#i just had to get used to it

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[teaboot]

Any tips for being a suicidal 15 year old?

When I was a suicidal 15 year old everyone told me “it gets better”, and it sounded like bullshit. And frankly, it still sounds like bullshit. Like oh, what, I’m living in hell and you’re not gonna help me or *do* anything or give me any useful advice and I’m supposed to just hang in there on the nebulous, pithy promise that things are just gonna work out on their own? And you can’t tell me how or why, I’m just supposed to take it on the faith that I don’t have that something might change in ways I haven’t considered?

But yeah. It does. And it’s frustrating as hell.

Yes, things are gonna get better, and they’re gonna get better in ways I can’t describe even after experiencing it myself. Things you don’t even know CAN be different WILL be different. One day you’re just going to step outside and realize things got better somewhere and you didn’t even notice it happening.

And there’s really nothing I can say that makes that sound even a little bit believable.

I guess all I can tell you is that you have to want to believe it.

[britneyshakespeare]

there are some rsc productions i've watched that i had mixed feelings about but others that hit them right out of the park and i've noticed it has little to do with how much i like the play itself (in the tempest 2017 dir. gregory doran i found that to be a hindrance to my enjoyment, liking the version in my head when i read it much more) (whereas with antony and cleopatra 2017 dir. iqbal khan i think it's just about a perfect realization about what i enjoy the play in so much and josette simon's performance is one of my favorite things i've ever seen on stage). but i've been watching two gentleman of verona 2014 dir. simon godwin/robin lough and it's just so fucking funny. the play itself is, well no one argues it's shakespeare's strongest and it has some obvious flaws in the ending (if you've read it you know what i mean by that) but i do think its premise is still wildly entertaining and interesting, there's some good jokes and beautiful poetry, it's just overall not the strongest character-driven comedy. this production though might just be the best possible version of the play. the song they give turio to sing to silvia is so good and then the performance is so hammy and camp in a way i didn't expect it to be. the original music is amazing and i think the modernized clothing and set pieces are really well done. like bravo

[chloesimaginationthings]

FNAF Mimic plays pretend with Gregory…

[technically-human]

First meeting

[hinamie]

my artblock muse

[neapenning]

First morning on the Express 🚂

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[frags-fragzzzzz]

Hello ghost trick fandom

[dangeroustaintedflawed]

[theshadowrealmitself]

I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them

People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human

“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”

“The purpose of this event was that every participant brings a food item of sorts, correct?”

“Yeah!!”

“And they did not follow this rule while insulting dishes that were brought?”

“Mostly just my dish but yeah >:(“

“How illogical”

“That’s what I’m saying!!!”

[aceofheartsstuff]

That last scene in a nutshell (welcome back, Eddie Diaz!)

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[itseghost]

the captured! quest was so funny that i actually drew multiple things at once

[hinamie]

spiraling

[corkinavoid]

DPxDC Ignorantia Neminem Excusat

(Ignorance excuses no one, lat.)

"Commissioner."

Jim Gordon doesn't jump. They are years and years into this rodeo, he's stopped actually jumping at Batman's silent approach a long time ago. Yet, Bruce still notices the way his shoulders twitch just the tiniest bit, and his hand makes an aborted motion to his gun holster. Still got it.

The man turns around. Bruce can see the 'must you always do that?' in his slightly narrowed eyes. He presses his lips tightly together in order to not smirk: Batman doesn't do that, even if it's admittedly funny to see the seasoned Commissioner get spooked every time.

"There's a kid that wants to speak with you."

Bruce frowns. A kid that warranted a BatSignal? Not that he minds, but this is highly unusual for several reasons; however, Jim is not the kind of man that would fall for puppy eyes of any level, so it must be something more important than an autograph session or a victim of any of the recent cases.

Besides, the way Commissioner worded it implies that the kid, whoever they are, requested Batman specifically.

"He is a hacker," Jim puts both his hands in the pockets of his coat — he is either cold or uncomfortable, and Bruce highly suspects it's both. What's more, he starts to understand why. "I'm sure you're aware we were trying to track the person responsible for the few recent cyber attacks on GCPD servers," Jim glances at him, and Bruce nods. He is aware, yes, but the case was low-priority — it wasn't even an attack, really, someone just accessed the system foregoing the passwords and clearance levels, went through a few files, seemingly at random, and did a fairly decent job of hiding their traces. Bruce would have even thought it was Tim, if this happened a few years ago, when the boy was just learning the ropes.

Commissioner sighs and looks away, "But when we brought him in, the boy said he will only speak to you, and none of us have been able to make him say a word since." He pauses, a grim kind of expression on his face, "This was six hours ago."

Bruce is grateful for the way his cowl hides how his eyebrows raise. There are hundreds of scripts officers, detectives, and social workers can use to establish contact. Quite a lot of them could be attempted in the span of six hours.

Whatever the kid wants to tell him, Bruce decides it's worth a try. If not anything else, he can at least admire the sheer stubbornness.

—×—×—×—

The kid sitting in the interrogation room looks... younger than Bruce expected. Fifteen, maybe sixteen. He is dressed like any other homeless kid in Gotham — a hoodie and a jacket over it, jeans that look a size too big on him, sneakers with mismatched shoelaces — but he clearly hasn't been out in the streets for that long. His hair is braided into cornrows, and it looks professional, even if the roots have grown out so now it's just messy. What's more, he is missing that telltale wariness in his posture that Bruce has seen in every other street kid that has been brought into a police station. They always slouch and curl into themselves.

This boy is sitting with his back straight. Yet, there's a tension in his body that Bruce can only associate with a battle stance — give him the slightest reason, and the kid will lunge.

He steps into the room.

The boy — he hadn't given a name, and there wasn't a single ID on him — zeroes on him instantly. His eyes are a very pale, almost translucent green: a rather strange feature for a black-skinned person, genetically speaking, but Bruce doesn't dwell on it. Yet.

But then, the face recognition program comes up empty.

As in, 'there's not a trace of this person's prior existence' empty. Not a single camera footage, no records or reports of missing, no pictures, no social media, nothing. Bruce frowns.

"Hi," the kid says, his voice raspy, "My name is Tucker Foley. According to the government, I don't exist, so if your recognition program doesn't find anything on me, that's why."

Bruce doesn't say anything. Tucker wanted to speak with him, and previously, he was only merely intrigued by that request. However, as of right now, he wants to hear everything the kid has to say before asking any follow-up questions.

Because that always present, cautious and bordering on paranoid voice in the back of his mind tells him he is about to get into something way more serious than he expected.

Tucker moves — he kept both his hands on the table, palms open and visible, but now he closes one into a fist. Although, before Bruce can react to it, he opens it again. A small, the size of a flash-drive, dimly glowing green object rests inside.

"Do you know what this is?" The boy asks. He hasn't looked away from Batman's face once; Bruce is not even sure he blinked at all since he entered the room. Come to think of it, even with his tense, rigid posture, Tucker is too still, almost unnervingly so.

Bruce glances down to the boy's hand.

"Yes," he answers curtly, and there it is, the smallest shift in Tucker's face: he clenches his jaw like he's trying to hold the words inside his mouth. Bruce doesn't like it.

"What is it?" Comes the next question, but it's not curiosity that prompts it. It's a test of some sort. Bruce likes that even less.

"A power source," he decides on a neutral answer, not entirely certain what the boy is expecting to hear.

It seems to be a wrong answer because for the first time, Tucker's emotions slip from under his mask, and he takes a sharp breath in, looking like Bruce had just slapped him across the face. It lasts only a moment — Tucker closes his eyes for a moment, slowly exhales, and speaks again, calm and focused once more.

"And what exactly powers it?"

It's an important question, judging by the desperate, searching look in Tucker's eyes. His hands are not shaking, and there are no visible signs of distress, but for some reason, Bruce just knows that the boy's whole life seems to depend on the answer.

But.

"It's classified." Bruce doesn't take his eyes off the boy, but he still fails to see when he gets to his feet; the movement is quicker than the blink of an eye. All he knows is the aftermath of it, the screech of the chair legs on the floor and the loud slam of Tucker's palms on the table.

"Fuck the classified!" The boy yells, his face twisting in an awful mix of anger, hurt and a broken, terrified sort of hopelessness that almost breaks Bruce from the inside. "I need to know what they've told you, I have to- Tell me you think it's just a battery! Tell me you've never broke one to see what's inside, tell me you believe in science! They've showed you the research, didn't they?" Tucker's voice, so agonizingly different from the composed way he was talking before, breaks into a sobbing, almost hysterical laugh. His pale eyes are wide open and almost panicked, searching Batman's face for something he is not sure he can find.

"Tell me you've never seen one being made," this time, the boy doesn't yell, he whispers, his breath hitching and his knuckles white. "Please," he adds a moment later, and Bruce knows this kind of plea.

It's the plea of someone who is begging for the world to have mercy on them. A plea of a boy standing on their parents' grave, a plea of a man kneeled in front of his son's corpse.

Bruce swallows the bitter taste on the back of his tongue and takes a step closer. He sees the boy in front of him lean back and bend his knees, like bracing for impact, but he answers before any more misunderstandings can occur.

"I have seen the research. It provided enough information that I've never investigated further," he offers, and Tucker's shoulders slump like months and months of living in a constant state of fight-or-flight leaving his body all at once. Then, the boy's hands start trembling just slightly.

"Really?" He quietly asks, his eyes still glued to Batman, and there it is, the hesitant, uncertain hint of hope in his voice.

Bruce suddenly feels like not only this talk will be much, much worse than he ever feared, but also like in the end this will be another one of the things he will be blaming himself for. Things he could have prevented if he just tried a little harder.

"Really," he nods, taking a seat opposite from Tucker. "So explain what I've missed."

The boy keeps looking at him for a few more seconds, like trying to x-ray his thoughts for any sign of a lie. But then he blinks — for the first time, maybe — and rubs his face with his palm before all but dropping back in his own seat.

"Okay," he breathes out, evidently trying to collect himself and go back to the strong, focused self, "Okay."

[ part 2 -> ]