#i have so many ideas I cant just write the one

[calamarispiderart]

hello hello!!! random question before i get started on work haha

how do you come up with dialogue for ur hms comics? the back n forth of them feels so heavy and realistic. especially the casualness paired with the bleeding-brooding (alliteration for fun) violence makes everything just. hit. in a tragic and hopeless way imo. it’s so neat :0

i’ve been trying that kind of writing out a bit lately too. this is what i’ve managed with my iambic pentameter gang (hms but rain world iterator). MiND is being threatened by the rage pent up inside himself. and, strangely enough, it has the voice of HeART.

constructive feedback is welcome ^_^!

once again, hello hello! sending good wishes and all :]. i love ur work ^_^ 💛

oooo hmm... this isnt something ive ever really thought about trying to explain, thank you for the question! big fan of the posing in the piece youve added here btw, i like the alliteration in 'heliocentric heathen' B:•∆

honestly the way i go about writing them isnt something i feel i can put into words with a clear structure of process... often with my comics it starts with me simply having a vague idea of 'i want to make a comic today', and drawing what feels right to lead into it. the words typically link in with the actions as well - i usually draw something, draw the next thing, write a bit of dialogue, draw the next thing, write more dialogue.... not in that exact order but the words always feel to be a reaction to the actions and the actions are a reaction to the words (and/or, words and actions work in tandem). people rarely talk in a vacuum, especially when theyre having the conversation in person, so i find it helpful to see the actions as part of the dialogue and vice versa.

occasionally ive scripted out dialogue beforehand (always with actions included within the script.) but even with a script what actually is said needs to adjust with whats been drawn. when i dont write with a script (which is the norm), its often while im drawing the next frame that im thinking over whats being said. typically i just go over and over a sentence mentally, adjusting bits until it feels right, looking at it once its written on the page and adjusting it more if necessary.

perhaps a bit vague? apologies! i do have certain mental rules i try keep in mind for each of the threes characters while writing. 'how would heart respond, how would he word this? mind? i cant word it this way because i know he doesnt do this...' <subconscious questions and thoughts but they are important to keep in mind. i find it the most helpful to keep the core traits i personally see in them in mind, and let those traits kind of... guide what is said. if i think of how that collection of traits and facets would respond to something, the vague concept that creates can then go through the filters of dialogue traits i have in mind for them. ...ehhh, put more simply... 'what is the general response this character would have to this situation' and then 'how would they structure that response through words and/or actions?'.

i, being who i am, cccc being what it is, am somewhat naturally inclined to writing grim and bleeding-brooding (nice word) things. i also consider myself to be quite a grounded person, which i hope comes through in my work! however, natural inclinations aside, cccc itself is quite a bleeding-brooding album (at least it is to me). its one about depression and self hatred and it really doesnt pull many punches in that respect. or at least, thats my read on it! as a result, that becomes reflected in my interpretation of hms. however, id also note that cccc is silly at times, theres humor in it. all good grim things need a bit of levity to really make it feel Real... people joke in the worst of times, not just the best, and it really helps in writing serious things to have just a little bit of joke to it, even if its not immediately noticable... this is hard to really give examples of honestly but it is relevant i promise. im unsure if youve read much of my writing aside from my comics, but theres just a bit of absurdity and humor in both my cccc pieces that would make the writing feel sorely lacking without in my opinion. notable with how violent and tense both those pieces are.

lots of words now! hopefully helpful ones B:•] or at least interesting! ill try write out some of the core traits and details i keep in mind when writing hms so as to give better reference points to all my prior words:

heart: reactive, not instigative. he doesnt start fights, he finishes them. he also doesnt need an insane amount of prompting to get going... but he does need prompting. apathetic, a bit fanciful. hes depressed, and not in a cute way. he talks casually but he uses serious words. no point in simplifying his language - he wants to be taken seriously, and while he makes himself look small and weak at times he is Not weak and he is Not small. hes just as much of a wordsmith as the other two. he covers his mouth when he speaks sometimes, and he puts his hand over his chest... a bit defensive? muffling his own input, but notably he still speaks. lies by omission or by twisting facts - if full honesty helps his case, thats what he uses. if a white lie works better... i personally see him as a bit of a planner too. sometimes his reaction to things is built up to; it never comes out of nowhere, even if it may seem like it.

mind: instigative, less reactive. he still reacts to things but hes generally the one starting shit and hes honestly very bad at Not talking shit. uses contractions. <this is a small one but mind says 'dont' and 'cant' and i dont think ive ever heard him Not use contractions to any notable degree. kind of weak! hes proud of himself, very proud of himself, and even in the moments of the album where theyre getting along he cant drop his superiority complex. hes bad at making compromises that put him as the lesser one. hes also quick to point blame and to lie (even if hes a bit roundabout abt it). hes also not That smart - or at least, hes not any smarter than the other two. he Thinks hes smart and hes quite confident about that but that doesnt actually mean hes right lol. aggressive verbally, passive physically. hypocritical.

both of them tend to see soul as an afterthought, or as something to benefit from. note the 'something', not 'someone'. imo, they dont really see him as a valid living entity in the same way they see themselves. speaking of soul...

soul: hes difficult. hes a difficult and complicated guy. vague, fanciful, depressed, suicidal, tired... i personally see him as quite passive. both passive and active... hes violent, towards himself and towards the others. just as they dont see him as an individual, i believe hes too apathetic and burnt out to see them as individuals either. when he threatens to hang himself, thats a direct threat to the two if them as well - and it functions as one, seeing as they are all linked in that way! his suicidality isnt purely self destructive in the way it would be in other story contexts which i find important to remember. i see him as someone who sleeps a lot... and as someone who is treated more like a tool than anything else. but he is, simultaneously, idealistic. he hopes for the best and would do anything (Anything.) to try and achieve it. he wants things to Get Better or to Stop. most of the time when i write or draw him its within the 'Stopping is the only option to Get Better' stage of things. hes tired and he doesnt want to deal with things but he has to and he doesnt want to and hes at the end of his rope. honestly within the album he feels a bit like a ghost. hes granted a similar level of personhood as the shadow of what could be, which is both more and less than mind and heart get.... hes confusing! hea a difficult guy. honestly you can take a lot of my notes and thoughts on his character with a grain of salt because hes always been such a puzzle to me haha. i find him easiest to convey in art... OH yes one last thought/trait is hes a bit... arrogant? hes tired and hes careless. listen to me or fuck off and die. arrogant. what a guy.

ahaaha this kinda became me just rambling about my reads on the three but.. hopefully helpful!! this is all stuff i try keep in mind when im writing and drawing them. theres certainly nuances ive missed and things i havent worded as well as i could, but you get the idea i hope! all of that informs how i write them and... in a way they almost lead me through the piece.

also! this isnt something i often think about because its just a natural part of the process, but sometimes i end up scrapping stuff! entire paragraphs, panels and poses, because it hits a stasis where i cant find any way for one or the other to continue the interaction - theres a distinct difference between this and the interaction hitting its ending point. if ive written one person saying or doing something and none of the parties involved are able to respond in any way at all, thats a sign that ive conveyed their characters wrong and i need to go back. people *always* have a response to something, whether thats continuing the conversation or leaving or anything. if none of them can come up with a response that feels like them, ive messed up somewhere. dont be afraid to go back and rewrite things.

ummm yeah thats all i can think of to say now! thank you for the question, and thank you for the nice words!! B:•∆ im very happy my comics come off the way youve described, and very happy youve enjoyed my work enough to want to ask me about it!! means a lot to me B:•] your rainworld iterator hms concept sounds swag as hell, id just say to keep at it!! from what youve shown here youve already got a great start B:•∆ thank you again! hope you and anyone else reading this has a good week!

[spacebugarts]

wait wait wait hold on werewolf lawrusso????? elaborate pls 👀 what fic???👀👀👀👀👀

Unfortunately I dont have it posted anywhere yet bc I haven't even finished the first chapter, but I did write a pretty good (and very watered down) summary of it here! Its mostly here to live in my brain and cause me mental illness but its also a huge excuse for me to project my autistic struggles onto my boy Johnny and generally write about fantasy realism :3

[iknowicanbutwhy]

Rating: General Audiences

Relationship: Siffrin & Everyone

Characters: Siffrin, Isabeau, Odile, Mirabelle, Bonnie

Additional Tags: in fast and food, fast food au, oh yeah give it up for the au i made to cope with capitalism and also that one april fools post, bonnie and nille are orphans, misunderstandings, self worth issues, the anxiety of making friends unless you are useful to them, i would love for isa and sif to be dating but you cant just ask someone out at their job, siffrin making bad decisions that turned out well, mirabelle calling out siffrin. you go girl, POV second person, unreliable narrator, its siffrin how reliable can you expect them to be, setting is not france or france-adjacent because i never worked there, oh but i could wish upon a star

Summary:

The best part of any job Siffrin has had, will have, and currently has, will be the people they get to feel some sort of connection with. Even when that connection is inevitably severed. Even if he can barely remember any friends he's had in previous towns they've moved on from. Even when they're.. not really friends, are they? They're just coworkers.

[bluefiz]

He just doesn’t understand

[crypt1dcorv1dae]

I really like kafhoshi ... it good.... Ther s so much potential and so much material to work with AND YET THERES LIKE NOTHING!!!!! *Rolls up my sleeves* gotta do everything myself in this damn house...

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[sonknuxadow]

it just hit me that the movie is coming out next month imgonna throw upppppppp

[comvi]

im personally very bad at the whole “you should have many different characters with very different personalities that showcase different types of people”-thing because i create my characters solely for myself. and whether or not those characters have differing personalities or very similar ones is not in my hands because i just make what i like and use what i get attached to

[rapidhighway]

venting like an idiot

the main reason i dont wanna go back to uni is that i feel like i've completely embarrassed myself last year. idk, i feel horrified at the thought of returning and looking these people in the eye. i didn't do anything, i was lazy and barely finished my projects and the only way to redeem myself somehow would be to come back with some new energy and work hard. i didn't even really get a job this summer because i really wanted to rest, cause i thought i would drop out. and i just feel worse, i feel even more tired

[pinkseas]

i miss writing so fucking much 😭😭😭

[redrobin-detective]

Iruma is an invasive species within the Netherworld, and like many invasive species he will conquer if left unchecked.

We know at some point, humans and demons interacted though, at some point, they each became each other’s myths. I propose that the separation was intentional on the demon side, relegating humans to bedtime stories. They did this because they knew a single human could elevate or devastate the Netherworld. Humans are weaker in demons in most ways physically but their real strength lies in their cooperativeness and desire for community, adaptability  and perseverance despite adversity.

Right from the start, Iruma has unnaturally succeeded in a world that incredibly hostile to him. And yet from the start be began building relationships. We’ve seen demons don’t have much of a concept of ‘friends’ the closest being ‘allies’. The Misfits individually were lazy and self-centered which is what got them sent to troublemakers class. Only when Iruma reached out and formed positive relationships, created a foreign system of giving and receiving help did they really flourish. With each arc, we see the class cooperating and relying with each other more and more, even in individual events. Its helped them grow exponentially in power and personality and only occurred because Iruma planted the notion that they are stronger together.

Iruma is also extremely adaptable not only from his hectic upbringing but his innate humanity. Despite not knowing the context of what is happening during most of his day, he adapts extremely well. He uses what skills he gained in the human world by tweaking them to suit his needs and picked up new demonic skills (such as using Ali-san’s stored magic) very quickly. Part of the ‘special training’ leading up to the Harvest Festival was forcing the kids to break out of just using their bloodline abilities. Iruma has no power himself and thus isn’t limited in what he uses to complete a task. We’ve seen on a few occasions he wins simply because his opponent is too stuck in a particular way of fighting and thinking. Being able to think on his feet and not just stick to the familiar is what makes him such a fierce opponent.

Finally, we’ve observed that demons on the whole are self-centered and lazy. This is not always the case but overall many lack the ability to pursue or accept change. Even the Six Fingers is all about returning to origins and reviving Delkira, in other words, moving backwards. But since he arrived in the Netherworld Iruma has boldly moved forward. He integrated well into a completely alien environment and not only became popular but powerful very quickly. He worked hard to unlearn an ingrained skill (dodging) to win a contest going head to head with the most powerful student. Even when his fellows wanted to give up, his dedication and well known compassion helped win them the Royal One. He became an expert archer even when his master said most demons gave up, refusing to put in the effort. Challenges that most demons backed down from, Iruma charged on ahead.

Iruma used his ability to bring people together, to adapt to any situation no matter how strange and to see his ambitions through to go from someone who should’ve been eaten on day one to a stand out demon. Iruma himself is a kind, extraordinary young man but he also has a natural advantage in an environment he is unknowingly adapted to. It’s one of the reasons why he will eventually be demon king because who else deserves to stand at the very top than the creature who can outnumber, out-think and outlast any demonic opponent?

[ywpd-translations]

Ride 739: The training camp's fourth day!!

Pag 1

1: Training camp of Sohoku High School's racing team...

2: fourth and last day, 10:18 in the morning

3: Here it comes, Rokudai!!

4: Yeah!! Teh, Kinaka-kun

Pag 2

1: The training camp fourth and last day!!

The total distance we've ran so far is....

Pag 3

2: Here we go!!

5: 800km!!

Pag 4

1: We still have 200km to go until we reach 1000km!!

2: Teeh.....!! We've ran so much, teh

3: That's right, we already went beyond what I said at first, the distance from “Aomori”

4: “Aomori”!

It's still 10:30 in the morning, so if we keep going like this we can run the remaining 200km that are required!!

We can!!

Yeah!!

Pag 5

1: My legs are all sore

2: I'm trembling all over, teh

3: The Aomori thing, when we first came here

4: 700km!!

I thought it would be impossible

5: When on the first day, the senpai created such a gap between us, I resigned myself and thought that it really was impossible

6: But then, on that day's evening, you had that idea, Kinaka-kun

8: We worked so hard starting from the morning, we closed the gap, and ran until here

Pag 6

1: Being “buddies” really was our “breakthorugh”, teh!!

2: Breakthrough...!!

3: ??

4: Right!!

Teh...!!

5: Somehow, when I think about seeing the “goal”

6: I feel a surge of power, teh!!

Ohh...

7: Yeah, nice Rokudai, that's good!!

8: We've survived so far, so let's run through the end!!

Pag 7

2: Pfui

Yeah....

Let's do... our best and.... run....

5: Huh, where's my bottle?

Teh

Pag 8

3: Rokudaiii!!

6: Oooooogh

Pag 9

3: Ah....

Kinaka....kun? Huh.... I... fell.... and my bo.... ttle?

4: Rokudaii!!

5: So-sorry

You- you saved me, because you're my “buddy”!!

Pag 10

1: Because I'm your friend

3: Because you're my precious and reliable friend!!

4: Don't fall

Pag 11

1: Don't fall yet!!

2: There's still a chance

3: A small one

4: We can't know until the end of this last day of this training camp

Our

5: target

Pag 12

1: is to go together to the Inter High!!

Yeah!!

Pag 13

2: Ohh, they got back up, those first years

They ran 800km, so I thought their pace would drop for 2 or 3 laps

3: and that they would lose momentum like that

5: There are two ways of winning a road race

Pag 14

1: The first way is enduring determinedly, following without giving up in any situation

2: So that you survive and become the last man standing

4: And the other way is attacking yourself, actively passing and leaving behind your opponents

5: showing your strength and taking the victory....!!

6: They're both “victories”, that doesn't change

But the one who brings you more praises and admiration

Pag 15

1: It's the latter, Issa!!

2: That's right, Danchiku!!

3: First year Omihata, my jersey

Yessir!!

4: The heat resistance training ends here!!

5: Kaburagi-san.... he took off his long-sleeved jersey....!!

That means he's gotten serious!!

6: Let's go with with Full Spec, Danchiku!!

Now that our bodies are ready, we'll definitely do our “human sacrifice”....

Pag 16

1: We'll defeat Sugimoto-san and go to the Inter High!!

Of course, Issa!!

Pag 17

3: Let's catch him, Danchiku!!

4: So you're here

Pag 18

1: You two!!

2: We've come to give back to you that “you allowed us to train with you”!! Sugimoto-san!!

Pag 19

2: Danchiku has already mastered the new bike he's riding, and he doesn't stagger anymore

Thanks to you, he's now in perfect condition!! Perfect!!

3: Yeah

Pag 20

1: I'm just next to you and yet I can feel your pressure enough!!

3: Sugimoto-san, sorry but I'm gonna defeat you in one blow

4: I won't let you beat me in one blow

Pag 21

1: Is that your “expectations”? Or your “hope”?

2: Yeah.... for now

3: I'll also take off my arms warmer!!

4: Sugimoto took off his arms warmer!!

5: If you come at me seriously....

Pag 22

1: It's only polite of me to get serious too!!

Pag 23

3: Sugimoto himself hit their handles!!

Even though usually his play-style is to avoid rough play and contact!!

4: You're in high spirits....!!

5: Not as much as you!! Danchiku!!

Pag 24

1: Honestly, I'm surprised that you're going all out like this.... you're worth defeating!!

2: I'll let you train with me one more time, Danchiku!!

Pag 25

2: Ah crap, they've started already!!

The last battle

3: of the fourth and last day of this training camp!!

4: Danchiku-kun!! Sugimoto-kun!!

Pag 26

1: I'll pull now, teh, Kinaka-kun

Yeah, thank you, Rokudai!!

2: Please....

3: No....

4: I'm beaten....

Even though I've finally... cut the 200km left point...

5: That moment.... I overdid it a little....

6: My legs hurt.....

[opens-up-4-nobody]

...

[arazan-universe]

when you want to write fanfic but u lack the talent to string 2 sentences together :((((((((((((((

[loveydive]

okay. finished veilguard. um. it sure was definitely a game.

[arolesbianism]

Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up