#i like a lot of things about ATLA but it doesn’t feel as real to me because it’s okay for kids to be in war

[burst-of-iridescent]

yall need to stop this “but katara choose aang!” nonsense because a) idk how she personally told you that when she doesn’t exist and b) even if katara were a real woman, this is some choice feminism bs that willfully ignores a lot of the social pressures and dynamics within heterosexual relationships that kat.aang as a relationship taps into both within the world of atla & as a narrative.

the creators themselves have alluded to the fact that katara & aang’s relationship draws from the trope of a younger boy pining after an older, more mature woman who doesn’t give him the time of day at first but is eventually brought around with his persistence and determination to win her heart.

and this dynamic bleeds through into the show itself, especially when aang is talking to people about katara. he is told multiple times that she’ll come around because he’s the avatar and that all he needs to do is not give up. the social dynamics of the kat.aang relationship even within atla reflects the prevalent narrative around straight relationships in our world: if you keep trying, the girl you like will obviously give you a chance eventually, because how could she not?

that’s troubling enough but then comes the second half of book 3, and now this narrative isn’t reflected just in those around aang, but in aang himself. what began as a sweet, harmless adolescent crush warps into something more dangerous, more familiar: entitlement. the aang of ember island players is one who demands katara’s love, not one who wishes for it. just look at the language used here:

i thought we were going to be together, but we’re not.

why don’t you know?

when is the right time?

the line delivery here is frustrated, almost accusing — this is not the way you talk to a girl you claim to love. this is the irritation of a long-promised reward that continues to be denied, something you wanted but cannot yet possess. this is eerily, intensely reminiscent of real-world gender dynamics, and it continues to be reinforced when katara responds according to the same gendered script:

aang, i don’t know.

we’re in the middle of a war. this isn’t the right time.

i’m sorry but right now, i’m just a little confused.

katara gives neither a yes nor a no but a neutral, noncommittal in-between. her tone and body language are apologetic yet clearly tense, uncomfortable — dancing that fine line most women are familiar with, of having to let down a man yet protect his feelings at the same time.

it’s one thing for the narrative of kat.aang to be misogynistic from a doylist perspective, but when the same applies within a watsonian analysis as well, that’s a far bigger problem. when you set up this dynamic for kat.aang in the show and double down on it as their last romantic interaction, you cannot then remove the implications that follow when katara inexplicably, wordlessly, obediently kisses aang in the finale:

that she loved him because she felt she had to.

because that is the underlying societal expectation of this particular dynamic, the same expectation the show itself has set up within the advice aang receives: that a woman’s affections are owed to the man who fights for them, and if he fulfils his obligations in pursuing her, she will fulfill hers in turn by dutifully rewarding him.

as with women in the real world, no choice katara makes in her world is free of the delicate, insidious entanglement of social pressures and gendered expectations that underlie and drive those choices, even subconsciously.

so yes — katara chose aang. but as the show ends with no insight on her part as to the nature of this choice, the question still remains: did she choose him freely, joyfully, unfettered and unburdened by the weight of expectation? or did she choose him as the girl who always did what had to be done, who took on duties that she was too young to shoulder for the sake of the people she loved, who could never let down the child she fiercely, lovingly protected from the moment she met him?

[anthurak]

So by this point, I think many of us are likely familiar with the idea that the breakup of Team RWBY at the end of Volume 3 is meant to thematically parallel the breakup of Team STRQ in the wake of Summer’s death, ie; Ruby falls into a coma for a few days while Summer disappears and then both their teams fracture. Along with a popular sub-theory that Blake leaving Yang after the Fall is meant to parallel Raven leaving Tai.

But the thing is, if Ruby falling into a coma at the end of Volume 3 is meant to parallel Summer’s (supposed) death and the way this loss caused the fracturing and breakup of their respective teams, then Raven’s actions DON’T really parallel Blake nearly as well as a lot of people think.

And in fact, I feel like Qrow could potentially have paralleled Blake’s actions FAR better.

Like people talk about how Raven ‘abandoned’ Tai just like Blake ran away from Yang after the Fall of Beacon. Except if the point of parallel to the Fall of Beacon is Summer’s death, then the parallel doesn’t work because Raven was ALREADY GONE from Team STRQ by the time Summer disappeared. To the point where Tai, Qrow and Ozpin had (and still have) NO IDEA she was even involved in whatever happened to Summer. Raven can’t exactly have abandoned Tai just like Blake did to Yang if Raven wasn’t even around.

Instead, as I’ve discussed in the past, I think Raven’s actions following Summer’s ‘death’ potentially line up far better with WEISS. Like if it turns out that losing Summer was what actually drove Raven to return to her tribe, then that lines up very nicely with Weiss being taken back to her family/Atlas in the wake of the Fall of Beacon: Both return to the shitty, abusive family that raised them. And given how much of Weiss’s character is tied up in her family and their ‘legacy’, then the way Raven eventually took over her tribe makes her an ideal foil; effectively representing a Weiss who did eventually take over the Schnee family and company, but in the process internalized all the pain and trauma her family gave her.

And as for a cherry on top; if Ruby falling into a coma after the Fall of Beacon is meant to parallel Summer’s supposed ‘death’, then what was one of the last things Ruby did at the Fall?

Run off on a special mission with Weiss, just like we now know Summer did with Raven.

Now going back to my point about how Raven was not even around to abandon Tai just like Blake did to Yang, you know who WAS presumably around when Summer ‘died’?

Yeah; Qrow.

Let’s consider what exactly Blake actually did following the Fall of Beacon beyond just a surface-level reading: Yes, she did go back to her family, similar to what Raven may have done, but given that the Belladonnas are NOT actually shitty and abusive, I maintain that Weiss is still the better parallel to Raven. Instead, let’s consider Blake’s whole arc across Volumes 4 and 5 relating to the White Fang: At first being depressed over loss and perceived failure before being inspired to start working for a better cause, in this case pushing back against and stopping Adam’s takeover of the White Fang.

So I have to wonder; what if this reflects what Qrow did with Ozpin and the conspiracy following Summer’s ‘death’? Maybe Qrow and his teammates had helped Ozpin in the past and knew what he was doing, but what if THIS was the point where Qrow became fully committed to Ozpin’s cause and joined the Ozluminati full-time? Perhaps seeing it as a way of ‘honoring’ Summer’s memory.

Instead of staying with the one teammate he had left (and possible partner) who was now in a massive depressive spiral AND had two kids to take care of.

It starts to make Qrow and Tai feel a lot like Blake and Yang, doesn’t it?

This is one of the big reasons why I think Qrow and Tai are the REAL foil to Bumbleby on Team STRQ. They effectively give us a look at a version of Blake and Yang whose relationship failed. Or rather, were never able to ‘take the next step’ and actually form their relationship.

Qrow is a Blake who fully internalized her self-loathing and belief that she didn’t deserve Yang or that Yang was better off without her and has simply been pining for Yang from afar.

Meanwhile Tai is a Yang who likewise fully internalized her fears of abandonment and fully resents Blake for leaving her or may not have ever even fully recognized her feelings for Blake in the first place.

Essentially, Qrow and Tai are the version of Blake and Yang who weren’t able to work through all the problems, issues and baggage which allowed them to actually start their relationship. Like a Blake who didn’t get that vital pep-talk from Sun at the end of Volume 4, or a Yang who likewise didn’t get that vital talk from Weiss in Volume 5.

Which in turn leads us to what I brought up earlier with Qrow joining up with the Ozluminati full-time, essentially representing a Blake who threw herself into reforming the White Fang instead of returning to Team RWBY and reconnecting with Yang. Meanwhile Tai simply throws himself into a deep depression, grief and ‘moping’, ironically all the things he would later accuse Yang of doing (at some point I’m going to do a post on just how much PROJECTING Tai has likely been doing…)

So now Qrow and Tai have this low-key toxic relationship where Qrow is more-or-less aware of Tai’s extremely dysfunctional parenting but has also been enabling it and a lot of Tai’s unhealthy coping mechanisms over the years because he’s been pining for Tai ever since their Beacon days and still is pining in a very depressed, self-loathing ‘I don’t deserve him/to be happy’ way and also doesn’t want to risk conflict with his former partner and also the only teammate he has left.

Thus Qrow keeps his distance and just goes along with Tai’s dysfunctions and/or lets Tai push him away. Which in turn just reinforces Tai’s abandonment issues.

And Ruby and Yang are still stuck with utterly dysfunctional parental figures.

Oh, and if you need more proof about the deliberate parallels between Blake and Qrow…

Then how about the whole damn song where they sing about how they’ve always felt terrible about themselves but now things are looking up for them.

[chris-prank]

I'm sorry Vincent, but the guys reaction to zombie apocalypse (The Last of Us type).

I need them reacting to their darling being like ellie, immune. And ppl trying to kill darling for the cure.

Real q from the #1 Vincent fan, his official wife: will he thrive due to danger against his darling or will he crumble to fear and lose what he loves the most?

It's only after writing for all of them that I realized you were referring to The Last of Us kind of apocalypse 💀 so sorry about that

CW: Zombies, murder, yandere behaviours, possessiveness, manipulation and kidnapping?

･*:.｡..｡.:*･*:.｡..｡.:*･

Dr. Seraph/Vincent

🧪 It is a surprise to no one that he would be horrified, his worst nightmare literally becoming reality in front of his own eyes.

🧪 Dr. Seraph would automatically build a bunker in response and spend all of his time creating weapons to keep zombies far away from him. He would also use his robots to go get supplies and food, but you would need to be the one controlling them because even simply seeing a zombie on the screen makes him dizzy.

🧪 And to answer your question, Dr. Seraph will one hundred percent save you from zombies if you find yourself unable to fight them off or escape. For all his patheticness and shyness, Vincent isn’t a criminal for no reasons. There’s a part of him that can be ruthless if needed, and seeing his darling in danger is the type of moment where something clicks in his brain. He might still close his eyes while he shoots them though… So in short, yes he will protect his one and only darling from his worst fear.

🧪 “Everything w-will be fine! I’ll… I’ll just build a laser around our home, tha-that way I won't have to deal with t-them…”

🧪 He would also be so relieved if his darling is immune, because it means that he doesn’t need to worry about you turning into one of those monsters.

🧪 Obviously, he wouldn’t let anyone take you to make a cure. He would rather have a zombie apocalypse than having his darling killed.

︶꒦꒷♡꒷꒦꒷♡꒷꒦︶

Esteban

📈 Being the rich guy that he is, the second that the news announces that there is a virus going around and turning people into zombies, you and Esteban will be on your way to a private island on his private plane.

📈 You wouldn’t have to worry about your friends and family because he would bring them too, after having them go through a very intense medical exam. The last thing he wants is for you to get infected after all. So a zombie apocalypse would be pretty chill with him.

📈 “It-It's alright love! Just think of this as a prolonged vacation!”

📈 If by some fortunate circumstance you get bitten and come out unarmed. Esteban would be so thankful to any force, either biological or supernatural that protected you. He just knew his precious love was special!

📈 If people came after you for a cure, I’ll hire trusted individuals to get rid of the rumors and kill these pests that dare entertain the thought of taking you away from him.

︶꒦꒷♡꒷꒦꒷♡꒷꒦︶

Atlas

💿 Atlas would enter protection mode in a blink of an eye, so no going out for you under any circumstances. He would totally use the “my human” card a lot to manipulate you into staying at your hideout.

💿 This situation would 100% make Atlas stresseeeed.

💿 He might look like his usual deadpan self, but inside he’d feel like his wires are going to pop. Because of it, Atlas would give you medical check ups, two times a day, every day of every week as long as the virus would be around.

💿 At least, being an android gives him an advantage since it’s impossible for him to get infected, making it easier for him to venture out to get food and supplies, but he’d still need to be wary of getting attacked by survivors.

💿 “You can't come with me! You could get hurt and… I don’t want to see my human in pain.”

💿 He would be amazed if you were immune, due to his system making him very curious and eager to learn more, especially if it’s about you.

💿 To the surprise of no one, Atlas would kill anyone that would try to kidnap you for a cure. And he wouldn’t be merciful about it, hurting them just enough so they die a long and painful death.

︶꒦꒷♡꒷꒦꒷♡꒷꒦︶

Martin

🪓 A zombie apocalypse wouldn’t even surprise him at this point, especially after everything he had seen.

🪓 Since the human population had decreased after everything that happened in his world and considering that Flowermore was a small town in the countryside, the undead wouldn’t be too much of a bother.

🪓 At the very least they would only need to build a barricade around the town just to be sure.

🪓 If the virus would end up affecting the townsfolk, you would still be relatively safe since no need to remind you that Martin is a bounty hunter.

🪓 For him, killing a living person or a walking dead body doesn’t make a difference, except for the fact that they would be even easier targets.

🪓 On top of that, his home, being outside town and into the forest, is surrendered by different types of traps. Needless to say you would be in good hands.

🪓 “Don’t worry darlin’, I’ll blow up their brains before they even get the chance to notice you.”

🪓 Martin would be happy and horrified if you are immune, because it means that you have a better chance at survival but you would also become sought after at the same time.

🪓 He would easily hunt down every person that plans to get you to make a cure, Eli style at the end of the second The Last of Us game.

･*:.｡..｡.:*･*:.｡..｡.:*･

I’m cheating a bit since Jacce wasn’t out when you send this ask so it didn’t include him 😅

You know what they say: « work smarter not harder »

[lynzishell]

The Present 🤍 San Myshuno

Prev // Next

Transcript + Bonus below the cut:

Li: I just made some tea, would you like some? Dawn: I’d love some, thank you.

Li: So, tell me what’s going on. You sounded upset on the phone. Dawn: [sighs] I’m just exhausted. We’ve been fighting for days. Every time it feels like we might be okay, we get dragged right back into it again. It’s the first time we haven’t been able to work through something. I don’t know what to do.

Li: Do you think it would help to see a counselor? Dawn: Oh, I don’t know. It’s not that serious, is it? Li: Probably not, but why wait until it is?

Dawn: That’s a good point. It’ll have to wait a while though. He went out of town, left yesterday to go to Copperdale to see his uncle. He was supposed to be back tonight because we have plans tomorrow to take Aspen to the pumpkin patch, but apparently, he’s going to Chestnut Ridge now.

Li: What’s in Chestnut Ridge? Dawn: His dad. Li: I thought he didn’t want anything to do with him.

Dawn: Me too. I don’t know what changed. I couldn’t even get him to read the letter, but now he’s going to see him? And he won’t let Aspen and me go with him. Honestly, it just feels like he’s punishing me at this point. Li: I’m sure that’s not true. Dawn: I don’t know. But now I’m not sure if I even want to go to the pumpkin patch tomorrow.

Li: Why not? Dawn: It’s with Asher’s family, which is fine, but with him and Atlas and Phoenix all out of town, I’ll be on my own with them. Li: And that’s a bad thing?

Dawn: Yes. No. I mean, they’re so sweet, and they’ve done so much for us. And having a big family again is all I’ve ever really wanted, but it all just feels so… fake. Like I can’t trust it. Li: Why do you think that is?

Dawn: I don’t know. I guess… if my own parents didn’t care about me, how am I supposed to believe they do?  Li: What about Atlas? Do you believe Ash’s family cares about him? Dawn: Of course. Li: So, what’s the difference? Why doesn’t your logic apply to him?

Dawn: I- I don’t know. I guess because he’s with Ash, it makes more sense that he belongs. Like, if they ever get married, then they will be his family. Maybe I hoped, with Phoenix’s family, that it would be like that for me.

Li: Dawn, I’m going to tell you something and I want you to hear it, okay? Dawn: Okay.

Li: Your parents’ lack of love toward you and your brother is about their inability to love, not your inability to be loved. You are perfectly lovable just as you are. You don’t need them. Nor do you need Phoenix’s family to come in and fill that role. Being someone’s relative doesn’t make them family. Sometimes the two go hand-in-hand, but sometimes they don’t. That doesn’t make it any less real or any less valuable.

Dawn: I feel like Atlas would say the same thing. Li: Well, if so, he’s very wise. Dawn: [smiles] He has his moments. Li: So do you. Dawn: Doesn’t feel like it. I’ve made a real mess of things. What am I supposed to do?

Li: You want my advice? Dawn: Very much.

Li: I think you should try to open your heart to the people that have earned it. Those that have been there for you and your husband and your daughter. Not some strange man who crashes your wedding to leave a letter. Kinda creepy if you ask me.

Dawn: [laughs] Oh god, when you say it like that, it is a little creepy, isn’t it? Li: [laughs] It’s a lot creepy!

Li: But, in all seriousness, I’m sure none of this is easy for Phoenix, and he could probably use your support right now. Dawn: I know. You’re right. Li: And if that feels hard to do, then I can recommend a good therapist. Dawn: I might just take you up on that.

[physalian]

On Fight Scenes (Or, getting creative with your magic system)

This is coming from a reader’s perspective, not a writer’s, in what I like to see and what my thought process was when writing my fight scenes—I hate these things and can’t call myself any authority on the matter. They’re tedious and translating what’s in my head onto page is always frustrating.

This is also for fantasy and sci-fi: Fight scenes that have some magical or technological element to them, not a straight-up action story with two dudes punching each other. This includes anything from fights in Harry Potter to battling a Xenomorph to bending in ATLA to a throwdown between superheroes.

Side note: I really, truly hate “two dudes punching each other”.

—

I have a friend who loves comics, specifically DC Comics, and watches all the DCAU films. When we lived together, I often watched a lot with them. My favorite remains Constantine: City of Demons because unlike literally every other DCAU movie, it doesn’t drop the ball in the third act and devolve into a stakes-less fistfight. This dude faces *consequences*.

I’m not a comics (like actual, paper comic books) fan, but without fail, every time the setup is good, the characters are good, the first 2/3s are good with pacing and usually a mystery and passable character development like Batman: Under the Red Hood…. The last 15 minutes or so always abandon what had been a good plot for just superheroes punching each other and I get so bored. I’m invested and then they rarely deliver any payoff.

But I do like Constantine. Dude needs a nap.

Point is: On top of those fight scenes not really mattering, by the nature of what comic books are in that they can never stray too far from the status quo, or if they do, it doesn’t stay that way for long, the people who made these characters don’t get all that creative with their powers.

I think, actually, I liked Constantine so much because his stuff is rated R and it doesn’t shy away from the more realistic effects of living in a superhero society… without being gratuitous like The Boys.

I just get bored. The fight stops when the plot says so. Knockouts are arbitrary, power scaling is arbitrary. Someone can get thrown through a wall and walk it off but the villain or their buddy can come up behind them and hit them really hard on the head and that’s enough.

Anime is its own thing and would take far too much time to address here but I do want to talk about My Hero Academia real quick, following up on a previous post about tournament arcs.

Season 2 of the show has three main arcs: The tournament in the first half, and the Stain fight/final exams in the second.

For a while, the show actually seemed to take injuries rather seriously (for shonen, at least), and got insanely creative with characters’ very niche powers. In season 1, their teacher, Aizawa, gets pretty brutally beaten by a horde of villains and his powers are permanently impacted by his recovery—he can’t use them for as long as he used to, and he has a new scar.

Midoriya, too, whose powers break his bones on the regular, has consequences for overusing them, like his hands and forearms not healing properly despite superpowered medical intervention.

Power scaling, too, was fantastic…. Until the Stain fight.

I will never understand the thought process behind this logic:

“Hey let’s show how powerful Todoroki is by having him manifest an entire glacier in about 3 seconds!” *9 episodes later* “Hey let’s make this fight with a dude who only has various blades to work with super tense by making Todoroki completely nerfed in a legit life or death situation!”

Buddy couldn’t take two seconds to yell at his friends to get the fuck out of the way? Was he worried about damage to the buildings? I feel like nepotism could have spared him from some consequences if breaking a few windows meant him not getting murdered. It wasn’t like he had daddy issues over his ice powers.

The rest of the show (until I DNFed) had similar issues. Powers were as competent as the plot allowed at any given moment, which I guess is the nature of shonen, but if you’re going to go out of your way to establish realistic rules and consequences really early on, breaking them willy-nilly because it looks cool later is annoying.

Which is applicable across all fantasy sub-genres: Consistency.

I might not be the best at writing the step-by-step choreography, but damn it if I don’t know how to make sure I’m not opening up plot holes in how much damage my characters take and dish out.

—

So. How I approach fight scenes as told by Eternal Night and my sci-fi WIP.

Before anything else, establish a reason that this has to be a fight, that it has to happen now, and what’s happening beneath the combat to keep the story progressing. The plot will not stop just for fisticuffs.

A magic system is only as cool as what its characters cannot do with it, and breaking those limits ruins the magic system.

Make sure this is a fight that can only happen in this story, taking full advantage of the various powers/abilities/magic system rules, if this is meant to be flashy and grand.

Eternal Night is about vampires, thus my vampires, being immortal, can take a lot of hits and not suffer long-term consequences compared to a mortal. I adhere to a lot of classic vampire lore while also making up my own rules. They don’t have super speed, super strength, or compulsion, they just have a lot of experience and know how to use their weapons well, and can essentially go at 100% without mortal limitations of fatigue.

Basically: My vampires are only as strong as a mortal in absolute life-or-death situations, but that’s also dependent on how strong they were in life. Somebody who was a couch potato isn’t going to be as strong as a bodybuilder, and that carries over. I don’t have “younger/older vampires are supernaturally stronger” rules.

They have the same immortality risks as most versions: Stakes, beheadings, sunlight. Anything else is survivable.

Simple magic systems tend to be the most robust because there’s less rules available to risk breaking or forgetting (why ATLA's bending feels so real).

So when I was writing ENNS’s big fight, on top of making sure they weren’t all gods with their weapons—they missed shots, got tired, made bad calls—priority one was making sure I kept killing blows consistent, and when they’re temporarily “dead,” that the timing of when they revive isn’t determined by the plot.

Meaning: If I have a vampire who, idk, gets stabbed by a regular sword and it “kills” them, they have to stay “dead” for whatever amount of time I’d previously established and not wake them up early to participate in the plot again. Those are my rules and I have to work with them.

And in that way, yes the choreography is frustrating, but even if it’s an average description of a fight, I will appreciate that the writer respects their own rules and still be entertained.

With that, in the sci-fi WIP I had incredibly complex and diverse magic systems, 3 complete and unique practices split between two characters. One of which was incredibly OP.

This was a very reluctant OP character who wouldn’t use the full extent of his powers even to save his own life, often to the ire of his team who suffers the consequences of unnecessarily complicated battles when he could one-shot the enemy but chooses not to.

Internal limits tend to be stronger than external ones if you have an OP character, because they’re more believably toggled on and off without breaking the lore.

Even with OP character stubbornly making life harder for himself, he was still OP. He had two different magic systems at his disposal, and beyond his internal limits, they had two very easily exploitable external limits.

Magic system A was tied to a physical artifact he had on his person. If he got separated from it, he couldn’t use it. A is also a lot harder to use if B is also busted.

Magic system B was counteracted easily by users of Magic system A, and by the enemy military who’d developed weapons specifically to nullify those powers, and that weapon was everywhere.

Which meant my fights concerning OP character were rarely “why doesn’t he insta-kill them” it was “oh shit, he can’t insta-kill them, now he has to be clever to get out of this alive”.

One of my favorite fights was at the tail end of Book 2 where he was stuck with two of his non-powered teammates, on a ship dead in the water being overrun by the enemy. The ship had no power, the radios were dead, and the engines were fried.

He had already been sick for half the book and physically and mentally exhausted, and when the enemy arrived, they nullified the rest of his powers. All he had was Magic System A, but in his condition, it was like being asked to do long division on paper by hand, because his calculator was broken.

Dude was not having a good time.

Which meant he was basically useless, with two of his basically useless teammates, who all had to work together to get creative and clever with the tools that they had, on a ship they all knew like the backs of their hands.

So many things they would not have had to do in any other situation, with stakes so much higher because OP was powerless. The characters came first, not their powers, which I think is the most crucial ingredient to any fight you want people to keep talking about for years to come.

—

I can’t tell you how to choreograph your scenes, but I do think that why they’re fighting matters far more than what they’re fighting about, and especially in fantasy: What’s the point of writing magic if you don’t take full advantage of your magical characters?

[survivalove]

Thinking about why I like Kataang so much

so a lot of my posts/asks lately have been about things I dislike so I decided to balance it out by talking about something I actually do like! ofc I immediately thought of kataang and started thing about why i like them so much compared to other couples in media I watched growing up.

first thing is, I don’t actually like romance in visual media. I much prefer it in books but having to actually watch it gives me the ick idk why. also when i first watched atla I was like 5, so the romance really had no appeal to me and I was super focused on katara and the other girls on the show because they were girls! i would completely block out the boys and all the ship scenes for years after that because my attitude to romance never really changed.

right up until I was about 11/12 and became aware of romance from hearing people my age start to talk about crushes, boyfriends/girlfriends, kissing etc. suddenly I had entered this phase in real life where romance was suddenly relevant among my peers and this made me start paying attention when it played out in the shows I was watching like Hannah Montana, Wizards of Waverly Place, etc. this also included ATLA as my dad and I would rewatch it together on DVD throughout the year.

as I watched with my katara blinders, like I always do, for the first time I started to notice the boys in the show, particularly aang, (yes I finally started focusing on the main character after 6 years 😭) and certain interactions katara had with him that I never noticed before.

*dramatic pause*

and the way I consumed media would never be the same.

jk, but really tho.

fast forward to now, and I’ve recently started watching anime after consuming a bunch of western media my whole life from cartoons and disney shows to contemporary literature and Y/A movies/TV shows. and one thing that stands out to me with kataang compared to most of the romance i see in shonen animes (one of atla’s biggest inspiration as a TV show) is the way katara and aang develop in a way that is realistic, yet too good to be true.

let me elaborate:

starting from the very first episode, katara and aang have that classic meet-cute interaction. the music is playing, their eyes are widening, aang’s acting like he’s never seen a girl before and katara is impressed by literally every single thing he does. this is pretty much how every ship is set up, anime or otherwise, and kanna basically spells out their imminent connection when she sends katara and sokka off and sokka even explicitly says the word boyfriend seconds before that. obviously, these two characters are gonna get together at some point and it’s just a matter of when.

this is where it gets more than that:

the more katara and aang spend time together, the more they start to get on each other’s nerves.

I’m sure everyone’s had a crush at some point, where you see someone for the first time and go “oh they’re so cute” and you feel the butterflies blah blah. you either fantasize about them for a while and move on, or you pursue the crush and start to actively make moves to get to know them better.

and as you get to know them, you notice some things about them that kinda piss you off. the way they pick their nose, the way they bounce their knee, the way they chew. it’s always something. it can even affect friendships because that’s life. we are humans, not concepts. no one is perfect, there is nobody on this planet that you will 100% agree with or like about them. it just doesn’t work like that. and for some relationships, there is that one irritating thing about them that breaks the camel’s back and it doesn’t work out. you learn what annoys you and move on to the next relationship. or you have the lucky ones who actually stay together and the relationship continues to blossom as you get to know each other better.

similarly, kataang in the beginning are completely enamored with the other. until they’re not. throughout season 1, we see katara becoming more and more disillusioned with aang going from “aang’s so brave. he’s the avatar!” to realizing he’s just a boy with insecurities and flaws just like her. some of which get on her nerves BAD. similarly, aang goes from trying to impress katara and going along with every single plan she has, to disagreeing with her and even getting annoyed by her as the seasons go on.

despite this, it doesn’t stop that thing they have for each other from growing and flourishing. that is the magic part. watching two characters fall in love as they continue to annoy and irritate each other more and more. the more katara and aang butt heads throughout the seasons, the more and more unambiguous their romantic interactions become.

aang bluntly telling katara she’s not funny like he didn’t just ask her to dance with him in a candlelit cave in front of dozens of people a few days ago? katara constantly getting annoyed at aang’s antics to turn around and ask him for his opinion on the way she looks or kiss him on the cheek? right.

this is what makes them stand out from other fictional couples I’ve seen, where the girl and guy’s opinion on the other never changes significantly from that first interaction they have. one person, usually the girl because of course, worships the ground our main character walks on, meanwhile he seems to barely notice her apart from that first scene where she looked pretty and his jaw dropped or something. and even if they do interact a lot, their dynamic hardly evolves from that initial setup. they never get upset with each other or at the least, visibly annoyed. their dynamic is static, stagnant, mostly affected by major events in the plot rather than personal characteristics and minor misgivings the characters may have.

there’s no juice. it’s stale. and for me, very unrealistic.

I was watching this video about writing couples in media and one comment stood out to me in particular:

What you said about charm is so true. Entertaining chemistry to watch ≠ chemistry that pairs people together. A lot of sitcoms try to pair opposites romantically or as best friends, because opposites are good for comedy and conflict, but I find myself not understanding why they’re so into each other.

instantly i was reminded of the way people call kataang vanilla/boring, in favor of pairings that are far less similar. and while katara and aang do fight a lot, fundamentally they are very similar which is why they are so believable and realistic. I love watching them slowly become disillusioned with the idealized version of each other they had in the first episode to seeing all the ways they manage to piss each other off, and still being drawn by that initial mutual attraction.

katara learns the hard way that aang isn’t the infallible savior from her grandma’s stories, but she never stops believing in him. aang comes to discover katara’s flaws and conflicting opinions, but he still encourages her belief in hope, affirms her as a waterbender/healer and yes still calls her beautiful every chance he gets.

and what I love about this, is, it gives them reasons to fall in love that go beyond the superficial reasons that drew them towards each other in the first place.

they don’t fall in love with each other in spite of those little minor flaws, but because of them.

katara doesn’t love aang because he’s the avatar. she loves him because he is the goofy fun boy that allowed her to be a kid while taking up this heavy responsibility. aang doesn’t love katara because she’s beautiful. he falls in love witnessing those moments of her being determined, speak up for herself and others, and even going to great lengths to inspire hope in everyone she meets.

[bestworstcase]

Your thoughts on semblances are fascinating! Have you pondered the possible semblance our favorite war machine magical girl Penny might’ve had? If she’d had the time to discover it for herself. Thoughts on why she didn’t have a semblance?

i think the answer to why she never manifested a semblance is probably right there: she was built to be a weapon of war. the atlesian military built a robotic super-soldier and then gave it the soul of an idealistic young girl who just wanted everyone—including herself—to be safe, free, and happy. she was was kept isolated and taught to expect harsh rejection from anyone who found out she wasn’t a “real girl,” then murdered to make a political statement, then brought back and isolated again and made responsible for the safety of an entire city where civilian self-defense is criminalized. whatever her semblance might have been, penny wasn’t going to find it while being crushed in the jaws of that machine.

this is not true of every character, but it is true of a lot: a character’s semblance often reflects or represents how they deal with problems. when ruby’s on her game, she thinks miles ahead of anyone else and zips around obstacles like they’re not even there—when she isn’t, she falls apart and runs away. yang takes whatever life throws at her and finds strength in adversity through sheer refusal to give up. blake knows how to mask her vulnerability and retreats from things she isn’t ready to face, but when she is ready she’ll fling herself headlong at the problem with everything she has. jaune doesn’t care what happens to him, but he’ll do anything for his friends. ironwood will sacrifice whatever it takes to achieve his ends, no matter the cost. et cetera.

penny is a character so defined by the unstoppable force-meets-immovable object struggle between duty and desire, what she needs to do versus what she wants to do versus what she’s able to do, that i feel any semblance posited for her has to speak to that somehow or another to feel right for her.

how does penny deal with her problems? how does she try to extricate herself from between the rock and the hard place?

tries to have the rock and eat the hard place too, mainly. penny needs to be the protector of mantle and she wants friends, which the protector of mantle “doesn’t have time for,” so she tries to befriend everyone up and down her chain of command. but when the chips are down and penny has to make a choice, she chooses to do what she wants—holds her best friend in her final thoughts so she can say goodbye, rather than take the pragmatic/strategically correct option of giving the magic to weiss.

and. there is also: “let me take the relic to salem, and maybe she will call off her attack on the kingdom.”

penny is at best passively suicidal in v8 and i do think that influences her thinking here, but also—it’s safe to assume team rwby looped jnor in on what went down in ironwood’s office, including salem offering the terms of her siege, because oscar’s response (“i don’t think we can trust salem to actually do that”) suggests awareness of what salem said (“the people of atlas have suffered enough; surrender the lamp and the staff to me, and they needn’t suffer any further.”)

everyone else takes it for granted that salem is lying through her teeth. penny does not. she doesn’t take salem at her word either—maybe she will call off her attack—but she is the only character who even considers that salem might have been honest. as the winter maiden, penny is also the one who gets final say over whether or not that vault is opened, and it is her responsibility to decide. her instinct, in this situation, with this burden on her shoulders, is to spend a lot of time quietly thinking about it in the corner while everyone else quarrels, and then hesitantly question the assumption that salem cannot be negotiated with. oscar shuts that down and yang adds “no one is turning you over to anybody” (notice how penny goes from active subject to passive object there? “let me take the relic to salem” -> “no one’s turning you over.”) so nothing comes of it.

but it’s uh. probably not an accident that Penny Polendina is the first Good Guy to consider taking a risk on salem.

and i think it’s instructive to imagine how things might have gone if penny put her foot down and said no, let’s really talk about this. because “let me take the relic to salem” does not mean “let me deliver the relic to salem on a silver platter and then lie down for cinder fall to kill me” necessarily, penny is thinking in terms of a bargaining chip, and this is penny we’re talking about. penny is not a pushover penny is absolutely, one hundred percent, the kind of person who would have flown up there with the staff and very bluntly demanded to know Why Salem Is Doing This and Will She Really Leave If Penny Gives Her The Staff. and then done her level best to explode the whale if she didn’t find salem’s answers persuasive.

which—bringing this back to the question at hand—is sort of the distilled essence of how penny Deals With Things when she’s acting in accordance with her own best judgment. see also, amity, and “i can fix this,” and holding up an entire satellite on her shoulders.

she does not do half measures or harm reduction or damage control; she does i can fix this. she does maybe i can get salem to turn around and leave.

unstoppable force, immovable object.

so what’s her semblance? how do we convey this essence symbolically? (there is the obvious answer of just taking “immovable force” literally, but i don’t think penny would have a combat-oriented semblance for thematic reasons.)

have you ever heard of the pinocchio paradox? it’s a variant of the liar’s paradox (“this sentence is false”) occurring when pinocchio says “my nose grows now”—if it is true, then his nose does not grow, which means he is lying, which means his nose does grow, which means he is telling the truth and so forth. there is, i think, some appealing thematic strings to pluck here in that it’s a fairly common trope in science fiction for artificial intelligences to be stymied by liar’s paradoxes; penny, being a person, would not have this problem. likewise she is honest to a fault whereas pinocchio is, famously, a liar. and infinite regress is an unstoppable force of a kind.

what’s the immovable force? how do you solve the liar’s paradox? there are many ways, some more interesting than others, but one is to reject the bivalent logic and conclude that the statement is neither true nor false. take the excluded middle road. if the unstoppable force is true-false-true-false-true-false in a vicious spiral, the immovable object might be equivocation. maybe. it depends.

i tend to think penny’s semblance would entail splitting the difference in some form or another. the thorny piece for me is deciding in what form and context, because again i think for thematic reasons it can’t be combat-oriented. some way of refusing a fight is conceptually interesting to me; something like creating a space or a moment where violence isn’t just not the answer but isn’t possible. maybe a sort of reverse of gus caspian’s semblance, a wind that banishes volatile feelings and brings emotional clarity. an answer to “i do not like it when friends fight.”

[riah-yorke-lex]

Spoilers for Sonic Prime, like all of it.

^^^^^^^^^^

Sonic has ADHD and Nine has autism.

I mean I know the regular headcanons for Sonic and Tails are already there, but hear me out.

Neurodivergent people have trouble communicating a lot of times and miscommunicate.

Btw I have both, so I’m just speaking from my own experience.

Both characters are flawed. Sonic has lost his entire home and friends. Nine never really had friends and prefers to be alone.

Anyone who wants to say Nine is a villain can leave my page.

It’s a kid’s show, and Nine is the second most important character. The writers won’t kill him off or make him pure evil. Sonic will make up with everyone and find ways to save everyone in the end. Sorry to ruin suspense, but it is a kids show. I’m not saying that means it can’t have awesome character arcs. (ATLA has awesome character arcs, betrayal and redemption + lots of dark elements, but none of the main characters DIED)

Nine will probably cause something bad to happen in his rage, constructing something dangerous with the shards or he’ll cause the entire council to come after him, or both. Nine might cause something bad to happen and then feel guilty and help Sonic. If sonic can find a solution that doesn’t destroy those living in the shatter spaces, then Nine would probably come around. I don’t think Sonic realizes the consequences of his actions.

And that’s just the thing. Sonic jumps into every situation without thinking it through, something which irritates everyone around him. Meanwhile, Nine is incredibly methodical and thoughtful in his approach. Nine is driven by LOGIC while Sonic is driven by EMOTIONS. Not to say Nine doesn’t have emotions and can’t lose control, as we will likely see in S3. However, it’s generally how their brains work.

Sonic is gullible and falls into lots of traps. He isn’t all that smart. He’s good at thinking on his feet, but he often doesn’t think before he leaps into something. Shadow did mention about how the people in the shatterspaces aren’t real or whatever. He means that if they just put the prism back together, all those variants will cease to exist since they are all just different parts of the originals. Sonic sees them as real people though, and wants to help them, but he also desperately wants his reality back. He doesn’t realize that Nine would likely cease to exist if he simply put the prisms together. This would devastate sonic if he found out.

Nine is very rational in his actions. He doesn’t feel he can trust anyone as he has been traumatized by the world he grew up on. He longs for a place of solitude, a place he can go to whenever he needs to be away from everyone. He’s rather sit in his own head with his inventions. He wants Sonic to join him here because Sonic is the first friend he ever had. He intentionally doesn’t tell Sonic everything, because he has thought this through. He hopes Sonic will see his side and see him as a real person and not just another version of Tails. Sonic has an issue of projecting his vision of Tails onto Nine. He does it because he misses Tails. I know Sonic, DOES respect Nine as his own person, but Nine does not understand that, and Sonic, not thinking before he speaks, says something hurtful. Nine can come across as selfish, but all he wants is a safe place. As a neurodivergent person, that is so relatable. Sonic’s safe place is Green Hill, and he wants its back. From what we know (although I’m sure they’ll find a solution where everyone can live, again, it’s a kids show), those two things cannot coexist. If Sonic realizes this, he’ll realize he has to sacrifice his shatterapace friends to get Green Hill back, and is that a good thing after all? Nine is scared for his life basically, as he might not exist anymore. It’s a very valid fear.

They didn’t communicate their needs to each other because they were in the middle of fighting the council and didn’t have time to think it through, plus Sonic is impatient and also bad at communicating.

Nine is NOT a villain. He’s a traumatized autistic kid who has trouble thinking with other people’s needs in mind. Sonic wants to help EVERYONE, even people he doesn’t like much like Dread and Shadow, but he doesn’t consider the wider consequences of his actions.

Thank you for coming to my TED talk.

[rapturemctro]

I like to imagine that Andre has a bad habit of self sabotaging any potential relationship he’s ever had, you can’t convince me he doesn’t have some kind of commitment issues. Like for him hook ups and his sexual endeavors are easy as they’re superficial and rarely ever have real feelings involved, so it’s easier to distance himself emotionally. So when him and Atlas enter into an actual relationship it scares the shit out of him. He’s not used to someone giving a shit about him, he’s not used to someone taking a genuine interest in him, he’s not used to comfort, he’s not used to stability. He comes to recognize very quickly that he likes Atlas, like really, really likes them. More than he’s probably liked anyone else, and suddenly he’s so worried. He’s worried about screwing up the relationship, worried that he’ll end up disappointing them one way or another. Andre unfortunately does a lot of things at the beginning of their relationship to self sabotage and push them away, and it almost works. 

Atlas does get fed up with the way Andre is acting, one moment he’s so warm and affectionate and then the next he’s cold and closed off, saying intentionally hurtful things or all together avoiding Atlas. Eventually they’ve had enough and demand to know what’s going on and why Andre’s been acting so coldly towards them, it’s only then that Andre recognizes how much he’s hurt Atlas with his actions and apologizes. He opens up to them about his relationship insecurities and issues with vulnerability and even though it doesn’t excuse his behavior it at least helps give Atlas a little more insight into why he’s been acting the way he has. They both agree to start over and take things slow for Andre’s comfort, and Andre starts to be more open and upfront about his feelings and insecurities with Atlas, and their relationship ends up stronger because of it. 

[botherkupo]

i think people let nostalgia blind them a little when it comes to atla. don’t get me wrong, it’s great cartoon and i’ve rewatched it countless times but i also recognise it’s fine for the live action to make changes because that’s what happens when you adapt something. the live action is not perfect, but i had fun watching it and it feels like some people are just watching to nitpick and hate

Big agree. There are weak spots in the cartoon and also weak spots in the live action show. Are both enjoyable shows, though? Yes.

And that’s what I feel people can’t grasp. They’re like oooh they cut this, or why did they add that, or this character isn’t the same blah blah — and like yeah it’s not the same. I had zero interest in watching a replica with real people. I’ll just watch the cartoon and enjoy it

Like shows with real people have a lot of limitations, and not just because of budgets. It shouldn’t be news to people that there would be changes and a lot of stuff will get condensed, cut, or adapted in a different way. That was always going to happen.

I’ve seen people complain about Bumi and I’m like you know what I really loved the live action show Bumi. It’s a different take on it — him feeling bitter, showing obvious trauma from the pressure of ruling during a war that’s lasted this long, and being more unhinged rather than all super goofy guy like hey Aang just wait till you realise who I am. It’s different, more serious, and that’s okay. You can still enjoy cartoon Bumi. He ain’t going anywhere

Ppl complain about Katara, and like yeah I get it. She’s not as “fierce” in some aspects. But she suits this version of atla. She suits feeling more like a younger sister instead of a pseudo mum. She suits getting angry when Sokka treats her like a little girl rather than angry he doesn’t wash his own socks. She suits being paralyzed during fights at first because she has major ptsd and has been hiding her bending gif so long. It is realistic and fits the show, just as Cartoon Katara fit the cartoon and is still there. You can enjoy her. Cartoon Katara is not going anywhere

Like please will ppl stop looking for the things to complain about and instead see what we’re being given — an adaptation that is intense, funny, emotional and yes different.

We get Jet and the freedom fighters bombing places in omashu than wanting to flood a fire nation village. That’s not a bad thing. It cut out a whole lot of unnecessary stuff and also gave us an emotional scene with Jet and Katara. Did the part where she freezes him and says goodbye feel less dramatic? Yeah, honestly I would have been down to see her angrier. But I also think part of that is the limitations with special effects and waterbending (which always looks the weakest). the actress playing Katara is also dojng her interpretation of the character. (And can I just Jet was perfectly cast and I couldn’t imagine a better Jet)

So we didn’t get Sokka being with Jet? Who cares. Sokka’s story arc is focusing on different things. I loved how his interactions with Suki went. I love even more the scene where he’s listening in on Hakoda and Bato’s conversation and that line “some people aren’t made to be responsible for others lives” or whatever it was. It was so powerful.

And the cave of two lovers being resolved through family love? YES. I love that so much. Like thank you for giving non-romantic love a moment to shine. Katara and Sokka’s argument in that cave had so much weight and emotional intensity. It’s different from the arguments we get in the cartoon and that’s okay. Their dynamic is slightly different and that’s okay. THE CARTOON IS STILL THERE. YOU CAN ENJOY THE CARTOON OKAY

And honestly I could scream for days about what they’ve been doing with Zuko and Aang. I love them both so much and I love the extra stuff we’ve been getting with them. The Blue spirit stuff and that scene after was sooooooooo good. The little smile, the way they start to connect, and then Aang says t he wrong thing (bringing up Ozai) and Zuko lashes out and it’s just perfect ahhhhh

Also Zuko actually fighting back in the Agni Kai but hesitating to hurt his father was such a good choice. I love the cartoon for having him cry and beg to the end, but I also love the live actuon show for giving us something different. I WANT TO SEE THESE KIND OF CHANGES

And maybe I’m in the minority for that and I really don’t care if ppl think my opinion is rubbish. I love the cartoon. I love tye live action show

I wish ppl would understand that it’s okay they are different

[burst-of-iridescent]

at the moment, 5.7k people are following the kataang tag, not 2.9k, as you said, why would you lie? in addition, even on Tumblr (which remained almost the last popular zk place among all fan platforms), Zukka is ahead of Zutara in popularity, and a lot of talented and popular creators of fan art and fan fiction are now concentrated in the Zukka and Maiko fandom. It is fundamentally a mistake to focus on the popularity of the ship, because shipping should be for personal pleasure, but this only shows that most people are ATLA fans (namely fans, not casual viewers) they actively love ATLA and did not see zutara in the canon. In addition, can you give evidence of your words that «almost all of the main cast and most of the writers» love zutara? From the cast, only Dante actively confessed his love for zutara, but he also spoke about his love for zukka, Mae Whitman not against Zutara and joked about it, but she also said in podcast that she also loves kataang, the rest of the actors did not speak at all about their preferences in shipping (except Grey DeLisle who prefers zucest).

none of the screenwriters has ever confessed his love for Zutara, on the contrary, Ehasz has said several times that he loves Maiko, he also wrote almost all the most significant maiko and kataang episodes. The only one of the 13 main writers of ATLA who spoke about sympathy for Zutara is John O'Bryan. Zutara never featured in any of the original scripts, and in ATLA's "bible," the only love triangle that was originally planned was Aang-Katara-Toph (who was a boy in the original script). In a recent interview, Ehaz also answered the question of how he feels about zutara vs kataang, that he, as a professional screenwriter, "follows his characters" and their final canonical choice of love interest is the choice of the character himself, not the writers.

.

i wrote 2.9k the first time around by mistake. the original post has since been amended to reflect the actual numbers of the kat.aang tag, though frankly the disparity between the two tags is still so large that i don’t even think it matters. anyway, my bad. thanks for letting me know.

many cast members and former writers on the official atla podcast, braving the elements, have talked about shipping zutara — including, but not limited to, dante basco, jack de sena, michaela murphy, joshua hamilton, and john o’bryan. grey delisle, mae whitman & greg baldwin have also spoken about being zutara shippers. i’m not sure why them liking or showing support for other ships somehow means they don’t ship zutara, because people don’t need to ship only a single couple to prove they’re “real” shippers lmao. i like azutara, sukitara, ty luko & even book 1 kat.aang myself; that doesn’t make me any less of a zutara shipper.

i’m also not sure why you expect me to do the work of providing evidence for you when, given the fact that you’re here, i’m certain you have just as much access to google as i do. this information is freely available online. feel free to fact check me.

and let me say this again, in case it was not clear enough: i truly do not care about zutara’s popularity. even if none of the cast and writers shipped it, even if the tag only had 10 people, even if every single wonderfully talented writer & artist & AMV editor & GIF maker in this fandom left, i would still ship it. because it’s a better story, because it is more thematically and narratively cohesive, and because it makes me happy.

and if you disagree with that, that’s fine by me. but somehow trying to “prove” to me that zutara is unpopular and no one likes it is not only a) factually false it’s also b) not going to do a damn thing to change my mind lmao. the opinions of other people have never been a reason for me to ship zutara, and they never will be.

[strangled-mangoes]

As a person who also likes Robin a lot and likes TT03, I really like a lot of your takes on the characters.

Speaking of which, do you ship/support Robstar?

OMG THANK U‼️ :D

and as for ur question, yes! i do ship robstar!

i think they’re a really cute and sweet couple, and i’m so happy that they’re 100% canon!!!! a lot of times, if a couple does become official, it doesn’t rlly go beyond the surface of “girl likes boy, boy thinks girl is pretty” BUT THATS NOT THEM‼️

teen titans did a really good job of developing their relationship over the course of the show, which is also impressive because it’s not entirely story-driven. yes, every season has an arc that it builds up to, but not every episode in that season is made for that arc. and yes, there is a greater story being built over the course of the seasons— but it’s not the same kind of story where it’s all leading up to defeating one single big bad. in ATLA, for example, it’s very story-driven, and each episode is connected to each other as they inch closer to their goal of defeating the Fire Lord.

but teen titans doesn’t do that. instead, every episode, even the season-arc related ones, are focused on developing the characters and sometimes their dynamics with each other.

over the course of the seasons, no matter who the big villain was, robin and starfire’s relationship grew. not only that, but they themselves grew, which is another awesome thing that the show did to make these feel like real people with a real relationship.

i know that the other big ship for robin is with raven, but tbh i really don’t like it. a lot of people care about the ship a lot so i don’t mean to sound rude, but imo, that’s just not their dynamic. to me, robin and raven are 100% sibling coded.

it’s true that they grow to be very close with each other, and as the show goes on, they’re shown to care for each other a lot— but it’s not the kind of love that robin and star have. i think my biggest point towards them being siblings is in The End, when robin goes to basically-hell to save raven. when he finds her, she’s physically and mentally younger, and doesn’t even recognize him at first. robin does approach her as her friend, but also treats her as one would with a real child. even when she remembers him, he doesn’t change his behavior with her. i really do think he sees her as his younger sister.

i know that normally they are very close in age, and have similar levels of maturity. but lemme tell u something. i have a younger brother, and we’re very similar to each other. i mean ok his interests r a bit different (he was on a wrestling team during hs while i sat on my computer and studied the tt wiki (which is amazing u should go look at it if u haven’t)). but other than the parts that make us unique (and the fact we aren’t related to each other at all), i often find myself forgetting that he’s younger than me. until we’re sitting in the backseat of our older brother’s car after a long day of walking, and he starts to fall asleep. and he falls to my side. and suddenly my brain starts running a mile a minute, as i realize that because we’re so close he isn’t afraid to sleep beside me. and ok yes this absolutely the brainrot talking but i believe this is how robin was feeling when raven trusted him to save her, to defeat her father— to protect her. of course robin is better trained and therefore didn’t freeze up like i did but whatever!

as a sidenote, i wanna say that while i do ship robstar 100%, i also ship robx :3 (and before u or anyone else that may see this says something like “wait but isn’t the new red x Jason Todd???” i’m just gonna tell u that he isn’t. i don’t wanna talk about it rn but believe me that i do have evidence i am just tired lol)

shipping stuff on the side is really fun, and i personally love robx so so much!!! do i think that they should be canon? no not really. i think it’s a fun little ship that gets to exist in our hearts (and in my phone wallpaper). red x is bisexual btw. i know this because i paid attention

anyway sorry if any of this didn’t make sense or whatever, i was gonna go to sleep (coincidentally after watching several tt episodes) when i saw ur ask and i had to reply immediately. it is 3 am now i am eepy… but also i wanna say that ive seen ur reblogs on my posts and they made me very happy so thank u very much!!!!!!! when i got the first notif i sent my friend very excited keyboard smashes (they also like tt and theyre the person that i usually talk to about it, like the cyrob parallels i noticed)

[lynzishell]

List 5 facts about a favorite sim of yours, and send this to 10 simblrs whose sims you adore ♥♥♥

TYSM for this ask!!! 💖

Okay! Up next from last week’s poll is my MC: ✨Phoenix Realta✨

❄️He loves to cook… as you may have guessed considering he’s always the one cooking every meal.  But… a little background (and I’ll split this into two)… He grew up poor and his mom wasn’t big on cooking, so the times when his kitchen was stocked, it consisted of a lot of frozen and canned/boxed meals like soup, tuna, mac and cheese, and frozen pizza. His favorite thing growing up was peanut butter and banana on toast. He’d toast the bread so that the peanut butter would be all melty and gooey.

❄️He learned how to cook properly from Julian during the year he lived with him in Copperdale. It was the only real quality time they spent together, but they both really enjoyed it. When Phoenix moved to the city, he fell in love with the variety of food and restaurants available. He started collecting cookbooks and watching cooking shows to learn more and more complicated recipes. It can be difficult to cook for only 1-2 people, so it’s nice that Atlas and Asher come over for dinner every Sunday. (fun fact: all of these things are very important to the future of Aspen’s story btw)

❄️The man cannot sit still. He’s even worse than Dawn in that regard. He always needs to be doing something. He actually misses the days when he was training and climbing to prepare for the Mt. Komorebi excursion. It kept him busy and active all the time. After that was over, it was kind of a bittersweet moment, like he didn’t know what to do with himself. So, he got into running. Luckily, Aspen keeps him quite busy now, but he still runs every day, rain or shine.

❄️He is very much addicted to coffee and has been for years. He likes it strong and black. He can’t start his day without it, and he drinks multiple cups throughout the day, especially at work. At this point, he can barely function without it and gets really bad headaches if he goes a day without a cup.

❄️And, of course, he’s a new father! And he is soooo happy! Aspen is a lot of work, but like I said, Phoenix always needs to be up doing something, so he’s happy to be taking care of her. He’s just so grateful she’s finally here. 🥹 And honestly, he’s pretty bummed about having to go back to work sooner than expected. I think there’s a part of him that would’ve loved to be the one staying home with Aspen. Once Dawn mentioned wanting to stay home, I think a part of him wanted to say that he does too and maybe she should be the one to go back since she makes more money. Instead, he signed himself up for a more demanding, higher paying, career path, and cut his own time at home short, so that he could support Dawn in staying home with their daughter. It’s in his nature to put her first, and he genuinely wants to do whatever he can to make her happy, that’s his priority, but I don’t think we should ignore the immense sacrifice he's making. He doesn’t want to be away from Aspen or miss out on any big moments in her development any more than Dawn does, but he also doesn’t feel right about taking that away from her. My heart kinda aches for him a little, y’know.

I love him so much! And it’s been too long since I’ve gotten in his head and done a proper character development exercise for him, so I really enjoyed this! TYSM for sending me this ask!! 🫶🏻

[fangirlshrewt97]

Story Summary - RRR x ATLA AU

Hey guys, another story summary. I have a lot of ideas I want to write, but I am also feeling slightly frustrated with lack of responses. Like I’m screaming into the void. I know that in the last few months we have been lucky to have so many new people join the fandom, but because of the increased number of works, I am also seeing this almost apathy/works getting taken for granted. Real life takes priority, but if anyone else has noticed many previously active people in the fandom have gone quiet, I do wonder if this is one reason. I am definitely feeling it. 

Anyways, that’s just my opinion. Here is the ATLA AU story summary I had written way back when. It’s not very detailed and I did stick close to the plot of the movie, but it’s just food for thought. 

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For context about the Avatar: The Last Airbender universe, the population is divided into four nations that each have an affinity over one of the elements (Air, Water, Earth, Fire). Of the general population, a smaller subset have the ability to "bend" or manipulate their element of affinity, and can train to strengthen their skills. In addition to control over the "raw" elements, each element also has a special ability associated with it (Air -> Oxygenbending; Water -> Bloodbending; Earth -> Metalbending; Fire -> Lightingbending). While each individual only has affinity for one element, every generation an "Avatar" is born who is capable of learning mastery over all four elements. The "nation" of birth for the avatar also cycles, so if in one generation they are born an Airbender, then in the next they are a Waterbender, and so on. The "Avatar" is typically the strongest bender alive for this reason, and discovers their ability to bend other elements in late childhood.

Ok onto the story. Let's modify these rules just a bit, so that while there are people who can bend who have an affinity to a single element, the strongest also have an affinity for a second element. And the Avatar is not one individual per generation, but there are a handful.

Let's keep the movie's plot the same, but now we have a Bheem who grew up as an extremely powerful and natural waterbender, with a strong affinity for earthbending as well. He never tries to bend either of the other two elements, because in the forests, Water and Earth are the most important elements anyways. And none of the tribespeople think about the possibility Bheem might be an "Avatar" because the last time an "Avatar" was born among them was a couple centuries ago.

Let's also have a Ram who is a very talented Firebender, but who downplays his abilities in front of the British. True that if she showed his power he could have a better chance of getting a promotion. But the British are not total idiots, and are very wary of the Indian benders, not hesitating to lock away any bender who shows even the slightest threat against them. So Ram keeps his abilities hidden, never doing more than the occasional fireball or providing light during night time escorts.

When the child is in danger after the train explosion, the men still stage their rescue, with a little subtle aid from their elements. Ram concentrates on the flames that surround Bheem to make sure he is not burned. He doesn't realize that the fire couldn't burn Bheem anymore than him. In the water, Bheem propels them to land without Ram the wiser. Their friendship remains the same, though Bheem only reveals his Earthbending to Ram, who in turn shows his simplest Firebending tricks.

Good things with so many secrets involved can never last, and the Interval fight has to happen eventually. The battle is a true fight with both of them showing all their prowess for bending. Ultimately the outcome is the same. Even if there is one moment when Ram is walking towards an injured Bheem on the ground, and the flames seem to listen to Bheem instead of him. He must have been imagining things.

During the whipping scene, the leaf blowing directly onto Bheem's cheek when he was thinking so hard of his tribe is not a result of coincidence, but accidental bending. The platform seems to shake as the Earth quakes with each strike of the whip upon her child's flesh.

When Ram revists the platform that night, the earth beneath his feet seems to still burn with the heat of the sun where Bheem's blood has soaked the soil. Deciding to help Bheem escape, making his survival Ram's new mission is the easiest choice he has made in a long time.

As Malli runs from them all, Ram pursues her, wanting to make sure she reaches Bheem safely. As he runs out of bullets, he creates a fireball for the Britisher aiming his gun at her. From Bheem's perspective, he sees Ram with fire in his hands running straight at Malli. He redirects the fireball, so that it blasts back onto Ram's face. His anger takes over as he starts to create fireballs and throw them at Ram till he gets to him. He is still unable to stab him, instead pinning him to the ground with shackles buried in the soil. He picks up Malli and runs as fast as he can, feeling the air beneath his feet nearly letting him fly. He does not look back.

Ram realizes Bheem is not just an above average bender, but one of those legendary Benders with the ability to control all four elements. A kind of weapon the Britishers could never properly defeat.

Ram then gets imprisoned, and Bheem goes into hiding. He meets Sita (an Airbender), and gets to know Ram's backstory. For Ram's side, the prison cell they throw him in an ice-box style cell that is specifically meant to surpress the bending ability of Firebenders by keeping them on the verge of hypothermia. The rescue and the subsequent fight are twice as badass as before as both boys unleash their full bending abilities on the soldiers. The climax fight features fire bending Ram, but in that final scene where he confronts Scott, he teaches Bheem not just how to fire the gun, but to do Firebending.

The movie ends with them reuniting with their compatriots with the weapons. But instead of Bheem asking Ram to teach him how to read, it had Ram asking Bheem if he would be willing to join the fight. That he knows it is not fair to ask of Bheem, but with his powers, he cannot not ask either. Bheem has a minute of hesitation, because he still has his mission to fulfill, but looking at Malli, he also knows he never wants another child to go through what she has gone through. He tells Ram that once he has returned Malli to her family, he will come to Ram's village and train with him (and Sita) to learn about Firebending and Airbending, as well as bring a few other benders from his tribe who can help them.

Then they go on to train and become even more badass. Plus they kick a lot of Britishers's asses, and really what more could you ask for?

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@rambheem-is-real @budugu @bromance-minus-the-b @hissterical-nyaan @obsessedtoafault @hufhkbgg @yehsahihai @rorapostsbl @fangirl-from-discord @fadedscarlets @alikokinav @chaotic-moonlight @rambheemisgoated @rambheemlove @jaganmaya @burningsheepcrown @lovingperfectionwonderland @rosayounan @iam-siriuslysher-lokid @thewinchestergirl1208 @dumdaradumdaradum @ronaldofandom @jjwolfesworld @jrntrtitties @kashpaymentsonly @jeonmahi1864  @stanleykubricks @m3gs1mps4a @tulodiscord @teddybat24 @sally-for-sally @ssabriel @jadebomani @stuckyandlarrystuff @veteran-fanperson @ohfuckoffpls @bheemaxrama @chaidrivenwhore @gifseafins @keyhunter04 @umbrulla

[adozentothedawn]

Okay so the Atla timeline for the Fire Nation is a bit knotted up huh

We have Fire Lord Sozin starting the 100 year war when he’s this old: (technically even older cause this was when Roku died, but it's close enough for this purpose. He old is the point.)

The wiki tells me he was 82 at that point,yeah, makes sense. He rules for 20 years longer according to the wiki, which sure, I can deal with that, strong benders live long, whatever. However. We then have Azulon which is where it gets weird, because the show explicitely states he rules for 23 years. That is a direct citation from the funeral flashback in Zuko Alone. 23 years. We definitely know when he died though, namely 5 years before Zuko was banished, so in the year 95 (techincally 94? The wiki says 95 and it doesn’t matter for this discussion so I’ll just roll with it). That means he started his reign in the year 72 a whole 52 years after his father died. I have questions. Now, the wiki completely ignores the 23 years line and I cannot blame them for it cause it doesn’t make sense. It also claims that Azulon was 95 when he died, which. That would make his father 82 when he was born. Guy must have had some real virility, damn. Now we don’t have a birth year for Ozai, but Ursa was born in 63, and they seem to be around the same age so if we roll with that Azulon would have also been old when Ozai was born but it would be at least slightly less insane. Now, having a child at 82 is not technically impossible for a guy, so the only thing that is just plain wrong is the 23 years line, but it is unlikely. I guess that family just has a thing for getting children when they’re old. 

However, to my amusement, that 23 years line isn’t the only thing they kinda tried to retcon. Here we have a young Azulon training as his father watches: (Although I am unable to cite from where that picture originates, the wiki doesn’t source its pictures very well and I don’t recognize the watermark. I am assuming its from one of the lore books but if the wiki is just lying and this isn’t official feel free to correct me)

So this is probably like year 12 to 15, right? It seems Mr Sozin Fire Lord is Benjamin Button aging up there. xD Either that or in his old age he got vain and started dying his hair.

Yeah so anyway, the only actually impossible thing is the 23 years line, the other stuff I just think is funny. We have two options to fix the inconsistencies: 

Option #1: We add another Fire Lord before Azulon. It’s smoother but quite a bit of work to justify in canon if you’re not already ham for rewriting a bunch of lore. 

Option #2: We just yeet out the 23 years line as the fire sage got high off herbs or something and was talking bullshit. Definitely the easier option and it’s not unreasonable that Azulon ruled for 75 years. Also I think that option opens up a lot of interesting lore debates, because while Sozin started the war, Azulon kept it going for 75 years. That’s almost 4 times the length Sozin ruled in the war. It’s basically just that guy’s war at this point. Sozin is interesting as a character and I liked that episode about him, don’t get me wrong but Azulon ruled for 3/4s of the whole war and we get basically nothing about him, which I find a little disappointing. Although since that was a bit of retcon I suppose it makes sense. 

Alright, rant over, summary: the show had a line that makes no sense and also Zuko better keep using protection if he still has hookups in Legend of Korra. 

Edit: actually this is even wilder cause I calculated wrong. The war started 12 years after Roku died, so Sozin only ruled for 8 years during the war and Azulon for 86.

[bestworstcase]

I don’t know what it means but.

Ruby talking with Qrow (I believe) in V7 when she compares herself to Oz, and Qrow saying “No you’re better than him you’re waiting to see who you can trust vs never giving anyone the chance to be trusted”

And now Ruby saying what’s the point of anything if Salem has the relics now and Yang saying “That’s how Ironwood thought. You don’t mean that”

The WAY Oz and Ironwood carried out their plans was Bad but they didn’t start at the deep end. Their thoughts didn’t spawn all of their actions. Ruby having doubts and seeing Oz’s perspective of being wary of who to trust doesn’t mean she’ll turn out like him. Ruby showing she’s upset and mad that things seem to be turning out useless despite their efforts doesn’t mean she regrets saving the people they saved. Or trying to save them.

The way Ruby hasn’t been able to openly doubt herself around others or say things that others see as “thinking like Ironwood” or “you’re better than Oz” is so prominent in episode 7. And I’m not saying she was wrong in anything I’m on her defense squad rn from ppl who are doing what the characters in the show did. They are Hearing her words but they aren’t Listening. WHY is she better than Oz when she thinks she’s doing the same thing. WHAT has caused her to Think like Ironwood. Why can’t she mean what she says why can’t she be negative. Where is the person to lift her up about herself. Not the plan not the team but just Ruby Rose

I don’t think I’m explaining this properly I’m not mad at anyone bc they didn’t know how she felt. I’m just trying to point out connecting things in the show and how “We’ll be better than blank”, in Ruby’s mind, can’t just be something to say when Qrow is mad at Oz (rightfully) or Yang is worried she sounds like Ironwood (the man they just had to save a kingdom from)

V9. Misinformation. Miscommunication. Blinded by your own emotions. Resistant to change. Not listening. It’s felt so Real it’s been so good I hope what I said makes sense it’s just the Be Better Than The Old Mentors vs just bc we won’t do things the same way doesn’t mean we won’t ever feel like they felt or have the same doubts or worry that what they did might’ve been The Best in their mind at the time. Lack of perspective. How you can be the villain to those you’re trying to save. It’s a lot sorry I rambled so much

pushing pause real quick here, anon, the anxiety pouring out of this ask about being misinterpreted as bashing this or that character is really palpable and bc of that i just want to like directly affirm that analytical discussion of character flaw or the narrative construction of a conflict isn’t accusatory or condemnatory of the characters themselves. in this household we go buckwild for characters whose human imperfection is fully and honestly realized by the narrative <3

anyway yeah yeah exactly like

ever since these kids got looped into ozpin’s cult they’ve just been in this emotional vortex of—don’t be negative, don’t spread negativity. salem wants to divide us. we can’t let salem divide us. LOOK at how terrified they were in V8 of not being in unanimous agreement about whether to prioritize a long-term or short-term goal, how much jaune’s proposed compromise scared them. it’s profoundly dysfunctional. they don’t know how to differentiate normal, constructive debate and infighting, or critical self-reflection and harmful negativity, so they are constantly hyper-vigilant constantly monitoring and policing each other for the smallest sign of bad thoughts, bad feelings, because this war they inherited isn’t a war against salem, not really, it’s a war against this nebulous idea of division, of conflict, of negativity, of the bad things that will see humankind condemned to extermination when the gods come back.

and like:

YANG: Okay, Ironwood wants Penny, otherwise Mantle is done for. So, how do we stop him?

BLAKE: Qrow and Robyn are still in his custody, and May said that the Atlas security drones are watching the crater, so they’re trapped too.

OSCAR: And Salem isn’t going to stay gone forever.

RUBY: So then it’s impossible.

EMERALD: See? If Miss Hero with all the answers doesn’t have an answer, then we have ours.

WEISS: Shut up.

YANG: Why don’t you just leave?!

OSCAR: Can we please just give each other a chance? Emerald’s not with Salem anymore, and Ozpin is back. All this doubt and worry and distrust, it isn’t getting us anywhere—

RUBY: Then nothing has CHANGED! We’re in the exact same spot we were yesterday, arguing what to do while the kingdom waits to die.

^ she ran away then, too. and yang went after her thinking that ruby needed a pep talk, needed to be told that sure things are bad and risks don’t always pay off, but the mom who abandoned them both for the world’s sake is still her hero—when what ruby actually, desperately needed to hear, what she’s PLEADING for now, is for someone to tell her it’s okay to feel bad, it’s okay to have doubts, it’s okay to just be overwhelmed. that it ISN’T FAIR for the fate of the world to sit on her shoulders and that the world will not end if she admits that it’s too fucking heavy, if she asks for help, if she puts it down.

and that’s what makes it sting so much when her doubts and fears and frustration get brushed off like those feelings don’t matter or aren’t true or, worse, like it’s wrong for her to feel this way at all—it’s a manifestation of this, like, existential terror of Innate Badness that lurks in the heart of ozpin’s cult, don’t feel bad don’t think bad thoughts or else—or else what? “salem will divide us” but it’s so easy for that line of thinking to shade into “only bad people have bad thoughts,” because feeling bad IS bad in and of itself, right. like fundamentally this is how the strict ideological delineation between hero, villain, and passive narrative object enforces itself: the villains surrender to negativity and so become themselves agents of this Badness while the heroes stand as beacons of hope and inspiration to the defenseless masses—who otherwise would of course succumb to negativity (“panic”) and be obliterated. baked into the cult’s ideology is an unspoken but perilously thin line between feeling bad and being bad.

you don’t mean that. that’s how ironwood thought. (you can’t mean that. only bad people think that way.)

and the real world just doesn’t fucking work that way—the world of remnant does not work that way—so this is an emotional poison, it’s toxic, they’re swimming around in a noxious soup of unspoken ideas that seeped into all of them to varying depth but percolated right down into the very bedrock of who ruby is—and while it killed them slowly it ate ruby alive. and now the bones of her are poking through the cracks and she has nothing left to give so the only way to move forward is to claw herself out of the soup!! (<- this metaphor ran away from me a bit.)

which somewhat ironically given what the first layer of her crisis is about, means ruby is going to lead the way out of this festering mess of a fairytale cult. by way of the desolate howl that this way of thinking is dehumanizing and inhumane