#i know theres Thoughts on what word to use to refer to the language in english but for the sake of clarity (& bc i am not educated enough on

[voidimp]

alright. long shot. any followers(/anyone seeing this post ig) speak irish

i want to learn but it would definitely be helpful to uh. have someone to practice with lmao. i have been listening to a little podcast at work just to get a feel for it & pick up what i can (which is not much bc i have to focus on what im typing & also cant read the written notes that go along with it) but theres not very many eps & also its in the ulster dialect & i think id prefer a different one

i know a while back i reblogged some longass post specifically about resources for learning irish so i gotta go find that & dig through it... maybe tomorrow lmao. but iirc it did have A Lot & idk whats in what dialect & im not really set on one anyway at this point but if anyone has a suggestion or preference or whatever that would help narrow down my options at least lmao. like im from the us i have no immediate plans to visit ireland im too broke for that shit so its really just a matter of Whatever I Feel Like i guess??? idk. i havent really had much time to look into anything due to the ten million other things going on all the goddamn time but i would Like To

anyway. its very late i need to go to sleep but yeag feel free to like message me or send me an ask or whatever

[sheyfu]

in sleepless nights, i find solitude in you

FEATURING itoshi sae, itoshi rin, oliver aiku, chigiri hyoma, mikage reo, nagi seishiro, and shoei barou

CW oliver aiku

SYNOPSIS what they like to do on sleepless nights with you

NOTE these are hcs and are not reflective of their characters!

⋆˚✿˖° itoshi sae - hearing you talk about your day

- a mundane, yet intimate moment between you two - he finds it so endearing when you talk about your day and get so passionate about it too - he just loves hearing your voice; the way you speak, the way your voice just sliiightly raises when you’re telling him about some person you abhor (big boy word), and the way you ask him for his thoughts on something you’re yapping about makes him feel like the luckiest guy in the whole world - you both end up not sleeping D: but it’s okay, he’s not complaining because it’s you

⋆˚✿˖° itoshi rin - binge watching horror movies

- you hate him for this. - but at the same time, you love it because he holds you close to him - he knows you’re scared, especially when it’s ass o’clock in the evening (more like morning) and your room’s only source of light is the television. so he holds you tight :D - he has the urge to make fun of you because you’re oh so scared, but he stops himself from doing so because he loves holding you close

⋆˚✿˖° oliver aiku - holding you close to him (in his words, spooning)

- surprisingly, he’s not horny  - i guess bc of practice, he’s tired and he just wants to de-stress and go on about his night without tiring himself out more, you included (LMAO NOT ME SPEAKING LIKE IM GANG W GREEN GALLAGHER) - so he holds you close :D  - and its not like the hold you close and talk about stuff type either - literally the hold you close and sit in silence type with occasional kisses from him :D 

⋆˚✿˖° chigiri hyoma - gossip (okay so some of you probably don't tolerate gossip but gossip culture has been SUUUUCH a big part of my life that i cant help but associate it w chigiri im so sorry you can bitch slap me for this LMAOAOAO ANWYAYS)

- he loves gossiping. he usually has THE ggoat (greatest gossip of all time) - this usually ranges from people he works closely with, or people he knows but that person doesn't know him but for some reason the news reached him LMAOAAOA  - for some reason, he also has visual references??? like if theyre related to texting he has screenshots of their convo???? if irl, he has pictures????? YOU DONT KNOW HOW HE GETS THOSE 😭😭 (based this hc off my friend who has everything for some reason 😭😭) - and most of the time theyre literally so mind-boggling you have to stop him and walk around the room to calm your beating heart down - he also loves using a soundboard while doing so LMOAOAOAO

⋆˚✿˖° mikage reo - slow dancing

- ah yes. the typical rich boy activities. - but like even if he wasnt born in that class (GANG DONT TWIST MY WORDS IM NOT A CLASSIST WLANSISOS), he'd most likely still love doing this (idk theres smth about him that js makes me think he would love dancing) - in the kitchen, dimmed lights, his hands on your waist, yours on his shoulders, herb alpert playing in the background, and his lips on your forehead  - im leaving it at that :))

⋆˚✿˖° nagi seishiro - playing roblox

- typical nagi.  - what roblox games you ask? dress to impress. - he likes playing simple games at night. and those simple games dont include dress to impress :)) - buuuut. he still plays it because the satisfaction he gets from beating 12 year olds outweigh the stress he gets from said 12 year olds - he loves to duo with you - literally caseoh just more nonchalant - he also likes to play those 2 player tycoons :DD

⋆˚✿˖° shoei barou - baking

- his love language is quality time  - and what’s more quality than baking time >:D - hes not someone for consuming sugar at ass o’clock. but he’ll tolerate it bc it makes you happy :DD  - he has those #probakingskillz bc he used to bake TONS of stuff with and for his sisters (HE ALSO BAKES THEIR GIRL SCOUT COOKIES GRAHHHHHHHH) - you also make him wear those silly pink frilly aprons (you have matching aprons but instead of yours being pink and frilly its literally the opposite) 

© sheyfu on tumblr

[fagsex]

if you say the word 'yappuccino' or any variant of 'yap' thats clearly different from the way old ladies say it (usually used to mock someone for sharing information, being emotional, just speaking as someone out of the ordinary) i am dreaming of killing you im going to be honest. if i have to read the sentence 'what is bro yapping about' i am imagining you dead like a fish.

you know what im just going to rant about my current Hates in language. current hate thats new because i had no idea was happening is all these non black people using euphemisms/replacements for the n word ??? like using a certain emoji or using an actual abbreviation for a term including the n word, both of which black people had to create to use on tiktok or other algorithmic sites. i learned they were doing this recently and that some people even thought it stood for your/name like omfg everyone hates you and your wattpad ass you really thought that? really?

another thing i hate is overutilization of 'bro' in lieu of pronoun, i dont mean like using it on occasion in lieu of pronoun or as a nickname, i mean exclusively referring to strangers with 'bro' essentially as pronoun. like a video of a woman getting pranked and the entire comment section will be 'what is bro doing' again. all white, typically teenage, boys. i am a white boy so i know it does not truly matter my stance but it is so embarrassing to read for them. and you know in a year when they move on to new aave terminology or phrasings theyll be like "remember when we were all so embarrassing" Who Is We. im not even going to list off more examples of misappropriated aave thats In right now because its inappropriate and also impossible to make a list that isnt nonexhaustive.

on a lighter note, i HATE a 'womp womp'. or a 'who asked' especially since theyre on others peoples pages.... like who asked you for your opinion on the matter? it is not a conversation you are actively opting in to this interaction and now youre making it (by commenting on it) appear to you more (this is on algorithmic sites of course).

something ive seen too many (any is too many to be honest) of is 'wheres the hate'. i dont know if yall have caught this and obviously sometimes it can be humorous, especially punching up rather than down, but it is almost always on a video, picture, or post of a disabled person or people. like always. people will be like 'i love your smile' and fifteen edgelords will comment the identical 'bro wheres the hate'. people are turning back to Shameless cruelty in waves i think we've all noticed and yes people have always been cruel online especially and yes more people seeing things = more cruel people but theres just... i dont know.

literally any variant of mocking someone for simply posting something / speaking / existing, ie the previously mentioned 'yappuccino' 'womp womp' 'who asked', are some of my biggest pet peeves. literally the post will be "i had a good day :D" and half the people will just be on a level of hating that i would not even classify as being a hater. you are a tar pit and i have reported your comment for terrorism atp

[oathofkaslana]

lee oathofkaslana, i was wondering if you have any advice for getting into hi3, especially in regards to digging into the lore. i’ve been following along with your hi3 posts for literal months and i get more intrigued each time you discuss it so i finally decided to just go for it. i know theres the game/webtoon/animated shorts/cooking with valks but i’m not totally sure about how to go about approaching all of it and the more obscure elements (like the other games with the hi3 characters) because i don’t want to miss out on anything. is there a certain order of approach that you suggest? also, are there any resources that may help with taking it all in, like explaining the basics and the timeline or something like that? there’s no pressure to answer right away, i’m sure you might want time to compile your thoughts, i just trust your judgement on how to get into hi3 over trying to figure it out myself based on how knowledgeable you appear to be about everything.

cracks knuckles. anon im being so serious this made my day both bc of your kind words and bc its the perfect opportunity for me to infodump about hi3 resources (<- especially unfortunate part of my current interest on hi3 is that im a lil too deep into things about the game that dont really matter?? thats beside the point)

lee oathofkaslana's hi3 starter guide :) ps: important. please please read my warning in the comics section of other content.

reading lists! ok this is the most important thing so its going first. hi3's comics are a lot more important to the plot than like. genshin's. and its kinda annoying bc in some cases you'll be guided from going between chapters of the game to a comic and vice versa. i highly recommend checking out both of these reading lists: hoyostans reading guide (start from part 1 phase 1) archives wiki hi3 reading list the seconds a lot easier to follow imo! especially with the earlier ones. i personally prefer primarily using the second one and then consulting the first to see if there's any extra content that's missing (since some ggz/retconned hi3 comics are linked there and provide some context! the first one also has some very helpful notes from the OP!) i DO think that reading the comics in the order listed on the archives wiki and then starting chapter one is best. it might feel like a dip in story telling though but i promise it will get a lot btter once theyre a lot more stable w their game development and writing :)

other content: comics: ok first i have to put a warning. escape from nagazora is from ggz iirc and like. early ggz and early hi3 humor kinda sucks ass. there's awful sexualization of underaged girls and its weird about women and this is where a lot of the fetishization comes in. they're also not normal about consent here. also another warning about azure waters. it heavily references CSA and has an almost rape scene and i completely hated the way it was all visually portrayed. if needed I will gladly summarize these comics for you without any of those details. this aside, the comics are included in the reading guides! there are also non-canonical ones though! (4komas featured on the manga site and 4komas from the jp twitter! theres a google drive linked in the other post w fan translations. they're comedic and not at all canonical but they may spoil things since its run coincides with the game's progress so i dont really recommend reading them until you're farther along. atm i am just starting part 1.5 and ive read most of it, but i am intentionally avoiding newer ones just by looking at what design is in the thumbnail. they're very quick to read though dw!) animated shorts -> they are included in the game :) if you would prefer watching them in chinese, i'm afraid you'll have to look at it on youtube though :' for some reason on the western servers all the CG's in the first part are in japanese even if you switch your language to chinese. chronicles -> they're included in both the reading guides! theres some that aren't very lore relevant (dreams of gemima and kallen chronicles) but they're a fine source of weapons and crystals (hi3 equiv of primos) part 2 -> i haven't started it yet but from what i've seen, it's recommended that you finish part 1 before this. open-world -> again, follow the reading order for these :) the only exception is APHO because that takes place in the future (after part 1.5). i haven't finished it and i personally don’t plan to until after i do 1.5 in case there's any important spoilers! there are major hints that kinda spoil the end of part 1 though. <- same with the alien space comic. it takes place. sometime after APHO i think. other universe events -> primarily captainverse. obv these take place in a different universe! these characters are not the same as the main characters. iirc the only one that's really lore-relevant is honkai salvation log (it comes later in the game and later in the hoyostans reading guide!!) donghua: cooking with valks: not canonical content. season 1 is pretty safe but it is best watched after chapter 12 to get full context for some references! honestly you could probably get by with watching the rest of the series after imo but if you'd prefer to play it safe, the hoyostans guide includes it :) golden courtyard: do not watch this one until you finish chapter 31. journey crisis: do not watch this until you finish part 1.5 ggz/hg2: honestly. you don't need to know ggz for hi3. you would benefit from knowing the retrospective timeline's history for the main trio but from there on, ggz and hi3 follow completely different stories with different characters. honestly you could go by without knowing the main trio's history in retro i think its already explained enough in the main story and other media.

links. youtube: homulabs -> has cohesive lore videos that help a lot (esp later on)! also has some hsr stuff if you're interested :) hide's honkai archives -> playthroughs of all of part 1 completely in chinese (including cut scenes). also fixes up some of the translations since i believe the eng translations are translated from the jp dub! i mostly use this to both rewatch chapters when i need background noise and look at cutscenes with OP's translations. i find it interesting.. official hi3 youtube visual novels: again, look at the reading guides. im pretty sure think some of those links on both guides are wonky though so ill provide them here. ae visual novel (eng) shattered swords/7 swords visual novel (eng) durandal visual novel (eng) i also have a larger post with various links here build/combat: ok this is my weakspot. marisa honkai -> kind of unfortunate backbone of the hi3 community. allegedly kicked someone from his discord server for saying kiana is a lesbian. but his infographics are useful! he also has a youtube but i can't vet how his videos are o7 <- lore player and very obvious about it elysian realm shallow sequence -> in case you're ever struggling w this part. dont worry about it early game though you'll get to it in time. honestly its optional though so.

quick tips/loose info:

the wikis will be your best friend.

do the character trials!! they teach you how to use any of the characters and you can open them whenever you want! if the battlesuit is new, you will also get rewards if you do the trial in time :)

honkai has an absurd amount of currencies for some fucking reason. this is more of a warning than a tip.

ok imo hi3 combat is super super fun but my god the powercreep sucks asssssssss. i hate the process of building characters because you have to pull for characters signature gear and that equipment banner's pity doesnt carry over it fucking sucks.

BUT don't worry too much honestly if you are just playing for the story like i am it doesn't matter too much since you don't need to use your own valkyries for much (story wise). do at least build some though even to a minor degree (you will need them for chronicles)

speaking of gacha though! there's no 50/50 to worry about in honkai!

don't go into the chat for room 1 its fucking scary and full of weirdos (derogatory) and assholes. first and last time i went there i saw homophobes.

remember this is all for fun :) sorry if this seems long or wayyyy too serious i meant it when i say im awfully fixated on this fuckass game! i hope you enjoy it if you continue to play it :DD <3

[scarletdarkmagic]

getting into toki pona. heres how i personally write my name in its glyphs (sitelen pona????????), somoli Sakaletu (scarlet) as well as my reasoning as to why. (theres lots of baggage behind it)

first off, somoli isnt an actual word in toki pona, rather a combination of soweli (animal) n moli (dead), which i imagine means carcass or roadkill. ive seen myself as something other than human for as long as i can remember, just never had the words for it until like 2022. the death part refers to the trauma which likely contributed to my disconnection from humanity, i interpret myself as an animal caged into a human meatshield against my will, n ive tried to end things several times. in toki pona, your name typically starts wit "jan" (person), but i use somoli instead for reasons described earlier. in this context, jan is used as a prefix that alerts the reader that a name is coming up, the actual name is whats boxed after it.

to toki ponize your name, you roughly translate it using the sheet of valid syllables, then pick out glyphs that start wit each letter, like an anagram. (suwi ala kon ala lete e tenpo uta = sakaletu)

i picked each glyph based on the connotations their meanings have to specifically. sweet (suwi) as in forced optimism, ala (no) as in denial//suppression of the self, kon (air) n lete (cold) as in cold weather, e (object) as in being treated like one, tenpo (time) as in anxiety of the future, n uta (mouth) as in being verbally abused all my life. i know i prolly shouldnt be putting this much thought into a silly internet language but whatever

then i stylized each symbol to more accurately reflect myself, ex adding emo hair to the face, making the weather symbol into a thunderbolt........ i also changed the ala to ale (all) for the sake of distinguishing it from lete, as the cross (ala) is very similar to the snowflake (lete). im aware it might not be readable without the knowledge of all this, hence why i try to put it alongside the written form.

so yeah theres that //_- somoli Sakaletu signing out

[sgtmickeyslaughter]

Writer Interview

Tagged by @jrooc thank ya!

1. How many works do you have on AO3?

Only three so far! Plus art postings and I'm planning to post more in the new year

2. What’s your total AO3 word count? 

138,169 words which feels like a lot

3. What are your top 5 fics by kudos?

I don't have 5 total fics yet lol but their rankings are

In Your Love

Lovers' Carvings

Psychopomp

4. Do you respond to comments? Why or why not?

Yes! (usually) I try to respond when people take the time to say something nice about what I've written, because they're encouraging me to write more and I think its good to encourage people to comment/interact more

5. What’s the fic you’ve written with the angstiest ending?

Oh, no, I need a certain happy ending, at least in fanfiction. Yes my childhood was unstable, how did you know?

6. What’s the fic you’ve written with the happiest ending?

They all have sickly sweet happy endings, refer to answer #6

7. Do you write crossovers?

No, I don't really see the appeal personally.

8. Have you ever received hate on a fic?

Not hate per say, but just some bitching from people who can understand nuance or disagreed with my take on the relationship

9. Do you write smut? If so, what kind?

Yes, so far I have only written it in longer form fics with context, all pretty vanilla. I've wondered for a long time why smut is such a staple of fanfiction and I think that people are frustrated with writers and directors casting aside sex as an (often) valuable part of romantic love and attraction. Like, why are you giving light to affection and communication and support but dismissing the sexual component of love with a closed door, winking and nudging the readers. Thats also a part of why RWRB was such a great movie in my opinion, it treated sex as a normal and healthy and loving part of a couples story, and fanfiction does the same thing. It all ties back into sex being viewed only through the male gaze bc bodice rippers have been doing that for years, but I digress

10. Have you ever had a fic stolen?

Nope! But I use a lot of really common themes and tropes so theres other fics like mine out there

11. Have you ever had a fic translated?

No, that would be interesting.

12. Have you ever co-written a fic before?

No, I would love collaborating with other writers or creators here! Either writing together, making art to accopnay of fic or beta reading one another, my only real worry about getting involved is not making deadlines, my life is busy and I like to know i can work at my own pace and publish once completed so I don't leave anyone hanging

13. What’s your all-time favorite ship?

Honestly, Gallavich. But longest running? Zutara, I'm hoping to see a renaissance there with the new series

14. What’s a WIP that you want to finish but don’t think you ever will?

I think I'll be able to get everything done, sooner or later

15. What are your writing strengths?

I think I'm pretty good at coming up with cohesive and interesting plots, and I think i'm slowly becoming pretty good at getting into a characters head and writing dialouge for them

16. What are your writing weaknesses?

Proofreading! Bro I will print something I've written out to review but still catch like 7 stupid mistakes when I scroll through quickly after posting that shit drives me crazy

I also want to get really really good at controlling the pace of a piece of writing, not that its a weakness per say im just not as good as I'd like to be yet

17. What are your thoughts on writing dialogue in other languages in a fic?

Eh, its fine. A lot of the time I wonder who it's for though, like if you dont speak the language and just translate something through an inaccurate translator, it's not really for a fluent speaker and its not really for you

18. What was the first fandom you wrote for?

Shameless

19. What’s a fandom/ship you haven’t written for yet but want to?

I've toyed with writing a supernatural fic before. We'll see, I'm in no rush

20. What’s your favorite fic you’ve written?

Psychopomp! No one else seemed to like it as much as I did but that's fine by me it was my weird little passion project :)

Share your throughs @sweetperversiongirl @stocious @mmmichyyy @vintagelacerosette

[variablejabberwocky]

Hi! The thought process behind why people think enby is childish is because it was intended to be the equivalent to girl and boy. Theres nonbinary, or just person, which can be used as equivalent to man and woman, but if you have a group of kids it sounds weird to say boys & girls & nonbinary people. Therefore: enby! It's not infantilizing in the same way as calling someone baby/toddler is, its uncomfortable to some people in the same way that some transmasc people want to be called man and not boy bc they want to be seen as an adult. Doesn't mean the word is bad, it just means it's not for everyone!

...can i get a source on that "it was intended to be the equivalent to girl and boy" bit?

cause this just sounds...incredibly goddamn stupid (not you, just that line of thought). shortening a term is a way to make it easier to use if its too long. and 'nonbinary' hits 4-5 syllables as-is. so making the short form some kind of different term with different connotations is just..."what the fuck were you thinking" levels of stupid

especially since outside of formal situations "girl" and "boy" are usually just ways to refer to "lady-people" and "dude-people" but like chill about it with little to no indication of age status

it also does NOT feel at all equivalent to how trans dudes sometimes dislike being referred to as boy because everything i've seen on that is wrapped up in how its VERY MUCH used by assholes with the age connotations of more formal language as a way of undermining the body autonomy and hm...social status (? not sure how to word what i'm going for here) of trans guys. its basically misogyny playing lip service to their actual gender and yeah, thats offensive as shit.

i do NOT see that with 'enby' and nonbinary people. just being nonbinary AT ALL gets you treated like a kid that doesn't know what they're talking about and is playing make-believe with gender. and i am suspicious as shit about the rise of 'enby' being treated as some kind of offensive equivalent to boy and girl because that shit was starting to spread around in circles right when transmeds/truscum were getting a hate campaign going against nonbinary people (and seemingly everyone was joining the bandwagon). specifically it REEKS of the same kind of "you can't use that term" bullshit that "queer is a slur" rose out of. which is just an attempt to get people to STOP USING THAT TERM AT ALL but hiding it in something 'passably' social-justicy so it doesn't sound like the bigoted bullshit it is.

basically i don't get why everyone else has to blacklist a term from their entire vocabulary forever (regardless of personal relevance) because a small minority of people either 1) are bigoted assholes trying to kill off a group (ideologically if no other way) but trying to be sneaky about it or 2) are unfortunate suckers who bought into the first group's bullshit out of ignorance/inexperience and never learned any different for whatever reason. (yes i am aware some people have trauma. its just not relevant here because the solution is the same:)

(general you here) you don't want to be called something? sure, fine. perfectly understandable. you don't want me to call myself (or my community of same identity people) something? FUCK RIGHT THE HELL OFF

[terrifyingkitten]

some observations and questions from a linguist about social media algorithms

i really wanna make some sense of algorithms because im not a tech girl but we all have been exposed to a lot of algorithm in the past couple of years.

a lot of the time people think about the content creators side, like creating content that gets recommended on tiktok, and how that starts to affect mental health and you cannot ever please everyone but also your art, yada yada yada. on tumblr for example the like button is virtually useless for supporting artists. unless you specifically go into the based on your likes thing, posts die if theyre not recirculated.

its kinda like reddit where you have to join a community to post at all. here you have your own blog, there you have a shared one. honestly tumblr dash is kinda like if early facebook (((friendships))) were based on tags not previous acquaintance.

dont forget pinterest. its all just about which folder you store it in and how many folders you create and if people can use a common folder like tags and and and

then theres recommendation algos where they see what you liked and recommend stuff youd like too. thats like the amazon algo. other people who bought x and y also bought z. here the algo is assuming fluid community boundaries instead of going by the ones you put in. by which criteria do they assume communities though?

Tags. duh. like you can filter tags like trigger warnings from your dash on tumblr. thats an algo. trigger warnings were also one of the first controverses, even before gamergate really. also, DNI was invented on tumblr (dont quote me on this)

but it doesnt have to be specifically tagged to be filtered out. tiktok captions have to be censored so we know thats being considered. do they do the reverse and recommend based on words people use?

lets talk the comments now. reddit has different sorting algorithms like hot, controversial, newest, oldest. but they are all ranked on a binary/trinary. upvotes, downvotes. i say trinary because it depends. if they tally views, views with no interaction would be a thing too.

now in what ways can you interact with a comment section? remember DNI and think it through with me. comments boost small channels. youll see that person again even if you dont follow them yet. it only makes sense that liking a persons comment means that their bubble and mine overlap and get similar recs.

my fellow linguists. you know that one thought experiment? schrödingers chinese interpreter? the black box thing? we cant tell if the algo gets the reference or just gets who gets the reference.

AI got scary good at language. tom scott did a video just recently. where are we on the algorithm sigmoid curve? what will happen next? how will ai come into this? what are realistic dangers?

[irregodless]

so lets talk about that book

ive not read the entire thing yet for reasons ill get into in a minute (FOOTNOTE: this will be explained later)

TLDR: remember if you comment negatively on my review without reading all of it i will report you and also youre wasting your life by saying anything negative ever

the character we are introduced to is venus who seems to vacillate between being pious and believing she is Literal Evil Made Manifest. whenever she is around the prose becomes insufferable to read at best and unreadable at worst using turns of phrases no one has ever even thought to use or stating things that at first seem figurative but turn out to be very literal and the inverse of that

and i do mean WHEN SHES AROUND. the beginning of the second chapter begins with actually competent prose which follows until venus shows up again. her presence also brings with it an annoying amount of footnotes and often for things that dont need them (diablo is latin for devil) while not having them for actually uncommon words or phrases OR are used to describe plot elements in the most egregious example of telling instead of showing possible sometimes even half explaining it and then saying itll be explained later in the book. sometimes the footnotes are given for words that are explained in the rest of the sentence.

because of this izzy and i, while we were reading, labeled her as Narrative Poison, a cognito hazard who fundamentally affects the story on a meta level. now this concept is interesting. if i could trust the author. but the author has ruined her ethos for me even outside of personal interactions

if venus is intended to he bad, this brings new problems with it. the first is that even the competent prose is lousy with evidence it was not proofread well or read out loud for comprehension at all. even if venus is supposed to mark bad narration it should still be enjoyable to experience and not a pain

the next issue is that the book opens with her rambling prose which gives equal attention and detail to everything no matter how inconsequential while treating anorexia and disease as a moral failing, and confusing muscular atrophy with muscular dystrophy. a books opening should serve as a hook and while the opening doesnt have to be perfect you have damaged your trust with your readers. they read that and that is the impression they get. they are unlikely to give you the benefit of the doubt UNLESS they too believe in elegance over readability. and even then they will be blindsided over the head by the sudden and abrupt change in narration styles that do not flow

pb flower includes a lot of cultural references but most of them fall flat instead seeming like they bolster the story. ace just lists some norse mythos words that dont ultimately mean anything together. theres a lot of islamic terminology and references to indic mythology id delight in learning about if at any time they felt a. like they served any purpose other than hey look what words i know and b. didnt usually just amount to shortened wikipedia explanations. few of the cultural references land and some only prove the authors lack of familiarity with them like a certain navajo spirit starting with s that People. Are. Not. Supposed. To. Say.

related to nothing but ace randomly speaks welsh often before repeating himself in english and the way flower presents it makes it seem more like welsh is just a heavy accent than a language not unlike this bitch speaking japanese. thats not like a callout its just the only way it makes sense.

so now lets talk about ethos outside the book. in her blazed post flower is asked if the book is written by ai. she says ai was made by humans so there is absolutely no distinction. after i pointed this exchange out she deleted the comments and began claiming that she, her, she wrote the book. i think she said it took 3 months? which um... it shows.

she has not denied that it was written by ai but she HAS explained that to her there is no difference. i can no longer trust anything she says especially if she DID use an ai and she believes that that constitutes having written it. but when i asked my followers how they felt about a physical book priced at 25 dollars OSTENSIBLY having been written by ai. she, at least apparently she, sends me an anon saying she will report me for "defaming her copyrighted work" and i cannot speak poorly about it if i havent read it. she also makes a post asking if when you review something poorly if it was because it was actually bad or because you didnt gel with it. flower has thus proven a lack of ability to handle criticism maturely or professionally as she didnt even make an attempt to in turn say "hey this isnt ai dont keep spreading lies about my work it was a miscommunication" which even if she did send that to me now.... i couldnt believe her. and yet if she sees this review shes probably gonna try to report me again having proved she cant handle criticism especially since the post seems to imply that the only reason you would leave negative feedback is because youre a sorry little hater.

i would love to believe that venus is actually meant to be narrative poison maybe even that flower used ai to write her and if she did that would actually be quite clever! i MUST admit! but the thing is: i cannot trust her as an author. and so am i willing to give her 200 pages worth of my life trusting in someone who has proven i cannot trust her to prove her concept? to trust that she would even attempt listening to my criticism without just writing me off as a hater? well, to quote her post "lifes too short, move on."

anyhoo itd be disingenuous if i didnt at least share some highlights from my read. perhaps ill add on more thoughts for now but without going into details like "obedient ebony" heres a good place to stop for now

that last one is the most resonant with me :)

[writingwithcolor]

Avoiding Anglocentric Bias with a Universal Translator, Writing a Magic School on Indigenous Land

@king-ofconfusion​ asked:

So im writing a fantasy story that mostly takes place on an island between canada and russia. The magical community is hidden from everyone else and their main land/school is on this island, and even tho there are smaller places all over the world this is the main place. Theres some sort of translation spell so everyone understands eachother but i dont want it to seem like american washed or smth? race isnt a problem plot wise but i also dont want it to be so background that it seems all white?

I’ll focus on the part about the translator, as when you say “American washed” I assume you mean the Anglocentric (English-centric) bias that could arise with the concept of a universal translator. Mod Lesya will talk about your...choice of location for this school.

As a bilingual & linguist who thinks in a quasi-combination of languages, I think I’d like to see an idea of a spell that translates to that individual’s unique linguistic interface; if your story has multiple closed POVs, you can show hints of that by having different POV characters hear dialogue differently—maybe language-unique lexemes (vocabulary) are being borrowed! Maybe there’s code-switching! If your story has a more omniscient POV then you might have a part that explains how the spell works, or show through ambiguities in dialogue that shows that characters are hearing dialogue differently depending on what languages they understand. 

As an example, think of how a character who speaks German, an agglutinative language, might create new vocabulary by stringing together morphemes, and a character who doesn’t speak an agglutinative language would hear that via the spell as a literal-translation-of-words-strung-together. 

Think of semantic differences/ambiguities that the spell might not (or might! Up to you!) catch—I give an example on the differences between answering negative yes-no questions in English vs. Japanese here. 

You might even get cases of characters who speak languages that may name borrowings with prototypical labels (English does this, but other languages like Spanish do too). An example is referring to masala chai as “chai tea.” What happens if a Hindi or Urdu speaker hears this? The translator may either literally translate and return “tea tea,” or it might apply context and return “masala chai.” Here’s some more food for thought on borrowings & prototypes! 

Assuming you’re writing this story in English, there will unavoidably be some bias towards English as the basis for your translations. But hopefully this approach gives some ideas for challenging English-as-default by representing forms and meanings that don’t exist in English, and not assuming English is necessarily the prototype for these translations.

~Mod Rina 

Here’s the elephant in the room Rina tapped me to answer: you’ve chosen Indigenous land for a magic school, without acknowledging any Indigenous peoples in your worldbuilding or ask.

The arctic is not uninhabited. That stretch of land between Russia and Alaska (Canada does not go that far West) is the region of Yupik peoples, both on the Russia and Alaska sides (it’s the only language family that is found in both the old and new world), and the Iñupiat peoples, just on the Alaska side (as far as I’m aware).

If you do mean Canada, then you’re getting onto the polar ice cap… and this is also not completely uninhabited. This territory would belong more to Inuit peoples.

In short: you’re at a pretty large risk of having this school be on Indigenous lands, and whether or not it’s a colonial outpost or simply a safe haven depends on how they go about it.

It is possible that there is a genuine, respectful relationship between the Indigenous peoples and the school. The school would have to surrender its land ownership to the people local to the region, respect hunting grounds, not muck with the ecology of the place, and help the people of the region. They would, essentially, acclimate into Arctic life, creating a cultural hybrid between their old customs and what is required to be in the Arctic.

But if you start to have this school try to recreate European ideals, foods, and have them insist their way of life is the only way that can exist, then your magic users have become colonizers. It’s, unfortunately, that simple.

The thing about this island is: Indigenous peoples would’ve known about it, probably before these magic users did.

Arctic peoples also crossed between Russia and Alaska “late” (after the land bridge sank), and very well could have found this island in the time they travelled by water between the two countries. Late is relative, because it was still at least ten thousand years ago.

That land could very well have been inhabited before the magic users got there, which means they would have had to be extremely respectful to not colonize that land. As I said above, it’s possible to be respectful, but requires the magic school default to Indigenous voices when it comes to how to live there.

If it’s uninhabited, then it’s likely known about. These magic users probably don’t have enough magic to completely alter the wave patterns of the ocean, which an ocean-navigating Indigenous people would absolutely know how to use in order to find land (this is one of the ways many peoples navigate at sea).

The other option is the school is actually Yupik or other Arctic peoples founded and uses their belief structure, which would require an intense amount of working with the peoples in question to inform your worldbuilding. 

To be clear: you still need to account for Indigenous peoples and research/talk to members of the peoples I listed above. It’s just going to be less work if you stick with a European magic system and have them be visitors working heavily with Arctic peoples, instead of having the magic system be based in Arctic peoples’ customs.

I’m not from the Arctic. The Arctic has a unique colonization history that I’m not very well educated upon, beyond the fact it’s unique, recent, and suddenly devastating. I cannot advise you on this any more than saying you are on Indigenous lands. I would strongly suggest you look at all of the other “remote, uninhabited” compounds you’ve created to see what Indigenous peoples live in those regions, as well. 

The idea that the earth is mostly barren and unused and lacks meaningful human presence is a colonialist myth that is used to perpetuate the concept (white) Europeans can move in without consequence. Many harsh climates have Indigenous peoples living there, and any magical communities need to do similar practices to the ones I outlined above.

Make sure they’re not taking land, and make sure they learn how to respect it the way the local peoples do: sustainably. That’s the bare minimum.

~ Mod Lesya

[whomst-art-thou-whomst-whomst]

Texts from The Lost Tomb, part 3

I didn’t mean for this to stray into angst but like the lack of updates with Li Cu in LTR?? I had to do it to em.

Wushanju Crew Chat, 11:05pm

Li Cu: what’s up losers I’m outside

Li Cu: someone come on and open the damn door

Wang Meng: Language:(

Li Cu: fine, someone come on and open the damn door please

Snake Eyes Chat, 7:00am

Wu Xie: hey are you awake? Sorry I missed you coming in:) was finishing up some work. How was the end of your first semester? Did that geology paper go well? Did the food budget work out or do you need some extra money next semester?

Li Cu: yeah about your work

Li Cu: heard a little rumor

Li Cu: about you going through some stuff during ur recent trip

Li Cu: some stuff you maybe forgot to mention

Li Cu: and you told me we gotta check in with stuff, so this is me checking in, okay

Wu Xie: oh? What stuff?

Li Cu: idk just like

Li Cu: THE STUFF WITH YOU ALMOST FUCKING DYING FOR FUCKING MONTHS AND THE WAREHOUSE SHIT AND ERJING AND PEOPLE HURT YOU AND WHAT THE FUCK IS A THUNDER CITY AND NOONE FUCKING CALLED ME ABT THOSE PARTS ONCE

Wu Xie: oh. That stuff.

Li Cu: yeah asshat I’m in the kitchen whenever you’re ready to explain your fucking bullshit. Also you’re out of milk wtf how am I supposed to make breakfast here

Main Chat, 11:14am

Wu Xie: okay so it’s possible I fucked up a little bit.

Wang Pangzi: THERES JUST SO MUCH YOU COULD BE REFERRING TO I DONT KNOW WHERE TO START

Zhang Qiling: What’s wrong?

Honorary Wu Chat, 11:30am

Wang Pangzi: KID IM SO SORRY THAT PUNK IS A TRAINWRECK BUT YOU KNEW THAT

Wang Meng: Welcome home, Li Cu <3 not much has changed, ultimately.

Wang Pangzi: IT DIDNT EVEN OCCUR TO ME THAT HE WOULDNT TELL YOU EVERYTHING ABOUT IT ONCE THE REST OF US FIGURED IT OUT

WAIT HOW DID YOU FIND OUT

Li Cu: it’s okay. not your fault, uncle. Doesn’t matter how I found out. Wait wait hold on what do you mean “the rest of us figured it out” who figured it out

Wang Pangzi: SAY HELLO LIU SANG

Liu Sang: …hello.

Wang Pangzi: SAY MORE THAN THAT.

Liu Sang: uh…so you’re Wu Xie’s protégé, huh?

Li Cu: oh well howdy there homewrecker

Liu Sang: Excuse me??

Zhang Qiling: I think someone on the roof is calling me and I should go find out.

Wang Meng: I would also very much like to be removed from this conversation.

Wang Pangzi: AHAHAHAHA KIDDO IVE MISSED YOU

Li Cu: all I’m saying is aren’t you the little creep who’s obsessed with Xiao Ge

Liu Sang: ???

Zhang Qiling: Li Cu is referring to a brief period of irrational thought on Wu Xie’s part, where he mistakenly believed you to be a threat to our relationship.

Liu Sang: what do you mean a threat??

Wang Pangzi: WHAT DO YOU MEAN TIANZHEN HAD “A BRIEF PERIOD OF IRRATIONAL THOUGHT”

YOUVE MET YOUR HUSBAND RIGHT

Wang Meng: can you please take me off this chat.

Liu Sang: Wait, so Wu Xie told you about me, but…reading between the lines, he didn’t mention the cancer or anything bad that happened? Oh yikes.

Li Cu: don’t change the subject “Liu Sang”

if that is your real name

Like yeah you’re right abt it but still

just saying

heard you got good ears but I’ve got snake powers

kinda

so like no more funny business okay you superhearing harlot

Wang Meng: LANGUAGE, LI CU. IN THIS HOUSE WE SHOW GOOD MANNERS.

Wang Pangzi: LMAO OH DO WE NOW

Zhang Qiling: Li Cu, this is all unnecessary and childish. Please apologize.

Li Cu: you say that now bruh but apparently you weren’t complaining when he was all “idol this” and “idol that”

oh and hey Wang Meng while we’re here can I show you my business class grade report later bc Wu Xie is all “what matters is that you learned and enjoyed the experience” blah blah all eat pray love you know how he gets and I want to actually discuss areas to improve so that when I take over this joint I do better than Wu Xie? Tho that shouldnt be hard lol

Wang Meng: hurtful but accurate. I’ll bring my best red pen:)

Liu Sang: oh my god. I’m too jetlagged to keep up with any of this.

Wang Pangzi: BEST. DAY. EVER. IM SCREENSHOTTING THIS FOR HEI XIAZI.

Not A Homewrecker Chat, 11:52am

Liu Sang: Okay, we started off on the wrong foot.

Li Cu: I agree let’s start over

Start with how your little prank game almost got ppl killed

Liu Sang: And I seriously regret that. But we moved past that.

Wow, he seriously skipped over so much bullshit but didn’t skimp on mine, huh.

Li Cu: AHA so you ADMIT IT

Liu Sang: I’d like to think I’ve grown since then. That I’ve come to see Xiao Ge as a person and mentor, rather than an idol. I count Pangzi and Wu Xie as my close friends. I’m going to be staying here with them right now, I hope you can be okay with that.

Li Cu: see in my head you were going to be a lot less mature about it and I had a bunch of great follow-up insults planned

Liu Sang: I figured. I’d like us to be friends, though. Or at least not enemies.

Li Cu: okay but only bc you don’t know me yet so you won’t judge too much for this and I need to get this out to somebody I’ve been thinking about it for hours and my friends are still in finals and I’m stressing a little bit maybe

Liu Sang: ?

Li Cu: I yelled at dad

*Wu Xie sorry autocorrect

Liu Sang: …uh huh.

Li Cu: I yelled at him earlier. for keeping all that stuff from me. He started crying

Liu Sang: Wu Xie has been pretty emotional since we got back. Not necessarily your fault.

Li Cu: I made him cry right there at the kitchen sink and it felt like maybe the worst thing I’ve ever done

Snake venom and stabbings, no tears

Me saying I wouldn’t have gone to his funeral, all tears

Which I know was shitty to say but I was really mad

Liu Sang: If it’s any consolation, I think Wu Xie can understand the concept of being led by his emotions to make bad decisions…better than most people.

Li Cu: Xiao Ge came in then and looked weird

Like weirder than usual

Like he didn’t know which of us to be more mad at

Liu Sang: A common problem for the iron triangle, I understand.

Li Cu: I just ran out I didn’t have words right then and I feel stupid

but whenever they come back from their walk I’m gonna say sorry and stuff bc i could’ve come home to his funeral and I’m mad about it but also like. I could have come home to his funeral. I can get mean when I’m in a freakout mood. It’s not like I was scared or anything at all I don’t get scared really anymore ever but just like. Freaked out.

Liu Sang: He’s probably going to say sorry, too.

Li Cu: sorry I called you a homewrecker. Didn’t mean to slut-shame either

Liu Sang: I admit that after the initial shock, it was pretty funny. Super hearing harlot, it should be on my business card;)

Li Cu: this situation with Wu Xie is weird but kinda good ya know. And I have these freakouts sometimes that something maybe bad could happen to this situation. So consider this a shovel talk. But like, also not a shovel talk at the same time.

also I appreciate you saving his life and whatnot

Liu Sang: Noted. Now. Coffee?

Li Cu: sounds sick.

Be in the kitchen in 10. You can pick out what we watch for the household tv show tonight. no way is Wu Xie choosing some dry documentary about gravestone rubbings again. Pangzi just watches real housewives reruns and Xiao Ge won’t watch tv after he caught the last half hour of A Walk To Remember. Also i need my phone now to send some $ to Hei Xiazi since I owe him for…providing some intel

Liu Sang: Not even surprised.

[lilkermit14]

Lavender & Mint

Fem!reader x Pero Tovar 

Synposis: In the conventional village of Cullfield lived an unconventional woman who served as an apothecary for the townsfolk. Stubborn and set in her ways, the woman of three tens remains unmarried and childless and plans to continue as such for the rest of her life, much to the horror and confusion of the village. But this unconventional woman has some surprises in store for her when an unconventional man named Pero Tovar rides into town, an event that will change both her and his plans forever—and may flip Cullfield upside down too.

Notes: Idk why I kept mentioning poop complications this chapter but I’m sorry and enjoy. It’s been a while but the CHAPTER is here. Please reblog!!!!

General Warnings: minor injuries, slow-burn, eventual smut, blood, childbirth

For this chapter: Non-sexual references to poop, mention pregnancy, murder, implicit brief reference to infanticide or child abandonment, pre-marital pregnancy and it’s complications in the 1400s, religious “morals���. 

Chapter 5: Garlic 

Last chapter // Next chapter

“When was the last time you passed bowels, Mister Ashdown?” you inquire, pressing on the old man’s stomach knowing you have found the root cause of his stomach issues. He blinks for a moment thinking as he lays on your observation table, before telling you, “quite some time I’m afraid.”

“I see,” you move your hands away putting your hands on your hips, “well, it seems that you just have a case of constipation––burdensome but not something hard to fix or that will have you laying on your deathbed.”

“You sure?” he asks, almost confused, moving to rise up from the table by himself only for you to come to his assistance. You clarify yourself, “Yes, you have many signs that point to it. It can be caused by a lack of competitive foods in your diet and is more likely with old age.”

“I’m not that old,” He interjects, but you compete, “Yes, but you're old enough for a blockage sir––you’ll be glad to know you’ll live to be truly old as long the burden is treated.”

He huffs now in a sitting position with legs dangling from the table, “so what do you have so i’ll shit.”

You huff at his language, “standard garlic will help move the process along, and I’m suggesting you make sure to eat more greens and berries to clear your system.”

You always assumed that you were let free to discuss any matters with your patients when they were the only ones in the shop, as no one else resided in your residence besides you. But that arrangement had changed and you were not the only one that resided in your home, “If my cock and bowels stop working just have someone put me out of my misery.”

You turn rigid and scandalized to see the face of Pero Tovar standing in your back entrance of the shop—entered unbeknownst to you through quiet steps and a lack of clear view. Mister Ashdown has no qualms defending himself, “I’m only five tens and if my cock doesn’t work how is my wife pregnant?”

You want to scream having to hear this conversation and did certainly not want to be reminded of the conversations you were subjected to by Farrah Ashdown. When the woman at four tens and five found out she was pregnant she spared no expense in telling you how it happened. You opted to rush him along before you could get his account of what he does with his wife, “okay sir here’s your supply get going now.”

“Enjoy the shit,” you hear Pero say and before mister ashdown can respond he is out your door. You turn to Pero fury and rage evident on your face as you are prepared to let the flames of hell loose on him. All he has is a stupid look on his face as he lets out the word, “what?”

“You bastard,” you begin pointing your finger at him moving towards him with menace in your voice towards a man that stands unbothered, “you do not talk to ANY of my clients in such manner especially in my shop.”

“Why is that hermosa? I would be rude to that man outside of your business, what makes your apothecary different?” He queries again with that name, only increasing your anger and distaste for him at the moment. With clenched teeth, you answer him, “I don’t care what you say to Mister Ashdown in town, but my shop is a place of respect––a place where anyone can come for health problems even if they are embarrassing. I want people to know they won’t be judged here because if they feel like they will be, they will come when it’s too late and I can’t do anything for them.”

Pero raises his brow at you, but lets you continue your rant uninterrupted, “When my mother was still alive, a young woman at ten and six came to us complaining of diarrhea, something she was embarrassed to talk about because it was gross and she did not want suitors to find out. Turns out she had sickness from a miasma––we took one look down the town well and discovered a deer had fallen in and died overnight.”

“That was lucky,” he comments, still invested in your story despite the vile nature of talking about excretion. You continue, “Yes, and we may not have caught it so soon if she didn’t come to us. The sickness is fast acting, in hours many more villagers could have been sick, but it was only her––and she lived.”

“Lived?” you smile at his question feeling pride at the healing powers your mom had and hope you live up to, “Yes, the sickness causes dehydration quickly but if you keep the person well hydrated and area clean to prevent reinfection––they will live. This summer she gave birth to her third child at my aid.”

“So their trust is important to you?” you give him a simple nod, glad he is understanding what you were asking of him. You turn to clean up the materials you had brought out to examine Mister Ashdown, not realizing that Pero was not done with questions, “Like how that woman came to you the other day crying in distress?”

You freeze––you had really thought the interest in Mariam had ended when William had first asked you about her the day after asking if she was okay. You nodded and told him it was just feminine needs and didn’t serve much interest in men, something that usually turned men away from asking questions. Well not Pero Tovar I guess, “Why was she crying?”

“It’s a complicated matt––”

“Things of safety are something I have to worry about you know,” He interjects, and you turn your head looking at him to see something serious cross his face, “I have to keep everyone in this village safe––you in particular hermosa––and I want to know if theres something you need to tell me.”

“Part of gaining trust is not telling personal information,” you counter, pulling together to formulate a lie, “It’s nothing of safety she was upset about something––she’s a friend of sorts to me.”

You can tell he doesn’t buy it––he can probably pull the full story together even though you doubt he’s heard a single thing about Mariam’s husband beating her––but he accepts, slouching and learning against a table in thought, “William and I may go for a short hunt––there's not much action in this town I’m afraid and we could use some fresh game.”

You nod, “If you catch any pigeon, I know how to handle it so it's not gamey.”

He huffs, “We're not very good hunters I’m afraid, so you’ll probably only get that or rabbit.”

–––––––––––––––––––

Pero Tovar had useful traits to him––like getting you pigeons––but he was mostly an annoyance. His mere presence always had you on edge, as you waited for something, something from him. It was usually something he said but if not it was his scent or stench rather of pine and something that was him. It was also his sloppy manner, the way he seemed raised with no table manners as he ate all your meals. He spoiled Mite, petting him and feeding him table scraps much to your despair. He was also too loud, his boots filling up the cottage and shop with noise, something that never usually happened.

You lent some time today to make more bread for the household, settling at your dining table and working the necessary ingredients for dough together. Mite lays in the corner, not doing his job as per usual and watching you with some sort of interest in the mannerisms of bread making, but he was likely just hoping for more food in the future. Kneading dough you begin to imagine the dough is Pero kneading your frustration into it. You press and it is his stupid broad shoulders that take up too much space. You pull, it’s the curls on the nape of his neck that are too unruly and untidy. You slam it down, it’s that stupid smile that appears on his face when you have entertained him. God you hate Pero Tovar.

“You may want to stop before you overwork the dough sweetheart,” You stop and see Mildred Becker staring at you with an amused look on her face. You huff Jesus, what does she want, “Sorry for my state, I didn’t hear you enter.”

“Don’t worry I understand too well––I always work out my anger into the dough,” you chuckle a little thinking about how a woman with too many children works out anger the same way as you––you definitely hate Pero Tovar, “I just stopped by because I’ve been meaning to talk to you about something.”

You perk up, “Is Cateline suffering from baby blues again.”

“No, No thank the lord––we’ve been watching over her better this time,” Mildred rounds off, and you remember despite the grievances she gives you, she is a good mother to her children. She was the first to notice that something was wrong with her daughter after the birth and came to you to talk about it. From there Cateline was able to recover and enjoy motherhood, “Something with your house guest Pero Tovar has come to my attention.”

“What did he do,” You ask, prepared to beat Pero Tovar with your broom, but Mildred settles you, “nothing he did, just something someone is doing around him.”

You raise your brow at her beckoning her to continue, “You know Stanislava Rolfe?”

“Of course,” you affirm, surprised she is asking you such a question when you have treated everyone in Cullfield five times over. Mildred continues, “Yes well, She has begun to work at the Inn as a barmaid––she did well with charming Balthasar I guess.”

You were wondering why a poor farmer's daughter’s career path interested you, but you didn’t interject, “I happened to take a quick ale there with my husband, when I noticed something with her and Pero Tovar. You see she appeared extra flirtatious with him––and although barmaids usually are flirty with men in hopes for extra coin, it was more intentional.”

You frown, how could such a beautiful young girl be interested in such a disgusting brute, “Why is she interested in him?”

“Who knows? Many of the girls around Cullfield were excited to see unfamiliar battle-hardened men I supposed,” She ponders for a moment, “all we do know is that she is likely interested in him.”

“I don’t think he is interested in taking a wife,” You contest, brushing aside that Pero would have feelings for the young girl of two tens. Mildred just gives you a hardened stare, “He doesn’t have to be interested in matrimony to want something from her.”

Oh

“Was he showing interest back?” you dig trying to figure out the full extent of what you are formulating must be a whirlwind romance. Mildred hums, “no I suppose not, but sometimes men take persistent interest as a way to have a good time.”

You bite your lip remembering that Pero did not fornicate with prostitutes but barmaids, and feel a ball of ache and pain in your stomach at the thought. Mildred instates, “I came to you about this because I want you to try to stop it.”

“Stop it?”

“Yes, make it clear he is to not have such guests,” Mildred explains, and you can tell by her tone and expression you are in for some sort of story, “You know well enough that things go arigh when an unmarried woman gets pregnant, right.”

“Of course,” you remember the chaos that erupted in families when one of their daughters ended up pregnant, and the hasty weddings that came from it. But Mildred had a different story, “although most of the time it gets swept under the rug with a quick marriage and everyone just chooses to ignore it––horrid things can happen when there's not one.”

Mildred sits down at the nearby table, in clear thought of something dark and you go to sit down at a nearby chair, “When I was about ten and eight, and old enough to understand these things, a girl was taken advantage of by a soldier in our village. She was ten and six, and him far older so he should have had the wisdom not to mess with her. What mattered was after it happened, he left with his troop and was never seen in my home village again. She got pregnant, and tried to hide it at first––her mom was dead and she had no older sisters or aunts to go to, so she was afraid to go to her father. When it became too obvious, hate inspired awful things in the leaders of the village, and by the time she gave birth it accumulated.”

Mildred takes a moment to pause, emotions brewing inside her and you feel yourself frozen in place, “she tried to talk to them, pleading, saying he pressured her––persuaded her, but they all pointed and said witch and condemned her son too. She was burn’t at the stake, and her son––well he was never seen again.”

A pause fills the air as you sit in shock, digesting what Mildred has told you, “I’m sorry you had to witness that.”

Mildred huffs, “I’m sorry too, I made sure to get a husband that would get me out of that village and landed a good one on the way––I had seen what that village did to women and children for the sake of moral value and did not intend to stay so my daughters could see too. Adultery is a two person crime that only one party, the feminine one, receives punishment for.”

“So that's why Pero and Stanislava are of such concern to you?” You assume, and Mildred nods, “Although I think Cullfield is of better standing, I don’t desire to find out what they would do if such a case erupted. The girl may be doing this because she intends to capture a man with a better job, but mercenaries rest for a few women and not those of ten and eight.”

“I can understand her intentions I suppose,” you contemplate, believing that she doesn’t hold much true interest in him, but for a better life. Mildred hums, “so is there a chance you can talk to Pero about it?”

“I already established that he is to not bring guests into my home, and I doubt they would find a secluded enough place otherwise,” you reassure, standing up, “I can even remind him today if you would like.”

“That would be good,” Mildred agrees, joining you in standing and allowing you to guide her to the door, “be on the lookout too if you see her come preying––even though he lacks true interest.”

“I will,” you say, and somewhere in your heart you feel prepared to beat Stanislava Rolfe with your broom instead of Pero.

________________

Gardening was no easy task but it was the most necessary task the runner of an apothecary and a household had. Today your tending to crops was more focused on your food supply rather than collecting the necessary ingredients to keep your shop running. You're pleased to see that the last of your harvest grew well, and know that your winter stock will last even with your house guest. You had already pulled out all the carrots, and beets, and had shucked the vines wounding your house of beans and brussel sprouts. You were now left to work at the tough vines of the gourds and squash, planning on leaving the single pumpkin for Pero to handle––who should be on his way home from helping Balthasar with something at his inn.

Standing up with the final gourd in hand––you see something that fills you with immediate displeasure and sickens you to your core. Pero is walking up to your house pursued by Stanislava. You don’t quite know why you feel this angry at him; maybe it’s because you gave him explicit reminders on conduct or maybe––something else. Seeing the near, and well hearing Stanislava, you attempt to think fast to try to get her to leave. Greeting them both in an unnatural kind manner, “Pero, Stanislava, greetings.”

Pero gives you an immediate strange look while his shadow is oblivious and greets you back, “I was just telling Pero this wonderful stor––”

“Oh I must ask how is your rash healing up,” You feel like clapping your hands over your lips the moment the words fly out of your mouth. Stanislava stops in her tracks staring at you blankly, “what?”

“The one I gave you the ointment for––on your groin,” Oh my God what were you doing.

Stanislava turns bright red, “Good thank you––I––I have things to tend to at home, good evening you two.”

Stanislava hurries off, and an amused smile erupts on Pero’s face, “thank you for finally scaring that crow off––she’s been yapping my ear off with nonsense for weeks––I guess you're my scarecrow.”

“Excuse me?” scarecrow, you were going to kill this man. He smiles, a genuine smile, “Yes you scared off my crow––like a scarecrow would. Plus you're covered in leaves right now.”

“Do not call me that”

“Fine mi espantapájaros”

“I swear I’ll smother you in your sleep”

“Is that a true promise for you? Like how you promised not to tell customers private information yet just shouted about the crow’s crotch rash,” at that your body works on it’s own, taking the gourd in your hand and flinging it at Pero’s chest. It was a magnificent shot, and caused the vegetable to break and splatter it’s internal organs onto Pero’s chest and neck. Pero steps back from the impact and looks down on the goop he’s now covered in, “Now, no good espantapájaros does that.”

You press your palm to your face, “Just cut the pumpkin for me and bring it inside, you could use a good bath anyway, your stench is disgusting.”

“I do not smell,” he retorts, and you ignore him, bringing inside your harvest. You really do hate Pero Tovar.

----------------------

Apothecary’s feelings––hate or nah yall?

Garlic is use to treat a lot of ailments in Arab traditional medicine, including  heart disease, high blood pressure, arthritis, toothache, infections, and––as seen in this fic––constipation. Listen, I know the constipation part is true because I ate a pesto made with raw garlic and LORD did I shit. Anything else, not quite sure but hey worth a shot if you are desperate. 

It is also seen as an immune booster for colds and coughs––in fact if you are congested from a cold putting a clove of garlic in each nostril can clear that shit OUT.  

Garlic is also believed to help asthma symptoms. IDK if it actually is true but that’d be iconic because my mom loves garlic and she has asthma. 

Garlic is my favorite seasoning. I put it in my soup. I put it in my eggs. I put it in my ramen. I put it in my burgers. I put it in my cooch––

taglist:

@poenariuniverse @harleyamidala @yespolkadotkitty @storiesofthefandomlovers @babybelou @legally-a-bastard @computeringturtle @clydesducktape @sixties-loser @buckysalefty @april-14-blog @prettylittlegoldfish @softpedropascal @maybege

[ewyband]

what does the Japanese in half broken Japanese translate to? (i do not trust google translate entirely )

’愛してる ! ’　translates to 'i love you!'

’心を愛してる！’ translates to 'i love you with my heart!' (because in the previous line i say 'for most of my life i've thought not with my heart but my brain hehehoho) just wanted to say that i have no idea if the second line is a natural thing to say at all !! but it sorta adds to the song anyways if it is unnatural cuz its broken innit

ok now im going to explain why it means this and why google translate is awful at translating japanese, this is totally unnecessary but if ur interested then read on! ’心を愛してる’ is directly translated to 'heart loves' because 愛してる　literally is just the present form of 'to love' this is a little strange when directly translated to english because you'll notice theres no pronouns or subject. that's because these don't really exist in japanese (they do but not in the same way that we use them, if you use 'he' or 'she' in a sentence its often referring to your boyfriend or girlfriend rather than just he/she as we would use it in english -- interestingly, this is also the same with 'you'. if you use 'you' in japanese its often referring directly to your partner; thats why in a lot of translations the word 'you' is translated to 'dear') OK SO HOW DO JAPANESE PEOPLE KNOW WHO THEY'RE TALKING ABOUT. ✨context✨ in the case of half broken japanese, who else would i say 'i love you' to other than my partner? (ok yes in the western world we do say ii love you' to our family members but this doesnt happen in japan so just stay with me !!!!) if we really really need to refer to someone we'd use their name or a descriptive of what they're like and '-san' as a suffix.

SORRY THIS IS A LONG RESPONSE, IVE JUST BEEN STUDYING THIS LANGUAGE FOR A LONG TIME AND YET IT IS STILL BROKEN

[uncanny-tranny]

any advice on how to come out as transmasc to transphobic parents? my mom is accepting of gay and bi people, don’t know about my dad. after many years they accepted the fact that im ‘a tomboy’ and dont care much if i cut my hair short or wear clothes considered more ‘for men’ and im wondering if theres any ways i could try to educate them on this topic and get them to be a little more accepting (kinda harder since our culture is only just starting to be a little more open to queer identities or even just gnc men and women).

I definitely encourage you to consider the possibilities of coming out. I know it shouldn't happen, but there are parents who will absolutely not take it well, and I always worry about those put in that position because some parents will retaliate. If you're worried about that and you rely on your parents in a noticeable way, I'd encourage you to potentially hold off until you can reasonably rely on yourself if need be (such as with transportation, shelter, food, what have you). This is an unfortunate reality for many, and I absolutely would not blame you if you decide to do this.

If you think you're ready to come out, though, I think being open about how you feel can be helpful. When I came out to my dad, i made it a point to emphasize how I felt dissatisfied with being forced into being cis, and that I felt happy and liberated when I could just be. It took time to truly understand, but I think that as I was more open, he understood. I tried to really make a point that I was so much happier and more at peace being myself than what he thought I was. I think a lot of parents do wish their child happiness, and some are rather... ignorant if their child's happiness comes from something they don't understand.

I also used a lot of comparisons, as well. Things like, "you know how [this] makes you happy? That sort of happiness is how I feel when [something related to being trans]!" When somebody first learns about trans people, they might need some way of connecting it to their own lives, especially because they usually don't have a frame of reference for a lot of trans topics (though I do believe that cis people actually understand trans experience a lot more than they think they do). Simplifying language and taking the time to connect concepts to things they readily understand can be helpful. Diagrams, or even articles can also be useful, because it serves as a reference and a refresher if somebody forgets a particular word or phrase, or what have you!

Whatever you decide is right, though. You know your situation best, and I want to honour that. This is what I did, and I think when I came out and expressed where my happiness (and likewise my distress) came from, it helped my dad understand, because he simply doesn't have a good way of understanding on his own. You deserve happiness, and you're the person who dictates what makes you happy and how you can achieve happiness.

[trans-mink]

Istg these writer questions are all too good I want to ask you every single one but that'd be a lot so...17, 22, 34 + a question you'd really like to answer!

im so sorry this took a while things been all over the place on my end, this is going to be very all over the place but anyway

17. talk to me about the minutiae of your current wip. Tell me about the lore, the history, the detail, the things that won’t make it in the text.

uhh so i got several wips that are v much on a break but I started reworking an old arcana self insert fic of mine from 2019 cos tbh the writing is ass and I can make it sound a lot better now idk how that bitch has so many kudos on it, its not good!!

the plot is basically that the MC (reader) has chronic joint pain in the winter when its cold and Julian helps to look after them. The inspiration was that i have chronic joint pain that's way worse when its cold and i wrote it as a comfort thing lol. its still up rn in its original state but will be updated soon hopefully

my other main wip is my dmmd fic that i worked on p much all of last year but now i have burnout so im taking a break rip.

its kinda a re-write of the reconnect game but with more characters and set in my own universe but i think once i get over the bump of the main story line its gonna be more slice of life/ romance focused as a change of pace to the first half. Unlike the reconnect game i also focus on other characters that arent the main character's love interest because if i was a reader i'd wanna know what everyone else is up to post canon. It basically feels like a sandbox for me to write my character head canons lol.

22. how organized are you with your writing? describe to me your organization method, if it exists. what tools do you use? notebooks? binders? apps?

everything is in google docs, i have notes pages and a loose colour coding system going with how I edit things e.g green= published, orange= needs work/ to be changed, purple= notes about canon/ in fic lore.

Sometimes if i feel my work is getting cluttered i'll move it to a separate doc so i end up with about 3 documents that are different editing stages of the same chapter.

Theres also a "cutting room floor" doc where i put stuff that didnt make the final cut in case i wanna refer to it later and its not lost to the back space button.

34. thoughts on the oxford comma, go:

fam I dont even know what a oxford comma is, I just be putting them shits wherever feels right. Like a granny adding seasoning to her cooking.

Ok i just googled it and I dont tend to use it i dont think but honestly do whatever u want, who give a shit. language and grammar are fake.

extra question picked at random :D

12. if a genie offered you three writing wishes, what would they be? btw if you wish for more wishes the genie turns all your current wips into lorem ipsum, i don’t make the rules

first wish is to know how characters feel in response to whatever is happening to them, my biggest thing rn is being unable to put myself in their shoes and i think it would help a lot.

second is to consistently remember HOW to write well, cos i have bursts of knowing wtf im talking about but will suddenly lose it even if im in the middle of a work

third is knowing the exact word or phrase to describe scenery, emotions and facial expressions. I struggle with those the most for some reason.

[goosedawn]

linguistics pog????? :D :D :D i will admit I didn’t do as much thought into the aus/nz language changes as I really should’ve (mostly because my understanding of the regions is basic at best ^^’) and I am 👀👀👀 at your tags……….. if you have more thoughts I would be FASCINATED to hear what you say :D!!! -bio nerd anon

LINGUISTICS POG!!! YEAHHHH

my knowledge of linguistics is limited but its so cool and ur HELLA valid, australia and new zealand are pretty isolated so like. fair (relatedly, most of my thoughts are nz based, i cant really talk much abt australian linguistics) but basically i absolutely have more thoughts >:3c

also im assuming this is still in the context of how language could develop in @possiblyaperson03​‘s strangers on the internet au, so im just gonna clarify this is all purely speculation based on what we know abt the au and my own knowledge + lived experience :D

... i also just keep on going about language development in this au in general so i put it all under the cut :’>

tl;dr: australian and new zealand accents are likely to converge, but also might have a mix of different languages mixed into the way they speak, with pockets of non-english speakers. humans in australia and new zealand might not have as nuanced terms relating to giants, and may not have the same level of understanding regarding the giants language.

....... tl;dr TWO: wild humans might develop “alarm calls” that are shared with other human groups even if they cannot understand each other otherwise, and might even mimic giants. sign and written language could also become more prevalent in giant inhabited areas.

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SO, in new zealand theres already quite a mix of cultures, although. yknow. colonialization ended up in a largely westernised culture/language, with english being the ‘main’ language, however nz sign language and Māori are also considered to be national languages.

nz accents specifically tend to be quicker and kinda. slur some words together, but that also depends on the location around new zealand. people who are surrounded by more Māori influences tend to draw out some vowels a bit longer, which ends up with a slightly different cadence.

im not really sure how to describe the aussie accent kshdfksjd but i think generally its a lot sharper than nz accents but also has more of a drawl, and some vowels are more drawn out/accentuated

i think it would be likely that australians and new zealanders would probably keep these aspects but depending on how much people cross between the two (in lieu of traversing elsewhere, and interacting with other countries) its more likely for the accents to converge.

however!! differing languages would also kind of. stick to how they sounded when they split, with the language spoken by immigrants not only sounding more accurate to the original due to shifts in language in their original location (due to simplification and dangerous situations) but also because of people wanting to preserve their culture.

in new zealand currently (especially in places with a lot of mixed cultures/immigration, in big cities compared to more rural areas) there is already a lot of mixing in terms of accent and language, and even more so with outside influences due to media and such

people do whats referred to as “accent matching“ which is basically changing the way you speak to match other people around you (psychologically, its kinda like mimicking other people so they are more likely to like you/become attached to you because you are similar to them) and so people mimic accents around them and thats part of how you pick up accents when you move to a new place.

so in an isolated space, with a variation of accents, how does that work? honestly i think it would be similar to how things are in big nz cities currently, and because its even more packed together with a whole variation of people who may not necessarily be english speaking is that something that may happen is a mix of language, with people dipping in and out of other languages based off of what specific cultural influences an individual is surrounded by.

this is something that can be seen in places like malaysia, where there is often a mashup of languages and cultures, resulting in a variance of dialects depending on geographical location, picking up some words from other languages depending on who your neighbours are (or at least. thats what i’ve been told by relatives from there, and have seen reflected in the way they speak- they tend to mix english with at least 3 different dialects of chinese as well as malay and indian words)

like i mentioned in my tags on the other post, nz already has quite a few pockets of areas where there are immigrants who either have trouble speaking english or rely on relatives/friends to interact with english speakers, and this is something that is likely to develop in this au as well i reckon. i cant comment on how this might work in australia though.

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also, if isolated with little contact from giants, it would be unlikely for australians/new zealanders to develop terms relating to giants, or at least not terms similar to other countries. they might be more abstract or scientific, with less nuance due to less interaction.

its unlikely humans in australia and new zealand would pick up much accenting from giants and perhaps depending on how long it would be after The Event, may even not be able to say certain words/hear certain differences in giants accents as well!

However, it should be noted that young babies (like a few months old) are able to identify variance in human accents that children and adults cannot, because we learn what sounds to listen out for based on what languages and cultures we are exposed to, so technically we are biologically built to understand a variation of languages, but quickly learn specificity and thus lose that ability.

(RELATEDLY: if this was also true for giants, unless they were brought up around humans when they were very young it would be unlikely that they would be able to tell some subtle differences in human speech, FURTHER solidifying what you said about giants just. not being able to hear human intonation).

in terms of language in countries inhabited by giants, you mentioned that humans might have more simplified language and such, which could result in varying “alarm calls”, much like modern animals have now, which vary depending on where a threat is coming from (e.g. different calls for birds compared to land based predators) these might transcend other language like words, if there was a larger difference between geographical areas.

on top of that, some groups of animals also reciprocally respond to other groups of animals alarm calls due to both being pressured by biological and environmental threats, and i wouldnt be surprised if something similar developed between wild human colonies. humans are great at mimicking, so it could be possible that a series of animal-esque calls, or heck even calls mimicking giants could be something that is used.

furthermore, it might also be likely for some groups of humans to rely more on visual (signed or written) languages to symbolise things, especially if they dont get to interact with other groups, perhaps out of fear of being caught in large numbers. on top of this, having visual signals would be useful for not notifying giants of your presence if you need to be quiet.

warning signs and such would probably be developed pretty quickly, with certain groups maybe having defining features depending on what materials they have (maybe some groups burn warnings into things, vs others who carve the symbols in)

there might also be varying ways of referring to directions that are easier to identify quickly. OH in the alternate universe with wilbur having a guitar, maybe music could be used for communicating certain things also?? idk ive gone on long enough jkfhsdfjhsdf

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thanks for reading all the way to the end! if you got here i appreciate you!! 💛