#i know what i want || desires

[liverpepper]

(on the subject of heart hands 🫶 happy belated strifehart sunday!) Roxas: Who is that?? Cloud: Squall. Roxas: No, but, like, who is that??? Cloud: That's Squall. sora: technically this is your fault for teaching him to use photoshop Cloud: That isn't photoshop that's just Squall. Roxas: Doubt................ Leon: (???)

[a-most-beloved-fool]

Kinda want to write a Spock POV post-fal-tor-pan fic where Spock sees Jim and is instantly whammed with the fact that he's in love with him, but still has no idea why or what that means, so he just goes around with a knot of love tangled in his mind, utterly baffled as to why it's there or how to figure it out. He can't ask the kolinahr adepts, because it feels un-vulcan, so instead he's just. confusedly pining the entire time.

Jim smiles sappily at him and Spock's like "My Heart Is Beating Faster. Why Is My Heart Beating Faster. There Is No Cause For My Heart To Be Beating Faster. Do I Have Tachycardia."

Spock, to McCoy: Doctor, is there history of heart disease in my family?

Bones, suspicious: Yes? Why? (already surreptitiously scanning Spock w/ a tricorder)

Spock: I have noticed concerning irregularities in my heart beat. They occur primarily around Admiral Kirk.

Bones, freezing: Repeat that for me, Spock?

Spock: I have noti-

Bones: No, not that, the next bit! Where they happen!

Spock: Ah. Around Admiral Kirk.

[FIVE MINUTES LATER]

Spock, annoyed: Doctor, cease laughing. I fail to understand what part of my medical condition you find so amusing.

Bones, still wheezing with laughter: Don't - don't you worry your little head about it, Spock. You're not sick, that's the important thing. (interrupts himself by laughing again) You'll (wheeze) figure it out eventually.

(Spock, disgruntled, gives up on him and leaves.)

(McCoy keeps laughing for another ten minutes.)

[willpowers]

claps my hands

chilchuck is an ADULT

he should not be compared to those series that make a 1000 year old character look like they're 8

because chilchuck does have signs of aging, is shown to, in the perspective of others of his race, be maturing

it is OK to ship him with another character!

for christs sake his kids are also considered grown adults

it sucks cause like, real life people with developmental disabilities get told they're never going to be able to express themselves sexually or their partners are considered evil, but they deserve to have just as much of a chance at love as others!

chilchuck acts and looks more mature than my 15 year old tall grown up looking cousin, and thats the difference! appearance shouldnt matter, chronologic age should be the only factor. not only is chilchuck older the adult age of his race, but hes also considered way over adult age in human years too!

please please just be normal about chilchuck i beg

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[honeyblockm]

What are you doing to me! Why are you making me feel like this! How am I supposed to go on!

[dunmeshistash]

Also important to note that lion can just eat someone's desire to resist him, or desire to avoid hurting someone or any other desire that is against smth that he wants to do and you can't really do anything about it

Yep! The Lion always says he's just "power to be used" and tries to play it off saying he has no way to use his own power for himself. And in a way it might be true (he needs someone to wish for something that will free him) but in another way he's HIGHLY manipulative and uses the dungeon lords however he wants.

That's why I don't really enjoy when people describe Laios' confrontation with him as "The Lion confronts him with his deepest/true desires". I don't believe those are Laios' true wishes at all, those are past traumas the Lion uses against him to manipulate him into wishing to let go of humanity.

I guess it's in a sense the thing about "what you want vs what you need". Sometimes we wish for things we don't really want and desires get muddled when we can't face what we truly want/need.

Laios wish to become a monster comes from a frustration of not being able to fit in, is his wish abandoning humanity or is it being understood? Did Mithrun really wish to steal his brother's lover and never have joined the canaries or did just wanted to feel wanted? To feel like he had worth?

The Lion isn't power to be wielded, he isn't a neutral force, he's a being that hungers and he'll do all in his power to be able to eat and that includes lying and manipulating <3

I think even at the end the Lion misunderstand what a true wish/desire is. He curses Laios so his "Your greatest desire will never be granted". The Lion thinks that's monsters. I believe it's because that's what Laios has dedicated his life to, that's what he knows the most about, that's his biggest comfort, that's his everything.

But he doesn't consider he would let go of that desire for the people he loves, because all he knows is hunger, and love isn't hunger 😔

[poorly-drawn-mdzs]

Wardrobe Woes

[First] Prev <–-> Next

[tsuchinokoroyale]

Happy new years… let’s stay hydrated together ✨

[kacievvbbbb]

I’m not someone that particularly cares about a ship being canon or not, in fact I would rather the media I consume have no romance at all (giving my blog confusing yes I know)

But there is something about the canon ties between Shanks and Mihawk that drives me feral with need to see what their whole deal is.

Because like there are so many little inconsequential details that when taking separately seem pathetic and weak. But then put together it feels like it paints the picture of a larger undeniable connection and understanding between two wildly different men.

The fact that their main color is both red (Mihawk’s is a more wine dark red than Shanks’ bright red and a little more “subtle” given that Shanks is literally called red hair) but even then their main symbols, their identifying features, are red! Mihawk’s eyes and Shanks hair (yes while I love the gold and think that’s better I cannot ignore the fact that Oda consistently colors in Mihawk’s eyes red even though the gold is infinitely more popular)

They have the same birthday, are practically the same height, both with the promises to our two main protagonists to meet them at the top with a parting “gift”, both serve as a mentor to the protagonist (mihawk literally thought zoro how to kill him 😭), both with the bird(ish) iconography.

The fact that Mihawk, Mihawk! A man whose introduction was that he didn’t care much about anything and caused destruction on a whim, cares enough about what Shanks thinks to mentally apologize before trying to kill luffy (what the fuck).

The fact that whitebeard felt the need to reference his duel with Mihawk in his conversation with Shanks, despite not really being very relevant to the conversation and the fact that this is the first we’ve seen shanks in years and it is brought up in the same context as his relationship with Buggy (an already established relationship) reveals his relationship to Roger seems to point to the fact that this duel between Mihawk and Shanks is an important relationship to shanks. It couldn’t just be to show strength because he was about to clash with whitebeard the strongest man. It’s also hard to notice that those two relationships didn’t end particularly well for shanks.

Also the fact that it was Mihawk out of every character , Mihawk that brought luffy’s bounty to Shanks. Something he obviously knew would mean a lot to him. I used to think the scene was just there to show us how big a deal Shanks actually is like look at that fun childish alcoholic gang inspired our main hero? He’s actually a super big deal and he used to spar with the strongest character by far we had seen at that point (it wasn’t even close) and they fought on equal footing. It added a new layer of mystery to Shanks.

But it’s also the fact that even now with Mihawk’s bounty Shanks was mentioned and he’s the only one who this was mentioned for. Crocodile is just for his df and intelligence and they don’t mention that he literally tried and almost succeeded in subjugating a country and he was beat by luffy “or smoker given how many marines actually know the truth” even buggy who was literally Shanks’ sworn brother under the pirate king doesn’t get a mention like that. But Shanks and this duel is so integral to Mihawk’s character that it’s mentioned along with the only other long lasting fact we know about him and that is that he is the World’s Strongest Swordsman. Isn’t that fucking insane.

And like I feel insane scrapping all these details together as proof of something because they are all (besides the duel) the barest bones of a connection but god it is actually driving me insane.

And I’m not saying Mishanks is going to become canon or that it should or that I even particularly want it too. What I do want is to see how deeply these two are connected. What are these red strings of fate tying them to each other. Why can’t apparently ten years of little contact sever it? I swear to god if it’s actually nothing much I will lose my fucking mind. If nothing ever comes of all of this I will actually go insane. How can some people look at this and not see foreshadowing!?!?!!

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[tea-cat-arts]

Since we're getting closer to the release of the next Madoka Magica movie, I'd like to gently remind you guys that Rebellion doesn't have a single reliable narrator, and you really can't take anything the girls say as fact.

Madoka, Mami, and Kyoko have all had their memories tampered with by Homura and don't have the full story

Sayaka and Nagisa are both mentally fully there, but they're biased as they benefit from Madoka's system

Homura is being prodded by Kyubey, is in the middle of a mental breakdown, is missing key information, and is locked inside her own head where she is subconsciously filtering out and ejecting things that don't alight with the reality she wants there

This isn't to say that any of these girls are bad people or being intentionally manipulative. Just please keep in mind that all these characters' perspectives are skewed, and you really can't take everything they say at face value.

[lululawrence]

For those who need important reminders or reminders of happy/peaceful things, I hope you can find what you’re looking for in my for when I’m sad tag.

If some of you need distraction and would like to find it in random fictional worlds, I’m going to play a silly fic rec game. I have 103 pages of bookmarks, pretty sure that all 2,050 bookmarked fics are 1d fics I’ve read.

So, let’s do this.

Give me a number between 1 and 103 and I will rec you a random number of fics from that bookmark page.

Please note, these bookmarks go back almost exactly ten years, my entire time in this fandom. I can’t promise I’ll have time to give summaries or tag authors etc. but once I’ve finished running the kids around for the night, I will be here to give you some random fic recs if that’s the distraction you need.

Hopefully between my tag and some fic recs, you can have a small bit more sunshine in your day today. 🤗

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[blorbocedes]

BROCEDES! ROOMMATE AU + UNEXPECTED VIRGIN!

‘Take a shot if your body count is more than 5!’

Most of the crowd drinks, even those with obviously shifty eyes and guilty demeanours. Lewis drinks.

He was coursemates with Adrian the previous semester and had to hear his bitching and moaning about the bitches he gets – the lack thereof, spots him drinking too. Nico’s standing at the end of the couch, expensive loafers careful to step around the sticky spilled beer.

He nurses his red solo cup, untouched. Lewis frowns.

‘Take a shot if your body count is double digits!’

Fewer people drink this time. The crowd goes ‘ooh’ at the ones who do. Technically, Lewis’ is 7 – 8 if you count the blowjob and her getting her period at the last second, opting out. But college athletes have a reputation to maintain, so Lewis finishes off his cup.

This time, Nico is watching him. Smiles when their eyes meet and does a mock salute, lips still not grazing his drink.

What the fuck? What could it be? It bothers Lewis that Nico’s not being honest. He's seen Nico half-lidded hanging off some guy’s arm at a party or cuddled into some girl to know better. Although, since Nico has access to all the population instead of 50%, it would make sense if his count is twice as high.

A pretty girl in a low cut top and blonde highlights taps Lewis on the arm to dance with her, and all thoughts of his roommate and how many people he fucks are forgotten.

A few hours later, the party has died down. Cold pizza and the music is less in-your-face, more indie. A small group gather on the floor playing the laziest truth or dare with a half empty bottle of Bacardi. The guy beside Nico is in an obnoxious leather jacket and tight pants, and his hand rests on Nico’s thigh.

It falls on Lewis.

“So… Lew-iss,” Natalie? maybe asks, voice slurring a little. “Do you remember when you first met Nico?”

Nico raises an interested eyebrow. Of course he remembers. However, Lewis is aware they asked the question because people think him and Nico are secretly hooking up because they live together, and since Nico’s seen with everyone. His teammate Felipe and his girlfriend are within earshot.

“Nah, man. I don't remember shit like that. I remember when I like, lost my virginity.” Lewis offers as bait.

Nico frowns, it's cute on him. Brows wrinkled up.

Naomi(!) bites. “Tell us about how you lost your virginity.”

“That's two questions.” Lewis leans back, flashing his most charming gap-toothed smile. Everyone's too drunk to keep track of whose turn it is.

Nico disappears off with Mr. Skinny Jeans.

It's a little while later when Lewis has smoked a spliff to clear his head, rejecting the blonde highlights girl’s offer back to her dorms which is on the other side of campus, when Nico returns, hair mussed and shirt buttoned more than it was when he left.

“Home?” He asks. Lewis follows.

Nico’s a pretty chill roommate. He grew up with a silver spoon and an only child, so he has no concept of sharing. Instead, when he orders Thai, he makes sure to order for two so that Lewis doesn't try to eat any of his dumplings. Lewis gets to have the flat to himself a lot since Nico disappears for the night, returns at early hours of the night with glitter on his cheek or bite marks on his neck and a cheeky smile before collapsing on the couch. Lewis can't complain, it makes bringing girls over easier. And when Nico is studying, he keeps to himself. Lewis will know, because there will be an extra coffee for him. In turn, Lewis gets rids of the bugs in the flat – the first time Nico seeing a cockroach asking if they should call pest control or sue their landlord for unhygienic living conditions.

“Why didn't you drink? At the body count question?” Lewis asks, breaking the amiable silence of their walk home, and the lack of filter signalling he was drunker than he thought.

Nico hums thoughtfully. “Cause that would be a lie?”

Lewis tries to make sense of that, doing math in his head. “No…? It wasn't about the exact number, just if it's more than.”

“Yeah,” Nico smiles, unlocking the door and stepping side. “That would be a lie.”

Lewis rolls his eyes. Nico and his riddles and his games. “It would only be a lie if you're a virgin. Which you're not.” He snorts at the thought.

Nico’s eyes flash dangerously. “Yeah?” Nico turns around, effectively trapping Lewis between the door. “You think about who gets in my pants a lot, Hamilton?”

Lewis feels a flush rise in his neck. Thank god for melanin, if he were Nico he'd have two giant red spots on his cheek right now.

“I don't care who you sleep with. Or don't sleep with.” Lewis tries to go for gruff, chill, but it doesn't quite land. He gets out of Nico’s cornering, going to the couch. “It's just weird you’d lie considering Jenson–”

“Oh if Jenson said it, it must be true.” Nico’s sarcasm is shrill and annoyed, betraying how drunk he is.

It does make Lewis pause. Jenson has a habit of embellishing stories of his conquests. The fated twins threesome never happened, he had separately hooked up with twins. Lewis remembers Jenson bragging in the locker room how he rocked Britney’s world and Lewis had worn his his shin guards with a little more force than necessary.

“Rock my world?” Nico rolls his eyes, leaning against the wall. “Hardly. We made out for forty minutes until he came in his pants.”

TMI because now Lewis is inundated of images of Nico, mouth swollen and bodies entangled while fully clothed.

“So you're actually a virgin? What about all those people?” Lewis is still trying to wrap his head around it. Nico is the most sexual person he knows. He eats yoghurt off the spoon distractingly, and has no shame walking around the apartment naked. Very sexual liberation chic, and Lewis had to draw up boxers boundaries.

Nico wrinkles his nose. “So you get with the easiest lay on campus and you're the only person he won't fuck. Do you want to admit something's weird and wrong with you, or do you just go about inferring you had sex? It's not like I'm going to correct them.” He must see something on Lewis’ face because he interjects, defensively offensive, “Don't ask why it's better to have a reputation. I know your tells. You drank twice.”

Lewis chooses his words carefully, gentle like he's not trying to spook a wild cat. “I'm not judging. I'm just surprised. Nobody figured it out?”

Nico softens at the tone. He sinks on the couch beside Lewis. “Honestly, you're the first person to notice.”

Lewis finds that sad. “Hey, we don't need to talk about this if it's a sensitive topic. I'm sorry I –”

“Jeez, Lewis. I don't have trauma, I'm just frigid. A pricktease. Nothing bad ever happens to a Rosberg.” Nico works on the complicated laces of his boots. He hates being pitied.

Lewis leans over. “It's really not all that cracked up to be. The first time, at least. Cause you're bad at it and you don't know how to pace yourself. Lots of people wait until they're ready. My first time, it was this girl I was seeing after GCSEs. We couldn't find a place so we got in my dad’s old Subaru. Lasted like 30 seconds. Wiped the whole place down but I was convinced he would know somehow. Come Sunday, I went and told him. He hadn’t the slightest clue. So that was an awkward drive to church.”

Nico gawks him, crumpling into himself laughing. Lewis regrets being a vulnerable and oversharer of a drunk. Nico’s gelled hair has come undone from hours of partying and falls over his eyes. Lewis is never going to open up to anyone ever again.

“On God's day, Lewis?! And you think I should save myself until marriage? Find myself a nice, righteous wife?”

“Someone you trust. Someone you're into.” The room spins a little. Nico Rosberg is a virgin.

“Someone who’d remember when we first met?” Nico challenges. "That's not very nice, is it? I can't believe you forgot--"

“You were checking out an encyclopaedia on space at the library. I wanted the Senna autobiography. We were 12.”

Nico’s eyes go wide. Lewis holds his gaze.