#i have some other characters from this story too but i need to redo their designs

[rubyshortcakez]

Guess I'll take the bait.

What kind of horrors is the silly girl experiencing?

The horrors are the fact she belongs to me/j

But in reality, She is mayhaps kidnapped by some bad folks intending to use her as "food" to keep a demonic entity at bay + under their control. She also finds out some pretty horrifying things about some of the people she's trapped with + someone from her past.

her story is inspired by things like DR, YYTD, 999, Murder Drones (believe it or not), Higurashi, it's kind of a silly little thing i'm just working on. Nothing is really 100% yet ^^

Her name is Mizuki, by the way! Mizuki Hoshi.

[fanatical4creation]

INVERTED!Poppy!!!

Finally made her up, I was just putting it off and putting off designing her but then I took my pen, my new laptop and drew it, now look at her!!!

Alright let's start shall we?

Design:

"OMG FANATICAL WHY DOES POPPY LOOKS LIKE A FRISK-" Shhhhh, you need to calm down, i'll explain everything;

Alright, bare with me: The original Poppy mentions in an animation, that she's talking to her therapist, that people usually thinks she's a Chara, but she's none! And I think, I theorize, I suppose that the reason why she looks like a Chara is bc an Frisk was drawing her (you know her lore?), so supposing that the whole concept of Invertedverse is that the original universe Underswap, that Frisk who drew her is an Chara, so if the Frisk drew a Chara in the original, here the Frisk that is now a Chara would draw a Frisk....... so, that's the logic here.;

Even though Poppy is still not a Frisk nor a Chara, but I don't think I translated that into her design, maybe I'll redo it sometime.

Her clothings are intriguing. It's her original teenage/adult clothings but with some green and a purple cloak or cape, whatever that is. This cloak represents her importance inside OmegaTimeline, that reminds me;

View from back Ω:

Made it with wind because it's cool, plus, her silhouette is cool too

Story:

Core was the "ruler" of Omega Timeline, everyone would look for them when there was a problem and needed help, everybody trusted them, but they put Poppy on their place... Core is a very mischievous character, no one really knows why they put Poppy in charge.

Omega citizens theorize that the reason is because Core was lazy, or that they didn't like the attention, or maybe they wanted to focus fully on recruting people, even thought after Poppy got in charge Core was rarely seen interacting with people and also the numbers of new survivors to get to the OT decreased.

Poppy tries her best to help remain peace within Omega Timeline, even if it requires all of her energies, thought she could really use some help, she thinks that the reason why her parent is more absent while she was in charge was because they knew she could everything alone, and that she should do it.

She doesn't have many friends, and the old ones got far away because she's too busy working signing papers, solving problems, financing projects, etc, etc.

Character:

She suffers. That's the truth, she just needs a vacation and a hug from her girlfriend.

She doesn't like parties... just thought it was important to mention.

Poppy doesn't like her parent, almost hates them even, they seem so irresponsible, imature and a coward, after just letting their daughter in charge of a (practically) country in surprise, it's expected for her to feel that way

Poppy has to be the clueless character in the whole Invertedverse, the reason is that she's so busy at work, or too busy being tired, and she usually gets information on what's going on from Core, but Core have been very silent lately, wonder why...

She has the hobby of playing board games, dancing and origamis!

She likes to cook more for others than herself

Sometimes she would visit the Madame T's orphanage, mainly to see Cadence and her friends, but also to donate and all of that things famous ppl do in orphanages idk.

Even thought she does a lot of hard work sometimes she'd take credit over someone elses work unintentionally, i mean, she's kind of the president.

She can't lie, like literally, maybe it's just her morals, or maybe it's a supernatural force idk.

She also keeps taping her fingers in hard surfaces all the time, I think it's anxiety.

Oh yeah, her full name is still Poppy Marusina, but she can also be called Iris Marusina, or maybe I'll change that to her original name, idk

Poppy (c) fmsdraws

[affixjoy]

Today I continued my Star Trek journey by rewatching Star Trek (2009) and boy howdy do I have some thoughts.

So first off, I saw this for the first time when I came out in 2009. It wasn’t my first experience with Star Trek, but it was probably my first with Kirk and Spock and that gang. I remember liking it a lot.

Now that I’ve watched all of TOS and a few of the movies with the original cast my feelings are a little more complicated.

Overall, fun movie! I imagine they had to have felt the weight of recasting and redoing such iconic characters, and in a lot of ways they succeeded. It certainly got younger people like me interested in the franchise!

💫 Spock: I do love this version of him. His “live long and prosper” to the VSA is perfectly bitchy and I’m obsessed with it.

💫BONES!! if you’ve read any of my other posts you’ll know that somehow Bones snuck up on me as my favorite character. I love his intro here, and I think Karl Urban gets the tone just right. This really is a buffet for the McKirkers out there, I can see how this led to 1000 academy era fics of them.

💫Kirk: oh Jim. Jimmy Jim Jim. Baby boy. What are you doing. How did being played by Chris Pine (who is incredibly hot) make you LESS attractive??

Obviously this Kirk suffers from some Kirk drift and the added trauma of losing his dad. He’s so much angrier, so much less sweet and nerdy. Rewatching this now I can see why I was so hesitant to like him in TOS because he’s a lot less lovable here.

💫 I get it’s an emergency and they had to for plot reasons, but almost all of Pike’s staffing choices make no sense. Sure, Spock as acting captain, I get that. But everyone else?? Imagine being one of the other people there who has been with starfleet for years and seeing him hand Kirk the role of first officer. The ship can’t be entirely cadets can it?? Imagine the group texts going around after like “thank god he didn’t die because I really need to bitch about this.”

💫 I love all three Uhuras (tos, aos, and snw) and I get why they made her Spock’s love interest here because they’ve got fun chemistry! They have a lot in common, they’re both hot and smart, I get it. But cmon guys, that man is a 6 on the Kinsey scale. You keep pairing him with women and it doesn’t work.

💫 I feel like they worked in lots of little references to classic trek, from plot stuff to smaller details like when Spock enters from the turbolift at the end in a very TMP way. I love that, it makes me feel like the people making the movie really care about the stories and the characters. When Spock Prime says good luck I felt all the weight of his relationship with his Jim and how it changed him. So lovely and touching.

And just how close they made Kirk and Spock stand, especially towards the end of the movie. They were always glued to each other in TOS and JJ must have known us Spirk shippers needed something to latch on to 😅

💫 There’s too much action in this movie for me. We didn’t need to see Scotty beamed into the water tank. The best sf stuff is always story based, I don’t need extravagant fights and cgi shit. I’m sure there are people who watch science fiction for the spectacle but I’m here for the ideas and the feelings.

💫 goddddd everything with Vulcan and losing Amanda. Rip all our hearts out why don’t you. Spock’s mom dying is just heartbreaking. I know they had to lose someone we knew to make the destruction of the planet more real to us as viewers but so crushing to see it.

💫 Old Spock 😭😭😭

He knows right away who Jim is and expects that Jim found him on purpose.

Old Spock just launched right in to the mind meld huh. To me this really says that he and his Jim are on very casual mind meld terms and he’s not fully understanding that this Jim is not his Jim.

Think about how fucking weird all this must be for old Spock. How heartbreakingly strange it would be so see a young version of your husband and send him to a young version of yourself. Meeting all your old friends young selves, years after you’ve lost them all.

And from here out it’s just miscellaneous thoughts I jotted down while watching that don’t fit great anywhere else:

⭐️I love when the redshirt is so excited to get the Romulans and Kirk gets this look like… that’s why you’re here? Dude the battle not the appeal here. A nice glimpse of how this Kirk is similar at heart to TOS Kirk.

⭐️Love you Sulu and your fencing skills

⭐️I love when they stop the lift for emotional reasons.

⭐️“Our destinies have changed” goddddd great speech Spock

⭐️Jim has the look of a man who is frequently escorted places by security

⭐️Spock wants to break Kirk so bad 😂

⭐️When Jim slaps Spock’s back and Spock has a look of “I think that just awakened something in me.”

⭐️Spock you’re calling him Jim already? You slut. (Delighted, affectionate)

Overall I think it’s a fun movie but it misses a lot of what’s at the heart of the classic Trek I love. They try to do everything too fast and it just doesn’t work as well for me. I’m excited to rewatch the next two and see how these versions of the characters change!

[midnightwriter21]

demon slayer hcs: how you meet pt 2

characters: fem!reader x zenitsu, shinobu, tengen & his wives

warnings: spiders, minor injuries, polyamory

ZENITSU

he's a sweetheart omg

you guys meet in the forest with the spider demons

you're a slayer

a pretty strong one too. not hashira level but you're working on it

you're weakness?

spiders, bugs, anything creepy and crawly

but isn't that everyones weakness?

idk know how you were convinced to go fight a spider demon

bc personally? ain't no way

but anyways

you get separated from the group of slayers you were working with

so ur alone

when u hear some bushes rustling or som

so u look down and boom

a spider

with a human head

FUCK. THAT.

you take off running and i mean fast

so fast you can't even see where ur going

and bam u run head first

into zenitsu

who coincidently was running from the same thing as u

he realizes ur human, grabs ur hand and TAKES TF OFF

ZOOMMMMM

ur gone

until u meet spider demon w the house

zenitsu passes tf out, ur shitting urself just a little bit, and then

zenitsu handles tf out that demon

while asleep?!

hot af

sleepy zenitsu could get it

SHINOBU

idk somethin abt her irritates me

she still fine asf tho

shes a top fs

you're a slayer

and you were on an easy mission

prob a low ranked demon

and then shit

a lower moon pulls up

low key fucks u and ur comrades up

somehow yall kill it

and your brought back to the butterfly mansion to be treated

and we all know miss gurl shinobu is running that mf

so shes obv overseeing your recovery

for some reason the other slayers heal faster than you did

wonder why?

perhaps purposely ripping ur stiches to spend more time around a pretty lady?

noooooo you would neverrrr

thats exactly what u were doing

and shinobu knows it too

but she plays dumb cause she thinks its sweet that you admire her enough to delay your recovery and cause urself that pain

she does poke u a lil too hard when redoing ur stitches tho

takes care of u til ur ready to go on another mission

TENGEN + wives

he's so fine for what

can we make this foursome into a fivesome?

sooo ur not a slayer

ur not a kunoichi

not a fighter at all

just a cute lil civilian

you meet the wives before you meet tengen

you're out shopping

need some new clothes

or maybe you have an event that you need some new jewelry for

gotta look flashy yk

so you finish your shopping and walk out of the store when your knocked flat on ur ass

it was suma

she was running from makio after making her mad

and she ran straight. into. you.

she immediately burst into tears because she felt so bad

makio is yelling at her for knocking you down

and hina is trying to calm them both down

and ur jus like "wtf is goin on"

you feel fine until you stand up

you hit the ground again

ankle = sprained

que the guilty sobbing from suma

the girls carry you to a bench to assess the damage and this grabs tengens attention all they way from the inside of another store

like "who is getting attention from my wives?"

VERY UNFLASHY

jealous af

until he sees u

a cute little civilian women in pain

and his wives fawning over you

he introduces himself and gets the story of what happened

calms suma and makio down

and apologizes on their behalf

meanwhile ur in awe

um hello?? a literal god is standing in front of you apologizing for his wives

WIVES??

AS IN PLURAL? MORE THAN ONE???

he checks ur ankle

his hand wraps around ur entire leg

dudes hands are big af

not the only thing on him thats big

to make it up to you he carries you to a very flashy cafe

where you all sit and have tea and snacks together while you rest ur injured ankle

tengen pays

does this count as a first date??

i love them

[ganondoodle]

i have seen people talk about how hard it is to draw anything if you have aphantasia (which is good to talk about and true and valid and also intersting to read and this post isnt to devalue that, two things can coexist etc etc)

i personally struggle with the opposite; i have incredible imagination, i'd say it's my best and only "inate talent", (this is not a brag ..) all stories i think about are movies, i can stop them, change camera angle and poses, rotate ever object however i want, place lighting sound and voices, even styles, i switch from ghibli to botw to fortiches style, even into the style of a comic i recently read which wasnt even animated, the only thing that only works half the time is music-

and that all might sound fantastic, but its a mess, it goes too fast and too quickly, things never play out one way, theres interruption, involuntarily sudden changes to other subjects, i feel like struggling to keep an angry horse on one path, it makes me waste HOURS each day just reversing and redoing a scene like im a movie director wizard in my head, theres no ONE finished version, it changes everytime yet i go back over and over again to make it better, i forget most of it within a few hours anyway; even IRL when someone tells me about a memory and they are not sure if i was with them during it once they start to explain trying to make me remember it instead i will imagine it, in the end i wont be sure if i actually remembered or if i just imagined it too real, it scares me how much i forget and cant remember only for my mind to make shit up, makign me doubt my own memory (its weird how it works, i have horrible geographical memory, when i drive somwhere i have known my entire life i need to remember the path to it by imagining driving it, i remember significant things but not the path to them or how they connect or in what order, i have to go through it in my head every single time)

by far the worst part though is that extreme disconnect between whats in my mind and what i can do, just because i can imagine things like that doesnt mean i can draw it (god i WISH), nothing i have ever drawn is how it was in my head, the few things you get to see are the ones i won the fight against myself with to keep going and say 'good enough' at some point the speed is a problem too, the things playing in my head, sometimes even multiple at the same time, play like, again, a movie, whatever im trying to draw is rarely ONE thing, its a whole scene that plays over and over, i want to draw it all but it wont work bc my mind is too fast and i am too slow, it makes me try to skip ahead and get things done as fast as possible, it NEVER works (also too much, theres so many things in my head, i have almost the entirety of the totk rewrite in my head already, novels worth of lore and story for my other projects, its overwhelming how much is in there that i cannot get out and on paper)

its why comics take me so long to make, why detailed paintings are so rare, its the rare times i can force myself to try and tune out my mind and just work on what is in front of me, usually works for a few hours .. if i can manage to reach that sort of focus at all, its why basic sketches of characters are so much easier to do bc i dont have to fight as hard to just draw a character doing nothing- as soon as i want to make it a sketch page of things and scenes the movies are back and are there to haunt me until i cry and give up after hours of trying to keep up with my mind that i will never be able to catch up to (and this is only about drawing .. )

i know skill and speed increase over time, but i wont ever get to where my mind is, its always ahead and trying to skip and jump towards it only makes me stumble and fall flat on my face- maybe its ADHD, maybe its the autism, maybe its the depression, maybe its just me, maybe its just all of that

what im trying to say is, head full, too much thought, too fast, never able to translate it into viewable things in the way and speed as my head works, i explode

[savrenim]

whos ur mdzs blorbo (if u say anyone but jiang cheng youre wrong /JOKE)

not to be an Extremely Basic Bitch but Wei Wuxian. in my defense gotta LOVE me any character who is doing basic physics research and you cannot tell me that the development of demonic cultivation is not basic physics research in any given story I am going to be most obsessed with the character who is closest to doing theoretical physics in that setting bc most often nobody gives a fuck about the physics of their world in the main story even!! though!! it!! would!! be!! really!! cool!! magic!! physics!! that!! I!! want!! to!! know!! about!! and yes I understand the author set out to tell a story not to do fundamental physics but the physics of it will haunt me. I can and will kill on the hill that Wei Wuxian does magic physics and he does it Really Fucking Well and that is the thing I care most about in the world

but also

I am generally Bad At Cooking. I got better at cooking towards the end of grad school! but at the beginning of grad school I was actually cooking all my own food for the first time and was Bad At It and what's worse is that I was so tight on time that I'd almost always bulk cook for the whole week which meant that if I fucked up a recipe I had to eat it for lunch and dinner for like six days straight

until I discovered. the single best cooking hack. in the world.

you see, I like spicy. and I'm a vegetarian have been for forever and vegetarian bulk meals are like. "pasta and vegetables" "beans and rice and vegetables" etc etc. which and it turns out. that if you fuck up trying to make something. without altering the texture and having to redo anything bc it's totally possible to do it at the very end you can just dump an ungodly amount of red pepper flakes and/or cayenne pepper powder in and now it does not taste Bad, it simply tastes Spicy, and for me, that tastes Good

I proceeded to use this trick with everything. including when my coffee beans got really old and stale bc bought those in bulk too. simply throw red pepper flakes in to the ground beans before you drip brew it and now it's spicy coffee instead of stale coffee!

anyways I eventually became A Better Cook and Started To Make Food That Is Spicy But You Can Actually Like. Taste Other Flavors. miss Spicy Coffee tho, wish I had the time to brew my own coffee again.

fast forward to like. a month ago.

I discovered about a month ago lo and behold that I Do Slightly Better life-wise if I Actually Eat Breakfast before running out the door even though it's like 6:45am and I'm not that hungry. and I had a bunch of old fancy farmer's market granola from like two years ago that was about to expire so I started eating that with some greek yogurt. but it was a small bag and I was about to run out. so I bugged housemate-partner-who-is-a-good-cook-my-beloved of would he consider helping make me a shit-ton of homemade bulk granola, I'd grab the ingredients and we could figure it out as we went along

except the thing is he Hates cooking by Vibes instead of A Recipe it Stresses Him Out So Much bc he is not used to people with the attitude of "eh if I fuck around I find out that is the deal I make with the universe I'll still eat it" he is used to people with the attitude of "if it's fucked up I am physically incapable of eating this"

so I. jokingly. as he expressed some Worry about "do we REALLY need to cook this by Vibes? can we Please find a granola recipe??" went "hey don't worry!! if it comes out Absolutely Terrible we can just use my old trick from grad school of throwing enough cayenne pepper into it that it just takes Spicy instead of Bad!" the joke being that like. spicy granola in yogurt that is a CRIME hell spicy granola is a crime who ever heard of spicy granola

.............except I was. really curious.

so the next morning I tried sticking some red pepper flakes so the texture wouldn't be disgusting into my granola and yogurt, I am nothing if not a caricature of myself, I live by the primary tenet of "commit to the bit" there did not exist a world in which once I had set forth that bit I would not Commit to it.

and it was delicious????? like it was weird Spicy Surprise but it was delicious. No Bit I Just Legitimately Like Spicy Granola Apparently With Or Without Yogurt.

so I Decided that let's not even wait for us to Potentially Fuck Up The Granola Recipe let's just put 3/4ths of a full shaker of red pepper flakes into it for Funnsies. because that's a reasonable amount of red pepper flakes, right? there's a lot of granola I want to make sure that there's a hint of spice in every bite!

out came a gallon and a half of Crimes Granola. the red pepper flakes got into the coconut oil so every single bite of it is infused with a huge amount of spice it is FUCKING DELICIOUS and to absolutely every single person in my house who have Nowhere Near My Spice Tolerance even the one who Likes Reasonably Spicy Things it is Totally Inedible I make a three month supply of booby-trapped granola that I and I alone can eat

anyways.

like two days later I proceeded to have an existential crisis about the fact that I'd made granola that I was the only person I knew who would like it, except also, Wei Wuxian would probably like it.

so yeah he's my fave.

[zenkindoflove]

Fanfic Writing Tag Game

Thank you for tagging me in this fanfic tag game, @bonecarversbestie!

Describe your writing process from idea to posting/publishing

Generally I start with a inspiration scene. A moment that stands out in my head that I can't stop thinking about. Then I design a story around that scene. If I'm writing a one-shot, I tend to be very loosey goosey with planning and just sort of write what is coming out with a general trajectory in mind. For multichapter fics, I'm much more meticulous. I always come up with an ending first so that I have a beacon to head to. I then do a high level outline which is usually what are the things that need to happen each chapter. Then as I get into the chapters, I will do more detailed outline of what things need to happen per chapter. I end up redoing the outline a few times as the story progresses.

I write the whole first draft from start to finish of either a one-shot or a chapter. I then do a major edit where I focus on bigger changes like adding in scenes or taking away whole sentences. It's my "does this make sense" edit. Then the next two edits are more wordsmithing/looking for typos. I tend to read out loud for these edits.

I'm also pretty big on writing in order. I almost never write out of order. If I do get inspo/idea for something that happens later, I'll write down lines of dialogue or details but I don't delve into writing the whole the scene then.

When I post multichapter fics, I write as I post. So when I post a chapter, usually I haven't started on the first draft of the next chapter.

Are you a plotter or a pantser?

Both. See above for my plotting process. But so much happens as I write that surprises me. And I end up making on the fly changes and redoing the outline often as new things arise as I'm writing.

What do you listen to when you are writing?

Depends. Sometimes I listen to music to focus. Often instrumental or something that will put me in the mood for the scene. Other times I listen to nothing and that helps me focus.

What’s your drink of choice(while writing)?

Coke Zero which I often forget about as I get into the groove and then it gets flat/warm.

Promote yourself! What’s your favorite thing you’ve written?

I think Summer Heat (Elucien + Erixius) is probably my favorite fic because it has a lot of characters that I really enjoyed writing and exploring and it's two romance stories occurring at the same time. I'm excited to get back into it. It's also just a really fun fic.

I also am really proud and always excited when I talk about Dear Lucien, Dear Elain: an Epistolary Fic because I wrote it with @crazy-ache and I think it's super unique and very fun and romantic.

Share a fic of yours that you think is underrated/deserves more love.

I'm going to cheat and choose one Elucien and one Erixius fic.

Dancing Barefoot (Elucien) - This is the first modern AU Elucien fic I've ever written and I think it's a really solid, smutty one shot. I also have some Jassa in it who were surprisingly really fun. I think you should read it because I did a great job capturing that feeling of forming a crush in a night and falling into exploring those feelings with a total stranger.

The Jewel of The Forest House (Erixius) - I really love this fic because I think it's a good blend of comedy, fluff, and angst. And I think if you're a dog lover, you will love it too.

Do you have any advice for new writers?

I was listening to a podcast last night with the comedian Matteo Lane. He was talking about advice he received in art school that he applies to all creative things that he does. It was: You are not working on the masterpiece. You are working towards it.

Basically - do not get stuck in the fussiness of perfection as you write. You always will have chances to change and alter your writing. A lot of good writing happens in the editing. And just because something doesn't feel perfect, doesn't mean it isn't worth sharing. Especially in fanfiction, this is a hobby where we are all trying to have fun and support each other. It's natural to get in your head, feel vulnerable and insecure, compare yourself to others, etc etc. But you can't let that pull you down and suck the joy out of writing. Write the things that inspire you. Things you want to read, and the process of writing will become more fun. And the more you write, the easier it gets. It takes time to find your voice, and the only way you will find it is to write a lot.

What is a writing style/technique that others do really well that you'd like to get better at?

I'm always looking to improve my metaphors and lyrical prose in a way that feel authentic, natural, and appropriate for the scene. There are some writers I really admire who do it so well and every time I read their work, I get inspired.

Is there a character you were surprised you enjoyed writing as much as you did?

Jurian!!! And Vassa. Actually in that fic, Dancing Barefoot that I recc'd, that was the first time I ever wrote them and I really had a crazy amount of fun with their dynamic. I also surprisingly enjoy writing Rhysand because I like playing between his nurturing side and being a shit. I thought about saying Eris, but I think it wasn't a surprise once I dived in. I always loved that man, and I danced around him for a bit out of intimidation, but I always knew once I dug in and found who he is inside of me, I would love it.

No pressure tags: @jules-writes-stories , @lucienarcheron , @starsreminisce, @sapphiresandgold, @lovely-vanserra-sunshine, @avabrynne , @highlordofkrypton

[inactivewattpadauthor]

Johnny Cage x Writer Reader: Basically What The Author Going Through

Warning: Venting. Title is self explanatory ~~~~~~~~~~~~ Your eye twitched as you hear the front door to the studio open and close. Just another noise is needed to distract you. Again! Fucking frustrating.

"Baby, I'm home!" Johnny calls happily for you, grunting as he drops his duffle bag aside, filled with his props or outfits or guns, or wherever the fuck job he came from today.

You didn't call back. Grumbling as you forced yourself to lock in on the page before you. You were about to pull out your hair. Nothing has came to your mind for the past hours... days.... WEEKS!

Only one draft is needed nearly one day a week. So why are you always scarce?

Footsteps thumped to your little office den. "Oh, don't tell me you're still nesting here." Johnny enters and frowns as he was very much told silently.

The death look you gave him just checking up on you.

"Y/n, you're still trying to think of what to write for your paper-"

"You don't get it, you pretty boy bastard!" You hissed.

"Easy, easy." The actor held his hands up in pacifist. "Okay, if it's this bad, why don't you just... step down for a bit. This was an off and on thing for you, right?"

"Okay, yes! It is an on and off hobby for me. But I start caring too much. I don't want to stop, at the same time, I can't keep up. And if I can't keep up, I'll have to redo it all over again."

You pace around the room and speak so fast for him. The concerned blind guy only just follows you with his eyes. Looking at you like the weird hysterical young woman you are.

"It's not like I can force myself to just write ANYTHING. I'm too bougie to be posting dog shit plots. It gets obvious." You add on.

"Okay, are your emails open for your readers? Maybe they can help-"

"𝐍 𝐎."

"Okay, got it." Cage cleared his throat and looked away.

"I already feel pressured since I don't feel that motivated. I don't need more pressure being added onto me like that. I don't miss that feeling."

You stop to breath before furrowing your eyes.

"My emails are always opened to my beloved readers. I like hearing what they have to say and think of my work. But I know the second I decide to take requests, I'm going to be the next Cory."

"Who?" Johnny raises an eyebrow.

"Okay, okay!" You held your face in your  hands and took deep, deep breaths. Finally, you'll stop talking very fast and crazy.

"I... I don't want to stop posting stories. But... without any passion to write... and how I can't think of what to write. I don't think it's possible anymore. I keep telling and telling that I'm running low on pages, that writer's block is itching me, I still force myself to keep up the every six days expectation. And I end up having to post something I feel is crappy or too overused."

You stopped there not knowing what else to say. But it felt some sort of good on your part.

Johnny got to speak. "Look, Y/n. I get what you're saying. And it's okay if you end up slowing down. You'll get back to it whenever your mind is ready. But you can't be too harsh with yourself because that's what makes the fun turn into some nasty prison cell, whatever."

He pats your shoulders reassuringly.

"There's so many other important things you have to do in life. So, who cares if you post a day late. Or two. Or a month. Or maybe even a year and a half. It's your call. Tell all those self expectations to fuck off!" He half jokes and holds a middle finger up with the exclaim.

"Right." You smile.

Wow that feels so much better our chest. ~~~~~~~~~~~~ Thank you :') I wish my creativity didn't go down otherwise I would try harder.

It's like the only time I get motivated is if I'm feeling freaky and decide to write about Fujin, and thats an example of overused. Ik some of yall like it, but I try to post different characters.

[britt-kageryuu]

An unusual amount of people are watching Donnie doing some programming. He had explained that he was challenged to make a game within a relatively short time frame, but hadn't explained what the game was supposed to be about yet.

His model is seated at a desk, and only seen from the torso up. Wearing a very comfy looking purple hoodie with a few pride pins, Nonbinary, Ace, and Progressive Flage, his mask, and his goggles/headphones.

"Okay, so I know what I'm planning for this game is way more than it needs to be, and I don't have a good chunk of the 'story' figured out. But I had a burst of inspiration for the game. I just need to make it actually make sense, even in this very obviously fictional setting." Donnie explains as he continues to switch between the programming screen, and a section of the environment filled with lots of random notes of what the area might be for.

The chat is tossing around their speculations of what the game is about. Especially since one of the Notes says "Need to finish mock up model, and check for potential copyright issues."

Donnie is now very focused on part of the program that has a tag saying it's for a enemy AI, and a reminder to not go to far. "Before anyone asks about these notes and tags. I need to remind you that Shelldon started as an AI assistant that could control some devices like the Roomba through bluetooth, and look at him now! My handsome robot Son who is very very very smart." He continues to gush about Shelldon and River for a few minutes, "I almost forgot my point, SHELLDON had a glitch early on that caused him to stop listening to anyone, and almost lead a Roomba army out onto the world... He was fixed very quickly, and I only had to deal with him acting like a teenager for a few weeks as a side effect."

As he talked he opened a file titled 'VT Game Assets WIP', there were multiple files each labeled like 'coffee shop', 'studio AB', 'stage 1-5' and looked through a few different 'enemies' folders to figure which one he should use in the environment labeled 'New Start Entertainment'.

"Though really the only reason I'm getting through this as quickly as I am, is because we have a huge library of random props, outfits, and of course environments. All made by Mandarin and I for no real reason other than 'just incase'." Donnie takes a moment to stretch after sitting still for like 3-4 hours. "This game as a whole would probably be judged for how quickly it's coming together and assuming it's not worth their time."

He then pulls up the fighting system- a plain mannequin fighting what could be described as a feral possessed plush toy. Once again catching some more attention and sparking some more debates in what the game was about if it needed a combat system to continue.

"Well that seems to be working properly for now, we just need to adjust for the other parts of the main setting. And actually finish the protagonist and other characters models so I don't just have a mannequin placeholders. It looks too much like we're copying that one cartoon that's getting big."

Donnie gets hyper focused on the programming and ignores chat and donations for the next hour. With the occasional muttering about what needs to changed, or they need to redo some of the textures and art assets because they aren't lining up properly.

Chat somehow never figure out what the game was about, and still continued to cheer Donnie on for working on the game.

-----------------

Masterpost Part 2

[pixeldistractions]

upcoming stories and plans and stuff

Hello, friends, who wants a long texty progress report?!?

Nobody? Well, you’re getting one anyway! 🤪

First, Thanksgiving is about to plow through everybody’s motivation for a week or two, right? Happy Turkey day to all who celebrate! 🦃 Then Christmas and New Year will be right behind it. 🎄☃️🎄 Let’s not set the bar too high, right?

In my noveling life, I have made exactly 800 words of progress on Miserable Ghost Story last month because my brain is stuck on Boxes and Squares instead. (B&S stories got about 12,000 words added, for a comparison.) Oops. I keep going back and forth on what to focus on first. MGS is a good little book, and if I could focus, it would be quick to finish and get out the door, but I’m just so damn obsessed with my B&S characters. My stupid brain writes what it wants to write about. 😖

And mostly, in writing, I feel like it’s a good idea to go where the energy wants to go. When a story is calling, it’s a lot easier to work on something that is calling than trying to force something that is not calling.

But I think also why I’m so obsessed with the story and getting through book 5 is because I feel like it’ll free up my brain a little to work on other things, both in sim stories and otherwise. There’s this mid-story climax point we’ve been building toward and we’re almost there!

So, plow ahead forward? Right? Right???

But wait…

Now I’m kind of picking at some things from book 1 that never got to be part of the blog version, and I want them to be. Some things that were part of old gameplay stories that I want to revise and expand.

Don’t redo old stories… don’t redo old stories… don’t redo old stories!!!

Except I kind of want to go back and redo old stories. 😂🤣😂🤣😵

I guess I’m a bit of a completionist. I know the blog version is not going to include everything from the novels—it could never—but it should include the important things. The things that develop characters and explain motives and maybe just a little bit of the absolutely precious fluff that deserves to be illustrated with sims, just because.

And I do intend to leave the blog version up when the novel version is published (because I’m an indie author and I do what I want!), so I want them both to be as full as they can be for their format.

Because, at the end of the day, this sims story version is here to please me, and please you guys, and it serves no other purpose than that, really. So, it would make me happy to go back and redo some of those earlier pre-story sections, like before even My Sweetheart. So I think I will.

Because I really do want to get back to Colette in #5.3 and she really does need to get laid! But funny enough, after her shock in #5.2 pt 10, then drafting Colette in #5.3, I felt like she was wanting to dig so much into her history of that time and the failure of that relationship. So I’ve been spending a lot of time in that era anyway.

So, a quick flashback story first??? (I said quick, but I didn’t say little. It’s not really very little. But with the writing done and grabbing a few select pictures, I think I can post it quick.)

The flashback story begins almost one year ago in story time, on Maria’s birthday. It’s an expansion/retelling of this gameplay post, which was their first real story on the blog (not as supporting characters), with Maria and Jordan in their flirty coworkers era, and Jordan and Colette in the last months of their quickly deteriorating togetherness. Then it also fills in the gaps in and around “my sweetheart #2” and what drove Jordan to decide to ultimately blow up his life.

As it stands, it’s about 10,000 words (I’m so so sorry! I promise they’re good ones? 😬😬😬) and will be split into 3 chapters of 4-6 parts each.

Some characters are super excited to be back in this era:

Look at her absolutely cheesing at this man! 😆

Girl, stop and get back to work! You’re not even getting a kiss out of him for another 8 months!

Others are not so happy to be back in this time of their life:

He’s like, “Why, oh god why are you doing this to meeeeee?!?!?”

So, coming soon. Unfortunately, I need to build something for the first part, but this is a real historical save point, so all their other houses and locations are ready to be filmed in.

[zahri-melitor]

Recent Reads: Batbooks to December 2020

Batgirl 2016: Let's run through all the writers.

Hope Larsen (#1-23): I think my most overwhelming reaction to this run was at least it's not Brendan Fletcher. I think Larsen was still struggling with writing Babs as way too young during her run, though it was at least feeling like her early-mid 20s rather than an 18 year old. In terms of direction, it felt a bit aimless at times; it was still trying to find a direction to take Babs in. The best parts of the entire run were a single issue where Babs rescues some kidnapped animals with one of the kids from her coding class and Selina, and a flashback story with Dick looking at their earlier days, that ended with something that ends up turning up a lot over 2016: Barbara's implant shorting out.

There's a constant drumbeat all the way from the end of the n52 run through the 2016 run about Barbara facing the fact that her spinal implant won't last forever, and multiple occasions damaging it. It's clearly a lot of writer time spent setting up justifications to move Babs back into a wheelchair if anyone would sign off on transitioning her back to Oracle full time.

As we all know, that still hasn't happened, but the intent is there; DC editorial just has to commit and set the style on what Barbara should and should not be allowed to do in costume.

Mairghread Scott (#25-36): best writer on Batgirl for Babs since Simone, without a doubt. She does a lot of the work towards putting Babs in a situation where she's accepted she likely only has so long left as Batgirl; she writes the most adult and mature DickBabs since probably Chuck Dixon; and she's clearly fond of pre-Crisis Babs, because she's the one that brings back the concepts of redoing both Babs' relationship with Jason Bard, but also Babs' involvement in political campaigning. It's a run that feels like the intent is to provide a modern version of Babs' past as Batgirl for when she is Oracle again, because the history that n52 gave her was so minimal.

Cecil Castellucci (#37-50): Better than Larsen, not as good as Scott. A lot of this is just continuing playing out the rewritten political history and romance with Jason Bard. Castellucci's just a noticeably weaker writer, and less aware of what's going on with her character elsewhere; Babs is fairly involved in the background of Event Leviathan, which was happening at the start of Castellucci's run, but there is absolutely no acknowledgement that she's just been deep undercover and helping to betray the organisation from the inside. Ends with Babs and Jason Bard being fairly serious about each other and the two having somewhat dealt with what the absolutely appalling events of Batman Eternal and Batgirl causing Bard's leg injury mean in terms of Bard's feelings towards Batgirl and Babs' guilt towards Bard. Ah well. I'm sure they will have a lovely breakup off panel.

Batman and the Outsiders 2019: I am also going to include Bryan Hill's 'Tec run (#983-987) which is the prequel and testing ground for this run.

I enjoyed this, but I was also surprised by this run. I guess I went in expecting for Jeff and Tatsu to be more established and confident heroes than how they were written here. My brain was importing 'these two have been teammates since the 1980s', people Bruce knows well and would trust to mentor two of his sidekicks who needed more personal attention. And yet this run was about the beginnings of that relationship with each other and with Bruce.

I think as a run it had a lot of heart, and gave more depth and rounding to both Duke and Cass' characters in the context of Rebirth. It was interesting in what threads it picked up from both of their earlier stories in particularly 'Tec and All-Star.

I also note the continuity of Shiva in this title with how she was characterised in Tynion's 'Tec. I think Ink is right that this Shiva is interested in the concept of what being Cass' mother means, in comparison to how Shiva's interest in Cass in post-Crisis was far more focused on Cass' potential as a fighter, weapon developed by David Cain, and person who could defeat her; rather than their actual biological connection.

It's interesting, as it's got echoes of how Shiva is fascinated by both Dinah and Tim in terms of she finds them interesting and compelling and she's drawn to push them to be better; and while she did have elements of that with Cass before and not just in Cass' Potential To Kill Her, it now also has overtones of what does being your mother mean to us both? This is a Shiva that I think would still be hung up on Cass even if Cass didn't have the fighting skill she does, which was not nearly as obvious in preboot.

Catwoman 2018 (Joëlle Jones): I could probably subtitle this 'Selina finally properly gets her Rebirth moment'.

I haven't read more than a few issues of the n52 Catwoman run, but I understand it to have been one that went some divergent places. Jones takes the Selina that King had been writing, and goes "well the thing is, you didn't actually ground her in terms of Which Selina Is This sufficiently for her history" and...gives her audience a Selina that is parts Mindy Newell, parts Ed Brubaker, with a sprinkling of Jim Balent and a desire to be doing her own thing and walking that tightrope of crime v crimefighting.

I don't mind Villa Hermosa, as a place to put Selina while she figured herself out after running from the idea of marriage. It was a run intended to reset and regroup, and that's exactly what it did. The occasional fills from Ram V during the period showed the promise of how the following run can be even better, as did his parts of Joker War.

Nightwing 2016 (The Ric Grayson Era): So this really has two parts to it.

There's the first part, #50-58, which goes through 4 writers, 7 artists and accomplishes exactly nothing other than establishing what to my eye looks like a set of dictates from On High: Dick must have no memories and push away his family; Dick must go by Ric; Ric's not allowed to act like Dick or be a hero.

The fact it's plotted by Scott Lobdell certainly does not help the situation, but this is the section that is clearly written with the intention that we might be stuck with this for the long haul. Zack Kaplan's writing on #57-58 works really hard to try and get Barbara (who along with Alfred has been the people really trying to reach out to Dick) to accept that the situation has changed.

And then...Dan Jurgens comes in from #59-#77, and some stability returns to the title. I tend to regard Jurgens as one of those writers who DC can just rely upon to turn his hand to anything and produce consistent house style work. But in this case, I honestly think he is the one who finally pitched "I have a way to make this story work". I don't actually think there was a plan for what was happening until Jurgens took over.

He picks up the threads he's been dealt (Dick has a wiped memory; there are four cops & firefighters running around in Nightwing costumes; Dick has helped them out in an emergency) and blows up the city a little so Dick's natural leadership qualities shine through: and then he gets underway with his actual plans. This is all the Court of Owls' fault. They're the ones who exploited the opportunity of the head injury and secretly brainwashed Dick to forget his past.

It's a cop out, and there is SO much brainwashing over the course of the next 13 issues (Dick ends up with three separate versions of his teen years in his head), but it's clear from the moment all this starts that there is a path out of here. Dick will get his memories back.

This must have been epically miserable to read while the issues were coming out, because it would have felt even more lost when you were getting it dripfed out monthly. But it does turn around from #62 onwards and become a story with an actual trajectory.

Also once the actual story starts, Jurgens manages to get a consistent artist in Ronan Cliquet to work on the title. Which also makes an incredible difference because the art style isn't ricocheting back and forth wildly anymore. I had to chart out how bad the art situation got:

Just look at the Lobdell section. This was clearly something nobody wanted to be involved in and where they were struggling to get it to print.

It's unpleasant and it's probably one of the most miserable eras of Nightwing as a title that I've read, but I have a lot of respect for Dan Jurgens after reading it. Like. That was a massive hole he had to dig the title out of.

Detective Comics (James Robinson, #988-993): This is just a really nice little Bruce Wayne, Jim Gordon and Harvey Dent story, looking at how their past working together affects their present, and setting up a bunch of back and forth about what Harvey and what Two-Face knows. I don't think it does anything particularly revolutionary, but it's just one of those stories that give you a window into how interesting he is as a villain and at causing conflict.

Detective Comics (Peter J. Tomasi, #994-1033): If I were going to particularly comment on something that stood out for me about this run, it's the ways that Tomasi's writing reminded me of Paul Dini's 'Tec run in places, particularly how he focused in on stories with a specific Rogue, and kept changing which one. It wasn't the same one-shot episodical style, but it spent a lot of time with different villains and so made a pleasant counterpart title to Batman, even if it was still very much a Bruce focused title.

I think it got bogged down for a bit too long in the Victor Fries story, and I also think there were a couple of moments where it was very clear that Tomasi was mad about what was happening elsewhere to his Special Little Boy (Damian) and tried to counteract that in the title, with accompanying return of the primacy of Damian over any of Bruce's other kids, but it was a decent run. One that you could pick up any trade in the run as a stand alone read and be able to follow along, which honestly is valuable.

Batman (James Tynion IV, #86-105): Tynion hasn't left the title yet, but I want to discuss it, particularly up to #100. The most interesting thing about this whole run is that it has been, from its very inception, a run that wasn't supposed to have happened. King was supposed to have Batman to #100 but got cut off at #85. Tynion was then a temporary fill on the title and supposed to hand it over after #100 to John Ridley for the Fox family taking over as Batman in all of the 5G storytelling. Then Didio got fired, COVID hit, everything got restructured, and Tynion had to pivot from working up to an event that had been designed to tie off a lot of storytelling and go 'so where do I want to take Bruce Wayne?'

Honestly, I've loved it. The first thing I want to point out is the very clear pivot from 'Tec: Tynion used 'Tec the way it should be used; to tell family and wider universe stories. He therefore took the opportunity with getting Batman to really focus in on Bruce; breaking him down and building him back up. He picks up the plot threads that King has left hanging (Alfred's death; the effect on the city from Bane being in control and Rogues running wild) and sets up to build an event, because Batman #100 was accompanied by anniversary issues in Nightwing #75, Batgirl #50 and Catwoman #25 all within a month. It's a situation that did deserve something big. Four of the big Rogues (Joker; Riddler; Penguin; Catwoman) are reasonably pissed about where Bane left things. Joker does want to stamp his authority on the city and betray the others. The whole run up to #100 is the set up of Joker War and then executing it, including using Alfred's death to specifically isolate Bruce and push everyone else away (because where would we be without one of the base Batman plots), and so in the aftermath, launching into a small stakes plot introducing Ghost-Maker feels like a relief.

It's just structurally really impressive work. Tynion can turn a tale and he can pace a story, which is a relief after King's run, which while it did contain a whole bunch of highs that I enjoyed, was also extraordinarily uneven and beset particularly with pacing issues.

I wasn't hugely optimistic for this run, as I knew it was going to be a lot of Joker, and it's not talked about in the same way his 'Tec run is, but I have to admit I was impressed. I think Tynion's just one of those writers who really understands how to tell stories in a shared universe in a way that tracks other titles, acknowledges past ones, and leaves stories in a good position for future writers, and we always need more of those in comics.

[joycew-art]

Someone asked what my process was to make the Rickbot comic, so I thought I'd make a separate post to show it. The process was kinda all over the place and spread over many months from December 2022 up till June 2023, so I'll try my best to make it understandable. And if you have any questions feel free to ask them!

The idea

So it all started with the idea of; What if Rickbot came back? And then the idea immediately made me think of two things;

How would Rickbot react?

Why is he brought back?

Which ended up with these two scenarios in my mind;

A. Rickbot awakens and he's not happy B. Rick tells the reason he's activated again

These were the very first scenes that started it all.

So then the question became, how do I go from point A to point B?

I would take moments from the show as reference for how they would act in these scenarios. And I'd take inspiration from manga and other comics of how I wanted the dialogue to flow and what the comic layouts would look like. In this case I knew a lot of dialogue would be involved cause these guys talk a lot! But I also didn't want the panels to feel too crowded and rushed so I limited myself to the amount of dialogue per panel.

Right now I'm writing it down like it was very planned, but for me this was often a very subconscious thing I did. I just thought up scenarios while I was taking walks or daydreaming in the shower etc. And sometimes these very specific moments would pop up that I would write down or draw out later.

I would make mini thumbnails of how I wanted the pages to go and write the dialogue next to it. At this point I'm mainly thinking of what I want characters to say and how I want the story to flow. Sometimes I make multiple versions of the same scenario to see how it flows better.

At times I even only write down dialogue and then make the thumbnails for them later. I have a tiny a6 sketchbook for little thumbnails and ideas like this. These were often moments were I didn't know where I wanted to take the comic yet, so I would separate the two to keep it more organized for myself.

As you might have noticed, not everything is the same in the final comic. I always fine-tune or change stuff up as I go. Sometimes things don't flow as well as I thought they did or some dialogue feels awkward or unnecessary.

Sketching

Once all the pages were planned and I have a good idea of how the story would go I opened a new Clip Studio Paint file and used the comic feature to set that up.

I would then copy the thumbnails I made in the page files and exported a thumbnail draft of the whole comic and 'read' through it to see how it flowed.

After I was satisfied I finally started sketching the pages.

Most of the pages stayed the same from the thumbnail, aside from some poses or expressions here and there. But I would also change up stuff I wasn't satisfied with.

For example, initially the Prime panel looked like the left one, but I didn't like how the pose flowed with the text balloons. There was a lot of empty space as well. So I decided to redo it to the one on the right.

Even now for the final version I'm thinking of resizing Rick a bit more. These kind of changes just happen throughout the process.

The backgrounds

I knew the comic would only take place in the garage, so to save myself a lot of time I decided to make it in 3d.

First I decided to sketch out the four walls of the garage as planes;

Then I imported those in Blender. I did some simple 3d modeling to get the basic shapes for the counters and the cabinet et voila! 3d sketch version of the garage!

I know this is a very watered down explanation, but trying to explain how I did it would take a whole new tutorial. And there are many other ones out there that explain it much better than I could. I was lucky that I already have some Blender experience cause of past works I've done for school and stuff.

But if you got the time to delve into it I would recommend it! For this here you only need to know the basics. Also Blender is free to download :)

This has saved me a lotttt of time drawing the same backgrounds over and over again!

Cover

Lastly I did the cover. That one has also gone through multiple versions. I had a vague idea of what I wanted, but I wasn't happy with the execution so I redrew that one as well.

So that's the whole process so far. I do I wanna continue the comic once I got the energy to work on it again. Gonna do some test pages first to see what kind of rendering I wanna go for. Not sure if'll be in black and white, color or a combo...we'll see.

I hope this helps! And if you have any questions don't be afraid to ask them.

[rebtrovert-girl]

Celebratory Note: Drunken Honesty

As this story has come to an end, I feel like talking about it a little more since this is my first mid-length fic, made with adapting the story into a modern one, and tbh the first ever long story I manage to finish (for real, I've been writing for as long as I can remember and I have soooooo many drafts, not just about LawBin but other real manuscript but I never manage to finish anything) so this one deserved to be celebrate and talked about by me :D Or, really, I just wanna babbling it out even without any excuse.

Honestly I used to dislike a modernized fanfic of something that was originally set in their own universe. When I first thought of this idea I kinda thought to myself: what the hell???? Very naive if you ask me. Look where I land now, I love writing this so freaking much!

I didn't plan to name each chapter with anything or even idioms at first. It was done because I've been listening to Billie Eilish- Birds of a Feather a lot when I wrote the first chapter and I started to envision the ending with that song. I just knew I needed to name the last chapter with it, or at least I have to kinda insert the song in the last scene. I ended up naming every chapter with idioms just so I can use Birds of a Feathers in the last one. But that somehow helps me a lot in putting the plot point and what I want to have in every chapter neatly. Like in chapter 1: Cat Out of The Bag focus on Robin spilling her secret, and in chapter 2: Beat Around the Bush was used literally in their first meet and figuratively to describe Law's reaction for her confession which is trying to hide from it.

The making of Last Chapter: Birds of a Feather is really the hardest not just because I was in the middle of rushing my assignment that I need to redo, but I also rewrite it three times from the beginning LOL. The thing with me is, when I feel very stuck on some part I just know that something isnt right from the beginning so I will definitely rewrite it :D. I got very stuck on the first two versions and I finally let it be for a few days before I start again. Although the reunion scene was envisioned since the first time I wrote this and as I listen to the song, the build up to that scene was never determined and thats my real headache. I still have doubt about how it turn out even as I post it, but what matters to me was I did manage to finish it the way I want it.

As a non-English speaker, naming each chapter with idioms is a huge deal and has become one of the most fun parts for me. It's huge because I need to find the one that fits the most to describe what happened in the chapter, thus I get to read a lot of idioms and I learn a lot along the way. Definitely a fun excuse to learn more English!

I'm not really a Sannami shipper but I ended up inserting them in addition to Saboala because I want both Robin and Law to have a reflection of how a friends to lovers relationship could be. That's also why I randomly put Law and Sabo together as roommates even though they have almost zero interaction in the canon world. I know in fanfic, writers have the freedom to write characters however they want to, but I don't actually like steering too far from canon. Chapter 3: Greener Grass is the second title I found and I knew all along I want to have these two other ships mentioned in here.

Aside from LawBin, my second ship in OP is indeed Saboala and I've been wanting and trying to write about them for some time. I had drafts of their stories in my file to which I was never able to finish. Their little inclusion in this story is an excuse and open door for me if maaayyyybbbbeeeee I wanna attempt to tackle a sequel/spin-off of this that focused on their story one day (who knows?????)

The story was originally planned to be done in 6 chapters. I had to improvise a bit when I wrote Chapter 4: Skeletons in The Closet that was never part of my plan. In the original idea, Cora and the part where Robin realizes what she did when she was drunk are supposed to be in chapter 3. But as I said in that chapter's note, something came up (real life happened) and I wasn't able to write for a week. If I continue to follow the original plan, chapter 3 would be pushed for another week and it makes me weary. So on a whim I decided to divide the chapter into two, with chapter 3 just focusing on the couple reflecting their relationship with others, and chapter 4 with the revelation of what has been done since the first chapter. I went into a frenzy when I uploaded chapter 3 because I felt bad for not following my original plan. You guys have no idea how grateful I am for the feedback you gave and it push me forward on writing more :D

I have thought about actually writing some smut here in the middle of writing this but then I scratch the idea because; first, I've never write a smut before so I think I still need some practice(?) and second, as much as I like for the two to get hot and down to business, I've never plan on it initially. Mood wise, I feel like it'd be a little forced if I suddenly insert something too sexual. Maybe I'll do that some other time with different stories (?????)

Chapter 5- Down the Rabbit Hole, where Sabo somehow become the MVP was coincidentally came out at the same time as eps 1116 release, which was when Sabo come back to the anime for Reverie arc. It was pure coincidence but a really nice one and I want to keep remembering it!

In writing, there is this saying: Kill your darlings, which means to eliminate the overuse of favorite characters or tropes to cut the unnecessary part. In one of the writing courses I took years ago, they also explain this as a way to not include too many unimportant details, such as a character that doesn't do much to the story and doesn't need to be explained in detail. Again, my take as this piece is a fanfic, I took the liberty to have as much fun as I could with every character I could add to the story. Like Doflamingo, yeah this psychopath has no business whatsoever to be in this light hearted romcom story of Law and Robin. But I wanna have fun with him and my only reason for including him is only so I can write him say in another world he'd die in Luffy's hand (I love irony). That's also why I make them neighbours. It's unimportant but it's fun. The characters might be Oda's but the universe of this story is mine so I'll do as I like it. But in the end, I still tried to limit this thing so the story didn't snowball too big. I hate to add more chapters haha

Saul and Cora's inclusion here is my second favorite take. I just know if I want to write something that can assure Law and Robin did have a good childhood, these two characters need to exist in their story. And I just feel so proud to come up with this two quotes for them:

You are my daughter but you are always going to be a Nico- Saul I bet on your happiness- Cora

I know it's just me being overdramatic (like this whole post is) but I'm proud because it feels like the kind of thing their characters would even say in canon :D

12. I do have some ideas for bonus chapter (!!!!!) but nothing has been written yet and I dont want to make empty promises anymore so for now lets just save it as a surprise when it did happen one day

I think I've talked enough. I write this purely because I want to have this story, but I'm glad to know that there are people who can enjoy it as much. Thank you, thank you, thank you. Thank you so much <3 Honestly when I first started writing LawBin I thought it was just going to be a one time thing, but look at me now! I don't know how long I will be able to write them and have fun with everyone before real life consumes me; but in this moment and time, I feel so grateful that I could share the same joy of having fun from what I like with people who have the same favorites. Cheers to all of us, and hopefully I can greet you with a new story soon! (Idea is always there, I do have my own draft list too, the problem is always the same: TIME)

Full chapter of Drunken Honesty by me (chilldeokjil) is now on AO3!

[onepiecepetalfanfics089]

@mabel7775: I will take advantage that the requests are open. :3 Yandere platonic Luffy x reader. Let's say that Luffy cares and is always attentive to the reader, do you think Hancock would get jealous for all the attention that reader receives from Luffy or would she take advantage and become friends with the reader to get closer to Luffy? Possibly Hancock becoming a yandere as well to reader since she makes Luffy happy and imagining it as if they finally have a family with him.

Okay now I absolutely adore this idea!! I’m gonna give you a few headcanons and if you want I’ll make a story about it 😉

So for one yes luffy will be all over his love even if it’s platonic! He views them as his special friend that’s just…different from all of his others. He’ll want lots of hugs and attention! He also has a habit of accidentally guilt tripping them into hanging out with them!

-“You don’t wanna hang out?…oh you’re going with them aren’t you?…well that’s okay you just remind me of ace I guess and ever since he died well ya’know….but it’s okay I guess…!

Yep! That’s yandere platonic luffy for ya! He always tries to bring up Ace’s death to make them feel bad and give in eventually ..he doesn’t do it on purpose though! He just wants them to hang out with him….

All the time.

And nobody else include because your HIS friend.

He always ether has an arm around them when their sitting as he’s laughing and cracking jokes with the others or just being silly to try to make you smile! He’s basically clinging onto them every step of the way on

Now moving onto the Hancock situation! We all know our snake empress can be a bit….protective of luffy at times! So of course she would be livid that he was giving them all of his attention!

-Luffy-dear!! Who is this tramp?!?! They surely are no match for me!! But since you think you deserve his affection let us battle for his love !!

Now over time it would be very obvious that Luffy very much cared for them, and no one could change that!

Unless they just want to try and get their asses kicked.

So Hancock would have no other choice but to..tolerate them. Though she wouldn’t be the nicest overtime she would start to see why Luffy liked them so much! So she would get closer to them! Being their friend and ally slowly and slowly..getting closer..

And eventually falling deep in obsession love!! Basically acting as she does with luffy, protecting them at all cost just like luffy! She would all over them all the time.

She would eventually start to form the idea of getting married to the both of them and having a big happy family! And who are they to refuse..? With a warlord and the future pirate king obsessing over them…?

I don’t think their gonna be able to leave any time soon.

I really hope you like this!! I know it was a bit short but I tried my best 😅🫶🏼💕 I really like these head canons a lot and I might redo it to make it even better!

But also I’m writing a new story! It’s very interesting and a yandere one piece! I just need some opinions if I should do Luffy, a different straw hat or another character in general or all of the straw hats! Please let me know and of course “growing up a little too fast!” part 2 is still being made!!

[ashyybees-art]

More Bad Batch Actor AU Shenanigans/Bloopers-Part 2?

Wrecker and Omega ran a prank of changing people’s ringtones and then calling the person: their favorite was Rampart in the middle of a senate scene with a girly pop song. He said “jokes on you I do like this song, I’m keeping this.” 😂

Fives called Echo in the middle of a scene at least a few times:

Fives: “Echo, for the cookout this weekend, I need you to pick up some things.”

Echo: “Fives *laughing* we’re in the middle of filming!”

Fives: “Oh sh*t! I forgot *laughing*, I don’t get to be a main character anymore so I don’t remember the schedule ya know-!”

Echo: “We have to start over now.”

Tech: “No, Echo it’s fine we can keep going, we’ll just change the story, we’re going to the market to get cookout supplies now. Someone call Cid!” *cue everyone else laughing*

(This one taken from Merlin filming) Rampart playing on a pink Nintendo DS while waiting for scene setup and “action”

There’s multiple of Tech’s goggles, and the entire Batch are wearing them one day, acting completely normal, trying to run a scene, until they can’t take it anymore to laugh, especially Tech.

They continued the extra Tech goggles joke by putting the goggles on random people: on the body in the casket, Rex, Rampart, Palpatine, Mokko, Cut, etc

Hunter accidentally inhaled dirt on more than one occasion doing his tracking thing

Hunter fell over a few times doing the landing from jumping off the destroyed probe droid in season 1 Ryloth episodes

Someone tipped over their pod in the water on accident and on purpose at least once during season 1 finale

Pilot episode Wrecker/Hunter started walking into the medbay too early and smacked into the door-ruining the take with Echo and Omega

The Batch were jumpscaring each other on the “Metamorphosis” set a lot: Tech got Wrecker bad by hiding and then touching him with the fake arm the Zillo beast eats, Omega scared Tech in the bridge by jumping out the closet instead of the med-droid, Crosshair snuck on set and hung from the ceiling grabbing Hunter’s helmet, Wrecker got Hunter by jumping out and hitting the windshield of the Marauder

Someone switched someone’s drink in a scene at Cid’s with pickle juice (or something else weird) instead of the fruit punch/soda/water they’d use. Needless to say they had to redo the take cause the person did react

Omega had her earbuds/headphones on and didn’t hear the directors so she was still dancing and singing when they were supposed to start a scene, making the others laugh and have to get her attention

Dancing in the brig while waiting for action

Cad Bane started dancing over Hunter after “shooting” him

Rampart and Tarkin dancing with the Kaminoans

Omega tripped while running to talk to Hunter in the hangar in the pilot just as he turned around, he made sure to check on her and had a small laugh between the two

[deduction-substitute]

I think of those concept arts for the chinese academy of arts crossover and im in LOVE with Lucky's designs

Watch me make this about luckyqi and edlucky

This is a REALLY long post i will warn you. Just know that it includes doomed immortal yuri (luckyqi), reincarnation, and edgar 𝓯𝓻𝓮𝓪𝓴𝔂 valden

Lucky being an immortal that loved the mortals and was loved back. She never cared much for grand displays or offerings, so little was actually known about her

Many people praised the same god without knowing, having their own interpretations of Lucky. Unfortunately, this also caused misunderstandings, believing that their god was superior when theyre LITERALLY PRAISING THE SAME GUY

Heartbroken by his followers turning against each other, he went down to the mortal realm to try and sort it out, which wasn't allowed and risked the loss of your immortal status

It did not work lawl. Because Qi Shiyi, another immortal, was sent down to correct Lucky's wrongdoings. By that, she was the one to dish out her punishment. I love doomed yuri ❤️

Qi Shiyi and Lucky met on the battlefield. Lucky, knowing what she came here to do, accepted his punishment.

Qi Shiyi was originally going to just bring him back, but Lucky loved his people too much to leave them and asked to be stripped of his immortality instead

Reluctantly, Qi Shiyi did as she asked and accompanied Lucky in the battlefield to help resolve the war, since it was greatly affecting other immortals too

FAST FORWARD TO HOW MANY CENTURIES LATER!!!

Many myths and legends were made about Lucky's story, of course with different variations. But all of them ended the same: with him in the arms of an unknown immortal as he took his last breath

Edgar Valden, a rising painter, got a job at a museum that wanted to use the different texts about Lucky to (hopefully) create a more accurate depiction of him

At first Edgar did NOT want to take this job, past is past or whatever, and the curator has fired multiple painters before. She was said to be a strict woman, who dedicated her whole life to preserving whatever was left about Lucky.

But the more Edgar read about Lucky the more he became enamored with him

It's silly, to have fallen in love with a myth. But the vision of Lucky that Edgar created in his mind had completely consumed him, and he obsessed over every word, every single detail he could get about the unlucky immortal

The curator of the museum would come visit sometimes to check on his progress, as well as choose which of his paintings would be included.

She often ordered Edgar to change certain parts of his piece or redo it entirely. Edgar complained about it at first, until he realized that this gave him a chance to become "closer" to Lucky

He wants his painting of Lucky to become his ultimate masterpiece. His magnum opus.

But for some reason, the curator was never satsfied with Edgar's works. Sending back each piece with harsh criticism, and making Edgar fall further down his obsession

He needed more. More about Lucky. The texts the museum supplied him with wasn't enough. So he did his own research

Edgar came up emptyhanded, and went to the curator to see if she had any more about him. She acted defensive for some reason, but eventually, after seeing how dedicated Edgar was, let him see texts that she collected and kept private from the public

For some reason, these texts were a bit too...personal?? There were letters between Lucky and the immortal (at least Edgar assumed it was them) that was with her in her last moments, scripts of characters that were written over and over again, as if the writer couldn't differentiate one from the other

But hey!! Who was Edgar to complain? He ate it all up and used it as inspiration and motivation to finish his piece

When Edgar presented his final canvas to the curator, she went pale before ordering that it would be presented in the museum as the main piece, the rest of Edgar's paintings included as well even though she rejected them before

Finally, Lucky's gallery was open to the public. Many people far and wide came to visit and admire Edgar's paintings.

One of them happened to be a young man named August, or as his friends liked to call him, Lucky.