#i just wish it wasn't a thing

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[bunnieswithknives]

AGhghhh writing is so hard. Im struggling with the pages after this but these finalized enough that you shouldn't have to keep waiting for them

Next

[asbealthgn]

(i am not immune to peer pressure so here's a continuation. part one here)

It’s so rare that Steve meets anyone nice anymore.

It’s just hard to find people. Dating apps suck, and ever since Robin and Nancy got together, they hardly ever want to go to bars together. And what’s he supposed to do, just drink alone and hope he stumbles across someone? 

Well, that’s exactly what happened today, sans drinking. He was heading for the bus stop, a tiny bit lost but he had a map and was pretty sure he could figure it out. He realizes he’s a tiny bit directionally challenged, and he’s still relatively new in town, and Robin and Nancy just moved to a new place, so it all came together to mean that getting there would take some puzzling out. All the same, he was prepared to figure it out on his own right up until he saw the super hot guy sitting at the bus stop and figured a little help couldn’t hurt.

And that’s how Steve ended up with an unexpected date (sort of) to Robin and Nancy’s baby shower (not a real baby shower).

Robin answers the door and smiles, then does a double take when she sees Eddie. Whoops, Steve probably should have texted her that he was bringing someone. He’d gotten a little caught up in the moment.

“Hey, hope you don’t mind I brought a plus one,” Steve says, hugging her before walking inside. Eddie follows him.

“No, no, that’s fine,” Robin says, voice a little strange as they take their shoes off and she shuts the door. “We’re all in the living room.”

They follow her through the kitchen and into the living room where half a dozen calico kittens and several adults are on the floor.

“Oh my God, they’re adorable,” Eddie says, leaving Steve’s side to get down next to the kittens. Steve gets a huge smile watching him. Fuck, he’s super hot and he’s now holding a tiny kitten, cooing at it? Steve might just get on one knee right now. Or both knees. Honestly, either one works.

If he were paying more attention to literally anything other than Eddie, Steve would notice that nearly everyone else in the room is also staring at Eddie. The only exception to that is El, who’s sitting cross-legged on the floor with the mama cat in her lap, both watching the kittens with the same wide-eyed intensity.

There’s a tap on Steve’s shoulder, and he turns to look at Robin. “Can we talk for a sec?” she asks, voice still odd.

“Yeah,” he says and follows her back into the kitchen.

She crosses her arms and leans back against the counter. “So are you gonna tell me what Eddie Munson is doing in our living room?”

“Oh, have you already met him?” Steve asks.

Her eyes widen. “Are you being serious right now?”

“Uh. Yes?”

“Steve, that’s Eddie Munson,” she says, “From Corroded Coffin?”

“From what?” he asks, though as she says, it does sound a tiny bit familiar. 

“Corroded Coffin?” she says, “It’s that band the kids love. Along with like half of America if they’re not completely scandalized by them.”

“So what, you’re trying to tell me Eddie’s famous?” Steve asks. Robin nods. “Hold on, this isn’t like Paul all over again, is it?” Paul was a guy Steve briefly dated a few years ago, and Robin had somehow convinced Steve that he was an Olympic athlete. In his defense, she had mocked up some seriously convincing news articles.

But Robin is shaking her head. “No, I’m serious this time,” she says. She reaches into her pocket and pulls out her phone. After a second she turns it around to show him the Google results for Eddie Munson. There are a lot of red carpets and pictures of him onstage. And damn, Eddie seriously is so hot.

“Alright, well, you definitely didn’t have time to photoshop these,” Steve mutters. Robin nods, patting him on the shoulder. How did he accidentally bring a famous guy over?

Just then, Eddie comes into the kitchen, a kitten in his hands. 

“Stevie, look at her,” he says, holding the kitten up.

Stevie? Robin mouths. Steve kicks her as he reaches out to scratch under the kitten’s chin. It mews at him.

“I asked Nancy—she’s terrifying, by the way,” Eddie adds to Robin, “And she said I can keep her.” He lifts the kitten to his face and it purrs as it rubs its cheek against Eddie’s. Steve is actually going to combust.

“Alright, well, I’m heading back in,” Robin says, voice back to that strained quality as she escapes the kitchen. Eddie doesn’t seem to notice, too busy whispering praise to the kitten.

Steve scratches under its chin again and it purrs at him. “What’re you gonna name her?” he asks.

“Don’t know yet,” Eddie says, “Isn’t she per—oh, hold on.” His phone is ringing, so he moves the kitten to one hand as he reaches into his pocket and pulls it out. “Hey Gar….Yeah, ‘cause you abandoned me….No, I’m in Japantown getting a kitten….No, that’s not a euphemism….Listen, I’m kinda busy, I’ll call you later, alright?…Yeah, see you, man.”

While he was talking, the kitten clawed its way up Eddie’s shirt and into his hair. “What’re you doing in there, sweet girl?” he asks, tucking his phone back into his pocket and reaching for the kitten. It’s gotten very tangled in his curls, though, and apparently really likes being there. 

“Lemme help you,” Steve says, stepping closer to Eddie and extricating the kitten. Eddie’s hair is very soft. Good to know. “Here you go,” he says, holding the kitten out for him.

“One sec,” Eddie says. He ties his hair up quickly (also hot, fuck) before taking the kitten back. He boops noses with it. “Such a mischievous little girl.” 

“Well, can you blame her?” Steve asks. He brushes a loose curl behind Eddie’s ear. “Your hair seems like a nice place to be.”

Eddie smiles at him, a dimple appearing on his cheek. “I’ll be honest, Stevie,” he says, voice getting a little lower as he moves closer, boxing Steve against the counter. “At first I just came along because you’re gorgeous, but I think I’ve fallen in love.” He holds up the kitten in one hand.

“You think I’m gorgeous?” Steve asks, feeling his face heat. 

“‘Course I do, big boy,” Eddie says, leaning closer and putting his free hand on the counter by Steve’s hip.

Maybe this is stupid and way too forward, but Eddie is so dreamy with his eyes and his dimple and his hair and the kitten in his hand, so Steve leans in and kisses him. It’s a little relieving when Eddie kisses him back, free hand lifting to his hair while Steve wraps his arms around his waist.

Steve doesn’t notice the front door opening or a new group of people that includes Dustin Henderson coming inside. He doesn’t notice them entering the kitchen and freezing as they take in the scene.

That is, not until Dustin shouts, “Holy shit, is that Eddie Munson?”

tagging a few people who asked for a continuation/asked to be tagged (sorry if i missed anyone!): @nburkhardt @stargyles @csinnamon-fox @manda-panda-monium @silly-jellyghoty @lifeisnotsobadonceyoustopcaring @starquirk

edit to add that this ficlet is complete and the last part is here

[sebbyomg]

EVAN BUCKLEY | 8x03 "Final Approach"

[bonefall]

the worst parent poll made me realize just how many ppl in the fandom are willing to jump straight into abuse apologia. bc on one hand you have ppl dumbing down crow's abuse to "him just being mean" and on the other end you have ppl saying that curlfeather didnt abuse frostpaw because she sacrificed herself and frost + her siblings love her so she couldnt possibly be an abuser. truly mindboggling stuff take these serious topics away from the fandom asap.

Part of me feels like it's because many in this fandom have a feeling that if a character's actions are abusive, it means you're "not allowed" to like them. Like there's an impulse where if you liked a character, it MUST mean they weren't THAT bad, because you'd personally never like "an abuser."

As if it reflects poorly on your own morality, as a person, that you connected with An Abuser. Understood them, even. Even if it was just a character.

If it's immoral to Like Abusive Characters, of course your reaction is going to end up being abuse apologia. To enjoy something isn't logical, it's emotional, so you will get defensive about it when questioned. When you do, it's not going to be based on logic because you didn't reason yourself into that position in the first place. It's an attack on you as a person.

I feel like that's often the root of abuse apologia in this fandom, and sometimes the world at large; "If I admit that this character/person IS abusive, it means I was doing something bad by liking them, so I have to prove to everyone else that they weren't or it means I'm bad too."

And to that I say... That's a BAD impulse! Grow up and admit you resonated with a character that did a bad thing! If that's an uncomfortable thought, sit with it!

Sometimes abusers are likeable! They usually DO think they're justified in their actions, or doing it for "a good reason," or were just too preoccupied to care. MOST of the time, people who commit abusive actions are also hurt or traumatized in some way. You might even empathize with them. None of this means their actions have to be excused or downplayed.

"Abusers" aren't a type of goddamn yokai, they're people just like you and me. You don't help victims of abuse by putting the people who hurt us in an "untouchable" category.

In fact, all it does is make you less likely to recognize your own controlling behavior. You're capable of abuse. People you love are capable of it, too. People who love YOU can still hurt you.

In spite of how often people regurgitate "It's Ok To Like A Character As Long As You're Critical Of Their Actions," every day it is proven to me further and further that no one who says it actually understands what that means.

All that said; I think it's no contest which one's a worse parent, imo.

They both mistreated their children, but Curlfeather did it through manipulation without verbal or physical abuse. She politically groomed her into a position of power so that she could use her as a pawn. It can be argued if this counts as child abuse-- but it's firmly still under the broad category childhood maltreatment, which is damaging.

(though anon I'm with you 100% at seeing RED when "but she sacrificed herself" is used as an excuse. Curlfeather's death does NOT CHANGE what she did to Frostpaw in life. I think it's a valid point to bring up when comparing her to another terrible parent for judgement purposes, such as in the context of this poll, but I really hate the implication that redemption deaths "make up" for maltreatment.)

Crowfeather, meanwhile, is textually responsible for putting Breezepaw through verbal AND physical abuse, as well as child neglect. His motivations include embarrassment from a hurt ego, revenge on his ex, and being sad because of a dead girlfriend. This abuse drives Breezepelt towards radicalization in the Dark Forest.

You could argue Curlfeather is a worse person for Reedwhisker's murder, but as a parent? It's not even a question to me. Crowfeather's one of the worst dads in WC.

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[festivating]

elphaba has such an intriguing relationship with her magic in the musical. like. imagine having this mysterious power you can't control and you don't understand and obviously nobody is going to help you understand it because everyone completely fucking hates you.

and elphaba wants so badly to control these powers she promises nessa that once they're at shiz things will be different and she won't use them but she doesn't KNOW how to do that. so this is yet another part of her that scares people or makes them angry at her, and it's yet another part of her that she has no control over.

it's fucked that she admires the wizard also. because she thinks the wizard has magic but of course that's a good thing. magic isn't the problem. the problem is her magic. she never even considered a career in sorcery because her magic is more a curse than a gift.

and we know her magic is tied to her emotions and it comes out when she's mad or frightened. can you imagine how many times she must've gotten mad growing up, considering how hard her life was? and how many times her powers manifested without her control? it must've happened a LOT if she had to promise nessa she wouldn't use her magic again. and how many times she stopped herself from getting mad in the first place because she was afraid of what she could do?

also elphaba tells morrible "something just comes over me sometimes. something i can't describe. but i will try to control myself." and then she apologizes to nessa. she apologizes for something she can't control, something she has clearly tried to control before, smothering down a part of her that should be natural, that should be considered a talent.

and a part of me thinks that she grew to resent her magic so thoroughly she carried that resentment even after getting training from morrible. after her lessons and after getting the grimmerie all the magic we see from elphaba is more "controlled" so to speak.

but still think about the scene at the governor's manor, when she purposely enchants nessa's shoes and she says "FINALLY from these powers something good" so even after all that time she still never saw her own powers in a positive light. and i mean. with the wizard and morrible tricking her to fuck up the monkeys of course she thinks like that.

she went from having to hide her powers, to trying to suppress them to make the people around her more comfortable, to being hunted because of her powers. of course she's never going to see that side of herself as something good. the amount of self-loathing she carries is just unreal i don't know how to finish this post but i love her very very much and she needs a hug.

[niinnyu]

Cursed.

Explanation for this below the cut heh [mild manga spoilers!!]

In ch181 (?) We see this one panel of her super focused very scary, like she meant business (i cannot find the panel tho im sorry). This happens right after Yuuta vs Takako and Ishigori.

I remember thinking ooh maybe Miwa and Yuuta would team up, but then also why??

Then I had this thought of Miwa now having Mechamaru as a curse and going to Yuuta for advice, but because for Yuuta it comes much more instinctively because of his relationship wih Rika,he doesn't have much to offer (mostly because I'd like her to not have to rely on someone else too much) and she has to navigate having a curse with her.

Her recent appearances do make her look like she still has her brand of nervousness, which I like about her, so I've drawn her like that too. I also gave her Kokichi's ear piece thingy, wonder if that's what created the curse oohh.

For Kokichi I've mixed his human form with the bandages and hair and his mech from his fight with Mahito, because I like to think that was his sorta freedom form compared to the usual metal/wooden mechamaru. It was after he got his body ofc but also after trying to right his wrong.

I talk about why I wouldn't wanna exactly see this in the tags tho lol I'm am my own naysayer ✌️(Miwa has to find her happiness!! And that doesn't have to be a person or romantic!!+ more!!)

[natjennie]

what's weird about the fantasy high drama is that like. it seems to me like people forget d&d is primarily a) a game you play with your friends and also b) luck based.

I mean it's fine to say that "nothing felt like a challenge" and "they just dominated everything and there weren't any stakes" but like. it's not as if they weren't up against huge threats. they lost the mall fight. the last stand was an onslaught of enemies. they fought a dozen dragons from an airship. the fights were hard. they're just really good. they've had very good dice luck in general this season and are all very high level and highly specialized. fig is gonna beat deception and performance checks. adaine's gonna figure out the arcana. riz is gonna succeed investigations. like. for some reason their strategical competence and wisely picked abilities are. a downside? a disappointment?

the thing about d&d that you need to remember is it's first and foremost a game. it's mostly random and it takes you down weird paths and you're playing to have fun with your friends. the dice are literally telling the story that it's their time, it's their year. they've struggled enough. they've trained enough. they're good at what they do. and in my post about the academic/domestic/personal stressors being the focus, d&d doesn't have any other system to work them out than rolling different skills. that's what d&d is. brennan set specific challenge levels for different tasks and the players strategized to prioritize which abilities they were strongest in. the challenges were there. and the players rose to them. they were both smart in their delegation of responsibilities and lucky with their dice rolls. of which, both are foundations of d&d.

don't mistake them being good players and getting lucky with there being no hardship. just because they smashed through the wall, that doesn't mean the wall wasn't strong. they were just stronger.

[mayasdeluca]

From CAPT. BISHOP to CAPT. DELUCA-BISHOP ❤️

[meregrin]

my two cents are that people outside of finland (and even the more left-leaning circles in finland) are not really taking into account that an average person here doesn’t know jack shit about israel or palestine. the first and only time either of them got mentioned in my 12 years of schooling (i’m a few years younger than jere) was an optional history course focusing on post-ww2 history in my final year of high shcool. jere went to vocational school and they don’t teach history at all there so he’s relying on his junior high education which isn’t saying much considering he’s said multiple times he didn’t pay attention at school.

it doesn’t help that the mainstream reporting (which he’s forced to rely on since he doesn’t speak fluent enough english) about the palestinian genocide has been frustratingly neutral and both-sides-y here in finland. obviously some of that is due to journalistic ethics and responsibilities because our news medias can’t get their reporters within gaza’s borders and they can’t report on things unless the information comes from a reputable source or they can fact check them.

all this is to say that i'm willing to bet actual money he doesn’t even know the definition of genocide in finnish, not to mention IDF or zionism or even judaism. those things are simply not taught here and the idea of him being a zionist is laughable. i studied anthropology at university and the amount of times i’ve had to explain fairly simple concepts like colonialism or genocide to people, even highly-educated ones, is staggering. and i didn’t really understand those things either before i went to university. finland used to love to rave about our PISA scores but the truth is that the level of basic education here has been really poor for decades.

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[bunnieswithknives]

Obsessed with his brain

[phonification]

oldish whiteboards that i played around with in ibis

[emahriel]

as my good friend and i like to remind each other:

don't yuck people's yum. if you do so, at least keep it in the dms. no point in making people feel absolutely miserable for liking a certain thing, for having an oc you don't like - whatever it is. people constantly hating just for the sake of hating truly sour the fandom experience on social medias. there's a problem if the only way you feel better is by making others feel like crap.

and you, who shares the things you love online, who creates original characters and talks about their ships - know that you will never be able to please everyone and that's okay. don't let it stop you from sharing what you love, if it brings you happiness then keep doing it. you don't owe anyone anything, if what you like somehow upsets people, they can very easily just block you and move on. it's really that simple!

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.