#i just want her specifically to understand how much it means for me to see her

[the-gay-trashmouth]

Hi I would like to address these tags! Obviously no hate to you, I get what you mean, I just wanted to respond! Because I definitely don't hate Curly or think he's fully responsible for Jimmy's actions, but I do hold him in higher standing than Swansea in terms of responsibility.

As the captain, he had the most power in the situation and he had a lot more resources to use after he finds out what Jimmy did before the crash. even after Jimmy says to his face he could "crash the ship and they'd be remembered as heros" after Anya tells Jimmy she's pregnant, he does nothing to stop him from going into the cockpit. It's not until the sirens are going that he runs back to see Jimmy on the ground outside the door. Jimmy was literally telling him to his face that he would rather die than see consequences, but Curly doesn't take it seriously and let's him just. Go?

I definitely see how I could be interrupting Swansea too charitably.The idea of him protecting the only other entrance to medbay is more of a speculation than canon, and I definitely acknowledge that he could very well have seen it as "none of his business" until Daisuke died, or he didn't want to ruin his chances of getting Daisuke off the ship by pissing off Jimbob, but either way, he was just the ship's mechanic. He couldn't demote Jimmy, or open anything that needed that captain's scanner or security codes. He didn't even know what Jimmy did until After the crash. By then, all he had was the utility closet, an axe, and the one cryopod, and he made sure Jimmy didn't know about it for months. I think there's enough in the game to point either way in terms of how much he tries to help Anya, but in terms of resources, power, and time, Curly had the most opportunities to do something and yet sat back and let Jimmy continue to do whatever. Not without guilt, mind you, and not without a genuine attempt to make sure it all worked out, but he still let Jimmy continue on like nothing happened.

As for the company docking their pay, I also mentioned this as Curly being specifically incentivized not to do anything, but I don't think that excuses his actions. They might get their pay docked, but Anya has to live with her rapist in a ship with no locks on the sleeping quarters. I understand fearing consequences, but that's just ignoring her safety for his (and the rest of the crews) own monetary gain, which I don't see as a point in his favor but it does add more nuance to his decision.

My ending point (which came way late in the post, it was just me rambling for a while) was that while both Swansea and Curly do what they think is best, it's too little and too late. Curly thought keeping the peace would fix it, Swansea thought hiding things and just keeping out of the way would help fix it, neither of them took real direct action that would have stopped Jimmy. But even despite that, in real situations of abuse, there often isn't a "right" answer, and it's understandable when they get stuck in place trying to figure out which way to go. There was no way to guarantee Jimmy wouldn't have gone off the handle earlier if confronted. Like I said, what happened was no one's fault but Jimmy's, and on a larger scale, The Pony Express, due to multiple ways they fail Anya and incentivize coverups, but Curly, as captain, had a responsibility to protect his crew, but he chose to see the best in Jimmy, and he didn't take him seriously when Jimmy tells him Exactly who he is. Until he's forced to.

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[jules-ln]

Ok you guys I went to sleep at 1 am and woke up at fucking 5 am to watch arcane so here are my thoughts/review:

After I finished it, first of all, I was mad lmao, then I thought about it for a moment and I started crying, but like ugly crying with sobs and everything because holy shit Jayce and Viktor, then I stopped crying, thought about it a bit more, and I got mad Again lmao

Now spoilers

It was a fucking mess lmao

Like seriously what the fuck fortiche, what the fuck Riot, it was such a fucking mess, it was all over the place, the story was rushed, the characters arcs were rushed, there was a lot of things that felt very forced because they didn't have time to let it happen naturally and I can tell a lot of things that would've been good were left in the inkpot

About Cait and Vi: I truly and honestly couldn't have care less about them lmao

I know I know

But I already fucking knew they were going to end up together that Vi was going to forgive Cait for being a fascist etc etc, for me their arc was already finished and I didn't have time to care about them because I was more worried about what the heck would happen to the other characters and how in hell would they wrap up that mess. If they would've cut all their scenes and gave that time to Mel or something, I would've been so fucking happy

Also, the sex scene annoyed me so much lmao, I was thinking "IF YOU WANTED A SEX SCENE YOU SHOULD'VE ADDED ANOTHER SEASON FORTICHE! WE DON'T HAVE TIME FOR THAT NOW!" lmao

Mel: I liked the concept of her arc, I like the theory, I can see their vision, what they were going for

But in reality it wasn't fucking that

Like, I like the idea of having Mel realize that she was much more than the daughter of her mother, that she had her own value for who she was instead of simply being the blood in her veins. But boy, it didn't feel at all like she realized that lmao

It just felt like she was "now I'm confident enough about myself to confront my mother because the writers said so" like what? This is what I mean when I say that a lot of things felt forced

Viktor: ok, ok I'm just like *heavy sigh*

To be honest part of why I was mad at first was Viktor's character, I was like "So what? You stop being a humanity loving pacifist to become a fucking control freak who hates free will and emotions just like that?" But then I thought about it, and if you frame his arc through Jayce, it actually made sense, because you see, everything he did was for Jayce. When he came back and went to build his cult, I mean, Commune, he was doing their hextech dream, the thing they always wanted, the thing Jayce always wanted

When Jayce went and rejected him by shooting him in the chest (thanks Jayce) he was hurt, he lashed out and wanted to get rid of all emotions, ironically it was a very emotional reaction. So then as soon as Jayce was back with him, he realized his mistake and stopped

So yeah, it makes sense, the problem is that I shouldn't have to stop and piece together a character motivation like that Fortiche what the hell. I know some people say "let the audience do some work!" But I feel like I'm doing all the fucking work here

What they did was great! Good! But just like Mel, give it more fucking time please

And the machine herald design was a bit ugly lmao, like his design in the game looks better, but thinking about it, and looking at the other robots design and how Viktor dresses in the series. I think it makes sense that this specific Viktor would design something like that

EDIT: Oh! I Also forgot to add:

My favorite scene of him was when Jayce was taking out all of those things one by one and Viktor waited until he was done to push them all back LMAO he didn't need to do that

Jayce:

Jayce, what the hell

Like, I understand why Viktor acted like he did, but like, what was up with you?

I mean, the end implied that he knew all along what was going to happen (machine herald, save Viktor etc), but like, why did he acted so angry at the commune then? He seemed so erratic and Angry like he didn't know what was going to happen, but he knew, and then he switched back to normal but like, what was up with all of what happened before? If anything, why didn't just he let Viktor get to the hexgate peacefully and then talk to him? Idk, it just seems to me like Jayce was the character the most affected by the crossfire of the plot happening because the writers had a very specific ending in mind and no time to get to that ending naturally

Also "hextech is bad" Then proceeds to let everyone keep using it lmao

Ambessa and Singed: of all the characters I think these one were the worst of all lmao

Like the plot completely changed Jayce and forced Mel, but like, these two just were put aside? Lmao

Everyone at Fortiche was like "Fuck Ambessa and Fuck Singed" which is a shame because these two were really interesting

Ekko and Jinx:

I think of all the other characters, these two were the best ones

I didn't feel like their arc was forced, it felt like they were given enough time, but you know why? Because their arc started in season 1, in this season they just finished it

The only thing I will complain about is Isha, because it just feels like they used her and completely discarded her after like a broken toy. Like Silco was waaay better handled than her

Heimmerdinger: I mean, I didn't care much about him lmao, he was only there because the plot needed him, and when he wasn't necessary anymore they got rid of him lmao

But it was less obvious than Isha at least

Viktor and Jayce: now, this is the part that got me fucking crying so much, and this along with Ekko and Jinx are the things that make me feel conflicted about this ending and not hate it as much as I would otherwise

It was all left ambiguous, and the cynical part of me thinks "of course they can't make it any more obvious because then the dude bros who main Viktor and Jayce in LoL are going to cry about how they don't want to play as a man who wants to kiss another man"

But if I take it at face value... Ngl guys, it was good

Like how Jayce chose Viktor after everything he did, how Viktor tried to push Jayce away to protect him but Jayce refused to leave, how all they wanted wasn't progress, or fame or power, but simply be together. And they got to be together in the end

Damn, I'm crying again

I JUST FUCKING WISH EVERYTHING AROUND IT WASN'T A MESS!

And I wanted to add, when everyone in Zaun went to help everyone in Piltover to deal with Ambessa, I wouldn't have done that, fuck them, they put a fucking fascist dictator on power, probably made a lot of people "dissappear" and just like that they are like "Guys, we're sorry, we need your help now :(" fuck that

In the end, it doesn't feel like Fortiche earned this ending. Season 2 should've ended with Arc 2, and Arc 3 should've been a whole season

And I can't give it a rating, because I don't know, I didn't like a lot of it, but there were some parts that I really fucking loved

But if someone asked me if it was worth to give the series a try, I would say yes, but don't get your hopes up for the ending lmao

[good-beanswrites]

Can I request "this didnt turn out like I intended" with shidou, es, and amane?

Aw yeah!! Thank you so much for the request -- I ended up giving the line to Es but honestly all three of them could have said it, it was perfect 👀 I pictured this before the T2 interrogations, with Es being fairly quiet about their guilt towards everything that happened. Though Shidou appears a bit less, I hope I could convey that he and Es share a lot of thoughts, interestingly.

Es would never get accustomed to the screaming. 

They’d heard a few anguished cries from the prisoner’s videos. They’d gotten a few agitated shouts when the first trial verdicts were announced. But nothing could have prepared them for the way the prison halls echoed now. Whether the prisoners poured out their sorrows, anguish, or agony at recent injuries, Es didn’t think they needed Milgram’s power to hear the true sounds of their heart. 

Es wished they’d just stop already. They knew it was selfish to hope for. They knew it stemmed from their own guilt. That didn’t make them wish for it any less.

The current bout of cries was coming from Shidou’s cell. Es had paused just before passing, trying to bury a wince as they listened to Fuuta struggle with treatment.

Amane approached from the other side. She glared at the cell, though Es knew it wasn’t the screaming that was bothering her.

She opened her mouth to speak, but they said in a hushed voice, “hey, I don’t need you giving Shidou any trouble. I know you disapprove, but I stand by this. I’m the one who told Shidou to check on Fuuta and Mahiru. I’m going to make sure they’re cared for.”

Amane studied them with her bright, unsettling gaze. “Why?” Her voice came out as strangely even as always. She was one of the few Es hadn’t heard any kind of shout from. “If something is destined to happen, who are you to change its course? Do you really believe you are the same as God, having that much control over the lives of others?”

“Not at all.” Es didn’t fight her. They weren’t here to change her heart, only read it. Still, they wondered if they could convince her to soften a bit without denouncing her beliefs. “The thing is, I’m not affecting their fate.”

“Then what do you call this?”

“Putting things back the way they should be.”

Es had tried to stand by their actions. They’d put on a tough face in front of the injured prisoners. They could not show weakness. As their warden, they couldn’t show any uncertainty, whatsoever. After all, the only thing worse than nearly getting killed was finding out you nearly got killed because of a child’s mistake. So they would keep this act up. They would assure everyone that this was still going according to plan. 

The way Amane looked at them, she already knew it wasn’t.

So, they figured it wouldn’t hurt to speak a little more openly now. Maybe it would even help explain Amane’s verdict. That certainly hadn’t gone as planned, either. “I wrongfully changed their lives when I let them get hurt. I saw that Kotoko had the capability for something like this, and I ignored it in the name of forgiveness. Now I need to fix the harm I’ve caused.”

“You haven’t caused any harm.”

Fuuta howled from inside.

Amane turned her gaze away. “That was still an outside force. You had no control over Kotoko’s actions. You and Shidou have control now.”

“I did have control over Kotoko, though. I knew my choices would have consequences. This is my fault.”

It felt good to say it out loud. Maybe not 'good.' It was a relief.

“And if I may venture to speak for Shidou…” That man was a mystery, but Es had put a few pieces together, at least. “It seems… he also took some lives off of their intended course. This is his way of fixing that. Right now, this is all we can do to make up for our decisions of the past. Isn’t that acceptable?”

She went to answer, but some shuffling from the cell cut her off. Shidou emerged, his expression changing ever so slightly upon finding the two just outside. Fuuta scowled on his way out, but said nothing. 

As the pair stood face to face, Amane’s eyes lit with fiery fury. Shidou met her with a harsh coldness.

“I wasn’t expecting you two,” he said simply. He was one of the others Es had yet to hear with a raised voice. Their two quietest prisoners, locked in such an intense struggle. That had certainly been an unexpected turn. “Is everything alright?”

“Yes,” Es lied. “We just stopped to talk for a moment.”

“Oh? What about?” Shidou folded his hands together. His gloves were covered in blood, they noticed. 

“Just that… this…” they waved a gloved hand in a general gesture, “didn’t work out as I intended.”

Shidou offered them a smile. It was one without any warmth, but that didn’t make it any less genuine.

“Mmm. It never does.”

[nerdyqueerr]

How to tell the beautiful older trans woman on my rugby team that she's so incredibly charming and I would die or perhaps proclaim some kind of sonnet for her if she needed me to without making it like. Weird

[tambourineophelia]

.

[themyscirah]

Started thinking about the Amanda Waller + Ben Turner relationship again.... fuck, I'm gonna need a minute

[bogos-bint3d]

Oooooooo you wanna find me great incredible Undyne centric content that I haven't seen before and will be consumed by ooooooooooo

[ich-theosaurus]

treasure planet is the romanichal movie ever i will not elaborate

[lilgynt]

i’m limping bc i kicked my moms door yesterday which yippie yappo gonna pretend im spider man and got injured on idk patrol or some shit not that kicked my moms door bc i was angry that she got legitimately upset wit me for needing to use the restroom and couldn’t wait till i was done to do her hair dye stuff but my coworker noticed and now i gotta kill myself

[dunmeshistash]

One of the things I really appreciate about Dungeon Meshi is how the text is so clearly full of love for animals. Like the true kind of love Laios feels for the monster where he wants to know everything about them, but most of all he respects them and loves them as animals.

One of the chapters I can't stop thinking about is the one about Anne the Kelpie. It's kind of impressive how well it illustrates the different kind of love people have for animals. And how someone that loves an animal isn't necessarily an animal lover. If that makes sense.

When Senshi calls out Anne what he says is "Don't worry Anne's Harmless" but she isn't, she's a wild animal.

Marcille immediately reacts positively about it thinking it's cute she accepts the treat Senshi has for her. And hers and Chilchuck's reaction to Senshi wanting to cross the river on her back is more surprise while Laios immediately realizes how bad of an idea it is.

But Laios is the animal monster lover so how come when he finally is faced with a "docile" monster he doesn't react positively like the others? Marcille even calls him a monster. That's because Laios loves monsters, and Senshi loves Anne.

I've seen this attitude around me several times, where people love a specific animal but what they love is their idea of that animal, they don't really know them because they don't love the animal part of them.

It becomes a "this one is special because I love them" that can quickly become an issue for the animal as much as it is for the person. It's something unfortunate I see time and time again irl.

Anne wasn't wicked, Anne wasn't mean, Anne didn't trick him. Anne was a wild animal and Senshi loved her as Anne but not as a kelpie.

She acted on instinct, maybe she did love Senshi in the way kelpies can love, but animals are still animals and must be respected and treated as such. Climbing on top of Anne's back was the equivalent of putting your arm inside a alligator's mouth, the mouth is gonna close because that's what they're designed to do.

The real life equivalent I see the most of "I love this animal but I don't love the animal part of them" is with dogs. If you insist on loving an animal without acknowledging they ARE an animal they might hurt you, you might hurt them, it will only end in grief.

The best way you can love an animal is by understanding they're an animal.

That is all to say I don't mean that the love Senshi felt for Anne wasn't real or that it's all his fault. He couldn't have known with the information he had and unfortunately it came down to the worst outcome.

I just love dungeon meshi dearly.

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[romanticintheory]

Hello!!!! I was wondering if you could write an angst with Ghost/Simon where the reader was too clingy after having a bad day and he lashed out on her but he didn't think anything of it because the next day the reader was acting normal. He only noticed after a few weeks when reader became more distant and quiet. Feel free to ignore if it's too weird or you don't like it!!! ♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

this one is dedicated to all the ones who were hurt and never got that apology. hope this alleviates the pain.

simon "ghost" riley x gn!reader || masterlist || request rules

-there was no one specific reason as to why today turned out to be a bad day. it just was.

-from accidentally burning yourself trying to make breakfast after waking up late to having to deal with the most insufferable customers, it just wasn't your day today.

-but it was okay, because you had simon to return to when everything was said and done.

-the frown on your face immediately softens the moment you see him walk through the door to your shared home. as soon as he pulls his mask and boots off, you make your way toward him and engulf him in a tight hug.

-you are painfully (but understandably) unaware of the thin veil of his patience and the frustration that had been brewing within him in the past few hours. he half-heartedly returns the embrace.

-"how was your day, si?" you ask him gently.

-"fine," he responds shortly, hoping there isn't more to the conversation.

-even after you pull away from him, you trail behind him as he moves around the house. this wasn't irregular behavior from either of you. simon wasn't usually the most talkative person in the room, anyway, but he loved to hear your voice. that was one of the things he loved about the two of you together; you filled the space he couldn't.

-today, though, was different. he was pissed off at all different kinds of people. for some reason, couldn't bring himself to tell you that he was having a bad day and needed some space, especially because it was evident you were having a bad one yourself.

-so when he turned on his heel after listening to your rambles for as much as he could take and lashed out at you, he tried not to think about the unbearable amount of guilt seeping into his veins.

-"would you just stop clinging to me for five minutes? god, 's like i can't get away from you or your constant fucking talking!"

-you had heard stories, mostly from simon, about the kind of man he could be when pushed to his limit. mostly, it was of violent, physical acts when it came to work or protecting the ones he loved. other times, he would tell you about when he'd lash out at others just like he did to you, now, and he always told it to you with a quiet fear. there was an unspoken meaning to him telling you about the times he's acted out: i don't want to do the same to you. i don't want to hurt you.

-but here he was, towering over you with a coldness in his eyes and a dryness in his throat from the sheer volume of his words.

-averting your gaze from his, you let out a meek, "'m sorry," and watch as he slams the door in front of your face.

-when he slinks into bed next to your sleeping form later that night, ridden with shame and guilt, he misses the tear-stained face hidden from him. after his outburst, you felt like all of the energy in your body had been taken away from you and retreated to bed early. you cried on and off for hours.

-you always thought you had a clinging problem. it was an insecurity you carried with you starting from childhood. friends would become acquaintances and family would keep you at arms-length. after years of believing the issue was you, simon walked into your life and told you different.

-if you stopped talking because you thought he stopped listening and was uninterested, he'd always turn back to you and genuinely ask why you stopped talking. whenever you apologized for hugging him for too long or asking to spend time with him for the third time that week, he'd always tilt his head at you and say in that low, sincere voice, "but i love you?"

-for all those reasons, you tried to give him the benefit of the doubt despite how much he hurt you. so, when he tries to bring it up the next morning, you do your best to brush it off. he was having a bad day. that was all. no need to make a fuss.

-"listen, love," he calls to you as you pop your piece of toast out of the toaster. "about last night-"

-completely disregarding his words, you look at the clock and stuff your phone into your pocket. "it's fine. honestly, simon," you tell him with the best smile you could muster. "i'm gonna be late. i'll see you tonight."

-you were so adamant on getting out as quick as possible that simon had no time to respond. he thought to himself that maybe he was making a bigger deal out of it than you. maybe there were no hard feelings and you were completely fine. after all, he was always overly worried for you, anyway.

-so, when you came home, he didn't mention it. it was as if last night didn't happen, and the two of you were perfectly fine. there were times where simon thought you were being a bit more restrained in your movements or words, but he tried to chalk it up to just him being overly paranoid. you said it was fine, so it was better not to push you on it, right?

-at first, you were doing really good at keeping yourself from overthinking the situation. however, as time went on and you paid more attention to how you acted around your boyfriend, you began to wonder if you were really that clingy.

-as the week progressed, your state of mind would deteriorate. what if it wasn't just a bad day? what if that was what he thought the entire time and was just waiting for the right moment to tell you? had he just been trying to cheer you up about your insecurities the entire time? and if he was, how much of this relationship was even real, then?

-the more you thought about it, the more distant you became. the last thing you wanted to do was make simon feel like he was being suffocated by you. you slowly stopped initiating physical affection with him, restricted talking about your day to a few sentences, and tried to answer simon's questions in one word when possible.

-he notices. of course he notices, it was like a stranger was living where you were supposed to be, and he missed it. he missed you.

-he asks you about your change when you're getting ready for bed, pulling the rest of your nightshirt over your head. despite being exhausted from work and looking like you were sitting out in the wind, he thought you never looked more ethereal than you did now.

-"(y/n)," he said.

-"hm?" you hummed to him, not turning toward his direction. you sat down on the edge of your side of the bed, turning off the lamp at the same time.

-your lack of emotional presence was starting to eat at him. he sat down next to you, the mattress dipping beneath his weight and forcing you to lean toward him.

-"you alright?"

-"yes. why?"

-"i dunno, you just seem..." his eyes tried to find yours, but you couldn't bring yourself to meet his gaze. "quiet."

-it was then that you looked at him, and it was scary to simon because he couldn't make out the emotion in your expression. there was nothing he could read.

-"isn't that-" you had to pause to try and stabilize your wavering voice. "isn't that what you wanted?"

-there was a tension-filled silence that settled in the room, and for a second you were worried that what you said was somehow incredibly offensive.

-finally, he chokes out, "i'm sorry."

-again, you try to muster up a smile. "it's fine, i already told you. i should've known you wanted space."

-"no."

-"no?"

-"it was my fault," he explains. "how could you 'ave known? i didn't tell you i wasn't in the mood that day, and that's not even considering the way i talked to you. i shouldn't have- nothing excuses what i said to you."

-still, you were convinced you were to blame. "well, i have a history of being clingy, so," you were trying to come up with more excuses for him. for most of your life, you had decided that you were the issue. it couldn't be any other way, right?

-"i know. it's one of the things i love you for," he says quietly. "not to sound cheesy but it's what makes you you, and i don't want you to lose that jus' 'cause i'm still shitty at communication."

-you knew in some capacity he was right. there was no excuse for how he talked to you, but the next words you wanted to say evaded you.

-simon thought about talking some more. instead, he grasped your back with one hand and slid his other underneath your legs, repositioning you on his lap. it was like a silent plea from him, a way of proving that he wanted to be close to you just as much as you wanted to be close to him.

-"you're sure i'm not too clingy?" you ask tentatively.

-"positive," he reassures you, rubbing small circles on your back with his thumb. "you wanna know something?"

-"what?"

-"if i wasn't so fucked up-"

-"you're not fucked up."

-"right." you never let him talk badly about himself. that was something he was still getting used to after all this time. being loved and learning to love himself. "well, if i didn't grow up the way i did and became the person i am, i'd probably be way clingier than you."

-"that's impossible," you deny, unconsciously letting yourself lean into his touch.

-"you don't know how much i want you. if my mind and body would let me, i'd be close to you all the time, showing you the attention you deserve."

-"you give me plenty."

-"agree to disagree," he stops with the circles and pulls you impossibly closer to his body. "but 'm trying. 'm trying to learn to let you love me and to not be afraid to love you. 'm sorry, love. i stopped trying that night, and i think it'll be the death of me."

-you let his words sink in, a thoughtful look on your face.

-"next time you'll tell me, right? what you're thinking?"

-"pinkie promise," he agrees, letting the hand under your legs slide out and raise his pinkie finger toward you.

-in return, you link your pinkie with his to seal the promise, and it feels as though the heavy tension in the air has cleared away.

-"i love you," he says, feeling bold from his previous admission.

-"i love you, too." there's that smile on your face. he never realized until now how he probably couldn't live without it.

-he kisses you on the lips, and for a moment the two of you just stay there in each other's arms, forgiving the past, healing the present, and dreaming of the future together.

[jellybeanium124]

if you'll allow me to flaunt my psych minor for a second, I'd like to talk about epigenetics. there's studies that show that if you shock a rat when you let them taste a certain flavor, they will immediately become averse to that flavor. not surprising. what is surprising is that the rat's grandchildren, who have never been shocked when given that flavor, will also be averse to it and afraid of it and avoid it. there's also correlational evidence to suggest that the descendants of people who suffered through famine are more likely to put on weight and keep it on easier, even if they have never been through a famine themself.

trauma gets passed down. the kinds of trauma your parents, grandparents, and so-on lived through is still living in you. even if your parents were the most well-off, loving, best parents in the world, their trauma is still in you.

now if you'll allow me to take a slight turn here: there's a wild rabbit inside every jew.

my dad grew up being called "jew-boy." my mother had a coworker throw pennies at her at her job in the 2010s. and that's just two examples. they both grew up being harassed for being jewish. I wasn't. I'm incredibly lucky. the amount of antisemitism I've experienced in real life has been incredibly minimal. I didn't even hear anyone make an antisemitic joke in front of me until college.

and none of us were seriously persecuted. none of my grandparents were seriously persecuted. but even though nobody's broken my windows, nobody's beaten me in the streets, and I haven't been at any of those horrible protests in person, the fear is there. this deep seated, blood-pumping fear of the ancient jewish rabbit in me telling me to run. to run for dear life, to run as far as my legs can get me, as long as my heart keeps pumping and my lungs keep breathing.

we all feel this.

everyone feels this.

I called my mother yesterday. when I brought up this feeling she paused, and the silence said everything. she told me I wasn't alone. she feels it. my dad feels it. my brother feels it. my nana and grampa feel it. every jew you know, online, in real life, hell, even the famous ones, they feel it. the rabbit is inside us all, and the rabbit knows, because its brothers who didn't flee in the past were slaughtered.

the rabbit is leaping around my chest, all of our chests, chanting run run run run run run run.

I don't know if I can explain it to gentiles. I don't know if this makes sense to you. I don't know how to get across how crystal clear and deep and primal this fear is, and how much all of us are feeling the exact same fear, despite our different lives and different histories and the fact we're different people.

part of me wishes it didn't matter. that I didn't feel like I needed to get goyim to understand my specific cultural and ethnic experiences. because I don't feel like I need to deeply understand everyone else's. I am a white passing ashkenazi american jew, and I will never fully understand what it is like to be anything else. that doesn't dissolve my responsibility to educate myself and practice empathy, but it's ok. idk, maybe other people do desperately wish they could get people not in their specific group to deeply understand what it's like to be them. I imagine that feeling is universal. I guess, it's just like, the left is unified that everyone is a person, everyone is equal, everyone is human, except the jews. nobody is left out but the jews. everyone's word is believed, but the jews. and it makes me feel like I have to beg and plead with people to understand what being jewish means, because we're not included with everyone else. we're the enemy. and I want people to see we're not the enemy.

epigenetics.

[dollfacefantasy]

ONLY BAD PUPPIES ♡

pairing: logan howlett x fem!reader

summary: when you get needy, you act up. lucky for you, logan understands that means you just need a firm hand to get you back in line.

cw: nsfw (18+), smut, masturbation, pillow humping, pet play, light anal play (plug), daddy kink, praise/degradation, brat taming

wc: 1.9k

kinktober slot: day 23 - pet play

Of course, he'd do something like this. You should've known your punishment wouldn't be so simple. He wouldn't just make you touch yourself in front of him while he watched. That wasn't Logan's style as it pertained to taming you when you acted up. When you bratted out like you had earlier, he took it upon himself to truly humble you.

Today had been a busy day for both of you, but you'd been having a rough week. You felt extra needy for him as of late. The exact cause behind those feelings remained a mystery, but regardless of the specifics, you knew that the long list of tasks you performed over the last several hours did not make you happy.

All you wanted to do today was curl up with your boyfriend. You longed to sit in his lap while the tv played in the background, to have his hand stroking over your head and down your back, to feel him brush his thumb over your lips as he told you what a good girl you'd been.

But you didn't go about getting that attention the best way. In hindsight, you could admit that. It probably wasn't the best idea to tease him. Multiple times you rubbed the softest parts of your body against him and looked up at him with puppy eyes while innuendo spilled from your lips. You'd made a point to be huffy when he rebuffed you to finish up his work around the mansion. You tried giving him the cold shoulder to no effect which made you whiny.

And that was the one thing that guaranteed you a punishment. Because only bad puppies whine.

Right as the high-pitched words about him being so mean to you fell upon his ears, he suddenly finished up with whatever he was doing much quicker.

His hand curved around the back of your neck, guiding you up to your bedroom.

"You think you're cute, huh?" he asks under his breath, "Think you can get what you want by stamping your feet and throwing a tantrum?"

"I didn't-" you try to deny. But Logan doesn't take excuses either.

"You did. You think I don't know you? That I can't see the gears turning in your little head?"

The door to your room flings open with the force of his hand. He shuts it behind you firmly and leads you to the bed, sitting you down.

Already, your head hangs in shame, like a guilty pet who knows they're moments away from being scolded. He clicks his tongue at you in disapproval.

"What happened to all that attitude?" he taunts, yanking you by the hair to make you look up again, "C'mon. Let me have it. I was so mean to you today, wasn't I?"

Your lip sticks out into a pout. "I didn't mean it…" you try to justify.

"But you had no problem saying it before. So let me hear it again," he goads.

You whine and try to plead with your eyes to know avail. "I just wanted you to spend time with me," you say, guilt making your words much less convincing. You knew you'd been bothering him and that you could have waited. You just didn't want to.

"Spend time with you? Is that what you call it?" he says with a raised brow, "Be honest. You were getting fussy because you wanted me to 'spend time' bouncing you on my cock."

Heat creeps up from your belly, through your chest, and into your neck and cheeks. You can't answer because you know that he's right.

He chuckles, his hand rubbing down your scalp to massage the nape of your neck. "Mhm. You don't have to hide it, baby," he says. Dropping his hand away from your head, he walks over to the other side of the room to grab a few things you'd be needing soon. "I know how you are. You just can't help it. My puppy can't function if daddy doesn't give her attention for a few hours."

When he invokes his title and your own, the humiliation brewing in your belly feels more severe. You now know exactly what he's grabbing. As soon as he turns around to return to you, your suspicion is proven correct.

His hands hold the exact items you expected. One palm holds your collar while the other cradles the fake ears and tail. Your chest aches at the sight of them. They felt so good most times, but when you'd been bad, they became the ultimate tools to put you in your place.

He can see your reaction, and if the grin on his face is any indication, he loves it.

"What's wrong, pup? Thought you wanted to play," he says.

You don't have any coherent response to that. In no time, he strips you down and buckles the sleek band around your neck. The simple tag that reads 'puppy' dangles at the front. Next, the ears slide into place on your head. They were a nice set, pointing proudly upright. Last comes the tail. You don't get any real lube for it. That's a treat for good girls. All you get is his spit spread over the bulb before it prods at your puckered entrance. It slips in with relative ease, only drawing a tiny whimper from you as you adjust.

He stands back to admire his work. You kneel on the mattress, looking at him with the same guilt from earlier. Anticipation chews up your spine as you wait to hear your sentence. In the past, he'd made you get off on his boot. Another time, he leashed you to the bed while fucking you rough. Once he made you crawl around with a vibrator in. You could only shudder now as you imagine what lies ahead.

But it doesn't seem to be anything so drastic based on his words.

"You wanted to cum so bad all day today, puppy, so I'm gonna let you. You're just gonna have to be a big girl and do it yourself," he says, heading to the chair several feet from the bed.

He sits down and settles in, eyes staying on you the whole time. It's weird. The idea of starting to touch yourself while someone else just sits there. Doing it was one thing, but beginning feels separate to you.

Either way, your hand ventures between your thighs to rub at your folds. But before it can really get into it, he stops you.

Now you find out what the real punishment is.

"Ah ah ah, sweetheart. Puppies don't get to use their hands," he chides, that fucking smirk plastered across his face

You blink at the statement. It replays in your head again. His expression only grows more smug as you gawk at him, heat creeping up from your belly into your chest and neck.

"But… how?" you ask, as if you didn't already know, "What do you want me to do?"

"You're smarter than that. Use that little brain," he teases.

You take your bottom lip between your teeth, air puffing out from your mouth. The solution is right in front of you - or rather, behind you, resting against the headboard at the top of your bed.

Slowly, you turn around and reach for his pillow. You bring it around your body and crawl on top of it. The smoothness of the linen is cool against your cunt. It feels wrong there, like it won't provide enough friction to make you cum.

You give the puppy eyes one more try on him, but they yield no success.

"Get to it, pup. Let's see you take care of yourself for a change," he says.

And that's that. Arguing any further would be pointless and only get you in more trouble.

You lower yourself a bit more, making sure you're flush against the cushion. It puffs up from the pressure of your legs on either side. Then you start. You begin to drag your cunt back and forth, rocking your hips in small strokes.

It doesn't do much at first except make your head foggy with shame. Humping a pillow is a much more intensive process than just using your fingers. All of you moves with each thrust of your pelvis. Your breasts bounce with your momentum. The tail sticking out of your ass shakes and catches on your leg. Even the tag on your collar bobbles around.

"Atta girl," Logan praises from the sidelines, "You're gonna learn how to do this, so you don't have to bother daddy when he's trying to work."

You nod before your head falls back. Despite this method of self-pleasure not feeling that great at first, you were finding out it was a slow burn. The more you rutted on the plush surface between your legs, the greater the intensity of the sparks of ecstasy between your thighs.

He can feel himself starting to stiffen in his jeans. Everything about you was so needy and pathetic right now. It drives him crazy. His hand slides over his lap to palm his semi-hard bulge. From the sharp jerks of your hips to the shaky whimpers coming out of your mouth, everything about you calls to every cell in his body.

Like always, you don't last long. Puppies are never good at being patient. As soon as you find a rhythm you like, it only takes a couple minutes for you to work yourself to the edge. Your eyes go glossy, breaths morphing into harsh pants. Your tongue practically lolls out of your mouth. And then, once you realize how close you are, come the pleas.

"D-daddy," you choke out around other sounds of carnality, "Please, can I cum? Please please please please."

You were a natural when it came to begging. But you were bad, so he doesn't let you off easy tonight. He doesn't answer your calls for him and continues to watch. Being ignored is worse than a no to you, and he knows this.

"Please. I need it- I- I can't wait," you cry, "Pretty please, daddy."

"You think you've earned it?" he asks.

"Uh huh, I did. I earned it," you repeat, slurring your words a little.

He pauses for a moment, making you wait before he gives his permission. "Alright. Go ahead then. It's the only one you're getting tonight."

You try to force the words 'thank you' out, but instead, you can only moan as release crashes into you. Your hips buck wildly on the pillow. Arousal gushes from you and darkens the already existing wet patch. Your chest heaves with all the feelings rushing through you, your back arching before you topple forward.

Even with your face smooshed against the blankets, your hips still twitch in the afterglow. You ride out the little remaining bursts on his pillow. When you finally get yourself to sit up, eyes droopy and mind hazy.

He's in front of you now. His cock is out, his hand stroking it slowly.

"You did good, puppy. You were a very good girl," he praises.

You bask in it for a moment before your eyes fall down to his hard shaft in front of you. He smiles, knowing you could never resist a chance to have his dick.

"That's right. You were good, so now you get a treat. Daddy knows how much his puppy likes to lick."

[simplyreveries]

I ADORE YOUR WRITING!!

what about a reader who’s unknowingly flirting with the twst wonderland cast (specifically savanclaw, octanaville and diasomnia) because of culture differences and species differences?

e.g petting their ears, giving them gifts, smiling with teeth (bc for moray eels that’s how they mate 👀)

OR fem reader who has her period and some of the twst students can smell it I LITERALLY HAD A NIGHTMARE ABOUT THIS 😭😭😭😭

OMLL I APPRECIATE ITTT!!! sorry for the wait!!! i chose some from each dorm bc of my character limit btw!!

azul ashengrotto

despite how much azul continues to do his best to learn about life on land… relationships are certainly difficult for him to understand sometimes considering how long he has spent his life in the sea and though there are many similarities between merpeople… there are still some differences. once azul is rather close to you he does become unintentionally— clingy with you. (when you two officially get together that's another story) but he has a habit of wanting to lean close to you or have a hand on you in some way, like on the small of your back when showing you something in the mostro lounge.

so needless to say, he is in love with any sort of touch from you he takes that as some sort of hope and sign that you reciprocate how he feels haha. jade and floyd tease him ALL the time about it especially when he was struggling to keep his cool-headed composure after you once gave him a hug after he did something to help you once.

like I've said azul really doesn't think about it or even try to be this way around you he just does aljdfajdkhf. he’ll feel like a smitten fool as he sits in the vip lounge as he's doing papers and just think about how you playfully linked your arm around his to bring him somewhere. small things like that are actually quite big to him when it comes down to the differences.

jade leech

he's aware you probably don't know that you're unknowingly flirting with him, but he finds it amusing and plays along with you, nevertheless. he thinks it's cute that you don't know and all the more enticing, you’ll find him chuckling, trying to hide his grin with his gloved hand “oh my, I didn't know you liked me that much fufu” he’d say. you can't help but feel confused as to what he finds so interesting… like you literally just yawned.

it'll take him a while to actually tell you what it means since he finds the obliviousness to be quite cute. you only put two and two together when he tells floyd about what you did right in front of him and the two laugh about it. now you've got floyd teasing u about it..

like azul he is a little more affectionate just in a different more. in a less obvious fashion, though there definitely have been a few occasions where he likes to bring your hand to his lips and see your reaction, he finds it so amusing. he always has his teethy grin plastered on his face.

leona kingscholar

he hates the way he can always tell when you're wearing cologne or perfume and he hates that he likes it as well, he may or may not be a bit addicted to your scent. he literally can tell if you're near just because he knows the damn fragrance you use.

if you two are particuarly close... like him falling asleep around you and such. if you happen to pet his head and his ears, he immediately shoots you this look then mumbles something before being too tired to do anything about it or give you some retort. he just lets it happen... he does enjoy it anyway. slowly he kinda doesnt realize how clingy he can get with you because of it. he becomes a little needy and wanting more attention from you. he cant help it.... i mean you basically just showed him that you're fine with it anyways.

leona seems to be someone who can get pretty possessive, unintentionally too over you. kind of territorial, like if you're someone he has eyes for then he doesn't expect others to really get in the way of that.

malleus draonica

malleus is not only a fae but a pretty sheltered one too, I’d think he’d take almost anything from you as a sign of you being completely infatuated with him as he is with you. you could offer split your ice cream or invite him out somewhere, show any sort of interest in him as he talks about gargoyles as he’s doing single club activities. the one time you asked curiously and wanted to touch his horns, he’d be searching for the loveliest jewel to bestow you for your wedding day.

speaking of jewels… he gifts to you a lot especially after you give him anything first (it could be a cool rock you found) and he’d be so smitten and glad to reciprocate that by giving you earrings, rings, necklaces etc. and when you accept them even though you're not exactly fully understanding why he takes it even more as a sign of you accepting his advances.

after taking any of your little acts of being somewhat kind to him and he’s already so deeply into you, lilia would certainly be someone who hears just all about it. i think he would only feel happy for malleus, as it appears he must’ve found the right one. he is just supportive of malleus and is simply overjoyed to know he has some little human that makes him so happy.

lilia vanrouge

he has lived long enough and in different places to understands human courting's and more so than someone like malleus. he knows how different it is, trust me he is fully aware, but he thinks it's amusing. lilia pretends to take it the wrong way and watch you get all confused, when he's just being playful.

just cant help that he finds it so adorable when you unknowingly show him affections as a fae would in his culture. even just being slightly affectionate with him is enough to have him giggling and warning you to be careful to what fae you do that to. they do tend to take very kindly towards any affections and gifts!

lilia will straight up tell you though too, you could gift him and give him something neat you found or made, and he'd look up at you with a stupid grin like "kfufu... i accept your love, dear" NO???. he still holds onto anything from you with the utmost joy.