#i know this book has film adaptations as well but there are some things in writing strictly that can never be emulated through movies

[harmonysanreads]

The opening line of Anna Karenina is... wow.

[oveliagirlhaditright]

-randomly sees a screenshot of jamie and lily from the city of bones movie, where they seem to embody jace and clary, and am once again sad that we didn't get a city of ashes movie-

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[theniftycat]

What other Neil Gaiman work might you like?

The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.

That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.

I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.

Horror

The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.

The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.

The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.

Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.

Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.

It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.

Fantasy

Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.

It really tickled my imagination, I highly recommend the book.

Stardust is set in a more high fantasy setting.

It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.

American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"

It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.

Humour

Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.

Just a very nice film with an all-star cast.

Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.

Anansi is a trickster god, so you know things will get funky.

I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.

Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[desperatelyseekingcannibals]

Telling Hugh Dancy about trans masc Will and more...

As some of you already know by now, I went to Boston Fanexpo this past weekend for another stop on the unofficial Hannibal 2024 Reunion Tour.

I had planned to do autographs on the Friday before the Hannibal panel and had brought some gifts for Hugh which included a copy of Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal, which I compiled and edited last year. I also got him to sign my own copy (above).

It all moved quite quickly, but I did have the chance to explain that it's a volume by and about trans, non-binary, and genderqueer Fannibals that includes art, fics, essays, and personal pieces. He seemed intrigued and I said I hope he'd have the chance to read it and that the art isn't explicit/sexual but some of the fics are - he laughed and said he appreciated the warning.

It was all quite the whirlwind, especially after coming all the way from the UK, so I was absolutely mortified when I remembered the next morning that I had talked with a few trans Fannibals who had specifically asked me to let him know that he/Will is a trans icon. So I went back up to see him again on the Saturday morning when it wasn't too busy (and get more stuff signed) and this is what happened:

[I wrote notes down right after so this is as close an account I can get without having filmed it!].

Me: I saw you yesterday Hugh: I remember (smiley-friendly) Me: I gave you a book Hugh: I remember (smiley-friendly) Me: well, I forgot to tell you. A few trans Fannibals reached out to me to tell you that Will is a trans icon to them and we all love you for it. Hugh was surprised (in a nice way) and I was pretty much going to walk away then - job done and feeling like time for me to stop bothering Hugh lol. But before I could walk away he sort of held out his hand to stop me and said something along the lines of - I don't mean this in a disrespectful way, don't take it the wrong way... I'm genuinely curious- I get that it can be about identity- but what is the connection to Will and being trans? Luckily - my essay in the book is exactly about how Will can be read as trans, so I sort of gave him a summary of that. I explained that (obviously) both Will and Hannibal can be read as queer, and that - especially as both characters have dominant masculine and feminine traits, it's also easy to read them both as trans or in some way genderqueer. He was nodding and agreeing, so I further explained that with Hannibal, he is fully formed - he's already whatever he is - which Hugh also agreed with. But that Will is still becoming, still transitioning and therefore can be more relatable to trans fans who see that journey in themselves. So although it's not necessarily the same journey - there is enough to it that it resonates with trans people. I said that in the show there is also the added bonus of Will being seen and accepted for who he is, just as trans people wish to be. He was nodding along and agreeing with me and then he thanked me for explaining that. It was pretty quiet previously but I'd been there a few minutes so the queue was building up a little but he was so focused on me - so genuinely intent on hearing what I had to say and learning more. SO I CARRIED ON. (lols) I explained to him that it goes further than the show, that we have found a community in the fandom and that many trans people have a catalyst in their life that sparks their journey - like Will had in his friendship with Hannibal. For us it might be a person, an event, or even a TV show. I explained how the fandom are so supportive of trans people - that we are SEEN. That I for one wouldn't have been able to afford top surgery without the kind donations of Fannibals back when I was not in a good place (mentally or financially). That we all help each other and for some of us that has been life-saving. He did the hand on heart thing and said "wow" and was clearly moved. I said to him that so much of this is in the book, that I completely understand if he doesn't want to read the fanfic, but I really hope that he will at least read each of the personal pieces - that each of the fics and art also have a little write up from their creator about what the show and/or fandom has meant to them and their gender journey - how important this has been in our lives. He repeated a couple of times that he would definitely read it. I thanked him and he held out his hand and gave me the most genuine hand shake I've had in my life.

I want to really stress here how much this was instigated by Hugh. That he really wanted to know more and understand and didn't even look at the slowly growing queue but was instead intently focused on knowing more about the trans Fannibals and about why this show and the characters mean so much to us.

I then went off and spoke with a few Fannibal friends in the queue before getting around the corner to another Fannibal friend and having a bit of an emotional moment/breakdown. I can't even explain how grateful I am that he gave me the opportunity to explain all this to him. And I was especially glad I got to tell that Will is a trans icon because I'd have felt terrible if I'd have not done that after people had asked!! Thank you for trusting me to pass that message on for you!

💖

I know for many of you Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal might have gone a little under the radar. So here is some more about that >>

It was compiled last year for Trans Hanni Day, edited by Max Turner of (and in conjunction with) A Coup of Owls Press - and published under Max's ACoO imprint.

It features essays, personal pieces, fanart and fanfic by and about trans, non-binary, genderqueer and otherwise non-cis Fannibals.

IT IS FREE TO DOWNLOAD, however we ask that if you do that, please consider donating to one of the linked trans orgs if you can afford to (or a similar organisation/charity of your choice).

It can be purchased on Amazon, however, as the proceeds go to charity, and Amazon only gives royalties, more is earned/given if bought directly via Max's shop.

Dearest trans Fannibals, please know that YOU ARE SEEN!

[beerok23]

D: And then he came to offer you the part in Good Omens? M: Yeah, well, we became friends and we would, you know, whenever he was in town, we would meet up. And then eventually he started. He said, you know, I'm working on an adaptation of Good Omens. I remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. D: Were you involved at that point? M: No, I wasn't involved. I just happened to have met up with Neil that day. D: Right.

M: And then Terry Gilliam came along and that was the day they were talking about that or whatever. And then eventually he sent me one of the scripts for an early draft of, like, the first episode of Good Omens. And he said, we started talking about me being involved in doing it. He said, 'Would you be interested?' I was like, 'Yeah, of course I would. Oh, my God.' And he said, 'Well, I'll send you the scripts when they come.' And I would read them and we talk about them a little bit. So I sort of was involved. But it was always at that point with the idea, because he'd always said about playing Crowley in it. And as time went on, as I was reading the scripts, I was thinking, I don't think I can play Crowley. I don't think I'm going to be able to do. And I started to get a bit nervous because I thought, 'I don't want to tell Neil that I don't think I can do this'. But I just felt like, I don't think I can play Crowley. D: Of course you could play Crowley. M: Well, just on a sort of - on a gut level, you know, sometimes you have on a gut level, you go - D: Sure, sure. M: I can do this. D: Yeah. M: Or I can't do this. M: And I just thought, you know what? This is not the part for me. The other part is better for me. I think. I think I can do that. I don't think I could do that. But I was scared to tell Neil because I thought, well, he wants me to play Crowley. And then it turned out he had been feeling the same way as well, and he hadn't wanted to mention it to me. But he was like, 'I think Michael should really play Aziraphale'. And neither of us would bring it up. And then eventually we did. And it was one of those things where you go, 'Oh, thank God you said that. Oh, I feel exactly the same way'. D: Yeah. M: And then I think within a fairly short space of time, he said, 'I think we've got David Tennant for Crowley.' D: *Chuckles* M: And we both got very excited about that. And then all these extraordinary people started to joining up. And then off we went. D: The other thing about Neil, he collects people, doesn't he? So he'll just go, oh, yeah, I phoned up Francis McDormand. She's up for it. Yeah. And you're 'What-Wait-What?' M: I emailed John Hamm. D: Yeah. M: And you realize how beloved he is and how beloved his work is. And I think we would both recognize that Good Omens is one of the most beloved of all of Neil's stuff. D: Yes. M: And had never been turned into anything. D: Yeah. M: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, oh, they better not fuck this up and this better be good. And I have that part of me, but then, of course, the other part of me is like, but I'm the one who might be fucking it up. So I feel that responsibility as well.

D: But we have Neil on site. M: Yes. Well, Neil being the showrunner - D: Yeah. M: I think it takes a massive difference. You feel like you're in safe hands. D: Well, we think. Not that the world has seen it yet. M: No, I know. D: But it's been a joy to work with you on it. M: Oh, my goodness. D: I can't wait for the world to see it. M: Well, I mean, I've done a few things where there are two people. It's a bit of a double act, like Frost-Nixon some more, and The Queen, I suppose in some ways, and I've done - Amadeus or whatever. This is the only thing I've done where I really don't think of it as my character or my performance as that character. I think of it totally as us, the two of us. D: Yes! M: What I do is defined by what you do. That was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this. And the two characters totally complement each other. And the experience of doing it was just a real joy. D: Well, I hope the world is as excited to see it as we are to talk about it, frankly.

M: You know. Having talked about T. S. Elliott earlier, there's another bit from The Waste Land where there's a line which goes, "These fragments I have shored against my ruin". And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter where you've got, what you've done, how much money you got, all that. Life's hard. It can take you down at any point. You have to find this stuff. You have to find things that will. These fragments that you hold yourself, they become like a life raft. And especially as time goes on. I think as I've got older, I've realized it is a thin line between being surviving this life and going under and the things that keep you afloat are these fragments, these things that are meaningful to you. And what's meaningful to you will be not meaningful to someone else. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid. Doesn't matter what it is. Go and find them and find some way to hold them close to you. Make it go and get it. Because those are the things that keep you afloat. They really are, like doing that with him or whatever it is. These are the fragments that have shored against my ruin. Absolutely. D: That's lovely. Michael, thank you so much. M: Thank you. D: For talking today and for being here. M: It's a pleasure. D: Thank you.

This podcast is so underrated. I heard it tonight for the first time, and it blew my mind. The episode was published back in April 2019 (recorded after a photoshoot for Good Omens season 1). Listen to these babies, starting to knowing and respecting each other *_* Of course, Michael Sheen was probably the greatest fan of Neil and Good Omens out there, but the joy and the excitement was already there to feel, from both of them!

And Michael saying "The Two of Us" 4 years before July 2023... My heart - just - can't.

[maevstar]

| Introducing myself in my fame dr ᯓᡣ𐭩

ᝰ. My name is Maeve Amelie Solace, but people usually call me by “Mae”.

ᝰ. I’m 26yo and I’m an A-list american actress and singer. (I was born in 1997 but I didn’t turned 27 yet).

ᝰ. I started my way on acting when I was 16 when my older brother was doing a play on high school and begged me to participate. I did, and since then I’ve been in love with acting.

ᝰ. When I graduated from high school i moved out from my hometown — Austin, Texas — to LA and entered to UCLA School of Theater.

ᝰ. My first big project in Hollywood was “The Edge of Seventeen” when I was 19-20yo, before that I just worked with small projects, mostly from my uni.

ᝰ. That project gave me more visibility in the industry and I became more well known.

ᝰ. Some of my films: The Edge of Seventeen, The School for Good and Evil (adaptation of the books), Lady bird, Scream 4 (2018), Little Woman, Causeway, We Live in a Time, Challengers, Me Before You, Glass Onion 2, Duna, Anyone but You, Don’t look up, No hard feelings, Don’t worry darling, The outrun, and etc.

ᝰ. Some of my shows: Supernatural (Claire Novak), Looking for Alasca, YOU, outer banks (season 4).

ᝰ. I’ve been nominated for the Oscar 4 times as the best Actress in a Leading Role, but I’m just gonna win the award in the 4th time (2024). Futhermore, i’ve won a lot of awards and nominations like Emmy’s and Golden Globes. In 2022, I entered the list of The Most Influential People by Time Magazine.

Now, my singer career:

ᝰ. My mom is a country singer — not much known — in Texas, so I’ve grew up loving music, and I’ve been writing songs since I was 15, but these never turned into real songs, until 2019-2020, when I recorded my EP’s.

ᝰ. My first EP is called “Minor” and it has 7 songs. I released it in 2019 just for fun, was some songs that I’ve been writing during the years. In 2020 I released more 2 EPs, called “Bittersweet” and “Good Riddance”, with 7 and 10 songs respectively, again, just for fun.

ᝰ. Now, my new coming up project on music is my first Album, called “The Secret Of Us”, it has 13 songs (+ 7 from deluxe) and all of them will have a music video, cause my objective is making a visual album.

ᝰ. With my new album, I intend to go on my first tour.

Fun facts about me:

ᝰ. I know ballet and gymnastics cause when my sister was 8 years old she wanted to learn but was scared to do it alone, so I used to go to classes with her.

ᝰ. I have 3 siblings, Will, Kayla and Austin. Will is 2 years older than me, Kayla is younger than me 4 years and Austin is 8 years younger than me. (Another fun fact is that Austin is adopted).

ᝰ. My s/o is Drew Starkey, I met him in a party at Maddie Cline’s house (2021). Also, Madelyn is my best friend and I’m very close to the cast of the outer banks too.

ᝰ. I’m in fact brazilian. I was born there but my family moved to the US when I was 8 — my father is brazilian but my mom is from us, she was in a trip when met my dad in brazil and blablabla — so I have dual nationality. (latinas are better lol). But when I was 14, I moved again to Brazil and lived there for almost 2 years with my aunt before I came back to US.

ᝰ. When I was 16, I made a YouTube channel with my brother Will and we used to talk about the most random things ever (btw it was a flop lol, this channel just came up when we became famous). (another fun fact is that he is also a well known actor, but more on theater plays than on screen).

ᝰ. When I was in high school, I was planning on going to med school — mostly because of my dad, he’s a doctor (my obsession with greys anatomy might got me inclined to that too🤭) — but then I fell in love with acting (when I was 16, like i said) and never quit. Besides that, I’m still very interested with things related to science and human body, stuff like that; most of things that I know are bc of my dad tho.

ᝰ. I’m polyglot. I speak Portuguese, English, Italian, Spanish and a bit of French and Latin. I also know ASL.

ᝰ. I still don’t know how to ride bikes without training wheels cause no one ever taught me (😭).

ᝰ. I love the sea, beaches, everything related to that, it’s one of my favorite places in the world.

mood boards; mood boards details;

─────── ୨ৎ ───────

[user2772636]

Douzième Fille

12th girl

××《☆》××

××《☆》××

A new task; Kidnap some frogs and a film to get an hour study session with the Annick Sabiani. Things are still unstable with Joseph. Maybe Callum could help. Your fear of hopping creatures makes a boy forget what went wrong.

===

Joseph Descamps x Reader

Warning: frogs (whoevers scared of them), swearing, boys being boys, angst

Also, yes, I do know harry potter, I was in both that and the marauders fandom (esp marauders)

===

===

Chapter six: Mischief Managed

===

"Sophia Loren is so beautiful." We look up at a movie poster, stating that only eighteen above can watch.

"What about Brigitte Bardot?"

"My mother says she's vulgar."

"Apparently, we can sneak in through the back door." Simone points towards the cinema.

"How do you know that?" I ask her, curious.

"A boy told me." It's definitely Jean Pierre.

"Is it Eugène?" Oh, Michèle.

"No, it wasn't." Simone shakes her head, and she's basically telling the truth.

We turn a corner. "You think I'll meet him someday?" Michèle asks Simone. I glance at the dark haired girl, worry spreading in me.

"Who?"

"Eugène."

"I don't know."

I stay quiet, a one-eyed boy in the back of my mind.

××《☆》××

Students enter through Voltaire High's gates and head inside the building.

I sit in the very front of my class, tapping a pencil against the table, anxiously waiting for my score.

"Pardine, 10." I sigh in relief, scanning the paper.

Frogs croak loudly throughout the room, making me shiver in fear. Small, slimy, hopping creatures were not my thing.

"And finally, Miss Sabiani, 12." Laubrac claps his hands, followed by the class. Annick has been glowing, much more social and vibrant. Good for her, comparing her old self to now.

I look back at my score, sighing. I could've done better. Could've gotten a twelve like Annick. I clench my jaw, disappointed.

Then, for the first time of many times today, a paper plane lands on my table. I furrow my brows, turning around to see who could've done it. None of them look suspicious, but Joseph looks nice. Too nice. And he's wearing green.

I turn back around, not knowing if I was flushed because of anger or because of him. Probably both. Annoyingly, both.

"Tomorrow, we'll all be dissecting frogs." My stomach reacts badly, making me gag silently.

Sure, frogs weren't my cup of tea, but dissecting them? I wouldn't even wish death on Joseph. Though, a part of me knows hatred isn't the reason for this.

I have noticed today that Joseph's been gloomy. He's off, and obviously not in a good way. His eyes that were once lit by its own sun dims down like when a storm approaches. And he's not smiling. I miss his smile.

No, I don't. I don't and won't miss anything. He hates me, and I guess I hate him, too. He decides to talk shit about me? The audacity of that man. I wish I could just grab his neck and strangle him and look at him and see his fucking pretty lips turn into a smile-

That god-awful smile. It ruined me. And I hate his smile. I hate it. I hate him.

××《☆》××

We're all gathered up in the courtyard, discussing our grades, when suddenly, boys started crowding near Annick. I overhear what they say.

"One hour with Annick!"

I furrow my eyebrows. One hour? That's what they're freaking out about? Well, it was Annick, and they were boys, so I guess I shouldn't be too confused.

"Hey, what's happening?" I walk up to Pichon, and he looks startled as he sees me.

"Annick is giving out an hour private lesson if someone steals the frogs and the film from English earlier for her." Pichon stutters out.

This morning, in English class, we watched a movie called "To Kill A Mockingbird", the film adaptation of the book. I guess Annick liked it so much that she wants someone to steal it for her.

In the corner of my eye, a tall blonde's wafting his arms in the air. I had a sudden question.

"Hey, do you have any idea why Applebaum stopped talking to me? I know it was from long ago, but I sometimes wonder what happened." Pichon pales, and my brows pinch together.

"You know how Applebaum's glasses went missing?"

I nod, remembering the day at the gym.

"Well, that was Descamps. After that, he came up to us and threatened Applebaum's eye if he went to talk to you again. Applebaum whined for hours to us after that. He said he lost his chance at the only girl who's ever given him one."

I chuckle absentmindedly, shocked at the new information. Then, I turn angry.

"Descamps, did that? Why? Why would he want Applebaum away from me?" Pichon scans my face, trying to see if I'm serious or not.

"You really don't know?" I shrug, suddenly embarrassed. Pichon scoffs. "He's in love with you, that's why. Even when he looked like he hated you, from how I saw it, he was so in love it turned him into a mad man. I always caught him looking at you or being near you, even if it was a hundred feet away. Wherever you were, he was, too." It's my turn to scoff.

"He doesn't love me. He hates me. I caught him in the halls, talking about me to his friends and saying I was too clingy." My heart shatters in my chest as I recall that moment.

"Wait. How could he say you were clingy?"

"We've hung out the past few days. He's stayed the night the day before I heard him call me that."

"What? You let him stay the night?"

"Yes? What's wrong with that? We're friends. Or atleast we were."

"Oh my god, no offence, but how could you be so daft? You love him, too!" Pichon says a little too loudly, making the courtyard glance at us before returning to their own conversations.

"I don't! Now keep your voice down, or I'll rip them off." I whisper-shout at him.

"You even talk like him." I roll my eyes at his conclusion.

"Anyways, don't be delusional. He doesn't love me, actually, quite the opposite, and I don't love him. That's that." There's a lace of disappointment in my voice, but I cover it up with a stiff face.

Pichon raises both his hands in mock surrender. "Whatever you say." He walks away, a smile dancing on his lips. I scoff.

He doesn't know what the hell he's talking about.

××《☆》××

I lean against the wall facing Michèle as we wait for Simone in the toilet.

"So?" Michèle calls out to the door.

"Yes, it's my period." The door opens, and Simone walks out. She closes the door.

"Is there a stain on your skirt?" Simone checks.

"No. But my underwear's ruined. The rest is fine. I put toilet paper" I notice how messy she looked. I comb her hair out with my fingers. She grabs her things from Michèle.

"You should go to the nurse, Simone." I tell her, worried.

"Yeah, my aunt will have pads." Michèle interjects.

"No, I'll be fine." I puff out my cheeks at her stubbornness, but dismiss it.

We start to walk, but after only a few steps, Simone clutches on her stomach.

"You definitely need to go to the nurse." She shakes her head.

"You poor thing." Michèle says as we continue to walk.

Once we make it out the door to the courtyard, Pichon pops out of nowhere. I squint at him, still pressed about earliers conversation. He just smiles at me.

"Michèle." He says. "Can I ask you a favour?"

"Sure." Michèle responds, walking down the steps with us.

"Do you know where your uncle keeps his keys? There must be spares. Y/N needs them, too." I raise my eyebrows in surprise at the bold question. Then I remember the Annick situation. I nod along.

A voice butts in. "Hey, are you nuts?" It's Dupin. "Don't involve the dean's niece." He's leaning against the wall with his hand on it, legs crossed. "She's gonna snitch."

"What's he talking about?" Simone asks.

"Oh no, not again." Pichon looks between us and Dupin then walks away. I look at him confused.

Michèle walks down to Dupin. "You think I'm a suck up because I'm the dean's niece?"

"Yes." I know that voice all too well. I look at Joseph, and we lock eyes. I scan his face. Nothing's changed much, but it feels like something did. He glares at me then stares baack at Michèle.

"Let's go, guys." Simone says, walking down the steps. Michèle follows, but I stay.

"I heard about what you told Pichon and Applebaum." I walk the down the steps, looking up at his towering figure. He glances at Dupin and his friend, nodding them to go somewhere else. They follow.

"What about it?" He tilts his head at me, hand in his pockets.

"Why are you threatening Applebaum's eye if he looks at me?" His jaw clenches.

He pauses. "Why not?"

"Why not?" I chuckle half heartedly. "Why not?"

"Did I stutter?" Wow, since when did he have sass?

"You're an asshole, okay? First, you talk shit about me to your friends, talk shit about my friends, then I'm now just finding out you threatened Applebaum?" I raise my eyebrows at this, disappointment seething through my teeth.

"Well, that's just life, isn't it?" What the fuck is wrong with him?

"What the fuck do you even mean? We were so close, Jo- Descamps. We were friends, didn't you think?" I stutter at saying his name, embarrassment coating my cheeks.

"Back to last name basis?" There's disappointment in his tone, but I somehow catch his eye glancing down at my lips. I flush more.

"Yeah. Why not?" I mock his words, jutting my head forward.

"Alright, Pardine. If that's what you want." He shrugs his shoulders nonchalantly. He's starting to piss me off.

"I didn't fucking want us to stop being friends. We had to because, for some reason, it's only now that I remembered you're an asshole."

"Whatever." He scoffs out.

"Fine." I stepped closer. I already feel his warmth.

"Fine." He steps closer. He smells the same. I wish things were still the same.

"Fuck you." That's the last thing I say before walking away, feeling his stare on my back.

××《☆》××

"Stealing Herman's frogs and Couret's movie? Did Annick cast a spell on them?" I exclaim, raising my arms. Michèle and Simone follow behind me.

"And Dupin calling me a snitch. I may be the dean's niece, but I'm no rat." Michèle says over my shoulder. I nod in agreement.

I glance at Simone, seeing her clutching her stomach. "You okay?"

"I'm fine." She answers simply, face grimacing.

"You should I ask my aunt to write you a note and go home." Michèle says as she rubs Simone's arm.

"You think?" Me and Michèle nod.

"Okay. I have to go to the bathroom. It's soaked already." I nod again and lead Simone to the bathroom door.

"Michèle." I stop in my heels as Simone turns to Michèle. "You should steal the frogs. That'll shut them up." We continue to walk.

I lead Simone down the staircase, her one hand gripping mine and the other on the rails.

"Are you okay, Ms. Palladino?" Ms. Couret says, looking up at the both of us.

Simone talks to Ms. Couret and I excuse myself. Before I leave, Simone looks at me, glancing at Ms. Couret. I remember the film then nod at Simone. She nods back. I go all the way down the stairs, going out to the courtyard and on my way to the gate.

This morning, Callum called. He told me he had some news. When I asked why he chose lunch time to tell me, all he said was it was so important that he wanted to tell me face to face, and as soon as he was on his lunch break. So, naturally, I agreed.

I see the Thunderbird from a distance, its colour eye catching. A tall frame with messy brown curls exits the car, making his way to me, a bouquet of flowers in hand.

"Good afternoon, beautiful." I roll my eyes at the name, smiling. He simply chuckles. I walk out the gate. He hands me the bouquet.

"What is it?" I ask, implying the news he wanted to tell me.

"Not even a hello? I'm hurt." I stick my tongue out to him. "Anyways, how do you feel about Paris?" My ears perk up at the mention of the city.

"Paris? I miss the place. Why do you ask?" My heart beats in excitement, not knowing what to expect.

"Well, the people loved you so much. The company that released the magazine contacted me to get to you." I raise my eyebrows as he pauses. He furrows his.

"You don't get it? They want you in Paris by summer because they want you to model! Like, professionally." My eyes blow wide open and I gape in surprise. My mouth open and closes, not knowing what to say.

"Callum." I stutter out. "Please don't lie."

"I'm not." Tears rim my eyes, and I blink them away.

"I swear Callum if you're lying-"

"I'm not! I swear on my life." He laughs, his breath blowing on my face.

"Fuck, Callum." I give him a hug, wrapping my arms around his torso, gripping him to stay upright, my mind unable to grasp whether this was real or not.

He wraps his arms around my shoulders, rubbing my back and kissing my hair. "You deserve this. I'm so proud of you."

I pull away from his chest, dried streams of quiet tears on my face. Callum still wipes them away.

"Let me take you out tonight." My heart sort of drops. I can't, I tell myself. Why can't I? Then, a one-eyed boy is in my mind again. Oh. I grip my bouquet.

"Sure." Joseph wouldn't care. I then realised that he probably never did. Whatever, it's fine. But really, it isn't. I shouldn't be thinking about him, I should be thinking about the fact people want me to model for real.

But I can't help it. There's a boy in front of me, a modelling opportunity, and a dinner to look out for tonight, but all I can think about is him.

Him and his ash coloured hair, eyes that change colour in the light, smile that makes my heart clentch in my chest, and his lips. His beautiful, plump, pink lips.

Then I look up at Callum, and he looks at me the way Joseph once did. And I crumble internally, realising how much this beautiful boy will break when he finds out how I feel about someone else.

Joseph never loved me. I don't think he did. I felt used, hurt, and betrayed after what I witnessed. And what's funny is the fact that after that incident, that's when I realised I loved him. I love him.

I love Callum, too. But the way I feel for Joseph, it's different. And it's too bad I realised I loved him and that he hated me too late. I can't help but love him anyway.

That's the thing with love, though. When you realise you feel it, you can't let go. The way it feels is so different, you're too scared to let it go because you don't know when or if you'll ever feel it again.

"I'll pick you up at 6?"

A pause.

"Sure."

××《☆���××

My footsteps echo through the halls, too loud, in my opinion. I follow Michèle, her eyes glancing at me from time to time. I guard the door as she walks in and grabs both of the needed keys.

She gives me my set, whispers good luck, and walks to her room. I part to mine.

I quickly unlock the room and close it behind me, a quiet click sounding around the empty class. The film was situated at the table, leaning against some books. It looked like it was meant to be stolen.

Then I hear footsteps shuffling outside. I get under the table, trying to figure out the noise. It was too flat to be heels, and it was too heavy to be a woman. It sounded like thudding than clicking. Then the door opens, and I see brown oxfords. I know those oxfords. They've been in my flat before.

I get up from my spot, accidentally hitting my head on the edge of the table. Hard.

"Shit, Y/N. Are you okay?" Descamps sprints over to me, hands cupping my head and inspecting the hit area.

"It's Pardine to you, Descamps. And no, do I look okay?" I push his hands away, fixing my hair and dress. I look up at him, and he's already looking at me.

"What now?" I groan, crossing my arms. Descamps raises his brows, crossing his arms, too.

"You think you're the only one who wants to get the film?" He bends down to reach my height. I flush at the proximity.

"I certainly was here first."

"Well, too fucking bad, because I have it now." He snatches the film of the table. I grunt, trying to grab it. He lifts it over his head, stretching his arm. He's smiling. How much I hate that smile.

"Fuck you, Descamps." I push him off, making my way to the door. There's footsteps outside again. I stumble backwards.

"Go, go, go!" I nudge Descamps to the table, planning to get under it again. Our knees push against each other as we try to fit in the small area. A couple of swears and names were silently thrown around but were silenced when the door opened slowly.

I held my breath as Descamps did. I absentmindedly grip his calf, and his hand was gripping mine. In other circumstances, he'd be whispering reassurances in my ear, holding me close with his arms, and kissing my head 'till I calmed down.

This wasn't one of those circumstances.

After a while, there was a snore. I furrow my eyebrows. Snoring? I slowly come out of the nook, not before Descamps pulls me back down and asks me what I'm doing. I shush him, going back up slowly. His hand is still gripping mine. It feels the same as it did all those other times.

I make it to the edge of the table, and across the room, one of the janitors was sitting on a class chair, snoring the afternoon away.

I sigh in relief, coming back down to Descamps. He raises his brows at me.

"So?"

"He's dead asleep."

"Do we stay here 'till he leaves?" I think about it for a moment.

"I guess. It'd be too risky to leave. The door's too loud."

"Fuck. I guess I'm stuck here with you." He rolls his eye. The audacity.

"Hey, I'm not the one talking shit about my friend." He scowls at me.

"Well, I'm not the one who's fucking assuming."

We argue whisper shouting.

"I saw you! And I heard you!"

"You don't know why I was saying that!"

"I know exactly why! You hate me!" That makes him shut up.

"What?"

"You hate me, Descamps."

"Why would you even think that?" There's a tone I can't tell. Like he's hurt, or in disbelief, or in denial.

"Because you're-" He cuts me off.

"Why would I ever hate you?" He squints at me a bit, voice wavering.

"You-" He cuts me off again.

"I could never hate you." Tears brim my eyes at his words. I look at him quietly.

"Stop lying, Descamps." My voice breaks.

"I-" He sighs, looking down at his lap.

I sniffle, wiping my nose. I turn around, back against his clamped legs. And he stays still. We've done this before. Except my back was against his chest, and he was combing my hair with his fingers.

"And Annick." I feel him tense.

"What about her?" I scoff in disbelief.

"You're doing this for her, right?" I turn my head, not really looking at him.

"What? Oh, no, of course not. I was here because Pichon told me, or really I made him tell me that you-" His voice gets cut off and I furrow my eyebrows in confusion.

"That I what?" I urge him to continue. Incoherent noises come from the back of his throat, stuttering against his teeth. He sighs, wiping his palms on the cloth of his knees.

"That you were coming here." It comes out as a mumble, and I almost didn't hear it from the way my heart was thumping and blocking my hearing.

"Why would you care?" There's a pause again, and it's suffocating.

"So that I'll know how easy it'll be to get it before you do." I snap my head forward, looking at the blank wood of the table.

A few seconds pass by. I hear his voice again.

"What about you? Why do you want an hour with Annick?" I keep my head straight this time while talking.

"I need to keep up with her." I shrug simply.

"Why? You're already doing so well in class." I flush at the compliment, but shake my head.

"Well, I could do better." I sigh deeply, seemingly annoyed at the question. I still want him talking to me, though.

"I mean, sure, but isn't it draining?" My hearing blurs for a second at the question.

"Of course it is." I keep my answer plain, but my voice breaks. I hear his heavy breathing.

"You know that I know how much you study. Even if we're... not so close as we were before, I still think you should take a break."

A memory comes to mind. I lean over my books on my bed, writing notes on the pages. Feet thumping against wood floors doesn't break my focus, but a hand caressing my back does. I still remembered the way he whispered against my ear, telling me to take a break. The way he cupped my hand to stop it from writing. The way that the bed dipped as he sat down and wrapped his arms around my waist. How much I missed those nights.

"You know, I used to fake studying so you could come close." I blurt out, not caring what I say anymore.

He doesn't respond immediately. "Yeah?" I hum in response.

"I used to make every excuse to come close." I shiver at the confession, wishing I could turn back time to every moment he came close and held me.

"It's too bad you're an asshole." He chuckles.

"Really is too bad."

I guess that was where the conversation ended, though I'm not sure, but after a while, we hear the janitor get up and leave. I slowly come out of the hiding spot, dusting my dress again.

Before I leave the room, a hand grabs my wrist. I don't turn around, but suddenly, my hands clasp a rectangular object. Descamps drops my hand and leaves.

When the door closes, I just stare at it. Then, I raise my hand. The film was in it.

××《☆》××

I walk with Pichon to the alley, watching familiar faces look at us. I avoid Descamps' gaze, focusing on Michèle and smiling at her.

"There they are!" One of them calls out.

"So?"

"We've got them." Pichon answers, dropping the bag. I hand the film to Annick, leaning into her ear.

"Descamps did it. Give him the hour." I purse my lips, then walk away from her. She turns her head to Descamps, and I'm too scared to see if she looks at him the way I used to. Well, really, I still do.

I walk to Michèle, smiling at her. Then I look at Applebaum.

He hasn't changed much, and when he catches me staring, he turns as red as his name and looks away. I laugh a little, then start to feel bad about the fact that Descamps had threatened him. I'll talk to him about it later.

We all lean and look at Pichon as he opens the pouch, frogs hopping out of it. I yelp, trying to get away from them.

"It only took five minutes?" Dupin asks.

"He's smarter than all of you." Laubrac answers.

"Can't wait to see Herman's face."

They start to grab the frogs and chase each other with it. Dupin lifts it up to my face, and I yelp, running away.

Strong arms lift me off the ground, the familiar scent of cigarettes and expensive cologne fill my senses.

"Come on, go chase Felbec or something. Not her." Dupin nods and runs elsewhere.

He gently places me on the ground again, cupping my face.

"You okay?" He whispers. I nod.

"Don't talk to Applebaum. I saw you looking at him. I know you know that I threatened him, it's only because he's a fucking weirdo and you know it. Please." He reads me too well. I nod again.

"Thanks. Now go home." He pulls his hands away, grabbing another cigarette.

I stumble backwards, walking away fully.

Almost halfway home, I remember leaving something. It was a tie I accidentally dropped when Descamps lifted me off the ground. It was pretty special, so I went back for it.

Turning to the now golden lit alley, my feet stutter to a stop when I see Descamps against the wall, some girl from school splayed over him, her hand on his chest and lips close to his.

The garbage rattles and their heads turn to me. I make a run for it, leaving the tie to be forgotten.

I should've known. He never loved me. He always hated me. Since when were they even hanging out? What if they were together the whole time? I gag at the thought.

I hate him. I hate him so much. But I don't.

Fuck, this hurts.

××《☆》××

End- Chapter six: Mischief Managed

Next- Chapter seven: Salvatore

××《☆》××

So that took SUCH A LONG TIME. Um very angsty good or very angsty bad? Idk if I spell checked or grammar checked this well, so if u see smth, dm me PLS

Also for the F1 fans, ik im late w news, but 1-2 ferrari, carlos pole after appendix got removed, ferrari and mclaren top 4 domination, hamilton and verstappen dnf, george flipping over on the middle of the track, and fernando alonso getting p1 for a few minutes. Austrailia GP will always be wild.

HAPPY READING!!! 6/10 CHAPTERS DONE

[auras-moonstone]

Hey,

Can you write a mini story of Jack and the reader. And can the trope be a fake dating for the media. Also can you the reader as an actress as well. And during their fake dating fling, they developed their feelings for each other but weren’t that sure to admit. So Jack calls it off and starts dating another girl. Later on, he realizes he still has feelings for the reader. And you can write the ending, please surprise me!

hi! i love this trope😫 hope you enjoy it🤍!

lost in translation — jack champion

word count: 2,944

pairing: jack champion x fem!reader

summary: y/n and jack are working on a rom-com together and are asked to fake date. feelings bloom and jack calls it off, breaking y/n’s heart and, as collateral damage, their friendship.

author’s note: this is me claiming my love for louis partdrige (he’s so pretty😫) and lynn painter (read her books she’s amazing)

Y/N HAD ALWAYS BEEN A BIG ROMCOM LOVER, SO WHEN SHE GOT THE ROLE OF LIZ ON THE ADAPTATION OF BETTER THAN THE MOVIES, SHE WAS ON CLOUD NINE. She met Jack (the boy who was going to play Wes, her love interest) on the chemistry read and the director instantly fell in love with their dynamic, and that’s how they got the role.

During the shooting, Y/N and Jack developed a close friendship. But the fans of the well-known rom-com book started shipping them even when the content the community managers shared was very scarce—just a few pictures of them on their breaks or during the filming, and some bloopers. The whole media kept talking about them, about how good they looked together, how their chemistry transcended the screen; and so the people involved in the publicity of the movie made a decision.

“You want us to what?” Y/N asked dumbfounded.

“To fake-date. The press tour is about to start, and we think you two dating can really boost the excitement for the movie” the head of publicity stated. “We can’t actually make you do it, as it wasn’t originally in the contract, but we think this is a great idea. The people love you”.

Y/N looked at Jack, who hadn’t moved a muscle ever since the suggestion. “Jack? What do you think?”.

“Can we talk about it? Alone?” he asked to the man in front of them, who reluctantly nodded before leaving the office. “I honestly don’t know shit about publicity, but if they think it’s going to help, then we should do it”.

“Are you sure?” she asked.

Jack nodded “It’s you the one who doesn’t seem sure”.

“I don’t have a problem with fake dating you, I just don’t want our friendship to become weird or anything, because I value it a lot” Y/N told him. Jack’s heart broke, knowing how hard it was for her to establish friendships after her old friends started acting weird and became more interested in the events she could take them to rather than in her well-being and life. He knew he was one of her only real friends and now felt bad she had been put in such a spot.

“Hey, no. It won’t, it’ll be just like when we were filming, right? Just that we will do it in public” Jack tried to reassure her, pulling her into a hug.

“Okay… let’s just promise that if we get uncomfortable or if it’s becoming too much, we’ll be honest with each other and call this thing off, okay? Our friendship is way more important that the publicity” she said, looking him in the eyes.

Jack smiled, and showed her his little finger “I pinky promise”. Y/N laughed, wrapping her pinky with his.

And so their fake relationship began, not knowing that no promises could stop the feelings that were meant to evolve.

THEY COULDN’T REALLY TELL THE EXACT MOMENT EVERYTHING CHANGED. The shift in their relationship was so natural and gradual that they almost didn’t notice.

Everything was done more often—dates, kisses, hand holding—, physical touch seemed to be a need now—it could be just intertwined fingers or his arms wrapped around her shoulders and hers around his waist—, longing glances when the other wasn’t looking, eyes drifting to each other’s lips everytime one of them was talking. They even had dates out of the public sight—even though none of them called it a ‘date’, they simply convinced theirselves it was a friendly hang out. They slept at each other’s houses, waking up the following day with Jack’s arms draped around her waist while her back was pressed against his front or, their personal favorite, Y/N’s head on his chest and arms around his torso while Jack’s was wrapped around her shoulders pressing her more against his chest.

So yes, it was so slow and felt so natural that it took them time to realize they had fallen for each other. Both of them had completely different reactions—while Y/N decided she was going to take a risk and confess her feelings, Jack’s fears blinded him. It’s not that he didn’t want to admit his feelings, but everytime the option of confessing crossed his mind the words she spoke came to him: “I just don’t want our friendship to become weird or anything, because I value it a lot”. Y/N had been so scared of their friendship being ruined because of the fake dating thing, Jack knew keeping his feelings hidden was the best option. But also, he couldn’t keep hurting himself and that was exactly what he was doing by pretending to be her boyfriend when he wanted it to be real.

Friday came around, meaning it was their sleepover day. They had just finished eating the spaghetti Y/N made, and were about to choose a movie to watch when Jack decided to speak up at the same time Y/N opened her mouth to confess.

“Oh, sorry. You can tell me” Jack told her. Y/N shook her head, signalling him to go ahead. “I have been thinking and I think we should call the fake dating thing off”.

Y/N’s mouth was open, yet no words came out of it. She had been thinking for days what the best way to express her feelings for him would be. She had a whole speech planned and was now left speechless.

“Oh… okay, if you feel is the best thing” she faked her best smile, while trying not to fall apart right in front of his eyes. “I just… need to ask, is everything okay? I mean, this is very sudden”.

“I just feel this is becoming too much, and you said we should be honest with each other” he simply answered.

Y/N nodded playing with the remote control in her hand. It was clear, he felt uncomfortable being her fake boyfriend because he only saw her as a friend. “Right, yeah. Thank you for telling me, then. We should talk to the head of publicity tomorrow. The press tour is almost over, so there shouldn’t be any problem”

“Cool” Jack nodded. He should’ve felt relieved that she took it so well, but instead, he felt sad. Maybe even disappointed in the fact that she didn’t fight the decision. And he also felt angry at himself for expecting so much of her part when it wasn’t her fault that he had fallen for her and she didn’t feel the same.

Jack had wanted to save their friendship so bad, he didn’t realize that the conversation had been the first crack in the glass.

Y/N REALLY DID TRY TO NOT LET THE CIRCUMSTANCES INFLUENCE THEIR FRIENDSHIP, BUT THEY WERE SLOWLY DRIFTING APART. The texts were becoming less frequent and drier, the hang outs were brief and filled with awkwardness and so were their conversations.

The publicists thanked all the gods that the press tour was over, because they had never seen two people have less chemistry than Jack and Y/N. It was so hard for everyone to comprehend how two people whose eyes used to spark when they were around the other suddenly became lifeless.

But their breaking point came a few weeks later, it was the thing that made them stop talking for good. No more texting at all, no hanging out—alone or in public—no conversations, no looking at each other, no interactions at all.

Y/N was watching a movie with her friends, Millie and Louis, when Millie suddenly gasped. Y/N and Louis laughed “Mills, if you are with your phone while we’re watching a movie at least be discreet” the girl said, but Millie didn’t laugh or apologise, she just stared at her with saddened eyes, which made Y/N frown. “Is everything okay?”.

“When was the last time you opened social media?” she asked, while Louis took her phone to see what she was looking at.

Y/N saw him clench his jaw, which made her feel more confused “Um, I barely use my phone anymore, just to text… why? You’re scaring me, guys” she laughed nervously, trying to take a peek at the phone but Louis hid it quickly “Lou, give me the phone”.

The boy sitting next to her shook his head “It’s not the best idea”.

“Tell me what is going on, please. You’re making me anxious” Y/N’s voice was almost begging.

Millie sighed “It’s a picture someone took of Jack… he’s with a girl. They are… holding hands and exiting a restaurant”.

“Let me see” Y/N said extending her hand, but Louis just refused to do it. “Louis. Phone. Now”.

“Come on, Y/N/N, don’t be a masochist” Louis told her.

“I’m just going to see it on my phone later, so what you’re trying to do is useless” Y/N pointed out.

Louis sighed in defeat and gave her Millie’s phone. Y/N stared at the picture—Jack was looking as gorgeous as ever and her heart skipped a beat when she saw him. She missed him so fucking much, she hadn’t heard his voice in days (now she knew why, he was too busy). And then her eyes trailed to the girl holding his hand. She was very pretty—tall, long legs, blonde, muscular, stylish—and Y/N couldn’t help but compare herself with her.

“Stop it, I know what you’re doing and just don’t” Louis said, turning the phone off. “You’re gorgeous and way too good for him. It’s his loss, and he doesn’t deserve you”.

Y/N broke down for the first time in weeks, her feelings had been bottled up and the glass that held them inside finally exploded. Louis quickly put his arms around her, and Millie joined them in a heartbeat.

“I still have the fucking premiere” she cried harder when she remembered “What if- what if he goes with her? I can’t go”.

“Are you kidding me? You’re not going to miss the premiere. You work so hard for this! It’s your favorite rom-com and you are the main protagonist!” Millie said. “This is your dream. And you’re not going to let this ruin it”.

“I know, Mills. But I won’t be able to handle it. He’s going to be there, and even if she’s not there, I know he’s with her and looking at him knowing that will kill me” Y/N said, brushing away the tears. “Besides I can’t face that alone”.

“You’re not going to be alone. I’ll go with you” Louis offered.

“You actually had a great idea for once!” Millie exclaimed, making Louis roll his eyes and Y/N let out a little laugh. “Lou will be there for moral support, and you won’t feel alone. But you are definitely not going to miss your premiere”.

“Thank you, guys. I love you”

JACK’S MIND HAD BEEN A MESS LATELY. Y/N stopped responding his texts, it’s been two weeks with no signs of her. He would’ve been worried if he hadn’t seen the instagram stories her friends, Millie and Louis, posted with her. So it didn’t take a genius to realize she was ignoring him on purpose, and he didn’t have a clue why. He missed her so much, it was driving him insane. Jack wanted to go back to that night and take back everything he had said, they still would be fine if he hadn’t opened his mouth.

Jack thought that by cutting off the deal, they would go back to being friends and his feelings would have eventually faded away. He even started dating a girl he meet at the gym, but Y/N lingered on his mind all day, every day. And when the day of the premiere came, his eyes searched for her figure as soon as he arrived to the red carpet.

Jack’s smile widened when he saw her. She looked absolutely breathtaking—as always—but then his smile fell when he realized she was with someone else.

“Can you at least be a little less obvious?” Kate asked.

“Sorry” Jack apologised. “Thank you for coming with me, even after our breakup”.

“It isn’t a break up if we weren’t really together. It was just a couple of dates to benefit the other. You needed to get your mind off her, I needed to get my mind off my ex” she answered. “Although I have to say, I don’t know if me coming was the best idea”.

“Maybe not” Jack said, stopping for a picture “I just couldn’t face it alone”.

“He’s with her” Y/N said to Louis, faking smiles as the photographers flashed their cameras at them.

“I know. I’ve been feeling his stare ever since we arrived” Louis replied. “He’s totally jealous, I can feel it”.

Y/N shook her head “You’re speaking nonsense”

“Nope, I know what I’m talking about. And I get it, you’re looking incredibly stunning and you have an eye-candy with extremely good bone-structure on your arm”

“And with a big ego” she added with a laugh. “Let’s go, eye candy”.

“Don’t you need to take pictures with him?” Louis asked in a whisper as they approached Jack and his date.

“Yeah” Y/N sighed, chest tightening as they reached them. “Hi” she greeted, looking at Jack—who looked beyond handsome—and then set her eyes on the girl next to him. “I’m Y/N, nice to meet you”.

“Kate” she greeted with a smile “And we both not that’s a lie” Kate laughed, surprising her. “It’s okay. Just, take the pictures and please, for the love of god, talk to each other!”

“Hi, I’m Louis and I’m very confused” the tall boy next to Y/N spoke up. “But I agree with the last part” he added, then looked at his friend “I’ll see you later to see the movie, okay? Let’s go…”

“Kate” the blonde girl reminded him as they walked away.

The two teenagers looked at each other, not knowing what to say. “We should… pose for the picture maybe?” Y/N broke the silence.

Jack nodded nervously “Yeah, yeah”.

He put his hand on her waist, and they both tensed. It had been so long since they were this close, their skin felt like burning and their hearts were beating at a dangerous rhythm. They only posed for a couple of seconds, yet it felt like an eternity. But once it was over, the awkwardness came back.

“Let’s go inside, our dates are waiting” she spoke up.

They entered the place, but as Y/N began to walk away, Jack’s hand grabbed hers making her stop in her tracks. “No. We need to talk first”.

“Jack, the movie is starting in a few minutes”

“A few minutes is all I need. I—we—can’t go on like this” Jack said. “I’m sorry. If I’m being honest, I don’t know exactly what I did, but I’m sorry for not trying hard enough to save our friendship”.

“That’s the thing, Jack. It isn’t your fault, it’s all on me. I’m the one who drifted apart because I didn’t know how to handle my feelings” Y/N let her guard down, willing to be completely honest. After all, their friendship was already dead.

“What do you mean?” Jack asked confused.

“I love you, Jack. I- I wanted to tell you. In fact, I planned on telling you during our last sleep over but-“

“But I called our deal off” he finished, cursing himself.

Y/N nodded “I understood that acting as my boyfriend was too much for you, because you only saw me as a friend. But I just couldn’t go back to being just your friend, I tried for a while but it was really hard. And then, you started dating her and… it killed me. I just couldn’t talk to you knowing you had someone else”.

Jack shook his head, wanting to laugh at the situation “The reason I called it off is because I fell for you, Y/N/N. I didn’t think you felt the same, and I knew how important our friendship was to you. I wanted to protect it, but instead I messed it up”

Y/N looked at him with her mouth open, and then laughed drily “Really? All this time we felt the same thing and we ruined it because we got lost in translation?” she said in a tone of disbelief “And now it’s already too late”.

“What? Why?” Jack asked surprised. “I still love you… you don’t love me anymore?”

“Of course I love you Jack, but you have a girlfriend”

“Kate is not my girlfriend. She never was” Jack told her.

“I saw the pictures, Jack”

“We went to a couple of dates, we both needed to get our minds off the people we loved. But we stopped once we realized how silly it was, we’re just friends” he explained. Jack took one step closer to her until her back touched the wall behind her “I love you and I want to be your boyfriend… that is if you aren’t dating Louis”.

Y/N laughed, her smile now impossible to erase “No, he came as a friend”

Jack smiled in relief “So…”

“So, boyfriend, we should get inside, our dates are waiting” Y/N said, a teasing smile on her face.

Jack laughed “Can I kiss you first?”

“I’m begging you” she said, grabbing the collar of his suit to push him down. Their lips met in the middle and they both smile through it “I missed this, I missed you”.

“God, I missed you too. You have no idea” he said, kissing her harder.

“Hey, this is a family friendly place” Louis’ voice interrupted them “Get inside, love birds, your movie is about to start”.

Jack and Y/N looked at each other with lovey smiles and, hand in hand, they entered the theatre to see the movie that brought them together.

[raven-at-the-writing-desk]

The Current event makes me smile since it kind of confirms a headcanon I had that the Great Seven have animated movies based on them. Makes me wonder about the plot of the movies

Disney should get on the Twisted Wonderland AU Animated Remakes. What is Ursula was a good witch, what if Scar was right to take the throne and did he take it from Mufasa? (Or whoever is the stand in for him)

The Evil/Beautiful Queen...actually GOOD?

Yeah, it makes sense! Since the Great Seven are historical figures and the stuff of legends, surely there would be popular media made in their image. It’s like how the Disney fairy tales borrow from stories in the public domain or how there are historical retellings and reinventions (Hamilton, anyone?).

I believe TWST has mentioned films based on their own stories and history before too, but purely in the animated sense rather than live action. In book 3, Ace and one of the Atlantica Museum guards talk about an animated movie based on the tale of the mermaid princess and her prince; this movie is said to have come out ~30 years ago, which corresponds with Disney’s animated The Little Mermaid. Ace compliments the movie’s soundtrack too way to stroke your own ego, Disney/j.

Later on in Tapis Rouge, the characters discuss other films based on the Great Seven, including one Queen of Hearts movie. A Sea Witch movie is also mentioned; in it, she “goes gigantic” and also sings as she brews potions. The Octatrio quite enjoy this particular film.

(Side note: Another anon once suggested to me that people probably also write fanfics of Neige and Vil since they’re celebrities… Think like “My mom sold me to One Direction?!” Wattpad kinds of fics, but replace One Direction with Vil or something. You can read those post here!)

It’s… interesting this event specifically has Vil promoting a live action adaption of an in-universe animated film about the Beautiful Queen—an animated film which was the first full-color animated movie AND it originally released close to 90 years ago. They also reference the funding issues that Disney suffered while producing Snow White + inviting bank employees in to preview the movie to acquire more investments, stating that the studio that made the animated Beautiful Queen experienced the same. The in-game live action is even slated to come out “NEXT YEAR”. They’re not being subtle here with TWST’s references to their own version of the irl Disney Snow White (the live action is coming out in 2025, the OG is also almost 90 years old, etc.). I wonder if the EN server will actually get Tapis Rouge around the time of the irl release of Disney’s live action Snow White as part of a promotional campaign? 😂

UPDATE: There are even more not-so-subtle references to Disney animations in part 4 of the event, including discussion of cel animation, rotoscoping, adding blush to the characters, and how Disney brought in real animals/observed the “real thing” to help with animating similar scenes or subjects. They also cheekily say that most animation nowadays is CG 💀

I know some books under Disney publishing try to show alternate tellings or show the villains in a more sympathetic light, but I don’t know that they would ever commit to fully animating a film like that. It definitely would not happen in the style of traditional animation, Disney no longer seems well-equipped to handle that task 😔 I feel like it would also be pretty niche or might not get overwhelming positive reception with recent audience calls for “true bad guys” instead of twist or sympathetic villains (though I’m not sure what percentage of people watching Disney actually have this opinion).

I do wonder how those “AU” films would work though…? It wouldn’t be as simple as suddenly turning the G7 into “good guys”. The scenario and other characters would also have to drastically change. TWST doesn’t necessarily make the original “good guys” “bad” in a world where the villains are historical figures; we still hear plenty of positive or neutral stories about the achievements of the mermaid princess and other Disney heroes.

There are also times when the same story diverges into multiple separate stories that seemingly have no connection to one another. For example, there is a story where a princess marries a street rat (clearly referencing Aladdin) and they live happily ever after in spite of the difference in their social statuses. However, there simultaneously exists a story in which the Sorcerer of the Sands saves a princess from being deceived by a fake prince (also referencing Aladdin). The same goes for the mermaid princess (Ariel)—there is both a story referring to a “mermaid princess” who married a human prince and also a different story (clearly still pulled from the same film) about a mermaid who made a deal with the Sea Witch to find true love but broke her contract in the end.

Very cool idea, just not sure where it would lead or it it’s feasible or worth it monetarily for Disney.

[perplexingly]

Do you have a link to the Frankenstein musical? I wasn't able to find it on vimeo. I have the 2003 demo on CD which I listened to very recently for the first time, so I'm on a complete binge of Frankenstein adaptations!

Glad you managed to find it!

I’ll still list the ones I know of just in case:

1. The vimeo musical, its €7,39 to rent and fully captioned

2. Frankenstein A New Musical, this one is probably the most well known among fans of the book, there’s some video recordings on youtube but not of the original premiere cast 😞

(Act 2 is uploaded on the same channel)

The original demo was different in many ways

3. There’s Young Frankenstein musical of which there’s many recordings online, but it’s based on the pop culture idea of the story popularized by the black and white films, and has nothing to do with the novel so I’ll move on

4. Korean Frankenstein musical, there���s a couple songs translated to English and @klqrambles kindly wrote a detailed summary of the entire thing:

5. Frankenstein The Puppet Opera, it’s one-actor theatre, it’s pretty cool

6. Frankenstein The Metal Opera, I haven’t watched it yet but it seems interesting

7. Not a musical but in a similar vein, there’s the incredible Frankenstein ballet, which was actually released on a dvd

(This is just a trailer)

Also, I know there’s been many many non-musical theatrical adaptations of Frankenstein, but they seem to me more difficult to find, other than the National Theatre’s one 😞

Blackeyed Theatre’s adaptation with the Creature performed by a puppet was streamed a couple years back but it’s not available anymore

[blood-and-pizza]

Notable Details from the original "Into The Pit" story (PART 1)

Upon the mill's closure, Oswald's dad works part-time at the deli counter in a store called the Snack Space (a 7-11 equivalent, basically), which requires a red vest as their uniform. Oswald is embarrassed by the fact his dad is wearing the vest as he drops him off at school. Just a neat bit of world-building.

Oswald has a best friend named Ben who moved into the next town over.

Oswald's bullies, including Dylan Cooper, call him "Oswald the Ocelot" after a cartoon character they saw as pre-schoolers, a big pink ocelot named Oswald. Again, more world-building.

Oswald is described as having freckles and a cowlick in the original story.

Oswald has no modern electronics in his home, save for one laptop he shares with his family. His phone is an outdated model he's embarrassed by.

Oswald's teacher, Mrs. Meecham, puts on a movie for her class on the last day of school, which is described as "about a farm with talking animals", "too babyish for a roomful of fifth graders". I'm guessing they might have been watching the animated adaptation of Charlotte's Web... or it could be wishful thinking on my part, since I love that movie.

Oswald has been drawing mechanical animals ("bears, bunnies, and birds") for reasons even he doesn't know, other than lack of anything better to do when he's bored.

Oswald's mom works at the hospital from 12PM to 12AM... yikes.

Oswald's dad can't cook to save his life. If it can't be boiled in water or heated in a microwave, he has to buy his meals... how relatable.

Blue-box macaroni and cheese exists in FNAF, meaning Kraft and its products likely exist, too. Just thought that was funny for some reason.

Oswald's dad squirts ketchup into his mac and cheese. I just think knowing he's the kind of dad who does that is really funny... kinda reminds me of my stepdad's love of ketchup, to be honest.

Other pizzerias that once existed in Oswald's town were Gino's Pizza and Marco's Pizza, both of which closed not long after the mill closed. Both Gino's and Marco's are described as good restaurants, while the food at Jeff's Pizza is described as "decent".

Oswald is into B-grade Japanese horror films, including kaiju movies like Zendrelix vs. Mechazendrelix. Zendrelix is apparently FNAF's answer to Godzilla, making Mechazendrelix an equivalent to Mechagodzilla. They're described like this: "... Zendrelix just looked like a giant dragon thing, but Mechazendrelix reminded him [Oswald] of the mechanical animals he drew when he stripped them of their fur." Zendrelix is also described as being portrayed by "a guy in a rubber suit", solidifying the connection between him and Godzilla.

Oswald and his dad both really love bacon. I just thought that was cute.

When Oswald visits the library, a place he finds "actually kinda fun", he shows interest in a science fiction book from a series, as well as a manga he liked. Based, IMHO.

The library Oswald visits frequently allows homeless people to use their computers and other resources. WE NEED LIBRARIES AND THIS IS EXACTLY ONE REASON WHY!

Oswald's mom, being a nurse, is a bit of a germaphobe and won't let Oswald play in places she considers dirty. A ball pit would be considered one such place.

The pizza Jeff serves comes in huge slices too big for the paper plates they're served on, and very greasy. As someone who was born in NYC and used to eat greasy New York pizza... I think I would have liked eating at Jeff's. Maybe.

Oswald reads a library book while visiting Jeff's Pizza, about "a world where kids with secret powers went to a special school to learn how to fight evil". I wonder how many books that describes...

Oswald plays an online fantasy game at the library that's free to play, but Oswald gets to a point where he can't progress without money. I wonder what game it could have been...

Oswald's dad and mom used to date in high school, often frequenting a roller rink, and are great skaters as a result. Oswald himself can't skate and needs his parents to hold him up.

Oswald's dad only ever buys vanilla ice cream.

There's a video rental service Oswald's family uses called Red Box, but I don't know if it's meant to be the same as the actual existing Redbox. Maybe it is?

Oswald's mom is very good at playing Clue... oh, and Clue exists in the FNAF universe.

Oswald's dad prefers practical effects over CGI in movies. Oswald is the exact opposite.

Oswald's dad is a fan of country music. Oswald... is not.

[v3suvia]

On Diomedes of Argos.

Typically, when people think about their favorite heroes of the Trojan siege, they think of the likes of Achilles, or Odysseus, or even Agamemnon (or if you’re based, Hector.) And while these are all valid to whatever extent— because let’s be real, no one is choosing favorites based on who has the purest moral standpoint— they’re not exactly remembered for the noblest of reasons.

Achilles spends half of the Iliad inside his tent as a sulky burrito, and the other half slaughtering Trojans and crying over the consequences of his own actions. Odysseus is a chronic liar, and Agamemnon is Agamemnon. But at the end of the day, they’re still remembered (for better or for worse, really.)

Though, on the topic of Homeric heroes, I feel there is one who is often overlooked despite achieving great feats over the course of the epic; Diomedes of Argos. (Note: arguably the most metal of the Achaean heroes at Troy.) So, let’s rant talk about him!

Diomedes was one of the key players in Homer’s Iliad— a recount of the last year of the Trojan siege. Being summoned to fight under oath, Diomedes headed his fleet of 80 ships to Ilium. As well as having a whole chapter dedicated to how kickass he was [read more about that whole thing here], the king of Argos was also a master strategist, and extremely noble— not just in his war efforts.

For example, there are multiple points in the Iliad where he checks the leader of the Trojan expedition, Agamemnon, calling him out on his cowardice or for otherwise being an inadequate leader, [Book 9; ‘Agamemnon, I will begin by taking issue with you over your proposal… do you really believe the Greeks are the cowards and weaklings you say they are? If you for one, have set your heart on getting away, then go.’] [‘Zeus has granted you many things… He gave you the sceptre of power and the honour that comes with it, but he did not give you courage— and courage is the secret of authority.]

And one instance where he truces with the Trojan hero, Glaucus— both of them exchanging armors (on an active battlefield, btw) to honor the fact that their grandfathers had been allies, [Book 6; ‘So let us avoid each other’s spears... And let us exchange our armor so that everyone will know our grandfather’s friendship has made friends of us.’]

He is also one of the only soldiers in the war who avoids committing hubris in the entire epic, which is probably the most telling of all his virtuous traits.

Diomedes also has a proverb named after him! ‘Diomedean Necessity/Diomedean Compulsion', which basically means when someone does something for the greater good (despite the reluctance of the person in question.)

This is taken from the myth of Odysseus and Diomedes taking the wooden statue of Athena— dubbed the Palladium— from Ilium. During this heist, Odysseus tries to stab Diomedes in the back to steal the acclaim of taking the Palladium for himself.

Rather than punishing Odysseus on account of betraying his ally for personal gain, Diomedes ties him up and drags him back to camp instead, because he knew the Greeks couldn’t win the war without Odysseus’ wisdom.

Anyway, why the rant? Sure, I could sit here and convince you that he’s the coolest Greek hero, but what would I be trying to accomplish in doing so? Well, it’s simply because while every other Homeric hero is recognized and represented in modern media, Diomedes isn’t.

He wasn’t even mentioned once in Troy (2004), the film adaptation of the Iliad! Despite him being the focus of multiple chapters in the book, as well as playing a big role in the Achaean army’s over-all victory.

I’m sick of everyone (and by that, I mean most modern media) depicting him as though he was just some dude™ in the Iliad when he was actually (from a mildly biased standpoint) one of the best of the Achaeans at Troy.

TLDR; Diomedes of Argos = Based. He solos ur favs (probably. He almost killed Ajax the greater at Patroclus’ funeral games 💀)Put him in more movies/shows/games so me and the other two Diomedes fans can be happy.

[anghraine]

thatinsufferableb-st-rd said:

@anghraine so i have read the books multiple times and am an avid fan of the movies. I enjoy both for what they are. I think the main difference is that Peter Jackson was very open about what they chose to cut and why from anything I've ever seen. They even have Sam give a nod to the book readers by saying "by rights we shouldn't even be here". No I'm not happy about what they did with Faramir and Glorfindel got jipped, and I would have lover to have seen Elronds sons but at the end of the day there were acknowledgments of what and why. Rings of Power to me has always come off as hiding from any criticism by using the shield of "well if you don't like it it's because you don't like POCs in it". To which I genuinely could not give a fuck less, like there are so many branches of elves that went different ways so that could make sense within what Tolkein established. But don't hide behind that when your writing is just "Sauron is evil. We know. And we know she knows. But we have to make it seem like she's the only one who Has A Clue so we must all try to shoo her off to make a plotline"

@lesbiansforboromir has already correctly and politely pointed out that you are doing the very thing we were criticizing in that post—intruding on ROP fan discussion to unfavorably contrast the show to the Peter Jackson films, while also applying a degree of scrutiny to ROP that the Jackson films are rarely subject to in a remotely comparable way and could not bear. Frankly, @lesbiansforboromir is nicer and more restrained than I am about this, but you chose to tag me as well, so I'll also respond.

We (lesbiansforboromir and I) were talking about being excited about costuming in S2 of ROP and disliking the fandom meltdowns over ROP's costuming looking (somewhat) different from the films' aesthetic. Since it had already come up in their discussion, I added that I'm not convinced by the anti-ROP contingent framing their seething hatred of the costuming and design as just caring so much about fidelity to Tolkien's vision. I pointed out that Tolkien fandom broadly cares far more about their preferred, film-influenced aesthetics than Tolkien's actual descriptions and gave some specific examples of this.

There's been a lot of talk, for instance, about how the universally long, flowing hair for Elves preferred by the fandom and used in the films is actually totally canon according to Tolkien even if it's rarely mentioned in LOTR proper. This is inaccurate. Galadriel's brother Aegnor is typically depicted in the fandom/film-preferred style rather than per Tolkien's description of his hair as "strong and stiff, rising upon his head like flames" (indeed, in general neither Aegnor nor anyone else is ever depicted this way, and this description rarely shows up in the lists of "no it's about ethics in adaptation" Tolkien hair quotes).

Tolkien repeatedly describes Elvish, peredhel, and Dúnadan women as wearing their hair bound up in braided coiffures with jeweled hair pieces/nets rather than loose and flowing à la the films and the fandom. Nobody cares, any more than they care about Tolkien's description of Arwen's clothing as soft, grey, and noticeably devoid of ornamentation apart from a belt and netted cap (i.e. the opposite of her highly elaborate film costuming and typically loose, unbound, uncovered hair in the films and most illustrations).

Meanwhile, my fave Faramir's hair is nowhere near long enough in the films or most art to mingle with Éowyn's as Tolkien describes. It's usually also depicted as blond, reddish, or brown rather than black as in the book; in Tolkien's LOTR, all described Gondorians have dark or black hair, with the only difference in coloring being that some Gondorians are dark-skinned and some are pale. Again, almost nobody in the fandom cares about this when they're going on about costume design and casting to reflect Tolkien's vision, and male Gondorians are overwhelmingly depicted with short or shoulder-length hair in the films and in Tolkien illustrations.

Popular depictions of Gondor, including the Gondor of the films, very rarely reflect Tolkien's description of Gondor's aesthetic as similar to ancient Egypt, the Byzantine Empire, and the Roman Empire. Film Gondor has, at most, extremely vague allusions to Byzantine architecture amidst the general and deliberate westernization of Gondor's design—as just one example among many, Tolkien's explicitly Egyptian-based design for the royal crown of Gondor is converted to a generically western European-style crown in the films and overwhelmingly in the fandom.

I then pointed out that it's been very noticeable that ROP haters tend to have a powerful double standard wrt fidelity when it comes to the Jackson films. For over 20 years, most film fans have been constitutionally incapable of tolerating even slight criticism of the films without jumping in to defend their greatness and condescendingly explain the most basic elements of adaptation. (Yes, we know film is not the same medium as text, we know changes are part of adaptation to another medium, we all know that, we all know that a word-for-word adaptation would suck and never be made, this is not new information and does not make the PJ films' every choice a good one.) Yet most film LOTR fans who vocally despise ROP display none of the charity towards ROP that they demand for the films (demand even from someone like Christopher Tolkien, a dead man the entire fandom is deeply indebted to, whose dislike of the films still leads to regular attacks on his character from Jackson film stans).

This hypercritical yet hyperdefensive tendency in the fandom is neatly illustrated by the fact that you responded to a conversation about the double standards in evaluations of ROP's costuming vs the films' to go on about how ROP is objectively bad for reasons entirely unrelated to costuming, how you're totally not racist (something nobody was talking about), and to quote you directly, "Like the show was just Bad." Truly, an incisive critique. Meanwhile, your concessions with regard to the Jackson films are mainly about extremely minor and defensible omissions like removing Glorfindel and the sons of Elrond rather than the serious and fundamental problems that lesbiansforboromir and I have with them, or even the ways they do pretty much the exact same things you're lambasting ROP for.

I mean, if we're going to talk about action hero Elves in ROP vs the Jackson films, what about the action hero-ification of Legolas in the films? He was described by Tolkien himself as the Fellowship member who accomplished the least, so super badass battle-skateboarding Legolas hardly represents fidelity to Tolkien's vision. Why should that get a pass while film-stanning ROP haters seethe about ROP!Galadriel being too special, even though Tolkien described her as one of the most special Elves to ever live and specifically as remarkably athletic and insightful?

Meanwhile, film Gimli is reduced to comic relief, the only dwarves taken seriously are conventionally hot ones in The Hobbit films, and Frodo's expressions of strength and fortitude are consistently removed to glorify other characters. Film Gondorians were deliberately designed to seem like useless tin soldiers (which they are in the films, as well as whiter and blonder than Tolkien wrote them) rather than the physically imposing and highly effective fighting force of the book. ROP imagining Elvish rituals upon approaching Valinor that aren't based in Tolkien canon but don't directly conflict with it is absolutely trivial compared to the films' handling of Denethor and Faramir.

The point is not that you, personally, are not allowed to like the films or dislike ROP despite all this. Many people do love the films, including most of my followers. They do have their strengths, though they are extremely racist and few film fans will acknowledge this without soft-pedaling it in some way (esp, since you brought it up, given the context of the truly unhinged degree of racism that has accompanied much of the broader discourse around ROP).

The point is that film fans who hate ROP are constantly showing up in our conversations to be "well actually ROP is just objectively bad, unlike the films, because the show has failings that are also in the films but it's totally different there because of the contents of Peter Jackson's soul" or whatever. The point is the absolutely glaring and obnoxiously hypocritical double standard of defensiveness about the films and obsessive nitpicking of ROP that leads to ROP haters continually going on rants to ROP fans that are unwelcome, uninvited, and usually (as in this case) irrelevant to what was even being discussed.

[brf-rumortrackinganon]

Hey, guys -- remember when Blake Lively made fun of Kate's disappearance and the photoshopped Mother's Day card on social media? And then when Kate announced her diagnosis, Blake basically went all "whoopsie 🙃" on an Instagram story?

Well, let me clue you in on a lil bit of pop culture drama going on.

Blake has a new movie that's just come out, It Ends With Us, a film adaptation of Colleen Hoover's book. She plays the female lead, Lily. The director of the movie is Justin Baldoni, who also played the male lead, Ryle.

First, there's industry backlash from Blake's behavior on the film:

At the premiere last week, Blake revealed that Ryan Reynolds (her husband) rewrote dialogue for a pretty significant scene at her invitation - which is a big no-no in the film world because it implies you're hard to work with and it could have industry implications for Blake if she isn't careful.

There are also rumors now that Blake commissioned her own cut of the film and wanted the studio to release her version instead of the director's cut. According to the rumor, she even went so far that she demanded the studio test her version against the director's; however, test audiences preferred the director's version, which is what the studio ultimately released and Blake was very unhappy about it.

Basically these two things make Blake seem difficult to work with on set, which could complicate her ability to get future work. Hollywood doesn't want to work with people who unilaterally rewrite scenes and directors equally don't want to work with other people who will try to steal the production from them.

One person who's definitely not happy with Blake's behavior is Justin. He hasn't done any media appearances with her (which is unusual). He did not pose with her at the premiere (she brought Ryan Reynolds and Hugh Jackman to pose with instead). And he's made comments that could be interpreted as a dig at her, suggesting that she should be responsible for the film sequel.

The second part of Blake's recent drama is the public backlash from the media tour. The movie is about domestic violence. It's a serious movie. But you wouldn't know that from Blake's interviews and appearances. She's treating it like (to use a comparison I saw on Twitter) it's the Barbie tour. She's bubbly. She's talking about her fashion. She's talking about her liquor line. She's cracking jokes and making besties with her interviewers. And it's pissing people off because that's not the message of the movie. (Compared to Justin's interviews, where he spent quite a lot of time advocating for victims of domestic violence and raising awareness of it.) People are so pissed that Colleen Hoover - who's been doing the media circuit with Blake - has privated some of her social media because of the backlash.

Anyway. I'm not saying this is karmic revenge for kicking a woman while she's down but...man, it's a lot of fun to watch.

Recap of the Hollywood drama

Recap of the media tour backlash