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gatheredfates · 1 year ago
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Altitis Edition ✧˖°.
Tagged by: @riftdancing / @thefreelanceangel - thanks so much!
FAVOURITE.
Oh man, that is like asking someone to pick their favourite child. All of my characters are my 'favourites' for different reasons. I think, if I had to narrow it down, I'd default to the big three: Ashe, Azuma and Koret.
Ashe is my content main; she is the character who has everything as far as mounts/titles/etc. She was my mental health cleanse coming from WoW, and her entire existence as a character is someone I can escape into when the darker aspects of my other characters may be too much to deal with. She's your bog-standard adventurer; she's always up for a challenge, nothing complicated happens in her life, and she just wants to hang out and meet new people. I love her spark and how she follows the beat of her own drum, whilst also being a caring friend to those around her.
Azuma was my first character in xiv, and really the only one that exists just in this universe. I wouldn't have met @riftdancing if not for her, and the friendship she has with Siyoh mimics the same I have for her player - even if we didn't have the luxury of knowing each other since we were children. I'm far shyer in sharing stuff for her than I ought to be, but her quiet strength of will is a comfort to me and something I love playing.
Kor... is feral. Who knew a off-handed OC made for WoW would turn into my absolute hyper fixation. I love her strength and snark. I love how, on the one hand, she doesn't give a fuck what people think about her whilst holding the opinions of her loved ones in high regard. Much like Azuma, the bonds I have made with people in writing her mean the world to me and that's why I've played her for so long.
OLDEST.
Aryele. Originally called Arianna — I made her when I was ten years old and injected her into nearly any roleplay that would have me. She's gone through a couple of name changes (Aryele/Aryette on WoW, for example, just to name a few), but the fundamental crux of her character as a wandering mender has stayed the same.
NEWEST.
Technically Elandervier. She was the last OC I made in WoW, though a few other characters have preceded her since then, but her adaptation to XIV has been the most recent change to my roster. I found it difficult to have her and Seelu, for example — as well as trying to differentiate her between other characters whose defining traits were 'void-aligned' verses 'fel-aligned' (El was a Nightborne Warlock in WoW, which is why I have her Gelmorran heritage, but void and fel are two clearly defined factions in WoW). I'm really happy with how she's turned out, though. She's quickly shooting up to be one of my favourite OC's.
MEANEST.
If we're talking characters who will say hurtful shit or just be a bit of an asshole? Kor. If we're talking characters who will actively undermine you for their own ends? Elandervier or Z. The latter are closer to villains as opposed to Kor, who is just aloof and bitchy as a surface level protection. Z is a voidsent with heavy inspiration from vampirism - he will take what he wants from who he wants with reckless disregard. El has bargained with said voidsent (including Z) for most of her life and will offer sacrifice and placation to keep her power. I think the major difference is that Z hunts for sport, whereas El will keep to herself unless you disturb her or go out of your way to be a nuisance in her space.
SOFTEST.
Aryele or Alaice, but they both have different reasons. Alaice is Ary who went through trauma but kept her softness, whereas Ary is just blanketly soft but knows herself enough to not fall into some of the trappings that Alaice did. Azuma is not too far behind, but her soft is masked behind a layer of Doman formalities and trauma that tends to make it seem forced for those who don't know the culture well.
MOST ALOOF/STANDOFFISH.
Kor. Next question. (I think El and Z can be standoffish but they're more likely to say nothing where Kor is just 'fuck you, fuck off.') ...Eve is also a close contender.
DUMBEST (AFFECTIONATE / DEROGATORY)
Some of you might remember when @riftdancing did her Altitis edition and mentioned Poki twice here... Ashe is her adopted mum. It runs in the family.
I JEST, THOUGH. Ashe is not book smart but she's emotionally intelligent. I like to think of her as a character who really 'sees' people for who they are; cutting through the fat and bravado (positive or negative) people use to cloak themselves. She gets a good read on people quickly, even if she doesn't understand their specific situation, and that makes her easy to talk to/interact. She's the kind of person who will admit honestly and earnestly she probably has no idea what they're going through, but she'll listen and help where she can.
SMARTEST.
Probably Elandervier. I think Seelu would be a close contender, but she didn't have much of an education growing up and has had to work hard for the intelligence she now possesses. El would simply 'know' what something is, whereas Seelu would work hard to find the correct tome and cultural knowledge.
HORNIEST.
Sarrai.
I will not elaborate. Sarrai is the kind of person who loves unabashedly and will return affection to those who give it to her in kind. Understandably, she knows there are people who don't give it altruistically but she's lived with an egomaniac capitalist for the better part of eighteen/nineteen years and knows how to 'play the market', so to speak She'll forgive a lot of shortcomings if the dick/strap is good.
CHARACTER YOU'D BANG.
Sarrai. I think she'd treat me nicely but test my limits (in a good way)! DFKGHJDSFGSD. I thirst for Kor probably the most, though.
CHARACTER YOU'D BE IRL BEST FRIENDS WITH.
Ashe or Sarrai, no contest. Sarrai is the world's biggest hype-woman and would be amazing to have in times where I am not feeling my best mentally/physically. She'd be like "WHAT DO YOU MEAN YOU FEEL SAD?? YOU'RE SUCCESSFUL, YOU HAVE A GOOD RELATIONSHIP, YOU HAVE FRIENDS WHO ADORE YOU GIRLIE!!! But also get therapy if you need it, you crazy slut."
Ashe would be nice to go on a walk with and just chat about life. She's easy-going and doesn't expect much of the people around her, other than to treat each other kindly and with respect. She's much more active than I would be, though!
Another close contender is Azuma. Much like Ashe, she enjoys easy conversation and good food. She likes to surround herself with people who love her and will go out of her way to maintain relationships with people she cares about.
Tagging: @gaygentofchaos, @dawnstriding, @syerraffxiv, @snakemoltsiren, @dragons-ire, @fist-and-fury-xiv (I know you all have alts, don't look at me), @allyennah, @thefrostflower, @82-99 and anyone else with more alts than sense. If you'd like to be tagged in any dash games I participate in, I heavily recommend you like my permanent interaction call here!
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bayetea · 24 days ago
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I'm gonna froth at the mouth over this in the tags so bear with me but reason #1278038 why the way rick went about breaking up jiper was bad: rereading her povs in hoo where she gushes over jason feels like even more of an unreliable narrator queer girl comphet psychological horror story
#it's not that that isn't interesting (it's fascinating actually. especially for a daughter of aphrodite!!!)#it's that it Obviously wasn't his og intention. the ending of hoo is clearly intended to give a positive impression of jiper#this is worsened because shelper is wildly underdeveloped so it's like Dude what did you even do this for#literally just an afterthought. a footnote really. he said “ok here's your canon sapphic rep pls stop shipping theyna now” /j#she was a main character in one of the main couples in hoo it's so crazy? how can that happen. he would never do this to percabeth#can you imagine if percabeth broke up offscreen and 2 months later annabeth was with some complete rando and then percy died. girl what#it's the kind of setup/payoff issue that is difficult to put into words because he set up something (jiper and all its complex morality)#to ultimately be good because they're making the choice to love each other in the end (poorly executed but whatever I don't hate it)#and then in toa????? he just obliterates them for no payoff and creates a new impression of the most literal case of comphet imaginable? wh#toa is my absolute least favorite sorry#marginally related but if we can Be. Chill. and acknowledge that he originally wrote nico as crushing on annabeth#(we can argue all day about how Definite the crush was but come on. he did not put percy's speculation of it in there for no reason)#(and he obviously did not plan for nico to be gay back then you will literally never convince me of this)#(representation was NOT on his mind in the first 5 books that's why the cast is almost completely white except charles and ethan)#(the disposable poc who die tragically btw)#then I see a similarly confusing debacle but like. in the opposite way#something something sexuality is fluid you can be gay and feel confused about how u used to have a het crush but are still gay#nico says so himself to piper which is hilarious#it's just the lack of consistency and poor planning that I hate........... it is a ginormous pet peeve of mine and it's All Over His Books#piper already reads as having so much growing to do regarding her gender and sexuality because Somebody#(the man writing her) littered her pov with internalized misogyny/anti hyperfemininity and went nowhere with it#rr crit#percy jackson and the olympians#piper mclean#jason grace#pjo hoo toa#anti jiper#<- I PROMISE I am not actually anti-jiper I am very neutral about it as I am with all jason ships. they had cute moments#tagging that just in case#this comes from a place of deep love for the franchise and it's characters btw I have been a fan since I was 8
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serpentface · 5 months ago
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Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.
Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)
I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)
The 'method' I used was:
-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.
I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.
-'ai' words are almost always pronounced with a long 'aye' sound.
-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'
-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.
-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')
-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.
-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).
Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.
#I actually did just make a post about this on my sideblog LOL I think in spite of my deciding not to conlang this is going to go full#full conlanging at some point#The main issue is that the narrative/dialogue is being written as an english 'translation' (IE the characters are speaking in their actual#tongues and it's being translated to english with accurate meaning but non-literal treatment)#Which you might say like 'Uh Yeah No Shit' but I think approaching it with that mindset at the forefront does have a different effect than#just fully writing in english. Like there's some mindfulness to what they actually might be saying and what literal meanings should be#retained to form a better understanding of the culture and what should be 'translated' non-literally but with accurate meaning#(And what should be not translated at all)#But yeah there's very little motivation for conlanging besides Pure Fun because VERY few Wardi words beyond animal/people/place names#will make it into the actual text. Like the only things I leave 'untranslated' are very key or untranslatable concepts that will be#better understood through implication than attempts to convey the meaning in english#Like the epithet 'ganmachen' is used to compliment positive traits associated with the ox zodiac sign or affectionately tease#negative ones. This idea can be established pretty naturally without exposition dumps because the zodiac signs are of cultural#importance and will come up frequently. The meaning can get across to the reader pretty well if properly set up.#So like leaving it as 'ganmachen' you can get 'oh this is an affectionate reference to an auspicious zodiac sign' but translating#it as the actual meaning of 'ox-faced' is inevitably going to come across as 'you look like a cow' regardless of any zodiac angle#^(pretty much retyped tags from other post)#Another aspect is there's a few characters that have Wardi as a second language and some of whom don't have a solid grasp on it#And I want to convey this in dialogue (which is being written in english) but I don't want it to just be like. Random '''broken''' english#like I want there to be an internal consistency to what parts of the language they have difficulties with (which then has implications for#how each language's grammar/conjugation/etc works). Like Brakul is fairly fluent in Wardi at the time of the story but still struggles#with some of the conjugation (which is inflectional in Wardi) especially future/preterite tense. So he'll sometimes just use the#verb unconjugated or inappropriately in present tense. Though this doesn't come across as starkly in text because it's#written in english. Like his future tense Wardi is depicted as like 'I am to talk with him later' instead of 'I'll talk with him later'#Which sounds unnatural but not like fully incorrect#But it would sound much more Off in Wardi. Spanish might be a better example like it would be like him approaching it with#'Voy a hablar con él más tarde' or maybe 'Hablo con él más tarde' instead of 'Hablaré con él más tarde'#(I THINK. I'm not a fluent spanish speaker sorry if the latter has anything wrong with it too)
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icewindandboringhorror · 2 months ago
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I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently
#facebook always does that 'here's a post from this day 8 years ago' thing. and I see old comments interacting#with people and it's so like.. OOOOO~~ where are they now?? what's going on? how much have they changed as people?#how much are they the same? this is fascinating. i should contact them!!' but then it's like... take that to it's logical conclusion though#you would contact them and then IF they even responded it would take you 80 years to respond and then they would#think there was something wrong or that you were trying to be insulting or something. To contact anyone I need to include an 85 page#disclaimer of all of my social issues & mental illness things. 'If i take 3 weeks to reply I promise it has nothing to do with u' etc lol#THIS is why more people need to be into phone calls/voice calls/some form of audio real time communication/etc.#I think one of the main things that's hard about messaging through text for me is it's so unscheduled and open ended#(plus it takes forever if you're talking about anything in detail and gets very long very quickly)#because like you can send a message and then just get a reply whenever. and then you're expected to reply back whenever#so it's like you never know when the response will come or when a new obligation to reply can come up? so it's like this sudden thing with#no outline?? if that makes sense. whereas a phone call is very like 'hello let's schedule a call from 10am - 2pm on thursday'. And you know#EXACTLY when the interaction will start and EXACTLY when it will end and you can plan around it in your schedule easily.#I have the reverse thing of a lot of people (how people don't pick up phone calls/hate calls/only text)#I would literally talk on the phone with a stranger. I would have a discord voice chat with someone I barely know.#if someone I hardly even remember from elementary school asked to have a voice call with me out of nowhere I would do it.#but if a stranger MESSAGED me?? or someone I barely know sent me a TEXT or something?? I will never reply probably#It's just too vague and weird. and you can't read voice tone over text. and the interaction could last forever with no clear end#point and etc. etc. But a call is like. set. established. clear boundaries. you can read the flow of conversation better. rapport. etc. etc#I get that I guess people feel more anonymous or distanced over text?? but you can have fake phone numbers on the computer. or do like disc#rd calls. or zoom without a camera or etc. etc. Also the distance that's present in text is BAD distance because it just means that tone is#not conveyed properly and you will never truly get a sense of the person's conversational vibe or mannerisms or how well you really click.#ANYWAY ghgjh...... I'm so so so interested in concepts of like.. How did that one kid I used to talk to in elementary school#but then they moved away in 5th grade - how did they end up? what are they doing now?? etc. etc. Like despite the severe social anhedonia#and general lack of connection with others I'm just really fascinated in like.. idk. the human development of it all and like#the concept of how we're actually a million different people through the course of our lives ever evolving in different iterations and etc.#PLUS again. i love nostalgia. sometimes old peple you know might remember a shared memory or can tell you about something you forgot#or etc. like it's SUCH A COOL THING in CONCEPT but I am too socially inept generally speaking lol. which people I still talk to today are#familiar with my 'phone call once every few months' communication style. but strangers would just be like... wtf. And I don't blame them#Sure I literally cannot change the physical health + brain issues i have - but also I know enough to not put others through that lol
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worstloki · 7 months ago
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saw someone on twitter say "one of the main characters in a loki show should have been thor odinson, not some random Sylvie or Mobius.
...... It's like a written law"
wdyt do you agree
I don't think it was necessary to make Thor a main character in a Loki show, the same way it WOULD be possible to throw together a Thor movie without having Loki be a main focus.
The issue comes in the quality of the narrative itself, and writing that if evidently without intention to care for (whichever) main character's importance will not work out. Neither the Loki series nor Thor 4 cared about the arc, motivations, history, or continuity of the titular characters beyond trying to make the media marketable.
Overall messaging can add a layer to the impact a story will have. Musical score can be a bonus way to control tone or tie a story together. Supporting cast can be vital to tell a good story. Prioritising their presence over anyone's (especially Loki's) characterisation is what the Loki series suffered from, not that other, original-adjacent characters were there.
#i'd say it was tell not show but frankly the plotline was so poorly done i don't think showing would have helped#it would have solidified the side characters better though#if they had put effort into characterising Loki right then poorly done side characters could've been a non-issue#messing up the main characters which are supposed to be part of a continuity is the number 1 issue#not managing the screen-time well was the number 2 issue#too much time wasted setting up characters that were going to monologue about their importance anyway??#too much time spent trying to establish the TVA as something important and controlling but somehow good#so much could have been cut out of the show and still gotten all that across#the relationships people built did so in like 2 days in-universe iirc so i wouldn't call them solid#season 1 was a useless introductory setup for the multiverse that didn't have any impact because there were like 4 other setups#scrap the characterisation and call it a reboot and it still threw Loki out as a weak and completely conventional protagonist#that's not engaging when every other character is also boring overall#even if their concepts weren't boring the way it was done was#The Loki Show#i can't be bothered thinking about the show because there's just so much#where would one start#i don't care enough about it to hate the show but i did find the fight choreography lacking too#the camera angles and general videography wasn't good#i have the same complaints about the choreography with every other disney+ show they put out#not even bothered with the MCU frankly#i'm happy to pretend the movies stopped after phase 2
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goldentigerfestival · 1 month ago
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Yuri's dialogue (JP) is so fascinating to study, like... the repetitive use of certain words/phrases that others use sparingly but he uses constantly. the way it feels like his vocabulary is more expansive than what he uses, but he defaults to a "comfort" level of speech. the way it mixes in with his sort of "street talk" words and the sheer level of informality. the way his "street talk" phrasing is contrasted by the tone of his voice (on that note, people I know who also know JP are also very endeared by these aspects of him so I KNOW IT'S NOT JUST ME!!!).
'cause the thing is, he uses phrases that yeah, other people do use, but he uses a handful over and over and over (contrast to other characters' sparing use of repetition). it's actually... really refreshing? it sounds more relatable and less "video game/anime/JRPG/RPG" writing or something, idk. like closer to how a real person would speak.
I do my best in my translations not to make things sound too stiff across the board, but Yuri makes it so easy. it's why I'm so interested in translating all his lines in Vesperia, like... the actual, original tone for him with his original wording because it's smth Eng only players don't get to experience ('cause even if you listen with JP audio, if you don't know the language, ofc you're gonna miss out on context. it's nobody's fault for not knowing, just... they unfortunately miss out). the thing is, there are a lot of times when the lines in and of themselves are not contextually incorrect in the English ver (usually the situation for smaller scenes, because they altered the text outright for more important stuff which was the stuff that originally set me off, but there were also plenty of cases of just vocal tone shifting with the correct context that still gave off the wrong impression), but Yuri's tone is shifted away from the original in Eng even though it's completely and perfectly translatable.
I am by no means about to translate the entire game because let's face it, I really don't care that much for Vesperia on the whole. I'm kinda stuck with it because Yuri's there lo and behold I actually am WAY more engaged in his stories in Rays, Link and Asteria because it's an amazing character put into circumstances where he actually gets to shine and feels more alive, which Vesperia did not provide nearly as well with its very disjointed story. also, Tales gachas have banger stories that are arguably better than the mainline games, and they regularly make Yuri a very central character to the gachas. Crestoria was also about to do it until they pulled the plug on that game and I'm pretty confident something interesting has been lost to the world. also I just generally don't have the energy or motivation to do that, so... I'll only be focusing on Yuri's lines, especially because his stuff is where the bulk of the messing around was. he's just insanely fun to translate for and I love burying myself head first into his speech.
will I actually finish this project? dunno. will I get around to posting it? whatever I get done (so all of it if I complete it), and if I decide to call it quits then I'll post what I have at the time I decide that. will it take a long time? probably, but I can always mention stuff along the way...
#GTF Vesperia Things#GTF Yuri Things#also the more I comb the script the more I properly notice all the uh... very awkward loc changes in smaller sentences in smaller scenes#like things that change the understanding of a sentence. or in Yuri's case just... the usual annoying personality shifting#noticing lots more stuff than when I did those big posts bc I was less focused on the tiny stuff/not side by side comparing#like a lot of this stuff is plot irrelevant and I knew it was littered around but I'm just getting#a bit more of a proper feel for it and how often it's there while studying Yuri's speech under a microscope bc I like observing him fkjhsjg#the fact that they're extremely largely consistent in tampering with Yuri's verbal (not just vocal) tone still has me LIKE.#but I'm fighting to ignore it so I can study my precious boy for reasons unknown beyond hyperfixation#also with Link I was actually mad at first bc they totally dropped the ball on Yuri's repetitive speech in arc 1. like it just wasn't there#there were plenty of times I noticed that normally he'd be SAYING those phrases but it just didn't happen where it should've#(like ''he'd def have said that here but it's not here'') Rays' main writer was not Vesperia's and she STILL got him down PERFECTLY#frankly I'd argue Rays' writing of Yuri is more correctly Yuri than Vesperia Yuri is which is oddly hilarious LOL#but mainly more that arc 2 Yuri is fucking WONKY sometimes but god knows most of my friends who know JP don't like that writer for#various reasons. somehow he pulled out that banger of a novel but arc 2 forget it. but yeah Rays just... really encapsulated YURI himself#the dialogue for him is spot on. not that Link and Asteria flunked with him bc they didn't#it's just that I think Rays and Miyajima gave the best quality of him bc the circumstances let him be more expressive#that said back to Link arc 2 did actually fix the speech issue so I don't know if they had different writers between arcs or just#realized they forgot to include those points of his character in arc 1 bc I know it wasn't the Link loc's fault#bc Yuri had full JP audio and I could hear that they just didn't have those things#but LORD the ACTUAL RELIEF that flooded me when arc 2 brought that shit back LMAOOOO#but yeah as far as Yuri goes he's absolutely fascinating and unique and he shines so bright in the gachas#it makes me really really sad that his home game is one I don't have much interest in#and that it's one that a lot of ppl feel the writing was wonky for (bc it was)#but I'm eternally grateful the gachas gave him opportunities to really shine as a character in great settings#bc it's not that he doesn't shine in Vesp itself. it's that the circumstances don't rly... allow him to be like PROPERLY unrestrained ig?#idk it's hard to explain. just. he was more. WHOOSH. I guess. in the gachas. yeah. like that. or smth. :')#sorta like. amazing character but not the best circumstances for him to show his true potential which I think he does in the gachas#bc the gachas have such great stories and scenarios and he's put into them#ANYWAY TL;DR YURI'S SPEECH IS FASCINATING AND I LOVE HIM
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ttngummybear · 2 months ago
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The next time I go to try and ask for tech support from the revanced team, someone PLEASE just slap me so I don't do it.
#I don't know if I've ever encountered a meaner dev team for a thing I actually use#Revanced no longer works properly when patched on my phone. Made a reddit post describing such and asked what I should do#and the post got deleted#I posted it because I looked around in the sub and nobody else had posted anything about it recently#Turns out they're deleting ALL posts about this issue with no explanation or warning#Because an image they posted vaguely says 'post a bug report at this link if you're having issues with this patch'#But I didn't realize until after the drama of them nuking my post that that patch was even causing the issue#And I'm also not even welcome in their github because I requested a patch for tumblr and it pissed them off#So I can't do a bug report because I annoy them and they'll delete it#genuinely told the main dev to just ban me from the reddit if there's some kind of issue with me being there#I don't understand why they keep working on this project if people askkng for help pisses them off this bad#I wish there was an alternative. Clearly whatever flavor of what's wrong with me is infuriating to them#I did get it working btw#I had to disable the 'spoof video streams' patch in the revanced settings in the youtube app#But that means my videos could stop playing randomly (not far off from what was happening before; the videos were mostly buffering forever)#I just have to wait until a person who they don't hate comes along and reports it in a way that pleases them so it can get fixed#I won't be participating in debugging since me talking is an issue to them#Revanced#Vent
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castrovulcant · 1 year ago
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What a time to remember that I am superhero trash
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supplimental · 2 years ago
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gritting my teeth fingers clawed into my thighs in a death grip reciting I wont listen to the Penumbra Podcast again to see if it gets better I wont listen to the Penumbra Podcast again to see if it gets better I w
#tpp#like on one hand! I appreciate the genre. I think the story itself is overall well made. they have an acting & production style that is so#cool to see in podcasts#and of course thank u for the queer characters#however. Constant egregious reminder that when most queer artists are making a 'queerphobia free setting' they are not thinking about aspecs#like at all#last time I listened it was like ok cool you have 2 aroace characters over the entire run so far#no background characters who r casually aspec#and both of them are Extremely stereotyped#but beyond that it's just. you realize you need to do the fucking work for the structural aspects of aphobia like you did for other#queer discrimination?#and I realize that for aro stuff in particular this can be tricky because it's so inherently tied to capitalism#but you can at least Acknowledge that this is the case. instead of completely ignoring it#(the silt verses did a good job of that approach btw)#and that's not even getting into other issues like how they portray trans women or schizophrenic ppl#or the thing where they use autistic traits for quirky 1 dimensional character jokes. which tbf is fairly common in certain media. but they#did this While talking about how they were flipping the trope of doing The Same Thing with depression on its head and stressing that as one#of their main things#like idk man I don't tend to declare shows as Problematique or turn my issue with one aspect into 'this whole show is riddled with bad stuff#but each of these are Genuinely issues in my opinion and they dropped the ball each time w/o seeming to notice#like some of these require. Basic amounts of research to Not Do. like portraying schizophrenic ppl as violent and doing violence because of#their psychosis#Or Not portraying every transfemme as predatory or violent#like the writers are definitely coming from a background of 'own the stereotypes by turning them into part of a fully realized person'#and they've found great success and freedom in doing that with a slutty depressed bisexual n charming homme fatale gay man that are also#well-rounded human characters#but when you are applying that logic to minorities you do not belong to. you need to use the utmost care if you're doing it At All#otherwise instead of subverting the thing you are just Doing The Thing#anyways i just. needed to get that out of my system. thanks for reading
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wavebiders · 11 days ago
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ok so the they're totally setting up the Arathi Empire as villains for a future expac right?
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marsbotz · 5 months ago
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BTW ive been watching a bunch of life on mars (UK VERSION 🇬🇧🇬🇧🇬🇧‼️‼️) and its sooo good. crazy funny and awesome too
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gloomwitchwrites · 21 days ago
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LOVED the sit down fics. Please consider: US telling THEM to sit down. What are they going to do? Argue and sleep on the couch? (Love your works!! Always makes my day when I see a new one)
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AHHHHHHHHH! ANON OMG! I love this. I giggled and kicked my feet the entire time I was working on these. I had so much fun jumping back into the Imagines Series after Kinktober with this prompt. While I'm still working through the 3.5k Spooky Bingo event, I am returning to my usual content.
For those curious, THIS is the fic that Anon is referring to.
Presented in four double drabbles.
For the masterlist and how to submit your own request, click HERE
Content & Warnings (per the warnings MDNI): established relationship, suggestive themes, flirting, arguments, swearing
Word Count: 800
ao3 // main masterlist // imagines & what if masterlist
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John Price
“John. We have to talk about this.”
“We are talking.”
“No. We’re arguing. And you’re not listening.”
“Of course I’m listening, love.”
“Then what did I just say?” you ask, exasperated.
John opens his mouth and then pauses. He loses steam, the gears turning as he realizes he’s wrong. He takes a deep breath and then holds up his hands. “If I’m being honest, love—”
“Fuck. Sit down, John.”
Your tone is sharp, and John drops into a chair, completely silent, his gaze locked in on you.
“If you are not going to listen to me, then I’m ending this discussion. We can come back to this later. When we’re calm.”
John is always the steady one. He’s your rock, but for whatever reason, this one discussion has transformed into an argument.
There is silence after, and you have no idea what John thinks of your sudden authoritative demeanor. His face is blank, and then his mouth turns up into an amused smile.
“What?” you ask, suddenly flustered.
John relaxes into the chair, spreading his thighs wide in invitation. “You’re so fucking beautiful when you’re angry, love.”
“Don’t distract me, John,” you mutter, the irritation beginning to melt away.
Kyle "Gaz" Garrick
"We're having this out," says Kyle, grabbing your upper arm. He tugs you against him, head tipping forward in an intimate gesture.
"I don't want to argue with you," you reply.
"And I'm not done." His tone is calm but firm. Whenever Kyle sets his mind to something, it can be difficult for him to change course.
"Well, I am." Kyle's hold on your upper arm tightens a bit. It's not painful, but he draws you closer. "Now, sit down."
"Wha—"
"Sit. Down."
Kyle draws back, startled. His hold loosens and descends to grasp your wrist as he sinks onto the sofa. You rarely assert yourself, but you're frustrated with him.
“I am done fighting about this. Either we find a compromise, or we end this discussion.” Kyle breathes deep, his gaze intense as you continue. “You can sleep out here if you won’t budge.”
“I sleep beside you,” replies Kyle.
“Then talk to me. Don’t push me around.”
Kyle’s hand on your wrist softens, his thumb gently caressing the inside of your palm. It makes you shiver, and Kyle pulls you closer. "I'm sorry," he murmurs, voice soothing.
"Can we talk now? No fighting?"
"No fighting," he agrees.
Simon "Ghost" Riley
Irritation bubbles under your skin, creating a buzzing sensation that puts you on edge. You and Simon rarely fight but the two of you always circle back to the same issue.
“I’m sick of talking in circles. We have to figure this out.”
The corner of Simon’s mouth twitches. “I’ve already told you how I feel about it,” he says.
“I understand but we have to find a compromise.”
“I’m not willing to budge on this.”
“Simon—"
He pushes in, invading your space. “You’re the one that’s undecided.”
You hate being bossed around, and you hate it more when Simon flaunts his dominance during a disagreement.
“Sit down,” you growl.
Simon blinks, startled. “What?”
“Sit. Down.”
Simon’s gaze narrows, the middle of his brow creasing. But he sits, settling on the sofa.
“I understand how you feel but I need you to listen to how I’m feeling. This is a big decision, and I want us to talk through things. I’m not just going to bend over and take it.”
“But you like it when I bend you over.”
“Simon Riley!”
Simon smirks “Need to let out a little steam?”
“Yes,” you mutter, flustered. “But this conversation isn’t over.”
John "Soap" MacTavish
Arguments with Johnny almost always end in sex.
He’ll use his tongue, his fingers, and then eventually his dick until you’re blissfully fucked out of your head.
“You are not distracting me,” you say sharply as Johnny moves in, a sly smile on his face.
His hands settle on your waist, gripping tightly. You know if you don’t get a handle on this now, you’ll be face down in the bed with ass in the air in moments. It’s Johnny’s favorite position.
Placing your hands on Johnny’s chest, you give him a bit of a shove, creating space. “Sit down, Johnny.”
Johnny’s eyebrows rise suggestively. With a sauntering sway, Johnny sits on the edge of the bed. He’s shirtless and wearing grey sweatpants. They hang dangerously low on his hips.
You cover your eyes. “We need to have a conversation that doesn’t end in sex.”
“I don’t see the issue.”
“Of course you don’t,” you mutter.
“I like it when you boss me around.” You can feel his heat just before his arms slide around you.
“Oh my God,” you groan, pushing at his chest. “Sit down.”
Johnny teasingly nips at your neck. “Only if you sit in my lap.”
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@ash-tarte @marispunk @gingergirl06 @certainlygay @greeniegreengreen
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baejax-the-great · 10 days ago
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One of the things missing in Veilguard is any sort of meaningful power struggle. By keeping to the poorer parts of the city-settings, we don't really deal with corrupt or powerful nobles. By defanging the Crows, an organization who famously has lethal squabbles between factions, they turned them into some weird, benevolent family organization. Even the assassin trying to make "evil" power plays doesn't actually manage to kill any of his targets, and his ruthless relatives? Also don't kill him in revenge. In the end, the status quo is maintained. Nothing has changed.
In Tevinter, we have the Threads, an organized crime unit who we know runs "protection" rackets on the locals and is involved in some kind of smuggling (it's Tevinter--so presumably this would involve slavery and dangerous artifacts, but it's Veilguard, so I guess not). Instead of them beefing with the Shadow Dragons, who presumably ruin some of their deals with their pesky "freeing the slaves" thing, and instead of their main issue being with any sort of law enforcement, something which doesn't exist in Veilguard beyond one singular templar who does all of jack shit the entire game, their main power struggle is with the Venatori, who are evil just to be evil.
And instead of the Veilguard siding with law enforcement or the threads and enlisting their help to, idk, unseat the corrupt head of the templars or otherwise deal with the venatori shit, the threads are highly favored by the storyline, and in the end the only real choice is to make Neve a thread or to make her... idk, the same Neve? The game calls her an "inspiration", but it's not like she's part of any organization, so we can't call her a figurehead. It's just like, see that random citizen right there? She rules. And I don't really see how that increases the power of the rule of law, because even if one good person is working within rule of law to get things done, she's not part of the system, and everyone already know the system is corrupt in Minrathous. Random citizens in fucking Ferelden know the system is corrupt in Minrathous, or they would if they weren't all dead. Neve is now just playing on hard mode to appear righteous, which, good for her, but I'm sorry, won't inspire all that many people who are still paying "protection" money to the local mafia.
(Putting Neve in charge of the Threads is an absolutely whackadoodle decision by the devs that I don't even know how to respond to. She has a single Thread contact. Presumably the Threads have a hierarchy. She has never demonstrated interest in being a smuggler. Being a detective really has no overlap with being a crime boss. Telling a group of criminals that they are all detective's helpers now is sure to go over like a lead balloon. What the fuck was that. Why did that happen.)
Maevaris and Dorian arguing came out of nowhere and lasted a fairly long time, which was interesting, but after the most recent election in the states, Maevaris's position sounds unbearably naive and trite, and this hardly counts as a power struggle as they both say they will support the other depending on what some random outsider thinks should happen. (That is soooo not a basis for a system of government. Why would Maevaris OR Dorian cede their power to Rook, someone they don't know and who doesn't matter)
The power struggle within the Wardens is also very stupid and easily solved. The First Warden is a moron. He dies (kind of). For some reason the extremely hot and competent couple who we first encounter in the middle of nowhere are next in command, so, phew. Problem solved there. A question of what the Wardens will do now that the Blights are over would have been interesting. Do they keep recruiting lest the Blight somehow reoccur and nobody remembers the Warden secrets? Or do they disband? Do they set themselves to seeking a cure and nothing else?
The closest you get to that is deciding what the griffons will do, which, again, why the fuck is Rook deciding that, but also there are 13 of them, in two or three more generations they will be dead unless a lot of mages bone up on genetics real fast.
Who is left? We have Rivain, which is just pointless in this game. I played as a Lord of Fortune, but you could drop that faction and not a single thing changes in the game. Pirates who don't loot valuable artifacts because they are elvhen? Give me a fucking break.
Same for the Mourn Watch. There is pretty much nothing going on in that region. You could excise it from the game and nothing changes in the slightest. There is not a single excuse for them not using the Eluvians to help the Veilguard earlier in the game, given just how little they have going on.
The Veiljumpers are just missed opportunities all over the place. They could have had factions debating whether to join the god of vengeance in fucking up the human civilizations as payback for, you know, everything. They could have had people joining Cyrion in thinking that a Forgotten One might be the best way to face down the gods, given they'd done it before. There could have been a HUGE cultural impact on "what do we do now that we know our gods are evil fuckfaces--what do we keep and what do we throw away," but Veilguard ain't that deep. They could have had knowledge of a super-weapon or some elvhen bullshit that would help the Veilguard fight the gods... but nah.
In DAO, your decisions not only affected the political futures of the various regions, but they decided who would help you and how. Did the dwarves have golems? Did you have templars or mages? That whole wolf thing with the Dalish that I no longer remember that well? And the Dalish deciding to help changed how they were viewed in Ferelden. The mages helping you meant the monarch would treat them favorably. It fucking mattered.
In Veilguard, the only situation remotely close to that is the dragon decision at the beginning, which was one of the fucking dumbest plot points in a video game I have ever played. It was the first thing that made me set my controller down and go... what? What the fuck? The idea that Rook, a nobody, is the only person singularly capable of driving back a dragon in the entire north is laughable. What the fuck was Dorian up to that day? How is Rook more capable than every single Crow? How is it the two companions you sent to the other city were absolutely useless? If Lucanis/Neve + two companions were unable to drive a dragon away, what makes them think Rook would be the deciding factor? What makes them blame Rook when they themselves couldn't fucking do it? Neve in particular was a big part of fucking up that ritual and releasing the gods, so why is Rook taking all the fire for this?
AND WHY IS THEIR RESPONSE TO A BLIGHT TO FIND A SINGLE DRAGON HUNTER? HEY DIPSHITS, THE DRAGON IS HUNTING YOU. YOU DON'T NEED TO WORRY ABOUT THAT PART. YOU NEED AN ARMY.
But Treviso or Minrathous being spared doesn't change the global political situation at all. It would have been really interesting if it did. Tevinter hobbled? How many kingdoms would be salivating to take a bite out of their territory? With the trade princes of Antiva being absolutely fucked over by the Blight, who is taking over that trade? Who is getting rich?
Nobody, I guess, because why would Rook know or care about that, because, as previously mentioned, they are a nobody who doesn't matter and honestly shouldn't be listened to.
The stakes in this game are nothing because the bad guys are all so obviously bad that you know, as a video game player, that you are going to defeat them. Oh, the Antaam are just mindless, faceless brutes fucking up Treviso? Okay, let's kill them. Venatori again? I'm pretty sure they aren't the heroes of this game. There's no power struggle, and in the end all we've done is revert to the status quo, (except i guess Treviso is no longer occupied).
Except for the south. The south is dead. but we didn't have anything to do with that for some reason. Couldn't even be bothered to house some refugees in our safehouse that was built specifically to house refugees. The Inquisitor, who has access to the eluvians, couldn't figure out how to get other people through them or something so... sorry, every single Orlesian, Fereldan, and Marcher.
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writers-potion · 8 months ago
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?
What are the character really doing in this story? - Might they have issues you haven't explored fully yet?
Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?
Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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nipuni · 15 days ago
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Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!
The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.
The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.
When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )
The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )
I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!
But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!
The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao
Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.
Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!
I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆
About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!
The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭
Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌
Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.
I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.
OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺
The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆
But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫
Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!
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kashilascorner · 2 years ago
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After having read around 1100 pages (total of about 34 audiobook hours) of historical romances in little over a week, I can now tell you that Beverly Jenkins' Night song was decidedly the best (I can also tell you I won't self impose a reading marathon like that ever again)
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