’t drive the story forward so feel free to skip it if you get tired.

Love Unexpected by Q. B. Tyler- 💦

Ex Stepdad & parent death

This book is HOT! However after the first few scenes, I got a bit tired of the smut. Well written enough female lead with a rushed ending. However if you just need something to read and not despise it, it’s good enough.

Strictly Off Limits by Jessica Hawkins-🌶️

Dad’s Best Friend

Jessica is my favorite author so I’m a bit biased but she definitely isn’t a smut writer. This novella would’ve been better without smut however it isn’t super present and doesn’t really drive the story forward so don’t feel like you’re missing anything if you skip the smut!

The Doctor by Nikki Sloane- 💦

Ex’s Dad

personally didn’t care for this book, smut starts off way too quick and I’m more of a slow burn girl. It is a novella yet, it was still too quick. However! You may love it <3

𓃠 If I’m not reading fast enough for you and you want to see what I will be reading in the future here is my Amazon TBR, have at it!

𓃠 If you want to see a more organized bookshelf of what I’ve read, here is my Goodreads!

[beifong-brainrot]

Hey so can we like stop with the "Zutara is for the girls and Kataang is for the boys" thing. It's silly and it's breakdancing just on the edge of gender essentialism.

The assumption that there is something inherent to Zutara that appeals predominantly to women and Kataang that appeals predominantly to men is dishonest because every ship can have appeal to all genders.

The discussion of the "female gaze" in Zutara and the "male gaze" in Kataang is also redundant. I enjoy dissecting the concept of "the gaze", however it is important to note that the "female gaze" doesn't have a set definition or grouping of conventions it adheres to. Lisa French,  Dean of RMIT University’s School of Media and Communication says:

“The female gaze is not homogeneous, singular or monolithic, and it will necessarily take many forms... The aesthetic approaches, experiences and films of women directors are as diverse as their individual life situations and the cultures in which they live. The "female' gaze” is not intended here'to denote a singular concept. There' are many gazes."

Now excuse me as I put on my pretentious humanistics student hat.

Kataang's appeal to women and the female gaze

Before I start, I want to note that the female gaze is still a developing concept

There are very few female film directors and writers, and most of them are white. The wants and desires of women of colour, the demographic Katara falls into, are still wildly underepresented. Additionally, the concept of the female gaze had many facets, due to it being more focused on emotional connections rather than physical appearance as the male gaze usually is. Which means that multiple male archetypes fall into the category of "for the female gaze".

The "female gaze" can be best described as a response to the "male gaze", which was first introduced by Laura Mulvey in her paper: "Visual Pleasure and Narrative Cinema" , however the term "male gaze" itself was not used in the paper.

Mulvey brought up the concept of the female character and form as the passive, objectified subject to the active voyeuristic male gaze, which the audience is encouraged to identify, usually through the male character.

To quote her:

"In a world ordered by sexual imbalance', pleasure' in looking has been split between active'/male' and passive/female'. The determining male gaze' projects its fantasy onto the female' figure', which is styled accordingly."

Mulvey also brings up the concept of scopopfillia (the term being introduced by Freud), the concept of deriving sexual gratification from both looking and being looked at. This concept has strong overtones of voyeurism, exhibitionism and narcissism, placing forth the idea that these overtones are what keeps the male viewer invested. That he is able to project onto the male character, therefore being also able to possess the passive female love interest.

However, it's important to note that Mulvey's essay is very much a product of its times, focused on the white, heterosexual and cisgender cinema of her time. She also drew a lot of inspiration from Freud's questionable work, including ye ole penis envy. Mulvey's paper was groundbreaking at the time, but we can't ignore how it reinforces the gender binary and of course doesn't touch on the way POC, particularly women of colour are represented in film.

In her paper, Mulvey fails to consider anyone who isn't a white, cis, heterosexual man or woman. With how underrepresented voices of minorities already are both in media and everyday life, this is something that we need to remember and strive to correct.

Additionally Mulvey often falls into gender essentialism, which I previously mentioned at the beginning of this post. Funny how that keeps coming up

"Visual Pleasure and Narrative Cinema" started a very interesting and important conversation, and I will still be drawing from certain parts of it, however huge swathes of this text have already become near archaic, as our culture and relationship with media evolves at an incredible pace.

And as filmaking evolves, so does our definition of the male and female gaze. So let's see what contemporary filmakers say of it.

In 2016, in her speech during the Toronto International Film Festival , producer of the TV series Transparent, Jill Soloway says:

“Numero uno, I think the Female Gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters. I take the camera and I say, hey, audience, I’m not just showing you this thing, I want you to really feel with me.

[Chismale is Soloway's nickname for cis males btw]

So the term "female gaze" is a bit of a misnomer, since it aims to focus on capturing the feelings of characters of all genders. It's becoming more of a new way of telling stories in film, rather than a way to cater to what white, cisgender, heterosexual women might find attractive in a man.

Now, Aang is the decided protagonist of the show, however, Atla having somewhat of an ensemble cast leads to the perspective shifting between different characters.

In the first episode of atla, we very much see Katara's perspective of Aang. She sees him trapped in the iceberg, and we immediately see her altruism and headstrong nature. After she frees Aang, we are very much first subjected to Katara's first impressions of him, as we are introduced to his character. We only see a sliver of Aang's perspective of her, Katara being the first thing he sees upon waking up.

We see that she is intrigued and curious of him, and very excited about his presence. She is endeared and amused by his antics. She is rediscovering her childish side with his help. She is confiding in him about her own trauma surrounding the Fire Nation's genocide of the Southern Waterbenders. She is willing to go against her family and tribe ans leave them behind to go to the Northern Water Tribe with Aang. We also see her determination to save him when he is captured.

As the show moves on and the plot kicks into gear, we do shift more into Aang's perspective. We see his physical attraction to her, and while we don't see Katara's attraction quite as blatantly, there are hints of her interest in his appearance.

This is where we get deeper into the concept of Aang and Katara's mutual interest and attraction for one another. While her perspective is more subtle than most would like, Katara is not purely an object of Aang's desire, no more than he is purely an object of her desire.

When analysing this aspect of Katara and Aang's relationship, I couldn't help but be reminded of how Célene Sciamma's Portrait of a lady on fire (in my personal opinion, one of the best studies of the female gaze ever created) builds up its romance, and how it places a strong emphasis on the mutuality of the female gaze.

Portrait of a lady on fire's cinematography is very important to the film. We see the world through the perspective of our protagonist, a painter named Marianne. We also see her love interest, Héloïse, the woman whom she is hired to paint a portrait of, through Marianne's lense.

We see Marianne analyse Héloïse's appearance, her beauty. We look purely through Marianne's eyes at Héloïse for a good part of the movie, but then, something unexpected happens. Héloïse looks back. At Marianne, therefore, in some way, also at the audience. While Marianne was studying Héloïse, Héloïse was studying Marianne.

We never shift into Héloïse's perspective, but we see and understand that she is looking back at us. Not only through her words, when she for example comments on Marianne's mannerisms or behaviours, but also hugely through cinematography and acting of the two amazing leads. (Noémie Merlant as Marianne and Adèle Haenel as Héloïse. They truly went above and beyond with their performances.)

This is a huge aspect of the female gaze's implementation in the film. The camera focuses on facial expressions, eyes and body language, seeking to convey the characters' emotions and feelings. There's a focus on intense, longing and reciprocated eye contact (I have dubbed this the Female Gays Gaze.). The characters stand, sit or lay facing each other, and the camera rarely frames one of them as taller than the other, which would cause a sense of power imbalance.

The best way to describe this method of flimaking is wanting the audience to see the characters, rather than to simply look at them. Sciamma wants us to empathise, wants us to feel what they are feeling, rather than view them from a distance. They are to be people, characters, rather than objects.

Avatar, of course, doesn't display the stunning and thoughtful cinematography of Portrait of a Lady on Fire, and Katara and Aang's relationship, while incredibly important, is only a part of the story rather than the focus of it.

However, the 'Kataang moments' we are privy to often follow a similar convention to the ones between Marianne and Héloïse that I mentioned prior.

Theres a lot of shots of Katara and Aang facing each other, close ups on their faces, particularly eyes, as they gaze at one another.

Katara and Aang are often posited as on equal grounds, the camera not framing either of them as much taller and therefore more powerful or important than the other. Aang is actually physically shorter than Katara, which flies in the face in usual conventions of the male fantasy. (I will get to Aang under the male gaze later in this essay)

And even in scenes when Aang is physically shown as above Katara, particularly when he's in the Avatar state, Katara is the one to pull him down, maintaining their relationships as equals.

Despite most of the show being portrayed through Aang's eyes, Katara is not a passive object for his gaze, and therefore our gaze, to rest upon. Katara is expressive, and animated. As an audience, we are made aware that Katara has her own perspective. We are invited to take part in it and try to understand it.

Not unlike to Portrait of a Lady on Fire, there is a lot of focus placed on mannerisms and body language, an obvious example being Katara often playing with her hair around Aang, telegraphing a shy or flustered state. We also see her express jealousy over Aang, her face becoming sour, brows furrowed. On one occasion she even blew a raspberry, very clearly showing us, the audience, her displeasure with the idea of Aang getting attention from other girls.

Once again, this proves that Katara is not a passive participant in her own relationship, we are very clealry shown her perspective of Aang. Most of the scenes that hint at her and Aang's focus on their shared emotions, rather than, for example, Katara's beauty.

Even when a scene does highlight her physical appearance, it is not devoid of her own thoughts and emotions. The best example of this being the scene before the party in Ba Sing Se where we see Katara's looking snazzy in her outfit. Aang compliments her and Katara doesn't react passively, we see the unabashed joy light up her face, we can tell what she thinks of Aang's comment.

In fact, the first moment between Katara and Aang sets this tone of mutual gaze almost perfectly. Aang opens his eyes, and looks at Katara. Katara looks back.

There is, once again, huge focus on their eyes in this scene, the movement of Aang's eyelids right before they open draws out attention to that part of his face. When the camera shows us Katara, is zooms in onto her expression as it changes, her blinking also drawing attention to her wide and expressive eyes.

This will not be the first time emphasis is placed on Katara and Aang's mutual gaze during a pivotal moment in the show. Two examples off the top of my head would be the Ends of B2 and B3 respevtively. When Katara brings Aang back to life, paralleling the first time they laid eyes on one another. And at the end of the show, where their gaze has a different meaning behind it.

We see Katara's emotions and her intent telegraphed clearly in these instances.

In Book 1, we see her worry for this strange bald boy who fell out of an iceberg, which melts away to relief and a hint of curiosity once she ascertains that he isn't dead.

In B2 we once again see worry, but this time it's more frantic. Her relationship with Aang is much dearer to her heart now, and he is in much worse shape. When we see the relief on her face this time, it manifests in a broad smile, rather than a small grin. We can clearly grasp that her feelings for Aang have evolved.

In B3, we step away from the rule because Aang isn't on the verge of death or unconsciousness for the first time. It is also the first time in a situation like this that Aang isn't seeing Katara from below, but they are on equal footing. I attribute this to symbolising change of pace for their relationship.

The biggest obstacle in the development of Katara and Aang's romance was the war, which endangered both their lives. Due to this, there was a hesitance to start their relationship. In previous scenes that focused this much on Aang and Katara's mutual gaze, Aang was always in a near dead, or at least 'dead adjacent' position. This is is a very harsh reminder that he may very well die in the war, and the reason Katara, who has already endured great loss, is hesitant to allow her love for him to be made... corporeal.

However, now Aang is standing, portraying that the possibily of Katara losing him has been reduced greatly with the coming of peace, the greatest obstacle has been removed, and Katara is the one to initiate this kiss.

Concurrently, Katara's expression here does not portray worry or relief at all, because she has no need to be worried or relieved. No, Katara is blushing, looking directly at Aang with an expression that can be described as a knowing smile. I'd argue that this description is accurate, because Katara knows that she is about to finally kiss the boy she loves.

Ultimately, Katara is the one who initiates the kiss that actually begins her and Aang's romantic relationship.

Kataang's appeal to women is reflected in how Katara is almost always the one to initiate physical affection with Aang. With only 3 exceptions, one of which, the Ember Island kiss being immediately shown by the narrative as wrong, and another being a daydream due to Aang's sleep deptivation. The first moment of outwardly romantic affection between Aang and Katara is her kissing his cheek. And their last kiss in the show is also initiated by Katara.

I won't falsely state that Kataang is the perfect representation of the female gaze. Not only because the storyline has its imperfections, as every piece of media has. But also because I simply belive that the concept of the female gaze is too varied and nebulous to be fully expressed. With this essay, I simply wanted to prove that Kataang is most certainly not the embodiment of catering to the male gaze either. In fact it is quite far from that.

The aspects of Kataang that fall more towards embodying the female gaze don't just appeal to women. There's a reason a lot of vocal Kataang shippers you find are queer. The mutual emotional connection between Katara and Aang is something we don't have to identify with, but something we are still able to emphasise with. It's a profound mutual connection that we watch unfold from both perspectives that sort of tracends more physical, gendered aspects of many onscreen romances. You just need to see instead of simply look.

✨️Bonus round✨️

Aang under the gaze

This started off as a simple part of the previous essay, however I decided I wanted to give it it's own focus, due to the whole discourse around Aang being a wish-fullfilling self insert for Bryke or for men in genral. I always found this baffling considering how utterly... unappealing Aang is to the male gaze.

It may surprise some of you that men are also subjected to the male gaze. Now sadly, this has nothing to do with the male gaze of the male gays. No, when male characters, usually the male protagonist, are created to cater to the male gaze, they aren't portrayed as sexually desirable passive objects, but they embody the active/masculine aide of the binary Laura Mulvey spoke of in the quote I shared at the beginning of this essay.

The protagonist under the male gaze is not the object of desire but rather a character men and boys would desire to be.

They're usually the pinnacle of traditional, stereotypical masculinity.

Appearance wise: muscular but too broad, chiseled facial features, smouldering eyes, depending on the genre wearing something classy or some manner of armour.

Personalitywise they may vary from the cool, suave James Bond type, or a more hotblooded forceful "Alpha male" type. However these are minor differences in the grand scheme of things. The basis is that this protagonist embodies some manner of idealised man. He's strong, decisive, domineering, in control, intimidating... you get the gist. Watch nearly any action movie. There's also a strong focus placed on having sway or power over others. Often men for the male gaze are presented as wealthy, having power and status. Studies (that were proved to be flawed in the way the data was gathered, I believe) say that womem value resources in potential male partners, so it's not surprising that the ideal man has something many believe would attract "mates". [Ew I hated saying that].

Alright, now let's see how Aang holds up to these standards.

Well... um...

Aang does have power, he is the Avatar. However, he is often actually ignored, blown off and otherwise dismissed, either due to his age or his personality and ideals being seen as unrealistic and foolish. Additionally, Aang, as a member of a culture lost a century ago, is also often posited as an outsider, singled out as weak, his beliefs touted as the reason his people died out and.

Physically, Aang doesn't look like the male protagonist archetype, either. He isn't your average late teens to brushing up against middle aged. Aang is very much a child and this is reflected in his soft round features, large eyes and short, less built body. This is not a build most men would aspire to. Now, he still has incredible physical prowess, due to his bending. But I'm not sure how many men are desperate to achieve the "pacifist 12 year old" build to attract women.

Hailing from a nation that had quite an egalitarian system, Aang wouldn't have conventional ideas surrounding leadership, even if he does step up into it later. He also has little in the way of possessions, by choice.

As for Aang's personality, well...

I mean I wouldn't exactly call him your average James Bond or superhero. Aang is mainly characterised through his kindness, empathy, cheerful nature and occasional childishness (which slowly is drained as the trauma intesifies. yay.)

Aang is very unwilling to initiate violence, which sets him aside from many other male protagonists of his era, who were champing at the bit to kick some ass. He values nature, art, dance and fun. He's in tune with his emotions. He tries to desecalate situations before he starts a fight.

Some would say many of Aang's qualities could be classified as feminine. While the other main male characters, Zuko and Sokka try to embody their respective concepts of the ideal man (tied to their fathers), Aang seems content with how he presents and acts. He feels no need to perform masculinity as many men do, choosing to be true to his emotions and feelings.

These "feminine" qualities often attract ridicule from other within the show. He is emasculated or infantiliased as a form of mockery multiple times, the most notable examples being the Ember Island play and Ozai tauntingly referring to him as a "little boy". Hell, even certain Aang haters have participated in this, for example saying that he looks like a bald lesbian.

I'd even argue that, in his relationships with other characters, Aang often represents the passive/feminine. Especially towards Zuko, Aang takes on an almost objectified role of a trophy that can be used to purchase Ozai's love. [Zuko's dehumanisation of others needs to be discussed later, but it isn't surprising with how he was raised and a huge part of his arc is steerring away from that way of thinking.]

Aang and Zuko almost embody certain streotypes about relationships, the forceful, more masculine being a literal pursuer, and the gentler, more feminine being pusued.

We often see Aang framed from Zuko's perspective, creating something akin to the mutual gaze of Katara and Aang, hinting at the potential of Zuko and Aang becoming friends, a concept that is then voiced explicitly in The Blue Spirit.

However, unlike Katara, Zuko is unable to empathise with Aang at first, still seeing Aang as more of an object than a person. We have here an interesting imbalance of Aang seeing Zuko but Zuko meerly looking at Aang.

There is a certain aspect of queer metaphor to Zuko's pursuit of Aang, but I fear I've gotten off topic.

Wrapping this long essay up, I want to reiterate that I'm not saying that Zutara isn't popular with women. Most Zutara shippers I've encountered are women. And most Kataang shippers I've encountered are... also women. Because fandom spaces are occupied predominantly by women.

I'm not exactly making a moral judgement on any shippers either, or to point at Kataang and go: "oh, look girls can like this too. Stop shipping Zutara and come ship this instead."

I want to point out that the juxtaposition of Zutara and Kataang as respectively appealing to the feminine and masculine, is a flawed endeavour because neither ship does this fully.

The concept of Kataang being a purely male fantasy is also flawed due to the points I've outlied in this post.

Are there going to be male Kataang shippers who self insert onto Aang and use it for wish fulfilment? Probably. Are there going to be male Zutara shippers who do the same? Also probably.

In the end, our interpretation of media, particularly visual mediums like film are heavily influenced by our own biases, interests, beliefs andmost importantly our... well, our gaze. The creators can try to steer us with meaningful shots and voiced thought, directing actors or animating a scene to be a certain way, but ultimately we all inevitably draw our own conclusions.

A fan of Zutara can argue that Kataang is the epitome of catering to the male gaze, while Zutara is the answer to women everywhere's wishes.

While I can just as easily argue the exact opposite.

It really is just a matter of interpretation. What is really interesting, is what our gaze says about us. What we can see of ourselves when the subject gazes back at us.

I may want to analyse how Zutara caters to the male gaze in some instances, if those of you who manage to slog through this essay enjoy the subject matter.