#i kind of want to do it lol

[apricote]

now the emperor wants me to become a fucking mindflayer help 😭😭😭😭😭

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[starspilli]

batkid fit doodles

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[mike-wachowski]

reblog and tag ur answer so I can see please :)

[keferon]

HEAR ME OUT

Jazz is a human pilot of an Evangelion-type mech who anime-adventured too close to the sun and accidentally teleported himself (with his mech) to an unknown and very dangerous part of space.

Prowl is a Cybertronian. And one day he meets this very weird but funny guy that looks (and talks) nothing like any kind of mechanical form of life known to Prowl.

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[melonsharks]

like a thing, make a character lineup to figure out how i would draw them. thats the way my brain works! you can find close-ups under the cut!

these were fun :] theres a lot of characters in this show that would be fun to draw, is there anyone you guys wanna see next? 🤔

[shivunin]

Because I have just seen this specific thing for the second time, I would like to say:

If I reblog your art, I do not expect you to reblog (or share!) my fic in return

If I comment on your fic, I do not expect you to comment on (or read!) mine in return

My enjoyment of anyone's work does not come with strings or expectations

My friendship is not a bill that you will have to pay later

That's it!

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[stargirl230]

kaito screencap redraw! plus my favorite panel from the scarlet return arc lol

I've been reading detco for like 2 years and the unhealthy obsession fanart motivation finally caught up

(no reposts; reblogs appreciated)

[bionicboxes]

this is all just a bad dream. and you're never waking up.

version without the 'proceed' text

[cashmoneyyysstuff]

sleepy !

katsuki wants to go to bed, but you're kinda hungry

katsuki’s extra clingy when he’s sleepy. you know he’s sleepy because he hasn’t left you alone since he came back from his sparring session with kirishima.

it’s almost funny how The katsuki bakugou who’s so scary, who’s all sharp glares and huffs and pinched eyebrows, is hanging off your shoulders like a big fat baby.

“katsuki.” you start, softly rubbing one of his arms tightly wrapped around your shoulder. he grunts. “you can go to bed if you’re tired, handsome. i’ll come up later.” you look back at him as much as you can since he’s barely letting you breathe with how tightly he’s holding you. he huffs, droopy red eyes glaring down at the sandwich you were making for yourself like it was at fault for keeping you out of bed with him.

“ m’not tired.” he slurs, his hold tightens on you and he shoves his head into your shoulder. his hair tickles and you shuffle to the side a little. he follows.

you giggle to yourself. usually, katsuki would have some qualms about being so touchy where someone could walk in at anytime. it’s not like he was ashamed of being with you (not even close) but he has a reputation to uphold, y’know?

as if on cue, he yawns into your shoulder. you let out a light laugh and he nips at your shoulder in retaliation. “ i thought you said you weren’t tired ? what happened to that ?” you question teasingly, a sly little smile forming on your face. he mumbles something into your shoulder you can’t make out. “ i can’t hear you, love.” he groans, lifting his head up slightly but his eyes are still closed. “ s’cus yer takin’ forever. by the time you’re done i’ll be fuckin’ dead, dumbass.” he says before dropping his head back down on your shoulder like a load of bricks and you snort.

“ i’m done. i just want to go eat this sitting down but i can’t because someone won’t let me move.” you shoulder him lightly, he doesn’t budge, but grunts nonetheless.

“ jus’ eat it here.”

“ i’m not eating my sandwich standing up, katsuki.”

“ why the fuck not ?”

“ because !” you laugh “ i wanna enjoy my food !”

“ can enjoy it just fine with me here. why’re ya trying to get away from me ? s’your food less enjoyable when i’m around or somethin’ ?”

you roll your eyes but the smile on your face grows wider. “you’re such a baby.” you let out a light squeal when he pokes your side and lightly smack his arm, he huffs out a little laugh into your shoulder.

“katsuki !”

“fuck you, m’not a baby.”

“ could’ve fooled m—ow ! oh my god !” you yelp as he bites you and the fucker laughs. you huff, grabbing his arms to try to free yourself of the clutches of this absolute demon. he stops laughing then, grunting and groaning at you like you were the one inconveniencing him, while still keeping his head secure in your shoulder. the nerve of this guy.

“ katsuki.” you groan and he growls at you again, like a wild animal, like he’s daring you to try to escape him again. you sigh “ okay, okay, fine. you win, okay?” you say, admitting defeat while you can lest you have a sleepy, pissed off bakugou hanging off you.

“m’not a baby.”

“you’re not a baby.” you confirm. he squeezes you a little tighter and you sigh again. “can i at least go sit down ? i’ll even hold your hand on the way there, is that good ?” you say sarcastically. you snort when he lets out a grumble and pokes at your side and you can feel the unmistakable frown he has on his face.

“ told you m’not a baby.” he complains but he (begrudgingly) lets you go to let you move around. you turn around and he follows immediately. you have to hold back a laugh at the thought of a big buff bad boy like katsuki following you around like a lost puppy. you hold back your laughter but you’ve still got a dorky smile on your face when you sit down. katsuki’s not too far behind you, he never is. he pushes his chair way closer than it needs to be next to you and your knee is pressed against his when he sits down.

“what’re you grinning about, huh ?” you turn to look at him, dorky smile still very much on your face as you gaze at him. he’s still got that horrible frown on his face but his eyebrows aren’t scrunched up anymore, one of his perfect eyebrows is lifted up questioningly and he’s sitting so close to you you’re sure you can count the exact number of lashes he has.

“nothin’.” you sing, taking a bite of your sandwich. he huffs but doesn’t pry further. instead, he leans closer to you. you make eye contact and he looks at you expectantly. you know what he wants after a second, but you’re not gonna give it to him so easily. “ did you need something?” you ask innocently. his eyes widened for a fraction of a second before he’s glaring at you, he’s figured you out. he huffs for the umpteenth time today and he squints at you harder when you giggle lightly.

“ gimme some.” he says gruffly, already opening his mouth slightly like he knows you’ll share with him. and he’s right, because you do. you bring your sandwich closer to his face and he takes a bite, humming contentedly before leaning back into a more comfortable position, never too far though.

“you always take huge bites out of my food, my sandwich’s basically gone.” you tease, playfully pouting dejectedly at your sandwich, holding back a snort when he scoffs at you, offended.

“ fuck off.” he spits, but there’s no animosity in his words. he resorts to pinching your thigh to make up for it,“ didn’t even eat much, you big baby.” he says. usually he’d have something smarter to say but he’s tired now, and you originally intended to take full advantage of the situation, but you’re feeling nice today. he’s tired and you’ve made him wait long enough, in his eyes at least.

you roll your eyes, deciding to ignore his comment and take another bite of your sandwich. you eat in silence and he doesn’t say anything else after that. when you finish he practically jumps up from his seat despite his lack of energy, looking at you expectantly as if to say ‘let’s go already.” you giggle.

“ i hear you, handsome.” you coo, going over to place your plate in the sink, you could wash your plate later when he falls asleep, probably (if he somehow decides to let you go).

you feel like being a little mean to him as you stay where you’re standing by the sink and sigh. katsuki, who had already turned around to go upstairs, turns to you, eyebrow raised in question.

you hum, placing a finger on your chin “ i dunno, i still don’t feel full, maybe i should make another-"

you’re dragged by your arm towards him before you can even fully comprehend what’s happening or even finish your sentence. you let out a big belly laugh when he grumbles. he suddenly has you lifted over his shoulder and you yelp, wondering where the hell this herculean strength came from despite him being so tired.

“ m’tired of your shit, quit fuckin’ around so i can go to bed.” he slaps the back of your thigh lightly and you gasp, but you’re still giggling a little. “you know, you could’ve just went ahead with out me, i would’ve come eventually.” he scoffs like you had just told him something utterly foolish, like the concept of sleeping without you was unfathomable to him, you smile harder at the thought.

“ don’t be stupid,” he mumbles “as if i could do that.” he adds the last part quietly but you catch it either way, there’s blood rushing to your cheeks and you don’t know if it’s because you’re slightly embarrassed by his honesty or if its because he’s been holding you upside down this whole time.

when you get to the elevator, he places you back down. grabs you by the shoulders and squeezes like he’s trying to weld you to the floor and make sure you won’t move. “ we’re going to bed, now.” his tone is decided, clear. you’re not fighting him on this and you honestly don’t want to.

instead you smile, grabbing his hand and squeeze “okay, let’s.” you beam.

he squeezes back.

[k1tty5]

i can allow myself to draw men being pretty sometimes

[deoidesign]

Happy pride from Adam and Steve, my t4t gay vampire and werewolf!!!

They're from my webcomic. It's good. I'm not biased. It's funny and gentle and they time travel to a new location every full moon, where there's a new little mystery to solve!

[nellasbookplanet]

I've been thinking about Mollymauk, as I'm periodically wont to do, and the fandom discussion about him as a moral compass. Because the interesting thing here is, Molly wasn’t a very moral character. He was an unrepentant scammer. He had no respect for interpersonal boundaries and would deliberately push and break them. Generally, he was an asshole. As far as actually having a strong moral stance I would say Fjord was the standout of early m9, and to some extent Beau.

But here’s the thing: almost all of early m9 thought of themselves as horrible people. Fjord had been bullied so bad growing up that he still dealt with self-hate from it, and now suffered from survivor's guilt to boot. Caleb had killed his own parents. Beau, while she hated her dad, also had internalized self-hate and on some level thought she’d been such a shitty daughter she deserved his treatment. Nott was stuck in a body she considered monstrous. Yasha had survivor's guilt and knew she’d done bad things in her blank spots. Even when they did good, they didn’t think of themselves as good. Most of them were suspicious and asocial and faced the world with the same kind of distrust they expected to be (and were experienced in being) met with. (Jester was an exception, an agent of neither good nor bad but of amoral chaos)

But Molly was different. He was outspoken about loving life and people. He wanted to spread joy, even to people he didnt know or had even met: he slipped coin into people's pockets, hid a silver in a tree just so some stranger would one day be happy to find it. He openly cared for the party early on; was one of the first to step in and help Caleb when he went catatonic in battle. Above all, Molly had rules: where everyone else would agonize over what was the right or wrong or smart thing to do, Molly loudly proclaimed we don't leave people behind, and we leave every place better than we found it.

But the thing about Molly’s rules was, they were largely a cover. While the rest of the m9 thought they were bad even as they did good, Molly thought of himself as good even as he did bad. He scammed people, but made it a good and memorable experience, therefore thinking he gave more than he took. He charmed Nott and Fjord without consent, and when confronted would claim it was to help them. Out of the group, Beau saw through this, not because she was a better person but because she was a cynic. She saw that he caused harm, just as she did, and was personally affronted that he still thought of himself as good and tried to leave people happy, whereas she deliberately left every place worse than she found it.

I see Molly as a moral compass of the group not because he was actually any more moral than them, but because they made him their template. He was joy and brightness and he died trying to save them because it was the right thing to do, and they all chose to honor him by emulating his rules more than Molly himself ever did, because to them it was more than just a cover, backed up by genuine moral thought and discussion rather than small gestures. He taught them that it was possible to be kind of a shit person and still be good, to still love yourself and others. The idealized Molly they created never existed, and finally died for good when they resurrected him in the end and were met with a stranger, who they welcomed with the same love and care they would've expected Molly to show them.