#i just love how similar they are but how different their executions are

[aq2003]

oh btw i get even more why brennan (like me) clocked sophomore year fabian as fucked up and sad even if some of the other pcs were like "what are you talking about dude" . it's because the basic core theses of fabian and leiland eftbk as characters are actually pretty similar

[fantastic-mr-corvid]

Cecio & his fathers family

Cecios' father is an old noble of Andoran, from a family who made the smart decision of backing the rebellion. Taking in his bastard son was a double edged move, on one hand, he's displaying the ideal that everyone is equal, while also displaying the pedigree & faith of their lineage by having an Aasimar son. 

His father mainly pulled this move because rumors were getting loud about how the family had not fully changed to the nation's new beliefs, and were merely paying lip service to them.

His family is made up of four, his father, the patriarch, a noble turned merchant, who does the bare minimum of lip service towards the current principles of Andoran. He's not particularly corrupt, and by the standards of the previous regime, would have been a gracious lord, but his lack of care towards what used to be the lower classes and particularly his bastard son is a stain on what would be an average merchant lord. 

The eldest son, a man who did his time in the eagle knights, and is now working his way up in the government, hoping to take over his fathers role as the one in council seat, a cold and distant man, one who failed to shed his noble air, and thus only has friends among the nobles, neutral or unpopular among most people.

The youngest son, a shirt chasing fool who is currently a squire for a suffering knight, but one can suppose that the coin makes up for it, he's completely unfit for command and will probably spend the rest of his life wasting his father's coin on cover ups and fine food and clothes

The deceased wife, Cecio's stepmother, a woman who was understandably uncomfortable with the proof of her husbands infidelity under her roof, but who took it out on the neglected child, orchestrating the stealing of his finances, leading to Celia needing to fund his training, all as his father neglected him.

The family enjoyed little change in conditions, as they used their power to gain a large share of the artifact and treasure seeking market, not to mention offering their troops to the eagle knights, meaning they have considerable power for a noble family. It seems the new family tradition is the eldest going into government, and the second eldest going into the eagle knights. 

It seems that Cecio will be the one in the eagle knights, as while all three have gone through knight training, the eldest has firmly gone into government, and the youngest is ill equipped to fight on a serious battlefield, let alone take command and rise to the position expected of him. 

So Cecio works his way up through the Eagle Knights, being sent with the knight he's a squire for to the World Wound, and Mendev. He quickly becomes a full knight, and is granted command over a small group of crusaders thanks to his diligent studying. 

He only enjoys command for a year or two, before he wakes up in Drezden on a stretcher. Only time will tell where he goes from there.

[planet4546b]

image id: tags that read ‘#i am MOSTLY a cartoon fan but i do try to periodically get into other mediums too

#books podcasts live action etc etc

#it's Important that i go do shit like hyperfixate on dracula for a couple months

#so that i don't become the type of adult who would like. run a

"steven universe critical" blog

#if you consume media that is all the same genre and medium and intended demographic

#then you end up forgetting that genre and medium and intended demographics are Things that apply to media

#and the way you talk abt said media will make that fact quite clear’. end id.

a mistake that a lot of people make is being a fan of only one kind of media. that's where marvel fan brainrot comes from, that's where gamer brainrot comes from, that's where anime fan brainrot comes from. you need healthy variety to maintain good media literacy

[boygirlctommy]

thinks about my d.smp ocs

[authorhjk1]

I enjoyed reading about how each member of aespa would suck dick. Could you also do one for ltzy?

Yeji

Whenever Yeji puts her hair in a ponytail, or simply drops to her knees, without any build up, she always has something on her mind. Which is your pleasure. For her, this is all about you. When you tell her to deepthroat you, she does it. When you tell her to drool and choke on your cock, she makes her blowjob really sloppy. She loves to hear you groan her name, when she is about to make you cum.

Ryujin

Ryujin loves to make life difficult for you. Whenever the two of you are home, she almost makes you beg for it. She acts like a beat, always pretending not to like idea of giving you head, even when you offer to eat her out first.

In public, it's almost like she is a different person. She loves to tease you, when other people are around. Letting her hand graze against your crotch, giving you a seductive smile, biting her finger. And when she finally does convince you to let her suck you off in public, which she always manages to do, she pretends to be at home. As if she has all the time in the world, Ryujin takes longer than usual to pleasure you with her mouth. And loud noises are a must. You've almost been caught so many times, just because someone heard Ryujin gag on your cock.

Chaeryeong

She never initiates something herself. Especially not in public. Chaeryeong always acts shy and innocent, when you ask her anything sexual. And most of the time, that's also how she is in bed. Submissive, shy, innocent, embarrassed whenever you can't help but stare at her beautiful body.

And most of the time, her blowjobs are the same. They always start out with her shyly looking at your cock, before slowly wrapping a hand around it and then carefully sticking her tongue out to give you a lick. But sometimes, after her initial innocence, Chaeryeong shows you a slightly wilder side of hers. It doesn't happen often. But when it does, you can't help but let her do what she wants with you. Her blowjob is quick and executed with precision in these moments. No room for error, often fueled by either intense lust, or anger after an argument. Chaeryeong can look scary sometimes, but it that's her way of getting rid of her anger, by all means...

Lia

Lia is similar to Chaeryeong, when it comes to blowjobs in public. With her, you're often the one who initiates something as well. But from time to time, Lia likes to surprise you. Especially on important days, like your birthday for example. And while she is not a fan of public sex, she really likes to give you head, when the two of you are in a safe place.

Yuna

I think it's safe to say that everyone knows how Yuna is. There are barely any smut fics about her, where she isn't a real slut. Which also explains, why she loves to suck you off. Whenever and wherever. Yuna likes to keep it sloppy and loud. Similar to Ryujin. But not because she wants you to be afraid of getting caught, she just can't help herself. She loves whatever position you put her in. During sex, while you eat her out, while she gives you head. She doesn't care. Or rather, the dirtier, the better. Make her kneel, or make her lie on a table, her head dangling off the edge. Use her hair, as a tool to push and pull her onto your cock. Fuck her head against a wall. Yuna would never complain, no matter what you do to her.

[saturnsocoolioyep]

Ultimate Anime Tournament: Round 3, Matchup 32

[demonslayerunhinged]

Unhinged analysis - Sanemi

Why's Sanemi so aggro? (Part 1)

Sanemi is one of the most controversial characters in Demon Slayer and the most misunderstood, along with Obanai. People in the fandom just take him at face value, and it is a disservice to his character. You don't have to love him, but at least try to understand him, his background and how it all contributes to his behavior. So this is a character analysis on, in my opinion, the coolest motherfucker in Demon Slayer. Lesssgoooo!

His introduction

Sanemi's Hashira intro remains one of my favorite in the series. This is because we're fed so much information about him in such a short time.

The first thing we see are the W7s, the uniform belts around his shins, instead of the standard kyahan that other characters wear.

Then we see his back, his white haori which tells us nothing about his breathing style. At least with the others we can make an estimated guess at theirs. The only decoration is the kanji 殺(kill). Which is interesting because it's in the same position as the 滅(destroy) that we see on the backs of other slayer's uniforms.

Then we hear his voice for the first time. His speech is similar to that of a Yakuza member. I'll explain more later.

We then get the first glimpse of our man.

We notice a bunch of things. One is the fact that he's holding Nezuko's box with one hand, which tells us yea, this dude is strong as fuck. Then we see that his uniform is open at the chest, indicating a lack of care for his safety. We see the scars which lets us know that this guy has been through some shit, and he still keeps his chest open??? Nah.

Then we finally see his face and woah! The scary jagged scars, wild hair and bloodshot eyes combined with his rude way of speaking. We come to the conclusion: Oh my God! This guy's a crackhead!

Only kidding! But we can tell that this guy is not to be messed with and from the Jaws music that plays in the background and his signature Hashira theme, we also know that he's going to be trouble for our protagonist.

So let's break it down further with the first aspect of his introduction.

His haori, the kanjis, and their significance

Destruction has a certain impersonal feeling to it, like you destroy bad things not because you want to, but because you have to. Within the context of Demon Slayer, it's no different, the slayers have to destroy the demons because they are a blight on the world and there are no personal feelings about it. We can see it from the way Giyuu almost killed Nezuko, the way he killed Rui, the way Shinobu and Kanao almost killed Nezuko, and the way Zenitsu and Inosuke also killed demons.

Even in this episode where the Hashiras are introduced, their plans to execute Tanjiro and Nezuko show no personal feelings towards the situation, no maliciousness, and no hate. Nezuko is a demon she has to be killed. Tanjiro was harboring a demon so he has to be killed too and something tells me this isn't the first time they had to deal with a situation like this.

Kill, on the other hand, is very much personal and malicious in its intent. It doesn't matter if the target is bad for the world or not. What matters is that the killer thinks they're bad, and that alone is a justification to eliminate them. It's not about duty, it's a want spurred on by hatred, and Sanemi is full of hatred. We can see it from the sadistic way he stabs Nezuko, and the way he laughs at Tanjiro’s pain. Even when he wanted to test Nezuko with his blood, he gives her more unnecessary stabs instead of just simply opening the box.

Honestly, just by the kanji alone, I would’ve been surprised if he didn’t stab Nezuko. A demon can save baby orphans and kittens and sweet little old ladies from a burning building, and Sanemi will still gut the motherfucker.

Then there’s the color of his haori. The haoris, or absence of haoris, of the other characters (excluding Muichiro and Mitsuri) reveal information about their heritage, past, beliefs, and other aspects of their identity that extend beyond their role as Demon Slayers.

Sanemi has no heritage like Rengoku. We’re not given anything that tells us about his past like Giyuu. The kanji for Kill on his haori is in the same position as the Destroy on the standard uniform because, for Sanemi, being a Demon Slayer or more specifically a killer of demons IS his identity. It’s all he cares about, his entire life and the core of his existence. He has a one-track mind, and Kill Demons is the only song playing on a loop.

He doesn’t have time for anything he deems ‘frivolous’, has no special variation to his uniform aside from the fact that he keeps the chest open, and the uniform belts he wears around his legs are probably faster to put on than the standard kyahan.

So from his haori and kyahan alone we can tell that this guy is very strong, very wild and very dangerous.

Extra note: While doing research for this post, I also noticed that Sanemi’s haori is similar to the shirt he wore as a child, which could indicate how much his childhood affected him and how it led to his hatred of demons. Instead of the sleeve stripes, there is now the Kill kanji on the back.

Now let's move onto the other aspect of his introduction

His way of speaking

This part is based on my little understanding of the Japanese language and the research I did. So please don't attack me!

Sanemi kinda speaks like a thug or a Yakuza member. It isn't really noticeable in the English subtitles, but he uses particles and sentence endings that are typically used by men and can come across as rude, unrefined, and uneducated.

He doesn't use honorifics (unless speaking to the Master) when talking to people, even his fellow Hashiras.

He uses sentence endings such as ぜ (ze), ぞ (-zo), な (-na), か (-ka), かよ (-kayo) and だな (-da na) that make his questions and statements sound commanding, rough and forceful.

Not only that, but he often uses words such as:

"Urusee!" - a rough and rude way of saying "Urusai"

"Temee" - a rude way of saying you.

"Ore" - a very informal pronoun for "I"

Sanemi's way of speaking bears a teeny tiny resemblance to the Kansai dialect, which is like the Southern accent in the US. Kansai people are stereotyped as being uneducated, stupid, loud and aggressive.

That's why Tanjiro(bestest boy ❤) was shocked when Sanemi switched up real quick as he was speaking to the Master.

His default manner of speaking, even when it's to those who he likes or is okay with, is rough, forceful, aggressive and sometimes confrontational. It tells us about his personality and most importantly his upbringing or lack thereof.

I'll be going into his background in the Part 2 of this post, I'll also talk about how all these aspects makes our boy act the way he does.

In Conclusion, to be continued?

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[mortal-song]

the problem with tua's ending is that it was IMPOSSIBLE to do without retconning and defacing the themes and characterizations that have been central to the story since the very first episode. if you had to end it that way, if it really was "the plan all along," then fine. there ARE good ways to do that -- so the execution should have been much different here if that was the case. take a look at "the good place," for example. everyone ceased to exist at the end of that story as well, but it was beautifully done because it ADDED to the show's core themes rather than take away from them. tua's ending was hollow and unavailing. at some point i have to commend the precision with which someone can desecrate an entire series and certain characters (looking at five, diego and lila especially) like this.

it made no sense. diego and lila formed a beautiful (albeit chaotic) relationship built upon mutual trust and authentic love that neither of them had ever experienced before. it was something they were teaching each other and learning together. that was a new beginning to them, and it was painted as such by the narrative. at no point were there hints that things would go sideways, no build up. every time they stumbled in the past it was still right back into each other's arms. at no point did their chaos look like an ending until it was shoved in our faces for... shock value? to shake things up? i fail to understand where it came from. they were relentlessly devoted to each other and the only two people who could stand each other for long. and so what became of them was very jarring. very messy.

five's ENTIRE character has been focused on and motivated by one thing: saving the people he loves. to the point that he was willing to let his own humanity become a forgone ideal, a renounced concept, as many times as it took. to the point that he essentially INVENTED TIME TRAVEL and INVENTED THE COMMISSION TO REGULATE IT. five's stoic exterior only barely concealed the claw-grip he had on every single family member, so why forget it now? why choose to go back on that? and in what world would five hargreeves willingly wait MONTHS to return to his family? because he was SUDDENLY in love with lila, no less? forgetting the very apparent fact that his age and body are not in alignment, five had never shown any interest in romance. especially not towards lila. but they do have very similar backgrounds, and so this was a chance to enrich the mutual understanding five and lila have with each other, expand the familial connections they have, especially seeing as how both of them -- in their own ways -- spent most of their life without that sort of connection.

ben's entire arc felt so, so out of place. completely and very ironically isolated from the entire rest of the series. nothing about it was fulfilling, nothing about it offered any sense of closure or even development. jennifer made no sense even as a plot device, much less as her own character. these two brought out nothing in each other.

klaus had the foundations of a good arc, but too much was introduced in too small an amount of time and none of it really went anywhere. i can say roughly the same for allison and viktor. THAT being said, of most of the scenes i did find myself genuinely enjoying this season, THOSE three were usually at the center! in fact, i really did love the scenes with klaus, allison, and claire. so that's cool. i guess. luther? he was just kind of... there?

and ray just fucked off with no explanation? okay. and reginald? until this point he had all the qualities of a potentially VERY GOOD and nuanced villain. his arc fell flat. and let's not forget all the other loose ends, but, you know, we've been here long enough. so. onto the next point.

none of these characters got to heal. none of them ever got to revel in anything meaningful, or, rather, the things that WERE meaningful across the whole series were rendered worthless because... none of it exists anymore! none of it ever existed! this is like an "it was all a dream" ending but much worse. and these characters are so, so incredible. i can only name a few other stories that have had characters i've connected to this deeply. and despite everything i could never really stop loving them. that makes it hurt more though tbh

anyways. i know i'm about to sound incredibly dramatic but the ending made me sob my lungs out. this show was really important to me. it led me to incredible people, other incredible stories, helped me live, etc. but i honestly found myself wishing i'd just never watched this series at all. the ending was eviscerating and Just Fucking Pointless. i don't think i'm ever going to be able to rewatch it. it's still hard for me to conceptualize that it was even real, that this is all we get. there's a lot more i could say about everything, but again, i've said a lot already and i'm not trying to write a fucking novel. i'll say more of what i want to in sporadic bursts i guess.

[lunarliyah]

Juno In Sagittarius people love to travel with their partner. Prefers someone that is out of state and sometimes even out the country. Their obsession with travel and exploring is also a huge part of their love language.

Moon/Mercury

+

Moon/Mars

Both experiencing major headaches. In fact, they get headaches easier than others. If they don’t eat enough or take long periods of time without eating can result in headaches. Being tired can cause headaches. Quicker than normal and typically more painful.

Aquarius placements can be some of the most delusional people. They can lack self awareness. They are be so opinionated on others and what they’re doing. They can try so hard to pick apart what others have going on. As soon as someone says “you” to them, defense mode.

Leo and Capricorns have very similar energy. Both can be very sure of themselves and what they want. Both are goal oriented. Having both Leo and Capricorn in a natal chart, specifically in the big three, makes someone very reliable and independent. (My favorite type of placements tbh lol) Both energy care about how they’re perceived, they don’t do anything without thought. Contrary to popular belief, Leo’s are very calculated people. All earth signs are calculated in different ways of course. Capricorns in particular have a way of playing chess and making sure that they do things that benefit them in the long run. As far as these energies being together in a relationship, perfect match. Leo being a fixed sign, this energy wants to make things work. They are not easy to give up on things and people. They make change happen if need be but only to keep the stability in their connection with others. At the end of the day you can summarize that as being loyal. Capricorns never leave people high and dry. They are straightforward with their ACTIONS. They are honest and if they care enough (lol) they’ll speak up. For the most part, they are showers. They show people how much they care. Which Leo’s loves. A doer, not someone who’s all talk. They’re the show off and the ones doing to talking! Not their partner. Capricorns are also very loyal as well. I personally love love love these two together. Power couple for real. Also makes the best of friends too!

Cardinal

These people are considered the scout. The leaders. What this means is when it comes to relationships, they are more upfront about what they want and what their needs are. They enjoy people to let them take the lead. They are not afraid of pursuing people they want in their life. Romantically or friendship wise. They’re more picky and they are definitely more independent. It doesn’t take them long to move on. (cancers.. yeah maybe a little different but once they’re gone, it no way possible for anyone to get the back) They shoot their shot directly and can even be flirty. They do not beat around the bush at all. They like to jump straight into things. Sometimes this does backfire. Moving too fast into things. Rushing even. Thinking too far ahead. Sometimes they can stress themselves out by thinking too much into the future or may even be seen as bossy. Or pushy even.

(Capricorn, Aries, Cancer, & Libra)

Mutable

These people are more inclined to fluctuate. They love having variety and options. They tend to not sit still, ever. Always on the go. Tend to go well with someone who helps balance them out. They are not the neatest people, yes even Virgos. These people are not that straightforward I’ve realized only when it comes to things they aren’t passionate about. In comparison for cardinal signs, it doesn’t take much for them to pursue anything. These people struggle with finishing project, ideas, etc. They can have an idea that they sit on for days (or forever). These people are very creative though. Don’t underestimate their creativity. They just need that push to execute and consistency.

(Pisces, Gemini, Virgo, & Sagittarius)

Fixed

These will be your most unconvincing, stubborn, my way or the highway type of people ever. They rarely change their minds. The way they’re used to something is how it will be for a long time. How they were raised shows up a lot in their adult life. These people enjoy routine. These people also love the thought of continuous things. These people don’t like forming deep relationships with new people. They will try to make things work. They will be very loyal people. Aquarius is known to be flaky. But they’ll be there for those who give them space and don’t conflict with their decisions and beliefs.

(Aquarius, Taurus, Leo, & Scorpio)

Thank you all for reading. I’m open for doing synastry readings and natal chart readings all week. Make sure to book your reading in my bio. Again, thank you all for reading have a nice day!

[aingeal98]

The thing about Cass is that the law holds very little value to her sense of right and wrong compared to Bruce. She's like oh the government thinks this man should die? Let's break into the execution chamber and break him out. Tim wants to call the police? That's stupid when I can just keep fighting bad guys until I get the answers I need. A assassin hesitates before killing a kid? Projection levels firing high today let's break into the CIA baby.

But then you bring up the one area of life where there are no easy feelings, where everything is complicated and it hurts: Her childhood with David Cain. He shot her for fun and she loves him and he loves her and showed her stars and constellations as a kid and he made her kill a man. And no one will understand that for the longest time the only part of her childhood that felt clearly deep bad wrong was the kill. The rest of it was... Not fine but something she misses sometimes. And no one else will ever understand why because it doesn't make sense to anyone except Cass.

So you bring 17/18 y/o Cass a case of child abuse, especially one that's not as clear cut as physically violent parent, where the father is a good man but a criminal by law, and the mother is cold, neglectful and uncaring, and that's the one time where Cass will rely on the law. David Cain is a bad man because he made her kill. He loved her but he was a bad father because he made her a criminal. Cass sees this man who is a thief (neutral to Cass, bad to the law) who loves his daughter, and her projection levels go through the roof. Yes the woman is abusive but Cass hasn't processed her own abuse. David is bad because he's a criminal not because he hurt her. She can't make the decision who the good parent is. She can't even decide how she feels about her own father.

Except it's not true, she does make the decision. On a different day, one where Cass was not reeling from the revelation of David cain being her biological father, she might very well choose not to let the man get arrested, to help him with his daughter. The law is something Cass falls back on only when her sense of purpose is in disarray. Twice we see her falter, when she let's the father get arrested and earlier in another issue when she puts the man back on death row. Both cases she projects hard, on the death row killer and on the daughter of the thief. Both times she ends the story miserable and with a deep sense of wrongness. She followed the law, she followed their version of justice.

And her gut tells her that this is not right. This is not how things should be.

Cass believes in herself. Cass believes in gut instinct for right and wrong.

Cass believes that she is an evil murderer, not someone who can ever fully belong with the actual heroes. There is something rotten inside of her, and when the situation is too similar, when she's reminded that she was raised to be a killer, a weapon who can never truly be good, just desperately trying to prove herself while feeling she never can...

Cass deferres to the law. And she hates every second of it almost as much as she hates herself.

[puckleberryfinnie]

hii loved ur duke dennis fanfic! could u pls write something similar but about fanum :) thank you so much 💜

AHH YES FOR SURE!! thank you for sending this cutie I absolutely love fanum right now and i'm soso glad you liked the other one <33

fanum x reader thoughts!

You guys meet at the most random spot- I'm thinking like a restaurant or something similar. He's ordering something and you give him a recommendation- BOOM he's in love with you instantly.

He lovesss treating you with expensive things. You mention wanting a new bag? There's three at your door the next day. But when you thank him he starts getting all goofy and sly about it (he loves seeing you happy omg).

He WILL still steal your food sometimes, but more gently than with other people. That's how everyone knew he was in love. One time his chat went crazy when you told him no to eating your burger one time on stream and he proceeded to just take a small nibble before giving it back to you.

FOOD. DATES. You two are always out and about trying new things and just having a fun time.

You two adopting another crazy animal together and raising it as a team while streaming. Chat is legit just watching him fall in love with you while you hold and feed your animal child <3

He can get so goofy around you at times. You both just push each other to be completely insane when you're together and it's really funny for everyone around you.

That also means that he gets really calm when he's around his friends, then. Sometimes he'll be so worn out from spending the day with you that he'll fall asleep right on the living room couch. Ultimately, all his friends love you for this!

OK I HOPE THIS IS OK ENOUGH <3

request are wide open for anyone who'd like something different!! I can do something more specific and longer too if ya'll have any ideas you want executed (though I can't promise it'll be very good sadly lol)!!

LOVE YA!!

[7ndipity]

Them With An Autistic S/o

Ot7 x Reader

Summary: How the members would handle/react to their S/o being on the spectrum.

Warnings: Mentions of sensory issues, feeling over/under stimulated, depression, meltdowns, stimming.

A/N: Thanks to the lovely anon who requested this! This is a list I’ve actually wanted to write for a while, but I’d been slightly nervous/unsure about it. But as someone who’s also on the spectrum, I know how much comfort similar posts from other blogs have brought me! I also tried to keep this one a bit lighter, since someone asked for a separate list about meltdowns/shutdowns, but if there’s any specific reactions/hcs like this that you guys want, let me know! (Please note that these are based off my own knowledge/experience, so I’m sorry if they don’t fit for everyone)

Masterlist

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Jin:

I feel like he’d be slightly confused and worried at first because he’s not sure what to do/how to help you, but once you explain a bit more, he gets a lot more comfortable, and really is such a good caregiver when he needs to be.

Catches onto your different stims pretty quickly and what each one means.

Like, y’all have whole conversations solely through funny little hums and stim noises.

Really good at reading and matching your mood/energy. You wanna talk about the Mayans nonstop for two hours? Cool! You want to just sit silently and do nothing? Also cool!

He’s really good at normalizing your symptoms and making them seem like nbd(because to him, they aren’t) Food sensitivities? He’s got them too! You hate loud noises and crowds? Same Honey, let’s get the fuck outta here! He knows they’re not quite the same thing, of course, but if it makes you feel more comfortable and safe being your true, unmasked self with him, then that’s all that matters to him.

Really good at calming you down when you feel overwhelmed or on the verge of meltdown.

Does his absolute best to bring your mood up whenever you’re struggling or feeling really down, pulling out his best dad jokes(even if they don’t make sense to you), bringing your favorite snacks, etc.

Yoongi:

I think he would handle it really well. Does his research after you tell him, and asks you about it casually during dates/hangouts.

So fucking respectful of your boundries. If you prefer to have your own space, he’s totally fine letting you do your own thing. If you need more closeness and cuddles, he’s all over that too, letting you sit right next to him while he works.

Not only lets you rant about your special interests, but makes the effort to take interest in them and asks questions. Randomly buys you little things related to them.

He’s so calming and soothing when you’re feeling stressed or overstimulated, understanding whenever you randomly need rest or quiet time(stress nap buddies)

Keeps things like extra sunglasses and headphones in his bag for you, just in case you forget yours.

Would have a lot of fun if you have audio stims, letting you listen to his new songs because your reactions and enthusiasm are so cute to him. Makes you panning audios as gifts.

Always there to look out for you whenever executive dysfunction decides to kick your ass. Washes the dishes, doing the laundry, restocking your safe foods, etc. He would also be really good at body doubling.

Hobi:

I honestly think he would be really good with an S/O on the spectrum. Like, he literally designed Mang, who is soo ND coded like omg😭, so I think he would be able to understand you really well.

(if you haven’t seen the videos of him talking about Mang’s personality and character traits during the re-design process last year, pls go watch them, I almost cried)

Loves buying you new fidgets and stim toys whenever he finds new ones to try(he even has a collection of chewlery that he wears bc he thinks they’re neat).

Is really good reading you and distracting you when you start to get overstimulated or anxious, sometimes noticing before you do.

Lowkey protective over you in spaces and situations he knows are stressful for you, positioning himself next to you whenever he spots things he knows bother you.

You know how Yoongi described him as a vitamin? That’s how it is for you now too.💛

He’s so stimmy himself, so he would find a lot of your stims really relatable and endearing. Like, if you start happy stimming, he can’t help but join right in, bouncing or squealing with you. It makes him so happy that you feel comfortable enough with him to share those parts of yourself with him.

Namjoon:

Instantly super supportive when you told him, making an effort to research on his own, as well as listening to your personal experiences to understand as much as possible.

Happily sits and lets you info-dump about your special interests. He honestly loves seeing you so passionate and animated about whatever you’re talking about and loves getting a glimpse into how your mind works(it was probably during one of these moments that he realized he was in love with you)

Surprisingly good pebbler, he’s always finding cool rocks or shells for your collections.

Doesn’t mind speaking for you on days when you’re nonverbal.

The sweetest when you’re feeling overstimulated. He closes all the curtains to make it dark and cozy and sits with you, talking as softly as needed or not talking at all, tapping your hand gently now and then to let you know he’s still there.

Soo protective over you, almost to a fault at times. Like, you might have to scold him once or twice about babying you, but he really doesn’t mean to, he just wants to make sure you’re safe and happy.

The world feels a lot less scary tho with him next you. You know if you need anything, he’s got your back.

Jimin:

The softest boi🥺 He was honestly a little scared when you first told him, because he didn’t want to do anything wrong and was worried he wouldn’t be ‘good’ at looking after you, but he quickly relaxed and grew more confident as he learned more from you.

The best comforter when you’re feeling overwhelmed or depressed, full of quiet reassurances and long hugs(if you’re okay with those). He’ll gladly cuddle with you under your weighted blanket for however long you need to feel better.

Literally set up a little “nest” for you at his place with a like beanbag chair and your favorite types of blankets/pillows, so you have your own place to just ‘be’ and recoup when you need it.

Carries fidget toys and sensory aids like sunglasses and headphones with him at all times, just in case you need them.

Really good at communicating with you on days when you’re nonverbal, whether through texts or little notes(which he always adds little doodles on to make your smile😊)

Makes sure you never feel guilty or like a burden to him for letting him in on those tougher days. If anything, they make him love you even more because of the trust you have in him.

It really makes him feel so proud and happy inside that you find so much comfort in his presence and that he gets to take care of you.💜

Taehyung:

Another that I think would be particularly good with a neurodivergent S/O. Like, everyone jokes about how he’s weird, so I think he’d love that you’re both your kind of own unique kinds of ‘weird’.

Happily rewatches your favorite comfort shows/films with you, and speaks in fluent film quotes with you.

Loves when you fidget and stim with his hands or fingers.

If you like pressure stims, he’s a dream come true. Like, the man’s a living weighted blanket, so when you basically give him a doctor's note for cuddles? He’s never gonna let you go.

As relaxed as he might come across sometimes tho, he’s super observant of your stims and triggers and takes it so seriously whenever you start feeling overwhelmed or stressed.

It doesn’t matter where you are or what you’re doing, if you need a break, he’s getting you to a quiet place where you can sit and just recalibrate.

Rivals Jin and Yoongi for top spot in the acts of service department on your bad days, making sure you eat properly, doing any household chores that need done. He even learned how to wash your weighted blanket so you don’t have to.

Jungkook:

Was definitely a little lost and overwhelmed when you first explained everything to him, but he really takes it in stride and tries to learn as much as possible to help make things easier for you where he can.

The King of comfort squeezes. Like you’ve seen his arms, he gives the best hugs, I just know it(especially on those “the weighted blanket isn't enough, I need a hydraulic press” days)

Loves learning about your special interests. Like, It’s no longer just your special interest, it’s our special interest. He’s even studying and finding things for it on his own to surprise you with.

Honestly plays with some of your fidget toys more than you do, lol! You might even end up giving him a few of his favorites😊

Gets super happy and smiley whenever you get echolalia of his songs.

Another member of the protective squad, ain’t no bad stimuli getting to his baby if he can help it!

The gentlest with you when you're overstimulated or having a tough day. Anything you need, he’ll do without question. All he cares about is making sure that you feel safe and comfortable🥺

Taglist: @sopebubbles-replies @btsw1fe @this-must-be-my-tardis @whitefoxgirl @bethanysnow @coffeedepressionsoup @main-bangtansmauyeondan @feminympho @a-gayish-unicorn @dfqcsqueen @mother2monsters @captainorangegoose @k4ngelz

[entropicbias]

do you think people need to be at least naturally good at something to ever become great at it or to ever create something of worth. like even if they work hard at it forever they just cant do it

here's some doodles of jade before i answer this question. uh, no. this is a shitty way to think! i mean, sure people can be naturally good at things and it gives you a leg up, but thinking you can't achieve something because you weren't born perfectly good at it is not a good mindset.

i mentioned how i am a practicing cardist, but i have quite small hands. now, if you don't know, that's like a huge genetic disadvantage when it comes to cardistry, cause i have a lot of struggles performing one hand shuffles like the thumb cut or the revolution cut. basic moves that i just struggle so hard to execute. but, and if you're in the cardistry space you'd know that people are very heavy on the fact that you can overcome the issue with practice and determination.

unless you're being judged competitively at magic olympics, cardistry and magic isn't all about how "correct" you execute a trick, it's about the performance! so if you can find workarounds, and there are always gonna be some workarounds, then you can totally shit out a decent trick! magic is a spectacle, the value comes in how you present it, and the attitude you have presenting it. you don't have to be on houdini's level, sometimes just being a shitty ladbible skit is honestly good enough. there's a beauty to being crap at things as much as there is being good at things. or being just decently good. and it's similar to comedy in a way too.

there are so many people in this world that will hate you or love you no matter how good or bad you are at something. as long as you have the can-do attitude, you can do whatever you want. i saw this image earlier about progress, and how progress is different for everybody. you can have slow progress, quick progress, or it can vary from slow to quick. and the rate at which you progress can also be different for everybody or different things you try to learn. but it can never halt completely unless you give up in yourself.

so, don't! when i was growing up, i saw this one video of a girl three years younger than me painting beautiful intricate anatomically correct portraits of jesus from age 3 and i looked at my shitty undertale art and thought "holy shit i'm fucking ass" but did that ever stop me from drawing? no! and honestly, i have not improved much since! but i love to draw, and even though my friends are better and much faster than it than me, i still love to do it!

anyways, thanks for the ask, even if it might be a spam ask cause i've been getting those quite a lot.

[c-rose2081]

Spring Unsprung but when the Storybook of Legends got thrown down the well it actually switched around everybody’s destiny and Briar gets a villain arc similar to how it was when they went to get the pages for Giles.

Apple and Raven swap destinies, Ashlynn becomes the huntsman and Hunter is a hapless young prince, Faybelle becomes the next Sleeping Beauty, while Briar is given the wild power of the Dark Fairy with no intention of fixing what she caused out of fear of her destiny.

The only ones who manage to figure out something is different are those who maybe don’t have clear destinies, Dexter, Darling, ect. Or those who don’t really have anyone to swap with, Cedar, Blondie, ect.

I dunno, just thoughts. I also just really love the idea of Briar getting dark fairy powers and just going completely bonkers with them to try and stop her destiny from coming true (good intention, poor execution)

[yanderes-galore]

Hi, could you please do a yandere platonic darth vader? Thank you!

I can try, sure! If something is OOC, I'm so sorry, I still struggle writing Vader.

Yandere! Platonic! Darth Vader Concept

Pairing: Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Kidnapping, Isolation, Brainwashing, Overprotective behavior, Violence, Murder, Forced companionship.

Vader, or even Anakin, would not be the best father.

If things didn't go wrong, he'd probably be loving to his kids.

Yet at the same time, he'd just make an action at some point to poison that bond.

Vader was under the impression his wife and child died.

Which made him who he is now.

In reality, he had three.

Luke, Leia, and you.

He never found out about any of you until much later.

I think it would be an interesting idea if you took a different path than Luke and Leia.

Like, maybe you went to help them during the Death Star and had no idea they were your siblings. (You could just have been raised beside Leia as a childhood friend or something or found them later)

Unfortunately, however, you end up being taken captive by Vader.

Which leads to Vader finding out you're his kid...

Which begins the obsession.

I'm assuming he knew you were his kid via looks and feeling drawn to you (The Force).

So, as OOC as this may be, imagine this...

Vader decides to keep you alive instead of executing you in order to "parent" you.

You hate him yet Vader feels you're a second chance.

This is before he even knew Luke was his kid.

I imagine it would be similar to when Vader said he could convert Luke to the Dark Side.

To protect your life, he'd tell Palpatine you could be useful in tracking Rebels.

Granted, you aren't going to like his plans...

But as a prisoner, your say doesn't matter much.

It would be even more interesting if you were capable of The Force, too.

Vader might've made you either an apprentice or had you help him in other ways if you were.

It's a hard pill to swallow when you learn the real reason Vader took you in.

He's your father.

Even then, you still struggle to play nice.

Knowing he's your father makes you feel sick.

He's never too affectionate, like he's unsure how to approach you.

Yet he teaches you and garners your obedience through manipulation and fear.

He's a quiet man, the only way you know of his presence is his breathing.

He doesn't expect you to like him, even after the truth.

He doesn't expect mutual love, either.

You make him conflicted... reminding him of his one true love.

Again, you may not care for him, but Vader shows he "cares".

He finds time to train you, he gives you Stormtroopers, he protects you.

He does strange little things that one could consider caring or attentive...

Yet you're so separated from one another that it doesn't mean anything to you.

Vader may view giving you guards as protecting you, but to you they're just wardens.

If Vader could ever will himself to say he loves you, it means nothing to you.

He's not a father to you.

Even if he tried he simply couldn't be.

Vader would end up brainwashing you as his captive.

He does everything he can to make you forget the Rebels.

He may not even tell you about your siblings, just to make it seem like he's your only familial connection.

Eventually you don't have to be kept as a prisoner.

He constantly gives you the option to be something more if you just listen.

He does his best to convince you he cares.

You're the closest thing he has to what could've been.

Luke and Leia want him dead.

Yet he's messed with you enough to confuse you.

Eventually, well, what other choice do you have besides joining him?

He's your father, he cares about you...

By now, he's all you have.

He'll train you to hunt Rebels, to be on his side.

He defends you from Palpatine, keeping you under his wing.

He's not afraid to kill, for both his cause and you.

If he killed in your name, he justifies it.

He tells you it had to happen.

You've seen him kill rebels, friends, those you considered family...

And he tells you it's necessary.

You aren't like them.

Rebels are not the good guys, you belong beside your father.

He'll ensure you know that.

He'll make sure you never stray from him.

That alone is another motivation for him to sear through the flesh of another Rebel with his saber, glancing back to make sure you watch.

You'll never leave his side.

Even if he has to lock you away, it's to ensure you stay with him.

So he never loses another one he loves.

Vader himself knows he's not a good man.

Let alone a good father.

Yet you both know he's your father...

There's no one else you can go to now that he has you.