#i have not seen tristamp yet

[cranberrylane]

i don't see this trope talked about a lot but i love the concept of "too cool for skool", "fuck the system" older brother supporting their younger sibling and their nerdy endeavours. showing up to school plays, science olympiads, seeing them off to college... basically being their biggest cheerleader 😭❤️‍🩹🫂

[millionsghosts]

I think a lot about how Vash and Knives are perceived and how they actually are. Vash is the one who pushes his feelings back and holds himself together constantly in order to keep pushing forwards, despite how open/silly he seems on the surface. Knives comes across as colder and more logical, but his decisions and conclusions are all driven by his rage and fear and emotions.

Knives makes himself out to be the reasonable one who knows more about the world than Vash (at least in Tristamp), but Vash is actually the one out there experiencing things and learning about life and humanity, meaning he's probably much wiser. This specifically is one of my favorite things about Trigun because it's just so hopeful. Vash is the one who sees the world and everything it has to offer (he was running all over the place for 150 years, dude!), and he's also the one who believes so resolutely that humans are good. I think that's absolutely beautiful.

[wingshadowed]

hi this is my daughter tesla

[unluckedtj]

this goddamn au has been plaguing my mind so much that i keep drawing nai instead of taking notes in class 🫡

i should probably take notes but

i just think he’s silly not gonna lie

(his characterization is so good i feel like im on the floor peter griffin death pose style whenever i bring it up to my friends in the most insane way)

also for the record i do NOT know if the hair is supposed to be like that (for the black part), i know it’s there but i dont know how much it is so i just settled for this

.

.

.

Eden AU or “Take a Slice (of life)” Au by @theseushasfallen

[stuck-in-the-ghost-zone]

sparkle on stampede saturday !

[orcelito]

Anyways,

I'm gonna start watching trigun 98 tonight

I'm pretty excited!

[strawurberries]

Stretchmarks

Summary: Vash learns about those little markings he's seen on his lover, and oh God does he fall head over heels.

Authors Note: This is written with Tristamp! Vash in mind, and this idea was sparked by this post :) This is written as a fem! reader. I hope you all enjoy! (Also, here's your tag @blackkiwi! I hope you like it :) I went in a bit of a different direction so I might revisit this idea in the future!!)

Warnings: Mild nudity, sexual themes, self-hate.

Vash didn’t understand it—how could someone so beautiful, holding something so unique and precious, hate themselves and their markings? He felt bad for staring, he really did, but the damp air from the shower seemed to settle around her, water droplets becoming stars and her eyes morphing in a galaxy of possibilities. She, though, didn’t seem to understand his awe. All she saw was the man she loved staring at a part of her she didn’t hate, per se, but rather didn’t love completely. He knew he should’ve looked away, apologized and let her know that he was stunned with adoration, not disgust. Yet he didn’t. Like the fool he was, and always will be, he didn’t have the bravery to confess.

“Ah, sorry,” with a nervous grin she had tried to cover her hips, where the most prominent of her stretch marks were. “I didn’t know you were coming back so soon.” She grabbed her things and shuffled back into the bathroom, wearing only her underwear and a towel loosely draped over her shoulder, “I was just getting my clothes.” With a quiet click, the bathroom door shut and the room was plunged into a somber darkness. 

Idiot, he bit at himself, why did you just stare? The patterns though, those curlings lines and loveable little dots and spots, it reminded him of himself; when he looked in the mirror and saw his face staring back, covered in blue lines that marked him as alien, foreign. Was she. . . like him? He turned to look at the bathroom door, listening to the quiet rustling within. No, he thought, she’s human. But there was something so remarkable about those lines, he couldn’t stop thinking.

Like me, she’s like me. 

Later they sat in their shared room, the silence acting as a tyrant, holding its grip tight and solid over the melancholic atmosphere. Neither one had spoken since she had retreated to the bathroom an hour earlier; she being silent out of fear and embarrassment, and he out of nervousness and curiosity. 

After finishing getting ready for the night, she laid in her bed across the room. Vash, on the other hand, was sitting criss-crossed in his, staring at his fumbling hands. 

“You know,” he said, cringing at the abruptness of his voice, “I think you’re really pretty.”

She shuffled slightly in bed, blankets falling off her shoulders, “thank you, I appreciate it. You’re pretty as well.”

He blushed at the compliment—thump, thump, thump, beat his heart. It roared at him to confess, to open his mouth and say everything he wanted too. He didn’t. He fiddled with his hands and lightly tapped his cheek to cool the scorching redness that had overtaken him. “Earlier,” his voice was quiet, a pip-squeak of a noise, “I didn’t mean to stare.”

“It’s okay.”

He started to disengage his prosthetic arm, small clicks and whirs making the silence seem louder than before. “I—” he gently set his arm on the ground beside his bed, rubbing the raw and sore flesh. He didn’t often sleep without his arm, for a fear of being attacked in the middle of the night, but his body couldn’t handle it much longer. It pulled and gnawed on his shoulders, making his entire body ache with a pain he can only describe as deafening. “I hope I didn’t hurt your feelings, but if I did, I apologize.”

She finally turned over, watching as he hopelessly stared at her with a twinge of fear and. . . something else she couldn’t describe. “You didn’t do anything wrong,” she smiled softly, “I was jus’ thinking.” She could never be mad at him—not that she was mad at him in the first place, in fact, she had only felt mild embarrassment towards the whole situation. The day had been long, and even if he hadn’t caught her getting out of the shower, she would’ve been quiet and exhausted—, and looking at him now only made her feel like she was gazing at a kicked puppy.

He tilted his head, “about what?”

“My body,” she huffed and sat up, “you know those days?’ Her voice was a little quiet, less teasing than it usually was, and so, painfully somber.

He understood. Sometimes he’d sit out in the desert, watch the sunset and wonder why he felt so unnatural; as if he wasn’t a person, but a thing occupying space in a body that didn’t belong to him. And sometimes he’d cover up mirrors with his coat, afraid to look into them and see what he really looked like. And other times he’d look down at himself and shove back the tears because he was a mural of pain and he wouldn’t have it any other way but God, did he wish there were other options. And sometimes he’d simply lay in bed and think about everything he hated about himself, starting with his personality and then moving on to his actions, and then he’d think about his body and then he really felt the pain because he belonged to this prison of flesh and bone, this sacred thing, and he had managed to decimate it in so many ways it would never be able to recover. And, sometimes, he hated how he looked because she deserved better. And sometimes he, without any reason really, despised the man he was, and the way he looked. So, yes, he understood those days. He understood better than anyone really; and it made his heart hurt thinking she had felt the same way. 

In his eyes she was the most beautiful thing. She rivaled the stars, the ones he watched on that ship all those years ago. The greenery of flora and the nature of Earth couldn’t even compare. And even if some Goddess was to descend from the heavens, bearing all her glory and luxury at her bosom, he would deny it and find himself back in her arms. In his eyes, she was worth everything and more.

He stumbled over to her bed, momentarily forgetting himself as he slammed into the mattress with an abundant lack of grace and caution. “I get it, I do,” 

She blinked at him.

“Somedays I–I hate myself and sometimes I can’t even look in the mirror, and really almost everyday I can’t even look at myself,” he forgot he had taken his prosthetic off, trying to grab her face with his hand. He paused and cursed a little under his breath, stub awkwardly hanging between them. “I forgot I took that—okay whatever,” he used his other hand to grab her face, fingers tracing her jaw, “but you know what makes me feel better about myself?”

She huffed a little and laughed, crossing her arms. “What?” she asked playfully. 

“You.”

She smiled softly, “I’m glad I can help.” A little sliver of anxiety still rested in her eyes.

He took a deep breath and steeled his resolve. “Yeah, so, let me help you this time,” he sat back on his knees, suddenly realizing how close he was. “If–if that’s okay. . .?” All his confidence, his burning determination to help, dissipated into the air and floundered about his mind in a wave of unease and mild embarrassment. 

She glanced down at herself, thumbing the edge of her shirt before nodding, “alright,” she wrapped her arms around his neck, “you’ve convinced me.” She gave a nervous smile, one unsure of what was going to happen but trustful in the one before her—she had no doubts that he would keep her safe, happy, and comfortable.

He let out a goofy grin, slowly pushing her back onto the bed, “okay so um,” he stared down at her, blushing a delicious red as he slowly came to understand what position they were in. Her arms were slightly settled to the side, hands above her head and chest slowly rising with each suspenseful breath. Utterly divine, was the only description he could think of. “Uh, could you. .  uh, take your shirt off, maybe?” He wanted to cry when he realized his voice had cracked—uncool, so uncool.

She laughed, “alright, what are you really trying to do?” She grabbed the ends of her shirt and whisked it off, tossing it somewhere in the room. Neither of them really cared where it landed.

He waved his hand in the air and panicked, “no! No! I promise I’m not trying to do anything like that unless you want that—or, I mean, not right now! Uh, sorry!” His hands slapped over his face, covering the vague blue markings that had begun to peak through his skin.

She let out a boisterous laugh and grabbed his hips, lovingly drawing circles into his skin, “calm down, I was joking, pretty boy.”

The tips of his ears turned red, nearly drowning out his wonderful, brilliant blue, “pretty boy,” he mumbled. “Where’d that come from?” he squeaked out. 

“Jus’ tellin’ the truth,” she hummed, “now, why is my shirt off?”

“Oh!” his hands flew off his face and came to settle on her torso, nervously pressing into her skin. “I wanna—well, can I see your markings?” he leaned a little closer, tempted to put his forehead to hers, but he was too scared—what if she knows what that means? What if she hates doing that? What if she hates me?

“Markings?” she raised an eyebrow, “what do you mean?”

“On your hips.”

“Hips?”

He gently hooked the edge of her pants, looking up at her for permission and when she gave it, he pulled them down slightly, revealing the little lines he had been so obsessed with earlier. Despite everything in him trying to keep his smile back, he couldn’t. “These,” he mumbled, tracing the marks with his fingers. His markings, no longer dull and scared, flowed to the surface of his skin and danced along his fingers. “They’re really pretty.” He wanted to see them in their entirety, observe how they rested along her skin and how they intertwined with one another—that would require less. . . clothing, and the thought made him blush madly, making his markings blink a bright blue for a moment.

She grabbed his hand and gave him a questioning look, “they’re not markings, they’re stretchmarks.”

He tilted his head.

“It’s like. . . little scars from when our skin stretches or shrinks too fast,” she smiled somberly, “they’re not as precious as your markings.”

He huffed and went back to caressing her skin, “I still think they’re amazing.”

“Not many people do,” she closed her eyes and savored the feeling of his touch, “so I appreciate it. Thank you.”

He hesitated and pulled his hands back, “do you. . . do you have more?”

She hummed. 

“Can I see them? If that’s okay with you?!”

She sighed and opened her eyes, “you love them that much?” A slight bit of hesitance, disbelief.

A child-like joy seeped into his voice, “yes! They’re like mine, but they’re so much prettier.”

She blinked, a small embarrassed expression coming to rest upon her face. “I mean, if you really want, I can show you.” 

He grinned excitedly and sat patiently on the bed as his lover slowly shimmed out of her pants, leaving them hidden by only two, thin articles of clothing that covered barely anything (not that he minded, but he was trying his hardest to focus on the markings solely—he didn’t want to be a creep. He was also trying to ignore the fact that this was only the third time he had seen her so vulnerable before. It made his heart soar, thinking that she trusted him so). After a moment, she returned back to bed and presented her thighs, where stretch marks were painted across her skin like a mural of heaven. “Here’s some more. They’re mostly on my legs and hips.”

“Oh,” he breathed out, “they’re a lot prettier up close.” He leaned down and pressed his forehead to her legs, closing his eyes. For a moment, he could’ve sworn he felt her very soul, as if he was connecting to a plant, and he shuddered out a sigh. “So, so, pretty.” He was lost in her now, gently tracing his fingers along her skin, nose buried into the side of her leg and he cherished every giggle and breathy laugh that came from his lover. 

“I never knew you’d like ‘em so much,” she tangled her fingers in his hair, tugging slightly when he got a little too dazed and trailed his head up further than he should’ve.

He kissed the inside of her thigh, “they’re so. . . you’re so beautiful.”

She smiled softly, “you are too.” 

The compliment flew over his head, focused solely on the Goddess before him. The divinity that had graced his presence. He sloppily kissed her thigh again, trailing his love up and up and—

She tugged on his hair, “hey,” she warned, “you’re getting a little too close there, pretty boy.”

He stared up and blinked, chin settled in between her legs and nose dangerously close to the bottom of her underwear. It took a moment for him to come back to reality, realizing that he was in a position he’d only dreamed about. “Oh,” he blinked again. “I’m sorry!” he shot up and rested back on his knees. With her hand still in his hair, he was slightly bowed forward, eyes deliciously plastered to her legs. 

“Don’t apologize,” she whispered, “you’re fine.”

He whined a little, “I made you uncomforta—”

“When did I say that?”

He peered up at her through his eyelashes, watching her coy smirk expand into a sly smile. He stumbled over his words and quickly decided it would be better to shut up. What’s happening? Wasn’t she supposed to be yelling at him? Ashamed he had given into his desires a little too much? This was supposed to be about her, and how wonderful she was. Not him and his inability to hide his lustful curiosity. 

“In fact,” she tugged on his hair a little more, forcing him to crawl halfway on top of her to stop the dull pain in his scalp—he really didn’t mind it though, which made him rethink some things about himself. “I really enjoyed it.”

His markings glowed so bright, she had to look away for a moment. She snickered and brought one hand to his chin, the other leaving his hair and slowly trailing down his chest. “If I’m being honest,” she sighed, “I didn’t really like my stretch marks. They’re ugly and gross, but,” she stopped trailing her hand down when she got to the hem of his pants, “you made me feel better about them.” She smiled.

“I’m glad!” he nervously grinned and tried to adjust himself so the position would be less. . . intimate, but she didn’t let him. Part of him was begging her to do something, and the other part of him was screaming with fear and embarrassment so loudly he almost didn’t hear what she said next.

“So,” she drawled out, “if it’s okay with you, can I help you feel good?”

“What?” he squeaked. “Like–what? What does that mean?” Oh my god, he cried to himself, I’m an idiot! He beat down a whine that threatened to erupt from his mouth and squeezed his eyes shut. He wanted the ground to swallow him up and never let him go.

She wrapped her legs around his waist and pressed herself into him, hips bucking up and creating a delicious friction. He sucked in a strangled gasp and let his face fall into the crook of her neck, “sen–sensitive!” he cried. He gripped her waist, fumbling for a moment before once again realizing he had taken his prosthetic off. Vaguely he wondered if he should put it back on, but she bucked again and all thoughts fell out of his mouth as he cried.

“What do you say?” she purred, “up for a little fun?”

“You’re a,” he panted and ground his hips into her, muffling his moans in her flesh, “a tease.” He shouldn’t be doing this, should he? Should he have asked before he pressed himself into her, or was that normal? He didn’t know what he was supposed to be doing here.

“C’mon pretty boy, I have to hear a yes,”

“Y–yes!” He whined and ignored the blue light that bathed them both—this is so embarrassing.

“Good boy.”

He squeaked and buried his face deeper into her neck, “oh my god.” This was going to be the death of him—not that he really minded.

[aquariitheorchid]

Knives and his characterization in Trigun Stampede.

Im yapping again...

OKAY! so. I've seen a lot of people across several platforms talk about Knives and his characterization across the several mediums that Trigun is involved in. I want to throw my two cents in.

THIS IS STRICTLY A TRIGUN STAMPEDE VIEW. I have some, not a lot, of knowledge about Knives in Trigun Maximum.

There's a very, very clear difference between the two Knives' in TriStamp/Stargaze and Trigun Maximum. In my interpretation of these characters, I think it's mostly about how others tell his story. Everything we see about him is from another's point of view.

I haven't read TriMax yet. I'm currently waiting for the deluxe versions to come out. So, I'll make an update post once I do and another one when Trigun Stargaze comes out.

What I'm yapping about will focus on Knives' interpretation in Trigun Stampede. I will say that they are two different characters. What I think the producers and directors are trying to do is show us how Knives could be a dynamic character or at least as the potential to be one. (if they don't fumble...)

The plot in Trigun Stampede is driven by and shown to the viewers by Meryl. She is the viewer's eyes into this world. She finds and interviews Vash in the dinner, her and Roberto drive Vash across the desert after the events of Jenora Rock. She hits Wolfwood with her car. She intervenes on the sandsteamer. Meryl and Roberto are kidnapped by Zazie then saved by Wolfwood and Vash, subsequently bringing Vash to Knives. Then she saves Vash by reminding him of Rem. She takes Milly on as a newbie.

Her actions direct the plot forward. We are shown this wonderful, fucked up and confusing world through her eyes. Eyes that have not seen the true nature of this world. Think Roberto's comment of Meryl's ivory tower. She is sheltered. Very much like the audience is. This all ties into the idea of perception. We are seeing this world though her eyes. Conflicts like Vash being a plant are revealed to her just as they are revealed to the audience. It's safe to assume that her interpretation is biased. Of course it is. Every view we get of this world is biased. This is introduced from early on with Meryl, then Roberto, then Wolfwood, then to Vash, and then to Knives

When it comes to Knives, we are introduced to him as a force of nature, a God of destruction. It's somewhat flat. This is intentional. In episode three, we are given A and B. A, a reason (his talk to Vash about taking the plant). B, a menacing appearance of an antagonist that seems very one dimensional. (He is here for the plant and to set the conflict of this story. That is what we are shown in this specific episode.)

His character doesn't develop further all that much when we are introduced to characters that work with or are devoted to him. The first real bit of deeper characterization we get about Knives is from Vash's memory of what happened on that plant carrier all those years ago. "Why would they choose this medium to introduce him?" is it to show his motives? Yes. It is absolutely this. Is it also to follow along with the theme of biases and point of view? Yep. This also extends to the soup/metaphorical SA scene in the final arc of this season. This point of view, all of these flashback scenes are biased because they are memories from Vash's perspective.

We are shown that Knives is hurt from what the humans are doing and uses aggression and violence to express this. This is shown with the last run and Tesla. Knives is afraid, he's scared for him and Vash's sake. Though he'll never admit this. To admit that would give power to the humans that have hurt him and them. I can imagine the result (the aggression and fear) of this would cause Vash (someone he's hurt) to question things about his character. This would then lead to the biased view we get.

We are not getting the full story from Vash's perspective. It's like someone telling their side of a story. We will never know the full story unless we are shown this. Everything in this story is biased, or at least up to this point. I can imagine Vash thinking, post getting his arm chopped of, "has Knives always been like this?" and that thought altering his memories. There's no way after 150 years he's gonna remember everything good about his brother, esspeically when he's hurt him time and time again. The bad will outshine the good.

The producers and minds behind this show have a chance to do something great with his character. They are setting him up as a pretty flat character, but I can see them taking his character and making it more dynamic with the idea that all point of view's are biased. ITS JUST I DON'T REALLY TRUST THE PRODUCERS TO DO JUSTICE TO THIS.

I have a decent number of issues with the producers and minds behind this version of Trigun already. From them liking incest art, to whitewashing Wolfwood, to not licensing Meryl merchandise, to getting rid of Wolfwood's goof( i do have hope for it returning in szn 2), to them getting rid of transgender Elendira and making her half-plant half-human, and to them getting rid of a lot of what people liked in the 98' series and TriMax. They're very much leaning heavily into tropes. I do blame some of this on what the studio is able to get away with in terms of representation. In the west, it's easier to do that sort of stuff, but not so much in Japan. it is of course, no excuse for them not doing this. I'm starting to lose hope in what direction they're going. I do have biases because Trigun Stampede is my first introduction into Trigun as a whole, but I'm starting to lose interest. I adore this show with a passion but GOD ITS LOOKING LIKE THEY'RE GONNA FUMBLE THIS. SEASON TWO BETTER SHOW SOME MORE LOVE TO THE INSURANCE GIRLS TOO.

[imustbenuts]

nuts reading trigun in japanese 6 - kaite's foreshadowing. plant synchronization's downside

remember in my part 3 and 5 i was talking about hierarchy? surprisingly, it continues past chapter 8 with kaite. and wolfwood. triangulating nyoom

(to be honest... ive been doing these read and analysis completely blind in a 1st JP read through. so its possible ill find new nuances, get things wrong as the context shifts and changes, so my stuff looks like its scattered all over the place. sorry about that.)

i think ill start explaining names and meanings. kaite's name in japanese is kaito. カイト. this can be a homonym with i think 怪盗 (kaitou) in this case, which means phantom thief. for trying to help Neon with stealing loot from the Sand Steamer.

left bubble next to neon: 道案内は的確だったかね！？ I trust your guide has been giving you clear instructions?

^the headaches with manga translations has always been to keep texts short and reasonable for flow and readability, so these simplifications can and sometimes must happen.

but, add dakutens, the " on 2 of those カイト katakanas and suddenly, kaito turns into. ガイド gaido. Guide.

so Kaite has been playing as a guide to lead vash to his death at the hands of Neon. this page is such a fucking whammy with the wordplay going on. if you just read this in japanese theres a moment of "oh shit, no way, Kaite, vash just told you to stop betraying people! what the hell!"

yet theres a level of trust going on already, so its not as bad as it seems

nightow really likes his worldplay. i really like this page.

kaite redeems himself by later charging into the boiler room and helps turn the valve to stop the sand steamer from running off cliff and killing everyone on board....

hm. a guide. and those sequences

we sure have a lot of guides here. one who appears in the manga later with a kansai dialect. and another in TriStamp, where he is younger than he appears.

when i spoke about hierarchy and the fact that vash is over 150, i was also kind of hinting that all of current humanity are akin to children in the system of JP hierarchy. that takes on extra meaning with a little change of context and language

wolfwood is filling in the shoes of kaito here in tristamp. and within trimax, kaito foreshadows him. incredible.

theres actually more going on with wolfwood and certain design/changes choices i wanna talk about with tristamp but ill save it for another day. maybe when i run into him in this read later

Plant Synchronization downside.

....so theres a bad downside to vash synchronizing with the plant that i didn't catch. which also answers what the fuck was going on in tristamp when that version of him hits the ground

nightow mentions this in an interview, link here posted and transcribed by xoxo-otome (thank you!) that he likes action flicks and has incorporated a lot of action into his work. and its true. there is so much action in the form of sound effects.

reading through the entire manga and paying attention to the sfx peppered around offers a lot more context to whats happening in half of the panels that seemingly doesnt make sense

like this one where the top panel has "DADADADADA" sfx. so they're stomping down the corridor with their guns crossed and facing each other. the "GO OH" in the bottom panel emphasizes the sudden burst into open air. unfortunately, anyone who values their life and sanity in this economy will not want to translate trigun's sfxs 100%.

i should have paid more attention when reading trigun in english. but i didn't so here i am. in the trigunbookclub tag now doing this.

why is it important? here. this. below. when vash does his plant thing with his sister:

see those heart panels? i tried searching real quick but nobody seems to have pointed this out. i havent seen this in EN fanfics. maybe i missed it. maybe im stupid:

thats Dokun, the sound effect of a heart thumping. as vash synchronizes, the heart panels with the same sound effect appear, but they gradually split apart further with ellipses "..." to signify his heart beat slowing down. and down. and down....

Dokun, do kun, do... kun....

then the wings comes out. and the panel below it:

sfx: PIIIIIIIIIII

breathes. a FLAT LINE.

aaaaaaAA?!

何かなんだかわかりません I'm not sure what's going on. とにかくプラントの動きは一切止まっています But the Plant's movement has completely stopped. 同時に男にも呼吸　心音ともに停止してます It's the same with that man. His breathing and heartbeat sounds like it's stopped with the plant too.

AAAAA?!!?! the も means vash is in the same state as the plant?

i.... um. um.,, ANYWAY-

AAAAAAAAAAAA?! HUH?! HUH??? HUH?!

is THIS why he has a metal grate over his heart? something happened and he an an operation on his heart???? by some engineer maybe? what? huh? am i reading this wrong? what? wait, hello? HEY!!!

what the fuck. okAY--?!

and then he just. pretends like nothing's happened. doesnt tell kaito anything. and he leaves the Sand Steamer.

and im going to have to sleep bc its 5 am now and pretend like i didnt just realize something this big right in front of my eyes during the first read.

[iwritenarrativesandstuff]

Trimax Thoughts Vol. 5 Pt. 2

I want to talk about Knives for a sec. Up to where I've read in the manga so far, we really don't have much of an understanding of him yet. I think I may have a slight advantage in having watched one of the shows before starting (I've watched Tristamp) because otherwise I don't know if I would quite get what to make of him so far.

I won't say anything about Tristamp here since I'm not going to assume everyone in book club has seen it, but I did draw a conclusion from it that, after reading volume 5, I am almost positive applies to the manga version of Knives too.

Knives treats Vash as if he were an extension of himself.

[ID: A panel from Trigun Maximum volume 5. Knives stands casually, holding a cup and smiling as he greets his brother in Vash and Hoppered's shared flashback to July. Hoppered thinks "It's him..." as Knives says "Hey Vash." End ID.]

Ok so first off I need to establish something because it's important. Listen. I have no doubt that Knives loves his brother. I do not doubt that. But his behaviour towards Vash is actively and deeply cruel. Knives is friendly up until Vash disagrees with him, and then his mood suddenly changes for the worse - he has gone so far as to specifically target people Vash loves just to break the ideology he disagrees with, shifted culpability from himself to solely on Vash several times, violated his autonomy, and has on a few occasions physically restrained him. <- That's. Really bad. I would argue that these behaviours are in keeping with uh... pretty textbook manipulative/abusive behaviours.

However, here’s the thing: these kinds of behaviours are typically perpetrated because the person wants power over the victim. I think it's easy to read that into it, but I honestly don't think that's Knives' intention at all. He wants Vash with him. If anything his little "Watch it!" when Vash shoves him away just after the colony ships fall reads as genuine confusion. He's incredulous every time Vash points his gun at him. After all, as Knives puts it: they're brothers. They only have each other.

If Knives wants power over anything, I'd argue it's power over Rem, not Vash. He sees Vash's suffering and believes it was her who "made him like this", disregarding his own accountability in both Vash's continued pain... and her death. I do have to wonder if his attempts to break Vash's pacifism is also an attempt to make Rem's ghost leave them both for good, because there is no way Millions "I thought I'd spare her but now I see she was just as flawed" Knives felt no sadness or remorse over her death.

[ID: A screenshot from Trigun Volume 2. Knives sits in the escape ship with most of his face shadowed. He is hunched slightly, with a difficult to read, rather blank expression. End ID.]

^He is totally not bothered by this, definitely a-ok with her death. /j

But here's the thing: I really do think Knives believes that without Rem's influence, his brother will think and act exactly like him; that she has "corrupted" him somehow. This plays out in the way he's almost eager to show Vash their Plant abilities, apparently completely ignoring that Vash is confused and terrified - there's a serious dissonance to their interactions, where Knives seems less uncaring then oblivious to Vash's obvious distress. A good first indicator is directly before Fifth Moon, where Knives realizes that Vash has blocked out the memory of July, and is more intrigued than alarmed by this. Idk man if that was my brother I would be. Concerned.

See, if you read Knives as wanting power over Vash, then it's kind of reminiscent of the older sibling who thinks they know what's best for the younger. Indeed, that is the role Knives seems to take on at times.

But Knives is not actually older. They're twins.

Zazie also has an intriguing line after seeing the lengths Vash will go to in order to protect those he cares for: "It definitely isn't in Knives' nature to fight for anyone." <- This is an odd conclusion to come to for someone who is supposedly doing everything for a new world that's safe for all Plants, including Vash. I'm choosing to take Zazie at their word since I don't think they would have any real reason to lie or really see the point in lying.

So, what this implies is exactly what I stated earlier - Knives makes little, if any distinction between him and Vash. The world is divided into "same" and "different", "family" and "threat". It unfortunately allows Knives to continuously undermine Vash's autonomy - it's fine to forcibly activate Vash's angel arm because it's "our" power. It's fine for the doctor to poke and prod at Vash's arm to get readings because Knives is supervising it. Vash will stick with him because they're brothers, right? Of course he will. And if he doesn't... well that can't possibly be Vash. It's Rem's corrupting influence. And that makes him violently angry as he attempts to destroy any last trace of her that persists in his brother. Because surely, without her, Vash would be just like him, right?

One last note I'd like to make is the way Knives keeps obscuring Vash's face when he forcibly activates Vash's angel arm.

[ID: Two screenshots from Trigun and Trigun Maximum. The first image shows Knives grabbing Vash's face as he forces him to activate his angel arm during the Fifth Moon incident. The second image is of the same during the July flashback. End ID.]

The thing is, you can't argue this is necessary to activate the ability. In the July flashback, Knives actually has his hand placed rather gently on the side of Vash's head... up until Vash tries to resist. That's when Knives slams his hand down over his face instead and shoves him onto the floor.

In the context of Knives seeing Vash as an extension of himself, it could take on a few different meanings. If he muffles Vash's screaming and crying, perhaps he doesn't have to see the clear distress on his brother's face. Maybe it's representative of stripping Vash of his personal choice in these scenes. Maybe because this is the truth of the matter - Knives does not want to see the person Vash is if that person is so wildly different from himself, to ruin the illusion of twin as extension instead of a separate person.

Meanwhile, Vash is trying so hard to be everything Knives isn't. Knives' face is shadowed in flashbacks to create distance between them until July reveals the destruction they both caused and Vash can no longer deny the harm he too is capable of causing. The twins cause me emotional damage man.

[miamochi-writes]

You’re Actually Kinda Cute

Synopsis: The reader is trying to shake off some cops who are after them. As the reader hides, they bump into a certain Humanoid Typhoon. Also I stumbled onto Trigun TikTok and found a certain *ahem* audio that gave me Vash brainrot (Comment if you know what I’m talking about). I definitely see Trimax Vash saying this, but I can also imagine Tristamp Vash doing this as well. A girl can dream! I live for this man’s smile 🤧 Enjoy!

“Stop right there! You can’t escape!” 

The cops were hot on your trail. You ran with all your might and knocked down some furniture to slow them down. This was another typical day of your life as a fugitive. Your crime? Talking back to a cop who was cheating in a game of cards. You saw how the cops were scamming people at the bar. They practically hid their cards in their sleeves to win the double dollars. The minute you pointed out how the cops were cheating, you became the most wanted in their eyes tonight. In your defense, you couldn’t stand cops to begin with. No matter what city you visited, the system was corrupt. The people struggling to survive were punished with the most minuscule crimes. Meanwhile, the cops do whatever they please if it means breaking the law. It wasn’t your fault you wanted to make things fair. But because of this mentality, that ended up with them putting your face on a couple of wanted posters in a few cities.

Now you were running away from the law again. Thankfully, the people at the bar gave you enough time to run as they held the cops off. You spotted a hotel and figured you could shake them off there. You ran up the stairs and through the empty halls. You threw some items behind you as you kept running faster. Despite your head start, you were running out of breath. If you didn’t act now, the cops would catch up to you soon. You kept going until you saw a hotel room slightly open. Without hesitation, you ran inside and closed the door. You held your breath and remained silent. Things were silent until you heard incoming heavy footsteps running past the door. The loud footsteps faded as they sounded farther away. Seconds turned into minutes. Not taking a risk, you stayed quiet until you heard yelling.

“Hey! I saw someone running down the stairs. It must be them! Don’t let ‘em escape!” one of the cops shouted. You slowly peered into the peephole to scope the area outside. Sure enough, the two cops that were after you ran past the door. Once their footsteps faded, you waited an extra few seconds until you were met with silence once more. You let out a sigh of relief. Another day of successfully evading the law once again. At least for a few seconds that is.

You heard the door knob turning from inside the hotel room. Your breath hitched as you failed to realize the consequences of your actions. Who’s hotel room did you enter in? Depending on who it was can determine how your night will end. Either going back home or getting caught by the cops. In a state of panic, you rushed inside what seemed to be the closet of the hotel room. You were going to close the door, but you were too late.

Standing before you was a tall blonde man with the most beautiful blue eyes you have ever seen. He was wearing gray sweatpants, and only sweatpants. The man was practically topless, which showed his scarred yet toned chest and abdominals. The only thing covering his chest would be the towel draped over his shoulders. Judging his attire (or lack thereof) and wet hair, he finished showering.

“Well hello there,” the man spoke.

‘Oh no he’s hot,’ you screamed internally at the mess you had gotten yourself into. 

“Uh I can explain, just please hear me out before you do anything else,” you begged. As you looked closer, you saw his prosthetic hand. Then you looked at his face once more and wondered why he looked so familiar. Finally, it dawned on you.

“You’re Vash the Stampede!” you thought out loud as your eyes widened. Vash was taken aback by your statement as he looked tense.

“So you know little ol’ me huh?” he chuckled lightly while flashing you a nervous smile.

“Of course I do! I’m just surprised you booked a hotel room with little to no trouble,” you answered. You knew how much he was worth, and he stood out like a sore thumb from the people with his looks and attire.

“I have my ways, but I could say the same to you. I don’t understand how you got in here my vicious little friend. It’s a mystery to me,” he said. 

“Hey, I’m not vicious!” you countered.

“I mean you barged into my room,” he reasoned. Okay, he had a point. You did walk into that one, literally.

“Okay, fair enough. But in my defense, you left your door open. I casually walked in,” you argued. 

“Really? I’m pretty sure I locked it,” he reasoned.

“No, it was pretty wide open. Or else, you would have seen some wear and tear of me getting in if it was closed,” you replied. He looked around his room and then at the door. Sure enough nothing looked broken. 

“Okay, well why did you come in then?” he questioned.

“I was trying to get away from the cops,” you answered. 

“Sounds like something a vicious person would do,” he added with a smile. You panicked at his response as you tried to explain yourself.

“Okay hear me out! I didn’t do anything wrong! In my defense, they were in the wrong for cheating people out of their money. Not my fault they were mad at me for pointing out how rigged things were,” you reasoned. You started explaining your situation to him from beginning to end. Plus, you mentioned to him how the people at the bar were trying to help you escape.

“See, the local townsfolk were on my side. I at least stopped them from getting their money stolen! If I was vicious, I would have turned you in to the cops by now. To be honest, I have no reason to,” you insisted.

“Wait, you aren’t going to turn me in? You’re not scared of me?” he asked as you shook your head.

“Can I ask why?” he added. You gave it some thought as you crossed your arms. You managed to talk to the blonde for this long without anything bad happening. It was a long shot, but it was better to try than not try at all.

“Because I know you’re not really an outlaw or vicious person like most people say. If you were, you would have either turned me in or hurt me by now. Am I wrong?” you asked that last part. You watched Vash’s facial expressions closely. Your answer must have taken him by surprise as he was still quiet. But his body was more relaxed compared to earlier. He then gestured for you to continue.

“I know you are on countless wanted posters, have a huge bounty on your head, and have many rumors about your crimes. But they’re just rumors, not testimonials. When I traveled to different cities, I bumped into people who mentioned good things about you. Some say you helped escort them, protect them, buy them a meal, reunite them with family, and so much more. I think that speaks volumes compared to what the law says about you,” you continued with a small smile. As you spoke, you noticed Vash’s gaze towards you softened. His blue eyes almost looked as if they were gleaming from the way the hotel lights hit him. You could see a smile make its way through his lips. Maybe he was thinking about the people he helped in the past and who exactly you bumped into.

“I see, so tell me something...uh-” Vash added.

“It’s Y/n,” you introduced yourself. After talking with Vash for this long, you felt comfortable enough to give him your name. Call it a gut feeling, but you bet that you gained his trust at this point.

“Y/n, last thing I wanted to ask you before I make my final decision. I’m sure you noticed I’m covered in scars. In fact, I’m pretty sure I have more than the average person. Tell me this, you’re still not afraid of me? Even after seeing these scars? Usually, most people run once they see this side of me,” he asked.

“Well, I guess I’m not most people. I won’t lie. It’s concerning to see that many. Yet, everyone gets scars. It’s a part of life. I talked to some folks who told me you fought many tough battles. When they say you’re willing to protect people, you must mean it. Those scars tell me that you care deeply for people. Much more than the law. So I admire that,” you acknowledge. While talking, you never broke eye contact with him. Everything you said was true and came from the heart. You never thought you would meet Vash in person, let alone in a hotel room where he’s topless. But anytime people spoke highly of him, the more you believed that he was a good person. You figured he was a kind, but misunderstood soul. The way he spoke, his demeanor, and body language said as much.

“So after everything you heard, do you still think I’m vicious enough to where the cops should take me?” you asked.

“Oh, I already knew you weren’t a vicious person to begin with. I could tell by the way you talked to me early on,” he said with a cheeky smile.

“WHAT?!” you asked as he chuckled.

“Sorry about that. It’s rare for me to bump into people like this. Since you were honest with me, I’ll tell you this. You’re actually kinda cute Y/n. Especially when you tried explaining yourself,” he complimented with a genuine smile as his eyes crinkled with joy.

It should be illegal for him to make that kind of face and compliment you so easily. Oh sure, people told you how kind and funny he was. Yet, no one warned you about his charms at all. Your cheeks were flushed, your heart quickened, and your head was spinning. Your looked away as your tried to cover your cheeks with your hands. If only the ground could swallow you whole so he didn’t have to see you like this.

“You made me go through all that. Then you come at me with a compliment with no warning. I think I’ll take my leave,” you said quite flustered. You couldn’t even bring yourself to make eye contact with him.

“Y/n wait! You sure you don’t want to stay here for a little longer? You know, just in case the cops are still looking for you? I really did like talking to you. I promise, no more funny business on my end,” Vash offered. You pondered at the thought. It was too tempting to pass up.

“Sure, just until the coast is clear. So enough about me. Tell me something I don’t know about the real Vash,” you replied. Sure enough, the blonde’s smile grew wider as he patted a seat on the bed.

“Where do I even begin!” he chimed in.

@daschstuff @sharkalina666 @keigoswifeyysblog @anoukli @blankpapersblog @bunnigrimm @usuallynana @ryuukami4

[carulenes]

an analysis of wolfwood’s characterization in trigun stampede as well as his connection to vash (+ why i believe he’s likely much older than we think)

okay i’ve been thinking abt this since eps 10 or 11 were released (this show became my special interest the second it dropped if i'm being completely honest) but its been scratching at my brain ever since i read the sakuracon radio interview and since i haven’t seen anyone talking abt this yet i figured i may as well because it’s clear they really did pull very extensively from the manga and i really am loving how they adapted his character. also i occasionally keep seeing the “tristamp wolfwood is a kid/is 14-15” takes which i need to at least try to help put to rest bc they make no sense given his other iterations and would actively make the story worse.

a quick tldr of my main points before i get on my very long winded soapbox:

wolfwood in trigun stampede has been used as an undying, unkillable soldier by the eye of michael for decades.

rollo as a character, as opposed to monev the gale, was designed specifically as a metaphor for wolfwood’s backstory.

wolfwood and vash are written to be literal complements to one another.

I literally don’t think I have the space to talk abt all my thoughts, and ofc these are all my personal thoughts so any and all of what i’m saying could be wrong, but direct analysis of eps 4-7 (as I think they’re the most important) and discussion of his trajectory in general under the cut (obvious spoilers for the show but also the manga as well as tw: discussions of suicide/suicidal ideation as well as the general tw list for the show's graphic content):

Starting first with a side point that Wolfwood was never a child at any point he was with Vash during thecourse of the story, including the manga. He has always been a man in his 20s, with trimax ww having the appearance of being in his 30s or 40s. It is absolutely crucial to his and Vash’s characterizations, as well as their entire dynamic together, that Wolfwood is an adult. Could make an entire separate post about this, but I feel like starting here is important.

Onto the sakuracon japan radio interview. The team gave a LOT of interesting insight into the development of the show, but one specific point stood out to me:

This is important, because I definitely missed it during the show’s initial run, but I think it’s REALLY obvious once you know what you’re looking for, and is a big factor in why I think he’s likely older than we realized.

————

EP 4: These are the very first lines that are said about him in the show, and the very first time we see him, he is absolutely exhausted:

We know that at this point, Wolfwood is likely on his way to Jeneora Rock to meet up with Vash to fulfill his contract...until Vash and co. quite literally slam into him (and his life) unexpectedly, nearly killing him with their van. He probably should’ve died except… he’s on his feet almost instantly, able to walk perfectly fine and being a jackass as though he didn’t get launched halfway across the desert by a moving vehicle. Which is… odd, naturally.

When they try to find help and instead find the dead couple, he specifically mentions that he isn't a priest like he's been in other iterations. He's now an undertaker, someone meant to guide others through their deaths:

His personality is hard to tap down. He's goofy and childish and downright unlikeable, and there's a hint of something lurking deeper, something menacing and potentially dangerous. So much so that Roberto is on edge the entire time their group is together after being swallowed by the Grand Worm, and flat out tells Vash that Wolfwood is untrustworthy and likely an assassin, "a man who can kill with a smile on his face". And Vash’s response is… really fucking weird, given how long the two have known each other:

not to mention he's wearing sunglasses Wolfwood is rightfully very ??? in response because, what the fuck is he talking about, and why is he so genuine about it, they just met???

Fast forward to a bit later, when Wolfwood is like "hey man, you really shouldn't be so trusting. I could've shot you in the back several times now." To which Vash is like "but you didn't, though." And Wolfwood is even more confused because is this guy stupid???

And then it's time for the final act: Wolfwood reveals his Punisher, destroying the Grand Worm while giving the illusion of taking out Zazie as well. Meryl was informed by someone that Wolfwood had been the one to save them all, but when she tries to thank him, he immediately shifts the subject, being annoying and arguably completely unlikeable. Roberto points out that Wolfwood had lied about who he was, trying to get Vash to realize that he still can't be trusted, and again Vash shoots it down: "We're alive because of him."

Wolfwood showed his role as the Punisher without hesitation, and not only was Vash not really phased by it, but he actually seemed to be inspired by him, stopping his self-destructive tendencies and even repeating his own words back to him. And that's the moment we finally learn his name in the show:

But then, almost immediately, we have a complete reversal of his scene with Vash in the Worm. It’s also of note that Zazie always specifically says human lives:

————

EP 5: One of the most important episodes in this discussion, and it starts with the name alone, "Child of Blessing". Here’s a very general summary:

A young boy in a much less than ideal living situation is chosen to be 'a blessing upon the world through his sacrifice', which turns out to secretly be mutilative experimentation on children in search of a subject compatible with a mysterious medicine that can heal any injury. The meds warp him, morph him into something that doesn't even appear to be human. He tries to return home, but his mother, the only family he knows and loves, is terrified of him. She calls him a monster, and the boy finds himself struggling to articulate who he is. Then, he wanders alone alone without purpose in that unchanging altered body, a body that can withstand lethal amounts of damage directly because of the meds, for at least 20 years. All he has is a single name: Vash the Stampede, the person who promised to save him, and the one person who managed to bring back his consciousness in the end, if only for a moment.

The moment Nicholas sees Rollo regenerate is the second the switch flips. He instantly demands to know what the fuck is up with him, and when Vash responds telling him that he was too late to give him the medicine he needed, Wolfwood shuts down, because he recognizes himself. From this moment until the rest of the episode, we are no longer seeing Nicholas D. Wolfwood; we're seeing Nicholas the Punisher.

Vash continues to push Rollo to remember who he is, while Nicholas continuously says that there's no way to save him, that he's already a monster now. In the final moments, Nicholas inevitably feels tasked with Rollo's death like the undertaker he is, and when Vash angrily demands to know why he took the shot, his response is:

When discussing Rollo's killer, Elendira refers to Nicholas by name, but Conrad specifically states that no, he is the Punisher.

In vol 10 of the manga, Vash thinks to himself: “I met a strange man. Just as I thought we had come to an understanding, I found that our core beliefs were opposed to each other. I was used to such situations, but I wonder how he felt.”

————

EP 6: This episode builds directly upon the foundations set by the episode prior. Child of Blessing ended with Rollo being referred to repeatedly as a monster, and this episode begins with Nicholas in the middle of completing a kill. Right before he does, his victim gets one final glance at his assailant, an inhuman looking executioner, and calls him a monster… directly because he will not die. He’s also been shown knocking back meds like tequila shots in tristamp, which we all know was NOT possible in the manga. During the flashback scene, Nicholas is literally called the Child of Blessing.

We see a very similar sequence with Nicholas that we saw with Rollo; the horrific torture, the bodily mutilation (during which Conrad specifically mentions that the drug will heal all damage done the body, as well as rebuild and strengthen the cells), and the attempt to return home:

Something different happens with Nicholas, though. Nicholas can't go home; he’s literally yanked away from his chance at freedom by Legato. Nicholas can’t go home, likely ever again in his mind, because Hopeland Orphanage and the Eye of Michael represent two fundamentally different ideals.

Hopeland (and thus Livio) is exactly like its name for Nicholas: it is is land of hope, the only place in the world where Wolfwood was allowed to exist freely. When Nicholas was taken by EoM, Wolfwood began to die.

The entirety of the EoM is shrouded in imagery of death and rebirth, specifically in regards to humanity. Humanity in this case has a dual meaning: humanity as a species, and humanity as a concept. Their philosophy is that the end justifies the means in that humans in this form will be preserved and would likely live exceedingly longer lives but, as repeatedly mentioned, there are side effects.

Aging and death are integral parts of the human experience, the two aspects of life that we ALL experience regardless of circumstance. Can you be human without humanity?

The message behind these two episodes is to show that the process of becoming part of the EoM is a metaphorical crucifixion symbolizing the death of one’s humanity. And Nicholas is interesting, because he’s almost the perfect specimen in their eyes and is treated as such. Almost. The only thing holding him back are the two strands of humanity he has left, both which are nearly destroyed in the very next episode.

————

EP 7: In the previous episode, during the animated flashback of Nicholas and Livio, we see a few scattered scenes of other people living at the orphanage. Interestingly, while almost all of the children are seen with very sparse detail (or even none really at all), there is one person, the caretaker, whose face we get a pretty clear picture of. At the very beginning of this episode, we have the first and only shot of the inside of the orphanage in the usual style. While none of the children are familiar and actually aren’t incredibly distinguishable from one another, there is one figure in the room with recognizable hair, but looks considerably older than in the flashback:

During the majority of their interactions, you don’t see Nicholas and Livio interacting with any of the other children. They are simply a background, a set piece to the story and a representation of just how other they were forced to become.

This episode features them fighting each other, dealing each other what should be mortal wounds, but somehow remain standing, as though they’re perfectly fine. As if on cue, the soldiers stationed call them both monsters and run away in fear.

But Vash doesn’t run from the danger. He runs towards it.

Nicholas tries to stop him, and all he gets in return is “he’s important to you, isn’t he?” as though that’s enough. But it is enough for Vash. And Nicholas doesn’t know what to do with that.

Nicholas comes dangerously close to giving up, to giving into his role as the Punisher and killing the last bit of Wolfwood to do so, but it’s Vash who stops him. He diverts his shot and, instead of hurting Livio, literally frees Nicholas from Legato and Zazie’s trap. Vash tells him to make him remember, and Nicholas thinks it’s bullshit… until he doesn’t.

And when he finally relents, when he tries to emulate what the silly blonde idiot keeps screaming at him about… It works. For a moment, but Livio does wake up for a moment. Nicholas hadn’t been able to see Rollo, but he did see this. And he really doesn’t know what to do about it.

To drive the point home, Livio drives a bullet into his own head and falls to the ground in a scene very reminiscent of Rollo’s death… but is implied to still be alive. With him saved, now it’s time for Hopeland. And this is when the narrative really turns a focus to the balance between Nicholas and Vash.

The group is half convinced that they’re about to die snd that the town will be destroyed when, all of a sudden, it’s Nicholas who’s yelling that they have to do something. Because despite all the noise Nicholas makes about self-sacrifice and calling Vash a weirdo, he’s directly inspired by his energy, which is proven correct when Vash is the first one to side with him.

Then, somehow despite the odds, the two of them manage to work together to stop the ion cannon. Which should have been impossible. And because of this, Nicholas is finally willing to give Vash the chance to take the lead on things.

When Vash and Wolfwood discuss their plan to save Hopeland, and after they argue about which method is the correct one, the conversation they have is probably the clearest depiction of Nicholas’ inner struggle:

Nicholas: Have it your way. Just for today. I do owe you one… but if the orphanage doesn’t survive this, I’ll hurt you so bad you’ll wish you were dead before I kill you.

Vash: Wolfwood…

Nicholas: Shut up! I’m the Punisher! I’m not like you… I’m Nicholas the Punisher…

He murmurs the last line as though he’s trying to convince himself. He uses his persona as the Punisher almost like a mask, like a cat puffing up and hissing to deter predators. It’s a defense mechanism, and a trauma response. Except.. it still doesn’t work, because the entire time Vash is simply not listening. Regardless of what Nicholas says, Vash does not stop fighting Nicholas on the title that was forced on him by the EoM and, in fact, blatantly rejects it. And the moment Nicholas finishes speaking, when he declares himself to be the Punisher, the episode’s title card finally appears: Wolfwood.

It's a direct representation of this panel of Nicholas' inner monologue from the manga:

——

Nicholas and Vash’s roles as each other’s complements is emphasized very deliberately when the two work to stop the sand steamer from smashing into Hopeland. These screenshots occur one directly after the other:

Another detail the team mentioned often during the interview was attention to use of color. In color theory, blue and orange are complementary colors: hues that are opposite each other on the color wheel but, when used together, come together to create harmony and balance. Additionally, Vash is the character typically associated with warm hues, while Nicholas is paired with colder ones; with the colors flipped, it’s almost as if they are literally mirror images of each other.

The two are in the same position, in the middle of similar actions, both drawing strength from that which makes them “other” in order to work together to protect a common goal. And once again, miraculously, they succeed, able to do together what neither could ever have done together.

This mirror motif is even clearer when comparing these respective scenes from each of their respective backstory episodes:

For Nicholas and Vash, on top of sharing such a crucial common thread in their backstories, often in the show they are seen together, either side by side or back to back. Often they’re shown doing the same thing at the same time, almost as though they’re moving as one. And they consistently save each other over and over again, with Nicholas acting to save Vash physically, and Vash working to protect Nicholas’ psyche. Vash refuses to let anyone continue to see themselves as a monster, as lesser than, in much the same way Nicholas refuses to let anyone else be used as one.

They are a pair, a unit working together to create a force that is stronger than the sum of its parts.

They are both “other”, they are both different, and they both seek to protect the things they love and care about despite the excruciating pain it can put them through.

Nicholas and Vash’s entite dynamic is basically “I don’t understand you, but I recognize you. I recognize myself in you. And somehow, that’s enough for me to trust you.”

————

So with all this in mind, here is how I’ve come to understand Nicholas’ arc throughout tristamp:

When we first meet Nicholas D. Wolfwood we meet a weary man longing for death to save him, longing to be free from the purposelessness of his life but knowing the hope is futile. He works for the Eye of Michael as an assassin against his will and has for God knows how long. Not only is he no longer a priest, but he’s no longer religious at all, having no belief in God at all and a particular disdain for the false promises and hopes of salvation that are portrayed by it. He doesn’t care about the clothes he wears, whether he looks messy, whether it’s suited for the desert, because he literally doesn’t care about anything, really. He has no home, and can never go back to the orphanage— there’s likely no one left there that he knows anyway, and even of there were, they wouldn’t recognize the monster he’s become. Nicholas is tired, he’s angry, he’s potentially depressed. He fights impractically, sometimes leaving himself open to attacks he could probably block with his Punisher, but he just doesn’t care. He’s just here to do his job, which is to escort his piece of shit CEO’s assumedly equally piece of shit brother to him so they can destroy the world together and he can hopefully die off in peace.

Until he actually meets Vash, and he’s… really fucking weird. He’s dumb and naive and acts like he knows Nicholas on some deep level after they’ve just met, but… he’s not a bad guy. Just another crybaby who doesn’t understand the world. He can see the Punisher and not be frightened by it. That means something, means enough that he feels that he can introduce himself now. He still doesn’t know how to handle kindness, so he deflects whenever it’s shown to him, making irreverent jokes and being annoying in order push people away. But then he meets Rollo and has a flashback to himself. He learns that Vash is no stranger to false promises, has sold the same thing to the kid who ended up just like him, and yeah, Vash is no better than the EoM. He talks a big game but doesn’t actually know anything. Nicholas kills Rollo out of mercy because it’s what he wishes could be done to him; every day of living his life is torture.

But then his hometown and childhood best friend are suddenly in danger. He’d completely forgotten what it felt like to have something to lose, to protect. And without planning for it, Vash also becomes something to protect, because even if he doesn’t act like it, Nicholas desperately wants to believe in him. He doesn’t want the EoM to be right. But the feeling of having something to protect is terrifying, because it means you have something to lose. Nicholas gets incredibly stressed out by this, because it’s been so long that he doesn’t even remember what it feels like. But it’s enough to get him, for likely the first time in a very long time, to hope. And it’s Vash who helps him so that he’s able to hang on to that hope for a little while longer.

He still can’t get too excited, because he hasn’t actually finished his job yet. Before he does, though, he sees Vash’s scars (which was a deliberate choice, as in both the manga AND the og anime this scene went to the girls) and wow, if it weren’t for the regenerative properties of the drug, he would likely look the same. He drops Vash off with Knives and knows that Vash will likely be killed, but he’s also expecting to die himself in the fallout, so it doesn’t matter, really. Except for some reason, it does a bit. And then, yet again, Vash miraculously doesn’t die, and in fact changes the game and actually looks like he might stand a chance against Knives, and is clearly willing to die to do it.

And then July is destroyed. But, miraculously, Nicholas isn’t dead. He still finished the contract, but now… now what?

The show began with Nicholas at his lowest, and ends with Vash at his lowest point. And Nicholas owes him one.

————

INCREDIBLY long story short, it really is clear that they weren’t kidding, the team really drew SO MUCH inspiration from the themes trimax it’s unbelievable and I really really think we’re in for something incredible during the second phase. I also think it’s gonna hurt like a bitch.

[revenantghost]

When Tristamp was coming out, there were two (2) scenes in particular that people got upset about for mainly shipping reasons, but, honestly? After having seen the whole thing and having thought about it for awhile, I think both are perfect for this iteration of Trigun and the narrative foils that Wolfwood and Meryl play against Vash. In no particular order:

Meryl Awakening Vash

I’ve already gone off about how closely Meryl and Rem are tied together, so I won’t retread old ground, but it’s so, so, so pivotal that Meryl believes in Vash unlike anyone has since Rem. And not in a motherly sort of way, either. (I think Rem would have a heart attack with the trouble these two get into lol.) That was important for Vash in its time, but now? Now Meryl is everything that Vash is fighting for in humanity. She sees the good in him, sees something worth fighting for, sees something worth loving. And the love in Trigun is just so integral to everything and everyone. It defies explanation sometimes, and that’s really beautiful to me.

As absolutely hilarious as it would have been for Wolfwood to have come in gun (singular in this iteration lmao) blazing to help Meryl break Vash out, he’s not at that point yet. It wouldn’t have made narrative sense, it would’ve broken the scene. It’s Meryl who has that hopeless, senseless faith in Vash, in the good that humanity could be. She still believes in justice, even after having gone through hell since meeting Vash. She’s seen ugly, undesirable parts of him that no one’s seen in years and she chooses to stay. She is the faith in humanity and the love for Vash that Rem had. She’s the reminder of what he’s still fighting for.

The Scar Reveal

As you can tell from above, I love Meryl in this story, and I honestly think we’ll probably see hers and Milly’s reaction to Vash’s scars at a later date. But for this first reveal to us, and especially for Tristamp in particular, it makes perfect sense for Wolfwood to see these scars and still, somehow, be horrified. This man has been tortured in ways unimaginable since he was a child. He’s had to turn off his humanity for years. He’s been broken and battered by monstrocities we can’t imagine. And yet he’s still horrified.

He probably wouldn’t have been at the start of the season. (See: Eriks barking like a dog very early in their relationship in the other versions, at VERY different emotional points.) So for Wolfwood to have been changed enough by Vash and for him to care enough about Vash to be horrified for him, to want better out of humanity for him? Despite the fact that he’s about to toss him to his ruthless brother because he can’t afford to care for Vash and the orphanage? It was really critical in setting up his own decision for episode twelve, coming back for Meryl and choosing Vash over Knives in his own way. Wolfwood’s been crumbling for awhile, but this is such a huge crack.

TL;DR: It’s about love and faith in humanity and justice, and so much more. I’m so happy that we got to see these characters shine in different ways, and in significant ways that we haven’t seen before. And don’t get me wrong! There are valid criticisms about many parts of Tristamp, but I ain’t having none for shipping wank lol

[needle-noggins]

My book club reading this morning started with me goofing on Legato and etc., but then I got hit with the cafe scene. Let's talk about it, because I've been ready to bring up the body autonomy/exploitation/rape stuff for a while. This is going to get heavy, so fair warning.

Spoilers for Trigun Stampede, which I'll compare this to, in case anyone here is coming into the book club completely blind to Trigun (I assume most fans at this point have seen Stampede).

So. Damn. This is where the very heavy theme of bodily autonomy and exploitation really comes into the story. Obviously we have the conflict between the slavers and Legato. These girls are going to be sold for organ harvesting, but first... yeah, those slavers are fucking awful. Legato kills them by forcing them to kill themselves/each other, and Legato frees the girls. I think this is the first time we see what Legato's powers are - he makes people's bodies to move against their will. He later muses on this scene, wondering why he felt sympathy for the girls and spared them. If you've read Trigun Maximum before, you know why.

I want to compare this to Stampede, because it's the easiest way for me to talk about this theme without spoiling more of Trimax. When I watched Stampede for the first time, I remember being floored by the tank scene with Vash and Knives. Vash floating helplessly, paralyzed by Knives, his roots extending to the plants in the tank, and the reveal of those plants being pregnant. Knives boasting about making new Independents. It was so heavy that I had to pause the show and walk around for a bit. I still can't totally watch it.

Then, when I read Trimax, I saw just how much of a recurring theme this is in the story on a whole. OK, Nightow, that's fucking painful and kind of triggering for a lot of folks - so why does the story have to include this?

Well. It highlights just how horrible Knives, Legato, and other people can be, but more importantly, it's central to the entire plot and its resolution. We have to look at the other side of the conflict and zoom out a bit. In all versions of Trigun, there is exploitation - of the plants, of innocent people, of Vash's power. And, in all versions of Trigun, there's the struggle to find freedom and autonomy against it, specifically. Knives struggles to give the plants freedom (or his version of it). Vash struggles to free humanity from Knives (who not only kills indiscriminately, but also exploits people to kill for him. Hello, Wolfwood). Vash also struggles to find freedom from Knives, who uses Vash's powers against his will. That's a really boiled-down version of the central conflict.

So, what happens in this conflict?

Vash heals plants who have been damaged by humans' exploits. Vash helps people in any way he can, no matter who they are - because he wants what's best for humanity - all of it. And, at least in Tristamp, who saves Vash when Knives is using him? Fucking Meryl. Meryl, who jumps head-first into danger to save Vash. I could write an essay on Tristamp Meryl's character development in alone, but I won't (yet).

There's exploitation and rape and terrible abuse, but there's help. There's healing facilitated by others, sometimes others who have experienced something similar. I'm sure someone else can say this much more eloquently than me, but I wanted to get the conversation started.

[ultraviolet-cello]

Today's episode analysis is number 7 - Wolfwood. Now from here on out I get wild abt theories so do watch out hehee

Spoiler warning for tristamp and trimax, general tws for most of those, and enjoy my analysis/details if you want :]

@tristampparty

TL;DR, there's still something fucked up with Livio and Razlo

I CANNOT believe this MOTHERFUCKER is wearing a seatbelt, but still reading a book and controlling the car steering with his mind. I hate him.

Okay so when Livio gets up here, he's been down for the count for a while, the mask has seemingly. Broken a little bit, his irises have contracted a noticeably amount, and the way he moves is different. So I could attribute that to just, whatever brainwashing EOM has on Livio is falling apart, but I think it's more likely Razlo is stepping into front in some way or another. If the remote-switch mask theory has anything to do with it, the breaking of the mask could be tugging them both into a rapid-switch state.

In any case; something is clearly different - Livio's fighting style as we've seen is very steady, holding the guns in place and just walking forward. Maybe-Razlo here just gets up and flings himself at Vash, starts running, absolutely whaling on the Punisher with the Double Fangs (Which is accurate to Trimax - if you read their pages closely, Livio and Razlo have very different ways of moving that then converge into a more semi-coherent style post volume 10)

Also like, it doesn't have to just be one thing. All of the things I point out here can also be interpreted as just the breaking free from brainwashing thing. Could be both!

I'm Not Done with this scene yet because then uh. Livio-Maybe-Razlo starts looking a little dizzy, starts wobbling, hands shaking. So with Dissociative Identity Disorder, the difference between that and OSDD-1b (Another type of system) is usually the dissociative aspect. When alters switch in, it's usually accompanied by a period of dissociation, which looks to an outsider like the person is dizzy, vacant, or blank. The dissociative period is also common in rapid-switching. I read Livio and Razlo as a DID system and it is definitely the most well-known type of system, so if Studio Orange is trying to portray them as a system, they'll most likely be characterized as DID.

MORE VASH FIGHTING STYLE STUFF!!!

So aside from being just a physical martial artist, I dabble in traditional okinawan kobudo (weapons) as well - one of these being the tonfa, which is a baton type of weapon. Vash in this scene is using his gun similarly - holding it by the handle and swinging the muzzle to block and strike. In the second image you can see him winding up to get the full arc of the swing in for more power.

These are what tonfa look like, so I especially appreciate how similar Vash's gun functions! You hold the handle in a loose-ish grip and can swing them overhead and around for extra Thwack Power

Oh you can actually see him spin it back in that blocking position (holding the long end against your forearm so you can just lift and block with your forearm, since the part of the tonfa is shielding you) here! Come to think of it, when blocking with the Double Fangs, Livio uses them similarly.

Once again Roberto calling out that Vash is not human - again he's had the longest time to Hear about Vash's reputation and now he's seeing it firsthand. Imagine spending all your life knowing of a legendary guy and then when you actually see him he looks. like 20, and at least some of his fighting prowess is true.

I guess I'm also curious about like. The mask has been breaking for a While now, and then when it completely powers off that's when Livio starts coming back to reality, which could lend to it being neural-connected in some way. I think it's really really interesting that EOM has specifically suppressed or trained Livio's mind so well that he barely recognizes Wolfwood - But how did that happen without Razlo's interference? Did he agree to this, was he manipulated into it, did Livio make that decision and it was too late for Razlo's protectiveness to kick in? Or is this a means to control both of them? Season 2 please please please ple

I'VE GOT MY ONE FRAME OF RAZLO EVERYONE GO HOME

Okay seriously though I do want to uh. Has Razlo just always had that idea of what he wants to look like or is there some kind of Very drastic change going on lmao. Because there is no way Stampede "Twink" Livio has the body to pull this off, no matter how much hair gel and tits out clothes Razlo can put on. If that sort of image was created by eom as an intimidation thing (because Razlo is Chapel's golden child) though, that's fucked up especially because like. Razlo and Livio struggle sharing a body enough by themselves.

Not grabbing a screenshot but it's uhm. Well. Livio shoots himself in the head specifically, which does seem to be the weak spot for EOM agents, which uhhhhhhhhhhhhh. Like we've seen Razlo foreshadowing Right There there's not a chance he's actually dead, but it's probably gonna fuck him up. Further. I wonder if there's gonna be some body construction fuckery going on later on?

Roberto just sitting down and giving up is kinda funny but also like. Yeah. What do you do in the face of such alien, incomprehensible odds and events. Roberto's very,,, chill about dying, which is an attitude that lots of people would have on Gunsmoke/NML (I know it's nml. but i like gunsmoke). He just wants to go out drinking on his own terms (which... well, he does.)

Meryl's decisions in the control room are so so fascinating. Meryl in Trimax is a little bit insane about Vash (following him, quite literally, through the apocalypse), and we're starting to see her belief and trust in him in this scene. She believes in him And in Wolfwood. and Roberto, Roberto who has always said that he'd take the path to live, believes in Meryl, enough that he's apparently ready to take the chance to die with her, even when given the option to leave by himself.

Meryl is also taking control of her own agency in this situation; she has been an extremely reactive character up till now, but here she gets to say what Meryl Stryfe would do in this situation. Not getting yanked around by people bigger and taller than her, not having to report to her seniors, just making a choice on her own that she knows might kill her. Women on Gunsmoke/NML aren't afforded a lot of agency (Rosa had to try and capture Vash for the bounty so Tonis could live, Meryl in any iteration deals with a lot of adversaries using her as leverage against Vash or taking control away from her, hell, Tristamp Elendira isn't being afforded the agency to grow up! She's been like that for 20 years there is definitely some fuckery going on, whether it's Tesla cells not allowing her to age past the point Tesla was when she died, or Conrad or Knives keeping her that age for some reason). It's nice to see Meryl's arc revolve around taking that agency for herself.

OKAY NORMAL AGAIN. the fucking MUSIC in this scene is insane, it's so,,, I don't know how to explain it but it's so Big and Vast. Also the ion cannon laser looks much like a Punisher laser. Which uh. Woag, if that's the case. And Razlo gets three of those bitches? forget the deadly weapons everyone's gonna just die looking at the light show.

A design element I really like for Legato is his hair and how neatly it's trimmed. I drew a parallel to Knives cutting off a slice of his hair when they first met each other, but I do genuinely think that Legato might be so meticulous about it specifically because of that. Knives means so so much to Legato, and Legato seems to reclaim his body from his past sexual abuse by devoting himself to Knives in an act of empowerment (or at least that's how I read it), which,,, I mean it's hair, but i really am a curtains are blue guy.

Tristamp Wolfwood is often. A tad shorter than Vash which is extremely funny to me. Nightow said Wolfwood's taller and everyone, including the guys making a 3d animated love letter to trigun, said no he isn't ^_^

I need to start collecting these fucking smiles that Vash gives Wolfwood. It's specifically,,,, Trimax and 98 Wolfwood call Vash out on the fake smiles. But Tristamp Wolfwood doesn't, because most of the true smiles we see from Vash are directed at him. Or something. Idk i'm normal

Wolfwood has been holding the Punisher like this all episode, and it's ~~really cute~~ (Tristamp Wolfwood gives me awful cute aggression) but also,,, maybe self-soothing. Keeping the Punisher directly in front of himself as a shield. Looking out over Hopeland as the Punisher acts as a barrier.

White Girl Wasted :pensive:

Vash's hair looks like a little flower here :]

Annnnd Vash down for the count!

So there's so many things, always, to do with these episodes, and I will Not be stopping lmao

Thank y'all who left nice comments on my last analysis post, i'm glad everyone had fun reading it!

[shuckinbeanz]

Ten Years-Warmth

warnings/notes: pls lmk in comments asks or dms if I'm missing any tws I'm lost on how to appropriately tw this and have no idea if it needs any but I can't shake the feeling it doesss? 😭 (I can't help but think OOC, definitely OOC)soft tristamp!Millions Knivesxhuman reader cuz that cloak tho 🥴🥺 if you seen him you probably already know what he is, so spoilers ahoy! we've proved time and time again he can trust us, but he's so very hesitant to let down his guard because he's afraid he'll break again 😭 as that barrier breaks, we find he's super touch starved despite his initial hesitance. Slow n steady wins the race! Told in his POV, brave bb inchin out of his comfort zone for us cuz he trusts us sm 🥺

after lots of debate I've decided to post this in parts bc i wanna feed sideblog dwellers too!

MINORS 👏 DNI! 👏 AGE 👏 IN 👏 BIO 👏 OR 👏 DNI! 👏 Head on over to @candybowbeansies please for my SFW pieces, or be blocked if you interact here! 😇

Tags: @dynamightsdaydream

For ten long years, you were there for him. You never looked away, you always forced yourself past the inconsequential, so-called limits of your lowly species. For him. And somewhere along, the insignificant you turned into something dear. You probably don't know this, but…he so desperately wanted to reciprocate. His heart and his brain warred with each other and his body.

It was very confusing, and even more complicated.

You were the only other human…he was willing to love. It was painstakingly slow but sure, and eventually, your fastidious efforts bore fruit. 

Touch.

As revolting as the idea alone was, the moment he allowed your knuckle to graze against his jaw in a featherlight touch…it was equally, if not more so intoxicating.

It was also uncomfortable.

But he knew, if he showed that to you, you'd rear away in self resentment; hiding your desire to be touched, and more importantly, touch him beneath lock and key, out of your loyalty for him.

Yet he wanted more.

The look of pure awe in your eyes, as soft words pass your softer lips; of praise, worship, and limitless gratitude. He almost wanted to kiss them. Almost. Your other hand clutched desperately at the material you wore, evidence of your self restraint for his sake, your respect for his boundaries.

His gaze-somewhat judging-gives rise to your answer. "I want to touch you. I want to caress your cheek." you start, and he humors you with a raised brow. "Are you not doing that, already?" he mentions your knuckle, featherlight and sickeningly gentle against his jaw. You giggle, then. A sweet melody that makes his heart thrum in kind. "I want to run my fingers through your hair. I want to trace your ears, massage your broad shoulders…" you trail off, becoming shy at your own desires. "And…your strong arms…"

Even though his innate paranoia he built up over the years incessantly nagged at the edges of his consciousness; of losing, of being broken, of breaking anything precious to him…it did sound very tempting.

He doesn’t notice he’s moving, until his hand has found your wrist. You blink owlishly as he guides you, a rushed ‘Are you sure?’ spilling forth from you, worry evident in your tone and your tense form. For a brief moment, before your palm touches his cheek under his coaxing grip, he isn’t sure. But the moment it does, his body and his heart betray his brain as he leans into your warm palm and purrs. 

Warmth.

The very thing he forsook to chase his ideals. Something that, for years, he'd sorely missed, prolonged stubborn abstinence numbing the craving. It hits him like a sandsteamer on overdrive. 

It was a disgusting feeling, if he were to be honest, stemming from the fear of loss. If he accepted this touch, mindful of his being, only to lose it-to lose you, in the end, he'd break.

He'd break far, far beyond repair, everything you've worked so hard to mend torn right off like a bandaid, never to heal again.

He didn't want that.

Yet here he was, leaning into your touch and craving more. He yearned for it, down to his very vulnerable core, which threatened to hum to life in a very visible, vibrant hue just beneath his skin-quite literally. 

It was rather humiliating for him, for every fiber of his being to be so easily highly reactive to you. He both hated it and loved it at the same, very confusing time.

He was still in denial that someone as great as him was so touch starved. But before he knew it, he'd dived right into your embrace, his weight sending you onto your back.

He let you experiment; your fingers just barely touching him, ready to move away at a moment's notice. He appreciated this, deeply-though he'd rather die than admit it.

Little by little, he'd slip out of his comfort zone, only for you. It will take time…but you are ever patient. 

Slowly, his tension began to melt away, just as you bravely began on his hair, with touch still so careful.

He respected you. You've always done everything you could, solely for him. 

Soon enough, it's too late; the unusual beckon of sleep tugs at his eyelids.

Maybe he likes you. Maybe…he's in love. But everything was still so confusing and so very complicated. So wait for him, just a little longer, and hopefully he can find the courage to accept it all.