#i know its hbs
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erial-c · 9 months ago
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ERIIIK ‼️‼️‼️ DROP ANOTHER LORE-HEAVY AUDIO , AND MY LIFE IS YOURS
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fizzierolli · 9 months ago
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fizz is SUCH a flirt omg
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fury161 · 2 months ago
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portraits for a de au i think about a little bit
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birdy-babe · 5 months ago
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This is genuinely one of the funniest bits they’ve done and no one is talking about it
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funky-lizard-imp · 3 months ago
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Some screenshots from Mastermind that I think could be cool wallpapers.
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nyxofdemons · 8 months ago
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the last SEVERAL sarcastic chorus videos im just gripping my hair with increasing intensity yelling MAN I TRUSTED YOU
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burning-sol · 2 months ago
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You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...
The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.
The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)
But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....
But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??
Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).
Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??
So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.
And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"
But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???
And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.
Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.
And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.
And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??
The episode ends with Blitz and Stolas and the credits roll blah blah blah...
This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!
Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???
Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.
Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.
Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.
Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.
DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.
Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.
Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.
Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.
And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.
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jajanvm-imbi · 6 months ago
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Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?
Yeah I was wrong.
The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.
I LIKE the comedy
I LIKE the animation and artstyle
I LIKE the more serious plotlines like the government agents plot and the Cherubs plot
I LIKE the themes of friendship and found family
I even like most of the songs!
And ofc the voice cast slays every time
But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".
Just because your characters are queer doesn't automatically make them good or well written characters
This fandom is so frustrating to deal with when you want to express your more nuanced takes of it
This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with
#still cant get over how i got called an anti and homophobic and media illiterate for saying:#'damn i wish the comedy show written by comedians had more comedy in it'#you can absolutely 100% write a comedy show with a more serious plot thread running through the whole thing#some of the most memorable and popular animated shows are just that#you got Gravity Falls The Owl House the Tales of Arcadia trilogy She-Ra ATLA etc....#fuck it even the first few seasons of Voltron for crying out loud#but the problem im having with HB is that its not a comedy with a serious plot thread anymore#its all drama all tears all angst with the occasional joke thrown in here and there#most of the shows I mentioned start off with episodic comedic adventures with hints towards the more serious stuff here and there#but the Stolitz drama started in the FIRST EPISODE#(in my opinion) the best eps of s1 are the ones that have little to nothing to do with Stolitz when we're given time to get to know the team#because we got to have FUN first we got to see the team dynamic in action#if the “serious plot thread” in HB was Blitz's relationships why didnt he apologize to Moxie and Millie in Apology Tour? or Loona?#or his FUCKING SISTER??????#the government agents and the Cherubs plotline makes x100 more sense as a serious plot thread for the premise of the series anyway#i could go on and on about this but I wont cause Im tired of thinking about this#this is stupid#im gonna ENJOY HB when I can#but that doesn't mean that there arent SERIOUS narrative issues with the series#and if you enjoy Stolitz good for you#peace and love#but its not something I can overlook#helluva boss#helluva boss critical#helluva boss criticism#helluva boss critique
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helluvahotmess · 9 months ago
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'I want you to continue to be who you are.' what if i fucking died what then
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moeblob · 3 months ago
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Huevember 22
Brent, the most expressive bard to ever bard.
#my characters#oops i fell in love#i love brentholomew the bard#brent just deadpanning his support is wonderful and karen appreciates it a lot#because hey man brents hilarious esp due to the dryness and she really loves chatting with him#so having him as her support for bardic inspiration so she can murder just brings her so much joy#right and karen probably hype him up in game as a petty rivalry to paul and his npc hot bardtender#like yeah you might have your npc of your crush but WE have the better bard look hes wonderful#hes practically glowing look at him paul do you see the superior bard#and brent is just staring at paul and paul is staring back and they both dont know what to say in the situation#bc what is there to say? i prefer the npc? or maybe point out that the four are literally in a party together?#like sure hb is an npc but paul is actively running around in game with brent and like.... what do you say#brent doesnt actually want to point out theyre in the same group bc then karen and right will stop antagonizing paul#and honestly nothing against paul but its fun to watch him get quiet and confused#chris is off to the side begging them all to focus on the actual campaign - they can hype brent up later please just focus#which is a nice contrast to right having to play responsible adult at the police station#now chris has to wrangle the other adults and also keep them focused good luck!#i love brent a lot im totally biased bc hes my depression as an oc C:#so he means a lot to me and his lack of socialness and his childhood emotional neglect is a la my experiences#like brents my depression and rights my anxiety#smoosh them together and theyre soul mates haha how very ace of me as ive said before#but also i main bard in ffxiv when i play which is also possibly the bias for brent to be a bard in the dnd au#gang im so tired
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sleepymrshmllow · 9 months ago
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can I just say how much I love stolitz and how messy, complicated, and tragic it is
it's going to feel SO good and rewarding once they're on the same page and learn to grow (both by themselves and together) and be in a relationship- no ties no transactions. just a genuine partnership
also I commend the writers for writing a miscommunication scene that didn't feel frustrating to watch (for the wrong reasons, at least) and was actually so fucking smart and well written. I cannot wait to see how this develops the rest of the season and beyond
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phonification · 1 year ago
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yearning and grief or somthing . whatever .
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cepheusgalaxy · 3 months ago
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That episode wouldve been perfect if the pacing was a liiiitle bit slower
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funhouse-mirror-barbie · 8 months ago
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Can’t stop thinking about the tweet I saw a while ago that said something along the lines of “I bet HB criticals are gonna say that there wasn’t any proof of Stella being abusive to Octavia just because we’ve never seen them interact smh”
Like.
It’s almost like parody at this point…they can’t have been serious right?
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birdy-babe · 9 months ago
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"And for my own health, I’ll remind myself:
That when I see him
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I know that it won’t feel so tough
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I’ll believe him
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And not the voice that says I’m not enough
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No need for an arrangement
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It can just be him
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and me
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I’ll set us free
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How perfect it could be
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When i see him
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Tonight"
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sophfandoms53 · 9 months ago
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Every single hb episode thats come out, my instant thought is: “how can I make this about Striker.” Even if I know he wont be in it.
FUCKING REAL THO LMAOOO
I think it helps that Striker’s story and character revolves around the hierarchy plot line which the show has constantly been building since episode one. So it makes it easier to make things about Striker because that is a core part of his story and his place in the show’s narrative. They also keep echoing his words and his points so alskdkelekddk what are we supposed to do?? Not acknowledge Striker and how he lowkey haunts the narrative and Blitz’s psyche????
SPEAKING OF WE GOT THE DOODLE IN HD NOW LOOK AT THE SILLY BOY THANK YOU BLITZ🫶
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