#i just have a LOT of problems with the fight scene

[rowie264]

If someone criticizes something, it doesn't mean that they hate it. It also works the other way around. If you like something, it doesn't mean that it's done well from an objective point of view.

I love Jinx. Her design, her story, her personality, her character arc... I was just fascinated by her. Jinx has become one of my favorite characters in media in general. It was the continuation of her story that I was waiting for the most.

Jinx is still my favorite character in season 2. I love almost every scene with her. How she did Sevika's arm and the subsequent fight with the Smeech, the fight with Vi in Act 1, the prison break, search for Vander in the mines, epic appearance during the battle against Noxus.

I got a lot of positive emotions while watching s2 and especially during Jinx's appearance on the screen. But… an emotional response and objective assessment are two different things. And objectively, Jinx's character in season 2 is OOC and poorly written.

Removing very importand part of her story and personality. Her mental issues almost completely disappear. This is a very important aspect of her character. And no, Isha's presence and a "more favorable environment" would not heal her, the whole 2nd act is completely unrealistic and looks stupid, since all her problems with her mental health were magically solved off-screen;

Irrelevant piece of plot. Her arc of "Zaun symbol" passes by her - she becomes a symbol by accident, ignores the consequences and directly encounters all this revolutionary mood only during Isha's saving from Stillwater (at the same time saving her followers - an indirect action, not a purposeful one). So this arc is kinda about her, but she doesn't seem to participate in it herself, and it ends with literally nothing (like the whole Zaun revolution);

Making her more appealing to wider audience. Her hatred of Piltover and Caitlyn just disappeared. Yes, while she was with Vi in the mines she said "piltie goons who murdered mom and dad," but… that's all? Jinx doesn't kill a single enforcer in the entire 2nd season (although, for example, she could have in Stillwater) and tells Caitlyn "I didn't know your mother was there." Let me remind you that Jinx literally giggled in s1 when she killed a dozen enforcers during gemstone kidnapping, killed enforcers on the bridge without any care, she hated Caitlyn fiercely because she "stole" her sister from her, and she couldn't not know that Cassandra was a councilor. It isn't showed how and why she changed her opinion and this is important thing to her character, you can't explain such change with microexpressions or parallels;

Unrealistic happy family reunion. The reunion of Jinx, Vi, and Vander is a spectacular moment from Disney. Do you remember how Jinx reacted when Vi returned? Yes, she was happy but as soon as she spotted Cait she freaked out and immidiately thought that Vi betrayed her. Imagine what would happen if her supposedly dead - bc of her btw - father had returned and now looks like some animal;

Silco mattered much more to Jinx. A very "subtle" replacement of Silco for Vander in the role of father (Jinx calls him father, sniffs Vander's jacket and not Silco's), although Silco played probably a bigger role in this? And Jinx remembers about him like 2 times? Although it's been about 7-10 years since Vi's "death" in season 1, Jinx was still triggered by just a similar appearance. Apparently, Silco wasn't that important to Jinx (which is not true); I could still keep talking about Jinx, but let's leave it at that.

I love Jinx even in season 2. I like watching scenes with her. But my emotional attachment doesn't stop me from seeing that Jinx's character in s2 is not a continuation of Jinx's character of the end of s1. Her image is broken, the arcs are not completed, the relationships with other characters are poorly written.

[warblogs17282]

A look at Stolas' 'happy pills' withdrawal symptoms in Sinsmas.

So, I've been looking at withdrawal effects of antidepressants following Sinsmas, more specifically, SSRIs. More specifically, I found this section:

Symptoms that may feel like your original problem:

anxiety

crying spells

depersonalisation (feeling detached from your surroundings)

depression

disturbed sleep

fatigue (feeling very weary)

mania

mood swings

poor concentration and memory

suicidal thoughts.

Source for this can be found here:

Anxiety: Pretty clear to me that Stolas has always had at least some undercurrent of anxiety flowing within him throughout the episode, starting from his first attempt to call Octavia at the start of the episode. Plus it's also pretty clear during this scene that Stolas is definitely feeling quite a lot of anxiety, I would include the Moxxie and Millie fighting moments but you could explain that one away with Stolas not exactly being accustomed to Sinsmas traditions, even if his anxiety is heightened due to withdrawal symptoms.

Crying Spells: 100%, we see Stolas break into two crying spells upon the realization that he is now poor, and another when the client sinner is recapping the story that led up to this point that hit almost exactly to home for Stolas.

Depersonalisation: Yep, Stolas may have taken another dose of his happy pills by this point, although we weren't shown that on screen, but following the conflict with Octavia, in these two scenes you can just see how detached from the world Stolas is at those moments.

Depression: It's been made pretty obvious that Stolas has depression, so I'm counting this one as a yes.

Disturbed Sleep: Don't think this one applies to Stolas.

Fatigue: Considering that a definition of the term 'weary' is 'very tired or lacking energy and enthusiasm', while this doesn't apply to Stolas all that much during the episode, there's definitely some spells of it throughout the episode, like this one for example.

Mania: Looking at the same website here, there's a few things under the 'how you might feel and behave' sections for mania that I do believe applies to Stolas here, which is pretty much all contained within two scenes.

'Irritable and agitated': We have this entire scene where Stolas loses his shit over a spam call, mainly because he thought it was Octavia calling him back but still.

'Very confident or adventurous': Would say adventurous applies to Stolas here, as most definitions of the word adventurous involve risk and/or danger, and well, in the line before this, Stolas very clearly identifies the potential risks he might be putting himself into by attempting to see Octavia, but goes ahead and does it anyways.

'Like you can perform physical and mental tasks better than normal': Probably applies here due to the absolute beatdown Stolas did on Andrealphus during this scene.

'Talking a lot, speaking very quickly, or not making sense to other people': Yep, see this scene again where Stolas proceeds to talk extremely quickly, which 100% does not make any sense to the other sinner within the room. This entire scene also probably counts for the point 'Saying or doing things that are inappropriate and out of character', plus 'Losing social inhibitions'.

'Being rude or aggressive': yet again, see the scene I just mentioned, and the whole 'you could shut the fuck up' line. (Although she did deserve being told that ngl.)

'Taking serious risks with your safety': I cover this in the 'Very confident or adventurous' section just a few paragraphs above.

With all of this being what I think applies to Stolas during this scene in regards to mania.

Mood Swings: You see Stolas have quite a few mood swings throughout the episode, some of which I have already quite clearly shown throughout this post, 100% applies to Stolas.

Poor concentration and memory: Potentially, although I'm struggling to think of any specific examples and I'm not entirely sure if this scene would fall under this category.

Finally, we have Suicidal Thoughts: Pretty heavy subject but I've said this before and I'll say it again, I'm pretty confident in saying that Stolas has quite high levels of suicidal ideation and/or is passively suicidal.

I love badass Stolas like the rest of you all do, but there's just something about Stolas facing death with absolutely zero fear that just screams to me that Stolas is passively suicidal, especially if we consider what Stolas did during Mastermind as well, however, I cannot fully confirm this at this time.

So while I cannot confirm that Stolas has suicidal thoughts going through him, I suspect that he might have because of my belief that Stolas has high levels of suicidal ideation and/or is passively suicidal.

I gotta give this show credit for depicting mental health realistically, because they really knocked it out of the park with Stolas' withdrawal symptoms as well.

[spop-romanticizes-abuse]

arcane s2 - review

okay so now that i have given my two cents on caitvi and i've had enough time to digest s2 of arcane, what do i think about the rest of it?

overall, i have mixed feelings about it. i didn't hate it but i feel like a lot of the themes and ideas were poorly executed, especially compared to s1.

(huge spoilers to arcane below!)

but let me start with the positives:

the animation OBVIOUSLY. huge props to the animators, s1 was already phenomenonal and s2 lived up to the hype, animation-wise. the fight scenes especially were just *mwah* chef's kiss.

the character designs were great. caitlyn looks a lot prettier with the middle parting. vi's emo phase is really hot. jinx's designs in the alternate universe and the finale were iconic. jayce's beard and disheveled look was just chef's kiss. jesus viktor was hot as fuck.

the voice actors did an amazing job obviously, and i didn't expect anything less from them.

jayce's and viktor's relationship was so good despite not having all that much screentime when you think about it. they interact in the beginning when viktor wakes up from his hex-coma and then reunite and fight and make up in the final few episodes. but because of their relationship that was built up in the first season, it all worked out smoothly and made for a very natural progression in their relationship.

jinx's redemption was pretty good. not the BEST but it was carried out well enough, especially in just 9 episodes. i didn't feel like it was rushed or undeserved. her sacrifice in the end was heartbreaking but it felt natural and not shoehorned in for some added angst.

and now for the negatives:

1. the pacing was really bad, in my opinion. they had only 9 episodes but they stuffed in so many subplots into this season that it felt overwhelming.

maybe i'm just stupid but i couldn't keep up with half of the stuff that was going on and some parts of the finale didn't make a whole lot of sense to me.

like the whole storyline with mel and ambessa and the black rose was a blur to me. i honestly don't know what happened in the end after ambessa dies.

the whole deal with singed and vander and whatnot was also really murky. like i get the overall premise but it was really hard for me to grasp every single detail.

maybe this is just a me problem and i'm too dumb to follow more than two storylines at the same time. but s1 already had a lot going on and it was still a tad bit easier to follow.

s2 was just crammed with a whole bunch of different characters pursuing different goals and facing different obstacles, 9 episodes weren't enough to give all of it a satisfying conclusion. and as a result, some of the arcs felt rushed and unfinished.

like what happened to the whole found family thing with sevika, jinx and isha? they were beginning to get closer and form a good relationship but then suddenly, sevika is pushed out of the image and we never see how she reacts to jinx and isha's death.

2. while i don't think that caitvi is abusive, i still don't think the ship was great. it was just super rushed and there is a grain of truth to what caitvi antis are saying.

like yeah, caitlyn being an enforcer and seeing nothing wrong with it was.. questionable. wasn't the whole point of s1 that enforcers were ruining the lives of the people in zaun? wasn't police brutality and classism the main theme of this series? how come vi's parents were killed by enforcers and she was unfairly imprisoned for years by enforcers, but somehow she ends up dating an enforcer?

before s2 came out, i expected caitlyn to give up her job after realizing how corrupt it was. i thought that would be the natural progression of her arc, especially since she's seen how much the people of the undercity has suffered at the hands of enforcers. but nope, she keeps her job and it's never addressed in the end.

i don't think that caitlyn hitting vi once out of frustration and once out of necessity makes her a domestic abuser. but i do think it's kind of icky for vi to end up in a relationship with an enforcer, and for the show to frame it in a semi-positive manner. it's not entirely romanticized but the problems with it aren't really addressed either.

3. i feel like the themes of classism wasn't as well addressed in this season as it was in the first one. the first season had a strong message and it stuck to it. the second season was all over the place and then suddenly, there's viktor and the whole glorious evolution or whatever, and the conflict between piltover and zaun is pushed aside.

i like that sevika becomes part of the council in the end but is she the only one representing the undercity? is one person enough to speak for all these people in zaun? at least it's true to real life, i guess.

overall, i felt like the message was a lot more murky in this season. this ties to my first complaint because while s1 had a lot of storylines too, they followed a common theme. war, classism, and how privilege and the lack thereof affects people. s2's storylines are just all over the place and none of them seem to follow a theme. at least some of them could have been discarded.

4. i briefly mentioned this before but the fact that jinx stops experiencing her hallucinations never made sense to me. especially after she accidentally killed silco, shouldn't they get worse? it is implied that she has schizophrenia and c-ptsd so i really don't understand how silco's death suddenly got rid of most of her symptoms.

she still sees and hears the hallucinations from time to time and her mental state is definitely far from stable, but it was still such a huge jump from her psychotic breakdown in the s1 finale.

so yeah, these are my thoughts about arcane s2. there were more pros than cons but the cons still outweigh the pros, simply because of how much impact they had on the plot.

i'm generally not one to demand more seasons or episodes out of a series where the writers have already told the story they wanted to tell, but arcane s2 was so rushed and so filled to the brim with different characters and storylines, i couldn't help but feel like it would have benefited from having more episodes to play everything out more slowly.

i still liked this series a lot and i enjoyed watching it, but i'm not blind to its flaws and i try not to be biased.

[greyplainsttrpg]

This has gotten me to think a lot, so I hope you do not think that I'm arguing for the sake of "being right on the internet." I have a lot of opinions about horror in TTRPGs that I haven't fully materialized I guess, so this is kind of eking those out.

This is my bad: when I say that the players "do not have an answer to the problem," I meant that the players do not have 'ready-baked' answers to the problem (because the solutions are extant in other media). Like, the final resolution of games that I run which I consider to be "horror-esque" are about making a bizarre moral decision with no 'right' (as in objectively correct) answers. The players absolutely have all the information they need to make the decision (which they gathered during the adventure), but pulling the trigger on any answer requires the players to question their engagement with the fiction. You can disagree with that as well, but that is closer to what I meant to say.

I think we do disagree on the nature of games. I do not believe that games NEED to be fun to be good or valuable. Like, what makes a game is that you play it---not that it is fun. I think games, TTRPGs in particular, are held down by their supposed need to be "fun." Horror is, as a genre, not fun. I do not have "fun" watching most horror films. I did not have "fun" reading Frankenstein. I enjoy horror because it provides experiences that do not require them to be fun to be meaningful. Like, is the Blair Witch Project fun? Is I Watched the TV Glow fun? Would a TTRPG adaptation of those pieces be fun to play? Should they be? In the case of horror video games, is Silent Hill, Amnesia: The Dark Descent, or Pathologic fun? Not really, no. They're something else which can result in fun as a biproduct, but the initial intent is not fun.

So long as the horror is not obscene, most people who come into a tabletop game are usually prepared for some amount of it to crop up, so it has not been an issue for me. Like, at what point is "you're fighting a werewolf" shift from action-adventure to horror? I argue it is the pacing and presentation of the scene. When do fairies go from fun-fantasy to fae horror? It's all about context. The difference in what I'm trying to do is that I do not tell the players "hey, this fight with the werewolf might be scary." Another example: is it absolutely wrong to premise an adventure on "investigate how this noble was 'murdered'" only for the party to learn that the supposed victim is actually a vampire that lives in a ghost house (and the party is locked inside)? Nobody has had an issue with it yet because it is introduced in pieces. It just sounds worse in theory than the actual practice. Greyplains, my system, is not specifically a horror game, however it works really well for horror elements I tend to use because the mechanics support a feeling of disempowerment (and provides an emotional reward for overcoming this).

My point about comedy is that TTRPGs tend to be rooted in some degree of 1) improv and 2) probabilistic failure. Both of which tend to produce humorous results. Funny and horrible are not antonyms though, so it really does not matter that much. I retract that point as being useful. My bad.

I don't know what "If it's not a game and it still forces you to do things inefficiently, that's just A Job." means exactly. I don't know what you mean by "inefficiently" in this context.

Sorry if this annoying lol.

I think that a flaw in a lot of the more ambitious horror RPGs I've read is that they all tend to go for the pitfall of Lovecraftian horror, but mechanize it, so it very often seems to end up as "roll to see if you lose sanity."

Some games, like Absurdia, handle this fairly well by not making it about your mental state along the way. It's more like... You can only handle pushing yourself so much before something bends or breaks.

but others, like Call of Cthulhu, seem to kind of operate on a "because I said so" type logic. From the APs I've listened to, at least, the GM seems like they just have the power to call for you to roll to Stay Sane or whatever. But it ends at the same destination, that dealing with The Horrors has a negative mechanical effect on your character, and if they experience too much Horror, you lose your character. the same as if they just die.

While this is interesting to think about from a narrative perspective, I think it ironically discourages players from playing like they're characters in a horror story. Which means everyone is operating on, like, Scream logic, where everyone is playing as The Guy Who Knows He's In A Horror Movie, even if they don't say it out loud.

What I'm MUCH more interested in, although I'm not sure how compatible it is with long-form play, is a game whose whole reward structure is built around Getting Your Player Characters To Do Stuff That Gets People Killed In Horror Movies.

Split the party! Go have sex in the guest bedroom while people are dying downstairs! Give in to the monster's threats/demands! Hide the weird not-quite-dog thing that followed you home under your bed for the night! Yeah, the killer will DEFINITELY fall for that trap! Wander off alone without telling anyone where you're going! It's FINE! If you survive, it's how you LEVEL UP!

[justablah56]

look at my silly polycule guys

I love them dearly

[weirfq1]

with all these gaston crackships/rarepairs that are coming out lately it would be so fucking funny if he had a flig with all the main characters (ambar, nina, simon... hell luna too if you want) and they all know it except matteo

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[polysyndetonaddictsupportgroup]

First off, the way you write Tsumiki is so beautiful and makes so much sense and I would die for her. Also, Tsumiki/Maki is fucking inspired. It fits so perfectly within the story and fleshes out both of their characters and I have so many feelings about it.

What you wrote about the cause of the no-contact fits so well with the Zenin how do you even come up with this!! And it also reframes so many scenes in sea glass gardens (specifically, I went to double check bc I just realized that Tsumiki still refers to Megumi’s dogs by their names and they still reapond to them. I am going to cry Megumi deserved so much better). Nanami is absolutely insane in the best way for demanding half custody like he seems like he’d be willing to throw hands over it regardless of the cost to himself and it’s so perfect with how much he (like Gojo) believes so much in protecting children. I have more words to say but not the brainspace to say them bc it is late at night for me. But! I would die for you and your writing thank you so much for getting into jjk

I’m soo glad that y’all liked Tsumiki/Maki too. The versions of them that live in my head just fit together like puzzle pieces. They were each other’s foil and they understood the other all the more for being what the other had chose not to be. Tsumiki had chosen her sibling and Maki had chosen herself, and both of them know what it means to have those be mutually exclusive.

Also the version of Tsumiki that lived in my head violently hates the Zenin and I could not imagine anything more attractive to Maki. Tsumiki would firebomb their compound without hesitation or regret. Maki wants to kiss her on the mouth.

Tsumiki very purposefully was designated as the character who would keep calling the dogs by their names, because she’s the one who most aggressively tries to insulate Megumi from the effects of the jujutsu world on him.

Tsumiki knew Kuro and Shiro longer than anyone. She remembers when Megumi first summoned his puppies. She knows exactly how much he loves them and she knows exactly how badly he must have been hurt to push him to never call them by their names again. Those dogs mean the world to him, and she knows it.

In her mind, what Megumi lost wasn’t his love for his dogs. If he lost that, she thinks he’d be more willing to call them by their names—names are just easy ways of distinguishing them, after all. They’re already named. He’s only inconveniencing himself by never saying their names aloud.

She thinks Megumi stopped calling them by name as a way of protecting them from the Zenin clan.

He never saw his family again, is the thing, but the Zenin have always existed on their periphery. They know that the Zenin haven’t lost interest in him. Gojo tries to shield them (but mostly Megumi) from as much of the Zenin as possible, but they know that the Zenin have been prodding them for more contact and information on Megumi ever since Gojo cut them off. And they know that the Zenin have a lot of contact with the jujutsu world. They both assumed that, over the years, plenty of people have reported back to the Zenin on Megumi.

They trust Gojo, Nanami, Shoko, and Ijichi to not leak information to the Zenin. No one else.

She’s always suspected that Megumi stopped calling his dogs by their names because he didn’t want it to get back to the Zenin that he loved them like pets still. They’d be safer if the Zenin didn’t realize how much he still loved them. Maybe if he hid it, they’d assume they scared him off, and they wouldn’t hire someone to kill a dog when he’s on a mission or something. And that’s what she’ll never forgive the Zenin for taking from him.

They took away Megumi’s safety in his love. It became something he didn’t feel comfortable showing, ever, because it was something he would be hurt over. They made him hide it. And it kills Tsumiki to see, because her brother loves more fiercely than anyone she’s ever met. He loves in a way that terrifies her, sometimes, because she thinks it will kill him one day, she really does.

He loved those dogs enough to be beat within an inch of his life to keep them safe. He wouldn’t just suddenly start treating them like they’re impersonal weapons. They’re still Kuro and Shiro to him, she knows it. They’re still his puppies. And she doesn’t want the Zenin to get to take that from him.

She doesn’t want Megumi to just… succumb to what the jujutsu world did to him. She doesn’t want him to just take the beating the way he took it for his dogs. And she doesn’t want him to just sacrifice himself for her and call it a day. She wants him to fight for himself and for his right to live on his own terms. And she’s not sure if he’ll do that.

So she’ll fill in the gaps where she can. His dogs’ names are Shiro and Kuro, and they’re her brother’s puppies. They’re her best boys and she’ll treat them like pets all day long if she pleases, because the Zenin had no fucking right to take that from her brother. She’ll spit in Zenin Naobito’s face if she ever gets half a chance.

[waywardsalt]

linebeck is probably so god damn paranoid all of the time

[jrueships]

rewatched shooting stars aka the baby bron and friends movie <3 very cute

[spop-romanticizes-abuse]

i just came by this post and i had to address it.

wow. that is a controversial take. and an objectively incorrect one.

i'll just preface this by saying that i'm not satisfied with arcane's finale either. i think it completely went against its own message in the end, and a lot of the arcs were resolved poorly.

but this take is still wild. let me break it down one by one:

there's nothing wrong with the "power of love/friendship" trope. the only problem is that

1. spop entirely focuses on romantic relationships. fuck familial relationships, fuck platonic relationships, the only thing that matters is romance.

2. most of the ships are either forced with no prior buildup or straight-up toxic.

horde prime as a whole was a poorly written villain who was only introduced because catra and hordak were "redeemed". that alone makes the entire finale weak, because horde prime is not as much of a threat as catra was. he's just a placeholder.

i'm convinced that the only reason they introduced the failsafe and the heart of etheria was because horde prime wasn't intimidating enough to keep the audience captivated.

mara convincing adora to stay alive would have been a touching scene if the message wasn't that adora should date her abusive sister.

i'm sorry, did we watch the same show? because how the fuck can you say that catra is no longer abusive after her redemption after watching all of this???

oh yeah, catra pushing adora to the ground and guilt tripping her for trying to save the world wasn't abusive at all. catra constantly screaming at adora for the smallest reasons isn't abusive, that's just catra's little quirk! /s

you would have to be blind to watch all of these instances of catra continuing to abuse adora, and still think that she has changed.

caitlyn hit vi with her rifle, yes, and I'm not going to defend that at all. i agree that it was completely unwarranted, regardless of her reasons. but caitlyn's actions are nothing compared to catra's.

you can love or hate caitvi, i literally don't care. but you can't hate caitvi for being "toxic" while acting like c//a is a healthy ship.

“catra ceased all intentions of being enemies with adora & glimmer and learned to love & fight for etheria”

oh yeah, that's why she kept taking jabs at the princesses and bragging about how many times she has defeated them. that's why she never apologized to glimmer for killing her mother, or to mermista for colonizing her kingdom. oh wait, mermista was very conveniently chipped so that poor catra wouldn't have to deal with all that, right?

let's be real, the only reason catra sided with adora was because she literally had no other choice. she was backed into a corner. she wanted to work for horde prime but since he was willing to throw her out, and the original horde was in shambles, catra's only choice was to join the rebellion. she does not care for the princesses or for etheria.

“catradora never had a power imbalance and fought pretty equally”

this just made me laugh. did this person even watch the show? catra had power over adora 90% of the time.

there were very few instances where adora had power over catra and usually in those instances, catra would attack adora in some way to bring her beneath her.

again, i have my complaints with caitvi. i don't think it's a perfect ship and i'm not going to defend the shitty parts of it. but catra has literally used every single type of abuse on adora - physical violence, emotional manipulation, gaslighting, guilt tripping, kidnapping, attempted murder, victim blaming - and y'all still think that caitvi is worse? be fucking for real.

five seasons isn't enough screentime to wrap up arcs in a satisfactory manner? come on. spop had plenty of time, the writers just didn't plan everything out. they absolutely did not make the most of what they had to work with.

they had 5 whole seasons and still decided to shove catra's redemption arc into the final one, completely rushing it and for what? so that adora had someone to smooch?

the conflict between glimmer and adora could also have been handled better. it was a complex situation, especially considering how catra and shadow weaver was the ones driving them apart. it shouldn't have been solved with a simple “i'm sorry, everything was my fault” and “lol it's okay we good now” like???

again, i'm dissatisfied with arcane's ending. i think a lot of the character arcs were sabotaged and there was too much going on in general.

but i don't think anything can compare to the character assassination in s5 of spop. everyone magically forgot about catra's crimes and forgave her; capable characters were suddenly incompetent and foolish so that catra could shine; and adora, who had completely moved on from catra, was now once again catra's doormat.

you can criticize arcane if you want but this post was just stupid. spop's final season was just as bad, if not worse than arcane. at least arcane managed to write a believable redemption arc for jinx within those 9 episodes - something spop couldn't do with five whole seasons.

[rawliverandgoronspice]

would love to get a full, unwatchably wrangled ms paint levels of a first draft for my animatic before the end of winter. not sure how realistic that is given the amount of work I have on my plate, but I'm curious to having the whole thing to assess and see if that is even a coherent narrative, if I have left enough room for lore dumps (doubting it at the moment), stuff like this

[variousqueerthings]

been reading a lot of clive barker recently and find him to be incredibly whimsical, life-affirming, and wondrous so I decided to read his ya series "abarat" which as it turns out isn't finished, so we're waiting at a point of utter despair for the most part, rip to the kids (that being said I do wish I'd known of it when I was a kid, no matter how frustrated by the wait I might have been)

anyway, do think I will write a little fanfic that nobody is going to read of christopher carrion and finnegan hob working through their mutual realisation that they were both being used by princess boa (meanwhile she's shooting finger guns at them, love her, love how she fucked up not one but two incredibly powerful silly boys, love that she just loves being bad, it appears to be her whole raison d`etre), and then they make out or smthin, unclear

[daydreamerdrew]

The Incredible Hulk (1968) #246

[rigginsstreet]

you know how in new girl it was a thing that winston couldnt do pranks because he’d either go too small or go way overboard to the point of causing physical harm or something lmao but like thats exactly how i feel about writing conflict or people being mean like idk where the middle ground is like i just need for a character to be an annoying asshole but all that ever comes to my brain is “go for the jugular. bring up a dead mom or some shit” like idk how to casually be a dick lmfao

[shinynewmemories]

Since book 1, Katniss and Peeta have both considered dying preferable to living without the other person and I think that's very soulmate-y of them

THE HUNGER GAMES, CHAPTER 25