#i know it's long but i mean whatever

[umblrspectrum]

happy solvermas

[moghedien]

Minthara says “in Her name” when you first meet her and she’s following the Absolute but when you recruit her and she expresses that she no longer follows any god, but she still has an intact paladin oath, and she says “in your name” occasionally because she’s no longer Lolth’s paladin or the Absolute’s paladin, she’s your paladin

[poorly-drawn-mdzs]

In Regards To Your 2024 Summary:

Holy shit it’s been another year????? The hell?????

Also! Your art style is gorgeous and that being found in 2023 and then refined throughout late 2023 and the entirety of 2024 really shows, as does your growth in panel layouts, perspective, and — as you said — experimentation. If you ever post your animation or video game art I’m looking forward to it.

As cheesy as it sounds, being able to laugh at funny comics and look at all the details of your art really made my 2024 brighter, even when things were hard. Including looking at your older art— it doesn’t need to be new to be enjoyable! I’m glad your art is well loved and it’s a privilege to have been here since the (near) beginning. I hope you take care of yourself in 2025 and beyond!

You and your art bring a lot of people a lot of joy never forget that <3

Thank you so much for keeping up with my art journey throughout these last two years! Two years!!! I am baffled at how that feels both too long and too short!

Admittedly, my art summary didn't manage to capture the fact that I did a lot of comic layouts that I'm really proud of. I also drew more backgrounds and made some very detailed works (*Dungeon Meshi spoilers for these examples*).

The growth is lot more evident when comparing my 'best' comics of 2023 to 2024:

Sometimes the growth is vertical, sometimes it is horizontal - and damn, sometimes it goes out of sight into the Z-plane. But it is always happening!

[remxedmoon]

You should tell us about color psychology that sounds cool as hell

YES… HA HA HA… YES!

GGGOD I WISH I WASN’T OUT OF THE HOUSE RIGHT NOW. but i’ve been thinking about colors literally all day so you all get to be subject to my madness! sorry this is long and rambly wauaua. nightmarishly long post under the cut.

okay. first things first, a few basics. color theory and color psychology tend to get confused a lot in discussions, but they usually refer to different things. color theory is more about we physically perceive colors (color wheels and color schemes the like), while color psychology focuses on our emotional response to colors. if you’re familiar with the children’s hospital color theory post, that poster wasn’t actually talking about color theory, but color psychology (and also it’s incredibly surface level and heavily misunderstands the subject because in what fucking universe does the quantity of positive associations with a color matter more than the context it’s used in and sorry i have personal beef with this tumblr post).

color theory is also a special interest of mine but i’m not gonna touch on it too much here because it’s not entirely important. mmmaybe another time…

essentially, certain colors (and color combinations) have associations in our brains and that affect our behavior and emotions. these associations are also very much affected by the context a color is used in. colors don’t exist in a vacuum! so while red can symbolize passion and love when used in something like a dress or a bouquet of flowers, it has a very different connotation when it’s, say, splattered on the walls or smeared on the ground in a snail trail.

or for a less Children’s Hospital Themed example, i’ll put my euphrasie and king designs here!

(of course the saturation and brightness of these blues play a massive part in how they’re perceived but this is not a post about color theory this is n)

and, of course, combining colors in a piece can also change their meanings!! i’m about to get real fucking normal.

i’m gonna be focusing on the color combo of red and yellow here because it’s the one that’s most relevant to my art (and also it’s really interesting.) basically, seeing these two colors together activates the part of our brain that controls our appetite, making us actually feel hungry. this is why so many food companies use red and yellow in their branding! it’s neat stuff!!

also, if you’re familiar with it, this is why the mv for butcher vanity uses this color palette!! along with red’s general associations with danger and blood, the color combo also physically induces hunger. pretty fitting for a song about cannibalism!

(there is also red’s association with lust and passion and how that intersects with the double meaning in the lyrics but i cannot derail this post into being an analysis of butcher vanity i’m sorry. we’d be here all week. maybe another day... wipes a tear from my eye)

and i think this might be the reason why some people feel hungry when they see my art, even when i’m not drawing food. while i don’t tend to use red outright, most of my art has very warm undertones (red-oranges and yellows especially), which could be activating that hunger response??

(ah fuck color theory managed to weasel its way into this post again)

admittedly this part is just speculation on my end. i think my rendering style and Shapes also play a role in it, but it’s interesting for me to think about!!

this is only scratching the surface of how complicated colors can get. i was going to go on an entire tangent about color grading and how green lighting can make a scene feel unnerving but this post is already Too Fucking Long. aaaa super sorry if this is Rambly or hard to understand!! i’m not Entirely sure how much the average person knows about color theory and psychology so if there’s any confusing terms here i’m fine with adding stuff for clarity!

wauauuaa thank you so much for asking!!!! i love talking about colors.

tl;dr colors have a bunch of different emotions and meanings tied to them, but you’ve gotta pay attention to the context in which it’s being used. so maybe take a step back before you put that thick red trail on the floor of your children’s hospital.

[just-null]

Wowie rly digging the yandere clone headcanons… how would each react if their darling tried to run away from them?!

You said tried so I assume this was a failed attempt!

Short answer: they get really upset and try making it your fault (shocker.) Ain't no way any of these mfs think they're the problem. Good news! you're mostly unharmed and alive.

This will just be purely writing bc i mostly had thoughts! sorry no drawing this time!!

[cw! mentions of potential harm to reader (no actual harm done), manipulation, toxic relationship dynamics (yandere flavor), obsessive behavior]

Sekido

You're always being hunted the moment the sun comes down and you don't return home in time. Reasons like that are exactly why he hates it when you part from him. 

This time is different.. he can't find you in your usual spots. There's no fucking way, right?

How could you.. No, how DARE you? Do you think that he's some joke? That his feelings for you are something that you can run away from like it's nothing? 

The second he's sure the sun won't harm him, he's already white knuckling his khakkhara, swinging at anything and everything in his path until he gets to you.

They know how to sense if you're near or not, hell, they probably know how your specific blood type smells like. 

Did you think cuddling up to you and memorizing every detail about you was for nothing? Don't be stupid. All he needs is a trace of you and he's gone in the blink of an eye.

You better enjoy running while you can because when he catches you, and he will, those legs of yours won't have much use after he's done with them. 

Sekido doesn't WANT to do this, but you honestly give him no choice. After he trusted you enough to stop looking over his shoulder, you do this? How can he ever put any faith in you again!?

On the bright(?) side, Sekido's rage wouldn't be solely on you, it'll ricochet onto everyone, especially the other clones and himself. 

They were supposed to be looking after you! But they can't do anything right, even a task as simple as this. 

And why did he think it was a good idea to trust them with something of big importance when all they do is fuck everything up!? Everyone's idiocy is rubbing off on him!

The entire time on his search for you, he's cursing and wanting to crush anything he can get his hands on, especially your bones. 

He doesn't even bother with speaking to the others, too busy spewing out all sorts of hurtful and frustrated comments about everything. 

The brutal thought that you’d rather run away than be with him isn't one he wants to entertain, but it's echoing in his head.

At least, once the other clones get there, Karaku and Aizetsu brawl with Sekido so you're unharmed while Urogi carries you overhead. 

Sekido's jealousy flares up when he sees you in Urogi's arms, making him even more pissed if that's even possible. Great, now he looks like the bad guy and the other three, the saviors. Fucking perfect.

There's a lot of yelling and a lot of blood, especially with Urogi making things so much more annoyingly difficult in the air. Karaku and Aizetsu aren't helping. Why is Sekido suddenly the problem?! You ran away!! 

But when he calms down enough, he's cursing at everyone through clenched teeth. Sometimes trying to convince the others that you don't even need your legs anyway!!

Once you get back home (or temporary prison until you somehow regain favor), Sekido will eye your legs while gripping his staff from time to time. 

Exactly why he's forbidden to be in a room alone with you for a while until he settles down..

He glares at you more often and grows colder than before. Arguments are more common where he twists your words just to have you talk with him and be angry within reason. 

Any other type of conversation makes him so irrationally upset that the others need to step in so that he doesn't lose his temper again.

Karaku

The calmest out of the group. He brushes it off as “you're playing hard to get” again, and if he makes a ruckus, you'll scamper back and beg him to stop like always!

Then it gets darker out.. and when Sekido left, he seemed pretty pissed. Like more than usual..... shit.

Karaku sprints after Sekido when it clicks that he's found you. His mind starts reeling, unsure whether he should laugh at the absurdity of your decisions or get pissed off because you didn't even bother to give a hint! 

Not like that would do anything aside from give you away but regardless!

Everyone needs to relax, this is obviously something they can sweep under the rug. This isn't that big of a deal and you're just having a fit, but things like these can get you hurt, y'know? 

They're fun and all, sure, just maybe give him a heads up next time, yeah? Sekido can't take a joke, you know this!!! Still.. There's a way Karaku can work with this.

He'll be able to swoop in, save you, be your hero, and remind you why staying with him is kinda important. Just in case you forgot~ 

You don't wanna be out and about without his charming grin and protective hold would you? Don't answer that right now, he has a feeling you'll say something wrong!

Yet.. what if you need a firmer hand to remind you of what Karaku provides? What if you got a little too comfortable being protected so you thought you'd be alright leaving them? Man, who knew you could be spoiled!

Because of this, he would purposely fumble, letting Sekido get near you just so he can stop him at the perfect moment. He purposely gets hit too and makes sure some blood gets near you. To remind you how that could've been yours.

When Sekido calms down, Karaku laughs in your face and would pinch your cheeks if you weren't up in the air with Urogi on the way home.

You should've seen your face! It was really cute~! Maybe getting scared is your thing? He'll note that for later.

He offhandedly advises you not to do things like that all the time, fighting Sekido always kinda sucks, but it's not like you actually had a chance of successfully running away so he won't chastise you too much for it. 

That's not his job, and his heart hasn’t pumped that fast in a long time.. not even in a fight! You're so amazing~~

And delusional if you think he's not going to milk this “heroism” thing back there for some extra affection points with you. 

Don't be so mean. he got his head blown off twice and jaw dislocated thrice, not to mention everywhere else on his body. Don't you think those parts of him need some extra loving? more than usual?

There's not that much Karaku can say after that aside from reminiscing like it was a funny story. He's not upset about it, mostly a little miffed you got kinda far without him noticing, but he gets over it. 

The usual routine starts back up for him when you're back home. It's like nothing happened, but he keeps a closer eye on you since everyone's so tense.

Urogi

If you're not home before the sun sets, Urogi's clawing at the walls with stress. He usually accompanies Sekido to go find you, but this time is different. Urogi could just barely tell you were around.. When Sekido bolts, Urogi's flying as fast as he can, trying to find you first. 

You're so far.. you must've gotten kidnapped!!!!!

The stress from before burns into anger, expecting to see someone having their hands on you while you're calling out in vain. How could he let this happen?! Damn sun! 

He darts through the skies even faster imagining it, and when he finally reaches you, you look.. fine? and alone. and looking at him like he's the danger. He's here to save you, dummy..

Urogi falls to his knees, burying his face against your stomach and finally wrapping his arms around you again. Your fists violently hit his head and yank fistfuls of hair back, but it doesn't phase him. 

Your comforting warmth is back, that's all that matters. And god, your smell.. it's almost making him dizzy. He missed you so much.

There's many holes to the story in Urogi's head as to why you're so far from home, but he fills them in with more convoluted delusions. It's just a peaceful reunion right now.. 

That is until Sekido finally arrives and starts swinging his khakkhara way too close to your fragile bones. 

Now he's back in defense mode where he scoops you up and tries flying out of reach. This is so stressful!!! There's lightning everywhere and he keeps having to dodge the multiple staffs thrown his way. 

He shields you with his wings as best he can while trying to stay in the air, so you don't get hurt during Sekido's outburst.

In the skies, it's much clearer to see the hurt behind the haunting glow of Urogi's eyes. Did you care about how he might feel? Did you miss him at all? Did you not feel loved enough? Did someone say something to you? 

As he maneuvers the sky, he holds you as tightly as possible, lightly digging his talons into your skin.

Being without you for a couple hours is agonizing enough on its own. If you HAD left him, abandoned, cold, alone.. he doesn't want to think about it. All that matters is that your kidnappers or liars or whatever influenced you are gone, and you're back safe with them!!! 

You.. you still like him, right? Of course you do, fate wouldn't force your paths together if it wasn't for a reason!

Coming back home is uncomfortably tense, especially with how violently Aizetsu kicked Urogi across the room, nearly through the wall, when he tried to lick your wounds clean. It really hurt! 

When you're patched up, Urogi is ten times as clingy if that's possible. He has his arms looped around you constantly so you can't stray too far, and if his hands are busy, he always has his wings!

As happy as he is that you're back, he can't help but cry into your chest sometimes. Everything is so tense nowadays, he hates it! How could you go and do something like that? Apologize immediately! Or at least hold him too? Doubt creeps in a lot, and your attitude isn't helping.. 

His mood swings are stronger. From sobbing uncontrollably into your clothes to being all smiles and radiating with joy the next just because you said something vaguely decent.

Aizetsu

The demotivation started to creep in the second you left. During the day, Aizetsu sits by the door, wanting to be the first one you properly greet. Sekido and Urogi usually bring you back and he'll be the one in your good graces without lifting a finger. That sounds nice.. 

But as the footsteps fade and the silence lingers, Aizetsu feels miserable the longer he waits... Hold on, silence?

Before he realizes what's happening, he's already dashing to where the familiar commotion is coming from. Dread sets in as his legs take him as fast as they can whilst being the slowest of the four. This doesn't feel like they're rushing over to you after a long day, it feels.. dangerous?

What did you get yourself into..? Why do you insist on going to places Aizetsu can't follow? Are you safe? He hates not knowing.

Usually you're the one who's fine. You deal with four demons almost daily! Please please please be okay. He can't fathom it if you were hurt. 

When he gets there, the puzzle pieces fall into place and Aizetsu gets even more depressed, but at least you're not hurt. Well, not if he interferes. His movements are sluggish, a perpetual frown plastered on his face as he tries holding Sekido down. 

Aizetsu wants to dissolve into the floor, and he does sometimes. Not wanting to fight Sekido off anymore, he slumps over. 

This could've been a regular day where you came home.. Are you serious? Leaving? How pitiful could you be to actually think you could get away? Or was it that you wanted to play some sick joke on them? Well, it's not very funny... It's terrible actually.

Aizetsu stays silent on the way home, walking with a bit more energy knowing you're near despite his heart ache.

You can feel the harrowing disappointment radiating off of him the moment you all go back home.

He's tired, annoyed, and so unbelievably upset. Aizetsu grimaced when Urogi got near your scratches with his tongue, so he “politely” ushered him away. 

Knowing a human's weak points is good in battle, but he started trying to learn how to heal them, specifically because he knew these types of things might happen.

As he cleans your scratches, he's actively scolding you for leaving in a cold emotionless tone. And by scolding, he's using manipulative language, trying to make you guilty for everything you did. 

He barely has the energy to live, but now that he finally found his light in the darkness, you want to leave? Is it so wrong he wants to hold onto what makes him even a smidgen happier than usual? He reminds you that he'll wither away without you, but he's not really too keen on dying just yet.

When he tries to get back into a routine, he just can't. He knows why you left, but he doesn't want to hear it. Even if you're sweet to him or not, he'll hold you from behind when you rest.

Looking at you is too much, but being away from you is even worse. Aizetsu compromises this way, but gets quieter, occasionally sniffling when he hides his face behind you.

There's too much going on and he's so tired.. If it weren't for the others, he probably would've held you so tight for so long so that you both would perish together.

Maybe that’s why he's only allowed to hold you when you're asleep. Just please don't do that again.. He NEEDS you. Please, please, please.

Safe to say you gave them a scare. When they double down on the protectiveness, living is ten times more difficult for EVERYBODY. when you lose their trust, it's pretty difficult to gain it back, but not impossible!!

Sekido and Urogi will always assume the worst if you're gone for too long while Karaku and Aizetsu give you a little more freedom until the others drag them along into their worries.

[intotheelliwoods]

Little PSA

[applestorms]

on another note. it genuinely kinda surprises me how many people interpret ivan to be the type of person to Repress and Deny his feelings when, from all the evidence we actually have, he actually seems to be quite open about it?

he does do the dumb stare and watch from afar thing that till does with mizi, yeah, but even there i don’t know if i would necessarily interpret that as ivan like. pushing his feelings away. compare the difference between how till and ivan are framed in these two shots:

in till's, we are pushed way farther back, seeing his full face and a good deal of his body as he slouches back. the colors are bright, fitting in with most of the happier mizisua angst memories, and you can read till's expression pretty clearly, even with his face beaten up. it's cute and mostly innocent, the kind of thing that makes you want to gently push him out from behind the wall to watch him stutter and get all embarrassed but reach out and play with his friends.

in ivan's... jesus. i mean, he looks like a freak (affectionate). you can't read his expression, despite the fact that we are zoomed in much more closely, only really seeing his eye as the placement of his hand covers his mouth. there is very little body language to convey the same type of sweet, childhood Yearning that till has in his staring shot. instead, for ivan, it all comes down to the Eye, how intently he stares as he watches till and mizi. it almost doesn't even feel like he wants to join in at that moment, or not yet, like watching alone is enough to feed the starvation.

don't get me wrong, there's still plenty of Yearning and Angst in that boy-- round 3 alone is enough to demonstrate that. but what i think people sometimes forget to account for is the fact that ivan acts like that specifically because he has already been rejected.

up until [whenever this moment happens in the timeline] ivan seemingly has absolutely no qualms about getting all up close and personal with till. we see this in plenty of the round 6 flashbacks:

he is plenty comfortable getting all up in till's personal space, whether it be to beat him up or just exist near him.

i also like how in this shot (below) we can see him specifically stand up and move seats, just so that he can bother till during lunch and have his little vampire weirdo moment (aww).

ivan's behavior only really shifts after till has already rejected him-- which, i'd also like to note, seems to genuinely catch ivan off guard. perhaps he genuinely didn't even consider the possibility that till would ever push him away?? i guess it's hard to know the specifics of what he was feeling or thinking in that exact moment, but at the very least this speaks to the ease with which they existed around each other previously.

thus: ivan doesn't begin with the belief that till could never love him. he only starts to doubt whether or not his feelings are requited after he has already been rejected, after he pushed too hard and too quick.

after the failed meteor shower date, his affections become a lot more subtle-- sneaking around to take care of till when he needs it, but only when his eyes are closed. the love and obsession and watchfulness is all still there, but he takes more care to hide it better now. until... well, y'know.

he lets the selfishness win. :]

[stump-not-found]

Sorry if this has already been answered, but does Ford celebrate his birthday? I know its pretty hard to keep track of time when its ... nonlinear in the multiverse but I feel like Bill would know. And to ford every once and a while Bill demands his attention and he comes back to the pyramid to the wildest (worst) surprise party. The cake is human skin, candles are those really long wisdom teeth. Ford hates it.

i'll call out that a main plot point of chapter 4 is the fact bill gets ford presents on his b-day so yah its a regular thing, but they celebrate the day after his b-day

first birthday together bill probably does the skin cake thing but ford just rolls his eyes and sighs . bill almost fucking shoots himself after that response

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[duskerot]

i disappear inside myself / my friends don't know it can't be helped

[Pure You - Nothing But Thieves]

[onesnoopyaday]

I AM AT MY LIMIT

Snoopy #90

30/12/2024

description under the cut

[description: a cartoon-style drawing of Snoopy's head. Snoopy is a white dog with black ears. His eyes are shut and his mouth is a horizontal line. There are two large blue teardrops, one under each eye. The text "I am at my limit" is handwritten across the top of the image.]

[pali-and-proud]

Would Buddy hurt anyone? Why was Buddy shocked when he hurt Chase with the spear? AND WHY THE COMPLETE DIFFERENCE WITH THE SPEAR AND DEACON WITH THE WOLVES?!?

I GET TO TALK ABOUT BUDDY AND DEACON. AHAHA.

Thank you for the Q <3 I love and respect you, but I am going to bypass the first two questions because I am filled with thoughts on Buddy and Deacon's dynamic. Because I don't know if more people noticed (I'm 100% sure others have noticed) but Buddy and Deacon absolutely parallel each other.

What's Buddy's big motivator, as established by the Dreams By Night episode? To escape Ex Libris. To be free, essentially.

What's Deacon's big motivator, as established by The Book of Deacon? To lead his own story, without his parents controlling everything. To be free, essentially.

Buddy, from the beginning, harps on Chase's lack of preparation. Deacon, from the beginning, gripes about Chase's lack of preparation. Deacon over-prepares, to the point where Chase asks him what different scenes mean and what happens in the story. Something he used to do with Buddy, because both Deacon and Buddy indulge Chase in their explanations.

Deacon gets caught off-guard by Chase's perceptiveness, and Buddy gets caught off-guard by Chase's personality. And Chase might gripe about both, sure, but often about superficial, irrelevant details. Complaining about Deacon always being busy, or complaining about Buddy being pretentious. (Not about things of substance, like Deacon having enough money to attend college AND disliking the experience, or about not even knowing Buddy's name.)

We all laugh about Buddy being paranoid, but Deacon matches him pretty well. Deacon isn't spilling any names. Deacon, like Buddy, understands the necessity for secrets. Who makes the plans to hide Prunella? Who keeps telling Chase not to talk to Buddy about her?

(A thought for another time, but--something about kids of strict parents being sneakier, and something about Deacon always convincing Chase into keeping secrets.)

Deacon's being reasonable, and we know that, because we're listening to his reasoning, and his reasoning is nothing like Buddy's. (Buddy's all "EVERYONE is out for themself," while Deacon is a lot more subtly judging the shirtless Hot Topic wanna-be.) But their ACTIONS match each other.

Are they the same character? lmao absolutely not. They have different experiences, different mentalities, different perspectives. Deacon has a support system, whether financial (parents) or emotional (Bronze) or even social (Chase). Buddy has a bright eyed, stubborn kid who sees a vampire and somehow therapizes him, and sees someone covered in thorns and reciprocates their hug because he knows it was needed.

But how similar they are really shines in the Requiem arc. Deacon and Buddy match the other's barbs seemlessly, and they call out the other with ease. Deacon insults Buddy's fashion sense + teeth, Buddy tricks Deacon into nearly getting mauled by wolves, which is probably an escalation, and Deacon immediately starts plotting a revenge. "When I get my hands on him," he outright says, implying some retaliation, and yet he sees Buddy and Chase wrestling a vampire to the ground and immediately asks "What're we doing?"

He immediately joins them. He has no idea what they're doing or why they're doing it, but they're doing it, so he alas has to ascribe to it. And then you remember that Chase is the one who jumped Vamp, and Buddy ALSO has no idea what they're doing or why they're doing it, but Chase's doing it, so he alas has to ascribe.

They get each other, is what I'm saying. They're foils in methods (Deacon annoys Buddy verbally, Buddy annoys Deacon physically////Deacon chooses to maintain peace via secrecy, Buddy prefers honest communication despite the impacts/////etc etc etc) but they're mirroring the other. They're two beams of light, coming from the same source, going in completely opposite directions.

Buddy hurting Chase risked everything Buddy had gained, all the trust and the companionship and the grossly genuine friendship he gained. The physical pain risked ripping the emotional connection between them. Buddy hurting Deacon DOESN'T rip open anything, because however far Buddy takes things, Deacon's prepared to follow out of annoyance and spite alone. They have the same priorities: keep themselves (+ Chase/others) safe, and humble the other when necessary.

And Buddy has an embarrassing crush or something. everyone point at the idiot and laugh

[mariesbee]

why can't i enjoy things like a normal person? casually, just a few episodes/chapters here and there, then move on with my life. but no, whatever it is, it worms its way into my brain, consumes my thoughts and it slowly drives me insane. i am unable to think about anything else but the Thing of the week, or month, sometimes year(s) if it gets that bad.

[fandomfluffandfuck]

Thinking about Steve Rogers finally getting the chance to go to college post-ice and being the most fucking annoying student in a philosophy professors class

[m0e-ru]

p4 pokemon au where all problems are because of some stupid zoroark cracked with action replay

maul me over as much as you want over poke partner choices because idgaf im going to start yapping under the cut (2.5k words are yuo joking ?)

um where can i start

i wanna make it clear im sure these characters would all have different pokemon teams if they were playing pokemon on the nintendo ds, like, souji could be a rest staller if he wanted to. but anyway, heres my idea of who these guys would partner up with because i think it’s fun. and none of this is final i could give namatame a goomy too AHAHA

oh another disclaimer while i proclaim ive played all the mainline games, is i havent actually played a pokemon game past XY also im a unova babygirl est 2014 . yippie

Souji feels like such a normal-type guy to me. Cheren black and white. Well, the gray did influence it, but also he’s a very flexible guy.

He caught a Lillipup as a kid, and it’s been with him through multiple moves. His parents didn’t care about a pokemon in the house as long as it didn’t make a fuss, and was kind of Souji’s only friend at the time. It evolved into a Herdier at some point before he gets to Inaba, and probably gets to be a Stoutland for the whole Izanagi-no-Okami equivalent.

Not that I think he’d cheese his way through battles with Work Up -> Return shtick, but I think it’s a funny thought lol

Yosuke got a Tadbulb following him around, which he found in the moving van when his family was unpacking. And the next few weeks, he almost ran over a Froakie going 60kph on his bike. Yosuke appreciates having the Tadbulb around when working around Junes, and the Froakie guides him through Inaba as a local I guess lol. It evolves into the Frogadier when they go investigate the serial murders with Souji. It probably knows Aerial Ace for all I know LMAO

Chie’s Glaceon’s actually Muku, the Eevee Yukiko tried to take care of, until it was put in Chie’s care when she wasn’t allowed to keep it. When they were middle school, after one vacation at Mt. Yasogami, the Eevee ended up evolving next to an Ice Rock of all things. The two wondered why it didn’t evolve from friendship, like an Espeon or an Umbreon, and they joke around that the Eevee loved neither of them and bonded with a chunk of ice instead. Chie makes it wear a muffler because she misses Eevee's fluffy coat, in a way.

Around the same time, Chie found a Mienfoo training with her at the flood plains, and it decided to stay with her. Sometimes, she’d offer Yukiko to have it help out at the inn.

Kanji’s mom actually kept a Cottonee around to gather the stray cotton it leaves around to spin into thread sometimes. She wondered where it went, until Kanji admitted it evolved into a Whimsicott after it touched a rock he found lying around on the way home, which was a Sun Stone. It still stays around to help, and even floats all the way to Yasogami just to deliver Kanji’s lunch he forgot at home.

Kanji caught a Blitzle himself, and it was also there when he was beating up all the bikers making a ruckus by the highway, which made him easy to profile during that one TV segment about him. It goes with Kanji while he’s biking, and he’d refuse its help even when he gets tired.

Nobody really knows how Teddie became a boy, nor where he got his Cubchoo. All he’s mentioned is that they “saw one another in each other’s eyes” and it starts sneezing into Yosuke’s face. Well, it’s not too bad because they’re both Junes’ new mascots, in a way. Maybe he IS the Cubchoo 🤔🤔🤔

Rise had the Ralts since middle school. Having it perform with her during her audition to be an idol almost basically made her in the cut. It evolved into a Kirlia which made her more popular as Risette. Although, fans and haters started throwing Dawn Stones at it after a statement where Rise didn’t want to reveal its gender even with so many people asking. Most of them were fake, just to give Rise a scare, and it was only super fans or super haters that would throw in the real deal at shows or even just handshake sessions.

Naoto’s grandfather helped him catch a Surskit before he left the estate and became the Detective Prince. He once accused a Sneasel to be a culprit of one case, but it ended up proving itself innocent, nagging Naoto to certain evidence when he just thought it was annoying him. Impressed by each other’s wit, they’ve become partners in solving crime. Naoto would pacify it with his Surskit’s sweet syrup. And when the Surskit evolved into a Masquerain, Naoto would have two partners by his side. Although, this lead to trusting his own instincts and pokemon more than other people.

Chisato owned a Rockruff, which even adored Dojima before they were even married. It evolved into a midday Lycanroc, which started to help Dojima with his own investigations. When Chisato passed, it was less bitter than Dojima, and would be sent home to stay with Nanako if he ever had to work overnight. When Nanako was comfortable enough with Souji and his Herdier, the Lycanroc would stay with Dojima, and Adachi would help prop him on its back when he gets himself drunk.

A bit after Chisato’s funeral in the middle of the mourning period, her mother came to her granddaughter, Nanako, and gave her a Cleffa, in which they would both learn to take care of each other. It would have fun being tossed around in the air by the Lycanroc and Herdier at home, while Souji would tell Nanako to make a wish on the star everytime it was in the air. Because it’s the Star Shape pokemon lol i think it’s cute

While Adachi was still in the big city, he’d see the skinniest Purrloin in an alley on the way home. He fed it once, and it wouldn’t stop pestering him since. He thought it was over when his apartment complex neighbors started feeding it, but it found delight in annoying Adachi specifically, taking his keys from his pockets, or nabbing a bit of his takeout when he was distracted.

It jumped into the boot of his car, genuinely curious of what was going on, until it found itself in an hours long trip which ended with it in Inaba. Dojima mentioned his Lycanroc smelled a feline scent on him, while Adachi just denies he owns a pokemon, much less that Purrloin that isn’t even native to the area. It’s caught the attention of the locals for a while, and it took it to its advantage to get more people to feed it, but still hangs around Adachi to go nick his new, rusty apartment keys.

There’s also like, this Shuppet that shows up at some point, and his landlady and neighbors keep telling him about it and giving him weird looks. But he doesnt believe in superstitions and doesnt have a pokedex to look at so who cares

Namatame's family has a Bunnelby helping around the business with little chores and such. His parents send it off to Namatame to work with him and keep him company while he tries to recover. Somewhere along the way, he finds an Absol following him on a rainy day, which he takes care of alongside the Bunnelby entrusted to him, or maybe it’s taking care of him? While Namatame becomes more manic each passing day as his messiah complex gets to him, he starts distancing himself from Bunnelby and spends more time with Absol. 

The MOEL gas station has a shiny Heliolisk, but a lot of people don't really know the concept of shiny pokemon, and they haven't seen Heliolisks or Helioptiles in the urban area, so they don't really think it's so special besides it being a different color. It's nothing more than a mascot of sorts, and does silly things with the attendant; like startling Adachi and that Purrloin that follows him around. It can sense when it's going to rain by feeling the static electricity around it. And what's rather peculiar is that it doesn't seem too averse to rain or cloudy skies. It does enjoy basking in the sun, and people would look up to see it hanging around on the station canopy with a spread out frill those days.

okay, so this is the part where I'm supposed to talk about plot. um. anyway

Way back when, there was a Zoroark that would walk among people, disguised as a human. People started rumors and suspected this woman really is a pokemon, but nobody seemed to shun her or really care, she was just a nice lady and took care of the people around her. People would say she came to them from a greater power to be a guardian to the land, similar to the legends in different regions, like Sinnoh and their Arceus.

However, the way she protects her people would be through illusions. She would keep external and malicious forces at bay by severely frightening them at the mountaintops, or the forests, if they ever got through, be it human or pokemon. If anyone were hurt or were about to die, unable to be treated to health, she would comfort them in a grand dream as they would fall asleep for the very last time. 

As time went on and technology developed, people were so entranced with the television broadcasts, wanting to know who was behind the screen, even if they were covered up in makeup and filters. 

The greater power sought to sate the people's desires, and saw the Zoroark it left in their care wasn't enough. So it split the pokemon into two, with one half so weak it was just a Zorua. The newly born Zoroark went off to accomplish its appointed duty, no matter the means. To better determine what the people wanted, however, it created a scheme which would involve stimulating the masses to come to an answer.

The Zoroark played a simple gas station attendant, which would stay close and observe the people. It would choose three pawns to watch over, manipulating the situation in tandem to their reactions. 

well so um basically there's still an isekai with TV portals. the iznmi Zoroark has enough power this time to create pocket dimensions straight from its illusion power. Every victim that ends up inside still gets haunted by their “truth” iznmi determines after scrutinizing them. The Midnight Channel broadcasts are also their illustrations. so basically, instead of things going on by itself from the collective unconscious reacting, it's a Zoroark piecing things together. it's kinda like pokepark 2. HAHAHA

Namatame's still kidnapping people he sees on the Midnight Channel. And when he gets Nanako, the Bunnelby stays behind and begs the IT to help. It helps them find Namatame, where they confront him and his Absol. Through illusions and legitimate power channeling, the Absol mega evolves. The IT defeat it and it returns to a normal Absol. They take both Nanako and Namatame to the hospital, the Bunnelby by Namatame's side the whole time.

When Adachi's suspected to be the killer, he escapes into the world inside the TV and makes a deal with the Zoroark. The Purrloin follows Adachi's scent and ends up in the TV, terrified of its unknown surroundings and hiding from the rest of the monstrous illusions that popped up. It got used to the world, however, and when the IT arrived, it helped them with Adachi's silly puzzles, to which he groans through a PA about how that pokemon’s still annoying him in another world. 

The IT confront Adachi, until a Mismagius appears to stop them. It sings Perish Song (because Magatsu-Izanagi is a Ghastly Wail kind of thing lmfao) but everyone stood their ground, blocking the song from their ears. Even under Adachi's (albeit in pain) command, the Mismagius falters, and the Zoroark takes things into its own hands, creating a bigger illusion to finally deal with these meddling kids for itself. 

But they defeat Ame-no-Sagiri, and its grand voice agrees to stop the grand illusions plaguing Inaba. The IT still have no idea who this conductor of schemes is, and Adachi can't give a clear answer either 

Marie's a Zorua with amnesia so bad she forgot she's a Zorua at all. She started her illusion as a human girl just to aimlessly wander around Inaba more easily and has been stuck in that form since. She was taken into the Velvet Room where they can clearly see that she isn't a human, but a pokemon. What's impressive is that she doesn't have a tail sticking out, which would mean her powers of illusion are rather potent. 

Souji’s made to chaperone her around Inaba to get her memories back, the whole shtick. While everyone stops prying into her nonexistent life, they're impressed with her ability to understand pokemon, as if she can actually understand them. Marie comes to the conclusion that she must have grown up around pokemon to be able to understand them that well. 

In the end, she finds out she is a pokemon, and iznmi Zoroark sends her to a grave that is physically in Inaba, instead of a pocket dimension. 

Margaret creates a conduit from that shed TV to that tomb somewhere in Inaba. Marie runs around as a Zorua and makes illusions to stop the IT from getting to her. But they manage to get to the heart of the tomb and get Zorua Marie from burying herself. 

They defeat another one of iznmi Zoroark’s avatars dwelling in Marie which was controlling her, then Marie comes back to the IT, accepting her identities as a pokemon and a human girl.

The IT thought that the illusions have stopped, and people are free to see what's really in front of their eyes. But Souji confronts the gas station at MOEL, where he reveals he's really a Zoroark with a duty, even startling the Heliolisk by its side. 

The IT enter the final world of illusions and desperately try to find the Zoroark to convince it to stop and let people truly live, that no one should hold their hands all the time, and quit living in a painless and meaningless utopia.

With everyone and their pokemon exhausted, Marie finds the strength to convince her other self. To let it see that she is living proof how people can live a life with the truth, and how they can stand on their own feet. 

After some time, the Zoroark agrees to dispel the illusions it has made, and appoint the rest of its power to Marie for her to be the guardian pokemon of the people of Inaba.

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.