#i just gotta finish the shading on my art piece

[dudeshusband]

despite all my not posting about dude i'm so excited for the mikedude anniversary

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[townofcadence]

Some older doodles of Artair I hadn't posted yet! They're a little rough, but he's so fun to draw ^^

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

[dataglitch]

Hi, I was just wondering how you do all your highlights and shading because ur characters always look so shiny! Obviously you don't have to tell me tho, I adore your art.

Hey there! I've done a few tutorials actually if you check my 'tutorial' tag. Some thorough, some quick. I have already mentioned before that I'll do a more deeper explanation on the process a while back and I'm still working on it!! Got at basic outline done but the writing is separated via notes or other apps, just gotta clean and compile :'D

It's text heavy so I'm going to have to cut a lot of pieces out or shorten it, but hoping it gets the point across! Of course it also has a image to go along with so we can work on it together :) Let me finish my current workload and I'll get back to this, sorry for the delay guys u-u

[the-100-days-of-junkan]

Day 100

One hundred fuckin’ days. God. Actually happened. 

I spent 3/4ths of the year drawing more Junkan art than I think anyone else on the internet ever has. Which might be presumptuous of me, maybe i’m just looking in the wrong places y’know? I’m a solid second place bare minimum.

And like, that’s still pretty funny right? This whole event is something I’m gonna cherish forever, the memories, the art itself, the friends I made because of it. But like, c’mon. I drew 100 fucking pieces, learned new skills like digital painting, animation, all that shit, for a ship that I used to hate, and a ship that for the longest time I thought was gonna get me fuckin banished to the deepest depths of the internet just for drawing a poor sketch of them kissing. This ship has become more deeply entwined into who I am as a person that it’s passed up Tokomaru, the ship that literally made me realize I’m a woman.

It’s gotta be at least a little funny, right?

Ah but enough of that, I can talk more on that subject a bit later. For now I reckon I should focus on our art piece for today! Wouldn’t you agree?

Yeah it’s the Wedding. I’d say even before Day 60 I decided the final pic of the Project would be The Wedding, even before I decided to draw a comic of the proposal. Because like, c’mon, it’s basic but how the fuck else was I supposed to end of the project? With something that ISN’T a wedding????

And very shocking to hear after this entire project has gone by, but I did in fact scale back this pic massively. You wanna know what the original idea was?? 22 images, each one depicting different parts of the wedding and afterparty, including the kiss at the end. And the kiss at the end? I was gonna feature every character from the 3 main classes + Ruruka, Seiko, and Yasuke. Fucking why??? Because Excess is all I know people ITS ALL I KNOW.

However I had decided that I wanted this project finished and ready before October, because I wanted to do the Vampire Fic to coincide with Day 30. And again, say it with me here, “Jem was severely burnt out on the project!” 

So it went from 22 images, to “However many I can get done in time + the big group shot” and then that became “Just the big group shot,” and then finally, i cracked and just drew The Kiss. 

Speaking of which before I divulge some more info about the original plan, i’ll get all the fun things about the actual art I did go through with.

As you can tell I shaded this differently from anything in the project. I normally have two different ways of shading art, I don’t think these are the proper words but I call them Soft Shading and Hard Shading. If you need immediate examples, Day 95 was Soft Shaded, and Day 94 was Hard Shaded. Generally speaking I prefer to do Hard Shading, as I think it works better with the rest of my style, and also just looks better in general. Soft Shading is what I do for pics with like, a very specific tone and energy to them that I can’t really put to words. It’s also significantly easier to do compared to Hard Shading. 

A few months back for a commission of Kaede and Marceline from Adventure Time hanging out (yes this is relevant) I was trying to capture a very specific aesthetic that I’m obsessed with called Frutiger Aero. This mostly was in the background, however when lighting the pic I needed a very specific aesthetic that I didn’t know how to capture with just one of my shading styles. So . . . I fuckin did both. And in my opinion (which is crazy because this requires I compliment myself) it looked fuckin great. That said it was significantly harder.

I think I’ve done it only one other time after this, but I don’t remember what the pic was if it exists at all. But obviously as you can see, I decided that to really commemorate the occasion I’d go all out and do both shading styles again. It was very worth it, but fun fact! Doing this style on Roses is a fucking pain in the ass and if I ever have to do it again I will fucking SCREAM!

Anyway, the pic was definitely a lot harder to work on because of that stylistic choice, but the end result makes up for it by a massive margin. 

Hope ya’ll like the dresses because they were the hardest part of this! Fun fact, Val (She’s back!) did a chapter for her legendary Year of Love and Despair fic where the gals are in wedding dresses. And the designs she came up with are amazing! I still really wanna draw em when I get a chance! However! I woulda felt bad if I just yoinked em for this, so I had to do everything in my power to come up with completely different designs. And given that I am a perfectionist, that was significantly more difficult than it probably shoulda been. But I did it! I really like how Mikan’s dress turned out specifically, I thought giving her a fit that covered up more skin than a normal wedding dress would be fitting for her. Also I really like drawing Mikan’s hair in a bun, I never had a chance to say that so I’mma say that now. 

Wow fuck I just realized there’s probably a lot of random details or thought processes I have on this ship that I just never got an opportunity to talk about, either because I had a different topic to cover on previous posts, or I just forgot, or I just didn’t have a good segway! Crazy right? 

Also yes! Shading Junko’s hair was heavenly~

Okay i’ve run out of words on the art. Time to tell you about everything I cut! Now I’m sad to say but no, I didn’t actually cut 22 planned images. I never got far enough to actually figure out each individual pic. Only a small handful, which I almost speedily sketched out for this post, but I don’t have it in me, especially on my current schedule. So i’ll just do my best to describe what I had in mind!

First piece would have been Mukuro being on Security for the Wedding, because of course. She would have also enlisted the help of Mondo and his entire gang, because that combination in this context sounds funny. Don’t worry though they were well behaved.

Ruruka was gonna handle the Wedding Cake, with Teruteru on the rest of the food. Either Ruruka or Mukuro would have been giving him a death glare during the process of course.

Behind the scenes Mikan would be getting prepped for the Wedding. And by prepped I mean Seiko, Ibuki, and Sayaka would be trying very hard to keep Mikan from crying as a result of how happy and overwhelmed she is (Ruining her makeup). Seiko trying to blow air into her eyes to keep them dry while Sayaka and Ibuki desperately try to find an outlet to plug in a hairdryer in because that would be significantly more efficient.

On the reverse, Junko would be doing all of the work on prepping herself for the wedding, with Ruruka, Yasuke and Tsumugi standing in the background, questioning why they’re even there. Junko would yell at them that they’re morale support in this instance. 

Warriors of Hope would of course be there being scamps of course, Kotoko would be the Flower Girl because I play favorites. Toko and Komaru would probably be there trying to keep them in line.

I didn’t have anything in mind with the afterparty but I more than likely would have drawn the drunkest Junko I possibly could. Maybe even Mikan too!

For the Bouquet Throwing I was gonna have Syo jumping at it like a feral animal, and thinking about it now I’d probably also have Tenko jumping for it with killing intent in her eyes.  

And I think that’s it for ideas I had prior to cutting them. Which means it’s time for me to get sappy about the fact that the project is finally ending! Fuck! Usually when I write these I try to have a decent idea ahead of time of what I’m gonna fucking say, this time however I’m just gonna talk, and i’m gonna keep talking until I’m either struck down by nature or I run out of things to say. Sorry! 

This is going to get silly, sappy, and maybe even a little venty, jump in at your own risk. 

If you told me at the beginning of 2024 that I was going to draw 100 days worth of Junkan related art, including a gif and a music video, 2 comics, and also get back into writing to make gay fanfic, I’d be so god damn confused. Because what the fuck right? And that’s not even counting everything I drew AFTER I fuckin finished! Like hold on a minute i’m gonna count up how many times i’ve drawn these two, including the individual comic pages from the three i’ve made.

204.

Fucking, I. I didn’t even know we passed 200 by this point. 

And that’s not counting the sketches I’ve drawn on paper in my sketchbook. It’s also not counting unfinished pics. It ain’t counting the art I might draw WHILE writing this! It’s not counting the stuff I probably forgot about while searching my files cause I suck at naming the aforementioned files!

AND I’M STILL NOT BURNED OUT EITHER?

I got burned out on the project sure but the moment I had the freedom to do whatever I wanted I fucking IMMEDIATELY drew a Junkan pic for Halloween. And then I kept going, and then I didn’t fucking stop, and I don’t think I CAN stop! I don’t even WANT to stop but you’d think by now I’d be like “Well I don’t have any ideas right now-” NO I HAVE TOO FUCKING MANY IDEAS! I KEEP FUCKING THINKING OF MORE IDEAS, AND THEN I COME UP WITH AN AU AND THAT COULD HAVE LIKE 10,000 MORE IDEAS. JUNKAN IS A MENTAL HYDRA YOU DRAW ONE PIC 2 MORE POP UP IN ITS PLACE!

I can draw these pieces in like a few hours if not shorter, because I don’t have to fucking sketch them properly anymore. I feel like I shouldn’t be able to do that! This ship has done unspeakable things to both my mind and body! And i’ve said it before but i’m not trying to complain here, as you’ll see when I start talking about this ship like it saved me from falling into the grand canyon. But it’s just, so, absurd???

Danganronpa is only like my third favorite piece of media behind Bo-bobo and Fairy Tail and yet I’ve drawn more art of JUST THIS SHIP than I have of just general art of those series! That’s not even counting all the other ship art I’ve done! Like Tokomaru! Remember Tokomaru? The ship that is responsible for me being a woman and being able to find the happiness of being my true self? I think i’ve drawn that and Syomaru a combined like, 20 times across my entire life as a DR fan. ALL OF THIS JUNKAN ART SAY FOR LIKE, 5 OF THEM WERE IN ONE YEAR. 

And bare minimum for 2025, assuming I don’t make ANYTHING ELSE OF THEM (Which I will. You know I will.) I’m gonna draw 21 pics for Junkan Week, because you know I’m gonna just draw EVERY prompt from all three lists. And then 30 more for the Month of Junkan (Will try to have that prompt list up soon btw!). So that’s 51 I’m going to do. That’s over half of what I realistically was supposed to do bare minimum for this project. That’s so fucking much, and I’m gonna do it, because I love this ship, and also it sounds REALLY funny if I did that. 

I think genuinely the only other ships I could fucking do this for are like, Toko/Syomaru or Flarelu. Maybe Togachako if I did a reread of MHA to get me back in the spirit for that series. And even then i’m not sure I physically have it in me to go that distance even for those ships. I certainly want to draw a lot of them, especially Flarelu because that’s a ship so rare that it makes Soft Junkan (before I fucking flooded the tag on tumblr) look like a bustling city.

Speaking of tags, I still think about sometimes how like, the Junkan Tag maybe got like, a post like, a few times every month. The normal amount for a ship of this general Rarity. And now it’s like, for so many pages, just half of it is me. Because I was asked to bring something to eat to the function for the buffet table and I fucking crashed a Food Truck through the wall. I feel bad about it sometimes, sometimes. I’m imagining the scenario in my head where someone who likes Junkan but didn’t check the tag super often because it wasn’t like, a super commonly updated one, and then pressing it for the first time in a year and being like “What the fuck happened here?” You know what still shocks me? Not once have I gotten hate for any of this. I was so fucking scared for like half of this projects creation that I was going to get bombarded with people angry at me for shipping this, and NOTHING. I’m not complaining I’m just confused. I have to at least have had a few people block me right? It’s just so eerily quiet. And it’d be one thing if it’s just a thing of like “Why would people who hate Junkan check the Junkan tag” because yeah, that makes sense. But also I’ve been putting at least one Junkan pic in both characters tags every day for 3 fucking months, there had to be at least one Mikan super fan who is eternally fed up with my antics. Like, awesome that I didn’t get harassed over a ship, that actually gives me a little hope that nature is healing, just. Crazy right???

So like. Fuck.

I guess I’ll get to the sappy shit now?? I think I ran out of things to be confused about in terms of what I did this year because of this ship. So I guess I’ll just start talking about how much it means to me, both the ship, and this project. 

(trigger warning, mentions of abuse, nothing super graphic in my opinion but could be mildly uncomfortable. Either skim ahead or stop here)

2024 kinda, fuckin sucked for me to be honest?? I have like 2 good things I can speak for it in terms of major positive points (Obviously I had other good experiences but if I just said “Oh I read a I Love Amy and it was one of the greatest things ever” it lacks the same impact). Not counting getting this project to like, work, obviously.

I finished the 5 chapters of my webcomic that I wanted prepped so I could actually make a website and start posting (ignore how I didn’t make the fuckin website yet). And I started dating my darling Yves and Rivette. Who I cherish deeply. I made other friends this year, a lot of them in part cause of this ship. And I went through a lot of emotional change. 

But to get that change it required I unpack a lot. And by a lot, I mean one bag that was filled to the brim. Gonna try real hard not to like, talk about this in excessive detail or turn this post into some woe is me bullshit, but I feel like I should at least make mention of it.

At the beginning of the year, I asked Yves (who I wasn’t dating yet) about my previous romantic relationship. And she confirmed to me that, based on everything I had told her about it overtime, that yes, it was abusive.

During 2021-2022 I was in a relationship with a girl I won’t name here, you wouldn’t know her of course, it was a completely different community. It started out as friends, I got a crush, jumped at it because I was still inexperienced with feelings, and it didn’t work out. And that’s the simple way of putting it, and that’s how I viewed it till Yves opened my eyes.

From the getgo it wasn’t healthy. She was manipulative, constantly had outbursts towards me, and yanked me around emotionally constantly. I would later find out that she had a previous history of just, generally being an awful person. Even after we broke up we still stuck around each other, mostly because I felt guilty for breaking up with her, and was also just generally terrified of her. The abuse was all mental of course, it was long distance so she couldn’t hurt me physically at all. 

I of course, didn’t process any of that as me being abused, I even viewed myself as being at fault for a lot of it. The experience was so bad that I identified as Aromantic because just convinced I wasn’t able to feel proper romantic feelings for someone. It wasn’t till much later when I got another crush that I realized that I’m Panromantic, and me being Aro (and very briefly Aegoromantic) was basically just a coping mechanism to write off my trauma. I still feel guilty about that since it feels like I devalued the importance of people who do identify on the Aro spectrum, but that isn’t relevant here.

Point is, a lot of bad shit happened to me because of that woman, and even after a year and a half of us not talking because we both mutually decided it would be better for us to not stay in contact, she still found ways to worm her way back into my life. One conversation we had just by chance, to catch up, that’s all it took and I was thinking of her again. I never talked to her after that, and I have her blocked now, but I didn’t need to for shit to hit the fan.

So I asked Yves that question, she answered, and I now suddenly had to deal with the fact that I was abused, and that I was traumatized as a result. And like, I never really viewed myself as a traumatized person up till that point, I viewed myself as someone who wasn’t very smart but tried her best to do good by people who didn’t have too much baggage beyond some sucky school memories.

When I had to unpack what happened that kind of spiraled into severe Self Confidence Issues and even more Self Hate. I struggled to accept even the slightest compliment if it wasn’t directed at my art. The reason I even quit weed is because I used it almost exclusively to suppress all of the negative emotions I felt. 

I’m in a somewhat better place now, I’m trying to give myself more breaks from artwork, rather than overworking myself constantly just to feel something (and being fully open, I realized near the end of december that I pretty much used Overworking as a form of self harm). I’m gonna really try this year to like, actually let people be nice to me, and in turn try to be nicer to myself. And I have goals to work towards for this year. But I wouldn’t have gotten to this point without two things. One, my girlfriend Yves, who even before we started dating helped me through multiple breakdowns and has helped/allowed me to grow into a (I hope) better, healthier person. And even after I got over most of my feelings related to my Ex, has continued to help me cope with my self hatred. I cherish every moment we share and wouldn’t trade her for anything.

And the other thing, which I know will sound silly right after I talked about my girlfriend, is well. Junkan.

Let me say this, I didn’t get into Junkan to cope with my abuse. I have toyed with the notion in my head before and the idea of it pisses me off to a quite frankly irrational degree. I was into Junkan before I realized my issues. If you want my coping mechanism it’s Alex from Minecraft and no I’m not explaining that right now.

That said, it, like all the yuri ships I like, was a source of comfort for me. Originally I read stuff like Tokomaru fics just to help me reduce stress, back when I dealt with really severe anger issues due to the online spaces I occupied. And to this day reading a nice, fluff fic can calm me down a bit. But now they can serve a much deeper sense of comfort, away from all the bullshit, and obviously, gave me a way to distract/calm myself from the storm of negative emotions and memories that filled the brain.

I see myself in Mikan more than I’d like to personally admit, obviously not to the extreme, but in aspects. So it’s just, nice to see a better timeline for her with Junko, ones where she gets to be happy and maybe even heal as well. It just so happens that I also think there’s a lot of genuinely good potential for the ship from either a canon or non-canon perspective, and Junko’s just a really enjoyable character. 

Working on this project helped too. It gave me a way to dive deeper into my love for this ship, and gave me a sense of purpose and validation that helped me work through the rough. Whether it was the really bad mental health days, or just a shit streak of commission work that tore away at me because my job even if I love drawing can be a real drag at times, and i’m unfortunately a workaholic (Trying to work on it though).

I think i’ve said it before but even something simple as Val showing her excitement over the art pieces I was prepping could genuinely brighten my day even while I was at my lowest.

And then when I really started pursuing this as a project, rather than just a secret stash to satiate myself and one other person minimum, I realized I could do something good here. For the people like me who loved this ship but might have been too nervous about expressing it, the people who were just really craving it, and the people who had already made all of the fics and art that sent me into this spiral of obsessive passion in the first place! A gift to all of them, to make ya’ll happy. 

In hindsight, may not like, the healthiest mindset for setting off this whole project. But hey it all kinda circled around into eventually helping my mental health recover. So like, win?

And i’ve already spoken on how Day 60 allowed me to feel a lot more emotionally free as an artist even if I still have my struggle days. I’ve gotten better just in general as an artist as I improve more at stuff like expressions, posing, linework, etc. And I’ve even managed to make friends with some of the people I used to look up to as idols and can finally just view em as normal people now. (Even if I might still be a bit excessive in my praise, I swear I’m normal about ya’ll besties I just don’t have like, a middleground for showing my appreciation and affection for my friends. It’s maxed out unless I’m tired as shit) 

I find myself comedically terrified of how this ship has affected me over the course of 2024, and how it will likely continue to affect me through 2025 even as I try to move onto other projects not related to Junkan. I wanna show off my love for Fairy Tail on my main blog, and I really think that with a full years time and the first five chapters done I really can get my comic off the ground and focus on that for the foreseeable future.

But hey, 2025 at least we got two whole Junkan Events. And with Junkan Week I’d like to keep that going for as long as I can, unless someone else takes the reins way down the line. So this ol’ blog’ll keep going for a good while I imagine, even if it’s a lot smaller. Maybe I’ll find other ways to keep this place active, I’ve considered just making it a one stop shop for all things Junkan though I don’t think I’m really suited to manage that. Maybe someone’ll read this and try there hand at it down the line, maybe someone’ll do their own 100 Days of Junkan! 

Oh hey did I ever tell ya’ll I was gonna make a comedic video just making a guideline for how one could make their own 100 Days Project. It was gonna be like, pretty obvious points just framed in a very exaggerated and comedic tone. 

Alright anything else I should cover? Fun facts? Deep personal anecdotes? Sappy stuff?

Lemme check my files, maybe i got another dumb joke image- 

. . . 

Oh . . . Well there’s somethin.

Alright, don’t get to excited ya’ll, but just for a bit of fun, how about one last day in the project. I know 101 days doesn’t roll of the tongue as well, but I think this is vaguely interesting enough to make up for that! Tune in tomorrow. Same time, same place. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[frostbitebakery]

Progress Shots For My Entertainment

A Journey

A few people have mentioned how they like getting WIP pics of a drawing I’m working on and see it go through all five stages of grief whilst I slowly go insane. So how about I do all that but in a post?

Behold! Pirate Dancing.

It came to me upon a dream and ballroom-esque pirate music. But I really, really wanted these two specifically to dance and I begged @elwenyere to let me. She agreed 💜

Like everyone else, I start out with the messiest sketch and proudly show it off in hopes it goes on the fridge. Subsequently in step 35664338 I clean up the sketch to something coherent, though the lineart barely makes it to the very end. It’s a mix of part of the art and helping guides for where goes what.

Followed by more tedious work of choosing flat colors. Which is the worst. I wrangle with layers so connecting flat colors aren’t on the same layer. Everything goes into alpha lock, just like the rest of my sanity.

Then the fun starts.

Hair 😍

It’s the first thing I shade. I gotta have the hair down before shading faces. It somehow does not work vice versa for me. Faces absolutely have to be next. If they’re not to my liking, the whole work stalls. Cody’s face in this gave me so much grief. He went through five or six similar iterations before I settled - and was satisfied - with the version that’s in the finished work.

The rest of the shading is me bullheading through it piece by piece, cursing myself for being anal retentive. Especially the leather and leather embossing was… there was so much leather. The look is achieved by a brush that’s called “Old Metal”. Personally I don’t think it looks like old metal but it’s fantastic for leather. I have a few darker and lighter shades and I use the brush in different sizes and opacities to wrangle a leather look out of the flat mid-tone base. The symbol of the embossing is on a separate layer above the flat color, with the mode set to multiply and layer opacity anywhere between 15 to 30%.

Once I get all of that done, I play around in post-production. I throw effects at it, adjust color temperature and saturation. I enhance light reflections on metal. Lighten up places that suddenly look too dark, darken parts that suddenly look too light. Post-production is very much the stage where I really choose an overall vibe. Which is why I send WIPs through post to get a feel of what I should work towards during shading.

And get new perspectives on a work. :P

[good-wine-and-cheese]

HNY!! ^^ For the artist/fic writer ask: 2, 12, 14, 23/24!

Yay yay thank you!!! Happy new year ^^

Artist/fic writer ask

2. A piece you're proud of and why

It's gotta be this piece for the Vaesen crew!

Normally it's hard enough for me to draw ONE character in a fully rendered scene but now it's 3 and only one of them have I ever consistently drawn. But, I pulled it off! I had a good time trying to really capture the mood of the scene. It was definitely my most daunting piece drawn this year and the fact that I finished it all the way makes me happy.

Writing wise I would say the as of yet unfinished longfic I've been writing, the indomitable human soul. It started out with a simple AU concept that takes place post-Astro Boy that was maybe going to be 20k words or so, but it has since ballooned into a tense character dissection of Umataro Tenma that has been a wonderful experience to write. It's been a journey to write and I've been having a great time with it.

12. A concept you'd like to develop next year

I have a comic idea that I sort of left on the floor when I got swallowed up in a bunch of other stuff and the idea of writing a comic felt like it was too much. Without spoiling PLUTO too much, the idea would be that it follows Hoffman after the events of the story as he goes off on his own, unable to continue his work with Europol. I really adore his character and think there's a very interesting rich plot potential for him that just escapes the scope of Pluto's narrative (his would-be 'arc' taking place just after the end) so I want to really explore that.

14. Something new you tried this year

Single layer shading! I normally have like 5 different shading layers; one for skin, one (or two) for clothes, one for hair, and then one or two "fuckin around for fun" layers. I started doing a couple pieces where all of my shading was done on a single layer. I found, when it was all on one layer, I was able to be more loose with my shading and not feel as constrained with it. Basically the entire thing became "fuckin around for fun" shading which I think is the best kind of shading.

23. Rec another creator's fic you wish more people would read

I would have to say this fic here by @soleilenchaine about Helena and Gesicht from PLUTO. It is explicit mind you, so bare that in mind, but it's a wonderful study of character for two robots as lovers and what that means for them. And I won't say too much else but the way that formatting is used really compliments this fic well in a heartbreaking way. It's so so good. If you've read or watched Pluto it's so so excellent.

24. Rec another creator's artwork you wish more people would see

I'm gonna rec @felis-rach! I found them first through their Astro Boy art, but everything else they draw is so lovely. There's so much personality and their colours are always so nice to look at. There's a ton of variety in their style and subject matter and I think more people should look at their stuff<3

[ratasum]

250 Follower Art Giveaway!

Holy crap there's 250 of you-

Anyway hi there! I said when I got up to 250 followers, I'd do an art raffle, so here I am! Doing an art raffle! I want to show my appreciation for everyone hanging around here listening to me ramble nonsense about rats and rat accessories, and the best way to do that is a raffle to give out some art!

Here's what the winner will get:

One simple portrait with shading and colored lines.

I'll do any race though as you can see I'm best at asura.

Simple background, as seen above.

Here's the simple rules:

You gotta be following me. New followers welcome to enter, always! I will shower you with virtual appreciation.

Everyone is eligible for two entries: one for a like and one for a reblog.

Please play fair; if you have a GW2 sideblog and a main blog don't reblog with both (like is okay though, just put what your main is in the tags when you reblog so I know).

And that's it! I'll be running this through the end of January. I'll probably do another giveaway for my tenth GW2 anniversary, too, in April. Maybe for a bigger more finished piece.

Thank you all so much again and I hope you all continue to enjoy my mad rat ramblings in the times to come.

[xxiamrainxx]

Day 6 of trying to get back into digital art!

Our first work in progress of the series, let's go! I definitely meant to have this finished today, but it's taken about as much time as yesterday's drawing already, and I still need to figure out the color palette and add all the finishing touches. So, to make sure I actually post something for day 6, I present you with the lineart.

(I do have the shading done already, but you don't get to see that until I post the finished piece.)

This time, I decided to do a drawing of an OC of mine! I want to make a proper reference sheet for her sometime soon, but I don't think I'm quite comfortable enough with digital art for all that just yet. I'll get there eventually, and this bust shot works as some design work in the meantime.

She's about two years old now, so I have some older designs to work with (that I will not be sharing), and I've done some fairly recent traditional sketches of her, so I have a pretty clear idea of what I want her outfit to look like. Her hair I was way less sure about, but I'm happy to say that I think I've settled on something I like! Now I just gotta figure out her color palette and make some minor tweaks, and her design is finished! (until I decide to redesign her again, lol).

I'm super excited to finally show off an OC to you all, because while I do love making fanart very very much (and that will still likely be what most of my art is), I also like having silly little guys (gender neutral) who are mine and that I made, even if I don't use them for anything and they just kind of... Exist. I really hope you all love her as much as I do, and let's hope I can show off some more OCs in the near or distant future <3

Finally, here's the drawing for today. The finished piece should be up soon- either later today, or sometime tomorrow, depending on when I finish it.

For now, enjoy this little sneak peek<3

[art-is-not-relaxing]

You know, I spent ages practicing for this, perfecting my gradient technique, cherry picking the colours and shades. And this is where we are now. This is what it was all for?

But I suppose that’s just the way art is sometimes

Even if you spend pages

And pages

And pages practicing and trying to entire the quality of your final product, you still might not be satisfied with the end product. But that’s ok. You just gotta keep going, see it through, figure out which boys you don’t like, and turn the page. Start a new piece. And use what you learned.

This isn’t finished by the way! Not at all. I will show when it is though so stick around if your interested :)

[hiccanna-tidbits]

@jackunzel-time

Jackunzel Month Week 1 - The Artist and the Muse

***

You hide your eyes behind the shades Your stroke can make the climate change Your art should see the light of day (you and me a masterpiece)

You never let your colors show Lose your face when we get close I’ve seen you paint, nobody knows (you and me a masterpiece)

You’ve got an artist inside you Come drown in my navy blue Tonight let the artist inside me be you

Baby paint me like a canvas – don’t mind You’re dripping colors on the mattress tonight Dip your brush into the pallet, all mine Make the shades of you and me a masterpiece

Put your body where my heart is My love I’m the muse and you’re the artist Don’t stop Gotta finish what you started Oh, god Make the shades of you and me a masterpiece

You make me Scream in Starry Nights The golden kiss, mysterious smile You never let the paint run dry (you and me a masterpiece)

I’m standing pose for your design Your fingertips, they reach for mine Let’s make a mess and cross the line (you and me a masterpiece)

You've got an artist inside you Come drown in my navy blue Tonight let the artist inside me be you

Baby paint me like a canvas – don’t mind You’re dripping colors on the mattress tonight Dip your brush into the pallet, all mine Make the shades of you and me a masterpiece

Put your body where my heart is My love I’m the muse and you’re the artist Don’t stop Gotta finish what you started Oh, god Make the shades of you and me a masterpiece

Make the shades of you and me a masterpiece

Baby paint me like a canvas You’re dripping colors on the mattress Drip your brush into the pallet And make the shades of you and me a masterpiece

Baby, paint me like a canvas – don’t mind You’re dripping colors on the mattress tonight Dip your brush into the palette, all mine Make the shades of you and me a masterpiece

Put your body where my heart is My love I’m the muse and you’re the artist Don’t stop Gotta finish what you started Oh, god Make the shades of you and me a masterpiece

***

People always ask her at art shows where she gets her inspiration. Come spring, the assortment of pieces she's pumped out during the darker months never fails to amaze.

Streetlights shining through blizzard flurries. Ice on early April buds. Peach, rose, and lavender sunsets through snow-filled clouds. White-topped pine forests so mesmerizing that you can practically feel the stillness and silence of the winter.

Every time, Rapunzel smiles mysteriously and cites another artist.

"He's...underappreciated. His work hasn't ever had its day in the sun. But I've seen the best of it."

She always straightens proudly at the last part. And her customers can't help but be jealous that she gets to see this mysterious obscure talent apparently hidden from the rest of the world.

It has to be hidden, or else Rapunzel's work wouldn't be so uniquely spectacular. More people would paint even the coldest and bleakest of winter nights--even with no holiday lights to shine through the darkness.

"What's their name?" people always ask, hoping to investigate the esoteric artist themselves.

"Jack Frost."

And they laugh, because they think she's just being poetic. Taking inspiration from the fabled creator of ice patterns on morning windows and vast, quiet snowscapes.

If only they could see the white-haired boy just above them, perched on a nearby lamppost and chuckling to himself. Invisible to all the world except the artists who see beauty in his work.

***

HIHI I'M SO SORRY I'M LATE

Heh, you didn't really think I'd forgotten Jackunzel month, did you??? Had a lot on my plate these last couple months but by GOD am I gonna pull through for my children!!! I've been making them November content for 3 years straight and I ain't about to stop now!!!

Anyways this song popped up on my spotify and I was like oh huh. Yeah that's a Jackunzel song all right. And then this happened!

I feel like it could be from both of their POVs, btw! Like Rapunzel is the one we think of as the artist, but Jack kinda is, too--just look what he can do with snow and frost! Art that never sees the light of day indeed ;_____; And "your stroke can make the climate change" like??? Literally Jack??? Also love the idea of him doing little frost designs on her skin and clothes ;_____; Just little reminders of her mans she can carry around for a while before they melt! Especially in the summertime, when she could really use it!!!

But "come drown in my navy blue" is very Jack @ Rapunzel, too. And Punz definitely has a golden kiss and mysterious smile akdjsuilkh

Depending on how you interpret these two and their relationship, you can pretend some of the, er...spicier implications of this song are a metaphor for like. Deep conversations and enthusiastic cuddling if you like XD

Can you imagine Rapunzel actually painting in her bed and getting acrylic all over her blankets and insisting it gives them character??? Shit would be hilarious. Jack would also thoroughly approve of the chaotic and general unhinged nature of it all ajshdksgd

I missed them!!! God, it's been too long!!!

As always, moodboard pic credits available upon request :3

[cupcakestreets]

Fren wants more ask game emojis??? Okay.

☕️ and 🎼 plus 📚

Yeah, dynamism is a bitch, so I don't blame you at all for getting nervous about it. Of course, the biggest change you can make is foreshortening and perspective, but that takes finding a source that can teach you in a way you understand, a lot of studying, and then trial and error. Which is worth doing, we (I'm saying this to myself too) really should study that. And it's a nightmare because first, you gotta find a source that explains the material in a way that makes sense to you, then you have to find a way to make the studying more fun and worst of all, you have to actually commit and do it. With foreshortening and dynamic posing in particular, the study can take a long while to complete because it does demand an understanding of anatomy, breaking the body down into simple volumes, applying perspective to each piece then knowing how to shade each volume correctly. So, depending on where you are with all those components, you may have to backtrack further.

So, what little changes can be made to increase dynamism in the interim? A pretty easy one is Rim Lighting, pure white is common, and so is really dropping the color values paired with a vibrant colored rim light (red, cyan, magenta are popular). Pushing the shading a bit more will help accentuate bent limbs, rotated torso's, overlapping body parts without having to go ham on foreshortening. Exaggeration of shapes like how Sonic uses big ass hands and big ass feet. Or the Big Pant Big Jackt meme and its variants from Twitter/X. You can try making frames and having feet, limbs, weapons or the top of the character's head extending past the border (typically the more, the better because if it's too little, it reads as a mistake than a choice). Line weight variation is pretty easy (thicker lines towards the shadows, thinner towards light source). Or extending certain lines past the outline and into the shape to create a more 3D look. While the whole trend of "fixing" other artist's art is controversial, one good thing I've learned from watching a few vids is the idea of using the Liquify tool on a finished piece to exaggerate the line of action on something a bit too static.

I hope you don't mind the ramble. If you're interested, I can send you a link to some vids or my playlist of tutorials I've saved.

Spice.

☕ Do you do warmup sketches before drawing? (Bonus: do you have any to share?)

No I do not do warm up sketches i just get straight into it usually. So no bonus sketches but he's a doodle page of my robot oc L-11AC

🎼 Your favorite music to draw to right now?

Future Funk music! It keeps me awake and i can groove~

📚 How many layers do you typically use?

Max i use is 50 layers, but i think i use 20-30 layers daily

Also thank you for comments too! These are literally all the things i think about. Still i do try to teach myself new stuff when i can

[rosepetalgold]

the art of saying goodbye

Summary: Remus expects a lot of things from the Queen Anne Victorian house he’s just purchased—a restoration project to occupy his time, some peace and quiet from nosy neighbors, a chance to brag about being a homeowner before his goody two-shoes brother.

What he doesn’t expect is for the property to come with a very real, very curious ghost. But what is he supposed to do, just ignore the spirit? That'd be nothing short of rude, especially considering that the specter's fascination with modern science and penchant for hijacking Remus' technology proves unfairly endearing.

But even as their unlikely friendship grows, so too do the questions swirling in Remus’ mind: Why is Logan still haunting the place he used to live? Who is the mysterious Janus he refuses to talk about? And what will it take for the ghost to finally find peace with the life and the love that were stolen from him so long ago?

Relationships: Platonic Intrulogical, past romantic Loceit, background romantic Prinxiety

Warnings for this chapter: None!

Word Count: 7000

Notes: My fic for this year's @sandersidesbigbang, aka another angsty tale that inexplicably grew out of a single fluffy scene, aka a prime excuse to procrastinate by poring through countless photos of beautiful Queen Anne houses my beloved. I hope you enjoy this ghostie story as much I enjoyed writing it! A big shoutout to my wonderful beta reader @dragonsaphirareads for all their feedback on this fic, and don't miss the amazing art by the incredible @casart and @onthevirgeofdestruction—you can check out their pieces here and here! (Seriously, even if you don't read the fic, go feast your eyes on their work because it is straight-up stunning. Go look, you'll see.)

Read on Ao3 Masterpost

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start (you’re here!) - next

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“This place is definitely haunted.”

Remus snorts, giving his brother a friendly sock in the arm.

“Oh come on, Ro, you scared of a few ghosties now? Afraid a floating white sheet is gonna jump out and yell boo?”

Roman doesn’t answer, just eyes the Queen Anne Victorian home in front of them with the amount of trepidation he usually reserved for any time Remus started a sentence with ‘I have an idea.’ The house does give off distinctly spooky vibes, Remus has to admit, what with its boards in desperate need of a new coat of paint and its broken window in the attic, not to mention the porch that looks liable to send someone plummeting to the ground if they take a single wrong step, but what was wrong with any of that? It all just added to the building’s character, and the risk of falling through the veranda was a delightful way to keep visitors on their toes, in his superior opinion.

And besides, he couldn’t turn his nose up at the property’s many flaws when they made it dirt-cheap. He wasn’t exactly a millionaire.

He grabs Roman’s arm, tugging him forward.

“C’mon, there’s some wicked spindlework on the back you gotta check out.”

His brother makes a sound of protest, dragging his feet as Remus hauls him onward.

“Aren’t we going to go inside?”

“Nah, I don’t have the keys yet. Everything’s still pending or whatever.”

Roman shifts his incredulous gaze from the house to Remus.

“You made me come all this way just to look at the outside of a house you haven’t even officially bought yet?”

Why yes, he had. He was such a good brother.

“Don’t act like it’s such a burden to drive twenty minutes out of the way to get here, especially when it means you’re twenty minutes closer to a booty call with Virgil.”

Roman splutters, face flushing a splendidly scandalized shade of crimson, and Remus cackles. That was more like it.

“Now c’mon c’mon c’mon, the sooner you ooh and aah over all my cool house shit, the sooner you can get some of that good di—”

“Don’t even finish that sentence,” Roman interrupts, slapping his hands over his ears, but he doesn’t protest as Remus pulls him around to the back of the house and points out the expansive if overgrown backyard, the plethora of decorative elements adorning the home, the leaded glass windows that have survived well over a century.

“I don’t get it, though,” Roman says as he eyes the tower gracing the corner of the house, something Remus would swear is a hint of jealousy in his gaze. Made sense. He knows for a fact his brother would sell his soul to be Rapunzel. “If this is such a nice place, why has it sat empty for so long?”

“Dunno. The realtor just said it stayed in the family of the guy who built it for a while before changing hands a bunch. Apparently every time it’s been on the market it’s taken ages to find a buyer, but she didn’t really say why no one wanted to live here for too long.” Probably just her trying not to scare him away from what was clearly a substantial restoration project so she wouldn’t lose her commission. Either that or there was some kind of toxic fungus in the walls that had taken over all the previous residents’ brains and turned them into zombies and Remus was about to become its next victim.

What a delightful gamble to find out which one it was.

“Can we please go now before some serial killer comes charging out of this place and we both end up on the news?” Roman asks, already edging back towards the front of the house.

“Sure, if you really want to give up your one shot of having your fifteen minutes of fame in the media,” Remus replies, dancing away with a grin as Roman aims a kick at his shins. “Fine, fine, we’ll go. I wouldn’t want to keep you from a hot date and some—”

Something catches his attention, a flash of movement out of the very corner of his eye, and he pauses mid-stride, doing a double-take at the second-story balcony overlooking the backyard.

Nothing. Not even a curtain blowing in the non-existent breeze.

“What?” Roman questions from where he’s also stopped a few yards ahead of him.

Remus looks a moment longer, searching for anything out of place, but all is still.

“Nothing. Probably just a bat or something. Wouldn’t that be cool as shit, to have bats as roommates? Hey, maybe they have rabies if they’re out in the daytime. Did you know…”

He launches into a spiel of the most gruesome and fascinating facts he knows about the disease, joyfully watching his brother’s face grow increasingly horrified with each one as they make their way back across the yard, and by the time they reach the driveway, the flicker of movement is barely a blip on his mental radar.

Just a trick of his eyes, surely.

It wasn’t like houses could actually be haunted, after all.

---

Home sweet home.

Or home rundown-and-slightly-musty-smelling home, as the case may be, but who was Remus to nitpick?

He fits his shiny new key into the lock and steps inside, letting the door click shut solidly behind him as he pauses just over the threshold, taking a moment to survey the foyer. His foyer now, in his very own home. The sale had been endless offers and counteroffers and a mountain of paperwork so large he’s positive he could have buried himself beneath it and never been seen again, but the place is finally his.

Him, a homeowner. Who’d have thunk it. He’ll be rubbing this in Roman’s apartment-renting face every chance he can get, thank you very much. It’s the least he can do, really.

He unceremoniously deposits the cardboard box in his arms on the floor and wanders further inside, trailing his hand along the smooth wood of the stair banister as he passes. He’s supposed to be meeting some of his friends back at his old place shortly—or now, actually, but that was wholly irrelevant—to start moving all of his worldly possessions into his fancy new abode, but he hadn’t been able to resist the temptation of taking the first load of boxes alone just to have the place to himself for a bit; he could use a few minutes to enjoy the space in peace before it’s filled with Roman and Virgil squabbling about the worst Disney movie heroes or whatever argument they were bound to get into.

Despite its well-worn exterior, the house is in surprisingly good condition inside, he muses as he roams through the empty rooms. There’s clearly extensive work that needs to be done if he wants to restore the place to its Victorian glory, an ambitious undertaking he knows will be neither cheap nor easy, but the bones of the structure are all solid, especially considering how many years it’s stood empty.

He finishes his meandering loop around the first floor and heads up the stairs, the tread of his steps entirely too loud for the pervasive quiet as he continues his exploratory wandering through the second story rooms. He pauses as he reaches what is clearly the master bedroom, surveying the original fireplace, the century-old hardwood, the attached balcony that was just begging to be used to pour water onto his unsuspecting brother’s head. Shit, his new house was cool as fuck.

It’d make the most sense to start hauling his load of boxes here, considering that’s where most of his crap is going to end up eventually, but the longer he hovers in the doorway, the more something feels … off. Just the slightest tingle prickling down his spine, and not the good kind. He steps inside and the temperature drops noticeably, a chill raising the hair on his arms.

“The fuck?” he mutters, raking his gaze over the windows in search of damaged panes letting in a breeze, but everything is intact.

He advances another step on impulse and the pinpricks dancing along his vertebrae only grow stronger, now accompanied by the distinct feeling he’s being watched. He scans the room again, slower this time, but there’s no furniture, no closet, not so much as a nook or cranny for anyone or anything to hide. Even the ceiling is empty when he turns his gaze upwards on the off chance he really does have some bats hanging around that he’s somehow missed on his numerous pre-sale walk-throughs.

Nary a beady eye to be found and still the sensation of being in someone’s sights doesn’t lessen. Not that it’s a threatening feeling, exactly, just distinctly unsettling, like there’s someone behind him no matter how many times he glances over his shoulder and finds nothing but empty air.

But that was crazy. He’d read the final sale documents until his eyes had been about to start bleeding and he’s absolutely positive that the house hadn’t come with any roommates. He’s probably just imagining the feeling, the result of watching one too many horror movies in the last week or his brain making things up in an attempt to liven up the empty space.

His phone buzzes in his pocket, yanking him out of his thoughts, and he rolls his eyes without even looking at the screen, already able to see the text from Roman in his mind’s eye: where you at?? i’m not packing up all your crap for you followed by an absurdly long string of emojis that basically constituted their own Roman-specific hieroglyphic language.

Time to face the moving-day music before Roman got annoyed enough with waiting that he rescinded his promise of free manual labor, then. Any investigations of potential invisible voyeurs would have to wait, no matter how titillating such a prospect sounded when he put it like that.

“You win for now, house,” he says into the quiet as he turns to leave, an edge of coldness still dancing along the goosebumps on his skin. “Keep your secrets. I’ll figure ‘em out eventually.”

---

The afternoon passes in a blur of hauling entirely too many heavy boxes and unwieldy pieces of furniture to the new house, and by the time night settles onto the horizon, Remus is utterly exhausted. He flops back on the couch, too tired to even think about putting his bedframe together, and he’s out in minutes.

He wakes disoriented, mind scrabbling blankly for a moment before the darkness coalesces into the still-unfamiliar contours of his sitting room. He just lies there for a moment, trying to figure out what’s roused him, but all is still. Just his brain deciding to deprive him of some tantalizingly horrifying nightmares, unfortunately—

Tap tap tap.

Remus bolts upright at the unmistakable sound of footsteps on the hardwood upstairs, adrenaline surging in a dizzying rush. There hadn’t been any signs of a squatter all day, and surely he’d remembered to lock the doors so no one could steal all the crap he’d just spent a whole day of his life lugging around. He waits for a moment, holding his breath as silence falls, and just when he’s about to pass the whole thing off as his imagination playing tricks on him, the steps start up again, slow and rhythmic like someone is pacing on the upper level.

Fuck his luck. If someone is secretly living in the attic of his fancy new home, he’s not going to be pleased.

He rolls off the couch and snatches his phone off of one of the plethora of boxes waiting to be unpacked, debating whether to risk turning on the flashlight before deciding for it; he might give away any element of surprise with the beam, but he’s certain to give it away if he starts banging face-first into walls or cracking his skull open falling down the stairs. His eye catches on a glass paperweight on the coffee table, a characteristically pretentious housewarming present from Roman, who apparently thought Remus had so many papers flying about that he needed to corral them with a glorified rock, and he seizes it on a whim.

Makeshift weapon was a much more useful purpose for the thing than its intended function anyways.

He edges around the scattered boxes towards the stairs, careful to keep his steps light and his hand shielding the light from his phone as the footfalls continue overhead, and makes it all the way up the steps without so much as a creak to give him away.

Flawless. He knew all those times sneaking up behind Roman to scare the shit out of him as kids would pay off someday.

He pauses on the landing to triangulate the noise, then creeps down the hall towards the footsteps as the sound grows even more distinct. The master bedroom again? What the actual fuck was going on with that room? Had he really managed to miss someone in there when he’d investigated earlier in the day? No, he couldn’t have, but then how had someone managed to get past where he’d been sleeping on the couch? Unless he really did have somebody living in the walls—

A floorboard squeaks underneath his foot, deafeningly loud in the quiet of the night, and the footsteps abruptly stop. Remus swears under his breath. Traitorous piece of wood. Now or never, then.

He lunges forward into the doorway of the master bedroom, raising the paperweight and howling a war cry as he swings his light across the room to reveal—

Nothing. The space is as entirely and utterly empty as it had been that morning.

Well, shit. There went any element of surprise he had left.

He darts back into the hall, racing to search through the rest of the rooms on the upper level one by one, but they’re all just as vacant as the first. He even hauls himself into the attic, bracing himself to be clubbed over the head by whoever is lurking, but with the exception of innumerable shadows billowing away from his flashlight, the space proves equally empty as the rest.

Unease stirs in his gut, creeping in alongside the lingering adrenaline as he makes his way back down the precariously rickety ladder into the main house. Surely there’s no way someone could have gotten past him, not when he would have heard them in the hall or going down the stairs.

And yet, as far as he can tell, besides a few mice tucked away in the attic, there isn’t another living soul in the house.

He stops in the doorway of the master bedroom again, staring inside. He’s positive this is where the footsteps had been emanating from, lack of proof be damned. Something weird was going on with this house.

Good thing Remus had just made the biggest financial commitment of his life to buy it.

Nothing for it now but to hope some elusive, wall-dwelling ax murderer doesn’t give him the chop in his sleep, he supposes, although he has to admit that’d be a badass way to go.

He reluctantly makes his way back downstairs and shoves a pile of boxes at the foot of the stairs to trip any nefarious intruders coming down, then retreats back to the couch, all the while keeping his ears primed for so much as a whisper of sound above him.

But even though it takes him a long time to drift back to sleep, the house around him remains as silent as a grave.

---

The whole thing must have been an impressively lucid dream, Remus decides the next morning. A second investigation in the light of day doesn’t reveal anything out of place: no shoe prints on the floor, no critters, certainly no people. It was probably nothing then, he tries to convince himself, just his overactive imagination needing an outlet after being a bit too jittery from all the excitement of moving.

But he finds himself pausing in the master bedroom again, something drawing him back to the space. First the chill and the strange feeling of being watched, then the mysterious footsteps? Two separate coincidences, or something more?

God, he sounded about as paranoid as Virgil. Next thing he knew he was going to be inventing his very own conspiracy theory to explain a few bumps in the night.

It really was nothing, he tells himself, shaking off any lingering unease as he tromps back down the stairs. If he starts jumping at every little noise in his old-as-shit house, he’ll be long dead before he gets the property restored. If he starts seeing glowing red eyes in the dark, he’ll start to worry. Until then, he has a mountain of boxes to unpack.

Unfortunately, said mountain does not pull a Beauty and the Beast and begin unpacking itself, leaving Remus to spend a dreadfully dull afternoon doing it instead, only the allure of building a fort out of all the empty boxes keeping him from living out of cardboard for the rest of his life.

By the time he’s finally finished unboxing most of the downstairs and getting the tv and wifi set up, most of the day has passed him by, afternoon sunlight splaying golden fingers across the hardwood.

Break time, then. He’s earned it, if he does say so himself.

He collapses onto the couch, flipping on the tv and surfing through the channels until he finds a rerun of some low-budget horror film from the eighties. Perfect. Nothing like a bit of mindless tv to rot his brain just that much more. Settling back more comfortably into the cushions, he pops open the bag of chips he’s snagged from the kitchen and pulls out his phone, beginning to scroll through his notifications.

Modern multitasking at its finest, truly.

But he’s barely a minute into atrophying his mind via social media before the tv starts flickering, volume dropping precipitously before ratcheting back up, the picture jumping to the weather channel, then a British cooking show, then the news with Spanish subtitles flashing in and out at the bottom of the screen.

Remus freezes with a chip halfway to his mouth, staring at the remote where it’s very definitely out of his reach on the coffee table, all by its lonesome. He’s no expert, but he’s pretty sure technology was not, in fact, supposed to suddenly start functioning by itself without any human input. Was his new house secretly sitting over some freaky radioactive waste? That would certainly explain why no one had wanted to buy it. Or was this some EMP disaster? Had someone decided to take out the whole country’s power grid, starting with Remus’ shitty tv?

He sits up, reaching for the rogue remote, only to pause as a chill moves over him, then past him like it’s heading for the tv, and the screen crackles, static beginning to fuzz both the video and the audio as the picture continues to leap wildly between programs.

Fuck the remote, then. Whatever freak accident has descended upon his living room, it’s time to go straight to the source.

Abandoning his snack, he stands, striding to the outlet and yanking the plug out of the wall. Silence falls immediately, the screen fading to black, but there still lingers a noticeable chill in the air, cold energy palpable against his skin and all too reminiscent of the feeling he remembers from being in the master bedroom.

“What the hell,” he mutters under his breath, casting his gaze around the room. Empty, just as upstairs had been the last three times he’d checked. He takes a step backwards, then another, and the strange chill decreases. On a whim, he pulls out his phone, scrolling through several apps without even paying attention to them, and sure enough, the hair on his arms raises as the temperature falls again, that sparking feeling of energy growing more intense as his phone begins to flicker on its own.

“What the actual hell,” he whispers again. Roman can’t have been right—this place can’t actually be haunted. There’s absolutely no way there’s a real, live—or dead, technically, he supposes—ghost in his living room right now playing fuck-up-the-electronics.

But if there is…

“Hello?” he calls, and the flickering abruptly stops, chill retreating once more. Shit. One word in and apparently Remus has already fucked things up. “Hello?” he tries again. Did this maybe-possible-potential ghostie even speak English? “I’m Remus,” he says, feeling more than a little crazy for introducing himself to his empty living room. If Roman ever knew of this, he’d die laughing and then Remus really would have a ghost haunting his ass.

He wracks his brain for something to say. If he were a ghost and a stranger started moving all of their shit into his home, what would he want to hear from them?

“Um, cool house you have here. I’m not gonna like, fuck it up or anything.”

Silence.

“I’m planning on restoring it bit by bit as I have money so if you could tell me the original paint color or wallpaper patterns, that’d be dope.”

Still nothing. Apparently the ghost is not amused. Time for a different tactic, then.

“What’s your name?”

Not even a cricket chirping. Jesus fucking christ, Remus is really blowing this.

“That’s the tv—the television,” he explains, gesturing towards the device that had seemingly either fascinated or enraged his new housemate, he can’t quite tell which. “It works by… well, I don’t really know how it works. Something with waves and frequencies or some shit? But you can watch recordings, people acting or baking or doing dumb reality dating shows or whatever, so if there’s something that you wanna see…”

He trails off, surreptitiously scanning the room for any ethereal presences, but the house is quiet, the ghostly feeling fading bit by bit. Great. An actual paranormal experience and he’s gone and shoved his foot so far in his mouth he can practically feel his toes wiggling in his small intestine.

“Alright, that’s cool, no worries. Just lemme know if you change your mind.”

He waits a moment more, hoping for a disembodied voice to speak or an object to start moving on its own or his body to suddenly become possessed, but there’s nothing. Snagging his leather jacket off the back of the couch, he beelines for the door, forcing himself not to run as excitement begins to grow with every step, bubbling up around his bones. He has a ghost. A ghost, an actual fucking ghost, and he hadn’t even had to pay extra for it. No way he’s not going to take advantage of the universe handing him the sickest housewarming present in the world, never mind the fact that he might end up a walking meat suit for the spirit.

He pauses as he reaches the edge of the yard, then thinks better of it and pivots, heading for his car instead. Who knew how far ghost range was, and he doesn’t want his new roomie overhearing. He’s practically vibrating with energy as he makes his way down the long, winding drive, and he only makes it a few miles down the road before he’s pulling over onto the shoulder, hopefully well out of spirit range.

His first call rings through to voicemail, but Remus doesn’t bother leaving a message, just hangs up and tries again, only to be met with the same result. The third time, though, proves to be the charm.

“What,” the voice on the other end spits, cheerful as ever. “Fuck you, Remus, I’m in the middle of—”

“You’re still into all that weird stuff, right? Like the cryptids and the creepies and the ghouls and ghosties and all that?” Remus interrupts. He can deal with Virgil’s wrath another time—he has information he needs and he needs it pronto.

A pause, so long he’s sure Virgil has hung up on him and he’s going to have to keep calling until the emo answers his question.

“Yeah?” the distrustful reply finally comes, anger blunted by obvious wariness. “Why—”

“I need to pick your brain,” Remus cuts in again. “I’ll be there in twenty.”

---

Plan Contact The Resident Possibly Unfriendly Ghost Who Might Possess Him, or CTRPUGWMPH to be short and snappy about it, is officially a go.

Unfortunately, it isn’t off to a promising start.

Virgil’s knowledge had turned out to be more spirit lore than specifics about how to get a ghost to actually appear, although he’d been infinitely more helpful than Roman, who’d just stared at him and asked if he’d had the house checked for carbon monoxide poisoning. Remus had soundly ignored him and had left Virgil’s apartment with his head swimming with theories about why ghosts haunt particular places and an extensive lecture from Virgil about how to find any potential objects or reasons tying a ghost to the house that might provide a potential talking point to engage said ghost in conversation.

But despite digging into every crack and crevice on the internet, emailing the local historical society, even calling his realtor to ask again about the history of the property, Remus comes up with precious little. The house had originally been built in the 1880s by a local merchant, everyone seems to agree, and had been inherited by his nephew soon after, but beyond that there’s frustratingly scant information available, and he can’t find so much as a whisper about anyone dying in the home. His ghostie could be anyone, then: A Victorian builder who’d taken a tumble, a flapper girl who’d partied a tad too hard, a hapless victim of some modern serial killer who’d taken advantage of the place sitting abandoned for years to do a bit of light murdering. 

With precisely zero context clues as to his new housemate’s identity, then, Remus embraces his remarkable talent of keeping up an entirely one-sided conversation as he works around the house the next few days, rambling about anything and everything related to the property he can think of, hoping something will pique the ghost’s interest. But besides a few more cold spots and flickering screens, the house remains stubbornly quiet. Maybe his ghost just needed a bit of help in communicating, though; drifting around an empty building with no one to talk to for the past god-knew-how-many years can’t have done good things to their incorporeal vocal cords.

Which brings him to Plan B: The infamous Ouija board, favorite tool of grifters and bullshit paranormalists everywhere.

And yet despite the makeshift, very high-budget seance he conducts with the two dollar board and the zero dollar candles he’s lovingly stolen from his brother, there’s once again no reply from beyond the veil besides a chill in the room that somehow radiates disapproval. Apparently his ghost isn’t a fan of pseudoscientific games any more than he is. At least they had standards, whoever they were.

But Remus is a stubborn bastard if he does say so himself, so on to Plan C it is. The used EMF meter he snags off of ebay has definitely seen better days, given the prominent crack across its screen, but the thing had been cheap and still seemed to work, so Remus wasn’t complaining.  Fancy equipment was for fancy people, after all, and of all the things he’s ever been called, he’s positive fancy isn’t one of them. He sets up the device behind the tv, which still seems to intrigue his ghost every time it’s turned on, puts on the first show he can find, and forces himself to walk away. His little trap is set. Now all he has to do is bide his time pretending to busy himself unpacking a box of books in the next room—

He barely has the chance to register the tv screen flickering out of the corner of his eye before an ear-splitting shriek is rending the air, startling him so violently that he promptly drops a hefty tome on his foot.

“Shit,” he breathes, surging back into the living room, but the noise has already stopped just as suddenly as it began, replaced by a frigid chill permeating the room. Maybe he should have thought twice about scaring the resident phantom without first hiding any of his valuables. Hopefully he won’t wake up tomorrow to find his tv shattered. “It won’t hurt you,” he calls, though the EMF meter indicates a distinct lack of any supernatural presences. “It just makes noise to let me know when you’re nearby, yeah? Totally harmless.”

No response, but for once he doesn’t mind, not when there’s excitement dancing white-hot across his nerves. There really is a ghost or spirit or demon or something here, and he hasn’t just been imagining things.

Fuck, this house is single-handedly the coolest thing that’s ever happened to him, even if he does now have to worry about his haunting buddy getting a bit of revenge on him in the middle of the night.

But Remus survives safe and sound into the next day without so much as a supernatural scratch on his skin. Bloody payback didn’t seem like his ghost’s style anyways, not when their favorite activity seemed to be pressing as many buttons as possible on the tv remote at once. Curiosity is still nipping impatiently at his heels though, urging him to explore this latest avenue of potential communication more, so he sets up the EMF meter again, this time in the master bedroom where the spirit seems most inclined to spend time if the continued pacing in the middle of the night is anything to go by.

A brilliant plan, only minorly ruined by the fact that the device is nowhere to be found when he goes searching for it the next morning.

“Are you disappearing things, ghostie?” he asks the empty bedroom. “Gonna zap me into another dimension next?”

 He’s joking, but as his hunt through the house reveals neither hide nor hair of the EMF meter, he can’t help but wonder. Had the ghost really just yeeted the thing into the ether? Or maybe it was right where he’d left it in the middle of the bedroom, but had been turned invisible like the spirit themself? What kind of ghostly superpowers did he even have, if any—

He comes to an abrupt halt as he emerges out the back door onto the porch, a laugh spilling past his lips as he surveys the myriad bits of metal and broken plastic strewn around him. Looks like he’s found his EMF meter. Apparently his ghost wasn’t nearly as endeared to this technology as he was anything with a screen. He glances up to the master bedroom window over his head, shading his eyes from the sun.

“Fair enough,” he calls, still fighting down amusement despite himself, and there’s the faintest shimmer in the air above the balcony, reminiscent of a heat mirage despite the cool morning air. “No more screeching little boxes.”

Left with zero information about his ghost’s identity, a useless Ouija board better repurposed as a doorstop, and the remains of his one piece of official ghost-hunting equipment, Remus concludes his only option is to embark on Plan D. Said plan isn’t so much an strategic approach as it is a wild hail mary to find any way to communicate with his ghost that didn’t involved hurling objects from balconies, as much fun as such an activity was, but then again, Plan D did sound delightfully dirty, so he’ll take the trade-off.

The internet, of course, is the place to turn to for highly questionable ghost advice, and it only takes a single google search to find message boards teeming with it. Half of it is clearly bullshit, he quickly discovers as he trawls through post after useless post, and the other half is baseless theories without any semblance of evidence to back them up, but just as he’s about to call it quits and move on to whatever the hell Plan E is, an old thread catches his eye.

‘Old Ghost Caught By Photography?’ the title reads, and Remus skims through the post, intrigued despite himself at the detailed claims the author had been able to capture the image of a Victorian spirit by using an antique camera and photography methods from the end of the nineteenth century. He pores over the attached images, searching for the slightest hint of photoshop or manipulation, but everything seems legit. And it made sense in some weird, probably illogical way, he supposes, that ghosts might only be spotted by using technology from their day and age—historical continuity in the metaphysical realm or some shit.

It’s the best lead he has after hours of searching, and really, he’s just spent a very hefty chunk of change buying a whole-ass house; what was the harm in dropping a few more dollars on some vintage photography equipment?

Which is precisely how he finds himself crammed into his makeshift darkroom in the tiny closet under the stairs several weeks later, holding his breath as he carefully begins to look through the latest batch of negatives he’s just finished processing. It had taken an obscene amount of research, a healthy dose of trial-and-error, and more than a few failures to figure out the intricacies of the dry plate photography process, but he’d gotten there in the end, even if the most he has to show for it is a few suspicious blurs in a couple of images.

Maybe this whole idea of capturing ghosts in photos was just as bullshit as the others, he muses as he examines yet another empty picture of the dining room, or maybe his ghost wasn’t from the same era as the camera he’d bought. Maybe his ghost simply didn’t want to have his photo taken, or maybe—

His train of thought abruptly derails as he picks up the next plate.

Holy shit. Holy shit.

The image is still a negative, the reversed colors lending a certain eeriness to the picture under the red darkroom lights, but there, right smack in the middle of the photo—a figure. An actual human figure, clear as day, looking right at the camera. Remus whoops, nearly knocking over a vial of chemicals with his elbow as he dances backwards in pure giddiness. Oh fuck yes , there is a ghost haunting the place. His ghost, now that he owns the house. His ghost who is…

He pauses, forcing himself to focus on the figure in the photo even as he feels like he’s about to vibrate right off of his bones with excitement. Spectacles, clean-shaven, dark hair neatly styled. Neat trousers, white shirt, trim waistcoat, and a decidedly fancy ascot, the whole ensemble distinctly old-fashioned. Victorian, then? Or Edwardian? Or some historical reenactor who’d met an untimely demise in costume? And it does seem to be an untimely demise; the man looks to be in his mid- to late-twenties, unless he’d found some ability to look whatever age he wanted in the afterlife.

Regardless, he can’t make himself focus on fashion for long. He has a ghost to talk to. Fighting his way out of the cramped closet, he bounds up the stairs, forcing himself to slow to a respectable jog as he darts into the master bedroom. He stops in the middle of the still-bare room, trying and utterly failing to keep his hopes in check.

“Hello? Ghostie?”

No response.

“Mr. Glasses and White Shirt?” 

His skin prickles, the hair on the back of his neck raising. Aha. There he was. 

“Hey, what’s up?” He turns in a slow circle, searching for any sign of his specter, any flicker of light off a spectacle lens or a flash of a shirtsleeve, but the room is as empty as ever.

“I have a photo if you’d like to see it.” Could ghosts not see themselves in mirrors or was that only vampire lore? And if he couldn’t see his own reflection, did the ghost even remember what he looked like?

He raises the picture, proferring the negative to the vacant room, and holds his breath. Nothing, for several long moments, and then the chill edges closer. Remus bites his lip, barely able to keep himself from bouncing on the balls of his feet at the prospect of a ghost being within arm’s reach.

“I wasn’t trying to be creepy or anything, I just wanted to see if you were real or if I needed to go check myself into a padded room, you know? I’m Remus, if I haven’t said that. What’s your name?”

Several more excruciatingly long moments that Remus is sure has to be the longest span of silence in history, then—

“Hello.”

The voice is thin and slightly hoarse, quiet enough that Remus has to strain to make it out, but it’s as unmistakably real as the form that flickers into existence right in front of his eyes, identical to the man in the photo. He’s distinctly transparent, the edges of him not quite defined, fuzzing out around the edges like the ambient glow of neon signs, but he’s here and he’s real and this is so fucking cool that Remus could keel over right here and now from excitement and join the ghost in wandering around the house for all eternity.

“Holy shit,” he breathes, because if there was ever a time for swearing, by god this is fucking it, and the spirit withdraws slightly, already guarded expression closing in further. “No no no, it’s good,” he rushes to assure him, resisting the urge to reach out and try to touch him. “Good holy shit. Complimentary holy shit.”

The ghost doesn’t seem entirely appeased, but he tilts his head slightly, something like curiosity sparking in his eyes as he evaluates Remus.

“Why are you not frightened of me?” he finally asks, and Remus has to fight back the absurd laugh bubbling up in his chest. He’s being questioned by a century-old ghost in the middle of his haunted home. Life really was delightfully freaky.

“No offense, man, but you’re not exactly terrifying. I mean, I’ve been here what? A solid month? And you haven’t even tried to pluck my eyeballs out or anything.”

Another unreadable pause. Is he just giving the spirit ideas? Were his eyes about to be forcibly unmarried from his skull à la eagles tearing out Prometheus’ liver?

“Do you want me to be afraid of you?” he asks after a further absolutely unbearable five seconds of silence.

“No,” the ghost admits after a moment of clear hesitation, “but previous residents certainly have not appreciated my presence here.”

Remus scoffs. “That’s their problem. Some of us are smarter than that.”

The other man’s head tilt deepens, something akin to puzzlement furrowing his brow, as if he can’t fathom why having a ghost is actually the most badass shit on the face of the planet.

“Can I ask you some questions?” Remus asks, exhilaration still racing along the underside of his skin so intensely that he can barely stand it. “You can ask me whatever you want, too.”

The ghost nods, although he still seems cautious as one hand fiddles absently with his ascot. “I suppose that would be alright.”

Twenty questions with an undead spirit. Remus’ life really was getting better by the minute.

“Did you used to live here?”

“I did, many years ago.”

“Did you own the place?”

“At one point in time, yes. It was truly a beautiful house in its day, and a wonderful place to reside.”

Oh fuck yes. If having an old-timey ghost who can give him historically accurate advice about restoring the house isn’t the coolest fucking thing that’s ever happened to him, he isn’t sure what is. He has half a mind to start grilling him on paint colors and wallpaper prints and the original hardwood, but—

“Did you die here?”

The words are blurting out of his mouth without even bothering to detour through his brain on the way out, burning curiosity eclipsing any thought that perhaps asking about death isn’t exactly acceptable ghost etiquette. He barely has time to register the change in the spirit’s expression, the visceral upset written across his features clear as day, before he’s gone in between one breath and the next, vanishing back into whatever thin air he’d come from and leaving nothing but a biting chill in his wake.

Shit shit shit. He’s finally gotten the ghost to trust him enough to show up and talk and then he’s gone and ruined it within the span of two minutes all because he had all the self-control of a sieve trying to retain water.

“Wait,” he calls, casting about in vain. “I’m sorry, I didn’t mean to pry.” Well, apparently his subconscious had, but that hadn’t been his intention. “Please come back. You can ask me as many invasive questions as you like.” Nothing. “You can haunt me for revenge, if you want.” Utter silence. “Are you gonna hurl me off the balcony like my EMF meter?”

There he goes again, giving the specter ideas, although really, being yeeted out of a window by a ghost would be a damn cool end if he does say so himself. He lingers in the room for several long minutes, forcing himself to keep quiet lest he miss the spirit’s hushed voice, but there’s nothing but the faint sound of a bird twittering outside.

“Alright,” he finally relents, disappointment pooling in his stomach as he glances down at the photography plate still in his hand, the negative serving as indisputable evidence that the encounter hadn’t just been a fever dream. He’ll find a way to make things right with the ghost somehow, one way or another. He has to. “Just come spook me if you change your mind.”

-

Taglist (let me know if you’d like to be added or removed!): @darth-does-stuff

[stardustjessie]

DANCING IN MOONLIGHT ALL NIGHT

Commissions | Ko-Fi | Deviantart

I has this idea for a damn good while of Marie in the Persona 3: Dancing in the Moonlight cover since I made her design. It took me a while to get around to making this art. 4 months in fact! I only started drawing it last week. It's been really rough drawing as much as I used to while keeping up with work and my personal life. Art is still my passion, and I'm so glad my art has improved so much. I am so, SO- proud of this art! I got the shading and pose just right and exposed her personality. I'm giving myself the pat on the back here because I never really expect comments on my art, so somebody gotta appreciate it so might as well be me hahaha. I did put a lot of effort into it though, and I'm glad it turned out the way it did. Especially considering that my pokemon OCs are some of my favourite OCs to draw, so I'm glad to make a big art piece like this with one of them!

Anyway, that's it for me! If you're wondering what's been up with my life... Well. I've started listening to Radio and been having a great time with that! I've been slowly sorting out my life and becoming a more responsible person. I'll probably get promoted next year so I'm excited about that. I very much miss doing commissions, since I always thought they were very fun to do. But oh well, that's what you get being a small artist. I have been working on a Half-life map! I'll keep that a surprise until I ever finish it. I've also been starting a writing project. I want to make an interesting read, so that's something to look forward! I'm almost 1 year and 6 months into HRT! I've been far far happier ever since starting, and I'm planning on starting Voice Training sometime soon as well. I'm also starting to study music! I need to properly sit down and study but I'm very passionate about becoming a musician, even if underground.

Until next time you lovely folk!

[weathernerdmando]

Can't post it here yet, partially because it's for a competition and partially because it's not done yet but I'm working on an Arcane art piece and I am RIDICULOUSLY proud of the background for the overall piece. It's so damn pretty!!!

The whole thing is gonna have a lot of symbolism, or at least it's intended to, as well as just a lot of deliberate choices to evolve certain emotions. I'm very excited about this piece and need to finish it in uh, less than two weeks. It's a Big undertaking so I gotta get my butt in gear.

I am however MASSIVELY improving on shading faces as a result of this, so I'll take it.