#i just love the imagery of it

[autumndragon]

i love imagining a cinematic sort of montage of scenes that show the juxtaposition of Viggo's upbringing against the life of the dragon riders; going from a young Viggo being told by his father and grandfather that dragons are witless beasts of vicious nature, to an older Viggo watching the riders share a deep bond with those same creatures.

young Viggo being told by his grandfather that dragons are without mercy, harsh as nature's own hands, power given flesh—to adult Viggo watching a night fury risk its life to save a boy, using its fire not for threat but for warmth, its claws not to maim but to hold, its wings not to attack but to carry.

[daretolovemyrambling]

can we talk about the alternative vinyl design for 2x7????

Don't get me wrong, I loved the one we got. Especially since it's more subtly replacing the Jinx & Vi design, but this looks so amazing.

I love the colors. I love how at peace the two look in eachothers arms. I love that they included the blue smoke tattoos and the clockwork design.

[rcehb-art]

Idea from @little-red-fool 's tags:

Mephistopheles reading his morning paper with a blue bathrobe on, some imp slippers, with a mug of coffee before hearing a window crash somewhere.

He shows up, sees his cabinets in disarray, before finding his son with a contract in his hand.

"Put it back, Raphael."

"No."

He got what he needed. There was nothing more to say and that was that. Longest conversation they've had since Raphael left/was banished. Mephistopheles takes a sip from his mug. His coffee was still hot.

When Raphael said he would find out more information about Astarion's scars, do you think he took one look at them and was like "that's definitely a Mephistopheles contract" so while we were off killing Yurgir, Raphael had to go to his dad's house and look through his records. I feel like he probably did.

[nipuni]

😔 Oh Crowley..

[chelseabeecreates]

Stars, hide your fires / Let not light see my black and deep desires.

Merlin and Arthur in the style of these incredible posters for a production of Macbeth.

[hinamie]

the sirens are turning red

[pidgydraws]

🌷 worth the wait 🌷

inspired by the fic "a light kept alive" by inkingbrushes

[aithusarosekiller]

One thing I love about Jegulus is that the rest of the school are just living their normal teen years, falling in love and being messy and stupid like everybody else. Some of them will have horrible breakups over the war but it's normal and human. Then Jegulus are there having their whole massive Greek tragedy complete with extensive metaphors, secret rooms and an intrinsically deep, historical aspect to their entire relationship that it unmatched by any other on the planet. And somehow they're still a secret from everybody else, their love reads like one of the epics but it's so small and hidden.

They're just that dramatic ig

[chickenchirps27]

Last night after reading a bit of the Book of Bill i went to sleep.

i had a dream that i had to team up with Bill Cipher to assassinate an angel.

I had to carve out its heart so that Bill would let me go.

I woke up very tired.

[fumifooms]

Homegrown

Thistle and Delgal - Dungeon Meshi, Ryoko Kui

^ Fernando Pessoa / Killing Flies, Michael Dickman / A Brother Named Gethsemane, Natalie Diaz / Antigonick, Anne Carson v Oats We Sow, Gregory and the Hawk

[crazymecjc]

always the pawn in someone else’s game. ♟️

[astralibrary]

hi @marykedoesart, this is my gift to you for @natsume-ss' spring exchange!

you said you like tanuma/natsume and heartfelt, emotional themes so i went very symbolic with this, haha. i really love the idea of using imagery from the fish pond in tanuma's backyard to represent these two and their dynamic, so that became the concept i ran with. i'll explain my whole thought process below, but in the meantime i hope you like it! 💖

pls bear with me here bc this is going to be very long and wordy lol

so there's a definite theme of separate worlds here; while the environments are both pretty abstract, the idea was that tanuma is sitting in his house looking out towards his backyard where the pond is, representing the "real world," whereas natsume is in a more fantastical underwater setting, representing the world of youkai. also there's the implication that he's sitting at the bottom of the pond, aka completely immersed in that other world, while tanuma can only perceive hints of it in the reflected light & shadow on the wall.

tanuma's side is lit by the glow of the setting sun, and natsume's by an otherworldly blue light. also, there's their clothes: tanuma is in his regular school uniform while natsume is in a yukata, something that pretty much all humanoid youkai wear.

next, their poses; they're both sitting exactly the same way as a reflection of each other but natsume has his head bowed while tanuma is looking up; this is meant to represent their different approaches to their relationship. natsume is definitely more closed off, both as a defense mechanism and because he wants to protect tanuma & keep him away from the dangers of youkai. tanuma, though, is open and contemplative, maybe even hopeful; he wants to be let in and he wants to help, even if it is dangerous.

the lighting reinforces these conflicting attitudes, with tanuma's side being brighter and warmer while natsume's is darker and colder, representing this sort of "optimism vs pessimism" dynamic.

so now, the fish. the bridge between their different worlds, basically. on natsume's side it's a real fish while on tanuma's it's a shadow cast on the wall, which is obviously the original conceit of the scene in the source material: natsume can literally see the fish, while tanuma can only see its shadow. still, even if it manifests differently, it still exists to both of them, so it's a connection between them concerning youkai.

so they're both in their separate worlds, but because of this connection they affect each other, maybe in small ways at first; as the fish crosses over the barrier it leaves little effects, little disturbances behind. on natsume's side, bubbles drift up towards the surface, little pockets of air like little lifelines showing the way, and on tanuma's side little droplets fall and create ripples in the reflected water, these small things that grow and grow outward until they're not so small anymore. little feelings that bubble up and ripple out, hoping to reach the other in their own way.

the fish brings these feelings across the barrier, endlessly looping around them as they endlessly call out to each other, trying to navigate this relationship they have; it's possible to bridge the gap between them as long as they look and listen and learn to embrace the things that make them different just as much as those that bring them together.

and that's about it! my goal was to make a symbolic piece about their struggle to understand each other but with a hopeful note, so hopefully that comes across! i hope my explanation at least sort of made sense and wasn't too confusing! (to be completely transparent i only had about half of that in mind while i was drawing it, the rest sort of came together as i was writing this. neat!)

and finally, here's a still frame in the original higher resolution so you can see it a bit nicer! 💖

[arthursfuckinghat]

The sun is your halo, for it is always above you.

Arthur and Weetabix 𑁦𐂂𑁦 Scarlett Meadows

[fascinationstreetmp3]

i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar

[peninsulaisms]

this summer on the mornington peninsula, through my eyes

[bean-there-before]

okay but in double life after pearl causes rem and bigb’s death ren says to pearl “there is something wicked within you” and from there she starts referring to herself as wicked and then chants “something wicked this way comes” in the last episode as she’s sneaking up on people