#i just wish there were more people in this fandom that were enjoyers

[wedgggs]

man, everyday i go on the internet looking for very specific content for minor characters and rarepairs, and yet I am so shocked when there is no content for them.

[vivelegalite]

dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

[annerbhp]

If you would but indulge this fandom elder for a few moments, I'd like to point out a few things that I think can make all of our fannish experiences on this hellsite (affectionate) so much more joyful.

Try not to treat yourself or others as "content-providers."

This happens when you allow yourself to be influenced by real or imagined expectations and demands of others. "But I know people want..." "But people would expect me to..." "But they might not like it if I..." "It's been too long since I've written/posted anything..." "What if people get upset if I..." These are the joy killers. The only questions you should ask yourself when posting stuff to tumblr (or not) is "does this bring me joy right now?" and "would this cause harm?" That's it. You can also tag liberally so people can block stuff if they want. That's also a nice thoughtful thing to do. But try not to let the nebulous concept of "people"--your followers, your readers, the internet at large, or whatever--become a bogeyman in your own head. Most of us already have enough internal critics trying to trip us up at any given moment. Try not to invent more.

Treating others as "content-providers" happens if you send asks or comments to someone on this site demanding more content of a specific type, or insinuating that you are entitled to something from that person. You are communicating to that person that they only have value as a content-provider, and only when providing whatever it is you want. This is dehumanizing and ignores the thousands of reasons that person might choose to be here. Tumblr is not a subscription service. No one is paying for anything here. Most people here are just doing stuff that makes them joyful and we are lucky enough that sometimes they share it with us too!

2. Fandom is not a marriage.

The concept of "being in a fandom" is actually incredibly nebulous, as it should be! There is nothing you need to do or declare to be "in a fandom." There is no minimum threshold of love, or time, or interaction, or "production." It's just a feeling. A place. A space that brings joy. (And sometimes, heartbreak, but that's another topic all together.)

Fandom is also not a marriage. You can't cheat on a fandom. You do not have to have formal divorce proceedings and let go of one fandom before messing around with another one. There's no such thing as fandom infidelity. Neither is fandom a job. You don't have to give two weeks' notice. You don't have to post public intent on the town hall. You're not banned once you step out, never to return. You can "take a break" without any moral implications or risk of becoming the focus of a pop culture debate about whether or not you were justified to mess around with another fandom during that time. You can leave a fandom and never go back, all without having to consciously decide to do so. You can fall out of love with a fandom and then fall back in love with it later. It's not a marriage/job! There are no rules!

3. Take ownership and curate your own experience.

If there is a thing, or a blog, or a person who once brought you joy, but on balance no longer does, or makes you more disappointed or annoyed or upset than not, you do not have to keep interacting with them/it. Following someone on tumblr is also not a marriage. You can follow/unfollow as you like, no harm, no foul. It's just curating your personal joy, and I hope we will always wish each other the best with that. If you are scared of "missing out on something," then you will either need to block tags enough to make it enjoyable, or decide unfollowing is worth the risk if it makes you too unhappy to keep following!

The ultimate thing is, it's up to you to curate your fannish experience. It is not up to the person you are following to change to fit your expectations or hopes. (See point #1.) You can feel ways about this, of course! But those are your feelings, which are yours to handle. Do not put them on the other person. Do not send them asks demanding things or lashing out. It won't make you feel better and it definitely won't get you what you are looking for, unless your actual aim is to kill the joy of another person so you are not upset alone. In that case I'm not sure what to tell you other than you might want to spend some time meditating on that one and think about if that's really the kind of person you want to be. Or if this kind of space is actually good for you.

That's it for now. Thank you for indulging me. Don't be a dick on the internet, friends. Take no shit and do no harm. Take care of yourselves! 💕

[kokushibitch]

my dmmd au where mink is actually a brown guy instead of being vaguely yellow and grey. left edit is just a skintone edit while the right contains more natural looking feathers. i also gave him a stronger face

i spent a while trying to pinpoint his nation. unfortunately his design contradicted itself a bit and the slapping of random feathers and dreamcatchers everywhere pisses me awf. i wish that the artists had chosen to stick with one specific nation, and the closer i looked it actually wasn't as bad as i initially thought, but there were still some pretty egregious errors made with his design that could be avoided with CURSORY research, and for a company like n+c, big as they are with the resources to do better research, is unacceptable. to be quite honest, i almost hesitate to even make this post because i really don't want people to run with the information ill be discussing. while i am a native dude that enjoys DMMD, i know so many others that dislike mink, his design, and story because he falls into quite a few racist tropes. also, just because i can kind of glean some information about mink's culture based on his character design/home design, does not mean that it's a 100% accurate portrayal of said culture.

TL;DR: i used to think he was supposed to be ojibwe, but upon further inspection i headcanon mink as navajo/dine and afronative, my reasoning below the cut. im gonna make a later post discussing the nuances of his route and the meta racism in DMMD cause its been a loooooooong time since ive played his route. while im not navajo myself (im tsalagi) i at least have the life experience to tell the goddamn difference between nations lol. i also love the inclusion of a rainbow in his design as a fellow indigenous rainbow enjoyer

note: dine and navajo are the same thing, but im gonna use navajo because thats what more people are familiar with.

the easiest way to start would be with his most obviously unique feature, his locced hair. loccing among NA nations wasn't super common, but it did happen due to the culture & rituals around hair (no cutting unless under specific circumstances, braids/plaits end up "locced" from saltwater, etc etc). to me, however, his locced hair didn't feel like a purposeful design choice. meaning, i dont think the artist chose the locced hair because they wanted to convey something traditional about mink's culture, i think they chose it just because it looks cool, or because mink kind of just falls into the "vaguely brown" category. i'd also be okay with interpreting him as black/native, which i think im gonna do because i know that there are (or was, dead fandom) plenty of black dmmd fans that identify with him

his second most unique cultural indicator is his dreamcatcher. unfortunately, dreamcatchers have kind fallen into that "vague native design" bullshit, but they do have a tribal origin: aanishinabe. again though, due to the sheer abundance of people slapping dreamcatchers onto vaguely native characters, i cant say that this is a strong enough point for me to say definitively that he's aanishinabe. also, you dont fuckin wear dreamcatchers. end of, they're not supposed to be on your body.

THEN there are even more important indicators to me that denote exactly which nation he's from.

just judging base on the patterns used on his traditional tapestries, blankets, and runners, would denote some sort of southwestern nation. now they're not accurate designs necessarily, but i can understand and see clearly where they took inspiration from.

the peace pipe on the wall in both his home and his hideout immediately indicate navajo, a southwestern nation. the fact that he has a strong religious orientation to smoking herbs (im assuming in place of tobacco) is also very navajo to me. the pottery in his home & hideout are also very strongly southwestern, as pottery was a very common art in the southwest. the fact that he has an altar at all is unique because altars are actually not common practice and are usually only found in the southwest, which is actually a good detail point whether it was intentional or not. ignore the dreamcatchers which were, again, thrown in randomly

and of course his homeland contains mountains and more importantly, cliffs and canyons which is another southwest feature. there's also his fuckass cowboy boots which are VERY southwestern

IGNORING the dreamcatcher in his hair AGAIN, he's also flexin beaded jewelry. to me, these are just like regular beads, but you could interpret them as turquoise if you wanted. traditional turquoise jewelry is usually inlayed onto silver bands or pieces as well as strung together like so. his white belt also contains a very southwestern design.

as much as some elements of his design annoy the fuck out of me, i love, love, love, love the inclusion of the rainbow in mink's character design. the rainbow is so important to so many different nations, and mink being a religious person, it actually makes a lot of sense for him to have this sort of draw to rainbows or rainbow colored items. specifically in navajo culture, rainbows are used as Bridges between The Navajo and The Holy People, basically communicating with a higher power. a rainbow is also a symbol of the 7 sacred rituals in navajo culture, one color per ritual. here's a youtube video about it, learn something

i do have some thoughts on mink de-loccing his hair in his good ending, but i think i will have to save that for another post further down the line

anways, ive made my case. mink is navajo

[ineffable-rohese]

My spouse and I were discussing Aziraphale & Crowley over dinner the other night, as one does, and I was reminded that in the early days of Facebook there was a feature where you had a virtual pinboard, like the cork board next to your dorm room white board, and you could find all sorts of "pins" to put on it. The idea was your friends could visit your "wall" and see the things you were in to, as well as your status.

I definitely remembered being so excited to find Good Omens pins in the collection. "Gayer Than a Tree Full of Monkeys on Nitrous Oxide" was my favorite, of course.

I was, at the time, around 2005 or 2006, just a little bit obsessed with the book, and had been for years at that point. I'd only convinced a couple people to read it, all of whom thought it was enjoyable, but that was it. I felt a bit alone, but I also didn't imagine that fandom existed for books. (The existence of that FB pin should have clued me in, but it did not.)

Fast forward about 15 years, and the show came out, and I loved it. And still I didn't manage to find anyone who loved it like I did.

In the past year, I have been so overjoyed to find my people, to have someone to join with in tears and elation, in the nail biting waiting for renewal. And I'd been looking forward to the excitement of production news and poster releases and wild speculation and silly in-jokes and then madness of DT&MS press tours and finally the conclusion to the story we've loved for so long.

And then the news about NG broke, and it was like all of our hearts broke at once. And yeah, maybe the last season was still coming, but it felt tainted now. And people started pulling away, understandably, and I still had my people (and thank Someone for them, for real) but it got real quiet for a bit. And the stories and and art started trickling back as we all figured out how we wanted to engaging meaningfully in someone that was no longer purely joyful.

Then the pause and people freaking out and other people rejoicing and a slim thread of hope. Could they do it? Would Amazon put in the work to extract NG from the production? Is this story worth the effort to people who care more about profit than anything else?

It's looking like yes, as of October 15, 2024. And I love that the person who is renewing our hope is not an actor or a director or one of the "big name" credits. It's Mickey Ralph, who obviously loves this story as much as we do. Whose team hand wrote, in full, all of Aziraphale's mail. And recreated a destroyed antique sink that literally no one would notice. And painted the walls "va-va-voom" yellow. And named every puppet in the magic shop. And brought so much depth and love and life into the show, and made it real.

This story has always been about love. Love for friends, and family, and the people you are told you should hate, and the world, and humanity.

My dearest wish is that we can continue to celebrate that love together.

[alexandraisyes]

What would happen if you were a writer for TSAMS?

I mean we'll never know unless we try, however-

God the temptation to make jokes about shipping ajfsdkg;ljfasd;l

In all seriousness I'm good at finding and fixing plot holes and writing consistent storylines. I've been writing solo for years, and recently I've been co-writing fics for this fandom. And stars I'll say it now, obviously I wouldn't drag fan ships into the canon lore, that would be stupid considering most of them just wouldn't work with canon.

If I had the chance to write for TSAMS I would definitely try to influence the way certain things (specifically things like mental disorders) are portrayed, because I understand being part of the audience and the frustration of only seeing part of the story and missing an entire important perspective. I personally find so much enjoyment in that because I get to tear everything apart, dissect it, and put it back together so the fandom can understand what the story is portraying, but the fact that someone is required to tear it apart to get what should have been an obvious message most of the time is an issue, in my opinion.

A consistent problem I've noticed with TSAMS is that it's overly omnipotent on some things while being too closed about others. This is a narrative problem that stems from not having enough time to figure out the best approach for new situations they want to incorporate. This is because the writers/VAs are so bogged down by personal projects, stream schedules, their servers, life, etc that they just don't have time to figure these things out. Especially when the company is pushing for more content/lore episodes and they're just a team of four. Four very very busy individuals that have to write AND voice act the entire cast of characters. I feel like having someone who is just a writer would help with a lot of the inconsistency and unresolved plot holes.

There's a lot of strong potential for things that would stem back as far as two years that would be so interesting to see incorporated, but they just don't have the time to work through those and it's easier to keep jumping on new boats and abandoning the ones they have to sink because of unresolved tears in the plot letting more inconsistencies trickle in like so much water. So I would absolutely work to correct those and clean up the holes and resolve unanswered questions.

I'd also push for more consistent characterization, or rather better worded, deeper characterization. Not that they don't have good characterization now, overall I think they do a decent job, but there are just some things that I wish they'd touch on more. Likes, dislikes, disorders, complications, relationships, etc. What really makes up these characters; I'd probably end up with a complicated character web for the main cast at the very least to help with consistent storytelling. I do this with my own AUs to keep characters consistent, including quirks (For example Solar Flare always refers to people by their full name in my writing). It would also be interesting to dig deeper into what makes the characters them. Their personalities, beliefs, interests, morality/standards (for those without morals), and what they did and didn't find traumatic (as well as what level of trauma).

God even just the thought of how I could potentially fix the dumpster fire (/affectionate /positive) of TSAMS and co is a little exciting because there's just so much potential lying around untampered with that I would happily dig my grubby little claws into.

[toooster]

Hello! I’m new to your account, can I possibly get a run down of everything?

Hi love!! Welcome to my account! Ofc you can!

(Everything below the cut)

About me: I’m patch, I’m a minor! I’m on this app more than anything, I love music, coloring, and movies! More than anything I love Christmas! I’m a writer (who I write for/masterlist in intro along with all my other information!) 

About my amazing moots!

@elysianwayy77 was my first ever mutual and (I believe) one of the first people I interacted with! She is really kind and extremely welcoming! If you’re interested in Grayson Hawthorne (not to sure what he exactly is apart of😭🫶) her blog is a great place to look.

@sparklyjellyfishheartz is also extremely kind and welcoming! She has one of the cutest blogs I think I’ve ever seen, if you’re interested in just girl blogging then she’s definitely a good one!

@333sturns is such an amazing writer, like one of the best I’ve come across!! She is such a kind person as well, if you like the sturniolo’s and want to read fics about them I’d definitely recommend the lovely Alexa!

@your-average-toast-enjoyer has such a welcoming vibe, I initially stumbled onto her blog because of frogs (wether or not they were a fandom lmao) and she’s welcomed me ever since. If you like x-men, Taylor swift, frogs of course, or relatable repost then her blog is the best to follow!

@feynightlight truly is the best blog to go to to find amazing fics. Her blog is where you’ll find the absolute best Bucky Barnes fics!

@soft-likethesunset is the most welcoming blog ever! It doesn’t matter who you are or what you like she’ll welcome you, she is such a kind and amazing human being! She post anything and everything, her blog is basically a party 24/7!

@theodditylacey is my favorite blog. I could sit here and scroll through her blog for HOURS. She has the cutest outfits, the best music taste, she’s an amazing writer, and her market is adorable and so well done! Lacey is someone you could sit there and talk to hours with, she’s well educated and so so so kind. Absolutely one of my favorite blogs.

@iloveyapping they are literally so funny! They’re blog post about so much, like pjo, the marauders, and VLD (even tho they don’t post about it much!) They are so kind and have the warmest heart.

@cassioxpeiaxmgg oml don’t even get me started on her, anything she post I’m guaranteed to laugh my ass off at it. If you like criminal minds AND Matthew gray gubler go check out her account! She’s also hilarious and super kind!

@dazedanddainty I adore Daisy so much, such a kind soul and person. There’s been countless times where I’ve just gone on her blog to rant about stupid things but she always listens! Her blog is so relatable!

@naturalbornluvr literally the most relatable blog you’ll ever come across. I have no other words to explain adoria except relatable 😭🫶

@justafanbutcurious also has insanely good music taste! We don’t interact much but from what I can tell they are super sweet!!

@hxress23 is the sweetest person ever, such a kind soul and so welcoming. Her, lacey, Liz, and Daisy have the most welcoming personalities and are such genuine people.

@loveinalocket is currently partially active but she is so sweet and has the cutest themes ever!

@starlightt-love and k don’t interact often but she seems like such a sweetie from what I’ve seen on other peoples blogs!!

@forestgromlin is so sweet! They are extremely kind and welcoming (I know I’ve said it about everyone but it’s true!!)

@whispered-winds is so sweet and kind, her vibe is just so good and perfect. Like there are not better words to describe her!!

@myhyperfixationisbooks is also so sweet, ever since we’ve been mutuals she’s been so incredibly kind and welcoming!

@stars-over-ice-cream is super sweet as well! She post about Sabrina Carpenter, and she reblogs amazing things!

@auntiejohn is so so kind and her blog is such a safe space!

@wish-i-were-heather and I haven’t interacted much if at all but they seem so so kind and welcoming!

@glxsyymads I saved the best one for last! Maddie is so kind and sweet, she goes out of her way to make you feel welcomed. She has such a sweet vibe and is really funny. It makes my day a little brighter when I see she’s interacted with me or my post, or she’s answered my asks!

That’s most of my moots I believe! My blog is welcomed to anyone and everyone! I believe everyone deserves a place to be themselves so welcome to my corner of the internet.

[yukishirostar]

So people are talking about a post in the Zolu tag by a certain tumblr user in regards to their issues with Zolu as a ship. They shall be unnamed because i dont wish to bring attention to them and instead just want to focus on their arguments because they're not the first people to make some of these points and so this is also an opportunity for me to talk about these things (a tweet is going around on Twitter containing these screenshots with the username so you can find it there if you need to anyway).

The way this person dismisses the relationship between Zoro and Luffy as a result of needing to pair gay Zoro with someone is too laughable, they must be very fit in order to be able to do these mental gymnastics. I believe that many people who are going on about the Zolu scenes in the OPLA were already Zolu shippers who were familiar with the original story and are enjoying the moments because they were well, really good Zolu moments? And there is actually, shockingly, many good Zolu moments in the original story too which is why many people ship them. Wild, I know.

Then there's 'straight-washed Sanji'. Equally if not more of a bizarre thing to believe. I might make some people mad especially the Sanji stans out there who constantly insist on the 'repressed queer' narrative with his character, but Sanji is written pretty explicitly to be seen as a cisgender and heterosexual character. The way you say with your whole chest that Luffy is 'canonically' aroace but don't acknowledge that Sanji is 'canonically' cishet is beyond hypocritical. If you believe Sanji looking like a 'misogynistic straight man' is different from the way he is written in canon then maybe you should go back and reread/rewatch series with your eyes open this time. If you wish to headcanon him with the frankly offensive repressed bisexual/transgender cliché then go ahead, but that is clearly not the intention Oda has with his character.

There's also the fact that aroace people can uh. Be in relationships. Get married. Have children. Did it occur to you that many people who ship Zolu ship them as an ace couple or-

First thing I want to say here, as a trans man who is 'mlm', can other dudes stop with this idea that women or fem-aligned individuals enjoying homosexual relationships between two men is inherently fetishising or that as a masc-aligned individual your enjoyment of a ship is morally superior in some way. Stop pulling out your 'mlm/ transmasc / cis gay' card in order to justify why your ship is superior. Its cringe af.

But if we are to insist that 'cishet female gaze fetishising mlm' is going on then ironically Zosan fits that the better than any ship in the fandom. It being by far the most popular mlm ship means there is likely a higher proportion of people who identify as cishet women who ship it. Its also the classic 'two men who dislike/hate eachother and have a toxic relationship but hot sexual tension' slash/yaoi stereotype. Majority of Zosan I've come across is depicting Zoro as the masculine male man in the relationship while Sanji the effeminate twink that Sanji stans project themselves onto and they go crazy for the bickering that is apparently reminiscent to them of a toxic heterosexual marriage. Meanwhile every Zolu/Luzo shipper I've interacted with has been some flavour of queer and Zolu is closest to the 'falling in love with your same sex bestie' narrative that the majority if not every non-heterosexual person has experienced at least once in their lifetime. This is just my personal view of course, but I think noting a difference in perspective on this topic is interesting and reveals that at the end of the day this is totally subjective and based purely on anecdotes.

Also it's just a very weird point here that apparently OP has 'plenty of varied queer rep' (it actually doesn't have that many canonical queer characters in relation to its cast size but anyway) and other media doesn't so shipping aroace characters in gay relationships is valid in those but not in One Piece … HUH???? So you're saying if One Piece had 'less' queer rep, then Zolu would be fine to ship? Idek my brain hurts.

"I have black friends so I'll speak for the black community and get offended for them" (btw this person then proceeded to block aroace people who had issues with their depiction of aroace people).

Also if we're talking canonical depictions, the only thing Zoro has been canonically depicted as is also aroace, equally if not moreso than Luffy. So by your own rules, you can't ship a cishet (sanji) with an aroace (zoro), therefore Zosan is now invalid. Stop erasing Zoro's aroace identity bigot.

'Categorically wrong' makes me laugh. I don't ship Zoro and Nami but like, people can ship what they want to??

'The general public is aware enough of gay people and how to spot them these days' uh... firstly this sounds very homophobic. Secondly the general public (cishet ppl) are famously bad at recognising queerness even when its in flashing lights before them. Thirdly you make it sound like Zoro was going around on roller skates and booty shorts listening to YMCA and Madonna in the show. I do agree he was gay-coded but it was mostly because he had sexual tension with every man he interacted with, not for the strange reasons you pointed out...

Its kinda the elephant in the room too but like. These are just headcanons. You can have multiple headcanons and interpretations of a character's sexuality. I can see Zoro as aroace virgin one day and a gay h*e the next. I'm actually allowed, legally, to do that.

The way they think shipping Zolu is harmful to aroace representation when BOTH characters are closest to being canonically aroace than anything yet ship Zosan, label being anti-Zolu as some kind of pro-ace activism, and then proceeded to block aroace people for criticising their incorrect depiction of what being aroace is...

This was a lot of words to say that you don't like a ship. Just say you don't like it, and it gets in the way of the ship you like, instead of writing a virtue signalling essay to justify your reasoning. Please.

They had some more to say on future posts I'll just pick my favourite bits

They really have this narrative that Zolu is only popular because of OPLA and can't fathom that its just a popular ship in general and always has been huh. And they couldn't make it more obvious that they're totally salty about it ranking in the top 100 most popular tumblr ships, lmao.

Your classic case of 'self-identifying ally who speaks over the people they are supposed allies of'. Its a general rule that you feel the need to declare yourself an ally you're probably not an ally, actual allies know they need to just shut up and do the work. Saying 'this character's aroace' and 'I have aroace friends' actually isn't what allyship is, thats just accepting that ace people exist which is like... the baseline.

Calling a wholesome loving ship like Zolu an icky ship is a severe consequence of online brain (this person is 26 years old btw)

[romans-empire]

Honestly, I could talk about Lucky Patch for hours. I didn't expect to like their dynamic when I played UTY for the first time, yet here we are.

To be honest, I did not like Flowey prior to Undertale Yellow. To me he was merely a side piece to the overall story of Undertale, I disregarded him and focused on the Dreemurr family which in hindsight does include him, just not in the way that I could comprehend back when I was younger. UTY really helped me in understanding his character and realized just why he was so compelling. Now he's one of my top favorite UTDR characters. I still hate this stupid flower though, I wish the worst for him /j /pos.

And Clover, I did not expect to attach myself to this child so much. Clover's personality is rather hard to get unless you were really looking in between the lines and other easily missed dialogue or in-game narration. Thankfully, I am the kind of player that remembers really small details, especially when it comes dialogue and narration. I do admit that I project to Clover a lot, my fics are a testament to that. However, I did enjoy them as a character and protagonist in their own right, removing all biases will not change that. They are one of my comfort characters and favorite characters of all time.

Combining the two, we get Lucky Patch. I do see why most people I've seen in the fandom might not like this dynamic, it's not for everyone especially if you aren't into peeling off layers upon layers of a character. Though, I am really happy that the Lucky Patch enjoyers are much more present here on Tumblr. If you don't look closely or take things at face value, Lucky Patch is a toxic dynamic built on lies and cruelty. Even when looking further, you cannot deny that aspect. But what makes them compelling is that this dynamic is mostly driven by the characters and their psychology. Especially Flowey's. If you do not understand the character, you will most likely miss the intricacies that make them, them.

Clover and Flowey's relationship span across all timelines and routes, so taking their relationship from one route only is not the way to go. That's the reasoning to the most common complaint I see when it comes to them, most non-Lucky Patch enjoyers only see their relationship from one angle or route. Most of the time, they take it from the vengeance route or neutral. My reply to that is that their relationship develops as the routes change. From vengeance, neutral, to pacifist, their dynamic changes in accordance but you can see why when you look closely at the context being given to us throughout their interactions in each route. At the end, you will understand why Flowey lets Clover go. Why he spew his little speech at the end of the true pacifist end.

In other words, I love these tragic doomed toxic codependent flowers so much and I will commit atrocities to defend them.

[outrunningthedark]

There’s been a subtle wave of casual bucktommy enjoyers coming out to defend the ship on Twitter lately, and it’s funny that they can’t see the reason the ship gets the support it does is because the hate is too excessive. I’m pretty sure some shippers wouldn’t cling to the ship as much if the narrative around it wasn’t trying to be rewritten so much by the other anti shippers.

Yeah, this is just my opinion (based on how I've changed through the years and what I've heard from others), but I think season six really, truly *broke* people. For the better. 18 episodes "preaching" about couch theory and how Kristen Reidel was the answer the fandom was looking for (biggest LOL ever, especially considering how quick they flipped when they heard Tim was back) only to find out that the couch really did have to do with a girlfriend all along and Buck sleeping on Eddie's couch was just...Buck sleeping on Eddie's couch. Getting the news that FOX would no longer be airing new episodes, realizing that the ending we got COULD have been the real series finale if we didn't have AB on our side? That's enough to alter anyone's perspective on what they thought they knew and how much time they spent believing it to be true. But then came ABC. And after a season (multiple seasons, really) of utter disappointment where it finally clicked with people that FOX was never gonna change the narrative down the line, ABC was willing to take a chance, willing to test the waters by making Buck canonically queer. WHY is anybody surprised that there are people willing to support a queer awakening even if the pairing isn't the one "everyone" wants? (False.) Six/Seven years of wishing, and hoping, and waiting for a network to make one of their main male characters queer, and people were/are supposed to reject it because it's not the "right" guy??? Or the "right" ship??? Yeah, no. That's not how this works. And btw. Criticizing and ignoring a queer ship is not going to motivate a network to give you more queer representation. It's going to make them think you don't give a fuck about any of it at all and go back to what "works". (The Wilds comes to mind. All that bitching about the boys in season 2 and Amazon decided two seasons was enough of a story.) But luckily for the fans that are actually enjoying Buck's journey, the online critics (even the loudest of the bunch) does not represent the majority audience, and the majority audience are the ones bringing in those millions and millions of views even AFTER Buck came out. 😌

[lady-ashfade]

Can I request yan muichiro with a reader that escaped but was found months later by mere coincidence.

If that's not okay I also may want Muichiro with a sleepy head reader!

Only you.

Yandere Muichiro Tokito x Reader.

Hope this was enjoyable! Thanks for the request💕 I changed the plot a bit where he goes out looking for the reader.

Requests are open for this fandom!

Yandere rank: Medium.

Yandere: Kidnapping/Being kidnapped, Obsession, overprotective behavior, Yandere Tendencies, being hurt.

Muichiro looked and looked for any signs of you. Behind every door, in every room and nook & cranny. But he saw no sight of you anywhere, panic and angry filled within him. Everything he saw was red. He screamed out and ran out the house, he called your name for hours hoping to find you. Muichiro had no clue why he was holding his sword so close or how he wished harm. He wasn’t himself when he lost you.

For months he left his services as a demon slayer and became obsessed with finding you, and if there was a demon in the way? Then he did his job but he didn’t care about it. He lost his mind from lack of sleep and the worry of finding you, he wondered if you were hurt somewhere, or dead- Or if some demon had took you. He had already lost his family, his mom and twin brother. The only one he had left was you.

And he intended to keep it that why. With only you in his life.

He looked around the crowded market in the village full of people screaming and rushing around. The area was overflowing with people and it brought him to be annoyed, it was too noisy and non of these people were you. Muichiro had lost all hope again when he searched all the streets and markets for you in that town. He would grow more and more angry when he left a town without you.

Then a sweet voice echoing through the alley he was in and slowed the world around him, his ears perked up. Blood flowed through his body and veins pulsed, his mouth going dry and head spinning. It was your sweet voice. It only took a second of surprise and relief before his feet moved and ran towards the sound.

“Please take it,” he saw your hand go in the merchants hand and placed a few coins, “You deserve it.” That smile you flashed was like the air in his lungs had returned. But the confusion hit him. That was his smile, how could you flash that smile when you had been away from him? His demeanor changed and his mouth frown and his eyes glared.

“Y/n.” He called your name loud enough to get both of your attention. Turning your head at the dark tone and when your eyes hit his frame your body tensed. The beautiful smile on your lips disappeared and your eyes widen in shock. “My dear,” he stepped closer “I have missed you.”

A apple came flying in his direction and he watched you sprint away as fast as you could around the corner. He just followed you quickly, he could have moved faster but he waited for you both to be far away from the public. Somewhere he could be himself with no one to try and stop him.

You ran and ran down all the back alleyways to try and get away from him or try and get home. Your heart beat out of your chest in terror, your legs ached at how fast and hard you were running. Soon you came to a stop when you didn’t see or hear him anymore. Your hands leaned on your knees as you took a breath trying to get air back into your lungs.

A scream left your lips as your throat was grabbed and were sent flying back onto the stone wall. The impact made you chock out in pain. “Tsk, tsk, tsk.” He said from before you. Slowing opening your eyes you saw him glaring hard, “You know you couldn’t run away from me forever.”

Tearing up you struggle against his grip to try and get away from him, knowing deep down you couldn’t. His hands squeezed your throat and slammed your head back onto the wall making you close your eyes in pain, wanting to scream but he was cutting you off. If only you could scream, yell for help then maybe you could get away.

A groan came from his lips. “Don’t struggle or this will hurt more then I want it to.” He pulled you closer to his face. The same red glint in his eyes as when he first took you away from your life. “I gave you everything and this is how you repay me? Had I not done everything right?” He asked like he was pained, like this was hard for him. The thought making you want to laugh.

“I would appreciate it if you come back with me without a fuss,” he unhooked the rope from his belt and titled his head “I would hate to break your legs.” He watched the tears fall from your eyes and your lip quivered. It did pain his heart. “Don’t cry, I promise this will be over.” He leaned down and kissed your forehead softly.

“I will do it right this time. Make sure you can never escape or even think about it, doesn’t that sound nice?” A squeal came out of your mouth as something pierced your leg, the numb sensation quickly coming over your body. Soon your legs gave out and your body fall into his arms. The last thing you saw with a light smile on his lips.

“My, sweet darling. You’re home now.” 

[allastoredeer]

Alastor really be the asexual ideal of a fandom bicycle. So many ships. He has such effortless rizz.

Unrelated, but I love the image of Alastor and Rosie getting the chance to wow everyone with a proper dance number. Just, deciding to cut a rug at a party at the hotel. Alastor genuinely laughing and having the time of his afterlife.

Most of the cast are impressed.

Lucifer is entertained and trying not to foster feelings.

Vox is apoplectic from jealousy.

Rosie fully planned for all of this, but the dance was fun too.

Hahaha he really is XD It's that charisma. It's too alluring.

I'm such an Alastor multishipper, I see almost any relationship he's in and derive some enjoyment from it. (Current crackship that I'm a little obsessed over is AlastorXAdam, akak AngelicRadio - mostly driven by this lovely artists work Mawdam on Twitter. I eat up everything they draw.)

GAAAH I love anything involving Alastor and Rosie. Bad Besties for life, indeed. And them cutting a rug together, genuinely having a good time, the both of them feeling so easy and comfortable in each other's presence😭 I love i!

And it's made even better by Lucifer, who's never seen this side of Alastor - this fun, happy side that humanizes him so much--that he can't help but catch feelings.

Anything involving Alastor and Vox is an immediate yes from me. God, Vox wishes that were him. I bet he fantasizes about dancing with Alastor in a such a fun, care free way. (Depending on his backstory, maybe he HAS and he misses it extremely).

There was actually a fanfic I read that kind of had this premise. It's a StaticRadio fic with a scene where they're at a club or event (something like that), and Alastor and Rosie are at the piano, drunk, singing, and having the best time. Vox is watching (because he's always watching Alastor), and just about malfunctions when Alastor takes off his tie and unclips a few buttons on his shirt, revealing a - GASP - collarbone.

This scene genuinely lives rent free in my head, I think about it all the time and I love it. I love Alastor having fun and cutting loose, and people being absolutely SHOOK by it. Him taking off his tie and unclipping the top button of his shirt is the equivalent of him stripping down to his underwear and dancing on the tables.

It's unheard of. And I love characters seeing this more relaxed, human side of him, and not knowing how to handle it. I'm obsessed with it.

Here's the fic mentioned above if anyone is interested: Deer Hunting by Quoth_the_raven_Nevermore

Mind the tags! It is a smut fic. The scene in specific is near the beginning for those who may not want to read the smut part, but would like to consume this fantastic, delightful little scene.

[stjohnstarling]

Hello! Love 'What Manner of Man'! It inspired me to make my own vintage gay story myself!

But I'm having an issue with outlining, since outlining a novel feels more close-ended than a longer-form serial novel is.

Do you have any advice? Or resources, etc?

So you have no way of knowing this, but I am actually obsessed with story structure. It’s maybe the part of storytelling I’ve spent the most time consciously working with, so sorry in advance because I’m about to go on a dubiously helpful monologue. It’s a bit tricky for me to answer about resources, since the things I used when I was learning have been lost to the sands of time. That being said I have a couple pieces of advice:

If you don’t know what you’re doing, don’t be afraid to find a template. I wish I could link you a good one but I don’t have any on hand. When I was first learning to write novels, I actually found a few different standard novel structure templates and used them to outline a bunch of novels I never intended to write, as practice. Bad and silly ones that were just fun to play with, where there was no pressure to write anything I’d ever want anyone to see. My background is in music, so my instinct when I don’t know how to do something is to isolate that element and practice it on its own, and it’s never steered me wrong.*

But more than that - what you’re feeling as closed-ended is that you’re trying to write a story with structure, as opposed to one that is mostly improvised. I remember feeling this too, when I first started exploring writing novels, but this is one of those cases where limitations are actually what gives you freedom.

Structure is part of the artistry of storytelling - just like poetry has forms like sonnets and sestinas, and songs have verses, bridges, and choruses. You know intuitively the structure of a pop song, and that heightens the pleasure of listening to one as you anticipate the build up to the chorus. Stories are like this too. The structure is an important part of the audience’s enjoyment of the final piece, whether they know it or not.

I’ll give an example. Season one of AMC’s The Terror is a piece of fiction that is structured with some serious artistry, above and beyond just good craftsmanship, its structure is a crucial part of how it creates meaning. As a result a lot of what its fans do is analyze it for parallels in its storytelling. I don’t think many of them would articulate what they enjoy about it as “this is a well structured story,” but the structure is actually one of the main things the fandom engages with.

More than any writing resource, the best way to learn is to study and analyze stories you admire - why things are put in a certain order and why events fall at the points in the story that they do. When are you anticipating, when are you experiencing catharsis, where in the story do those things happen? Explore widely! You don’t have to limit yourself to novels! Movies are great for getting a basic understanding of how you can structure a story because the time and space requirements they’re subject to mean movies tend to be very rigidly structured. There’s no time to mess around like there is in long forms of fiction like novels.

I encourage you to embrace structure as a part of the art and a potential tool for expression and beauty! I can’t tell you how rewarding it is.

*I am aware that this advice does not work for a lot of people, so if it doesn’t work for you that is also perfectly fine! Everyone is different.

[utilitycaster]

@notstinglesstoo replied to your post “The thing is, and I haven't gotten a chance to...”:

I saw someone not long ago say cr has always felt like a product to them vs D20 feeling organic and I protected my peace but I did want to ask them if they were brain dead

​Oh man I wanted to address this at length because I feel this. My posts have been centered, again, specifically on published journalists picking Daggerheart aprt critically and applauding themselves for doing so despite it being within a couple of hours of its release and therefore any analysis is necessarily going to be based on at best, a skim, when they just as frequently will claim D20 seasons/Kollok are flawless works of genius based on only a partial read, but man D20's got a fandom problem too. (and all of the following comes with the caveat of "I really enjoy D20, and Dropout, and while we're at it WBN and NADDPod which both are half D20 Intrepid Heroes cast, and think Brennan is a particularly brilliant GM, and also it's obvious that the D20 and CR casts are on great terms, and wish the fandom for D20 were more welcoming and enjoyable because I feel it wasn't like this when I first started watching, as a CR fan, in late 2019 and has since curdled into something really weird and bad.")

The first point is the obvious one: technically speaking these are both products. These are performers doing an art form; it is also a portion of how they make their money with which they can buy goods and services. Believing that art is inauthentic when the artist gets paid and acknowledges that is a thing that happens is a fucking libertarian position at best. Like cool, you think only people who are independently wealthy by other means can make art, because it's not real labor, my kid could paint that, etc etc.

The second point is also pretty obvious. I have pushed back pretty hard on the "uwu CR is just watching friends! it's like we're in their living room" mentality among the fandom, which has decreased, thankfully, but like...it did in fact start organically as a private home game, and they decided, when invited, to make it A Show For An Audience. D20 was created on purpose as a show for an audience. This doesn't make it bad or fake - reread the previous paragraph - but in terms of "this is an group of people who really played D&D in this world together even before the cameras were rolling," Critical Role literally is that, and D20 is not.

I think beyond that...my biggest issues with the D20 fandom are first, the level of discourse is abominable. The tag is almost always just shrieking praise and the most surface-level readings possible. I keep bringing up the "Capitalism is the BBEG" mug but it genuinely sums up so much of how I feel; people who want their existing beliefs fed to them as surface-level no-nuance takes. I mean capitalism is fucking terrible but I do not need every work I watch to have a character turn to the camera and say "capitalism is bad" to enjoy myself, and indeed it makes it harder due to the lack of subtlety and grace. For all D20 fans complain about how unhealthily parasocial CR fans can be (and some can be), I find that a lot of the most unhealthily parasocial "how dare they BETRAY my TRUST by having a ship I don't like or not speaking up about every single societal ill" ex-CR fans move over to D20 and then pull the exact same shit; it simply doesn't get called out. Every time D20 fans are like "we don't want to become the CR fandom" it's like "your toxic positivity and unhealthy parasocial behavior exceeds the HEIGHT of what I've seen in CR; the main difference is that CR started in 2015 when D&D was still shaking off the raging bigot dudebros and so in the early days it acquired more of those fans, whereas by the time D20 came around the landscape of who played D&D and watched Actual Play had shifted wildly, and you need to judge September 2018 D20 fans in parallel to September 2018 CR fans, not September 2015 CR fans."

I also feel, and I alluded to this in the post about journalism, and other people have said this better than I have, but the pedestal people have put D20 on does feel like a single...not even misstep, but just, difficult choice that doesn't capitulate to the loudest fans will bring a good chunk of that fandom crashing to the ground. And that includes the journalists. For all the fans of CR can still be obsessed with the cast to an unhealthy degree? The cast and company have put up pretty strong boundaries and have not budged. D20 hasn't, and I think the second they do - and I think it will be for their benefit as a company and a channel - a big chunk of their most vitriolic CR-hating portion of the fandom will viciously turn on them.

[pensbridge]

This is going to be my only post I ever do THIS. It needs to be said (if even only for me). Be warned. (& I'm totally being a little funny & unserious with my words, but I also mean it). but really I just need to be so silly for a moment..

I've been in some fandoms and every fandom goes through this, but...There's no fandom on earth that quite literally walked in with no changes to the picture of the Community meme like the Bridgerton fandom. yayyy! we made history again We are the exact same picture, because it wasn't that bad! I can nearly guarantee you, people noticed the quality change, but it literally wasn't bad like you say! Some of us truly stumbled in here like wtf, and still haven't gotten the answer. Stumbling into Part 1..was stressful, but Part 2 was actual insanity!

like, I honestly don't think some people watched it all the way (i saw something about ppl finishing in 2 hours)! If they even went back, who knows?! But the takes are just literal fables!

I actually think the blind trolls coming back from the dead & thin air for part 1 have deluded some of you into thinking that part 1 was bad (it wasn't; it was good), and as a result made you think that part 2 was worse than it is. I totally respect your differing opinion, but you're wrong!

There are 2 real "issues" with this season and the other stuff is artificial grass.

#1 The lack of happy couple moments that get replaced by boring side plots (part 1 was actually enjoyable to me, but this one I actually almost fell asleep watching Benedict before I was awoken by his bi awakening). But to be frank, it's always been an ensemble, and I find it funny that people forget: People bitched about polin season 2; they bitched about Penelope since season 1.

The fact that they don't get a full episode 8 of being happy in love was criminal (but i will admit my wrong expectation, because this is Bridgerton (what else is there to expect, lol). However they are cute! Naysayers, deny it all you want, but they are literally perfect! They are literally a cute engaged couple, the moms including Lady Danbury cannot help but squeal over them, and the only thing holding them back is that this conflict is seemingly dragged on, BUT it doesn't even go on long! (perhaps it felt that way because there were only 4 in this batch of eps). And I get you can be upset, but stop the bullshit because "WE WERE ROBBED." You are lyyyyinnnnnggggg.

He finds out in 6! Anthony was with her sister for 6 eps ... Simon....avoided her til she had to make the move at the end. If we're including Queen Charlotte, George got the most cohesive story, but we'll chalk that priviledge up to the fact that he got only 6 eps; and also don't lie, the recycle-rinse-repeat episode was boring(!!!!) minus the last scene & the visitation of his trauma (u can disagree w/this, but I was bored the first time watching and didn't ask for the copy & paste same episode).

#2 is the pacing (really the last 1⅓-ish episodes is the problem)- because I wish they made up by the end of 7, which is really more of the same of what I said about them being happier in the final one. However, (which brings me to my point) if they'd shifted him finding out earlier... (again they only had 1 episode prior to do this in (because there was no way it was happening in part 1 even if the 2 part split never existed), ...it could have fixed most likely all of this: if everything was moved up an episode (+ they switched Cressida's reveal + Colin finding out), they'd be fighting in 7 but united for Cressida's lie, then they'd make up by the end, and they wouldn't still be struggling with differences between them in the first part of episode 8 at all, thus there would be the happy couple moments from my point #1.

And I newly realized how this aspect of polin's season arc compares to the others. The conflicts of the other 2 seasons have been more heavily external obstacles preventing them from really getting together, while visiting some internal demons later after the drama; but this season is pretty much just them with internal conflict between them (if not for all of part 1 then for the entirety of part 2! (i personally think that the Debling stuff is less love-trianglry than what they've done in the past & fr he is in 2 eps really and not even fully courting her for majority of it)! Enemies to lovers does have internal conflict between them in the beginning, but it's not something actually between them that's "preventing" them from riding into the sunset (other than fake fighting like they hate each lol i say w/love 4 the characters & E2L). But since Colin and Pen's conflict is actually her (Whistledown) it maybe feels like they are more at odds than what is truly going on under the surface. Because they are established to love each other already unlike the other couples, who you are seeing the journey and getting to the end. While Part 2, you are seeing the unraveling of an established couple even though the love is there and the only important reason you need to get how they can work it out. We won on complexity and realness harder than the people w/bad takes can fathom, they have to make stuff up!

The other (kind of related for some) stuff:

The sex scenes: I get it! They lied (lol)! I hope we get them! But we know why it's lacking; they're deleted scenes; they exist! But the carriage scene - HOT. The mirror - HOT. The 30 second scene (lol) - HOT. But again: K*nthony got 2 spicy scenes their season! S*phne got a montage but it kind of sucked looking back (i'm not seriously hating but you know that it was too much, literally even then i think ppl knew) but plz don't start the ship discourse again & PLZ DO BE LOUD ABOUT THESE SCENES THO, I NEED THEM (lol)

But the love confession.....sssssssss. There were so many!!! *that book one is not good, i'm sorry (i'm being lighthearted here; you can disagree w/it but I do kind of hatttte it!)

"They didn't include..." don't know if you know but the writers make the story. Their story is not the book. You knew what you jumped into. (you can be sad but..) [i am not touching the conversation on Fran. But if we're really being real that side shouldn't wanna be grouped w/the side of The Departeds who are forever the head of online harrassers....by - now causing official pages to disable their comments (you don't have to tell me it wasn't all of you. I know 😔). it's actually kind of funny how I did not know like 95% of the actual discourse those first couple days (and there's a lot of discourse to see). but, anyway my main concern this whole post are my top 2 mcs. [ps the Departeds I meant traveling; i'm not that mean]

The misinterpretation of Colin: if you hate him, then go away! Thnx 4 the record-breaking views!

The baby? Cheers to 2 years in the future w/baby No Name! *lol* I'm not gonna say you shouldn't be upset about the name. For me, it was fine, because I knew they'd be back for s4. Also, preparation guys, I doubt we will even see the child that much if Daphne is any indication.

This show has never been comparable to your favorite Oscar-worthy film (literally obviously!), but the show is not terrible like some very widely popular of what's out there (and i'm not even talking about bad shows that everyone knows are bad). There is some depth to the characters and some ingrained-trauma to living in a male-dominated society with no autonomy, and traumas to the men as well. Re: the choices and drama every season. It's... a drama show! People need to go re-read the fantasy books if they want happy, lack of conflict all the time (and men yanking their wives by the wrists)... Go read fanfic if you don't like the show and a certain couple. Bridgerton is escapism and in some crazy overtaking of loud voices in the fandom, this fandom has been one of the least escap-ist fandoms ever. Because people will be like "*suspending my disbelief*" every 2 secs, but ...babe that's not doing what you just said. There's embellished "Based on a True Story" documentary fans that do this better than you tbh (i'm being a lil funny here, but honestly)

And I simply need to say this, regardless that it won't change, I need the acknowledgment jokes and the mental cleanse. if u don't want to read × The fandom...bro. I'm not even upset, I actually laughed at some of this - like, there's 3 types of people:

#1 offended people responding to op posts, because they don't like what they said; lol, the hypocrisy! The amount of people in my comments in this past month alone if I said something positive...abt the show, abt the characters...anything (new posts, old post) is more hatred than ever ever. The good polin fans are sensitive, but any and every bad typists in the comments are so easily offended...over positivity. Why.are.you.bitter?

"I'm bitter cause.." I literally don't care

#2 people reblogging things they hate to say what they hate. thnx for the notes??? bro, some comments on other ppl's gifs (rants on what they didn't like, crying abt a character/why they hate a character, and sometimes it has nothing to do with the scene gifed).

#3 "I'm allowed to be upset." why are you fighting for this? You can! Go in peace. Some people had no issues with what you say, but you are fighting this because you are determined to make people agree with your negativity no less. If you cared about the courtesy (i know that you don't) you'd let some ppl bask in what they weren't disappointed in & were excited to end the journey with (*and i expect nothing from the haters, but some of this was coming from inside the house lol). The reason you were wrong for this is because YOU WERE WRONG! There are ppl that liked it. You have no control; I get it. dw i'm sure you'll be fine.

Anyway, if anyone even read this far, you rock 4 that. If you got it, we're healing from this dumpster fire together; and if this even made 1 person laugh or feel better, it's worth it. I'm actually good now but it was rough that first stepping into the chaos and I had so many thoughts at first, so i wrote a lot from the initial shock those moments, [and now i'm in the laughing about this bullshit phase] so if u get it u get it (and can maybe have a chuckle) >>> This is literally just your neighborly (if ur nice here) joke!post *we're laughing thru the pain* / w/e to you (if you're not because i need to & this stuff isn't new & that one goes for all divisions of the fandom not just the main contented one of this post)

[olderthannetfic]

Seeing people in your comments say one anon is definitely another anon makes me sigh. This is why I quit RPing on DW. "I can TELL that this is the same player as [other character], you type the same way!" "I saw you on that anonymous meme! No one else talks like that!" etc. Idk why people get really into this when they hit 30 but like... hear me out... maybe more than one asshole exists on the internet? Hell, I'll be bold - maybe more than two do. Possibly three. (Though not four, obviously, let's not get carried away.)

It feels like people want to see conspiracies and connections in everything these days. And it's kinda sucky. Bc sometimes, there genuinely are a couple of assholes and that's it. There's no... idk, narrative? Arch? Connective tissue? Any of the above. There's just dicks.

Recently I got a comment on AO3 from someone who thinks I'm some author they used to read on FFN 20 years ago. 20 years ago I was 3. But "it's definitely the same voice" and "the cadence is a perfect match" blah blah blah... and now I have to deal with their meltdowns. Including self-harm threats. Bc it's more reasonable that everyone secretly be someone else than it is more than one person exists with a similar opinion.

Unchecked and untreated mental illness is fandom is a fucking plague. Sometimes I wish there were servers for, idk, stable people? People who aren't obsessive? Something like that. Just to get a break. Not everything is connected.

--

I agree that unchecked and untreated mental illness is rife... but the particular flavor that leads to "Everyone is lying if they say that life can be enjoyable and human connection exists" is relatively less common, particularly when we're talking about asks sent within a few month period to the same blog and covering similar topics.

I'm sorry some loon is bothering you about decades-old drama, but True Art Anon is extremely obvious.