#i just see so many people hating on his differences with the implication that he’s been retconned and i’m like

[greywitch]

feeling like i wanna write a dissertation on lelouch’s name change not even bc i love it or think it’s brilliant but bc the themes have been referenced in the OG show and lelouch being different isn’t the same as him being out of character… there’s a difference between evolution/development/regression and being OOC/retconned because the former has narrative precedence and lead up whilst the latter doesn’t : )

[shouts-into-the-void]

Just read screenshots of the Aaron extra chapter and I have so many thoughts, so here they are:

It's always so funny to me to be reminded of the fact that the animosity between Aaron and Neil is mostly one-sided. Like, Neil finds Aaron frustrating, but all the antagonistic stuff he does to him is ultimately in service of helping him in some way and while he's angry when Aaron provokes him, he otherwise regards him with disinterest and even expresses the desire to see what he's like when he's relaxed and enjoying himself during the party with the Vixens. Meanwhile Aaron just really hates that man.

I really appreciated Nora using this chapter to clear up some of the gripes a lot of the fandom has had with Aaron's character in the past and confirm that Aaron's comments to Nicky have to do with his cousin making graphic and unwanted sexual advances on their teammates, and his accusations towards Neil were from a place of concern for his brother. I also liked that it was pointed out that of course he would have at least some internalized homophobia due to being raised by religious zealots in a conservative area, but is unlearning it due to Nicky.

On a similar note, I'm glad that we were provided the context that Nicky's inappropriate behavior is a defense mechanism to weed out people who might hurt him rather than legitimate advances, because I think the fandom tends to forget that he is also a character with extreme trauma written outside of the "perfect victim" stereotype. His actions aren't okay, but the entire point is that they are the result of what he's had to endure just like every other member of the team

The implication that Andrew specifically signed with the Foxes so Aaron could go to college

Aaron and Andrew have the same nervous habit of picking at loose thread

It causes me physical pain to see Andrew clearly trying to open up to Aaron about his self-harm, but because his way of communicating is less straightforward (he doesn't lie, but he because he stuggles to confront and be open with his emotions, he presents the truth in flowery, vague language) and because the two dont really know or understand each other, Aaron can't fully grasp the implications of what he's saying

On the subject of things that cause me physical pain: baby Aaron telling his mom that he wanted to be a neurosurgeon like the people on TV and her laughing and saying he'd never make anything of himself. Fuck Tilda Minyard, all my homies hate Tilda.

Andrew is so uncomfortable, someone Get Him Out of There.

Going off that and his nervous habits (that Aaron mentions he did often enough to be noticable as a habit premedication), I am highkey wondering if the reason Sober Andrew doesn't talk to anyone outside Neil is because he's just. Socially Awkward.

We get a little bit of insight into Andrew's "misogyny" (I personally think distrusting certain people as a result of extreme personal trauma is a little bit different than just being sexist, in the same way women distrusting men because they're used to being harassed and belittled isn't misandry, but that's up to your personal opinion) and that his distain for Katelyn comes from the fact that he thinks she's stringing Aaron along and will turn out to be awful like his previous girlfriends (there's also a notable implication that Aaron has the same self-destructive tendencies as Andrew, and may be why he went out of his way to get him into college and on the straight-and-narrow) also see that this extends to Bee as well despite their close relationship, with him being so afraid that she'd reject him for being gay that he can't even look at her while talking about Neil, probably made worse by the fact that she's a maternal figure for him, which is where this trauma response originates.

Aaron is the only person on the team who's aware that Andrew hasn't slept with Neil, and the only one to grasp the significance of the fact that they've gotten close to that point already despite Andrew's trauma, outside of Renee

It was overall really interesting to see inside Aaron's head (I actually wouldn't mind a book from his perspective, he has a similar way of thinking to Neil but much more grounded) and to see Andrew through the lense of someone who just views him as Just A Guy

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[kimsmuse]

yandere rich kid !!

not really a kid, just a spoiled brat.

gender neutral!reader, obsessive behaviour, blackmailing, mentions of drunk driving, implications of sex but no real smut TT. if you want to talk about yanderes my inbox is always open <33

i was thinking about mingi of ateez when i wrote it so you can imagine him as the faceclaim (v v optional)

very rough idea but !! yandere nepo kid who is The Wild Kid, he’s his parents' and siblings' worst nightmare, partying like its his last night, hooking up right and left.

just imagine like early 2010s justin bieber but, um, no hate to him, but better.

this guy isn't evil or cruel or anything, he's just numb, and he's doing every possible thing that comes his way to just feel something, anything he can.

drugs? nothing. alcohol? nothing. nothing makes him feel like the people he sees in the movies, he tries talking to so many people, sleeps with them, but he can't feel it.

and it becomes increasingly uncomfortable for him inside his own body, he's aware of the things that are happening, his parents being disappointed, threatening to write him off their will but he can't seem to stop himself.

club after club, every bouncer knows him, the bartenders know his order, accurate down to the T because they know what's going to happen if they don't.

and enter you. okay, okay, this seems wattpad-ish but its not like love at first sight or anything. because when you and your friends sneak in to the vip section, the least of your worries is the nepo guy.

your friends seem to have an instant attraction to him, thanks to his entertainment news headlines. "famous business tycoon's son gone wild!" and what not. who doesn't want their name attached to a guy like that? everybody who doesn't have an ounce of rationality in their brain!

but he had other plans for tonight, he was spiralling, and it was becoming increasingly difficult for him to sit here normally and pretend his insides weren't burning. why was there no comfort for him?

he dreaded going home and waking up, looking at the clear disappointed looks of his family. he wishes he was different too, he wants to say to them.

the dance floor clears as the night deepens and soon enough your friends have abandoned their idea of getting laid by him, their patience running out as they grab some other people to take home.

you’re trying to get yourself a cab when he brushes past you, looking back briefly to apologise but when he is a bit ahead, he turns back again and offers you a ride, which you politely refuse, “thanks for asking but i’ll get a cab soon enough,”

okay, then he’ll wait with you! he doesn’t have anything better to do and he’d be going against the way his parents raised him (as if he hasn’t done that enough) if he left you out here alone so late.

after about 20 minutes of standing, looking through various taxi apps, you give up and take him up on his offer, and all the while our rich, spoiled yandere is figuring out what he’s feeling, it was out of basic courtesy that he offered you a lift but now that you’re sitting beside him in his car, he feels like he’s breathing in a new kind of air.

and you swear you didn’t mean to, but maybe its your hormones and the disappointment that all your friends got someone they went home with but you didn’t.. so as soon as you’re in the car, you give him The Look. and while normally the guy would just take it to his backseat, something in him stops him. instead he says, “my place isn’t far,” you nod.

when you regain your senses, it’s too late. it’s the next morning. but thankfully, he was the last person to ask you about what you both were after last night, and the last person to want to “see you again,” so you try your best to get dressed as his sleeping form just lies there peacefully. he’s cute, you admit that.

a few days pass by and you’re thankful that this wasn’t like the other times where his photos and the people he was with would be all over social media, so you went on with your life normally, attending classes, studying and all the jazz.

when once out of thr blue, when you’re working the counter at your part-time, he’s there. he gives you a small smile as you become increasingly uncomfortable. “hey,” you greet him awkwardly.

“i wanted to talk to you… about that night,”

and believe it or not but that’s when your entire life changes. the guy who didn’t even know your name was suddenly there asking you for a bit if your time and the manager obviously obliges, is even eager for it, the publicity that it would get the cafè ….

but yeah, as i was saying, he’s going to come up with a “will you date me?” it doesn’t, matter if he doesn’t know your name, he’ll learn, he’ll learn everything about you, he was willing to, didn’t that count? “please, give me a chance, you won’t regret it, i swear.” and you gulp, okay…

and after that, he’s driving you home from work, home from dates he’s taking you out to, and home from even your college which isn’t even a 5 minute walk from your apartment, and although it’s supposed to feel like “dating” you can’t help but feel a little awkward around him, the fact that he was doting on you like no one ever had in your life and seemed to be perfectly fine with whatever you wanted was just a little off putting.

for the yandere, it’s as if he’s been reborn, it’s as if he found a new purpose at life, he’s so overjoyed at the fact that he was looking for a sign and god actually gave it to him. it was you! he felt everything then, he felt heart beating in his chest, he felt the rain on his face, it was everything h ever wanted.

“this is NOT the guy from the headlines, y/n, this is his twin or something,” your friends were collectively shocked.

even the media was. they wrote articles and articles on if this was just a new stunt or has the resident playboy actually settled down? and they were snooping around your life too, and when the guy went to his parents to help stop that, his parents were delighted to hear that their son wasn’t asking for a new car but instead to help protect a person’s privacy?? who was he??

but they helped, obviously. not without a catch though, they hired a private investigatior to spy on you, were you blackmailing their son? who are you? they weren’t opposed to him finding love, they just wanted to make sure he was safe and not being taken advantage of. when you turn up clean and the investigatior lets them know that you aren’t even in a bit of love with him as much he is, his father is scared.

so he hires the same investigator again, it’s safe to say that money the private investigator made on these two tasks was enough to suffice him for the rest of his years.

and his father decides to pay you a visit, “please, this is the first month since he started middle school that i haven’t been spending on people to keep their mouths shut and to not file cases aainst him, you’ve truly changed him,”

you’re a little uncomfortable again, being this person wasn’t someone you wanted to be, jsut be reduced to beng someone who fixed him, he was nice, yes, but you did not want a relationship right now, let alone a serious-committed one.

then the father takes out his trump card, “…i did not want to do this but,”

he knows where your parents live, your siblings’ workplace.

“so, play along, okay?”

and the worst thing is that, you can't even call the police on one of the richest men in your country.

and as if this problem wasn’t enough, it isn’t even been 3 months and your friends have entirely stopped talking to you. why? well, because, you can’t even have a sleepover without that guy calling you every hour, asking if you ate well, are drinking enough water. and you don't blame them, you wouldn't have liekd it if you were in their position as well.

when you try, (keyword, try) to talk to him about it, he gets super sulky… what do you mean you're bothered by being left alone by your friends? you had him… wasn't that enough?

even at your part-time, it was getting uncomfortable, the times he would just sit in the cafè, working (yes, he even agreed to take over his father's company fot you) and while he obviously paid for his drinks, it was just concerning to the people you knew that he was fliterally following you around, that wasn't healthy.

you have an intuition it won't work, but you decide to give it a try anyway. "hey, we need to talk," you text him. and there’s a response in not even seconds, “what’s wrong?”

“just come over,”

you best believe he’s there in not even 10-15 minutes, and he’s panting too. couldn’t even wait for the lift, his precious darling needed him.

“listen.. i,”

“what?”

“i don’t think this is….working out,”

“what?”

“don’t freeak out-“

“freak out? are you kidding? i.. love you, how isn’t this working out?”

“you’re way too controlling,”

“i’m what? do you know how many peole would kill to be in your place, and people who would want their boyfriends to be like me? nd you say i’m ‘too controlling’?”

“it’s…”

“you have no idea how grateful you should be to me,” you’d never seen him so… angry and it was like you could see the comments being true. “he’s so rude, acts so entitled,” being true.

“don’t look at me like that, i tried my best to appeal to you in a way you should have liked,” he hangs his head down.

“now we do things my way,”

kiss your freedom, part-time, college and apartment bye bye, because you won’t need it anyway, you’ll be his spouse, and there’s no bigger qualification than that. you desperately want to work? be his assistant, he’s getting ready to take over the company soon enough. his parents do see it, the things he’s doing but they can’t interefere, at least he’s staying out of the headlines, that’s all that matters.

[crustyfloor]

Brain vomit...I am insanely jealous of the people who can get the new merch. And I am planning an elaborate heist. But aside from that, I'm also crazy over the lore implications of the new photo-card designs...

Of course, they're all suffering as per usual. But it's symbolized by cracks in their skin. When I saw that, I immediately linked it back to the collapse of barriers, secrets, structures, etc. The hearts, however, confused me a bit. But I suppose it's because the reason they all "broke" is ultimately because of their love.

This is probably the most distressed Ivan has ever looked in a photo card, and really, he's honest. The tone of his card is sickeningly oversaturated and overwhelming, and his emotions are visceral, I also find it interesting how the cracks are littered all over his face, and the hearts leak out like that from the neck--and Ivan holds his face like he's trying to "fix" it, or in other words, "keep it together" as he's breaking down and becoming vulnerable, he has to cover up his expression behind something more appealing as he always does. He's also wearing his Anakt Garden uniform. When he was a child, he was just learning how to develop his mask. But even then, he faltered sometimes, Ivan's automatic response is always to try to fix it, even if he's underplaying the severity of his feelings, it's what he has to do regardless, I love his card for that portrayal when he tries to keep one wound closed, another wound opens, its erratic and uncontrollable, like his true emotions. When I see him trying, it looks like it's hard because, well--he's breaking down. Normally, you can't just bounce back from that, so in this rare moment, he struggles with how to deal with it. (A certain desperation to keep up the act?) (His eyes. I really like his eyes in this PC, it's more akin to those moments when his true expression comes out, in those very rare moments)

And then there's Till, I feel pain when my wife feels pain. His expression, too, is very overwhelming. Like he's suffocating too, But his cracks are minimal, not because his pain is small but because vulnerability--something he loathes, is coming to the surface. In tears, Till is suppressing his emotions. Who he bleeds for is ambiguous here, you could say the hearts are for Ivan or for Mizi, but I think it's both. Because he hides from the both of them and eventually the love he feels for them both seeps out one way or the other like a slow leak through a crack in the wall, he's spent so many years building a fortress of a barrier to emotionally separate himself from others, it's his way of protecting himself. But at the peak of his suffering, long too deep into this hell, losing Mizi and then Ivan, he's crying because he's slowly breaking down, and the way he grips at his hair like he's trying to hold back...urgh. In different ways, indifferently, Till ignores Ivan and his affections, and fearfully, he avoids Mizi, instead watching her from afar, doing small things to feel close to her, even when he has the opportunity to get closer, and even when she acknowledges that he's so avoidant of her that it makes Mizi concerned if he even likes her or not, as was said in the Artbook when asked for her opinion of him:

"Mizi -> Till: I'd love to be friends with him. He's an artist who's so dedicated to his work. But he seems to be avoiding me... Does he hate me?"

Till doesn't confront relationships any more than he has to even though he cares so so deeply for them because confronting his emotions and confronting vulnerability, sadness, happiness, etc., and especially fear, is a commitment you have to understand how to accept and respond to, and Till doesn't understand the how when he can only go back to his starting point, hiding and or getting angry, because it's easier. At this point, it's instinct. Shyness is one thing, but doubt is something that can make you freeze in place, confuse you, make you feel unsafe, and even hinder your ability to control yourself in the wake of fear. Fear is what roots Till in place. Till, even for how emotional and sensitive he truly is, he fears the type of vulnerability being emotional requires, he knows of it, but he can never truly embrace it out of fear, that's why he rarely ever shows his heart. He already knows that wearing your weakness on your sleeve leaves you vulnerable to pain, he used to be childish and vulnerable once, and technically, he still is, but just imagine what years upon years of cruelty has instilled in him. So he acts cold and avoidant, and these misunderstood emotions lead to other misguided intentions. That's what brings me to the quote on the back of his pc

Translation:

"사랑 같은 애매한 말보다 증오란 말이 확실해요" -> "The word hatred is more certain than vaguer words like love"

Rather than confronting uncertainty and exploring the confusing, unpredictable, and gray area that is love, hate is honest, hate is intentional, hate is malleable, and you can control it. It's Till's response to feeling unsafe to resort to anger, in the same way, Ivan resorts to trying to fix it and put on a facade. Again, it ties back to the fact that Till doesn't and has never hated Ivan, but understanding Ivan is as confusing as understanding love, Till is as much of a puzzle himself. That's why they confuse each other and clash. So they come close but remain distanced because their connection is almost like unattractive magnets, Till is sensitive and loving, compared to Ivan's regrets; of not being nicer, of not understanding how to get closer to Till, then I think about what Till's recollection of his relationship with Ivan and Mizi in retrospective would be like when he does acknowledge it.

And now...mmizisua. To me, Sua looks more aware of her pain than Mizi is, like in the storyline, she is more aware of their fragility and the cruelness of their environment. It's surely a parallel to the way Sua had kept Mizi in the dark for so many years, even when this pain and this love are so destructive, she covers up her wound with her hand and hides it from Mizi, to protect her, her wound is a direct correlation to her (inevitable) death, a truth that would shatter Mizi, even after he death she wants Mizi to remember her the same as she was when she was alive, unaffected by their world. She tries to force a smile as if everything is still okay, especially because she doesn't want to affect the way Mizi looks at her so lovingly, how would Mizi ever recover if she knew the truth?

And Mizi would seemingly be none the wiser if not for the tears because, to me, she knows but looks to Sua for comfort, to forget even when she is hurt the same way, I love this side of MiziSua a lot, the side that highlights the cruelty of their relationship that surrounds their bubble, because as long as they could distract themselves with the presence of each other, the co-dependence of their dynamic, they could forget as if they couldn't feel the pain at all as long as they had each other, but Mizi is still so affected by her pain, all this hiding had amounted to nothing in the end because Mizi never changes in Sua's eyes, and Sua is still hiding her pain, but that day, Sua had broken that bubble of ignorance to the evil around them. Mizi's cracking, and she shows Sua when she pulls back her hair. It's an interesting contrast between MiziSua and IvanTill, when Mizi and Sua smile, they look happy to be in love, even if it's twisted and hurts each other, because they only rely on each other, and Ivan and Till look inconsolably pained.

[blackdagger456]

Let's Talk About: MHA 430, How This Fandom Can't Read, How Leaks Ruin Chapters And While Imperfect This Finale Was A Good Sendoff

So, here we are.

Ten years. Ten years and 430 chapters we've been with My Hero Academia. Ten long years of excitement, fandom interactions and so many fics I won't bother to count saved, subscribed and bookmarked.

It's strange really. To be apart of this fandom for so long...and find out that so many still can't read.

Like holy cheeseburgers Batman, so many of my fellow MHA readers/fans can't read it's astonishing.

So, for what'll be the last time for this series, let's go over the latest chapter of MHA and allow me to inform you of what it means. Or at least, that was the plan before the leaks came out. Just with the added addition of going over how people have reacted to chapter 430 before it was even officially out, and we're going to start with the first stone that began toppling Dominos.

[Official Spoilers Below]

This. Oh god, this sentence has been nothing but a headache for me and so many others. Because of the leaks ,and subsequent mistranslations, being taken as fact the reaction to the finale started out as shit. This entire week leading up to today has been frustrating for me and many others as we tried to explain what should be obvious.

Firstly, none of this is coming from any official translation. What people were seeing before today were things fans and unlicensed translators are spreading around as if it's fact. This does NOT mean that they are correct and therefore these translations shouldn't be treated as such.

Secondly, in no way shape or form does Izuku imply or state that his friends abandoned him after he lost his powers. All he said, was that it was a bit more difficult to meet up regularly. Something that makes sense not only because they were working in different fields but also because work in general is like that.

It can be hard to meet up with the boys n girls for hang outs but that doesn't mean you don't talk. That doesn't mean you don’t call or text or keep in touch. Something which is easier to do when you've fought and lived through an entire war together!

His friends didn't abandon him. They didn't stop caring about him because he became powerless. Hell, the ending of the chapter proves this wrong if nothing else!

Now, is it a shame the ships didn't get officially confirmed? Yes. But I think the implications are more than enough to satisfy. Even if they aren't, there's no reason not have fun with things being open ended. It opens the door to so many fun possibilities OUTSIDE of this whole NTR trend people are trying to start. [Thankfully that's a small part of the fandom]

But moving on, lets go into what he's been doing since becoming OFA.

In what way shape or form does him becoming a teacher make him 'fall off'/make the Mc Donald’s meme become a reality?

 First off why are we hating on the man for enjoying his life without conflict after saving the world? We doing my boy like Gohan now? If he wants to retire to a teaching role, one he very clearly enjoys, let him. What do people think they can take him? Ya'll forgetting exactly what he had to do BEFORE he was able to get OFA in the first place. Izuku is still physically stronger than most normal people both in MHA and in reality.

But, I'm getting off topic. The point is Izuku has and continues to be an inspiration to those that will follow after him. Even to the point of mirroring his starting point with All Might when he inspires yet another young kid to become a hero.

Is he a bit sad he isn't an official hero? Yes. Is he frustrated or unhappy with where he is in life? No. Not at all. He's content. His goal was never to be the No.1 Hero it was to be like ALL MIGHT. To inspire and protect people like his mentor had.

He's done just that and for it---for it he's rewarded.

His kindness, his determination and his faith in those around him comes back to him in the best way for it was those people he spread said traits too that spent those eight years putting together the thing that would bring his dream back to him.

That would bring HIM back to standing by their side on the field of battle. For Izuku Midoriya never truly stopped standing by his friends. For they too had become their own inspirations to Japan and the world. But now, finally, their friend...their inspiration...their Deku could lead them on the frontlines once more.

They, and he, couldn't ask for anything less.

[ancha-aus]

RealAgeAU Drabble - Alone

I am back! ( @spotaus almost forgot you this time woops)

I am gonna be real. I spend quite a while thinking about what I wanted to write next in this little series. And I realised I hadn't had a Nightmare POV drabble in a while!

So we are back to Nightmare :3

First Drabble. Prev Drabble. Next Drabble.

This is a look into what Nightmare had been up to and how he personally took to the changes he went through.

------

He hates this.

He hates this he hates this he hates this-

Nightmare shakes his skull. It feels... weird. All of this is weird. He doesn't... He normally isn't this emotional right? It is starting to become hard to remember how it was before.

He hates how he feels.

He is Nightmare!

Terror of the muliverse! The unwanted twin...

He strikes fear in the souls of monsters! Everyone hates him and wants him gone...

Leader of the Gang! Younger brother of Dream...

Bringer of negativity! Untrusted, unwanted and unloved...

He is Nightmare! He is never enough...

And Nightmare doesn't feel like this! This... this... afraid useless powerless ... this way.

Another cold wind and his whole body shivers in the cold. Nightmare is quick to tug himself behind some boxes and pulls the hoody closer around him.

He hates being out in the open. Being in the open risks him being seen and when people see him they will try and hurt him again they will realise he is no longer his powerful self and...

His mind freezes at the implications of what will happen when people realise how powerless he is now. They will realise that Nightmare is weak and they will take revenge.

Revenge on all that he did. Revenge on defending himself.

It would be deserved. It would be deserved.

Nightmare shakes his skull again. Those thoughts... They keep coming back. Things that he hadn't thought about in ages. Thinking in ways he hadn't thought about in ages. Nightmare had thought... he thought that was in the past. Just like being weak and powerless was in the past.

Aparently not. As his form had shrunk to be so small. Nightmare thinks he is just under three feet. Back to the length he had been all those years ago. the same body he had had all those years ago. Even the hold wounds and pains had returned.

Ironic that the wound that would have killed him became healed and hidden but everythign else was still there. as if it had been frozen while he had been older.

Nightmare tugs the hoody tighter around him. It is too big but that is alright. It is warm and soft and makes him feel a bit better he feels safe in it. Even if he knows it doesn't make sense. It jsut brings him comfort.

Hell if Dust finds out he stole from him...

The villagers never reacted well to Nightmare having anything. Even things that Dream had gifted him had been taken and destroyed. He doesn't deserve to have things he likes after all. And Nightmare has quite a few things he really likes at the moment.

The hoody, his book, the old backpack and his feel tools to survive on his own.

Nothing truly compared to what he had managed to make before, when the apples gave him power. But yet... this means more...

It is starting to get hard to remember how to think and plan. The longer he is in this form... his old form... the before apple form. The harder it becomes for him to rationalise and think how his older self used to think.

Which... isn't promising.

Still. He came with a mission. And that is food.

Nightmare glances around the corner and down the street. This is some Lustverse universe. Nightmare can't quite feel and sense the differences anymore but he knows the basics.

If he had known that so many of his powers and skills would disappear he would have grabbed his book with the muliverse verses summaries.

Nightmare had figured he hadn't needed it as he knows the multiverse and can sense things. Oh how he had been the fool on that.

At least the balance wasn't demanding his attention and foucs every five seconds now. that makes it a bit easier to plan with his now much more limited attention span and problem solving skills.

Back to the matter at hand. Lustverse. He specifically went here because most of the Lustverses have a deep wish for children and so a deep care. Even if they are... X-rated.

Nightmare takes a deep breath and looks into the distance and his destination. Grillby's.

Yes. He knows what Grillby's is in these universes, and yes he knows he runs into the risk of running into this universes Sans or Papyrus which will just spell trouble.

However he much prefers to go to these locations as it is less populated and generally friendlier.

He pulls the hood up and goes towards the building. No bouncers near the enterance but then again it isn't like they have children or underaged people in these areas.

Nightmare goes inside and makes sure to keep staring down as much as he can. He only glances around once to locate the bar where he can get food and goes straight there.

Oh how he dislikes being here. Too many people. Maybe he shouldn't have gone to this universe. He will stand out too much. But people won't attack him either as he is a child... he will be safe here...

He gets to the bar and with some light difficulty manages to climb up the chair enough. No one really notices as everyone focusses on the main stage and leer and shout some very pointed comments.

Nightmare doens't feel comfortable hearing those things either and realises he never felt comfortable about these things. Even when he was still an adult and others joked with him about these type of things. Had... had he always still been... like this at his core?

Problem to think about for later. Now he has to order.

The Grillby of this universe looks at him and waits.

Nightmare doesn't feel so certain about this anymore but still he asks "What... what is on the menu?"

Grillby pauses and shoots him a weird look but Nightmare just hides further into the hoody. Thanking his lucky stars that Dust's left over magic makes it so that the hood hides his face.

Grillby ends up pushing a menu over. Nightmare glances down and feels his skull explode with warmth. That is the WRONG menu!

Nightmare looks away from it and stares at the bar as he pushes it back "I meant... food... menu..." He didn't remember that wrong right?! These places also sell food right? Even if it is more snack food?!

Grillby doesn't say anything but Nightmare doesn't dare to look up. He feels tense and keeps glancing back at where the door is. Getting out is easy enough but he wouldn't know where to go after and-

The menu is pulled away and a new one is pushed into his hand. nightmare glances and lets out a sigh of relieve as he sees actual food! only to feel his hope sink as those prices are way too high!

Nightmare freezes as he stares down at the prices. Okay. okay this is fine. just. find the cheapest thing!

He focusses on the menu and searches for the most promising item to buy. He knows he is pulling a face at most of the prices. 150G?! 160G?! What even is this capitalism?!

Eventually he gets to the snack section and isn't too happy wiht it. Snacks aren't good for mortals and kids.. so not good for him. but he needs to eat. the finger food looks okayish... 60G is still a lot but Nightmare will just have to accept it.

His magic is too low to make another jumb and stealing anything is a sure way to get him to be noticed. He searches for his pocket and takes out his bag of gold. He opens it and starts counting the gold coins.

Nightmare mutters the numbers softly to himself. He had been starting to notice that it was getting harder and harder to do certain things. one of them is counting higher numbers. counting out loud helps a tiny bit.

he finishes counting at 54 and freezes. No. no no no no no!

Nightmare pulls the bag closer and starts to recount the gold. come on. please.

54 again.

Nightmare feels his socket start to itch but forces himself to keep it in. don't cry. you are not a crybaby. there is no use to cry over soemthing this stupid. if you cry people will see your weakness and use that.

Nightmare pushes the menu back and mutters "Sorry for wasting your time." He gets ready to hop off the barstool-

"Wait."

Nightmre freezes when he sees a hand reach for him and he flinches away. only to fall backwards off the stool with a yelp.

He falls right on his tailbone and groans as it hurts a lot and holds it as he blinks through a new type of tears.

A gasp from above him and Nightmare looks up. Just to see Grillby stare in shock at him. Nightmare is confused before he realises that the hood is no longer on.

Panic.

run.

Nightmare immediantly grabs his hood and pulls it fully on again. He grabs his bag with gold and turns before sprinting towards the exit.

"Wait! It is okay!"

Nightmare doesn't turn around and reaches the exit and rushes outside. The cold hits him like wall and his magic and body both protest at it. it is too cold and he has too little energy and magic.

Some people shoot him looks and Nightmare feels the panic return. He takes a step back before rushing towards the side and disappearing between two buildings.

He runs for a while as he rushes between buildings. until he slips on some ice and falls hard.

aw...

He pushes himself back up with shaking arms and glares at the ground. He is a mess. He lost everything. he tried so hard but what did it matter? in the end nothing mattered. He just lost everything again.

A sob finally escapes him and he just rolls up. He hates everything. he hates himself.

Nightmare isn't sure how long he just lays there feeling miserable.

after all this time nothing changed. He didn't change. after 500 years of spreading negativity and learning. he is still just him. no wonder they left. He wouldn't want to be stuck with him either.

Footsteps.

Nightmare freezes and hugs hismelf tighter. no. no others.

"... kid?"

Ngihtmare feels his breathing pick up and he forces his body too move even if everythign hurts, seems like his double fall agitated his old wounds. he glances around and wiggles himself behind some garbage cans and goes quiet and still. They can't hurt him if they can't find him.

more footsteps and a soft blue glow fills the alleyway. it doesn't take long before Nightmare can see him. It seems that grillby had followed him. Grillby seems to be following the tiny marks left in the snow and stops by the spot where Nightmare had fallen.

A frown on the fire elemental as he touches the ice and- oh. there is blood there. Nightmare slowly raises his hand and touches his skull before feeling pain rush through him. he removes his hand and finds blood on it.

great, he got himself hurt.

Grillby looks to the side and Nightmare follows his sight and freezes at the very clear marks on where he went.

Grillby raises his head and stares right at him. Nightmare remains frozen right where he is as he feels himself shake and his bone start to rattle.

Grillby moves a hand and Nightmare flinches. Grillby immediantly freezes and moves his hand away "It is okay... i won't hurt you."

Nightmare just stares at him. Still shaking and now not just the panic and fear but also the cold. The hoody is warm but not enough to keep him warm. Probably because he grow up in a universe where it was forever spring and early summer.

Nightmare literally wasn't made for the cold.

Grillby inches closer and Nightmare pushes himself further back. The wall is freezing against his back and side but it is better than being near the other monster.

Grillby frowns "Where... where did you come from?"

Ngihtmare stares back. He doesn't have an answer for the other. Not one he wants to give.

Grillby frowns but pulls his bag over "You... you wanted food right?" he pushes the bag closer to him.

Nightmare feels hismelf eye the bag. He needs the food. He wants it so badly. The last time someone gave him food it had been a villager and the food had been drugged all so they could grab him and-

NIghtmare shakes his skull and pushes back further. Stay away.

Grillby frowns at him before trying to give a smile. "It is some of the food you had been looking at." he nudges the bag again.

Nightmare frowns and pushes further back as he glares. people don't just smile at him unless they want something from him. or want to trick him. He isn't falling for it. he swallows before speaking "I don't... have that much gold..." there. he can't pay for it.

Grillby just pushes the bag closer "It is okay. free of charge."

Nightmare glares at the other "No."

Grillby frowns "It is okay-"

Nightmare feels himself get angry and that breaks through the fear "I know you did something to it! leave me alone!"

Girllby looks pained and... pity.

Nightmare hates pity. Dream had stared at him wiht pity after he broke out. as if Dream pitied him for defending himself.

Grillby pulls the bag back over to himself and takes out some of the food. oh that is a sandwich and Nightmare feels his magic knit together and the hunger returns fullforce.

Grillby takes a moment to pull a piece of it and oh that is pulled beef in there and it looks so good. Grillby pops it into his mouth and swallows it.

and... nothing happened.

Nightmare keeps staring at the other as he waits. Nightmare knows from experience those things work very fast but nothing happens to the other.

Grillby lays it back on the paper and pushes it over "It is okay... it is just food."

Ngihtmare gulps as he stares at the food. He hadn't eaten for days at this point and ever since he left his castle three weeks ago he hadn't been eating anywhere near to enough. He reaches for the bag as he thinks. He just needs a little bit of food. just enough magic and he can teleport himself to an another universe. maybe he can get enough energy before whatever drug starts to work?

He gets the bag over to him and feels his resolve weaken quickly. mulitple sandwiches are in there. Nightmare grabs the one that Grillby had taste tested and takes a bite.

It tastes so good and his magic purrs as it finally gets some energy back after these last three weeks. the food demands his attention and nothing else matters right now. He takes bite after bite as his stomach fills up.

by the time half of it is gone he feels overfull and Nightmare knows he ate way too much. He feels so much better even if he is still cold and wet from the snow.

Grillby frowns at him "Is that all you will eat? You sure you don't want to eat more?"

Panic and suspicion returns nad Nightmare frowns at Grillby again. He waits a moment before nodding and pushing the bag of food back. including the half finished sandwich.

Grillby frowns and shakes his head "It is okay. Keep it for when you get hungry again... were are your... parent? parents?"

Nightmare glares "does it matter?"

Grillby smiles again and Nightmare doesn't feel any less suspicious of the other. Girllby nods "Well, yeah. I wanted to return you to them." and he waits.

Nightmare stares at him and feels spiteful "She died. She was murdered a long time ago. I don't have any family." not anymore. Not after his mother died. Not after he ruined everything and pushed Dream away from him. Not after the gang left and made it clear they didn't actually care.

Grillby just stares at him "You are alone?"

Ngihtmare shrugs "better like that..." no one can hurt him when he is alone. Maybe this was how it was meant to be. Maybe he was meant to be alone. Maybe that is for the better. No one wanted to be near him anyway. He should have seen that for the sign it was.

Grillby reaches a hand out "I am sure we can find some people to take care of you... I have a friend who is also a skeleton and-"

Nightmare shakes his skull and pusehs back "No."

Grillby raises both of his hands in surrender "That is okay... Then how about we go to my place again? There are rooms that you can use and-"

Nightmare glares at him "I am not going with you to a secondary location."

Grillby blinks before noddng "okay. that is okay. where do you want to go?"

Nightmare keeps glaring "I can get there myself."

Grillby looks deeply unhappy. Hah! Good! Nightmare has no doubt that the other was trying to lure him somewhere. But Nightmare isn't an idiot. He isn't just going to trust the other just because he was giving a bit of food.

Grillby sighs and nods "Okay... I need to go back. but if you need help just come by okay?" he smiles "I never caught your name. I am grillby."

Nightmare just looks at the other and raises a brow "That is because i didn't throw it." it just came out without a doubt. He had heard too many puns from the others when they all sitll lived together. He misses them.

Grillby blinks but chuckles "okay. take it easy okay? Get somewhere dry and warm and please just take the food and eat when you need it." he rises to his feet and leaves the alleyway. He pauses near the end for a moment "If you change your mind. You are welcome at Grillby's. We will figure out a safe spot for you okay?" and he leaves after a moment.

Nightmare waits for a bit more. long enough that he only hears the wind after a while and he is shaking in cold again. That is when he removes himself from his, very bad, hiding place and quickly goes towards the spot he had left most of his things. Taking the food with him.

He gets there and feels himelf relax a little bit.

But there is no time to let his guard down just yet. He needs to decide if he wants to risk sleeping here and being found now that people know he is here. Or move on to a new universe.

The new universe would mean a lot of time spend on finding a fitting place to stay again.

Ngihtmare sighs but quickly packs his things. better to be safe. he needs to go now he has the energy nad before this whole situation backfires on him. He is quickly packed and after making sure he got all his things and left zero marks of his stay he opens a portal.

It is so much harder than it used to be. He can also no longer make the long jumps to whatever universe he wants and can only go to the neighbouring universes.

a small and shaky portal of dark mist opens and Nightmare steps through.

Time for the next spot. maybe this one will work better.

------------

First Drabble. Prev Drabble. Next Drabble.

[laura1633]

So so so obsessed with the idea of a reverse teams au (i.e Max for Ferrari, Charles for Red Bull) where Max still wins championships with Ferrari and people call him the next Michael Schumacher and they praise him for bringing glory back to the prancing horse and he just. Doesn't care. He doesn't care for the fanfare that comes with driving for Ferrari, he doesn't care for the biblical implications of it, he just shows up, he drives, he wins, but he never indulges the Tifosi and does the bare minimum for PR. He knows approximately three phrases in Italian and at least one of them is definitely not suited for public broadcast. The Tifosi fucking hate him but they love him at the same time because he wins three championships in a row. he wins and he wins and he wins. and then there's Charles in the red bull who still carries a biblical amount of lore with him, who adores his fans and is still ever suffering at the hands of a difficult car. They call him "The Bull Wrangler" or "El Matador" because the car is a beast, a tough one too that his teammate could never get ahold of but he still manages to tame it and drag it onto podiums to stand next to Max. They call Max "Il Predestinato" instead, bringing him up to Ferrari by the age of 18 just the same, and although everything is different it's still the same because in every universe Charles is an ever suffering martyr and max is a champion. and in every universe they fuck. really tried to keep this semi-serious but I needed that last part for comedic effect

(sorry this is really random and idk if this is the place for this but I don't really write and I needed a place to info dump about my Ideas™. hope u enjoy!)

This is definitely the place to share, I always love hearing about people's fic ideas 😍

Love the idea of an alternative universe but it all still be strangely familiar. Max at Ferrari and Charles at Red Bull, I would definitely read something like that. Would Charles have GP as an engineer? and Max have Xavi in 2022/2023?? I would love to hear how that would play out 😂 There are so many interesting dynamics to explore by just switching the teams!!

I know this totally wasn't the intention so sorry for adding a different dimension but could you imagine if its an alt universe that Charles happens to wake up into and he has to see Max bringing glory to Ferrari which was always his dream!! I don't know how he would cope with that!!

They definitely fuck though ... in every single universe haha

Thank you so much for sharing <3

[sgiandubh]

What choice is there for you to make? Caitriona is legally married to Tony. It's her choice not anyone else's. Sure you want to believe Sam and Caitriona secretly have something on, your belief is your choice. Her choice of partner is hers, and it's not Sam, really none of anyone else's concern or approval. Enjoy and celebrate your beliefs, but beliefs are not always rational nor true. No one on this subject knows the truth about Sam, the shippers, the gay onlys, the man whore-tellers, the SamSaviors. No one, which is the way he wants it. No one knows and no one will.

Dear Choice Anon,

Unlike many of your Mordor peers, I feel a half-baked effort towards questioning, in your submission that wants to be cheeky and smart. And is, instead, sophistic and predictable.

I was baking something, in the meanwhile. I always cook when I need to think carefully about something, from a distance. My hands are quite good at it and my brain is free.

And so, I thought. I thought about how you people always feel the urge to cross lanes and come here peddling your #silly wares. I thought about how you came here on a Sunday, Mother's Day on top, and how sad (empty?) life must feel for you. Instead of going out for coffee in town, smelling a rose, baking a cake, laughing around, cheering on your favorite team or hugging Mom, here you are. Battering a perfect unknown person's mailbox, for the sake of a woman who does not even know you exist and, most probably, does not even care. Same applies to S, by the way - but unlike her, he might probably care about you, provided you buy whatever he has to sell.

The Marriage Certificate argument is a fallacy and you know that very well. You grasp at a piece of paper, oblivious to the whole schizophrenic show the Happy Couple puts out there for everyone to see. I can understand that, Anon: you are a conformist, soothed by a black & white reality, even where and when it's plain to see things are anything but. You need reassurance and you hate anything that might reach out of your tiny box, even at the expense of your own critical sense. Congratulations, Anon: you are perfect fodder for all the demagogues out there and so, so easily fooled. I have more thoughts about it, but I am in a cheery enough mood and really unwilling to humiliate you further.

Unless you are S himself (hi? 🤣), his PR or his lawyer, you have no right to presume what he really wants or doesn't want, what he really intends to do and what his thoughts and feelings might be. On any given matter, from the trivial to the important. We can only guess and/or speculate, based on our own life experience, our own critical sense, our understanding of the world. And also based on many other things that are NEVER discussed publicly, which is the right way to do, if you really care about someone's private life. You see, unlike people on your side of the fence and no matter what the Original Troll always says, we never did anything of what you accuse us of. We never started flaming wars just to self inflate our importance (probably because we live rich, loving lives on our own). We never accosted their entourage and then blamed in on 'The Others', without ever substantiating those very serious accusations. And we never came to your lanes to send hate or sow doubt.

Do we make mistakes? Oh, aplenty. We are human, Anon. Come back when you are ready to ask yourself some real questions about all this charade. It is an honest, but almost rhetorical invitation. You won't, simply because you despise the very idea people could think differently and you never, ever wonder why. It would clash with your own fantasy. And this, this is something you will never be ready to face, Anon.

PS: despising the very idea people could think differently also clashes with the very idea of having a choice. The implications of your own shortcoming are much, much wider than this context. But that is not my problem, Anon. After all, you also have a choice to remain as you are, and who am I to hinder you?

[bones-of-a-rabbit]

Some betrothed/royalty au doodles, ft. Reader soothing Eclipse during one of his stressed-to-the-point-of-breaking-down-moments, and the first time Reader met Sun (and, not realizing who he was or that he was a royal, decided to start happily chatting with him as if they were on the same level, which caught Sun off guard lmao)

Some betrothed/royalty AU tidbits n info below the cut!

- Reader is a footman! Or,, lady in waiting. Or foot,,person,,, in waiting. Whatever the gender neutral version is, they’re that to Eclipse!

- They’ve known Eclipse for a long time! They were born to a servant who worked in his castle, and tended to follow their mother around as she worked- occasionally crossing paths with Eclipse, and sometimes playing games with him when he was avoiding his tutoring or responsibilities sjdhdjd

- They’re smart and practical, and Eclipse wants to make them his advisor as soon as he has the jurisdiction to do so. They’re very good at seeing the issues politicians debate over from the outside view, one of the people, but also can keep in mind what the political side to an issues is, and Eclipse often asks them what they think when they’re alone and considers it very unfair that their voice would never be taken seriously if brought up at the table.

- Eclipse has had a crush on them for a while lmao

- Also he’s over protective and jealous and has broken at least one(1) bone in defending reader from a rude servant or pushy royal lol :3

- (he has extensively researched ways he could possibly marry Reader without making the entire kingdom hate them n call them a manipulative vex for it)

- Sun and Moon overlook two neighboring kingdoms and have been ‘betrothed’/co-ruling them for a long time! Eclipse’s counsel has decided it would be a good idea to have Eclipse, when he takes charge of his kingdom, be the third to this ally-ship and make a trifecta of three countries that can act as one

- So they’re not really BETROTHED betrothed, but the social implication is basically the same lmao

- (none of them r super thrilled, Eclipse especially lmaoooo)

- Reader first meets Sun separately from Moon, and assumes he’s just a fellow servinghand at the banquet being held to celebrate Eclipse n Sun n Moon meeting under the same roof for the first time

- They start chatting with him like it’s no big deal and he’s so used to ppl being all kiss-ass or backhanded that he can’t stop thinkin abt it for days

- They meet Moon in the garden! They show him their favorite spots and a small patch of blue violets they’ve been trying to cultivate

- When they realize who Sun and Moon are, they just about die on the spot from pure societal horror

- They try to apologize in a thousand different ways, but Sun n Moon, more than a little intrigued/smitten with them, both won’t have it and encourage them to be just as they were

- Before Sun n Moon realize they have feelings for Reader, they realize ECLIPSE has feelings for Reader, and, definitely not bc they r big jealous and also in love with Reader, make it their personal mission to cockblock make sure Eclipse never has the chance to confess or have an almost-kiss with Reader

- Reader loves Eclipse! When that love turned romantic is unsure, and how they’ve been able to cope is by Not Acknowledging The Feelings At All and also denial lmao. When they start to crush on Sun n Moon, they can’t rlly deny the feelings anymore and have several existential and romantic themed crises over it

- None of the boys tell each other about their feelings for Reader bc they all just messy like that <3

- When they all end up confessing to Reader, it’s separately and secretly, and Reader is so shocked that they just say “HHUH UM YYEA I LIKE U ALSO” without thinking

- So now they have three secret royalty bfs and have several more existential crises about whether this is cheating and how in the good golly fuck they got THIS many sweet mans all 🥺👉👈 over them

THATS ALL I GOT FOR NOW LOL OK BYE SORRY FOR LENGTH N RAMBLES

[wuucchoo]

Jujutsu kaisen: the good and the bad

Hello!!! I'm out here making essays about jujutsu kaisen once again! And this is most likely the last one I'll make on it :3

((This is a (almost) 4k word rant, read at your own risk >:3))

So, the manga ended - and as far as I can tell, people’s opinions on it are pretty much divided. I personally found it extremely unsatisfying for many reasons, but I'll start with the ‘good’ things first.

THE GOOD

Jjk is a story that's a battle of ideals as much as it is a battle of techniques and fists. And, based on my understanding, the ending that gege chose to go for is the one where no one was actually proven right or wrong. Everyone's ideals and way of life remained the same from the beginning of the story to the end. 

Yuji, who's ideal is to save people as much as he can, was able to do that to the very end. Yes, there were hiccups - like the moment where Megumi had to remind him what his ideal was when he almost gave up after the Shibuya incident, but he got back on track right after he heard what Megumi had to say. And so he remained the person he was from the start by helping Megumi and also trying to help sukuna too. His character is pretty straightforward so it's very easy to understand it.

Sukuna, whose way of life and ideal is to live for himself in whatever way he wanted to, did just that to the very end. He refused yuji's offer because he'd rather die than live on someone else's terms. And in the afterlife he only considered trying a different path if there's a next life where his options would possibly be different than what he had in the life he knew. A possibility of a different life, a different path - yet still on his own terms, like he always did. He didn't regret the way of life he chose, he lived the only way he knew how based on the options presented to him in that life. And if there is a next life, he wouldn't mind trying out another path depending on what his supposed next life would have in store for him - as long as he does it on his own terms, and not living through what someone else's version of happiness was. He remained steadfast with his belief and ideal until the very end.

And megumi! I have a lot to say about him so brace yourself to anyone who might read this :3

At first, I thought (after that ending) that his character was all about him wanting to live and letting other people into his life once again and all that shit idk. But now, after cashew (from twitter!) explained their interpretation of the ending I see it in a different way (but slightly the same still).

Megumi’s character from the beginning to end has always been about loving selflessly in a selfish world. As a young child, he had viewed himself as nothing but a commodity, a bargaining chip his father left behind - and his value was in the technique he was born with because that's how every adult in his life has treated him. Gojo went to find him because of his technique, the school accepted and helped him out financially because of his technique, the Zenin wanted him because of his technique - just, every adult who could have made a difference in his life failed him because whether they did it on purpose or not, all of them made it seem like Megumi’s value is only ever in his CT.

Yes, Toji was happy when he found out that Megumi kept the Fushiguro surname because of the implication that he was never sold into the Zenin - but that hardly made an impact on Megumi’s perception of his worth because he never knew who Toji even was. To the very end, Megumi’s father was ‘the dude who sold him to the Zenin as a bargaining chip’ for him ((which i hate btw, but we’re talking about ‘the good’ right now so that rant can wait :3c)). And so, as a kid who was made into thinking that he’s just a commodity - he poured all the love in his heart to the one person who loved him just because its him, which was his sister. And in so doing, he became a person who puts someone else’s happiness above his own at all times. 

Gojo tried to get that out of Megumi by telling him to ‘be greedy/selfish’, and he did try to do that during ‘origin of obedience’ where he acquired a domain - not because he wants to save someone else, but because he wants to defeat the finger bearer in front of him. And that was just the one time, moving forward - everything he did has been for someone else again. He almost slipped into the deep end when he almost killed Remi just because he can that one time, but Tsumiki (or the idea of her) stopped him. This made me think that if Tsumiki doesnt exist Megumi would have been so powerful ((and yet evil too at the same time, something to think about i guess))

In a world that rewards selfishness he chooses to be selfless and keep other people's happiness above his own - because to him seeing the people he cares about happy is what peak happiness looks like. So when sukuna tried to manipulate and shame him for everything that happened while he was possessed - he didn't entertain it, instead he decided to do the thing that got him into this mess all over again - to live for other people once again. Living for the sake of Tsumiki’s happiness, trying to save her in every way possible as much as he could, was not a stupid mistake - that's why he will go and do it again. Despite all the pain and suffering it caused him, he will try to live and love again (I'm talking love in its broad definition btw) - because loving Tsumiki wasnt a mistake he should learn from, but a memory he will cherish. 

From the very beginning, Megumi’s ideal was to save people unequally because he's not a hero, and he never tried to be - the best way he can think of living his life is to pick and choose who to save because he can't realistically save everyone. And so, this - as well as the first thing I mentioned - was his truth and he stuck to it to the end. And he did have a moment when he gave up on that, after sukuna succesfully wore down his soul through all this careful planning and risks he took from the moment he got interested in megumi. Possessing him in ch 212 (at his most vulnerable and confused moment), performing a bath ritual to drag his soul even further than it already was, killing Tsumiki so Megumi loses any semblance of hold he might have had even after doing the bath ritual, and then using his likeness to fight sorcerers. Yet despite being the one with the most reason to curse sukuna in death, he decided, not just to live his truth, but tsumiki’s as well - by choosing to think about the people he cares about instead of cursing those who wronged him.

In the end, everyone lived and died by their own truth and ideals, and no one was proven right or wrong. ((gojo, yuta and many other characters too had their ideals challenged but never proven right or wrong - but i dont wanna talk about too many characters or this would go on for days))

Looking at it this way, the ending was 'good' in its own right (and as a concept) - but the road that led up to it, and the execution for most of the scenes left a lot to be desired.

THE BAD

While I do see what gege seems to be trying to say with his story, that doesn't mean I agree with it nor do I believe that such an ending was 'earned' when the build up that led to it was lacking in so many ways.

I agree that the world isn't black and white, and no one has the answer on what the right way to live life truly was - but the villains in his story went beyond being ‘bad’, they were clear and pure evil. And yet we see zero comeuppance - both kenjaku and sukuna didn't get the karma they deserve. Because, as it seems, with all the Buddhism values and themes gege borrowed - in the world of jjk karma isn't real, or at least not for the villains. ((And nope, what naoya and the zenin went through wasn't karma - what they experienced was vengeance, imo, more than it was karma.)) That's why Megumi felt like such an incomplete character, because to complete him the way he deserves would be to answer that karma is real.

Despite all the evil things both sukuna and kenjaku did - we instead see them both rewarded (REPEATEDLY)  for being evil. 

First, kenjaku.

Most people would probably agree that kenjaku is the main villain in the story, despite how the second half of the culling game turned into mostly about sukuna - it was kenjaku's master plan that started all of this. And kenjaku was evil. Pure and unapologetic evil. The things he did to choso's mother alone, warrants him an end worse than death. He lived his long life doing nothing but make other people suffer, all for the sake of curiosity and wanting to be entertained.

And yet the ending we all saw him get was a happy one - dying with a smile on his face because finally after years of living he was finally entertained - and it all happened because he decided to play with people's lives and start a death game.

He was rewarded for being evil.

Playing with the lives of other people was not presented to be as bad as it should be when the villain who committed these crimes didn't even get their comeuppance and was instead rewarded. Just to put into perspective, kenjaku REPEATEDLY forced someone to be impregnated so he can use the cursed children for his experiment. And that is just a tiny drop in the pool of heinous stuff he did. He is beyond evil.

While his way of life and ideal was not proven correct; it wasnt proven as wrong either. Because he didnt get even an ounce of the suffering he induced onto others, instead he was rewarded with a satisfying death. Putting into perspective everything kenjaku did, its pretty insane that he got to have a death where he could have a smile on his face and be satisfied. Gege went out of his way to create an op character (with an op technique that barely got an explanation) out of nowhere with takaba just so kenjaku can have fun. This is what i mean by evil gets rewarded in gege’s story. ((i mean just look at what happened with mei mei vs what happened with nanami. Gege rewards bad people, a lot of the time. And i guess in nanami’s case it can be argued that its coz to gege, death itself is a reward, but i digress.))

And then there’s sukuna.

Where do I even begin…

Maybe at the beginning, to make things easier.

Remember what Sukuna said the first time he reincarnated? He was looking for the 'women and children' celebrating how 'it would be a massacre' - this statement from him suggests that he, not only fights people who challenges him ((like what was implied with his dialogue with Kashimo)) but he was also actively seeking out people leagues weaker than him just for fun or as sports. Which was why the minuscule lore drop we got about him by the end felt really jarring to read - especially when it came from Mahito's mouth. A character who (as far as we knew in the story) barely even knows himself, let alone Sukuna. And yet, for the sake of making things just speed up and over with, we are just supposed to believe that he knows enough about Sukuna to say that his reason for being the way he was was because of 'revenge to the world' 😭. Where did Mahito learn that? When did he learn that? We don't know, so we just gotta accept and sit through Gege's 'tell not show' way of telling a story.

Sukuna is evil, and just like Kenjaku he was not apologetic about it nor does he regret it. Every path in his life he chose was that of the evil route - there was no grey area, there was no question on whether his way of life was good or not. It was evil, plain and simple.

And yet the story Gege wrote kept rewarding him for being evil.

And it seems as if all the innocent people he killed (for no reason!) doesnt matter.

Despite how bullshit it was - he was able to steal an innocent kid's body using a binding vow that should have had him killed (or worse) and yet it did nothing to him. He was rewarded for being greedy. He then had the time of his life fighting gojo, I don't count the jumping that happened later on as him having the time of his life coz it seems to be just a major annoyance to him. And then later on died with the option to walk a different path in the next life. In itself, it sounds great - but looking at the destruction he caused... Where's the karma? 

There's none, because gege doesnt seem to think he deserves it. 

I really really disagree with this message ngl. Coz the characters in gege's manga holds more sympathy to the perpetrators than the victims themselves - and I just can't agree with it  ((coz wdym gojo tried his best 'to reach sukuna'? That shit came out of nowhere.. Like,, why was he more concerned if sukuna had a good time? This wouldnt feel so jarring and out of place if Gege took the time to flesh out the characters more. if he gave us a moment of Gojo sympathizing with sukuna before the fight, before the culling game, before Shibuya. Meaningful character interactions between Gojo and Sukuna, a convincing one, that would make it make sense that Gojo's goal when he was fighting Sukuna was to, apparently, 'reach him' and 'make him understand'. The ending we got doesnt feel 'earned' because this whole time gege never gave us anything about Sukuna's character aside from 'he's very strong and he kills people' until the last two pages of the manga.))

For gege to go with this theme and messaging, he ended up disregard Megumi's character completely and reducing him into this character who had zero feelings on the matter that directly affected him. Yes, he was apologetic and all that - but... That's it? And while i do understand (i think) what it was Gege was trying to go for with Megumi's character, the execution of it just felt so half baked and lackluster - making Megumi's character feel incomplete despite the amazing build up Gege made for his character.

((A similar thing was done to yuji's character for the sake of the 'messaging' gege aimed for, but i will get to that later.))

Sukuna's statement of 'there are consequences to being greedy' never came to bite him in the ass, despite how much it should've considering all he has done- because everything he does gets rewarded. It's like, being that evil is good coz he keeps on getting what he wanted. And like a dumbass I kept on waiting for karma to get him and it never did. Coz karma isn't real in gege's world. ((and no, him being defeated is not karma because the only thing it did is lead him towards the path of redemption - like, the victims dont matter and what matters more is the psyche of the perpetrator. I dont know if i described it properly, but eh.))

Sukuna bets his life with a binding vow? He gets rewarded with the body he wanted with zero consequences - doesn't matter that gege had to go through a MASSIVE plot hole just to get there. Because in no universe was the thing he did to Megumi (and to hana) not considered ‘harm’, but it all got shoved under the carpet because gege doesnt know what to do with that. Gege needed that binding vow to not punish Sukuna, so despite the established rules he wrote in his own story that warrants that binding vow penalty to trigger - it just didnt... because??? If it was coz 'yuji didnt include himself in the people that cant be harmed', as Sukuna guessed, then i guess yuji didnt include Megumi and Hana in it too? But doesnt that neglect the point of yuji's character as being 'kind'? 212 was a massive plothole and i think thats really where the writing began to get... bizarre.

Sukuna kills yorozu/tsumiki just to drag Megumi further into the abyss? He gets rewarded with a weapon that (surprise, surprise) saved him from higuruma's CT. A CT that before that moment, he doesn't even know about. Good thing killing tsumiki's body rewarded him with a weapon, amirite?

Sukuna never fails to show his hatred for Yuji and would always try and make him suffer whenever he gets the chance? He gets rewarded by Yuji suddenly giving him an option to live again even though the entire story Yuji had always said he would kill sukuna. And i understand its coz yuji was able to know sukuna has a soul ((coz gege gave him the power of the mc punch)) and was able to conclude that he’s still human despite the HEINOUS crimes he committed, and megumi having been possessed by sukuna the longest was able to see that sukuna was desperate to live too - so i do see where gege was going with it. It just feels like the build up towards that conclusion wasn't earned, because even though it can be understood it just wasnt SHOWN to us. All thats being done is TELL and never SHOW.

Everything sukuna does gets rewarded and it just doesn't sit right with me. Its like saying the war criminals are just lashing out coz the world wronged them, that they deserve sympathy too. Okay, and what about the people they wronged, tho? Sukuna deserves sympathy for the world that wronged him, sure, but it doesnt absolve him of the crimes he committed - he deserves karma just as much as he deserves sympathy. And yet we see him walking away from everything he did with a smile on his face, zero regrets, zero repercussions and the possibility of living a better life in his next. ???

the ending

((Im sorry in advanced if youre a yuji fan coz im gonna say something you might not like 😢))

Imagine your sister got killed by someone and then your classmate comes in and says they forgive your sister’s murderer and wants to give them a chance at a better life? That this classmate of yours would be willing to turn his back on everyone else just so this criminal who killed your sister (and so many others in cold blood) can live? That even if no one else is willing to, he would give solace to this murderer - just so this murderer gets his second chance? What would that feel, you think? Thats a pretty weird scenario you might say, but thats exactly what Gege made yuji say and do by the end there.

Gege tried to portray 'kindness' with that speech yuji did, but ((imo!)) he ended up making yuji's character sound insensitive and cruel not just towards sukuna but mostly towards his victims and to all the people that died trying to stop him.

In itself, maybe in Gege's head - it sounds like a "good" thing to say - but when you look at the chapters that happened before that, its not something yuji nor sukuna earned because yuji was not sukuna's only victim and he wasnt the only one who defeated sukuna for him to decide and say all that. Knowing the things we know about the story that led up to that moment, gege just made yuji sound selfish and cruel - by having zero regards to everyone else's sacrifice and suffering. Which is a very weird thing for gege to do because before that moment, yuji was talking about the people who died - and then disregards that in the next chapter just so gege can write those lines.

Yuji's character is far, FAR, from selfish and cruel, and yet that speech gege made him say to the dying sukuna unfortunately made him sound like that.

This would all land better IF we saw yuji SEE sukuna go through the life he had during the heian era - like maybe what he went through was enough of a reason for someone like yuji ((who was supposed to be kind)) to suddenly offer all that, knowing damn well the amount of people who would possibly be hurt by that decision.

Im really not digging gege's exploration of good and evil - coz he almost always rewards evil and make good people suffer (with zero payoff, mind you). This 'trying to understand the villain coz he's human too' route just fell flat because we were never given the chance to understand sukuna except in the last 2 pages where he was given vague lore drops - and a statement from mahito who, before that moment, doesnt even know anything about sukuna except that he's strong. How and why the world 'wronged' him, we'll just never know, coz instead of showing us, gege kept on just 'telling' instead. But i guess for the sake of just ending the story we all just gotta accept that mahito, of all things, somehow knew of sukuna's reasons. lmao?

And the reason why i keep referring to the lines as 'Gege made this character say this and that' is because by the end, and even in some chapters before that, the characters lost their identity and are instead talking through a script gege made them say. Yes, a story is essentially that - but a good story is where characters feel alive and are speaking through their own soul which the last 5 chapters of jjk lacked tremendously. The characters felt like they were locked in a fixed role gege chose for them, and then they were given scripts to say, and then they were all rushed to say those lines because of tight deadline, and they have to say those lines just so the story would end. I know i dont make sense... but it probably would make sense to anyone who have read a good story where characters actually feel alive and not just there as the author's mouthpiece.

I know this is gege's first series, and its bound to have some flaws - drawing and writing a story weekly requires immense skill and discipline, i respect his craft a lot. Its why the disappointment i felt was great, because the story in the first half had such a good thing going and so i placed such a high expectation on it. Still, for his first series, its not bad... I probably wont be looking forward to his next series though, i find im not the biggest fan of this writing style that leaves a lot of things unresolved and just lets the readers write their own headcanons to fill the void.

((if anyone read up here, uhhhh hey there! thank you for reading my (almost) 4k word rant lmao, i actually have more to say but ee.. there's too many. This is my last rant on jjk (probably) feel free to fight me on this, one thing i wont back down on is the plot hole in 212 - that was a stinky plot hole and we just went past that like, damn..))

bye for now!

[toiletpapergolemn]

Mouthwashing Analysis Pt. 1

Reminder: This is my own personal analysis over the game so don’t dictate it as absolute or objectively correct regarding the game’s message. Everyone is entitled to their opinions (unless they’re wrong) and any thoughts that could add to this analysis is appreciated!

Pretty sure this will be divided by parts or not, depending how many thoughts brewed up by the end of this post. I’m gonna discuss about the following:

Analysis of the Title

How and why the plot is constructed

General Themes

Style of the game

How style contributed to plot and atmosphere

Of course, SPOILERS FOR THE GAME! I’m trying to discuss everything and anything I found significant to the plot and overall message of the game. 

Again, this is just for fun and I like analysing stuff! Soooo…

Mouthwashing is a psychological horror game taking place in outer space featuring 5 characters trying to survive with their limited supplies while trying to keep their sanity intact as they wait for help.  Words: 2080

First is the title of the game, “Mouthwashing” which is also the main drive of the crew’s destination of the shipment. But it’s also a trait in the main character. From the start, you could see how much he emphasises how he is the captain, which I found odd since he didn’t need to flaunt it every time someone is questioning his decisions. It was as if he’s trying to convince himself and others that he’s in charge of the situation and trying to get more credibility from others. It seems that Jimmy feels guilty over his actions so he tries to rally the others up to bolster his resolve— both in convincing him that this will make up for all the wrongs he’s done and the satisfaction of finally being on top of the ladder that he felt is finally deserved. 

Jimmy essentially “washes his mouth” from all the guilt and wrongdoings by saying these things with a sense of pressure and tension and conviction. He doesn’t appear to use a tone that would comfort or console the crew (as any leader would in a life-threatening situation), it’s irritated and strained. He hates the fact they don’t fully trust him because he assumes that he has the full capability of being a leader (he has a high ego) and the implication that Curly is still the leader despite what happened to him.

To put it briefly, the crew believed more in a man who’s burnt half to death and entirely limbless more than they believed in Jimmy. You can see that Jimmy is reckless and rash, actions that could’ve been dismissed because of the circumstances, but when it’s a pattern and happens throughout the gameplay, it questions the credibility of his character. Even the fact that the player thought it was Curly’s fault in the beginning strongly proves how much he convinced himself that he’s in the right and he can “fix everything”. 

The entire title is a reference to Jimmy’s actions, how he tries to shove all the words down on everyone’s throat and baptise himself as a clean, free man. 

His character will be explained more when I discuss the rest of the crew as well. Now, we move on to plot and the line of plot.

“Mouthwashing” doesn’t use a linear storyline. It keeps referring back from the past and then to the presumably present with the constant change of who the player character is. It’s disorientating, it’s supposed to confuse people and throw the players off their course. Furthermore, the flashbacks show the POVs of different characters so some information is revealed while others are still hidden away, leaving only the player who knows what’s generally going on. Other than the fact to create a disorientating effect onto players, the change of POVs can also be used to characterise the cast more. The past always being reflected by Curly could be Curly reflecting on his past decisions and rewinding those memories due to his guilt, wishing that he could’ve done things differently or notice Jimmy’s intentions from the start. His idleness towards Anya’s issue, lack of consequences of Jimmy's actions, and dismissing other problems for the sake of peace is what caused the tremor that shook everyone off.

On the other hand, Jimmy always reflects on the present. His guilt grounds him in the current moment because he now faces the consequences of his actions and his fear festers rapidly seeing as he increasingly grows alarm of Anya (Her private discussion with Swansea) and Swansea (He’s the only person who is openly mocking and rejecting Jimmy’s role as leader). Daisuke is a good-natured person followed by his naivety and optimism, Jimmy knew instilling any good intentions, “do the bad things for the good things”, would urge Daisuke to do anything Jimmy needed. Jimmy refuses to look back in the past and see how red his hands became, the only time he looked back on was when he crashed the ship. Because at that point, he believed he could “fix everything” and he believed the role of the leader was bestowed upon him when he noticed how on edge Curly was and how the pressure was affecting him. He deduced he did the right thing, Curly trusted him after all, he was vice captain, his right-hand man. Yet when he came back out and found out Curly curled up at the corner and questioning what he’s done, did he know what he did was wrong and was evoked from bottled up jealousy? Or did he truly believe what he did was right and crashing the entire ship would get rid of his confrontation of his guilt, jealousy, and hatred?

Did he feel he truly deserved that bloated ego after seeing how scared and small Curly is while he finally looked down on him at that moment?

Following that, this highlighted the general themes of the game: taking responsibility and owning up to your actions. None of the message or themes of the game is explicitly stated (unless you count the texts popping on screen) and the player has to piece them together to reveal the truth. This challenges the player’s morals and beliefs, they don’t know the full story and can only be left interpreting from the character’s dialogues, their actions, and Jimmy’s POV. Yes, the game is telling us a story but also sending a message directly to the player. The sudden texts (take responsibility) on the screen are to emphasise Jimmy’s actions but also urge the players to think more critically. Oftentimes, we mark protagonists as the “good guys” that even though they’re bad, we support them along the way because we are controlling them. Therefore, we unconsciously assume we’re doing the “right thing”.

However, in “Mouthwashing”, you’re rapidly changing between the source of the problems (Jimmy) and the one who let it grow (Curly). The message of “taking responsibility” is applied to both characters. Jimmy for being scared of confrontation and believing that he’s doing the crew a deed by taking the mantle as captain (enforcing it onto them) but then puts everyone in danger as he ignores his other actions (Curly and Anya). Curly wanting to “fix everything” after realising what his friend did to Anya while his solution offered no protection or justice for her and basically letting Jimmy scott free from his actions simply because of their “friend” status. 

(Despite Curly’s actions coming from good intentions doesn’t get rid of the fact that Anya was still mistreated by him. Curly didn’t do anything to confront Jimmy or tell him how wrong it was, words of comfort aren’t enough– it doesn’t erase the damage. Pity is not going to fix or lessen the scars people have already been inflicted with. I’ll elaborate more about this statement in my second post.)

Then we move onto the style of the game, it has an “old-game” atmosphere followed by the simple game models. It’s not realistic but human enough. Each scene of the game is off-putting. The lack of music, the thumping of your footsteps, the claustrophobic halls. It creates a daunting atmosphere which is paired with the inevitability of death lurking as well as the optimism of survival. The game takes you out of the miserable moment for a second (Daisuke as a representation for hope, he’s the comedic relief character who’s the “sun” –As Swansea puts it– that beams through the darkness) then pulls you back in to reveal the creeping unavoidable truth of “no one survives in this” and “no one wins in the end”. 

How’d the game be any different in other styles? Realism doesn’t offer the amount of colour contrast the game does, as we all see when a game attempts to be as realistic as possible: colours get too muddy, the values blend together, it takes you out of the immersion. What I also found interesting is the lack of expression, their emotions almost hold nothing– like a blank slate made to fill in for a role. It’s almost dehumanising to see humans so inhumane, instead we rely on their dialogues and body language. To add onto that, their faces characterise them. Anya is the fragile, vulnerable woman in a crew full of men. Swansea as the tough and harsh oldest employee in the cast. Daisuke is casual and laid back, the newcomer in the group who takes things less seriously. Jimmy is interpreted as the stern leader while Curly as the coward who almost harmed his entire crew (until it’s revealed in the end that he’s as human as the others.) This can be how Jimmy and Curly put labels onto them, both can only see what is above the surface. 

If the game plays on perspective, why are there no more POVs from Curly after he was hurt? The only interpretation I could come up with is Curly manages to see behind the crew’s facades. Anya (as seen from the birthday party) can be humorous, her meek behaviour didn’t come from nowhere, it came from being near a source of danger– as the nurse, she also had to take care of everyone (even the bad ones). Swansea is caring in his own way, as the oldest he felt responsible over the crew regardless of who’s the leader and puts their safety over his– he knows how careless Daisuke is and how docile Anya is. Even Anya felt safe enough to cry in front of him. Daisuke is presumably the youngest of the group, so he’s reckless, naive, and optimistic but it’s in regards of everyone’s feelings– he also shows a much more mature side than we realise (AKA worrying over his mother and wanting to take a job so she can be proud, not wanting her to take all the blame for his death). 

Why aren’t there POVS from other characters? Wouldn’t it make the plot and message much clearer? Because the game is about responsibility. You’re playing as a character who refuses to take any accountability for his actions and you’re in no control to stop it even when you’re the player– most importantly, you’re the one doing these things. You’re the one who’s forcing Curly to take those painkillers, you’re the one who crashed the ship, you’re the one who put Daisuke in danger, you’re the one who killed Swansea, and you’re responsible for all the pain inflicted onto Anya. The worst part is? You couldn’t even do anything at the end as you take Curly’s POV and see Jimmy disappear from your view as he ends it all before he could even open his eyes and see past through his delusions. In the end, he even refused to look at Curly anymore while muttering "he’ll fix it". Because Curly is the embodiment of his mistakes, his errors, his guilt. (Ironic how Anya isn’t in the picture, proving how he truly didn’t see her as human) Everything that he didn’t want to be. 

Another style in the game is the significance of sound. The music from the lobby is used as a juxtaposition of your current situation, it’s calm and serene. While the atmosphere outside of the lobby reveals hopelessness as you’re stuck in an empty abyss with no help coming– even now the silence can be heard. Most importantly, Curly’s pained sounds are the only voice from a character in the entire game. The game doesn’t highlight Jimmy pushing the painkillers down his throat, it stresses the noises coming from Curly. I see the blackout screen as Jimmy’s intolerance to see what he has done, only the noises come out because Jimmy is perhaps closing his eyes like he’s avoiding to see Curly as he attempts to "fix him". He can see all the wounds and the stare of one eye unblinkingly looking at him with no emotions, because he feels no judgement from that eye nor does he see the injuries covered up from the bandages. But his words? The one Jimmy looked up to and listened carefully, unlike Swansea's or Anya’s? Now it’s nothing but the pained sounds of choking and his last remnants of what made him human. The only thing left of his “friend”. (Perhaps the fact that Curly doesn’t even look like Curly anymore contributes too)

Okay so this turned out way longer than I thought it would but if you made it this far, thanks for being interested about this long paragraphs lol. I only watched the game once and skipped over to the bits I explained to refresh my memory a little bit. I don’t think it’s an exaggeration that I love the game and find it so entertaining to analyse each segment and find out the meaning behind them.

I’ll say again, don’t take this as objective truth. This is merely how I interpret the story. Just because mine is the longest doesn’t mean it’s the most accurate. The same way as Jimmy saying he’s the captain doesn’t make him a good leader.

I think I'll talk more about characterization and symbolism in the game in my next post, if you look at my paragraph about Swansea a little bit closer– you can guess he’s my favourite out of the others lmao. I hope this was an enjoyable reading though, as it is for me.

[harukapologist]

rambling about Haruka

As an ND person I just hate how Haruka's character is either completely infantilized or reduced to a selfish, evil murderer, when, to me, he is so much more than that.

Especially the latter; I hate when any MILGRAM character is called evil because what's the point of MILGRAM, then? They're all morally grey! That's how they test us. But Haruka in particular because I feel like it comes from a place of ableism, intentional or not.

I'm not sure if I should put TWs, but well I talk about ableism, murder (obviously lol), childhood trauma and well... it's Haruka

Haruka's outburst in the VD and his implication of killing animals (I know it's basically canon but erm... i can explain why I think it's an implication later) (i just finished writing the post and actually i explained why at the bottom of the post but its not a full explanation so lol) are the reasons I see people calling him either evil or childlike, and while I do think that Haruka is stuck in a childlike state in some aspects, this is emotional dysregulation of an ND and/or traumatized person, to me.

The uglier sides of being ND/traumatized, the ones that get heavily stigmatized and seen as intentional or evil; I think this was a display of one of them. And I really wish to see more people focusing on Haruka's disability in the ways it can affect his communication and day-to-day life skills more than "oh, poor baby, he has a disability that makes him feel unwanted" without actually understanding the details of the disability and, well, the reason why it is a disability.

Like, the emotional dysregulation that comes with being autistic, which is my headcanon for him. The hyperempathy and literal thinking that might make him harder to communicate with, and get people frustrated with him more often.

That and being severely neglected; I think neglect is one of the lesser discussed forms of childhood trauma and the fact that Haruka was shown to be neglected as well as abuse really means a lot to me, because I think some people don't quite understand just how much neglect and isolation fucks you up.

All those factors combined are a recipe for an unstable, impulsive, clingy shell of a human, and him getting called evil for that really saddens me. It's important to remember that these MVs are extracted from the prisoners' own memories and thoughts. It comes from their perception of their surroundings, their murders, and their own selves. The manic look that Haruka has on his face for a lot of AKAA, for example. The makeshift shirt he's wearing, as if he's desperately trying to sew himself together into a normal person, the exhausted, frustrated look when he picks up the necklace, it's important to remember that this is how he sees himself. A monster who has lost control of himself. The line "I'll keep killing to be your good boy" was a shock, but the way he meekly apologized to Es at the end of his VD, I really think that shows that he feels guilty, that he wants to convince himself more than anyone that he was a good person, that he was really trying to be one despite how his unlucky life frustrated him to his breaking point.

As for his infantilization, it has already been addressed by many thoughtful members of the fandom and I'm grateful to see that, but I also want to say it myself since god knows I hate being patronized.

It feels very ableist saying he's just "someone stuck in a childlike mindset/age regressor" Yes, and how does age regression as a coping mechanism develop? Usually through prior trauma that makes you "stuck" at said age, and that can present differently. It can be longing and yearning for a simpler time, for an actual happy childhood, or having flashbacks to a traumatic event that happened at a certain age; it is not uncommon for trauma survivors to be "frozen" at the age their trauma took place.

I think both of these are the case for Haruka. Frozen at that moment, but trying to reduce himself to nothing but a little, unaware child to avoid reliving it again, relishing in the innocence and purity of his good younger times (emphasis on purity--Haruka's murder was by strangulation, yet there's a shot in AKAA where he's covered in blood. I know it's after he killed the animals, but he's in the stitched-together outfit here; I think there's more to this MV than just killing the animals. Since this outfit is... not very likely to be worn in reality, did the animal killing happen at all? Even if it did, I think this shot remains an indicator that he sees himself as impure; guilty. I have a LOT to say about the inconsistencies in Haruka's MVs, but I'll save that for later... Anyway, back on topic) It is NOT "having the mental capacity of a child, so being unable to date etc." Haruka has still lived 17 years, maybe even more, since he isn't too interested in remembering his age. How do you treat actual neurodivergent people if this is how you see him?

When I rewatch the MVs, relisten to the VDs, reread the interrogations and timelines, I see no evil, just an incredibly broken, misunderstood person.

[ghouldtime]

Random Rant on Fanfic Pet Names

Let me say this is more me screaming into the great unknown because it's something that I KEEP seeing and it keeps irking me and causing me to cringe out of my skin. Putting it under the read more, it's just a rant mainly about the COD fandom, you're not missing anything if you don't read this

Disclaimer: I mean absolutely no hate to the writers who do this. Because you should be writing what makes YOU happy and what YOU like to write. Writing is unique and independent to each individual and just because I don't like something doesn't mean that it's inherently bad or shouldn't be done. You do you, you go on your own journey - just cause we both like hiking doesn't mean we have to take the same trail or that one path is better than the other. Judging people like that who write different than you is nasty and policing harmless writing over little things is stinky sock sniffer behavior. Just cause it's my yuck doesn't mean it is everyone's and I don't expect everyone to agree with me nor is my point meant to be an objective truth or statement. It's literally just my feelings and I need to yell about it

The COD fandom in particular I've seen is atrocious for doing this. But I abhor when they make the characters use pet names like "pet" and "little girl" or "little boy".

Especially when they've literally JUST met

Every time I see it I immediately have to exit off the fic as I gag. I swear it's instinctive at this point. You know those videos of cats who do the extremely dramatic gagging when they smell something they slightly don't like? That's me. 110%

It comes up and I look at the page like this

It just feels so so gross to me and has this icky undertone that I cannot stand. And I don't know if I'm reading into it too much or if this is just me a me thing but I swear to any gods above this keeps happening. It's done so much I have tried putting filters on specifically to avoid it

It strikes me as so odd??? Like why that out of everything. Why something emphasizing age/maturity or treating the reader like they're a possession when it's a regular ass fanfic.

It makes my skin crawl and the possessive/dismissive undertones there are NOT cute. It always reads as ignoring reader's autonomy and treating them more like an object or thing instead of a person. When they just met too or the relationship really doesn't call for it or where it would be weird, it's just shoehorned in and I reallllly really really hate it oh man.

Like if it's established and is a fic where it's like "hey, this is what this is going to be! We're doing a nsfw/bdsm-y undertones here! That's the vibe!" Then great! Fantastic! That lines up, you're expecting that. Not when it's like a fluff fic or supposed to be super causal

I see this mainly with Ghost in fan fics. For some reason, he seems to be numero uno when it comes to calling reader "pet" as a form of endearment. I'm so sorry but I can't ever see him doing that. The guy who has extensive trauma with animals from his childhood, who would take an IMMENSE amount of time forming a close bond with someone to ever get into a relationship (following the comics for his history anyhow which is what I've seen most people do, Ghost has literally seen his family killed and has been through so so much trauma it's wild and the dude has a lot going on mentally), calling someone he cares about a pet??? I just don't see it happening. I sure as shit don't think he'd do that to near strangers either. Even if you ignored that past history for him or write Ghost different -that's just a flat out weird thing to call someone you don't know and has the implications of ownership/subservience on that person's part. Doing that to someone you REALLY do not know is insane

And the little girl/boy one used in conjunction with an age gap??? No??? That's just. So many shades of ew to me and is really putting emphasis on the wrong thing there (at least how I see it and in the context of the fic. I've never seen it used appropriately unless the reader is meant to be a literal child and it's a platonic fic. Context matters). ESPECIALLY when they emphasize reader is young (as in, barely legal, just turned 18/19 or heck even 20). Which I also keep seeing too when it is used. I'm not here for that reallllly creepy vibe that sounds like something you'd eventually hear about on Dateline or in a youtube exposé video

Like y'all. Anyone being shipped with them should be a grown ass adult because THEY are all grown ass adults. For me the little is never emphasizing size when paired with a gendered term, it's emphasizing how small their age is and that's wacky. Maybe that's just a me problem but when I hear "little girl" or "little boy", I'm thinking of a kid. Because girl/boy are most commonly used for children and when you're pairing it with little there, that's what you're emphasizing and you're practically guaranteeing that image.

Be real, if a guy you JUST met who you don't find attractive sneers and says, "Be quiet, pet." or "hush little girl/boy, " you wouldn't find that hot, you'd find that creepy. It's only excused because you're attracted to the character and find them hot. I'm picking a fight, I'm throwing hands if that's dropped on me in the real world out there. Probably not because I'm too non-confrontational but you bet im cringing and giving him the most:

look I can absolutely muster.

Maybe this is just a me thing and I'm losing my marbles. Or maybe it's the fact that I've had that happen to me where a dude I barely know called me "little girl/boy" (despite me being older?? and like the same height?????) and I just died on the inside viscerally that day

For the record if someone pulls the 'pet' card, I'm living up to it. I'm puking on the carpets somewhere in the dark at 3am, I'm yelling at the mailman and doorbells, I'm doing parkour off the couch when you're trying to sleep. Why the absolute hell are you calling someone you JUST MET that when it isn't even supposed to be that kinda nsfw fic.

It's one thing if the vibe is established and the tags are there and you know what you're getting into. But I lose my mind when it's a casual fluff or meant to be romantic and then all of a sudden, BAM THERE IT IS AGAIN.

It makes it so hard to read fics because it's like roulette, I swear I'm always suddenly hit with it and there goes my interest in trying again 🥲

To anyone who read this i admire your courage and akbwdbkawd im having a moment over here

(And hopefully everyone is having a snazzy day! 💚💚💚 my inbox is always open if you ever need to vent or need someone to talk to or want to join me yelling into the void)

Rant over,

Ghoul out

[ichinoue]

I just finished watching bleach, and I'm not much of a shipper, as in I didn't care for the ships. But ichihime just didn't make sense to me, I have no problem with renruki but ichihime just didn't do it. So like I'm genuinely curious as to how they stuck out for people like you who absolutely adore it, I've also seen alot of hate towards it so once again I'm curious. Is there any reason that you personally always loved the ship? Be it their chemistry? Or interactions?I don't know I just want to see the appeal

Well, for starters, if you've only watched the anime, I think that can definitely taint your perception of IH because the animators butchered it so much compared to how it actually is in the manga, especially in the early arcs. I made a post on the very first IH moment in the anime vs. the manga here although it's pretty old so the links I used as references are probably broken now. But I definitely recommend reading the manga to get a true sense of what their dynamic is like!

Honestly it's hard to sum up why I love this ship so much without pulling out a bunch of manga pages and turning this into a full blown essay of things I've already said a million times before (but I'll attach a bunch of links to some of those posts below lol).

But I just love the sweetness of IchiHime. The mutual respect. The selfless care and consideration they have for each other. How dorky they are together. The way they make each other better, and stronger. The way Orihime can pull so many passionate, emotional reactions out of Ichigo--the way he softens around her, the blind rage when his enemies use her to taunt him, the way he flies off the handle in a panic when he thinks she's in danger, the depression he fell into when she was gone, the relief he feels when he realizes she's okay. The puppy dog eyes he gives her. The way everyone else kicks him in the head or punches him to lift his spirits, but Orihime--she only has to use gentle words. The vow to protect, the rising up from the dead to keep that vow. Not even death could keep them apart. Orihime wanting to love Ichigo in every lifetime she lives, she would choose him every single time. And yet she never expected him to love her back--he just did. All on his own. He was pining for her, they were pining for each other. It was mutual long before they even knew it.

And I think Kubo did so well writing for the IchiHime relationship. It's got cute, heartfelt moments, angsty teenager moments, silly, comedic relief moments, and dramatic, life-or-death moments. You can see their development from one arc to the next, see the clear-cut changes and growth in their dynamic from beginning to end. They never stopped changing, and growing closer over time. Which created a nice, long slow-burn for me to sink my teeth into over the course of Bleach's 15 year run.

Anyway, here's some links of posts that explain different aspects that I love about this pairing:

I have an extremely long masterpost about IchiHime here, which mostly goes into detail about why I think it was obvious for canon, but it covers almost every single IH moment in detail and my love for the pairing and reasons for shipping it are pretty much woven into the fabric of this post lol.

The chemistry of IchiHime.

My top 3 favorite IchiHime moments.

Masterpost of moments where Ichigo and Orihime protect each other.

IchiHime implications of the lust arc.

Ichigo being teased about Orihime.

Ichigo's vow to protect Orihime.

Ichigo and Orihime's growing feelings for each other.

Orihime consistently being singled out to target Ichigo's heart.

Orihime loving Ichigo's kindness.

Ichigo being receptive to Orihime's feelings.

And these are some posts made by other people that I like:

A post about Ichigo's feelings for Orihime.

This one is an image post that basically combines almost every single IchiHime moment from the first to last chapter, as a visual reference.

A response my friend gave when asked the reasons that they ship IchiHime that I wholeheartedly agree with.

And another list of reasons.

I also just really love this post.

[thefuzzzz]

Ranking Nico Di Angelo ships as a multishipper with a crazy imagination, a Nico hyperfixation of 3 years, and the willpower of a god:

1. Solangelo - 8/10 I love them!! I adore Will in TSATS and he’s easily one of my favorite characters. I wish Rick had let us get to know Will separately before he was immediately made Nico’s boyfriend, but I love him anyway. I think they’re good for each other and very supportive. I think I spend too much time consuming media of them than their actual book interactions, because in media I hate their fanon portrayals, but I adore them in cannon. I only had the chance to read half of TSATS, but I thought it was cute!

2. Jasico - 10/10 I love them for the same reasons I love Solangelo, but Jason got character development and Will didn’t. Also, they had a cool moment with Cupid that I think about once a week at least. Jason is constantly someone Nico trusts and (I may be wrong) hugs at some point in the series. The only people Nico has shown direct physical affection to within the series (to my knowledge) are Will, Jason, Hazel, and Reyna. This proves how much Nico trusts Jason, even after Cupid. Also they’re silly and dumb and I love them so I’m right always

3. Nico x Conner - 10/10 I FUCKING LOVE THEM SO MUCH. Lemme explain. So when Nico came to camp he stayed with the Hermes cabin, but Luke was already fucked off (I think) so Conner and Travis were probably in charge of the cabin. Conner’s age changes several times, so I headcannon him to be just a tad older than Nico. I think since he knew Nico when he was a kid he can make present day Nico less doom and gloom and know when he’s truly happy. Also, Nico went to a notably strict military school before coming to camp, yk what they say, strict conditions raise sneaky kids. Thats right, these two are fucking nuts. They are little thieves. And I don’t even wanna mention the implications of Conner’s dad (Lin Manuel Miranda) being the god of travelers and Nico essentially being an eternal traveller. They make me so sick I love them

4. Nico x Clovis - 7/10 they were mentioned as friends MAYBE once and I took that shit and ran with it tbh. I don’t even remember if it’s cannon. I just love them. I THINK it was mentioned that Clovis helps Nico with his nightmares, but atp this shit might just be my imagination or a fic I read once. Anyways, Nico is noted as a very anxious person, and Clovis is very laid back. I really like that duo and the idea that Clovis can help to ground him a lot and help him relax

5. Valdengelo - 6/10 while I do adore them, they have hardly any time together or any bonding moments at all (Note: I am a hypocrite over Clovis let’s fight abt it) I do love media about them and consume it at rates not comprehendible by mankind though. Aside from no time together, I think they’re epic. Nico experiences a lot of the same things as Leo, such as losing his mother and general sadness, but they cope in wildly different ways (neither of which are healthy). Also, Nico grew up in the lotus casino. I’m sick of us all acting like he doesn’t understand technology. Let them be engineer boyfriends PLEASE

6. Pernico. - 0/10 I don’t care at all if other people ship them, since it’s fandom and you can do whatever you want. I just personally don’t enjoy their chemistry and see them more as brothers. You do you tho.

Keep in mind this is just my opinion please don’t take anything too personal!! I love all ships (almost.) equally and if you have any fic recommendations for any of these please give them to me I’m desperate

(Also, this doesn’t represent my FAVORITE Nico ship, just a ranking based on how much I giggle when I see them. It does not take many logistics into account)