#i just want people to read my story

[masterhandss]

Have you ever been curious about the EnStars MC Anzu, what she does in EnGirls and EnStars, and what information we could gather about her from each story?

For Paradise's 10th Anniversary, I made an "Anzu Story Breakdown doc" where you can read what she does & any info about her in each story🌸⭐️‼️ (twitter post)

(currently doesn't contain EnStars stories, but they are in progress and will be added once they are finished per year)

09.14.24 - Added EnGirls and extra materials 09.15.24 - Added story names in the outline for easier navigation 10.08.24 - Added the following ES! stories: Marching Band, Sweets, Duel, Hero Show, Tanabata Festival, Pool Opening, Test of Courage, Restaurant, Quarrel Festival, Holiday, First Shrine Visit, Amusement Park Show, WANTED!!!, Robin Hood, Passionate Carmen, Sweet Halloween, Beasts, Buddy

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[myokk]

my first attempt at digital art (never again🥲) for mctober💘

Eloise Babbit✨

slytherin

5th year

favorite subjects: arithmancy & ancient runes

least favorite subject: beasts (animals make her nervous🥲)

hobbies: reading & thinking (IT’S A HOBBY OKAY??)

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[ratwithhands]

Read Right to Left (Manga Format)

I have returned to watching demon slayer after a year and it came up while I was having a serious late night talk with my big sister. I was talking about the relationship between Michikatsu/Kokushibo and Yoriichi and it turns out we both see each other in Yoriichi's shoes and ourselves in Michikatsu's place. Definitely surprising, but really relieving to know that we both worry too much and we are not so far apart in skill as we believe.

This is technically the first piece of fanart I've ever made for the characters in Demon Slayer, I have made OCs before but I never drew an actual character from the story. For context this is mostly just a fun "what if" scenario with them meeting in the afterlife. I like to think Yoriichi's love would reawaken Michikatsu's humanity.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[naggingatlas]

'thats not his role in the story!' hm i wonder what the point of it is then. hm i wonder what the dead pixel scene means. hm i wonder what wrong organ are trying to say with the context of 'awesome male friendship' and 'corporate hell where the only woman onboard is constantly under ridicule, abused or forcibly forgotten yet is the catalyst' if not this. hm i wonder how curly's physical agony being a direct parallel to anya's mental agony, stripped of voice, agency, just like her, and being forced to watch what happens while not doing jack shit, just like he used to, plays a part in this. i wonder what the moral of him being the final girl says about living with the consequences of your inaction, because of sentimentality, because of status, career and social. hm i wonder whatever the fuck this game was trying to say. hm i wonder what else is on this person's blog Oh Lord there's yaoi penice.

[fictionadventurer]

Everything I learn about Rose Wilder Lane makes me more and more aware that she was a hilariously outrageous person who needs a movie made about her immediately.

After leaving Missouri, she moves to California and marries a real-estate guy who once tried to get her to help him con the railroad.

She gets hired at a San Francisco newspaper known for its yellow journalism, where she does things like writing a series of columns featuring the "real-life stories of a police detective" who, in real life, was a high-end jewel thief.

Her first book is a first-person "autobiography" of Charlie Chaplin that she (after a few interviews with Chaplin) completely made up, and that Charlie Chaplin immediately threatened to sue her publisher for.

Her second book is a biography of Jack London, which his wife only reluctantly allowed her to write because Rose presented herself as "someone who had never written for the newspapers before and needs a chance to break into the magazines." This book was also almost entirely fictional, and her publisher also almost got sued over it.

Third biography is the first-ever biography of Herbert Hoover, also a heavily-fictionalized account. (Doesn't seem to have been sued for this one. Steps in the right direction!)

Traveled as a reporter through Europe (to places like Albania and Poland) post-WWI. (If we want to talk about legal things that she did).

Wrote a book based on Laura's late-childhood pioneer experiences while Laura was writing the early books of the Little House series, and did not tell Laura about it. (Laura was ticked off).

Kept trying to insert a story into Laura's memoirs (and Little House on the Prairie) casting Pa as a member of a posse that hunted down the infamous (and never-caught) serial-killing Bender family (despite the fact that this was historically impossible). (It got to the point that Laura herself told this story to the public as an example of "a true story I couldn't out in my children's book." Despite the fact, I say again, that this was historically impossible).

During WWII, endured a minor incident (it involved one cop coming to her house) where the FBI investigated her as a potential communist based on a postcard she sent that was critical of the government. Turned this into a short story that presented herself as the righteously-outraged American citizen fighting against an oppressive government, and used this to whip up a nationwide media campaign against J. Edgar Hoover for spying on American citizens.

Flew to Vietnam as a war reporter when she was in her seventies.

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[i-still-dont-know-a-username]

Don't get me wrong, "The Beauty of the House is immeasurable; its Kindness infinite" is a quote that absolutely hits me square in the chest every time.

..But I feel like putting it in italics under an aesthetic picture is kinda neglecting the context, since Piranesi has Nearly Drowned when he first says that.

[imaybe5tupid]

if you see absolutely anything that has kabru in it. And are unable to stop yourself from making it about L/abru (even when Laios doesn’t even appear or is irrelevant to the content in question!) and reduce kabrus entire deuteragonist-level character into wanting to fuck laios. I’m stealing something out of your house!!!!!

disclaimer: If you ship l/abru and gaf about kabru and don’t do this then this post isn’t about you 🤓

[novella-november]

For the record, I've gotten another ask that is complaining that I am encouraging people to branch out and experiment with original fiction vs fanfiction for the short story events -- that is to say, the events that consist of four, 5k short stories in a month, NOT me telling people they have to write 30k original words in November. If you read it that way, please go back and re-read the original posts.

It has part of this blog from day 1 that fanfiction is not only included and embraced in this challenge alongside technical and non-fiction writing, and if you take me encouraging people to also give original fiction *a try* on one of the mini challenges as a personal attack of some kind, I'm not sure what to say.... except I'm not going to have my inbox filled with this.

Re-read my biggest, top post, where I literally included Fanfiction and technical, non-fiction writing as fully fledged options on the literal announcement post of this blog.

I do not hate fanfiction, I do not look down on fanfiction, and I read and write plenty of it myself.

Suggesting that people might consider writing a short original story for one of the 5k a week challenges is not me attacking fanfiction or fanfiction writers, because I literally am one.

I am not going to be engaging in any further asks that act like I am browbeating or guilting people into not writing fanfiction or that I am "looking down on fanfiction writers".

I've responded privately to probably a dozen different blogs who asked about fanfiction since this blog began and forgot those dozen responses weren't visible to the rest of Tumblr, so it looked like the only times I had mentioned it at all were when I got asked twice in 24 hours about it.

Its been on the announcement post of this blog since day one that fanfiction is allowed along with any other form of writing.

If you are mad at me for encouraging people to give original writing a try for a writing contest alongside fanfiction then idk man 🤷

[cliban]

the AMOUNT of times i have seen a cool blogger today and then gone to their blog to follow them only to be confronted with an honestly weird amount of dismissal/outright hatred for trans men, transmasculine people, and/or butches is actually insane

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[feroluce]

For reasons to be expanded upon at a later date (because I love the little bits about Boothill and possible paranoia/betrayal canon gives us so very dearly HNGH) I think Boothill like... He won't let himself fall into disrepair or anything of course, but he reeeeeeeeeeally does not like letting other people poke around at his body. It's a necessary evil to him. He does whatever maintenance and repairs he can himself. He started out with a massive knowledge deficit, simply because he didn't really have any exposure to that kind of technology until he left Aeragan-Epharshal, but he's taught himself a lot since then, he worked really hard at it!

Anyway, the point being, Boothill generally isn't super trusting of people.

But I think he would come to make an exception for Himeko, since he trusts Dan Heng a lot, and Himeko is one of Dan Heng's once-in-a-lifetime dearly beloved companions.

Himeko is so unflappable, I don't think she would even bat an eye about anything he throws at her, either. Like she enters the Parlor Car one morning (she's always the first one up) and Boothill is already there, waiting for her.

"Mornin', Madam Navigator."

"Good morning, Mr. Boothill."

And despite the fact that he blatantly broke into the Express (Pom-Pom is NOT happy about this JDKSAJDSKL), Boothill tips his hat, greets her politely, and is nothing but respectful when he says he has a favor to ask of her. Except it won't stay a favor long, of course- he has every intention of paying it back.

Himeko never agrees to things blindly, but she does bring up that all the knowledge Boothill contributed during the Charmony Festival was essential to preventing the universe from being pulled into Ena's Dream. And they were able to hold onto the Jade Abacus because Boothill used Tiernan's burial relic to summon the Galaxy Rangers instead. The Astral Express owes him a debt of gratitude, and besides, he's a friend of Dan Heng's. Of course she'll try to help him.

Boothill fidgets a bit, quickly brushes off the thanks, and tells Himeko he's having a problem with error codes. He keeps getting the same one, seemingly at random times, but the darn thing has no obvious cause. Dan Heng mentioned Himeko had been the one to rebuild the Astral Express. He knows it ain't the same, but it's not like he's askin' for any major repairs or nothin'. He was wonderin' if she could just take a look, maybe offer him some insight, since she seems to be somethin' of a mechanical wonder.

So Himeko walks him back to a another car, where she goes to tinker with machines without them crowding her bedroom. It's all neatly laid out and organized, and it only takes a second for Himeko to locate some specific device with a long cord. Instead of plugging it in herself, she holds the end of it out to him, like an offer rather than a demand, and Boothill visibly relaxes a bit. He still eyes it just a little warily for a second, but he accepts and plugs it into the port on his side.

Himeko pulls up the list of all recent errors, and they really are all the same. Boothill has had multiple temperature alarms over the past couple of weeks since the Charmony Festival, and they know it's not the environment, because Penacony is mostly dreamscape and kept mild year-round. The long-forgotten natural deserts are too far away.

Boothill is staring from the corner of his one good eye, so Himeko turns the hologram to let him see what she's doing easier. They don't appear to be false alarms. His internal temperature spikes and then slowly lowers again, high enough that if it lasted it would eventually cause damage.

One option is for her to start rooting through personal data, figuring out what he was doing at the time of each code, and tracing cause and correlation.

Instead, Himeko reads out the timestamps, and asks Boothill if he minds sharing what was happening around him when it occured.

Two weeks ago: He and Dan Heng went to explore Dreamflux Reef and found a bar- nice place, good atmosphere. Woman runnin’ it was a doll. Boothill left fer not even two minutes to get them drinks (Dan Heng knows like nothin’ about liquor, Madam Navigator, can you believe this guy) and when he came back, someone had already stolen his seat and was hittin’ on Dan Heng! Dan Heng didn't even care, just shooed ‘em off. Boothill laughed and said not to let him get in his way if he wanted to meet someone. Dan Heng looked at him like he'd grown a second head. Why would he want to leave with someone else, when he came here to be with Boothill?

Twelve days ago: While laying low- er, just rustlin’ up some grub- in the Moment of Blue, Boothill passed Dan Heng with March and Caelus playin’ on the beach, buildin’ sandcastles and the like. When he passed by again almost two hours later, they were still out there, with Dan Heng pullin’ March through the water on her inner tube and Caelus hangin’ off the back of it. He swam so fast! You'd think he was part water snake or somethin’. He looked happier ‘n a cat in a sunbeam… He has a nice smile, doesn't he?

Eleven days ago: Boothill was killin’ time in Dreamflux Reef when he turned the corner down a shady alley and saw Dan Heng, surrounded by three men demandin’ “protection money.” None of ‘em stood a chance, they were all on the ground before Boothill even blinked! So cool! Boothill wants to see that spear of his closeup- Anyway, Dan Heng stepped on one of ‘em on his way out, hahaha! Boothill stepped on the same guy a second time as he hurried to catch up.

Eight days ago: Here on the Express, actually. Boothill had mentioned bein’ curious about the archives, and Dan Heng personally invited him.

(“I remember that day, I saw you in the hall.” “Was there any problem with the heating that day?” “No, none. I don't think the temperature has anything to do with these error codes. I have a different theory, keep going.” “If ya say so.”)

Boothill was fascinated by an entry on aeons, and from a single question he asked about Lan, the two of ‘em ended up talkin’ fer hours. About aeons and Paths and Emanators, Acheron and Self-Annihilators, the Sea of Nihility, Tiernan, the Nameless and the Galaxy Rangers, their burial relics and their customs. Dan Heng finally just started writin’ and editin’ the entries in real time, with Boothill pointin’ things out and tellin’ him what to add in. They were at it so late that Boothill ended up sleepin' on a couch in one of the cars.

He'd figured there had to be something to make Dan Heng chatty- he'd caught just a glimpse of it that first night they met, sittin’ at the bar in the Reverie together. He'll have to ask about the archives more often, if it gets him all revved up like that.

One week ago: After that night of energetic discussion, Dan Heng was apparently hyped up, because after he'd downed some of Himeko's coffee (“You had some too, right? What did you think of it?” “It was great, even better'n chewin’ bullets!” "Thank you! That was my newest brew, I can't wait for everyone else to try it.") he actually asked Boothill to go hunting with him. Boothill asked who their target was, and was surprised when Dan Heng pulled out photos that looked like they were from March's camera, of all things, instead of a bounty or wanted poster.

And as he sat there, studying these pictures, Dan Heng explained that he wanted to hunt down these specific memory zone memes to record them into the archives. Planets with so much memoria are a rarity, especially with the Stellaron's activity thrown into the mix, which has surely affected the local “wildlife.” He might not get another opportunity like this for a long time. And Boothill had talked last night about his extensive expertise in tracking and hunting, so he should have plenty to offer here, Dan Heng would like to learn from his experience and see how he does things!

And oh, Madam Navigator, by the time Dan Heng was done speakin', his eyes were practically sparklin'! Just lit up like the sun! Boothill could scarcely believe it! The two of them couldn't even wait another day, they set out that very morning. It had been a long, long while since Boothill had tracked someone- er, somethin’- without the intent to capture or kill. It was…actually really nice. Nostalgic, but in a good way. It might even have been his favorite day on Penacony…so…far…

Boothill trails off as a couple of realizations crash into him. All the temperature alarms he's spoken about thus far- they've all happened in the company of Dan Heng. And now that he's thinking about it, he's pretty sure even the ones he hasn't yet talked about were with him, too. Dan Heng has been responsible for all of his error codes, every. single. one.

The screen in front of Himeko suddenly refreshes to the top of the list, displaying a new notification for the current time. Alert! Core temperature above normal range.

Himeko's knowing smile is sly as a snake.

Wwwwwelp, would ya look at the time, Boothill has some errands to meet, people to run, y’know how it is, he should really get goin'-

“Oh, Mr. Boothill? About that favor.” And Boothill jolts to a stop in the doorway because fudge, he can't just leave without hearing her out. He'd given his word. He has no problem running out on someone he thinks deserves it, but Himeko really had been kind to him to try and help him out. Her voice is just as knowing as her smile, Boothill can't turn around to look at her, or else he knows he won't be able to disguise the sound of his cooling fans kicking on.

“Don't make Dan Heng wait too long, ok~?”

“Y-Yes, ma'am.”