#i know that saying ''it's not you- it's me'' is a cliche but it's so true in my case ://

[clos-posts]

Okay so, hear me out:

I've been on a bit of a Merlin fanfic hyperfocuse and came across another "I'm Emrys" where Merlin has to perform magic for Arthur to believe him, in front of the entire round table council, and I had a thought.

So, we all know that Merlin is magic itself, spells that seemed powerful to other sorcerers are not that powerful to Merlin and my hc is that these spells barely make his eyes turn gold, like maybe a flicker so fast the average person will miss it.

So I imagine Merlin saying he's Emrys and Arthur being all 'well then prove it' and Merlin makes a fireball (cliche I know but bear with me). Now Arthur has seen this spell and though he has a merger knowledge of magic, knows that it's quite a powerful spell and that most sorcerers eyes are practically a blinding gold, but Merlins eyes don't change. That and Merlin doesn't even speak and therefore didn't cast a spell.

Arthur, thinking that some other sorcerer helped Merlin with his self-sacrificing, kind-hearted, not wanting anyone to die personality, appear as if Merlin is this 'Emrys' and in a patience but patronizing tone tells Merlin that's is honorable to try and protect this Emrys, but his eyes didn't even change colour and therefore can not be a sorcerer.

Merlin, in a very Merlin way, huffs and proceeds to say something like 'Well duh, that was a very simple spell. Doesn't even require that much magic to perform' and the entire room goes silent.

(meanwhile Guise blood pressure has skyrocketed and is on the verge of either killing Merlin himself or having a heart attack. He hasn't decided yet.)

Arthur, absolutely baffled (and a little turn on at the casual display of apparently immense power), asks: 'What will make your eyes gold then? If you even are a sorcerer?'

Merlin, never one to back down from a challenge and already too deep into this, shrugs and says 'We would need to be outside'

And that's how the whole council ends up on the training grounds opposite Merlin waiting in anticipation as to what he will do.

There's silence so thick that no one dares break until Merlin starts to chant. At first nothing happens and Arthur is relieved (and a little disappointed), but then clouds start to gather, think dark clouds above them, and Merlin starts to get louder. Thunder claps across the sky and there electricity in the air making Arthur's hair stand on end and a shiver works its way down his spine. He looks at Merlin and though it's subtle at first, his eyes are glowing gold.

The tension builds and builds and with one final shout from Merlin, his eyes, a brilliant gold, as lightning falls all around him, clashing to the ground destroying the train field in its wake.

Arthur can do nothing but stare. Breath caught, heart hammer, and a sudden hot arousal catching him off guard. He can do nothing but stare at Merlin, his loyal manservant, standing amidst the lighting with his head thrown back and a look of contentment on his face, as if performing magic of this magnitude is comfortable, relaxing, an everyday occurrence.

When Merlins eyes meet Arthur's, there's a, small, sad smile on his lips, and then quicker then it had started the lightning stops and the clouds disappear, and the only thing that can be heard is the birds beginning to sing again.

Arthur can't think of anything to say and stupidly say 'you destroyed the training grounds'. Merlin at this point blushes, stammers out an apology before waving his hand with a few muttered words and the training field is in perfect condition once again.

Arthur and the entire council are baffled.

Then, before anyone could say anything, Arthur blurts out a command for Merlin to go to Arthur's chambers and he does. Without question. Just a shrug, and walks off. Arthur is wheeling. This powerful sorcerer, who just showed them a feat that no mortal man will ever replicate just listens to his command with nothing but a shrug!

Anyway, once Arthur has calmed the council somewhat he makes his way to his chambers. Once he enters Merlin is speaking so fast it's hard to keep up, something about coins, destiny and then shockingly how Arthur is the only person that can kill him if he uses Excalibur. What. The. Fuck.

Arthur: I'm not going to kill you Merlin!! Why would I kill you?!?

Merlin: Well, I mean, umm, I'm a sorcerer? Emery's? The strongest warlock to ever walk the Earth?

Arthur: I'm not going to kill you Merlin. However! If you do not take me to bed and absolutely ravish me in the next 10 minutes, I may have to resort to drastic measures!

Merlin, absolutely gobsmacked, face red: Wh- what measures..?

Arthur, absolutely confident, turned on beyond belief, practically gagging for it: I'll start begging.

And before he knows it Merlin pounces, and the rest is history.

That was not meant to be as long as it was... 😂

BUT!! If someone who writes fics could take this and write a fully fleshed version on this and then tag me in it I would be forever grateful. ADHD and dyslexia does not make a good writer for me unfortunately 🥲🥲🥲

OH! One last thing! I have a hc that cold iron had a natural negative field which repels energy which is why those that have learned magic have it cut off when chained in cold iron. They can't draw upon their magic from the energy around them. However, with Merlin being magic it's a little different for him.

So, I had this image of a knight, without prompting thinking he's doing what the king would want, walks up to Merlin at some point during his light show and slaps cold iron shackles on him. But, instead of the magic stopping, Merlins eyes grow brighter and bright, and the shackles start to shake and groan, because whilst cold iron does repel energy, it's a little hard to do that from both sides and can't take the pressure. At some point the shackles start to glow as the negative properties of the iron are being overwhelmed and forced into itself. Merlin looks down, looks back at the now terrified knight and says: You should probably duck. And no soon has the knight hit the ground the shackles explode, for lack of a better word. No harm done to Merlin tho.

[felassan]

Paste Magazine: 'Dragon Age: The Veilguard‘s Creative Director Talks Restoring the Lore'

Rest of post under cut due to length and possible spoilers.

"“I was the one cinematic person who always snuck their way into all the writing meetings because I love storytelling,” [John] Epler tells Paste. “I love narrative, and they wanted me to be Narrative Director on the franchise.” When the Creative Director position opened up later on, Epler was primed for the role thanks to his experience across multiple aspects of game design.  ‘They wanted someone who had a good relationship with the people on the team, who could work across disciplines, and who knew the story,” Epler explains. “You know, knew the franchise and its storytelling. Because I think for Dragon Age in particular, narrative is such a core part of the franchise’s identity. They wanted someone who could operate in that space, but also knew how to work with gameplay, work with design, work with art, and that was something that, with both QA and cinematics, I had learned to do. I think just a history of being always willing to do whatever was necessary and also having good relationships with most people on the team helped me out.” As creative director on Veilguard, Epler worked with a team that fluctuated in size from a dozen to several dozen depending on which phase of development it was in. And given Epler’s history with cinematic design, that team worked closely with narrative to craft the kind of epic story Dragon Age and Bioware are known for. “Storytelling is huge, probably the biggest part of Dragon Age: The Veilguard,” Epler reminds us."

---

"Paste: When you’re bringing back a series after a decade, how do you decide what threads to pick back up on, which characters to use, which lore to focus on, etc.? John Epler: It is going to sound very cliche, but it is true: It honestly comes as we build it. We knew a couple of core parts of the story. From the end of Trespasser, for good or for ill, we pretty much determined where we were going and what we were going to be doing. It was about the chase, the search for Solas. Solas had been very clear in his ambitions to end the world at the end of Trespasser. And, you know, at the end of the very final scene of Trespasser, we stabbed a knife, a dagger, into the map on Tevinter. So we kind of knew we wanted to go to Tevinter. We knew we wanted to chase Solas. Now that said, as the story started being constructed, and we discovered, okay, where else do we want to go, what characters make the most sense in this story, that kind of determines what lore threads we want to start pulling on. So without getting too much into spoilers, obviously, Scout Harding has a story that’s very focused on the dwarves and their history; Shery Chee started writing Harden’s ark, and realized, okay, this is actually something we’re going to want to dive into more deeply. Belarra’s story is very focused on the ancient elves, not just the gods, but who they were. So that became a lore thread we wanted to pull on.  As far as returning characters for us, it really does come down to who has the most to say about what’s going on in the world. Who is the most likely to be involved in this particular story. And I think, most importantly, this is something that we always talk about, is who has more to say in their story, whose story isn’t over. Because one of the things that I don’t necessarily want to do, I don’t want to bring back a character just so they show up and then disappear. That doesn’t necessarily do that character justice, but it also contributes to what you do see in some franchises, which is a sense of small world syndrome, where there’s literally 30 or 40 important people in this whole world, and they all somehow know each other.  But again, you know, you see Morrigan in the in the previews, and as we’re writing the stories like, well, of course, Morrigan, who is the daughter of Flemeth, who was at least an aspect of the goddess Mythal, one of the ancient elven gods, she probably has something to say or something to do in a story about the last two elven gods escaping. So, yeah, it comes down to who has something interesting to say, who has something more to say in their story, and who do we feel makes the most sense for where we’re going and what we’re doing."

"Paste: Sticking to the long gap between the last two games, what are the challenges in trying to make a satisfying continuation of that story without making it impenetrable for new players who maybe weren’t old enough to have really played Dragon Age in the past? John Epler: Well, I think it was funny because, on the one hand, yeah, the challenge is, you’re trying to tell another chapter of a story that’s been dormant for at this point nearly a decade. But it’s funny because I do think that actually ends up working to our benefit. For the second question, we cannot assume anything about what players remember. Because even people who were playing Origins, were playing Inquisition, all the DLC, they may not have done so for quite some time. And obviously some players are going to like—I mean, I see it all on social media, people doing their final Inquisition playthrough before Veilguard, which is great, but you have to assume that people don’t remember everything that happened. You have to re-onboard them back to the world, back to the lore, and you’re also bringing in new players. I think honestly, for Veilguard, one of the things that’s worked the most to our benefit is that this is a continuation of that story, but the context changes so dramatically within the first hour. You know you’re going after Solas, you know the first mission. We’ve always said we wanted it to feel like the last mission of a different game. But then you get to him, the ritual crumbles, the gods come out. And now, even if you’ve been following this story up to this point, for everyone, it’s just a sharp left turn. Solas is no longer the central antagonist of this at this moment, it’s now these two new figures, which means Rook, you know, you as a player character, but also the player themselves… You need to bring them back into this story, because nobody, including the people who’ve been playing forever, know what’s going on at this point. So it’s actually a really great way to do the first couple of hours, because you can’t assume everyone is coming into it with the same level of grounding in the story itself. Some people are gonna have more lore. And one of the things we do try to do is, anytime we introduce a proper lore term, I use Venatori as an example, we always try to pair it with a more commonly understood phrase. So “Venatori” and “cultists” always go together in the first few hours of the game. “Evanuris” and “elven gods” always go together in the first few hours of the game, but done in a way that doesn’t feel like the game is like, “Hey, don’t worry, we’re going to tell you everything.” It feels natural the way the people in the world talk about it. So you encounter Strike and Irelin, two of the Veil Jumpers, early on, and they use the terms interchangeably in a way that allows players who don’t know as much about the world to get what all these things mean. Like I said, it’s just the context of the stories. The story shifts so dramatically in those first couple hours that everyone is catching up, even the characters, even, you know, Harding is still trying to figure out what the heck is going on."

"Paste: Speaking of what’s going on, in Veilguard we have a new character as the protagonist, Rook. What’s happening with the Inquisitor and the protagonists from the first two games? What are they doing in this world now, assuming they survived their games? John Epler: One of our storytelling philosophies is, for us, especially when it comes to importing, is unless we explicitly say so, assume that those characters are still around. So what we do, because this is the story of Solas and the Inquisitor has a very direct tie to Solas, the Inquisitor does show up in Veilguard. I’m not going to tune into spoilers, or what the role is, but it would have been very strange for us to tell the story of Solas without having the Inquisitor involved, because, again, they were part of that story. As to the previous two protagonists, they’re still around; that said, their personal arcs, their stories that they were part of in their games, aren’t as directly tied into this story, either narratively or geographically. We’re now in the north of Thedas. So the Hero of Ferelden, who you know, if your hero survived, one of the things we talked about is they were looking for a cure to the Calling. They’re not going to necessarily be involved in this because they weren’t tied to the elven gods, and the blight is still present elsewhere. And Hawke, depending on what you did in Inquisition, may be deep in the Fade, or they may have gone to work with the Wardens and also engage with the Hero of Ferelden at some point. So we’re not going to say much about them because they’re not directly related to the story, but we want players to understand the fact that we’re not saying anything about them because they’re still alive. They’re still doing something."

"Paste: A lot has changed in the world of games and game design in the last decade. How has the creative process of creating a Dragon Age like Veilguard changed over that time? How was making Veilguard different than Inquisition? John Epler: I’d say the biggest change for me has been leaning much more heavily into pre-production on everything. So one of the things that we’d done on Inquisition, I was a cinematic designer on it, we didn’t really have the sense of storyboarding, of previsualization the way we do now. But with Veilguard, one of the things we did very early on is we built the entire story in Twine so we could play through and see the interaction points, see the word branch, and get the sense of how it was flowing, how it was coming together. Beyond that, very heavy use of previsualization, whether storyboards or actual white box, in-engine—or, I say “in-engine,” but, you know, in Maya—models, moving together, figuring out how these shots work. But I mean, ultimately, a lot of the same processes are in use now that we did then. Writing does peer reviews, they still do the same peer reviews. Take your work, you put it in front of the group, and you basically say tear it apart. Let me know what works, what doesn’t work. But I do think the other thing that’s been a great change since Inquisition is there’s a lot more sense of… if you’re building a level, you’re not just bringing in the level designers and level artists, you’re bringing in the gameplay people, you’re bringing in writing, you’re bringing in, you know, all these different groups to kind of build the feel, build the shape. Not to say Inquisition wasn’t collaborative, but I will say, as someone who worked on it, I felt much more like each pod was kind of an entity onto itself, you know, doing this thing, but not really touching the other parts of the game. In Veilguard, we very much wanted people to understand how their work fit into the whole that we were building. So there was a lot more sense of collaboration. And then, you know, more practically, COVID happened while we were making this game and brought work-from-home, remote work in general. I’m doing this interview from my basement right now, but in general, people are working more distributedly, so there becomes a much higher premium on communication. And like, we use Slack pretty extensively, and the sense of like, talking to people as much as you need to, as much as you can communicate broadly, and information sharing, I think, has become a much bigger part of it."

"Paste: So having the different departments less siloed, like it used to be, how has that impacted the day-to-day experience for a Bioware employee. Are they working more or less hours now that things are more collaborative? John Epler: I think it depends on who you are. And, I mean, I’d say generally less but again, it depends. I will say for myself, I have difficulty because of work-from-home. And this is a personal thing. I don’t always have the best separation between work and life because sometimes it’ll be like, nine o’clock at night and you’ll be like, oh, you know what? I just had this really great idea, I’m going to hop on and do something about it. That used to mean driving back to the office. So I will say now I’m not in the office, which is great. For me, one of the greatest things about this has been, I have a personal rule of I don’t ever do work between the time my kids come home and when they go to bed, which means I get to be fully involved as a parent. But then, like I said, 9:30 comes along [and the kids are in bed], and, you know, I think because I’m creative director, it’s a little bit different. I gotta jump in and be like, oh, I want to do this. So I think, you know, it depends on the person. But I think what it’s done is, in general, allowed a lot more freedom in defining your hours. And we do have some people who are not morning people, so maybe they don’t get up and jump on as early, but then I’ll see them later at night, and they’re doing the work that they would have done. And I think that freedom for me has been, and I think I can speak for a lot of people, has been probably the best part of how things have changed."

"Paste: So something else that’s changed in games over the last decade, I guess it really became standard right before Inquisition came out, and it’s something that’s been a constant problem for many people who are creatives in many different mediums. But some of the fans and fan accounts online and how they react to games and designers and games media, starting with what they call GamerGate. What are your thoughts on that type of fan interaction and how has it impacted the Veilguard team? John Epler: Anytime you get fan feedback, the question I always ask is, what is it that they’re actually saying? And, you know, sometimes it is literally what’s coming out, what they’re typing. But a lot of times, from whatever group it’s from, there’s a sense that they’re speaking to something deeper, something that’s, you know… I think ultimately, for me, it comes down to understanding and being confident in your vision which means you take the fan feedback, you can look at it, you can decide what you do or don’t do with it. But one of the most—I don’t want to say challenging, but one of, I think, the easiest traps to fall into is a feeling that you need to be, “oh God, they don’t like this, and they don’t like this, change this, change this.” And I think there’s a sense of, if you have a vision that you’re comfortable with, are confident in, you continue to stick with that vision, you can make make adjustments, make tweaks based on what people get excited or don’t get excited about. But I think the other side of it is, when you’re releasing news, you’re doing press events, you’re talking about the game, you’re only giving people a small slice and a decision that may, for them, like, “I cannot believe that, why would they do this,” makes a lot more sense when you know the context of the decision as a whole. And I’ll say it for myself, one of the bigger examples of this was when the Yakuza series went from action to JRPG, turn based RPG, and I’m like, “Oh, this is so weird. I don’t know. I don’t know how I feel about this. You know, this feels like a very strange shift.” When I played the game, like, “oh yeah, holy smokes, this makes so much sense.” They made it make sense narratively. They made it make sense from the gameplay perspective. So I always try to remind myself, like we know the game as a whole. We know all the pieces and how they fit together. When you get that feedback again, you can look at it. Some feedback is obviously better than others. Some feedback is more, you know, is more interesting, and more does more for us than others. But again, it comes down to know the game you’re building, be confident in the game you’re building, and don’t try to design by committee, because ultimately, everyone has a different thing that they want out of the game, and a lot of people, even themselves, will have two very contradictory things that they want out of a game. So you have to be careful not to overreact and water down what you’re building into something that I would describe as, you know, mushy. You don’t ever want to be in the mushy middle. You want to make a strong statement with your game and how your vision evolves, and stick with that."

"Paste: Where do you hope to see Dragon Age go from here? John Epler: Honestly, I love telling stories in this world, and I think one of the fun things about the ending of this game and some of the seeds that it sows for the future is the sense that everything you thought you knew, maybe you weren’t as right as you thought you were. And that stuff like using the unreliable narrator. It’s fun to be able to take that and apply it to things that you as a player experienced, and then see that there’s an additional layer. Context that you didn’t have at the time that now throws into questions some of what’s going on. So again, I’m trying to be as vague as possible to avoid spoilers. But I do like the idea of—because one of the things, the other side of it is Thedas is one continent in this world. There’s still a whole other world out there. And I think, you know, for myself, I kind of want to know what’s out there. I kind of want to know what’s going on in a world where, over the last 15 years, Thedas has almost ended the world three times by themselves. If you’re from a different continent, how are you feeling about that? I’m gonna guess, probably not great. So I think there’s a lot of fun stories to tell there. We haven’t said much about the rest of this world. So there’s just this giant blank canvas for us to start playing in, which I think is, for me, the most exciting thing about moving forward with this franchise."

[source]

[jsbluu]

left on seen | chapter 15: two to one (to two)

➨ chapter 14: she said yes! | left on seen masterlist | next

➨ chapter 15! it’s getting cray.. so many things happening.. what’s going on.. also progress guys..

TAGLIST: @ldh0000 @bococostree @sunghoonsgfreal @dinonuguaegi @ddolbyong @4chensungs @vixensss @jirsungs @luffysprincess @nosungluv @akunoeyebrows @sinsgaybutthatsokay @joyzluvr @n0hyuck @mrsbyun-baek @queenrachelpink @botchedbrat @livingdoll-hara @minkyuncutie @gomdoleemyson @17ericas

you sat across from leehan in a restaurant that was way too fancy for your own comfort, but he was way too nice to pass up the offer. you nervously play with the hem of your top, any much longer and you would’ve ripped the lace. you could tell you weren’t the only nervous one, as leehan fidgeted with the menu, seemingly pretending to read it for the 100th time.

he cleared his throat in an attempt to break the silence between you two. “so, have you ever been here before?” he asked, almost immediately regretting the cliche question.

you shake your head, “no, this is my first time actually. i’ve never even heard of this place before.” you smile, “have you?”

“only twice, i actually came with mark a few months ago after he played a show.” he replies.

you tilt your head in confusion, “that show we went to a few weeks ago wasn’t his first?”

he shakes his head and takes a sip of his water before replying. “no, he’s been doing this since freshmen year actually. he wasn’t really getting anywhere and wanted to quit but jisung was the one who changed his mind, and look at him now.”

you can’t help but smile to yourself when you learn how sweet jisung really is. even though he was so quiet and shy, his friends clearly meant everything to him and you admired that more than you could admit.

just as you two started to ease into a comfortable conversation, the server approached with your food in hand. “here you are!” she said as the placed the plates of food in front of you two.

“let me know if you need anyth-“ before she could finish, her hand hit leehan’s cup of water causing it to spill all over his shirt and pants. your eyes widen and your hands cover your mouth as the server profusely apologizes.

“i’m so sorry!!” she exclaimed, horrified as she hands leehan paper towels from her pockets.

he stands up and laughs a bit before looking at you defeated, his hands on his hips as he looks down at his soaked outfit. “are you okay?” you ask concerned.

he sighs, trying to maintain his composure and hold his embarrassment in the best he could and pretend like the entire restaurant wasn’t staring at you two. “i’m okay, just a little.. wet” he says with a small smile. “i think i need to go change, i only live 5 minutes away. do you mind?”

you shake your head, “of course not! go change, i’ll be here” you reassure, feeling a mixture of sympathy and awkwardness.

he gives you an apologetic nod and he quickly leaves the restaurant and jogs his way towards his dorm. you sit back awkwardly against the booth as you wait for him to return.

you sigh and put your phone down on the table, staring at the 2 full plates of food in front of you. the tension and anxiety only increasing by the moment, now it really looks like you got stood up. you debated asking gaon to come to the restaurant to eat, but you knew he was busy and by the time he would get there, it would already be too late.

“y/n?” a voice calls from the left of you. you look up and see jisung standing beside you, his hands in his pockets concealing them from the cold weather outside.

“jisung? how did you..” you ask, genuinely concerned.

“i didn’t know you were here i swear! i came to eat alone, and i saw you sitting with.. wait where’s leehan?” he says as he points to the empty seat in front of you.

you sigh before turning back to jisung, awkwardly shifting in your seat. “our server accidentally spilled some water on him, so he said he’d was gonna go back to the dorms to change real quick. but then he said he said he got on the wrong train so now i’m.. here alone”

“again?” he asks, holding back a laugh through puffed cheeks.

you look at him confused, what did he mean by that?. had this happened before? or was this just an excuse to leave you alone in the restaurant. it’s not like you cared that much, this was a friendly date after all. at least that’s what you were hoping he would think.

“what do you mean ‘again?’”

he lets out a small awkward laugh when he realizes it wasn’t as funny to you as he thought it was. he knows you’re a shy person as well, so being in this situation was definitely not fun for you.

“he’s gotten on the wrong train i don’t know how many times before.. it gives me second hand embarrassment honestly” he jokes, trying to ease the tension that he created.

your shoulders relax again as jisung’s explains what he meant, leehan was truely just that clumsy.

an awkward silence fills the space between you two, jisung’s hands tucked back into his pockets as he shifts his weight back and forth between his feet.

“are you gonna stay here alone..?” he asks breaking the silence, his brow furrowed and voice raised with concern.

you shrug, fidgeting with your napkin and moving your gaze from him to the table. “i guess so” you reply, your voice barely above a whisper.

jisung’s eyes linger on you before taking a deep breath, hesitantly speaking. “i could keep you company..”

you pause, looking up at him unsure as you bite your bottom lip. it wouldn’t be wrong, right? i mean leehan did leave you here alone, and it’s not like you were interested in him romantically. besides, it’s not even a date, he’s just sitting with you, that’s all.

“i- are you sure? you really don’t have to.” you reply quietly, shaking your head.

his face falls but he quickly recovers before replying. “i’d feel bad making you sit here alone.” he reassures.

you give him a small smile before nodding, “okay.”

he gives you a small smile before sitting in leehan’s spot, luckily the food was still warm somehow. it took a while but you two eventually got over the awkward tension and were able to have an actual conversation, much different than the ones you’ve had before. this time you didn’t have anybody interrupting you or getting in the way.

the restaurant eventually started to empty out, and only then had you realized how late it had gotten. you glanced down at your phone and read the time, 9:56. jisung noticed the time as well and laughed quietly “it’s already gonna be 10, i didn’t realize we lost track of time”

you nodded, feeling reluctant for the night to end. “yeah, i guess we did.”

you hesitated for a moment before taking a deep breath and speaking. “thank you for keeping me company, i’m definitely not going to go on another date with him again.” you giggle.

he laughs back and shakes his head, silently grateful that whatever was going on between you and leehan was pretty much over. “don’t worry, i didn’t mind.”

he looked down at the table before looking up at you with an unreadable expression.

“can i have your number?”

© jsbluu | please do not copy, reupload, or translate my work.

[mesetacadre]

tumblr left liberals are always so snarky and condescending and "let me learn you a thing" with regards to anti-communism but whenever any of them try to step out of the mutual circle and engage with actual communist arguments it's always so embarrassing. I'm not posting screenshots of anything but I've realized this specially with two posts, one where the anti-communists replies to a post about leftcoms with "I don't know if OP is referring to me or not" before typing out a rant, and another where the attempt at an argument is just. pointing out what the post says, and not even really understanding it. This last one was a reply to one post of mine where I collect quotes from Churchill and some fascists without any commentary and the anti-communist just says "looks like he just discovered british colonialism is bad".

I'll stop with the examples but if you ever decide to really look at what the most vocal anti-communists on this site actually argue against communists, it's an apropos of overused cliches and fundamental misunderstandings of the text. Related to this is another trend among a specific subset of the anti-communist sphere, which is that that focuses on the war in Ukraine, figureheaded by 3 or 4 big blogs. And once again, if you really read their counter-arguments, it's clear they're just scanning for keywords and can't, for example, tell the difference between a communist and an honest to god Russian chauvinist. Of course they'll say these two groups of people are the same, all paid by the Kremlin and/or "useful idiots", which is another phrase they repeat, but the differences in speech really aren't that deep.

It's a real shame we only get this kind of fandomite liberal, a type who can't even really articulate the kind of capitalism they favor, let alone begin to understand genuine anti-capitalism or god forbid anti-imperialism. It would be nice if the liberals had better blogs, beyond the 40 year old wannabe writer and the babys-first-election types. They don't even seem to understand the theoretical basis of electorialism!

I'm just ranting. I don't think there's a broader point here or important conclusions. We just get the functionally illiterate, and after seeing the trillionth attempt at a dunk with the "glorious revolution" line, I sincerely wish we didn't

[quartztwst]

I would say chubby/soft cheeks is your art trademark, all the characters you draw have hamster cheeks to me.

help i think ur kind of on the money

under the post a lot of people say that my art is really soft and round

i don’t know where i got the hamster cheeks style from but it’s probably undertale sans trauma because i used to draw cheeks like this but it eventually became softer

its so funny now that im looking back in my old art from my tiktok and bro the chins were so pointyy……

Omg yesss girll give us a very NARROW chin omggg

I think I realized how much they looked like those cliche anime chins and rounded it lol

[gayofthefae]

Let's do a major contrast I've somehow overlooked. Let's talk WILL'S confession versus Mike's.

Mike and El both express self doubt as prompting for Will and Mike to tell them their feelings to make them love themselves.

But Mike tells Will he feels like El doesn't need him. In response, Will tells him that he lights up the people around him and is their guiding light. In conclusion: he is needed. He says this after "of course she'll need you, she'll always need you" fails.

On the other hand, El tells Mike that she feels like an unlovable monster and he responds that she isn't unlovable and isn't a monster. Essentially, the same direct response that failed for Will (so it's a good thing she already got to self love before he got there).

Mike said he felt unlovable and Will described the definition of love in great detail with him as the subject and concluded by pointing out that what he just described was love. El said she felt unlovable and Mike said that he did love her. He didn't include a personal story - No. He didn't. He included a length of time.

Read that again

Mike absolutely did not tell a story of loving El. He dated his love for. He said 'I have loved you since that one time you looked sweet in that big t shirt'. That was a memory identifier. Even shippers know the shirt isn't what MADE him fall in love with her, it was just endearing.

Mike never told El a story. He did not use a SINGLE EXAMPLE.

Will's speech breakdown was:

You bring light [my life]. You brighten [my] days when [I'm] feeling sad. Being without you is a burden for [me] but having you back is such a joy - so much so that the idea of losing you is terrifying and can make [me] impulsive and avoidant. All that has a name. It's love

Mike's speech breakdown was:

I love you. You think that I don't but I do. I couldn't say it because I was scared but you're more important now. I do love you. I have for two years. Remember two years ago? I do. You're wonderful so please please don't die on me you're so important to me.

And when you see them next to each other like that. Mike's is just the bare bones of Will's...just without any deepening of it. He doesn't describe the emotions he experiences once. But he does go "your self doubt is wrong, compliment, personal story, I was scared, I love you", which is what he got from Will's. Whether he believes himself to be copying Will's words or copying El's, he's taking a speech he was as romantic and mimicking it.

We've seen the van scene a hundred times but Mike hasn't. Will said "you're the heart" and it gave him an idea. So he reapplied the details and quoted a long speech said to him 12 hours prior to the best of his ability of the top of his head.

Because people in real life don't remember monologues said to them like that. Mike probably remembers the most important phrases to him like "you're the heart" but besides that he remembers "you're wrong, personal story, compliment, I was scared, I love you - and when he said I felt really loved".

He's got an emotional memory and because of the recency a pretty clear memory of the speech's structure. He remembers the exact structure and he remembers that it worked, so he uses it. Will reminded him of a love confession that worked to cure self doubt so he uses it.

His confession isn't just plagiarism. It's his best regurgitation. But the only feeling behind it was the desperation for it to work, so it lacks everything it needs to because unlike Will, he doesn't know why he's saying each piece. He doesn't know the story is supposed to be an example of what loves feels like, he just knows there was a story and it worked on him so he thinks of a story and puts it in cliche romantic wording.

Mike's speech is Will's speech if you asked someone who didn't know the justification for any part of it to recite it back to you technically.

"Wrong, story, compliment, scared, love"

[flintbian]

There's a disabled angel in good omens 🥺

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[turtlecleric]

Imagine.

You've been friends with Rise Leo for so long, that you can't seem to remember a time when he wasn't there teasing you with his signature smirk.

It was always jokes with him. Puns. One liners. Horrible cringe pick-up lines. You name it, he'd say it.

Word play was the game and boy did he know how to play. The dumber they were, the harder you laughed.

You always seemed to be laughing around him. It felt…nice. Just to be silly, let the weight of your world roll off your shoulders just for one moment.

You guessed why that's why it was so easy for you to fall into a habit of teasing him back. Y'all both just needed a reason to laugh.

But…you weren't laughing now.

There, he stood in front of you, with that signature smirk on his lips, telling you that he had feelings for you.

That he ALWAYS had feelings for you; he just never had the words for it until now.

You tilted your head at that, your brow narrowing in confusion as you began to rub a hand nervously over your arm.

So you did what you always did. What he would always do when it came to uncomfortable feelings.

You brushed it off with a laugh, missing the way Leo’s hands flexed at the sound.

You looked up at Leo with a shaky smirk, mirroring his own face, your eyebrow quirked teasingly.

“This is a joke right? I'm missing the punchline here. You've never cared about serious feelings like this before, so why start now?”

Leo’s eyes widened slightly, his stomach sinking as he watched you shake your head with that disbelieving and exasperated smile that he had come to love so much.

His hands slowly curled into white-knuckled fists as he watched you literally laugh away his confession.

You thought… you thought this was a joke. That he wouldn't take these real feelings seriously.

Leo’s gaze narrowed as his attention sharpened into focus on you.

Very well then.

Leo would show you just how serious he could be.

Imagine.

All of those jokes, all of that teasing, that ADHD intellect, that strategy, that charisma and charm directed solely on you.

Imagine.

Every comment, every look, interaction and touch becoming calculated, purpose driven and direct.

Focused. On. You.

Imagine.

Leo wanting to show you what serious intention looks like.

Because it was NEVER a joke when it concerned you.

~Ninja

[designernishiki]

so I watched the show and like. I wasn’t as angry as I expected to be. because it was so incoherent and so not resemblant of yakuza that I couldn’t really latch onto something to be mad about. like it’s just. such a mess.

[doeyedangel]

Ohhh do gush more!!! That sounds so exciting, happy for y'all ^-^

HEHEHE AAAA THANK YOUU it's so hard bc i dont even know where to start,, theres just so much to love and gush about my angel Q~Q

I always think about this time in class when my professor asked what the happiest memory of my life is, and i just could not come up with an answer, even a fake one. I've spent a lot of my life being very sad and lonely, and also thinking that i deserved to feel that way and that it would never change, but that it didnt matter because i wouldnt be here for very long anyways. Of course theres been moments ive felt happy in my life, but my boyfriend pointed out that it seems im pretty detached and dissociated a lot of the time.

I don't know how to truly express it in words, but meeting my boyfriend for the first time and being with him for that week in july made me feel the happiest ive ever felt in my entire life combined. For the first time in as long as i could remember, i felt like i was alive, and that life was worth living, and the amount of love and happiness i was feeling made me realize, ah, so this is how life is meant to feel.

It was almost scary, how happy he made me, and thinking this is where my life peaked and it would only go downhill from here. But it's not true. Every single day of that week, we could not get enough of each other and found more and more to love about each other. We were both so afraid that when we saw each other for the first time, the other person hate would hate us or get tired of us, but literally every single second of the entire week we were inseparable, and it was like nothing else in the world existed or mattered except us.

It made me realize i want to nurture that precious love with everything i had. I want to work hard to build a better future for myself and for us, when previously i never thought a future was in my sight. I want to live. I want to be happy. I want to accept love into my life. I dont want to deny myself happiness any longer. I want to heal. I want to grow. I want to grow with him.

So yeah i was thinking if my professor asked that same question now, my answer would undoubtedly be the first time i got to be with my boyfriend. But i also think every single moment in the future from now on with him will continue to top the previous moment, and fill me with a new happiness and love ive never felt before or even thought was possible. He gives me the kind of love and reassurance and comfort that makes me think how glad i am that i stuck around and got to not only meet him, but to get to love him, and be loved by him. I never thought i was, but i know now i am the luckiest girl alive. I truly think i saved up all my wishes and good luck to get to be his ☆～（ゝ。∂）he's my dream boy come true~☆

Also!!!!!!! We got engaged so he's actually my fiancé hehe :3c

[crossbackpoke-check]

Substance, Shadow, and Spirit [remixed, abridged] by Tao Yuanming

[dogearedheart]

8i've been thinking about the last asks i got today. and i think it's better for me to take a step back from this account. i know the anon didn't mean anything by it, but i still feel like i am being a negative presence on here and weirding people out with who i am is nothing i want. so, i am not deleting or anything. i am just gonna be less present with sharing personal things or leaving tags. I'll probably be more active on my second account where i don't have that many followers :)

[batri-jopa]

Found on facebook today

I hate that it looks like some "list of shame"

[deus-and-the-machina]

ngl the worst thing about the xenoblade fandom (which I think is the root cause of a lot of other issues) is that it’s mostly on twitter. I have to subject myself to twitter for any real consistent fan talk or content. legit there's always some new stupid topic of argument ive noticed in the past few weeks on there and its all very silly and frustrating and what im saying is everyone should move to Tumblr. please. for me. 

[jeena-says-hi]

Ok so I started watching the life series when they were all out so I couldn’t rly make theories while waiting for new episodes

BUT

I thought of a scenario that would be rly cool and sad if it would happen

Ok so, since Jimmy always (perma) dies first and everyone says he has to win if he doesn’t, I thought that what if SCOTT dies first and Jimmy wins it for him…

Full on flower husbands angst