#i just think it's kind of bullshit. you know.

[boomstab-papa]

Oh absolutely, giving misogynists captive girlfriends/wives isn't going to fix anything. Being a little more misogynist to try to appease misogynists won't work.

But "giving any credence" is such an interesting phrase to use here, because it's so ambiguous and also accusatory. What does "giving credence" mean? Who has been doing it? What have they been advocating for? Who, for example, has been saying leftists should be more misogynist, and how?

I'm not alone in this confusion, either, there are several comments on the tweet who are equally perplexed.

The fact is that the left DOES NEED a better approach to people who are feeling lost, angry, and scared.

Alt-right "self-help" authors and programs are hugely popular. These predators target lost, scared, and angry people. They're cults, really. And no matter how much the left discusses things like "can we stop parroting bioessentialist bullshit because hey, men aren't destined to be misogynistic assholes"... these alt-right cultists don't ever even have to TALK TO a leftist to repeatedly hear "leftists hate you for being born white/male/rich/etc". I really can't get over how Rush Limbaugh popularized the term "feminiazi" and told an entire generation that feminists were angry man-haters when they literally are not. But that's exactly how the grift works!! I should know, I grew up in exactly this Rush Limbaugh kind of house!!

"Don't blame the hyper-wealthy for ruining the economy, blame women and foreigners for taking all the jobs! Don't blame the ruined economy when nobody wants to have kids anymore, blame the women! Don't blame patriarchy and all the misogyny it taught you when women avoid your misogynist ass, blame the women! Remember, the feminazis hate you!!"

So what to do?

On an interpersonal level, sometimes it can be really easy. This is a comment made to Innuendo Studios's video "How to Radicalize A Normie" on this exact topic (which I highly recommend watching).

"Hey, ex-alt-right member here. First, really like this series. I feel like you’re validating the radicalization that me and my male friends experienced. Putting it into words and showing us how we got tricked, exposing the magician and their tricks. Second, I vot out not through argument and discussion but actually through feelings. I was very edgy and would use the n-word in jokes all the time. My male friends would not call me out on it. But a female friend of mine said it made her uncomfortable and that she didn’t appreciate these jokes when we played fortnite together. That shook me to my core as I cared for my friend and that’s how my deradicaliztion started. Just wanted to add in this personal story, keep up the great work :)"

If this is someone you know, tell them their behavior is not cool.

THIS GOES DOUBLE FOR THE MEN READING THIS. Misogynists are more likely to listen to you than they are to listen to women!! If someone is being a shithead in your vicinity, consider: are you gonna let it slide? Or are you maybe, possibly, going to be the one thing that yanks them out of a hatespiral and prompts them to re-examine their hateful worldview? Tell them "hey not cool".

This might not work the first time. This might not work at all for some people. But if the situation is relatively safe, then it's worth trying.

And this does not mean that you personally are responsible for "centering men in your conversations" or "marginalized people putting in even more emotional labor" or "if a man is misogynist it's because you failed him" what the fuck ever like I've seen in this discourse. Come the fuck on.

It means you can probably try saying something to somebody you know. And if it doesn't work? You can say you tried.

On a policy level, we have more work to do. It shouldn't come as a surprise to any leftist that the current economic and political system in the USA exists to separate and exploit people. I think we all agree it really sucks to live in a system like this. Your average reactionary misogynist also thinks the system sucks, but as explained above, they've been trained to place the blame on some convenient scapegoats instead. Immigrants. Women. Queer people. Muslims. Anybody who's not white. Et cetera. "Government needs to get out of the way of smart people and then Elon Musk will build a utopia for The Faithful (which includes me) on Mars" or some shit.

These people need to hear that their anger is justified, but that their blame is misplaced. They need policies that will hold the responsible parties accountable. They need policies that won't leave them impoverished and isolated and exhausted after working a 40+ hour work week. They need to realize the system isn't sorting people into "the worthy rich" and "the unworthy poor", rather, that it's exploiting everyone except the wealth-owning class. They need to realize it's their politicians' biggest campaign donors that are doing this to them.

The Democratic Party needs to actually talk about this. I'll be dangerously pithy here: the Democratic Party needs to sound more like Bernie Fucking Sanders. Politicians need to oppose health insurance companies and get Medicare For All going. Politicians need to stop voting to give the military two fucking billion dollars every single day and fund free college and trade schools. Politicians need to tell business interests to fuck off and get a livable minimum wage AND a universal basic income passed, which will severely undercut employers' ability to exploit and isolate us.

And we need Citizens United repealed. Badly. I'm not trying to imply the problem is only with Republicans' campaign donors, because Democrats' biggest campaign donors are also often the same people exploiting us. But look at how Democrats did a tiny little bit of pro-union and anti-trust work these past 4 years and they screamed bloody fucking murder. If Democrats are relying on these people's money to get them elected, I think it's going to be really hard to get policies passed that will actually make USAmericans safer and happier (ie. address Republicans' economic fears that they keep blaming on various scapegoats).

Although with Republicans controlling the entire Federal government for the next two years minimum, this feels more distant than ever.

That's what we need to be taking seriously. If you don't give any credence to the fears and insecurities underlying the horrifying reactionary politics, you're not actually addressing anything. If you can't admit that capitalism fucks all of us over and makes all of us miserable and looking for a remedy, are you even a leftist?

[knife-eared-jan]

Except that we are currently able to watch live irl that that's not true and never was. And DATV not getting that is actually getting to the core of what's wrong with it... and, if you wanna be melodramatic, with angloamerican perspectives on morals in general.

It really doesn't need that much for ordinary everyday people who might have been decent under slightly different circumstances to willingly run into the arms of tyranny and not even realise the immorality of it. Unfortunately, tragically, that's something intrinsic to the human experience, no matter how much we don't want to face it.

[When could it have felt more poignant than right at this point in time, to get a video game exploring the literal manifestation of tyranny and how it snares people in, how perfectly ordinary people can be lured by its appeal, can cave under the horrible pressure of it, didn't think it could get that bad, can break against the heartbreaking sheer overwhelming number of willing allies. (No tyrant lasts long once they really have their people against them - that's why they invest so much in censorship and controlling public opinion.)]

I'm not saying it is that critical for the game to specifically explore Elgar'nan's character more or whatever, even though that would have been cool. But everytime this banter comes across my dash I get apoplectic bc this line is so symptomatic of the ridiculous black and white, evil people are just evil because they're evil vs. all good people never do anything wrong and intrinsically know not to be wrong ever that the entire game falls prey to.

Spirits would never support Elgar'nan bc spirits in this game are good innocent victims and Elgar'nan is evil so he would never appeal to anyone who is on the "good side".

Like, I'm sorry I know I carry more religious trauma than average, but does this not reek of the same kind of bullshit we were fed for centuries to anyone else? Have we really gone so full circle? It's actually ironic that the game gets so much shit for being too woke, when this, to me, actually screams the very opposite.

[saixria]

@angels-bullshit well you asked for it TELEMACHUS RAMBLE

I’m sure there’s no doubt in anyone’s mind that Telemachus represents open arms. For one, he immediately accepts Athena as his friend with open arms and offers the goddess of wisdom some wisdom in We’ll be fine, that’s just. Peak open arms behavior.

Besides the obvious, we can look into the motif (literary, not musical) of light vs dark in the musical (which might also be obvious but anyway). Even if we ignore Polites’ whole cut song “Your Light” about being Odysseus’ “light”, the light motif is actually kept in Open Arms — “we can light up the world here’s how to start”. I think this motif symbolizes the positive impact of open arms. Much like Circe said, “maybe showing one act of kindness leads to kinder souls down the road”. If you inspire the world around you by being kind, you will in turn be treated with kindness. This is contrasted by the motifs of darkness in “I am your darkest moment” and “the world is dark” signifying ruthlessness. Instead of trying to change the ruthless world around you, you must become ruthless too to survive. There’s inherent selfishness to ruthlessness since you’re ensuring your own survival over others.

WHAT A TANGENT OK HOW DOES THIS RELATE TO TELEMACHUS? He has this line in Legendary “so I could bring the world some light” which references Polites’ whole “light up the world”. Let’s not forget “tell me Athena why you came to my aid” has the same melody as “what keeps you up so late at night my friend” from cut song Ismarus where Polites is asking Odysseus this. (HM I WONDER WHAT OTHER CHARACTER IS UNABLE TO SLEEP DUE TO GUILT)

The light thing comes back so many times in we’ll be fine. “Then his light went dark” (can be interpreted as Polites, his “light”, dying, but I prefer to interpret it as him basically getting traumatized, losing his original enthusiasm in his belief that everything would go smoothly and he’d be able to get home with all 600 men as he suffers his very first casualties) “life could be that bright” — Not only is Athena talking about Odysseus losing his light, she herself has also lost hers as she lost her one and only friend and the positive impact he had on her life, and now it feels as though her life has gone dark.

“I know it’s light you’ll find” — Telemachus is literally acting as Athena’s light here as Polites was Odysseus’ 😭😭 he encourages her to help Odysseus, to embrace the Open Arms ideology of making a positive impact on the world around you and you’ll end up positively affected as well. In bringing Odysseus light, perhaps she herself will also regain hers. From all this, Telemachus clearly represents Open Arms and is to Athena what Polites was to Odysseus.

Now how does Telemachus embody ruthlessness? This part is much shorter since we don’t have as much to analyze (perhaps we’ll get more in Ithaca saga) but Telemachus doesn’t shy away from being ruthless when the need arises either. He fights Antinuous in Little Wolf to defend his family’s honor, and in Ithaca saga he will also help kill the suitors (perhaps we will get more on his mindset here, but don’t take my word on that). He is willing to do what it takes, even if it’s cruel like hunting down all the suitors, to protect his family, and killing the suitors IS what’s necessary and an act of ruthlessness.

(Though actually this is making me realize “boy I wish I could so I could bring the world some light” was referring to… killing monsters. Maybe this shows that even in Legendary he’s wanted to make a positive impact on the world by being ruthless in a way, further showing that he’s the true balance of Ruthlessness and Open Arms)

Anyway, Telemachus was really only able to achieve this balance because of his circumstances, just as Odysseus was forced to fully embrace ruthlessness because of his. While Telemachus has faced hardships (the suitors) that requires ruthlessness to be dealt with, hes also a crowned, sheltered prince, largely unaffected by even darker aspects of the world like war and death as Odysseus has been, so Telemachus was able to retain part of his innocence and his “light” while Odysseus’ was stripped from him. Both of them were products of their environments, and it’s quite fitting how Odysseus went to war to protect his son, and his son ended up being a “better” person than Odysseus was forced to become. Telemachus means “far from battle”, and indeed Odysseus has succeeded in keeping his son far from the darkness of war and its aftermath.

[themsource]

Some pining fiddlestan? 👀

I was initially going to write some angsty post-show fiddlestan, but I did happen across the whole mystery trio concept where the pines twins and Fiddleford move to Gravity Falls together, so I went with that idea instead ^^;

Hope you like it! XD

Missed Opportunities

Fiddleford looks at Ford like a man possessed.

And Stan can’t stand it.

There had been only one other time that a third person had been involved in the Jersey duo’s lives with any amount of significance, and that had been Carla McCorkle. Stan and Ford had had only one argument about her, and that had been it.

Ford had been laid out, tooth chipped and lip bloody, and Stan had been left looming over him in shock at what he’d done as he’d stared down at his battered knuckles.

She’d been cut out of their lives before you could say ‘Bankrupt’.

Carla hadn’t been so much stolen by Thistle Downe as more like just given away.

Ford, his brother, always came first.

Family always won out over a piece of ass.

So now, even years later, Stan doesn’t say anything. He doesn’t comment on the way Fiddleford blushes as he hands Ford a beaker filled with some strange nerd liquid as their fingers lightly brush. He doesn’t make a face or snort at how obviously flustered the country boy gets in his stuttered responses to his elder by fifteen minutes but dumber in ways of romance by twenty, twin brother. 

No, Stan grits his teeth, and pretends he doesn’t see it. Like he’s looking through plexiglass that wouldn’t so much as budge if he were to dare do or say something about any of it.

He can tell Ford has no clue, or if he does, that he’s clearly not interested. Stanford had always gone on about how romance and marriage, commitment of any kind really, was a waste of time. Time better spent unraveling the secrets of the universe. The same bullshit he’s been sprouting since they were sixteen and Ford had been humiliated to the point of trauma with that damned kissing robot he’d built.

He doesn’t see what Stanley sees.

The slight hitch to Fiddleford’s grin when he finds a solution to a problem, how Fiddleford slightly purses his lips right before discreetly letting loose some chewed tobacco into a small silver cup, the mesmerizing way the sunlight hits Fiddleford’s hair just right to highlight all those fine blonde baby hairs along the back of his neck and bath him in a halo.

More than that though is Fiddleford’s laughter, his thick accent that goes the slightest bit thin when he’s shy or nervous, his blue irises that glimmer with faint specks of copper when he’s caught up in a joke or riddle he enjoys.

He can’t understand how his brother can’t see it.

Doesn’t realize the gift waiting for him on the doorstep if he bothered to open the damned door.

Stan’s gaze tracks Fiddleford as he follows in Ford’s footsteps across the lab, his hand dancing meticulously across his clipboard as he notes down everything his brother says with a blinding smile that could make a cherub green with envy.

When Ford looks down from the machine he’s building to meet Fiddleford’s gaze, Stan feels his stomach twist into a knot. Fiddleford’s lips slightly part as he listens, a silent invitation if any while his eyes widen in an excited bewitchment.

He can’t hear what they’re saying, but he doesn’t need to with how fast Fiddleford’s lips are moving, how high strung he is as he bounces on the balls of his heels and waves his hands around in what Stan knows to be gestures laden with scientific input and jovial emphasis.

The whole time Fiddleford never breaks eye contact with Ford, not even once.

Stanley doesn’t understand why Fiddleford can’t look at him like that. He looks exactly like Ford, if you could forgive the mullet and having an actual sense of style. Truth is, he wouldn’t mind playing second (heh) fiddle to Ford. Stan likes to think he’s charming enough that he could get the taller brunette to fall for him eventually, to see that special something that he obviously sees in Ford, but for entirely different reasons.

It’s such a fucking waste seeing such a handsome man pine after someone that he can’t have.

But on the off chance that Stanley is wrong…

If Ford maybe does notice, and maybe does feel something for Fiddleford…

He can’t afford to screw up by making a move. If there’s one thing he can’t live without it’s Stanford, even if he’s sure he could live without him.

Every day Stan questions if Ford’s invitation to move here to Gravity Falls with him had been of his own accord and not out of some misguided sense of pity, because too often is he left alone to his own devices, too often is he forgotten about over the course of weeks except by Fiddleford.

There’s something dark, and ugly, in his chest.

Stan hates it.

“Stan? Stanley?”

He jolts, his focus snapping back as he realizes Fiddleford is standing in front of him, his sky blue eyes filled with a silent concern that instantly takes that dark ugliness he feels and sends it packing to whatever hell it reared its ugly head from.

“Uh, yeah, w-what’s up Fidds?”

Fiddleford watches him quietly for a moment, long enough Stan feels the fine hairs on his arms raise in silent warning before he eventually smiles.

It’s not that thousand walt grin Ford receives, but it’s enough to make Stan’s heart skip.

“I was askin’ if ya wanted ta go down ta town with me. We need more copper-hyperdelic insulators for the paramensional timespinner.”

Stanley has no idea what Fiddleford just said but he acts like he does as he smirks, “Sure thing bud! We can get all the coppermensional spinners you want!” 

Fiddleford raises a brow, but then lets out that soft laugh that Stan likes so much.

“Well, sounds like a plan, we better get on gettin’ then.”

Stan lets Fiddleford lead the way, taking a moment to peer back towards his twin who for all the world is lost, rapt with attention on his journal and none the wiser to how Stanley stands in the doorway envying him.

A part of him almost wants Ford to look his way, a brooding possessiveness in his eyes as he watches Stan take off with Fiddleford into far distances where he can’t keep an eye on them, knowing and hating the fact that they’ll be alone.

But of course, he doesn’t.

What a waste.

Stan clenches his jaw as he follows Fiddleford out.

[literary-illuminati]

2024 Book Review #63 – Saga, Book 1 by Brian K. Vaughan and Fiona Staples

I first starting reading Saga a literal decade ago (I think literally because Rachel Maddow recommended it on a podcast? Which, god, what a 2010s sort of sentence). I absolutely loved it at the time, and read intermittently until it went on an extended hiatus. So extended, in fact, that I’d kind of assumed the series was dead and only learned it had restarted a couple years ago quite recently. So, seeing as I am now in need of a new comic, I figured I’d restart from scratch and work up to the new stuff. It holds up! (and the letters to the editor are a fascinating cultural time capsule).

The series follows Alana and Marko – star-crossed lovers who eloped together from opposite sides of a brutal and galaxy-spanning race-war – and their newborn daughter Hazel as they evade the numerous forces trying to see them all murdered before than can become an embarrassment. The first arcs of this are most one long blind panic finding transport off-world and only afterwards deciding upon a destination, it’s only in the last volume (with the pointed assistance of Marko’s parents) that there’s any thought of finding stability or a status quo. Along the way, both the family and the series collect a wider and wider circle of colourful hangers-on – and the narrative begins switching focus to give real narrative focus and character arcs to three different groups that find themselves tracking down the family. None of them are particularly happy lives, but they all make for very compelling drama.

The best way to describe this is I suppose a ‘science-fantasy dramedy’. Which sounds viscerally and violently wrong, but the comedy and the drama are both absolutely vital motors keeping it running. And this is the incredibly rare work that actually makes them work together seamlessly. It’s an incredibly vulgar book in a dozen different ways, but the characters are all plausible and compelling, and once you have granted the slightly contrived explanation for why both governments care so immensely about Marko and Alana the plot coheres enough to never take you out of the story. Which is helped by the pacing being fast and tight in a way that always kept me (at least) engaged. I do deduct points for the wise author character basically looking directly at the fourth wall and saying ‘and the profound message of my work is-’ (moreso because said message is truly eye-roll-inducingly vapid and dumb, granted), but that’s easily forgiven.

The comedy was...more hit-or-miss. There is a lot of clever wordplay and funny, high-context character beats. There are also a bunch of just absurd or striking visual gags or background details that really work. And then there is the giant with balls so big and hideous that they almost crush someone to death.

It’s been said (by people with far more knowledge of and investment in the medium than I) that mainstream American comics are these incredible wells of repressed sexuality – full of physically implausible women dressed for a burlesque and with panels framed by a particularly sleazy tabloid photographer, but oddly coy about actually talking about or including sex itself. Which tracks with my limited experiences, but might just be bullshit I don’t know – what I do know is that Saga is basically the exact opposite of that.

Which is to say, this is an intensely sexual comic, but an atypically non-sexualized one. Which is a bit of an odd distinction, but compare how Saga shows an uncensored orgy and how any given artist at a con draws prints of Power Girl and you’ll get the idea. This is on balance a very good thing, occasional junior-high-level visual gags and gross-out humour aside. Sex is a part of life, of varying importance to different people but something present and shaping the world regardless (and Marko and Alana very much do believably seem like a couple that’d have a kid together without a huge excess of planning beforehand).

Aside from Alana, Marko and Hazel (and hangers-on including a phantom babysitter and Marko’s somewhat-approving parents), the various groups hunting them get a really surprising amount of page-count – The Will, Lying Cat and Prince Robot are all basically main characters in their own right, and Gwendolyn, Sophie, Upsher and Doff aren’t fair off. It’s an immense accomplishment that a series of 28-30 page comics manages to bounce between so many characters and always keep them all moving, both physically and emotionally. (The character work and character design of this is worth at least the price of admission on its own, really).

The thing that most makes me love the comic is, I think, how it will introduce characters and tell you explicitly they are murderers and monsters – and then show them struggling and risking their life out of guilt or altruism or love, show them falling for people and being part of rich social worlds, show the trauma and baggage and shitty relationships that made them who they are. Make you care about them and root for them, want them to accomplish what they need to to get a happy ending – and then have them destroy something or kill someone else you’ve grown to care about. Aside from the really obvious stuff about intolerance and war, it’s one of the most consistent themes of the series that monsters have lives and loves too, which is frankly something I wish more stories (and just, people) took to heart.

The setting is glorious, in a ‘mural on the side of a stoner van’ sort of way. Laser guns and spaceships that are giant flying trees, a kingdom of robots with TVs for heads and the planet-sized egg of what’s basically a living black hole – nothing that’s designed to bear scrutiny, but endlessly inventive and evocative and clearly very fun for the artist.

The most striking thing is that – even for now, let alone fucking 2012 – the comic is just incredibly diverse. Even leaving aside the really weird or cartoonishy exaggerated species there’s more diversity in body type and silhouette in one crowd scene of Saga than in most Hollywood movies I’ve seen recently. Same with race and sexuality—the whole setting seeming functionally queernorm except for the one couple whose character arc requires that they come from Planet Homophobia is slightly eyeroll inducing but again, compared to the early 2010s norm it’s soaring so high above the bar you can’t even see the ground.

So yeah, have fallen entirely back in love with it. Can’t wait to start in on Book Two.

[venomwrites]

CaitVi but involve Jinx?

Spoilers for 2x08

Kind of a followup to Caitlyn cleaning VI up but it's not necessary to read that first

Caitlyn’s body moves without consent as she rides the elevator down. 

She has to do something to make this better. Something for Vi. She has been able to tell herself all kinds of lies with Vi’s absence. Probably with her time before. No, before she just listened to Vi’s bullshit. Because Vi wanted to make he happy. 

There is one thing Vi cares about. 

“I’ll take that,” she says, picking up the tray of food. 

Jinx looks small in the cell. 

Small in the same way Caitlyn saw when they first laid eyes on each other after the flare. She hasn’t since. Caitlyn is intimately familiar with the damage small objects can do. She tells herself she is not fooled by the small, curled up creature who is sobbing into her knees. The stupor that had her listlessly following them has eased. Caitlyn knows this part. Now the grief has dug in its claws. 

Your blood in her veins

Why do you sound like her?

“You sister survived surgery,” she says, unable to listen to the small sounds Jinx is making, “she’s resting.”

“Vi’s alive?” Jinx croaks. 

“Yes,” Caitlyn says. She could throw the food at the door and say nothing more. But she thinks of Vi just laying there and how furious she would be, “she isn’t out of the woods but the doctors don’t think she’s in any immediate danger.”

Jinx wipes at her face messily. Just that movement has Caitlyn jerking back, nearly spilling the water on the tray. She is better than this. Better than the memory of those ultraviolet eyes staring at her from her own bathroom mirror. 

“Did you see her?” Jinx questions. 

For a moment it’s Vi looking back at her from that cell. Where did you get these. Caitlyn tries to remember if they had the same eyes before the Shimmer painted JInx’s that color. But the memory of Vi is replaced by the image of her on the hospital bed and finally back to where Jinx is looking at her suspiciously. 

“Yes,” she says. Annoyance pricks at her, “I am not lying,” she snaps. 

Jinx just keeps staring at her and it is unbearable. Caitlyn drops the tray by the food slot and pushes it forward with her foot. She expects Jinx to grab her but she doesn’t. She just watches every move as Caitlyn nudges the tray forward and steps back. Caitlyn cannot take the gaze and walks over to the elevator. 

“Why did you tell me?” Jinx asks. 

“Vi would want you to know.” 

&&&

Vi crashes in the morning. 

It takes three doctors to stabilize her enough before they rush her to surgery again to cut her back open. Find the bleed. Find the swelling. Find what is making her die and relieve it before it can put her down for good. 

Caitlyn can only watch as they swarm over her. 

She’s powerless. 

“She had another surgery,” she tells Jinx. Jinx’s fingertips pause their listless drawing, “She’s alive.”

“She’s not getting better,” Jinx says. 

“That’s not what the doctors say,” Caitlyn shoots back. Jinx scoffs something that sounds suspiciously like Topsider and Caitlyn sees red, “what would you know?! You haven’t been around!”

Jinx lays her head on her knees and shifts enough to lock eyes with her. Caitlyn hates the appraising look in her eyes. She told everyone Jinx was dangerous. Vi always mentioned how smart she was. The bars of the cell are a cold comfort as Caitlyn gets the distinct impression Jinx is here only because she wants to be. 

“You talkin to me or yourself?” She asks. 

The desire to kill her rears up again and immediately gets overwhelmed by the guilt. Jinx is right. Worse, she knows she is right. Who is she to speak about Vi’s state in any sense but the medical one. It’s not just her new, urgent wounds. It’s her half healed ones too. Infected cuts, a fungal infection, vitamin deficiencies, concerning liver values—Vi has been doing everything but taking care of herself. And that, Caitlyn knows, is her fault. 

“I’m telling you what the doctors have said because Vi would want you to know,” Caitlyn says, trying to reach for the voice that puts obedience into people’s hearts, “That is the only reason I’m here. Not to talk to you.”

Jinx looks as though she is going to say something further. But then she looks back down at the floor. Her fingers resume their drawing. Caitlyn wants to remind her she can have her killed with a snap of her fingers. She has all of the power here. 

But then she thinks of Vi with the paddles pressed to her chest.

She has no power when it really counts. 

&&&&

“You say you were out of your mind when we were walking back,” Jinx says, “were you when you kissed her?”

It’s sometimes the bitterest pill to swallow. She can say she was not in her right mind. Dismiss her actions as those of a woman mad with grief. But she wanted to kiss Vi. She wanted to kiss her for so long. To feel the cut in Vi’s lips against her own, to feel what it felt like to have Vi’s arms around her. Not out of pity but out of desire. And they were, they were around her and then Caitlyn had to go and ruin everything. 

“Do you love her?” 

The words make her freeze. 

Jinx waits until she is crouched in front of the cell with the tray to ask. Vi is alive, healing. Caitlyn tells herself it’s security that drives her down here to deliver the tray. It’s been a hard day so she lets herself have the excuse. 

“Why would I answer that?” Caitlyn demands, “why would I talk about my feelings with you?”

Jinx considers her. 

“You keep coming down here,” she points out, “you didn’t even say if Vi had surgery today.” 

Caitlyn strongly dislikes being called out. But Jinx is not wrong. She does keep coming down here. She doesn’t even tell herself it’s because she’s concerned about someone poisoning Jinx. She barely touches the food except when she’s threatened with force feedings. 

“I want to know if there’s a person in you,” she says. 

“No,” Jinx replies. 

“No?” 

“She chose me,” Jinx says, “you’re trying to figure out why because you hate me.” 

Anger surges through her.

“You destroyed the Undercity and killed my mother! Of course I hate you!” Caitlyn shouts. 

The anger is blinding, but it’s unsatisfied. It doesn’t feel good to shout at this broken creature. She can cling to things like the law and intent all she wants. The fact is if Jinx was from a respectable family in Piltover a judge would call her insane and send her for treatment. 

“I kidnapped you.”

“What?” She looks at her.

“If we’re listing my crimes. I kidnapped you,” she draws on the ground, “I blew up my dad—“ her face tightens, “there are others,” she looks at Caitlyn, “Vi still chose me.” 

She’s back in that temple screaming at Vi. Hitting her. Leaving her. Like everyone leaves her. 

“Yes, alright. I hate that she chose you,” Caitlyn says before she can properly think. Jinx looks at her. Caitlyn doesn’t want to be here confessing things. But Vi is slowly dying up there. And Caitlyn cannot confess to her, “you’ve caused so much pain.”

“But she loves me,” Jinx says, “I was happy when she chose me but then I saw how unhappy she was without you,” Caitlyn feels sick, “she didn’t choose me completely. She chose you too. It just wasn’t enough for you. But she does love you.” 

Caitlyn presses her back against the wall. Somewhere she surely knew what Jinx is saying. Which means she’s right. It wasn’t enough. Vi never chooses anything in half measures and the fact she chose this to try it out—it stings. It feels like a betrayal. It isn’t and Caitlyn hates that she knows that and her heart doesn’t care. 

“Everything she did, she did it for you,” Jinx continues, “that’s what Vi does. She’ll go to the ends of the earth for the people she loves,” her eyes peer at Caitlyn’s through a mess of blue hair, “it’s hard to be loved like that.”

Caitlyn feels her throat go tight but she shoves the feeling back. 

They both know Jinx is right. 

&&&&

“It’s an eating day,” Caitlyn announces as she pushes the tray through the slot. Jinx gives her an annoyed look, “it’s been two days. You know what will happen.”

Jinx sighs and picks up the sandwich. On days when she eats her energy perks back. She’s more talkative, more alert. Caitlyn likes those days because it is much easier to hate her on them. She looks down at the water Jinx has used to paint things. Much to her shock, she recognizes something.

“Is that Jayce’s old studio?”

“No,” Jinx says, “that’s just some guy we robbed,” her brows knit together, “when everything went wrong.”

“When you blew it up!” Caitlyn says. Jinx pauses and for the first time looks intrigued, “I was there!”

“You were?”

“Yes! The door was jammed. We couldn’t open it,” her mind is spinning, “you—Vi was there?” Jinx nods slowly. Caitlyn tries to think back to that hallway. She remembers the sounds of people scrambling and the muttered voices, “I dropped something.”

“So did I,” Jinx laments, “after we heard you.”

“You heard me,” Caitlyn repeats. 

Jinx gives her a halfhearted annoyed look. Caitlyn knows she’s repeating things but she cannot help it. Vi was on the other side of that door. She presses her fingertips to her lips. Tries to imagine what Vi may have looked like at that age. Her stomach twists when she realizes the rocket Jinx fired at her mother was not the only time she tried to blow up someone Caitlyn loved. The familiar anger is acidic in her mouth but it’s more vinegar than bile. 

Because Vi was there too. 

And slowly Caitlyn is realizing that may matter more. 

&&&&

The day Vi starts to wake up is the worst day of Caitlyn’s life. 

She knows it does not happen all at once. It’s a gradual process. But it’s hell. She cannot kick the doctors out. She does not know what to do. She can only watch as they remove tubes and try to cajole a response from Vi. Vi struggles and makes the most horrible sounds that cut through Caitlyn’s defenses. It hurts so much to see she practically flees down to Jinx’s cell. 

“What happened?” Jinx is instantly at the bars.

“She’s waking up,” Caitlyn chokes out. 

“Okay? Why do you look like that?” Jinx questions, “Is she okay?” 

“She’s fine, she’s in pain,” she says. Jinx rolls her eyes like Caitlyn has just said the stupidest thing she’s ever heard. Maybe it is. Vi is always in some kind of pain, “I don’t like seeing her in pain.” 

“Me neither but you look wrecked,” Jinx observes. 

“I—“ Caitlyn stops. Collects herself. Jinx sighs and shakes her head. 

“You’re not going to do anything about it.”

“That’s not true!”

“You think when she wakes up its gonna be sunshine and roses?” She shakes her head, “Vi’s going to yell at you and scare you off. Just don’t hit her this time she’s still healing.” 

“How dare you!” Caitlyn glares. 

“I’m not the one who hit her,” she says. 

Caitlyn can scarcely believe her ears. Jinx has done so much worse. Nearly killed her more times than she can count. Caitlyn knows she has made terrible mistakes but this is different. Surely it is different. They are not comparable. 

You sound like her

 Only one of them flooded the Undercity with drugs. 

You sound like her

Hurt Vi

You sound like her

It’s her blood in your veins!

Caitlyn’s back hits the wall. 

“You sound like her,” the words slip out of her mouth, “that’s why I’m here. You sound like her.”

Jinx moves over and places herself in the corner closest to Caitlyn. It’s only a wall that separates them. In another world perhaps it is her in the cell and Jinx is the one who prevents all of this. Maybe then Vi gets to be happy. 

“You love her, don’t you?”

Caitlyn nods, though she knows Jinx cannot see her. She cannot say those words to her first. No matter how human she has become as they both wait for Vi to wake up. 

“What if she chooses me again?” Jinx asks. 

“I don’t know,” Caitlyn says.

“Will you still love her?”

Caitlyn wishes this was not a real question. Then she feels like a fool for realizing it will always be a facet of whatever it is between them. It is Jinx’s blood flowing through her veins. And Caitlyn has reflected her actions in every scream of grief. They have both brought Vi to this place. 

“Yes,” Caitlyn whispers. 

“What if you mess it up again?” Jinx asks. 

“I’m a Kiramman,” Caitlyn snaps, “we don’t fail.” 

Something sets in Jinx’s eyes. She considers Caitlyn for a long moment and then gets to her feet. 

“I’m not going to talk to you anymore,” Jinx says and walks to the far corner. “Next time you come down here it should be to kill me,” she says. 

&&&

Vi wakes up properly. 

And everything changes. 

[fuckyeahisawthat]

Dune: Prophecy episode 2 thoughts:

[SPOILERS]

NOW WE ARE COOKING WITH GAS

Everyone continues to speak in Exposition Dump; I have accepted that the dialogue will just be Like This and have made my peace with it

I knew that Lila was gonna turn out to be Raquella's descendent!

TULA MOTHERFUCKING HARKONNEN your sister is underestimating you. Tula was kind of a nothingburger in episode 1 but goddamn, that conversation she has with Lila where she convinces her to undertake the Agony was so manipulative and creepy. And you just know at least some of what she is saying is lies even if you don't know quite which parts yet.

Everything with Lila was completely harrowing. She looks so small and young in the white robe in the lab. The fact that everyone at the school is watching from the gallery, fucking yikes. Chloe Lea who plays Lila did a fantastic job. Olivia Williams is terrifying. That whole sequence was by far the most riveting part of the episode.

Love how much they're doing with the Other Memory, which the films don't really have time to get into. Love that they're highlighting the idea that the ancestors aren't just passive conduits of information; they have agendas and can influence you. You can see the call-forward to Alia's storyline in Children of Dune.

The ancestral plane or whatever you wanna call it looked creepy as fuck, good job. Also love how the shrouded gray figures look a little bit like the silver-plate icon of Raquella that's perpetually looming over all of them.

LILA KNOWS THAT VALYA KILLED DOROTEA. Oh that's great. Especially since I am pretty sure that Lila is only mostly dead. That Chekov's gun is gonna go off at some point.

Dorotea says Lila's mother is "not here." I sort of thought the Other Memory included all your ancestors whether they were alive or dead but maybe not? In any case I assume the implication is that Lila's mother is alive.

Actually love that Tula got genuinely upset at the thought that she might have killed Lila. Love a fucked-up surrogate mother-daughter relationship.

Unsurprisingly I am becoming a bit of a Jen stan. You question that propaganda girl!

Continually getting jumpscared by the GoT rejected plotline/early 2000s Syfy miniseries/CW show based on a popular YA franchise vibes of the younger Corrino generation. Could've done without the sexposition. Ynez and Squareface Atreides continue to be so so so boring.

Squareface Atreides talking about the "rebellion" of what seems like Houses Minor/less powerful elements of the Landsraad as if it's some kind of popular revolt was great actually. I don't know how much this was intended, but classic Atreides bullshit of always thinking they're the Good Guys.

Desmond in floaty jail. Sorry I just could not take it seriously. I laughed every time they floated him around.

The fact that Desmond can resist the Voice makes me think he is not fully human, or not human at all. I was originally thinking he's just got a fucked up Tleilaxu robot eye that can fry people, but now I wonder if he's something else entirely.

Oh I am fully on board now and ready for more!

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[azlovesem]

I font think of dhit. Nothing hood anymore. My eyes are turnong black thanos for not helping ne at all and keaving me like this. I hope this xmas is not kind to any of you. I. Not ever watching snother movie again. If anyone puts one on ill just go for a long walk. Until its over. Im finished with snyone i dobt give a fuck. I defend no one anymore really i dont like anyone. No one. Im alne on a dead and dying planet. I hate you all. Get fuckn murdered gor ne so i can laugh at you on the tv. Crash the llane do i can laugh. Blow each other up thats funny and entertaining yo an Archangel. Stuff uour nedsls up your ass veteran. You fought gor snd they fied gor nothing if it all comes to nothing right? Right i know im right im not aak g dhot stupid chimp. I font go e a fuck you survived. Barely ftombthe looks of it. Ha ha ha ha warrior. Dont maje md laugh smerican lie doreading disease of bullshit.

“And whenever you see the moon, think of me, since that's how I remember you every night.”

— HIRA.S

[dreamwritesimagines]

logan is lowkey so stray dog coded, feed him once (give him affection) and he will come back. if the daughter of a man who hates him treated him like an actual person and her baby seemed enchanted with him he'd be a goner

like maybe her father hates mutants and he's a politician so he's very loud about it soofc he dislikes logan but sunshine's baby is a mutant as well. give logan 7 to 10 business days and he's asking her to run away with him

Omg you described him perfectly, he really is stray dog coded! 🥰

Her father as a politician who hates mutants?! THIS IS GALAXY BRAIN! 😱 Omg I have so many ideas about this already, it would make things extra angsty and when they first met, Sunshine would definitely tell Logan like;

"I hope you know I'm nothing like my father."

"Yeah no, I can tell."

"And I don't share his beliefs or his stance, and I think it's bullshit and-"

"I know."

"I had so many fights with him about his...what?"

"I know. I can tell."

"Oh! Oh, good. I'm glad to hear it. I was kind of scared that you'd be um-assuming stuff about me based on him."

"I just wonder how a guy like him got to have a daughter like you."

"Well, none of us have to be like our parents, thankfully. I'll teach Theo the same. Well-right now I'm more focusing on shapes and colors but life philosophy is also in the works."

[doomtrooper77]

I've got a story to accompany this image. You can read it below. It is not a cute romantic story; it is more like my images. So, if that is not your thing, skip the story. If you do, let me know what you think of it.

Wrong Side of the Tracks

I had been in the bar for an hour already. It was one of those places off the beaten track where everyone went from what some would call the wrong side of the tracks. Mind you, this place wasn’t rundown. It just wasn’t fancy. The long wooden bar was polished, and the stools were worn but comfortable. Booths lined the wall opposite the bar. In the back of the bar were some big couches and chairs in an open area. Every seating surface was made of that old-school leather that got patina but never grew thin, never ripped. It was all cushioned just right for sitting and drinking the night away. Behind the bar was bottle after bottle of every liquor you could think of. Cases full of bottles of beer and more than a few on tap. However, don’t come in asking for some fancy new-fangled Microbrew bullshit. This wasn’t that kind of place.

Most people who came here were working-class people who came in for drinks and bar food. People who worked with their hands or on their feet all day. You had some white-collar folks sprinkled in, but mostly people who grew up in the neighborhood who managed to get a job downtown but still came back to visit friends and family in the area. That’s not to say it also didn’t have more seedier visitors. It was also a place where locals on the "wrong" side of the law congregated. Depending on the day of the week and the time, there was little you couldn’t find here if you knew the right person to ask.

You need a loan. There was a table in the back where some gentlemen of Italian persuasion sat most days. They were happy to give you some money for a hefty fee. If you needed something to bring you up or down, there was usually someone you could talk to to provide you with whatever you needed. But they couldn’t sell it in the bar. Business of that sort was not allowed in the bar; discussing it was different. If you needed someone’s leg broken, there was someone who you could talk to about that.

The bar was situated behind several warehouses and buildings in an old light industrial part of the city. You had to know where it was to find it and drive a maze of access roads and streets to find it. The bar had an address but didn’t appear on Waze or Google Maps.  The lot was big enough for everything from Harleys to big rigs.  The lot is dim, with most of the light coming from other businesses outside its perimeter.

I was on my 3rd beer when I heard the Harley outside. It was cold in the Midwest in November, but the hardcore bikers rode in the cold air. I was sitting midway down the bar when the door opened, and the crowd started parting. People quickly moved aside, even to the point where they pressed against others to get out of the way of the approaching figure. I got a glimpse of him just as he passed. I thought, “Jesus, he's gotten even bigger!”  He walked past, and you could feel his aura move with him. Predator. It was the only way to describe it. Some construction workers were drinking a few feet down, and one of the bigger guys either didn’t see him coming or had decided he was the alpha in the room. The biker didn’t change his step; his massive shoulders plowed through the big construction worker, pushing him into his buddies and spilling his beer down his shirt.

“Hey FUCK WAD, watch where you’re going!” The big construction worker said. He was big, about 6’5, and easily 280-290 solid pounds. You can tell he was used to being the big guy in the room. The area around them quieted as the biker turned around and took two steps back. I got a good look at him then. He was about 6’2, so shorter than the construction worker. However, everything else about the biker made the construction worker seem small. He had actual doorway-wide shoulders.  Arms are truly as thick as a healthy man's leg. Massive pecs encased under the leather vest. His lats push his massive arms away from his body at a freaking 45-degree angle. A neck so massive that it seemed like his huge shoulders just met his head somehow.  The part of my brain that was pretty damn good at calculating a man's size and weight told me at least 375 actual pounds.

One of the construction workers whispered “shit” as he pulled on his friend's arm. The bigger construction worker was wiping beer from his shirt and shook his friend's arm off as he looked up. Both men’s eyes met, and something happened. Guys know the feeling when you are in a situation where you quickly find out that you are not the alpha in the room. The biker took another step forward and pushed his chest into that of the construction worker. The biker tilted his head to that angle some guys do when trying to figure out how badly they will hurt someone. Not if, but how much. Everything around them quieted and stopped.

I could only see part of the construction workers' faces, but I could see the anger drain quickly away to be replaced by fear.  The Biker saw it and stepped into him more, pushing him back on his friends. Something like a wave of heat seemed to pass over me, and I could feel the raw dominance coming off that biker. It was like being on the edge of a violent storm. You can feel the air pressure change and smell the lightning as it crashes just feet away. Or it is like being on the edge of a vast forest fire, watching a fire tornado spin feet away and your skin both dry and slick with sweat simultaneously.

I felt my balls shrink up and throb at the same time.  “Sorry. Sorry.. man, I’m sorry,” the Big Construction worker was saying. No longer meeting the biker’s gaze, he said, “Sorry I bumped into ya. My fault. Sorry, sorry.”  The Biker stayed crowded in his space for another 15 seconds, stepped back, and looked at the construction workers' buddies, who all looked away. He turned to walk to the back of the bar to the area where the couches and chairs were. There was a dangerous and knowing smirk on his face.

Within seconds, the bar's sounds returned to normal, and people moved on as if nothing had happened—except for the construction workers. Those guys threw money on the bar, paid their tab, and quickly left.

However, I was now intrigued—no, make that obsessed—with the monster in the back of the bar. Over the next hour, I made my way down the bar toward the back of the room. I could see he was sitting with several other bikers and rough-looking men. I couldn’t hear what they were discussing but could see them on the sly. He filled one of the club chairs, his mass covering it completely. He wore this leather vest, black jeans, and big black harness boots. Out of the group, he talked the least.

A couple in the booth was just on the edge of the sitting area, which had a perfect view.  They left when I almost convinced myself that my little spy game had gone as far as it should. Before they could get two steps away from the booth, I slid into it. The waitress came over, and I got another beer.  I took out my phone and pretended to be scrolling on it while I was sneaking peaks at the monster. My cock was so hard in my pants that I had to squirm around a bit to give it room.  Knowing I might never see this guy again, I discreetly turned on my camera and videoed him. I kept making gestures like I was scrolling and typing, but I was filming his every twitch and flex.

I ended up drinking another two beers while getting more and more footage. The angle I had the camera meant I really couldn’t see my screen. I might have noticed when he started looking at me if I had. Only when I looked up to sneak another peek I saw two pools of steel looking at me.  Eyes so bright and grey that they seemed to glow, and they were looking at me. Not glancing but staring at me. I could feel the weight of his attention. “Fuck fuck fuck fuck” was all I could think.  As nonchalantly as possible, I slowly angled my phone away, and while pretending to be texting, I shut off the camera. It was time to go. I couldn’t dare look up at him to see if he was still looking, but I knew. I could feel it—the heat and pressure of his attention.

I had two problems. My cock was still rock hard, and I needed to piss badly. So badly, I thought that if I tried to make it to my car, I would piss myself. SHIT. I took out my wallet and threw 50 bucks and an OK tip on the table. Every second felt like my bladder was going to burst. SHIIIT. Taking a deep breath, I causually stood up with my hand in my pocket, trying to hold my boner down, and started walking across the bar to the hallway with the bathrooms. My brain screamed don’t look at him, my cock, on the other hand, throbbed under my fingers and said, come on one last look.

Glancing in his direction as I walked past the men who sat in front of him, I saw his head turn and track me. Like some goddamn tiger or something. I got to the bathroom and made it to the urinal, and let out 5 beers worth of piss. My hard cock throbbing in my hand the entire time. When I finished, my cock had gone to semi-hard. Stuffing it back in my pants, I washed my hands, took a deep breath, and told myself to walk out of the bar. Walk out of the bathroom and straight out the bar, not looking at him or anyone. Out the bar and to my car.  Go home. Go home and watch all of the videos you took of that beast. My cock twitched and started to harden again.

I opened the door, turned to go down the hallway, and ran into a wall of beef. He stood there, his massive body filling the dim hallway, waiting. I bounced off him and stumbled back two steps. I looked up at his face and those eyes. My body froze. I can’t explain it. I FROOZE. He looked at me, his head tilted as if he were deciding something. My heart was racing, and my mouth was dry. For seconds, I couldn’t say anything. Then I remembered what happened with the guy up front. I quickly said, “Sorry. Excuse me for bumping into you.”  

He started moving toward me. I backed up a step, thinking he was headed to the bathroom. But he wasn’t. He kept walking past the bathroom, and now he was against me. His massive body pushes me forward, my backward pace struggling to keep up. “Uh wait, hey, umm, excuse me.” Every nonsensical word came out of my mouth, and he kept pushing me back down the hallway. I started to fall backward, and I felt this massive hand grab my shirt and keep me upright. With no effort, he lifted me on my toes and carried me down the darkening hall. I kept mumbling until he said, “Shut up.” He didn’t yell. He gave an order and expected it to be followed.

We turned a corner and went down another short hall. There was an exit door. He pushed me through it into the night. Behind the bar, it was virtually pitch black, only lit by moonlight and his eyes. He walked us 50 feet behind a brick shed and pushed me against the wall.  His beard split into a hard grin, and he said, “Phone.”

Stunned and terrified, I said, “What?”

I have never had anyone grab me by my throat and lift me off the ground before. His massive hand clamped around my neck; his other hand went to my pants pocket and ripped out my phone.  Still holding me up with one hand, his other expertly clicks the button to turn the screen on. It was locked. He looked at me and then at the phone. I expected he would demand the lock code. Instead, he turned my head to face the phone and held it up. Even in the dim moonlight, it recognized my face and unlocked it.

The massive hand that wasn’t throttling me expertly moved over the screen. His big fingers press and swipe my screen. The screen lit up his face. Harsh, rough, brutally handsome. In a few seconds, I heard the sound of the bar playing from my speaker.  His hand tightened on my throat.  I watched his face as he scrubbed through the video. His brutal features were darkening. The aura of potential violence made the air thick.

He turned the phone so I could see the video playing, which showed him staring at me and the camera from minutes ago. He pulled me down and leaned all of his weight into me, crushing me to the shed wall. He leaned in where our faces were touching. His steel grey eye was less than an inch from my own, staring into my eye like a laser beam. His beard rubbed against mine as his mouth was next to my ear. His hot, angry breath blew across my ear and neck.  It was intimate. Fear can be intimate.

“Who the fuck are you, and why are you videoing me.” He said. His voice was deep, and his words were spoken normally, but the power behind them made me shiver.  My brain went blank. Words just tumbled from my mouth. Apologies. Explanations. Gibberish. I could see the rage ignite in his eyes as he pressed himself against me fully and repeated himself more forcefully. He asked again, and the anger and potential violence in his voice made my legs weak.

Then froze.  His eyes stayed locked to mine. His head tilted. He let go of my neck and reached down between us.  My brain may have been terrified and incapable of action; however, my cock was having the time of its life.  It could care less that this 390-pound monster was about to rip us apart. All it cared about was that 390-pound monster crushing and grinding me into the wall behind us. I felt the biker’s massive hand grab my hard cock.

The heat in his eyes was still there, in suspension.  Lifting my phone back up, I watched as he expertly tapped, swiped, and scrubbed through my phone. We stood that way for almost 3-4 minutes. I heard numerous videos I had saved to my phone from Leather sites, Raw Fuck Club, videos saved from Twitter and Pornhub. He flicked through them, and all the while, my throbbing cock was crushed by his hand.

Looking back at me, his eyes were still full of heat. “Is that it puppy? You getting some more jerk off material on your phone?” My fear is now joined with shame. SHIT. Shame giving me the power to look away.  His big hand squeezes my cock painfully, and he says, “I asked you a question, boy! You’re videoing me so you can jerk this thing off later?” His hand squeezed and pulled my cock roughly through my jeans. It throbbed and twitched with excitement.

I mumbled, “Yes.”

His face gets close to his mind, and the anger is back in his voice, “Speak up, boy! You got the balls to be filming me for your personal pleasure, be man enough to say it!”

“Yes, that is why I was filming you,” I said.

“Why me?” He said, his voice clearly expecting an answer.

I paused. Thinking of what to say.  Decided on the truth. “I’ve never seen anyone like you. As big as you are.  As tough as you are. As strong as you are.  As mean and scary.“ I stopped myself from going further.

He let go of my cock and pressed himself hard against me, crushing me more than before. “You like’em big and scary, huh?” His face was close to mind. “I’m 400 fucking pounds of the meanest and scariest motherfucker you gonna ever meet, boy.”  He pushed his mouth close to my ear and said, “I do mean and scary shit for fun. Are you sure you want that?” He fucking growled like a beast in my ear.

My cock didn’t give my brain time to think, so I quietly said, “Yes.”

He growled in my ear and crushed me even more against the wall. “Mean and scary it is.” He said.

Spinning me around, he pushed me face-first into the brick wall. He reached around, grabbed the front of my pants, and unbuckled my belt. He slid the belt off. Before I knew what was happening, he had made a loop out of it, put it around my neck, and pulled it tight. “There we go, puppy needs a leash.” He said. I was up on my toes. My skin was hot and cold. Excited and scared.

I felt his other hand grab the back of my jeans and yank. There was a ripping sound, and I tried to grab his hand to keep him from ripping my jeans. “Hey, I can take them down…” I never finished that sentence because I felt a fist hit me in the kidneys. Bright pain lanced up my side, and my legs went weak.

Pressing up against me, he said, “Understand this puppy. You’ve got three jobs right now. One, do what I say and nothing but what I say. Two, do whatever you can to make sure I enjoy using you however I want. Three, Survive. Do one and two well, and three shouldn’t be a problem. You fuck around thinking this is some date, and I can show you a whole other level of mean and scary. Do you understand me, boy?”

“ Yes, Sir.” I said.

He laughed roughly as his hand grabbed my jeans and ripped a big hole in the center. His hand reached through the hole to grab my shorts and grab one of the ass straps of my jock. He chuckled, “You’re a kinky fucker, aren’t you?”

I felt him step back and heard a zipper. He growled deeply again and pressed himself against me. I could feel his hot throbbing cock rub against my ass. He ground his hips back and forth and side to side. Fuck, it was huge. I could feel it throb and twitch as it moved across my skin. He slid it up my back and around my hips so I could feel how big it was.  I whimpered a bit in lust and fear. Leaning in, he growled, “Everything about me is big and scary.”

He slides his now hard cock between my ass cheeks, stretching the cheeks apart with-it’s size. I feel him let out a deep, growling breath as he crushes me between him and the wall.  I felt the big, veiny flesh slide up and down my hole. Yanking on the belt, he growls, “Open up.” He pushes his way in. Fuck its, huge. So damn thick. It just keeps sliding and sliding in. My breath is coming in short gasps. He chuckles as it pushes all the way in. I can feel his pubic hair and zipper teeth on my ass.  I want to yell, but the belt is pulled tight on my neck.

“That’s it, puppy. Take it. Take it all.” He says, grinding his massive body against mine. His cock throbbing deep inside me. Soon, he got a steady stroke going. His strokes are solid and deep. His powerlifting hips alternate from jackhammering into me to crushing me against the wall between him and the shed. He’s growling and breathing behind me like an animal. My legs are weak from the pounding.

I feel him loosen his grip on the belt, grab my hair, and pull my head to the side. I feel his thick beard rub across my neck. I moan as he rubs across that spot. The spot that makes me squirm when the right man finds it. He knows and licks across it. My body shakes. Then I felt his mouth bite down on that spot. Every nerve in my body cuts on and off. His hungry mouth bites and gnaws at my neck. Never breaking the skin. Holding me in place as his massive body goes into overdrive. Powerfucking me against the wall. I feel like a rhino is ramming into me. Time blurs and I don’t know if it has been 5 minutes or 15, but this monster has stamina. His pounding has never stopped.

I’ve never been used like this. I feel his stroke change, and by the 4th stroke, he explodes inside of me. Shot after shot, painting my insides. So much cum. So much I can feel it leaking around his cock and down my legs. He keeps his cock inside me until the absolute last twitch is done. When he pulls it out, I can feel more of it soaking my jeans.

I feel him step back and hear him say, “Turn around, boy.”  My legs are weak and wobbly. I feel like I have just lost a boxing match or been used like a tackling dummy.

He’s looking at me. Fuck he seems even bigger now. A huge fucking shadow in the moonlight.

I can barely see his face, but his eyes shine as he says. “You are not fucking done.” Looking down and then back up, he says. “Clean me up.” I look down, and his cock is still semi-hard and twitching. “You can get on your knees, or I can put you there. Get to work.”

Getting to my knees, I lean forward and take him in my mouth. Just like when he was fucking me against the wall, his hands were soon clamped on the side of my head, and his hips were thrusting his cock deep into my throat. The more I choke, cough, and sputter, the more he likes it. By the time he was done, I was a messy fleshlight. He dumped three more loads down my throat. His big dick was like a firehose. I was so full, weak, and used that I just lay on the ground.

I felt his boot push me over to my back. His huge shadow was standing over me. He puts his boot on my chest, bends down, and shines my phone in my face again. He turns it back around, and I watch as he flicks through it again, stopping a few times.  “You didn’t do lousy tonight, boy. You managed to survive.” Putting real pressure on his boot and my chest, he repeats my home address, work address, and that of my sister. Nothing more, his threat was implicit.  “You better start working out more because next time, tonight will look like foreplay.” Then I watched his massive hand squeeze, and he crushed my phone like it was nothing. It sparked, and smoke started coming out of the cracked sides. I watch him lean back and throw the now burning hunk of glass and metal far further than anyone should be able to. “You need a new phone, puppy.” He says as he walks off into the darkness.  In the next few minutes, I heard a Harley start up and drive away.

Sometime later, I managed to get up and find my way to the parking lot. I smile as I gingerly get in my car, thinking about the cloud backup I have turned on for pictures and video on my phone. I do need a new phone. My dick twitches in anticipation.

[dalliancekay]

And it is All. Aziraphale's. Fault.

NO IT FUCKING ISN'T HIS FAULT

First of all: I'm pretty sure every time we see Az and Crowley in the past, Crowley is wearing whatever is the height of fashion while Aziraphale wears things that are well made but several decades out. Meaning he is wearing them for a good while. Swapping his clothes around when they become maybe too worn, maybe too conspicuous.

Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

Really? Was he born yesterday? He has no idea how the world works?

the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag. 

It wasn't invented by the rich. It was 'invented' or used rather by the church that got used by the rich to keep the poor in place. There is no way you can blame Aziraphale for this. All he wanted is for Elspeth not to end up in Hell. Which Crowley wanted too, after he saw how upset it made Aziraphale. That's not fucking wrong. And you can't tell me either that rich have more opportunities to do good. Or that they do so. Or that more of them go to Heaven.

The inequality in humanity? Well, Adam and Eve had nothing. We have caused all this bullshit to ourselves. Nothing to do with Aziraphale. Or Crowley.

He respects her goodness tremendously.  It proves to him his “rightness.” 

Did you mean to say, he's glad she's not heading for Hell.

And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

He WAS saving her soul. Remember? Heaven and Hell being real places you go to when you die in GO?

Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

Maybe next time try to be a bit more condescending to someone who just learned something new. And IMMEDIATELY changed his mind about it. Plus, Crowley had no idea digging up bodies could be spun to be a good thing either. He was learning just as much as Aziraphale. But I haven't seen one single FUCKING META about how Crowley was completely disinterested in Elspeth and her life. Only in having his usual argument with Aziraphale. Until he didn't. (And as I pointed out, he wasn't right about - you have start people off equal, people did start off equal, we are just assholes)

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide. 

In other words, everyone makes their own choices, things go badly for Wee Morag. Maybe re-watch the ep and see how Elspeth doesn't blame Aziraphale (or Crowley) for what happened. So why do you?

Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.  

Is he? Or is he taken cos he sent two guards directly down to Hell, alerting them?

And it is All. Aziraphale's. Fault.

(I deleted what I wrote here)

He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him. 

There's absolutely NOTHING in canon to support this. We can HC whatever we want sure, I for example think that Az wears things, as I said above, that are stylish but always out of fashion because it takes him time to find the right things and then he wears them for decades and decades. Because that's what is suggested by the canon, by the care he puts into his clothes and how well loved they are. The fact that 'male' fashion got less flamboyant down the centuries was not Aziraphale's decision. I for example HC too that Azi, when building his bookshop, and using his own, earned money as you rightly say, was spending miracles on making sure his workers didn't injure themselves, that he spent miracles looking after the street urchins in the very poor neighbourhood he has chosen to settle in (as opposite to say Mayfair). And that when Gabriel told him off for using too many 'frivolous miracles' in 1792 he got mad and decided to go to Paris like the stupid angel he apparently is and get, say, ravished by his enemy who would surely find him helpless and not able to save himself in a prison.

What would Crowley do, if he were free to be kind? And so Aziraphale changes.

Yes, because Aziraphale is an asshole who cares about nobody, and nothing, right?

the angel who took too long justifying a life-saving miracle for Wee Morag

Because he's NOT ALLOWED TO INTERVENE.

who hesitated to give Elspeth his 90 Guineas

Do you think he should have just worked and worked and give all his money to poor people? Is that the answer to all the world's problems? Making Aziraphale poor?

willingly and freely gave Maggie forgiveness for thousands of pounds of debt

Why wouldn't he. It's his property and I am sure he lends it to Maggie for significantly less than anyone else would have. Definitely less than those 'gentlemen' in the book who come and try to persuade the angel from time to time to sell his bookshop.

I'd love to know what else he's done over the last 180+ years!

He's been the kind, big hearted angel he always was. Looking after his shop, his tenants and anyone else who he could. Saving babies in prams and making sure shady men never came back. Looking out for Crowley, trying to keep him out of trouble, worrying about him, keeping an eye out to see if he's not doing something reckless. Finding out the demon wants to rob a church, handing him the one thing that could take him away forever with the heaviest of hearts. While of course, Crowley was doing the same thing. Not giving in to Aziraphale's princess act in the Bastille because he knew it would not ultimately end well for them. Understanding when Aziraphale said no to a date in 1967, not surprised since he remembered well what happened in 1941 when they were seen together.

*** YES if Aziraphale did absolutely nothing on the graveyard, Wee Morag would have probably lived a bit longer. How much longer though... and they would very likely end up in Hell, because they would have had to do much more crime down the road. Maybe even get hanged for graverobbing. Also see: Aziraphale just wanted to help. Did you never make a mistake??? He didn't mean to hurt anyone. If he did nothing, he'd never have learned yet another way the world is complicated and not black and white. Crowley was going to do nothing at all, just have a laugh at someone robbing a grave. No one cares. He's a demon. He stopped Elspeth from killing herself and everyone applauds, yes, it is super kind of him, and dangerous for him too, but it is the right thing to do. He didn't want her to go to Hell either.

The people who think they would have figured everything out before any events happened at all...well, good luck in your life.

And people who think Az should have done nothing - okay then. Let's just all do nothing at all, hoping we avoid all the bad things. Also: Changing the world is not done via charity but via changing the society, creating better welfare systems, housing, medical care, education. Those are things one lone angel (and his husband) can't do. And it's not their place anyway. I have like 5 pounds in my bank account (I hope) and yet I am not blaming someone well-off for that. It's the systems that are failing us. Much like the systems failed Aziraphale and Crowley. Putting two wonderful beings through so much pain because - that's how it is done.

And as I have said a million times before, Aziraphale is not learning some morality lesson in GO (HE IS A WONDERFUL, GOOD, KIND, GENEROUS, BRAVE BEING ALREADY), he doesn't need to get off his high horse, he doesn't need to finally 'see things clearly'. He knows how fucked the system he lives in is. He's just trying to help. Even Crowley says (in the book) that Heaven is the better option over Hell. However fucked it is.

Aziraphale learns from Crowley that he can question things, yes. But not in some, oh he's so blind and stuck and deep in some dogma bullshit. NO. He was always told things will happen a certain way. That Earth gets 6000 years tops. That God Herself made a Plan. It may be Ineffable, but it is a Plan.

I'm sorry, if you think you are far smarter than this and you would have figured out that God is telling porkies, good for you, I'm glad such intellects exists.

Because Crowley also didn't know the Plan could be changed until the end of S1. Yes he asked Az to try stop Armageddon but I don't think he really believed they could. He just wanted to give it a go. Cos - well what did he have to lose?

And they did change it. They held Adam's hands and they told him to be himself and when Gabe and Beez wanted to go ahead anyway Az confused them by asking about which Plan said what. So yes, he learns to question things. And he learned that from Crowley. And Crowley? Who was abandoned by the one Being who was always supposed to love him? Well. Crowley looks into those blue eyes and trusts.

The Night That Changed an Angel (or, why does Aziraphale still wear that shabby vest?)

Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.

[edoro]

oops, i became briefly too aware of the enormity of the soul-crushing effort it takes for me to function at a level most people would consider 'rock bottom', and now i'm filled with bitter, seething resentment

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[tswwwit]

I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.

It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!

No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.

A henchmen.

(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).

[butts-bouncing-on-the-beltway]

I come from a family riddled with chronic and congenital health issues, which wasn't THE ONLY reason I went into healthcare and public health policy, but it **helped**

Throughout my own chronic health journey two things have struck me over and over again as part of this issue are

1) medical doctors from more traditional specialties have a history of starting out *at best* vaguely compassionate, and steadily cruising through "confused and irritated" all the way into "actively coordinating with other medical providers to medically neglect you". This means that often, the only doctors who have been both compassionate, sure they could help, and willing to keep trying for YEARS on end without hesitation or frustration, WERE CONMEN

They could afford to be all of those things. Because all they needed was for me to keep showing up at their door to pay my invoices. Meanwhile, actual doctors are accountable to licensing boards, health insurance companies, and a dozen other entities for why they're spending time and money on me, and the longer they have to do those things, the more of a problem they have.

2) there comes a day, a threshold of desperation, where you just need someone to make anything even a little bit better, and if they can do that, they might as well be your god now. Everyone's threshold is different. I hit mine in my late 20s, after over 15 years of increasingly despondant care-seeking, but I know others hit it faster or slower. When this moment comes, it is very easy for a conman to roll up, do something batshit, and manage to make you feel just better enough to be willing to try whatever batshit thing they suggest next. And it doesn't hurt that these are also the only people to act like they believe me when I described the things that were happening, whereas a lot of doctors and nurses I've seen just nod and smile and cruise past it, like the ER doctor the other day who was repeatedly informed that I was having an episode of an orthostatic heart condition and A) didn't run a tilt table, B) didn't even bother to take my heart rate in more than one position, C) DIDN'T EVALUATE MY **HEART** AT ALL BECAUSE HE FOCUSED ON MY NECK AND BRAIN WHERE PAIN WAS MANIFESTING INSTEAD OF MY HEART WHICH HE WAS REPEATEDLY INFORMED WAS CAUSING THE PAIN, and D) didn't treat my dehydration AT ALL despite this being a severe flag for further episodes, and further episodes being a high head-trauma risk for me.

The cons who have "treated" me all ran the kinds of tests that my future doctors simply REFUSE to order, but are happy to hear the results from when I pass them on! Even helped me get them paid for when I couldn't afford things like genetic counseling or complex blood tests. They have all been *weirdly helpful* even when I can see how much bullshit they're also saying.

But it's taken me having multiple degrees in related specialties to be able to parse (MOSTLY) the bullshit from the valuable ideas. And the whole point of having doctors is that not everyone should HAVE to be a medical professional just to get medical care!

I don't know that I have solutions here or especially helpful observations, but I think part of the fear I've been developing about all this is "the medical system is failing so many people so often that even KNOWING someone is a quack isn't enough to stop patients from seeing them if they're a quack who can produce what looks like results"

It feels like the line between "alternative medicine scams" and legit medical info is crumbling apart and it scares the hell out of me.

I was on youtube looking up some stuff for my friend, to see what unreliable stuff they might have to watch out for, and there are a lot of scams being pushed by people who are using academic-sounding terminology and appear to the uneducated outsider (me) to actually have an understanding of the science. A lot of these people either are medical doctors or are posing as medical doctors using a sketchy bullshit degree from some obscure illegitimate institution.

What's more, there's a lot of content creators enabling this by building their channels around vague, essentially benign claims that are too unspecific to be labeled misinformation, like "Avoiding these foods could help with this condition!"

Like yeah, in the broadest sense, maybe eating less "refined sugars" could make you feel better, but once you watch this video, the algorithm immediately starts pushing other videos with similar titles making similar claims, except those claims are "Refined sugars cause disabilities and cancer," and that will bring you to "Sugar is a drug more addictive than cocaine and you can detox by eating only raw beef and butter."

I got recommended a Jordan Peterson video within 3 clicks of simply putting the name of a chronic illness into youtube search.