#i just have.. feelings about doing theatre

[gay-dorito-dust]

I’m obsessed with Beetlejuice now, and the original film came out in ‘88, so that means Ford didn’t get to see it. So what if the reader, after he came back, asked him to the theaters to go see a rerun of it? And ofc he says yes, but it doesn’t click until a little bit later that he basically just agreed to go on a date with you

Halloween was a beloved holiday to the townsfolk of gravity falls, for you however your favourite part about this was that the local movie theatre would host reruns of beloved movies, but not more beloved to you then the movie Beetlejuice.

You’ve watched it countless times and countless times more when the theatre first started doing their re runs, so much so that every summerween and Halloween the employees had come to expect your arrival without fail. You were pretty certain you were single-handedly saving the theatre with your constant visits but you didn’t care, for as long as they kept the tradition of keeping Beetlejuice on their list of reruns, you would be there to throw your hard earned money at them.

So when you found out through Stanley that Ford hasn’t ever seen Beetlejuice due to…certain circumstances that he had just gotten out of, and finding it criminal before deciding to take matters into your own hands as you quickly ventured into Ford’s room; completely forgoing knocking as you found him sat on his bed reading a book…well was before you burst through his door, triggering him into reaching for his gun that he kept on the bedside table out of instinct.

‘Y/n you scared me my dear.’ Ford said in relief as he sets the gun back down on the bedside table.

‘Sorry Ford but I’ve got something really important to ask of you.’ You said as you rubbed the back of your head sheepishly.

Ford sets down his book to give you his full attention as his kind, wise eyes looked deep into your own. ‘Ask away my dear.’

‘So the theatre is playing some reruns of some movies for Halloween, and I was thinking if you’d like to come with me, tonight?’ You asked as you found yourself playing with the hem of your shirt out of nervousness, hoping that you weren’t bothering him by asking or preventing him from doing something important.

Ford on the other hand only smiled wider at your request, feeling a warm, fuzzy feeling within his chest that he wouldn’t acknowledge until after your minor interaction. ‘I don’t see why not, I would love to join you tonight my dear.’ He agrees and your eyes brightened as you exited his room, poorly concealing your excitement, as he heard your celebratory yell of ‘yes!!’ from inside his room. He was happy that you were happy, however you wasn’t the only visitor Ford has that day as soon after, Stanley was stood at his doorway with a smug look.

‘Heard you agreed to go on a date with y/n tonight.’ Stan said, Ford furrowed his brows.

‘A date? When did I-oh’ then it hit him, when you asked him to accompany you to the theatre. He assumed that you meant as a family outing with the kids and Stan, only to remember that you didn’t mention the kids or Stan but only yourself and him. Poor Ford must’ve looked red as a tomato as he buried his head into his book, much to Stanley’s amusement as he cackled, holding his sides while his face became beat red.

‘Have fun on your date! Make sure you give me all the details when you get back lover boy!’ Stan cooed as he left his flustered brother, who was now ripping apart his wardrobe in hopes of finding something nice to wear for your date tonight. ‘Y/n is going to eat him alive.’ Stanley added as he high-fived Mabel on his way towards the living room, the two of them having succeeded in masterfully pulled off the greatest match making of their lives.

[m0chisenpai]

Could you consider doing a fwb reader who refuses to be with them because she thinks that they are so toxic (but they are pinning over her HARD because i like my men obsessive over me)

(also i said "they" because i didnt knew who to pick 😭 but this just screams lestat or armand)

The hunt

˚｡⋆ lestat de lioncourt x black!fem!reader x armand

in which neither lestat nor armand can keep their eyes off box one

You joined the theatre after watching your maker burn to a crisp. Truth be told you would have done him in yourself had they not stepped in.He was ancient and delirious. You posed as his distant relative, some nights you were his niece, other's his heiress bastard. And in return you lived a comfortable life of luxuries.

Though you had to bear his unwarranted advances. His unwanted pet names, it all made your skin crawl. Tonight he said he needed to attend to his affairs, leaving you to explore the city. You made unnecessary puchases on his account. New gowns, jewels, head pieces for the upcoming season

When you arrived to your Paris manor to find it in shambles and the man burning amidst it all, all you could do was sigh and use his flames to light the cigarette while you watched him turned to ash. They were a gift from an ambassador. New unlike the tobacco pipes which you hated. You hardly flinched when the carriage boy screamed for help.

What were you to do now? His accounts were already settled in my name, but I liked this home.

"Your maker is no more fledgling" his presence startles you, but you stand your ground against the elder. Honeyed eyes watching yu concealed behind false glasses.

"I can see," you tap the ashes into the flames.

"He violated the ancients laws. He disrespected my coven."

"Coven?" Now he has your attention. You step up to him. "He never told me about laws, or others. Just said to tell him if I saw any more of us in the shadows."

He knows. He searched your mind fromt he shadows. Watching you shed no tears for your maker. All you could think of was no longer having to deal with him anymore. No longer were you forced to share his coffin, feel his disgusting hands. Armand felt your disgust, it churned his stomach.

He saw himself in your eyes. A hunger to learn more. He holds his hand to you, "come. Join us. And I can gurantee you will not suffer the same fate."

You stare at his hand, discarsing the cigarette next to you. "Will I truly?"

"Yes, come." There was a softness to his voice. You brought a nuturing side out to him he never knew was there. As he guided you back to the theatre, not once did his hand leave yours. You would spend the first night in his coffin, just in case he did try and kill you.

Armand presents you in front of the coven the next night. You found them off putting, but you would grow used to their presence.

"Lestat De Lioncourt, one of our actors and founding members," you bow your head to him but he takes your hand in his pressing a kiss to your hand.

"Will this beauty be joining us on stage Armand?"

"No, she will observe with me for the time being until she finds her place."

"Ah maitre, it is sin to hide such a beautiful face." He flashes you a cheky smile which you quickly brush aside.

"And I hope you put that charm to use on stage Mr Lioncourt" you retort stepping back beside Armand.

"You have a bite in you fledgling, don't lose it."

French boys. You can only shake your head.

They were all the same. Flowery words, thoughts of lust and poetry. Philosophy. Bu this blonde beauty, this one was different. No thoughts of heaven or hell, evil and good. No his thoughts intrigued you.

The first year you find yourself being a production assitant of some sort to Armand. You have your own quarters in the theatre. Filled with your gowns, jewels, your riches. You offer him input in changes, or adjusting scenery his scripts when need be. Always sitting in box one of the performances.

He won't admit it outloud but he felt you were the fledgling he was meant to make. Not your old maker.

His affections grew into something else. Was it romantic? No, vampires felt more than just human emotion. This was supernatural. Primal. As he sat in the box, he watched your gaze upon Lestat. You sat up straighter eyes wide with pride.

He wanted you to look at him like that.

"He's off script again," Armand clicks his tongue, he looks over to you.

"Yes, but don't you think it sounds bette this way."

"It would had he done it during rehersal." His eyes watch as your fiddle with the cuffs of your gown. He takes your hand into his own, now he has yoru eyes which look up at him.

"Yes?"

"Nothing, I just wanted to see your eyes for a moment fledgling."

"Are you growing soft Armand?" You smirk up at him, sitting up and tilting your head as to suggest you were to kiss him which he anticipates.

"The next act is starting" you whisper situating yourself to watch the performance. His eyes open, looking now to the stage, where Lestat bows smirking up at the box as you stand to join the applause.

You pace back and forth in front of Lestat who reads from his script. The coven look as dead as their hearts, the poor diva couldn’t get his line. He had been slacking lately as death, and he needed to improve for the upcoming performance.

You wouldn’t admit it, but he played death well. He was as vicious as death. But you needed death to have romance to it. Death was as beautiful as he was fearsome.

"Come now Lestat as though you are in love!" you exclaim. He reads the lline again but it sounds more...harsh than loving.

"Lestat surely you bedded enough women to know how to speak sweet love. Speak as though you wish to lure her, to drink her lust and her blood." You look up at him, he looks down upon you and in one big swoop pulls you to the stage.

"My bounty is as boundless as the sea," he whispers it tenderly, his hand cups your cheek the other srill holding the script in hand.

"My love as deep; the more I give to thee,The more I have, for both are infinite." He is closer now. "How was that?"

"Better, now do it with your bride of death tonight." You whisper Walking past him into the wings.

Armand can't help but watch as you write at your desk, beside the new set of perfumes and fans he gifted you. He watches your lips move slowly. Your french has improved with hsi assistance. bUt you slip up, speaking in oor dialect as he calls it.

He feels a presence all too familar behind him.

"Shouldn't you be practicing your lines, puce."

"My apologies maitre," Lestat speaks in false humility bowong his head. "I wished to practice them with-"

"Unnecessary. I will be speaking with her performances and coven matters.”

“Ahh yes,” Lestat hums. Taking a bold step to stand beside Armand, who continues to watch your hand move with quickness across one of his scripts.

They don’t know, but you listen. You hear their thoughts. Desires to have you as their own. You know it. Felt it the moment both men entered your lives.

But no longer will you be held captive by another man’s desires. No, the fates of their hearts shall be in the palm of your hand this time. You give them your eyes looking at them now.

You smile, Lestat happily returns it. Armand merely bows his head to enter. He clearly has told Lestat something because he is gone in an instant.

For now, you’ll indulge them. Let them think they are winning. t’s fun when your food is unaware. That is what Armand tells you during one of your hunts. It makes the blood sweeter, and the hunt more invigorating.

Thus begins the hunt.

[wangmiao]

An Incomplete History of Zhang Luyi & Chen Minghao's Friendship

Do you like Pangxie's chemistry in Tibetan Sea Flower? Do you feel that they are really old friends? Besides the fact that Zhang Luyi and Chen Minghao are very good actors, they are indeed old friends, and the earliest record that I can find of them working together dates back to 2006. However, CMH was in the 1996 class of acting at the The Central Academy of Drama, while ZLY was in the 1999 class of directing at the same university, so I figured they definitely got to know each other before 2006. So more or less, on Chinese social media, people usually assume that they've been friends for almost 20 years.

Before I dig into the history, I want to mention that some Pangxie scenes are actually improvised by ZLY and CMH on set. CHM has played Pangzi several times, and is insanely good at it, so he knows about Pangzi and the character dynamics inside out. While ZLY is new to the DMBJ universe, he did read all the DMBJ novels before the filming of Tibetan Sea Flower, so he has very insightful understanding of the characters and relationship dynamics as well.

For example, according to an interview of the director, this iconic & funny "拜年/new year's greeting" scene in episode 6 was improvised, and the director just decided to keep it in the final cut. In a BTS footage, Pangxie putting peanuts on Feng's very wrinkled test paper in episode 9 was also shown to be something that ZLY and CMH came up with during rehearsing.

The History

In the first paragraph, I mentioned that they went to the same undergraduate university. Another thing that connects them even more is that they went to the same graduate school - Peking University's School of Arts, and both have the master's degree in arts. ZLY fans sometimes just endearingly call CMH “师哥/shige" because of all of this.

In 2006, ZLY and CMH were in the stage play 琥珀/Amber. Here are some rare photos of 26-year old ZLY and 31 year old CMH LOL:

Both of them continued to do a lot of theatre works, some tv/film roles, and also attended grad school in the coming years. ZLY got his breakthrough leading role in 2014, and started to lead in shows/films.

In 2016, ZLY and South Korean actor Jang Hyuk starred in the drama 新海/New Sea, and CMH was seen sharing the following scene with ZLY. Unfortunately, due to China's ban on South Korean entertainment content in the same year, this drama will probably never see the light of day.

Then, I think some of you already know this, in late 2016, CMH directed the stage play Big D, and ZLY was his lead actor in this play. According to different news articles, the tickets of this play were sold out in either 5, 7, or 8 minutes (LOL no idea why there were such discrepancies, but they were sold out within 10 minutes for sure).

In 2018, they appeared in The Sound which is a very good variety show about dubbing. Celebrities were asked to dub domestic and international shows/films (sometimes in both Chinese and English) to show case their voice acting skills and language skills. What's really funny is that ZLY is one of the typical introverts who can be a clown when he's surrounded by people he's familiar with, but once you put him in an unfamiliar environment, he gets nervous and shy. So after he and CMH entered the room together, he just naturally and subconsciously stood right beside CMH, the one he was most comfortable with, even though he was supposed to team up with another actress (who was off screen). He got really confused for a minute when all the other guests and hosts were questioning why he didn't stand beside his teammate LOL.

Both ZLY and CMH are really very low key actors in c-ent, so you don't see them in public events a lot. The last time that they were spotted chatting in public was during the premiere of the movie Under the Light last September.

Anyways, thanks for reading! I hope this can bring some insight into their friendship. You can tell they are just so comfortable with each other, and shooting Tibetan Sea Flower seemed to be such a fun experience for them. I hope they get to work together again soon in the future!

[talenlee]

Game Pile: Kentucky Route 0, One of Three Games About America

Script and Thumbnail below the fold!

Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.

I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.

It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.

A story I haven’t finished.

See, I don’t feel like playing Kentucky Route Zero Act V.

Sit down, traveller. Let me tell you a story.

There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.

This is the story of when someone perfectly represented something, and probably never realised it.

You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.

To this, an actual adult responded with:

This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.

Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’

What does it mean to be ‘actually American?’

America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.

We watch so much American TV.

We listen to American music.

We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.

America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.

This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.

What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’

I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.

‘about three games that are actually American.’

This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).

This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.

This is because America America isn’t real.

‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.

I could go on.

I really could.

This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.

And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.

The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:

The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.

This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’

Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.

For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.

None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.

Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.

Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’

[fade for credit text]

By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.

[thehollowwriter]

Ok so since i love sad but bad boys i'm gonna ask blaze for your event-

How about reader(gender neutral or fem your choice) who is blaze's childhood friend and tries to make him realize what his mother wants is not what he wants

Thank you! (☞ﾟヮﾟ)☞

Hi! Sorry for the late reply! Yaaay a Blaze ask <3

Warnings: None. Word count: 520

(Pls reblog and leave a comment ♥️)

Art by @/moonyasnow

Choose

Blaze sat on one of the rocks closest to the shimmering water of the sea, throwing and catching a smooth, circular rock as he stared at the horizon. It was painted with beautiful purples and oranges as the sun gradually dipped down to welcome the night, giving Blaze at least something to appreciate on this shitty shitty day.

"You should get in," you said to him from your spot within the water, your tail flicking back and forth happily. "The water's wonderful."

"No." Blaze muttered. He didn't feel like changing forms right now. It was such an exhausting process.

An awkward silence reigned for a moment. Blaze kept throwing and catching his rock. Eventually, you spoke. "Your mom again?"

Blaze didn't answer for a while. He stopped throwing the rock and stared at it, turning it over in his hands.

"...I didn't get a main role in our theatre production." He growled out after a while, his voice softer and rougher than usual. "Not even a side character. I'm... 'too wooden'. Mom says she's wasting money and time on me if this is what she gets back for all those acting lessons..." He put his head in his hands. "I'm tyring. I'm trying so hard, but she just doesn't care. Now she wants me to do lessons and advice from Vil fucking Schoenheit."

You didn't say anything for a while. The same string of thoughts you always had every time Blaze mentioned acting flooded through your mind.

'You shouldn't have to be an actor,' you wanted to say, 'Do what you want. Don't you want to choose what to do with your life?'

You rarely did, though. He got so upset every time. But a question on the tip of your tongue escaped before you could stop it.

"Blaze," you said before you could stop yourself. "Is acting what you really want to do? It's more your... your mom's wishes than your own."

Blaze glanced at you, then threw his rock. It skipped across the water before sinking below the waves and into the ocean's depths.

"Of course it's what I want!" He hissed venomously. "I don't even like Alchemy that much. It's just an interesting subject!"

You drew in a breath, refraining from pointing out that you never mentioned alchemy.

"But you don't like acting either." You insisted. "You always hate going to classes. You said you wanted to be in a different club too-"

"Because I hate hearing Vil talk like he's all that when his daddy's money gave him everything! I would like it if that bastard wasn't there!"

You grinded your teeth. "Blaze, you've never been happy about anything to do with acting. You don't like acting. This isn't what you want, Blaze, it's your mom who-"

"Will you shut up?" Blaze hissed. "I'm going to be an actor, and I'm to be Vil Schoenheit levels of famous! You can either support me like a good friend should or get lost."

There was a long pause.

"Okay, well," you said, hiding your hurt. You picked up a smooth circular stone of your own and threw it in the same direction as Blaze threw his. It only skipped a few times before sinking. "Best of luck."

A heavy silence reigned between the both of you. You stared at Blaze. You stared at his face, the way his jaw set in a grimace, and the way his eyes seemed to water.

He could do so much more, be so much more, but he didn't want to. Or he didn't think he could. It hurt to see. But you stayed silent.

You disappeared into the water and left Blaze to sit on his rock. Alone.

-End

A/N: I hope you enjoyed reading! Blaze is a bit mean, sorry :(

Tagging: @distant-velleity @br3adtoasty @rainesol @theleechyskrunkly @jovieinramshackle

@galaxies-and-gore @cyanide-latte @cynthinesia @officialdaydreamer00 @krenenbaker

@offorestsongs @kitwasnothere @elenauaurs @boopshoops @inotonline

@1dont-really-know @kazumify @minteasketches @elysia-nsimp @skrimpyskimpy

@casp1an-sea @offorestsongs @tixdixl @poisoned-pearls @the-trinket-witch

@ramshacklerumble @ghostiidasponk @thegoldencontracts @the-banana-0verlord @cloudcountry

@skriblee-ksk @twstinginthewind @lumdays @theolivetree123 @natsukishinomiyaswife

@authoruio @jewelulu @raguiras @honeynclove @moonyasnow

@skibidibabygirl @paperclvps

[necrotic-nephilim]

after seeing the poll about who in the batfam could be Deaf, I am now obsessed with how the masks could affect their sign. If they use their signing space differently when in the vigilante persona or not. Signing is so distinctive to each person that the code switching they do would be interesting to see play out in their ASL. Also thinking about what family signs the family would use to refer to batshit things in their lives. q

YEAH YOU GET IT.

(the poll in question) i am deeply fascinated by the mechanics in which Deaf culture could play into the Batfam. bc most of them are wearing masks that would heavily inhibit ASL (given ASL is an expressive language) so i think it's more likely they'd use something akin to Makaton or Military Hand Signals that are not a fully developed language, but a communication aid, with a given set of signs for the typical things that need to be communicated in the field. meanwhile they'd be more likely to use ASL casually. (i'm unsure who all in the Batfam is confirmed to know ASL, but i know at the very least Bruce and Tim are)

i'm also very drawn in by the idea of other firms of assistive communication/tech used aside from just ASL. i personally find it believable that the masks of any of the Batfam could include automatic captioning tech that only they see through the inside of the mask, similar to captioning glasses at movie theatres, if they were Deaf/HoH. also how you would modify the concept of comm links to be more accessible, potentially projecting the message visually through the person's mask or maybe a wrist communicator sort of situation, depending on their personal preference. how the Batfam in general would interact with each other if one or multiple of them were Deaf would be heavily shaped and i think it's so fun. and i *love* the thought of personal signs they'd have to come up with bc well, ASL is hardly equipped for their lifestyle. also fun to consider sign names and if sign names are unique to the person or unique to the mantle. (eg, would the sign name for Robin be specific to which Robin, or just the mantle at large) there's so many little things that would change and i just think it's Neat. most people are approaching the poll from the perspective of their character of choice having hearing loss from vigilante work (which is a super valid way to approach it and i love those headcanons) but personally i find it fun if the deafness is a pre-existing condition and already something the Bat has been dealing with for years and thus approaches vigilantism needing to modify their gear slightly from the standard norm. how they could influence how Bruce trains them, emphasizing other senses. how they'd likely be far more tactical on the field, pressing their hands against something to feel for noise, ergo their gloves may be designed to more easily pick up vibration. (cannot tell you how much i do that irl) whether or not they'd hide it from the larger hero world is also an interesting question. it's all a fun internal struggle as well, internalized ableism and all. so much you could do with it!!

[paintedcrows]

Assorted Gravity Falls doodles!

[grxceful-ly]

peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 

[averlym]

some very very quick costume shorthands!

[futurewife]

I kinda needed that movie on a personal emotional level

[www-pinkhearse]

I’m sorry

[talentforlying]

one of these days i'm going to write up all that i've changed from azzarello's bullshit era and the one (1) piece i've kept from milligan (and also changed) and the only thing currently stopping me is that it is going to be so, so inside-baseball incomprehensible. and i almost never want to go reading/screencapping azzarello and milligan to add references but i Want to add references.

canon is goop, just know that we continue to ride the bus down "hellblazer ended at #250 and looks like swiss cheese before that" street.

[sergeant-angels-trashcan]

Hi! I'm interested in working through the Hatchet field stuff while I'm on break. Is there a recommended viewing order? Or can I jump in anywhere?

ahahaaaa i am SO SORRY I am just now seeing this. in my defense i caught covid about the time you sent this (and also infected my mom who does NOT do sick well) buttt if you're still looking,

tbh you can start anywhere, because while they're all related, they aren't connected--like you'll appreciate certain jokes and callbacks, but in that way I guess it's like an anthology.

Technically, the first musical is The Guy Who Didn't Like Musicals. If you know someone who doesn't like musicals, they might actually like this one (PROMISE ME YOU'LL THINK ABOUT THE IMPLICATIONS) It's the first introduction to Hatchetfield and there are some recurring characters in the next musical, which is Black Friday. It is about Black Friday and consumerism and the amazing line "I've met god. he had nothing nice to say about you" BITCH OMG. The most recent musical is Nerdy Prudes Must Die, and honestly imo it has the least connections to the first two, so you could probably start with that one if you wanted--again, you'll appreciate some jokes more if you've seen the other two. It does also have more Lore, but I still think you'd be fine not knowing anything about it. I don't know that much about it and it was still good, because--

---there's a whole series of web-icals? Social Distance Musicals? Whatever, it's called Nightmare Time and they dive deeper into the lore of Hatchetfield and I've never managed to watch more than the opening number of the first one (it's a sound quality issue, i just need to watch it on a laptop or something) but look to be really cool and interesting and maybe deal with the same Hatchetfield? Because the Hatchetfield in each of the musicals is...not the same one. Or it is, but different timelines. Or different dimensions. Something. I think Nightmare Time does more into that.

Basically, you could watch them all as standalones, there's not really a plot that goes through all three of them, but characters and concepts that do.

But that's the order I'd do them in. From a theatre nerd standpoint, it's also really cool to see how they've evolved musically. Just technically with how they're putting numbers together and adding vocal layers. NPMD has a few songs that i would LOVE to see the sheet music for so I could try and figure out who is singing what. Honestly the best comparison I can make is "Wait For It" from Hamilton.

Anyway I hope you enjoy them!!! If you want to shout opinions at me i am here for that :)

[swinging-stars-from-satellites]

in my head I'm just screaming at my sister STOP GETTING ON MY CASE ABOUT THE THEATRE BOY all the time

[leonardcohenofficial]

man i love theatre (:

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.