#i have so much to say about this man!!!

[egophiliac]

missed the mark by (looks at calendar) uhhh. hm. but I really wanted to do something for the 5th anniversary! happy five years to these idiots 🎉

[illusioncanthurtme--art]

Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!

(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)

[oldworldghost]

wait the enkanomiya fontaine post… thinking about the note on a table from the narzissenkreuz quest mentioning the original ajax. the fandom memes him so much to the point where they dislike him for no actual reason when he has one of the most interesting lore out of all the male characters right now😭

EXACTLY ANON. It's so fucking annoying because Childe is extremely lore relevant and - for the most part - mysterious. He wears multiple faces, all of which seem to be genuine, but even then we don't know much about him, not really.

He's such a well written character but the fandom version spits in the face of his canon self, in this essay I will-

For reference here's the note anon is talking about! Also the implications on his character here are fucking INSANE.

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[rookanisstuff]

The Dellamortes

[welcometogrouchland]

(ID in alt) you guys even fuck w/ the flash on here???

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[abessive-art]

*Archives your Magnus*

[egophiliac]

2025 is the year of the DRAGON SLIPPERS

[pearsandrust]

mydei having a library is absolutely heartbreaking symbolism. it's a running gag that the kremnoan language doesn't have many words; there's no word for flee, no word for fear, even no word for love. i know the library was his family's, but still -- it is such a distinct symbol of how mydei wants to break kremnoan tradition. how he openly rejects the idea that violence is the only valid form of communication. how he always dismisses the baseless rumours surrounding his abilities, proving that he values truth over glory. we see mydei try to talk his people into reason. we see him apologize to tribbie for being rude. we even see him (begrudgingly) admit to phainon that he knows how to interpret poetry. time and time again, mydei chooses language -- and truth -- over violence. so when he invites phainon to visit his library in the next life, he's not just expressing hope -- he's asking phainon to remember him by what he really believes in. even if i become the avatar of strife, he's saying, even if you have to kill me one day -- in the next life, please see me as the person i've tried to become.

mydei knows the power of a name, perhaps because his language has so few of them. and that makes it doubly ironic that he personally has so many titles: son of gorgo. the patricidal crown prince. kingslayer. godslayer. the undying. but as krateros points out, the name he prefers is the one he uses with the chrysos heirs. and although mydei doesn't talk much, all his actions seem to say the same thing.

remember me as mydei, not mydeimos.

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[birdhousematerial]

i love suguru geto because i love characters that ruin everything, characters that had it all under control until that one thing and made a choice to burn it to the ground and smile at the ashes

i love the sunk-cost fallacy perception of suguru geto, that to solidify his point and decision he killed his parents, because at that point he’d already killed so many and if he was truly going to go down this path, regardless of whether or not it would even make a difference, he wasn’t going to half-ass it and leave any doubt about who he was

i love the tragedy that everything he did, ruining his reputation and relationships, meant nothing in the end and he died with nothing, even died in the lense of pity from the one person who despite everything, loved him

i love that despite it all amounting to jack-shit, his ideology and choices haunt the story, they haunt gojo, they haunt his friends and colleagues and even if it’s because he was evil, his choices had an impact on everything and everyone around him.

i also love his slutty waist but this isn’t about that

[ellifromspace]

these are the murderbot artworks Tommy Arnold did for the Subterranean Press omnibus editions of the series, and a photo of Kevin R. Free, who narrates the murderbot audiobooks. when fans complain about the casting for the tv show, there is a very real basis for it in these past official/canonical aspects of the book series

[i-eat-mold]

Do you ever think about whether Oda ever received a call in the middle of the night from Dazai? How Oda knew dazai was just too stubborn to ask anyone for help. Maybe just once he was worried about the kid, he said ‘to call him if he ever needed him, he didn’t even have to tell him why, if dazai called him he’d go and get him, any time, anywhere’. How Dazai brushed it off with a joke, but one night Oda receives a call in the middle of the night and when he sees the caller ID his heart drops, and as promised, Oda gets in the car and speeds out to get Dazai without a single word needed to be spoken. Do you ever think about how many nights Oda might have lost sleep because he was worried about this kid? and how he’d never forgive himself if he needed him but he wasn’t awake to pick up his call? Do you ever think about how oda might have looked at this boy and thought “how can they not see he’s just a kid? How can they see him as a demon? As a monster? All I see is a scared, alone little kid. How can they not see this? How can they not think it’s inhumane to let him live in a literal metal container?” Ever think how he saw the empty eyes of this kid and wanted to take him in? Give him a warm meal? A hug? A real bed? Ever think how he must’ve felt knowing he was his only real friend, and how he must have felt when he was dying in this kids arms, this lonely, sad, messed up kids arms, leaving him behind? How he cared so deeply about this kid that his final words were to plea him to get out of that darkness, to seek light? Ever think about how proud he must be of this kid, now grown, for staying alive and taking in other lost children the way he wanted to take him in? Ever think of that?

[poorly-drawn-mdzs]

The Yiling Band Tour!

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.