#i hope his son ***** him.

[chloesimaginationthings]

I love Michael Afton's story in FNAF..

[certainlyathrill]

is this anything beatle people?

[bet-on-me-13]

Danny is Wonderbat's kid

So! Danny has known that he was adopted since he could remember. His parents never hid that fact, and always told him the story of how they found him abandoned in the Woods as a baby.

He was always somewhat curious about who his real parents were, but he never really put much stock into that little curiosity. After all, Jack and Maddie were his Parents, and nothing would ever change that.

Until one day when he is Training with Pandora and she notices that he resembles somebody she knows very closely. As in, he looks almost exactly like her if she was born as a male.

So, unbeknownst to Danny, she contacts Clockwork and asks him to confirm. He confirms this, and offhandedly mentions thay Danny has never met his mother and is curious about her.

A little while later, she is having Tea with her niece Diana and just as she is about to leave back to the Afterlife, she off-handedly mentions, "Also you should come around to visit one of these days, Ancients know your Son would love to meet you!".

And Diana has a Heart Attack. Because she did have a Son, with Bruce, but he was stolen away when he was born and she didn't know if he had survived or not.

Before she can ask Pandora to elaborate, she leaves. And now Diana has to wrap her head around the fact that her very much dead aunt has actually met her Missing Son.

So she thinks Danny is Dead. She thinks that he was killed after being kidnapped as a baby and that he found his way to his Great Aunt in thr Afterlife.

And now she has to tell Bruce

[sherrymagic]

I've been followed for a while now. It's probably those who don't want me on your brother's case. I'm still looking for evidence.

JJay Patiphan as WIN 4MINUTES | EP. 4

[cloudysarts]

jonas venture's most famous inventions comfort each other after his death. <3

putting this under a read more bc i know im gonna get rambly BUT: the main idea behind this comic was that i got the mental image of helper being the first person to greet rusty in the (now) empty venture compound after jonas dies and rusty drops out. after a rewatch of the series i noticed that TECHNICALLY he wouldve seen helper again before this bc we see him in a flashback opening the car door for him as he leaves college so this comic TECHNICALLY doesnt make sense but im pretending that didnt happen. ANYWAY theres just smth so depressing to me about these two.......the fact that helper is the only one whos ALWAYS with him when we see a flashback to younger rusty. this robot loves him more than his actual father and it makes me deeply upset.

[nausicaaandhermouth]

"I understand now the message hidden with the pattern, the reason for our failures in the commune. The doctor was right: it's inescapable. Humanity, our very essence, our emotions. Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound. That which inspires us to our greatest good is also the cause of our greatest evil." Viktor, End Monologue, Episode 6 Season 2

[sakasakiii]

Hii! I just wanna say, your blog is life to me! Literally come here to scroll on tough days, and seeing all the character designs and funny comics makes everything better! Really love your art style and designs. I know this has been asked before but I'm wondering if I could use your art as profile pictures? I really appreciate the joy your art brings!

hihi hello!!! first off, thank you so much for your kind words! i'm sorry for how delayed this response has been (im just getting back into tumblr after one of many hiatuses... AGAIN!!!), but it warms my heart on my own tough days to hear you enjoy my designs and comics! it means a lot, so thank you again!! ❤️❤️

now onto your question about using my art as a pfp: that's absolutely fine! by the time i'm answering this it's likely a bit late already, but i hope this clears things up in the long run. im absolutely ok with anyone using my art as pfps/icons, just so long as you remember to credit me, don't claim as own, dont use for AI training, etc etc.... hope that clears things up, and sorry again for taking so long to see this!

[yujeong]

KPTS characters + The Art of War quotes

[unsat-and-strange]

alright. i know the pretty much accepted fandom standard for arthur (specifically when john has his eyes) (or john in human form as well) is gold eyes. i love it! genuinely!!

hear me out.

dark eyes. darker than the black behind the stars, darker than imagining. even a prolonged inspection couldnt show where pupil meets iris, not that arthur is often still enough for that sort of thing. its the kind of darkness that things hide in, the kind that makes you feel like things are looking back. dark enough that you are prey. dark enough that you have to look away after a moment. eyes like a hole in space has been centered in the whites of them, absorbing all light. his eyes are always moving, scanning, searching, hunting? no, that cant be quite right, he speaks like a gentleman and looks far too thin to do any kind of harm. but at the same time, he is littered in scars and youve never quite seen eyes like that on any living thing before, let alone a fellow human. his eyes are so dark.

[chibishortdeath]

Ya know, Castlevania tackled the concept that life after defeating Dracula could be difficult for a Belmont with Richter feeling like he’d lost all purpose and reason to go on living if not for saving others and fighting against something—

But, do you think any of them before him felt that way too?

I mean it sounds kind of miserable, being raised your whole life to be solely relied on for one moment… and then what? How do you handle the sudden shift to ‘not being needed anymore’? Evidently, most of them didn’t have very much happen to them after the events of their games since we don’t get to know—

But, do you think any of them ever got better? Do you think anyone before Richter ever learned how to live for themselves? Did Richter?

Anyway it’s 8 PM and I’m sitting around wondering if any of the Belmonts were still happy after their happy endings (debatable if certain ones got happy endings tbh but anyway), Konami can u check on them, I’m worried—

[chloesimaginationthings]

Will the real FNAF Helpy please stand up?..

[fatedroses]

He is here to stare into his soul.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[imthursdaysyme]

While I love Steve having a kid that's a nerd, my favorite is if his kid is just like him. He's popular even at 7, he's extroverted, funny, and charming albeit a little strange. He loves sports and struggles in math and doesn't really get english and gets scolded when he laughs in history—sue him he thought it was funny—and has a tendency to get detention but also is somehow a teachers pet all at once.

He has a tendency for feminine things, makes it his own with earrings and the occasional pink flower print shirt.

He begs steve to not work on the car until he gets home from school, cause even at 5, he would rather climb over the fence and run home by himself then learn his dad worked on the cool car without him.

He loves driving and cooking and dancing and loves swimming—aunt Robbie calls him a variety of aquatic animals instead of his name; minnow, fish, stingray, tigershark. Anything went.

They look alike and act alike to the point robin laughs and claims Steve just cloned himself, Eddie says that the kid is actually just Steve brought to the future through time travel. Steve laughs, he loves it ofc but he's never pushed or forced it, it just happened that way.

But there's also times, where Steve sees his son, so like him with big tears in his eyes trying to be tough. Or when all he wants is to sleep in the bed with Steve when he has a nightmare, wants his dad to kiss everything better, when he so easily seeks affection or struggles with school to the point he's getting stress migraines at 9, sees him try so hard to do his best and do what he does well. Sees him fail.

And when Steve sees this, he wonders if maybe he wasn't a bad kid. Didn't need to be tougher, manlier, smarter—better—to deserve love.

Just. Like. Steve seeing that he didn't need to be anything other than what he was. That he has no idea how his parents didn't love him bc how could he ever not love his kid? Just like its okay for him to be how he is and have a kid that a like him as well bc he's pretty great

And like. Its just that idea that Steve could only “heal his inner child” with a kid that's different then him or a girl is kind of sad that it's only that what if him and his son go to every game and constantly have grease on them what then.

[hallowshumour]

Hes my fave btw

🗡🐻‍❄🌱

[omppupiiras]

the many faces of corn pea kä <3