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cheyisagirlkisser · 10 days ago

Note

a concept : abby's first time with a woman. maybe her first partnered orgasm too cause we all know owen ain't shit lol.

i'm so in love with this request. @powderpinkandsweeet did this concept too and it was delicious please go read hers here!!

warnings: owen.. fingering (a! receiving), oral sex (r! receiving), afab / fem reader, body worship because Abby deserves it.

a/n: I wrote Abby to be mostly bisexual in this fic, but you can interpret her feelings for men as possibly comphet or something similar. Either way, it's clear she discovers her preference for women.

Sex means a variety of things to people. In Abby's life, sex with men was mostly about love. She did feel attraction to men and she had relationships with them, last one being her ex-boyfriend Owen. It was never about the pleasure itself. Sure, there were moments when she felt physically nice during sex, but it didn't last. She was only halfway there by the time Owen was coming down from his orgasm. He didn't offer to finish her off, and aftercare was the sound of his breathless laughter accompanied by a "thanks, babe."

Abby didn't ever judge her friends who liked to have sex for less emotional reasons. At least, she didn't think there was much emotion behind it. Abby just knew more about sex within relationships. The fact that men were incapable of actually making her cum was overshadowed by feelings. Things changed when she caught a glimpse of Mel's contact in Owen's phone, though. Things changed for the better.

You were much different than Owen in ways that Abby could not grapple with. First of all, you weren't a man. Abby never really considered women as an option for her (though she had lingering thoughts about what it would be like to be with one), but seeing you at a small party, you being a friend of a friend, she wasn't exactly opposed to the idea of being involved with one.

Conversations led to observations. Whereas Owen was condescendingly sarcastic, you liked to be gentle with Abby. You never said a joke that made Abby feel bad about being a stronger woman; in fact, you told her you liked her physique. You asked about her workout routine, and you made her feel feminine. That was simply something Owen could not do. Owen was also a blind optimist. He turned away from issues in the pursuit of "ignorance is bliss." With you, it felt like you articulated your views in a way that made her question her own, even. You were clearly a thoughtful person, and you took time to educate yourself about human rights, something that should be the bare minimum but clearly Owen lacked education on. Abby could never talk to him about topics like feminist issues like she was able to with you. And lastly, a more physical observation, you made her realize that actually feeling pleasure during sex can make the sex 100 times more emotional.

You took her home with you the night you met. Abby told you about the break-up and how she was still processing it, and you didn't expect anything more from her than what she was comfortable giving. But fuck, the sex made her feel things. How was she ever supposed to feel this way with anyone else?

You had her laid on your bed, and you only kissed her for a little while. Even your kisses were like sugar, and Abby wanted so much more. Every moment of contact your lips made with hers reminded her of an artist's brushstroke onto a canvas, painting over it a masterpiece that simply cannot be undone.

Your fingers traced over her sides, heightening the pants she spills from her lips, and increasing a neediness deep within her that feels like pressure building up in a small space, needing to be let go. She was a little worried that you'd get her all worked up and not make her cum.

You noticed the way she retracted ever so slightly, and cupped her face. "Hey, what's wrong?" You asked so softly, patiently.

Abby swallowed, struggling to articulate her own feelings. She wasn't used to even speaking during sex. It never lasted long enough for her to be able to.

"We can stop if you want to." You offer, giving her a reassuring smile. Your thumb caressed her cheek, and it gave both a red warmth.

"No, it's not that-" she sighed, almost feeling annoyed with herself for making things awkward, "I just got really worked up, I guess. I've never..done this with another woman before, and men are probably different."

You nodded knowingly. "Do you want me to take care of you?"

Abby didn't know exactly what that entailed, but something in her had a pre-established trust for you, just knew that you'd stop if she needed you to. It made her want you even more.

After both of you had enough touchy-feely, Abby helped you pull her shirt and sports bra off. You admired each freckle-plastered inch of her body, from the peak of her nipples to her firm biceps. You took your time with her, and she loved it.

You used your hands first, your soft skin meeting hers. You trailed fingers over her arms, squeezing. Abby let out a soft sigh, and you took that as encouragement to lean in and plant adoration-filled kisses onto the muscle. "You're so pretty." The words were slightly muffled with your mouth on her skin, but she surely heard. It made her pulse beat faster.

You simply touched her for a while, at first warming her up and kissing her skin, mouth becoming steadily more explicit. When your mouth gently latched onto one of Abby's nipples, she couldn't keep herself from making a needy sound. Your tongue swirled over the pink bud, and Abby melted back into the bed.

Not longer after, you weren't surprised to find a pair of soaked panties worn by yours truly. Abby was laid out on your bed, legs parted for you. She was a little embarrassed that you had her so needy before even touching her.

"Fuck," is all she could manage when she felt a warm finger spread her folds open, sliding up to massage her clit.

"You like that, baby?"

"God, yes-" she breathlessly let out, trying not to completely lose it.

The way you touched her was much different from how Owen did. When he (rarely) used his fingers on her, it felt like he was trying to stab her vagina. He couldn't find a clit if it was bright red and glowing. You, however, both teased her and lavished attention on where her body knew it needed it. Your finger teased her hole before slightly stretching it, earning soft sounds from Abby.

You kissed over the firm muscles on her arms as you fucked her, careful to slip another finger into her and give her a good stretch. Abby was incoherent and so messy that her neediness was soaking your knuckles, trickling down your hand. You didn't complain or joke about it, even letting out sweet, approving hums onto her skin.

Your fingers didn't drill in and out of her like a screwdriver, much like Owen's, but rather plunging within her to press into her g-spot and curling upward. You kept your thumb on her clit, making sure she had that extra stimulation.

"Do you like it?" You asked, eyes peering up to meet hazy pair.

Abby eagerly nodded, not trusting herself to speak a sensical sentence. You smiled and carefully shifted to kiss her. This time, it wasn't as soft, rather sloppy but it was exactly what Abby needed. Everything you did made her head spin. You had her tongue between your lips, sucking on it and occasionally letting her invade your mouth and taste the sweetness of whatever was once there. Just the soft little nibbles you gave her bottom lip made her moan, a sound that would've been much louder if not swallowed by your mouth.

Best part was, you knew how to multi-task. The desperation she felt was slowly fed with the steady pace of your hand working on her pussy, and your lips made her feel what she didn't understand before: you made her realize that the physical part of sex, the part that she didn't quite like to explore with men, could be just as important as the romantic aspect.

You found a pace that Abby particularly liked, causing her to whine and tangle her fingers into the sheets.

"Fuck, right here. I'm gonna cum." She pleaded, as if so desperate to get to cum. She wanted it so badly, and it only made you more needy to give it to her.

"Yeah? You wanna cum all over my fingers for me?" You cooed, lips brushing against hers. Your short breath sent warmth onto her lips, and she wanted to always feel it. It sent heat throughout her.

"I wanna cum for you!!" Her moans were louder, but you didn't shush her. You instead leaned down to kiss her, fingers pumping into her pussy, thumb rubbing circles down onto her clit.

She felt the final seconds of chasing her orgasm, hips lifting to meet your hand, and she thanked a higher power that you weren't a man who was giving her sloppy thrusts that would never get her over the edge.

You made her feel like she was on cloud nine. She probably cried out your name a couple dozen times, grasped onto your face to kiss your lips just to feel that connection as you fucked her. She never expected to feel such emotion during an orgasm, never was she able to feel this way during masturbation or with guys. It was all because of you that her pussy was sloppy and leaking onto your sheets, making a mess.

When she came down, you let her catch her breath, soothing her with kisses on her shoulders and allowing your cheek to rest on her chest. You listened to her heartbeat, waiting for it to grow steady.

Abby felt content and safe with you, but something was still nagging her. You made her cum, but she hadn't made an effort to touch you yet. She didn't ever want to make you feel the way that Owen made her feel.

She hesitantly but gently tapped your upper back, and you sat up.

"Are you okay?" You asked with a moderate amount of concern present, wanting to make sure you didn't do anything wrong.

"Of course, but..I wanna touch you. If that's okay."

You nodded. "Have you ever touched a woman before? At all?"

Abby shook her head, cheeks a little red. She was a bit nervous, but her eagerness made up for it. You didn't seem hesitant in letting her touch you, and that made her feel more confident.

"I've honestly always wondered what it'd be like to like, go down on a girl." Abby admitted with a sheepish laugh.

You smiled and began to strip, your tank-top and bra leaving your body first. For the first time, Abby felt truly overwhelmed with seeing someone naked. You looked so soft and touchable, and she found herself wondering how you'd taste, feel, and sound like when she made you feel good. She hoped she could make you feel good.

You laid down next to where she was previously laying, and Abby situated herself in front of you. You parted your thighs, and she sworn she felt herself drooling from the sight of your glistening pussy, begging to be eaten like a savory meal.

Abby found it most comfortable to lay on her stomach, face between your legs. She wanted to make you feel appreciated (and she loved your thighs), so she planted kisses along your thighs, frequently peeking up to make sure you were comfortable. When her mouth was near your pussy, she paused.

"Can you guide me? Sorry, I know it's awkward as hell, but I have no clue how to do this and I want to make it nice for you." She could hear the shakiness in her own voice, making her slightly cringe.

Abby felt one of your hands stroke through her hair, fingers carding through the blonde. "Just do what you think would feel good, you know? You're a woman, so try to imagine it on you. I'll tell you what feels good and what doesn't." Abby let herself imagine it for a moment and nodded, knowing that the best way to learn is to just practice and listen to your moans and what you tell her you don't want.

She gave herself a second to calm her nerves, and gave an experimental lick to your clit. You made a soft sound, encouraging more.

As Abby worked, she knew she wasn't physically skilled at this, at least not yet. However, she was enthusiastic about it. She tried to make up for the lack of experience as best she could. Thankfully, you also tugged her head closer and ground your pussy against her mouth, making it easier for you to feel pleasure while she figured out what worked well for you. You seemed to like when she slipped her tongue into you and worked at your clit with her nose, your moans less steady and increasingly broken as she tasted your gummy walls.

She found that to get you to your orgasm, it took much longer than it took Owen. She enjoyed that more than she'd expected to, savoring being able to just taste you. She craved feeling the way your hips stuttered when she gave your clit a firm lick, or hear you cry out when you finally got close to an orgasm.

Abby initially didn't know whether to speed up or continue, but the rhythm of your hips helped guide her until she finally had you cumming on her tongue. You were pretty with your eyes half-lidded and brows knit tightly together, thighs pressing against her face, it made her want to just take a mental snapshot of this moment and keep it with her forever. She didn't know what she loved more, the process of eating pussy or the aftermath.

When you were stable again, Abby moved to mimic your previous action, letting her ear press against your heartbeat. You had to stifle a giggle at how cute it was, but you were probably too out of breath to even get a steady laugh out. She didn't leave sexual, sloppy kisses onto your tits, but rather gentle, loving pecks.

Abby didn't know when exactly she fell asleep, but she woke up with her chest pressed against your back, cuddling you tightly against her. It was probably early in the morning, and her body was still a bit sore, but she smiled and planted a kiss onto the back of your neck, holding your bare form close to hers as she drifted back into a peaceful sleep.

#requests #abby anderson #abby x you #abby smut #abby x reader #abby tlou #abby the last of us #abby x fem!reader #abby anderson x female reader #dividers by i-mmaculatus

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heart-of-the-morningstar · 1 year ago

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Alr hear me out, the service top lucifer with a very insecure reading. (Fem or GN) like he has to coax the reader to like open up (God damn I'm blushing thinking abt it-). Maybe even having to like talk them into even taking thier clothes off. Just a little idea stuck in my head.

Thank you very muchly.

Ooooooohh you’re giving me IDEAS (tbh I’d be the same boat)

~~~~

✨Opening Up✨

Lucifer x f!reader

Warnings: 18+, smut, nipple play, pet names, oral (m & f receiving), p in v, service top!Lucifer

It has become evident that I am unable to write anything concise 😅

I’M SORRY THIS TOOK SO LONG I MEANT TO POST THIS DAYS AGO 😭😭

Tag list: @trashbin-nie

@yellowsubiesdance

@j-jinxee

@stevensdickrider

@airwolf92

@mrssabinecallas

@myhornybrainonlyknowsthis

@bee-sinner

@thesoccerenthusiast

@katshyperfixations

@logybearsblog

@bigfatbimbo

You sat upright on Lucifer’s king sized bed, the King of Hell straddling your lap. You don't know how you even ended up in this position, not on this bed necessarily, but how you ended up as Lucifer's beloved. You believed in your heart that you did not deserve him, but time and time again Lucifer has showered you with praise and adoration like no one ever had before. He was perfect. And you were...you. It didn't make sense.

Regardless, that didn't stop him from holding your face tenderly in his hands while he kissed you with a fiery passion. You were self conscious about being so vocal around him during intimacy, but he made it his mission to elicit as many moans and whines from you as possible. Slowly, he reached down to the hem of your sleep shirt, grabbing a fistful of fabric. Your eyes popped open, your mind racing. You pulled away from his lips and went to grab his wrist that held your clothing.

"I-I'm sorry, love," he apologized, releasing your shirt immediately. You sighed and let go of the grip you had on his hand. "I didn't mean to scare you, I should have asked. Please forgive me."

"No, no," you breathed, "it's alright. I'm not upset, I just panicked. I'm sorry."

Lucifer pressed his lips to your forehead and planted a small kiss. "Please don't ever think you need to apologize to me for how you feel, sweetheart."

"O-Ok," you stuttered.

"Do you want to stop?," Lucifer asked. You could hear the genuine concern in his voice. Hard as it was to believe, he cared about you more than anything.

You shook your head. "No."

"You're sure?," Lucifer questioned further, "because if you're uncomfortable, we can-"

You cut him of mid-sentence with a quick peck to his lips. He smiled bashfully, a cute blush spreading across his face. "Believe me, Luci, I want this. I mean I really want this, but..." you found it difficult to articulate what you wanted to say.

"Well, if that's the case darling, what if I go first then?," Lucifer proposed. You cocked your head, unsure of what he was talking about. He reached up and began to unbutton his shirt, starting from the top and working his way down. Oh...OH.

Your face instantly feels hotter and your breathing becomes staggered. You tried to say something, but the words caught in your throat. Your mouth had never felt drier. He finally reached the last button of his shirt and you finally see some of his chest. You could almost feel your brain short circuiting.

"Do you wanna do the honors, my dear?," he asked playfully. You gulped as your hands reached towards his shoulders. Gingerly, you slid his sleeves down each arm, slowly revealing more and more skin to you. Once his shirt was completely removed, you couldn’t help but stare. His chest was so smooth and toned, almost like it had been sculpted. “Like what you see?” Lucifer questioned coyly, noticing your unwavering expression of awe.

"W-Well that's hardly fair," you whispered, finally finding your voice, "you're an actual angel. Of course you're going to be gorgeous, I-" you slapped your hand over your mouth once you realized what you had said. "Please pretend you didn't hear that!," you begged through your hand.

Lucifer's face was flushed pink, he could help but smile. He chuckled as he went to remove your hand from your face. "Is that what you really think about me, sweetheart? I'm truly flattered to hear that coming from someone as exquisite as you."

"You...You really think..." you started to say but couldn't finish. Tears began to well up in your eyes, you tried to rub them away before Lucifer could see but it was too late. Lucifer cupped your face and ran his thumbs under your eyes to clear away the tears that had fallen. Your breath hitched, you tried to take in deep heavy breaths so you wouldn't start sobbing.

“Hey, hey, hey, shhhhh,” he spoke with a soothing tone. He removed himself from your lap and sat down next to you, embracing you in his arms. “It’s okay, angel, it’s ok. I upset you and I’m sorry, I never want to be the reason you cry.” He rested his head on top of yours while you clung to his chest. The scent of him hit your nostrils, it was like breathing in a warm spring day. Purely intoxicating. It calmed you down, you started to breathe normally again. You felt safe in his arms, you could have stayed there for the rest of your life.

You wrapped your arms around his torso, your tears finally drying. “Thank you, Lucifer,” you murmured. He gave you a tight squeeze before you lifted yourself back up, sitting at his hip and leaving your head on his shoulder. “You weren’t the reason I was sad, you know? You never have been.”

Lucifer turned his head to you, “Really? Then why-?”

“Because I’m afraid,” you quickly responded. “I’m afraid that I’m not good enough for you. That I never will be. You’re the all mighty Lucifer, King of Hell. You have so much strength and power and respect. And I’m…I’m just me.” You sighed and pulled your legs up to your chest to rest your head on your knees. “I’m sorry, I shouldn’t have-”

“Darling?,” Lucifer spoke at last. He brought himself in front of you on all fours and placed his hand under your chin, forcing you to look at him in his scarlet eyes. “ “Just you” is perfect. You don’t need to be anything but yourself! I understand what you’re feeling, and it’s okay to express that. But please know that I love you just the way you are. You are my true strength.”

You chuckled softly, leaning into his hand that was now pressed against your cheek. You took his words to heart; he loved you. He loved you so much. You had to show him that you felt the same way. You drew in a few quick and deep breaths before reaching for the hem of your sleep shirt.

“Wait, wait, what are you-” Lucifer tried to say, but you were too fast. Your shirt disappeared from your body and was tossed across the room. Silence filled the space, the only thing you could hear was your heart threatening to burst through your chest.

It was at that moment you noticed you couldn’t see Lucifer’s face. His hands had flown up to block his view of you.

“Lucifer?” you called to him.

“Y-You didn’t have to do that, love,” he stuttered. “I never wanted you to feel that you had to-”

“Please look at me, Luci,” you pleaded. “I love you. And I trust you. Let me show you. Please.”

You saw Lucifer’s hands slowly fall away from his hands, his eyes still screwed shut. “Are you sure?” he asked softly.

You leaned in to plant a kiss on his soft lip. Lucifer’s eyes shot open in surprise, you pulled away before he had a chance to react. Blood rushed to your cheeks when you saw him staring at you. Your first instinct was to cover yourself and shy away, but you pushed those feelings deep down. You were going to be vulnerable, you needed to be brave. Not just for him, but for yourself. You gripped the bed sheets so hard that you felt your nails digging into your skin through the silk.

After what seemed like an eternity, Lucifer had snapped out of his trance. He started to crawl towards you on his hands and knees, only stopping when his lips were inches away from your own. You felt his hot breath on you, you were finding it more and more difficult to keep your composure.

“You…are breathtaking,” he cooed, crashing his lips into yours hungrily. His tongue begged for entrance to your mouth, and you happily allowed it. You felt yourself slowly drifting down onto your back as you and Lucifer desperately devoured each other. He pulled away from your lips, trying to catch his breath, but you noticed he wasn’t looking into your eyes. His attention had drifted a little further down. He swallowed hard.

“May I?,” Lucifer asked breathlessly. Your face felt extremely hot and you couldn’t find the power to speak, so instead you nodded your head vigorously. He gave you a cheeky grin before lowering his mouth down onto one of your nipples. The noise you made sounded more high pitched than you meant it, but God, did it feel amazing! His tongue worked one nipple as his hand played with the other. You loved the sensation of him sucking and licking at your sensitive skin, the tiny bites from his teeth driving you insane. He rolled your other nipple between his two fingers, the pinches he gave sent your brain into overdrive. You never knew how sensitive you were, but Lucifer was more than happy to service you.

All of a sudden you noticed a different sensation, you felt something press against your inner thigh, dangerously close to your clothed pussy. It took your brain a few seconds to realize what was happening.

“Uhh, Lucifer, a-are you…”, you mumbled. Lucifer looked up from your chest with a puzzled face. “I can feel umm, I-I can feel your uhh…”, you didn’t know why you couldn’t say it. Maybe you were too embarrassed, which seemed silly considering what position you found yourself in. You pointed down towards your pants where Lucifer was wedged.

“Oh…OH,” Lucifer exclaimed pushing himself from you and onto his knees. “Oh my gosh, I-I’m so sorry! I didn’t realize you could uhh, feel that…please forgive me!”

Seeing him so flustered somehow calmed some of the nerves you had before. It was cute, really. Demon overlord Lucifer getting embarrassed about unintentionally pushing his hard on against your thigh. You let out a small giggle.

"It's alright, Luci," you chuckled. "I'm flattered, really!"

Lucifer smiled, placing his hand behind him to rub the back of his neck. "I'm still sorry about that, love. I'm a little embarrassed."

“Well,” you breathed, “I guess it’s only fair that I embarrass myself too then, right?” Without warning, you grabbed the waistband of your pants and ripped them off along with your panties in one fell swoop. You laid naked in front of Lucifer, whose whole face had turned a shade of red you’ve never seen before.

“Ffffuck,” was all Lucifer could muster. You watched his Adam’s apple rise and fall, attempting to regain his thoughts. Looking at you, it was plain to see how soaked you were.

“Like what you see?,” you teased. Lucifer nodded his head eagerly, still at a loss for words. You lifted your hand and curled your finger, beckoning him to you. Obediently, Lucifer crawled on the bed towards you with no reservations. “You’re not the only one that’s worked up here. Now we’re even.”

“My love, please…” Lucifer whined, “please let me taste you.”

"Don't you...wanna get more comfortable first?," you asked him, knowing the problem in his pants had probably only gotten worse for him.

"Not until I've had my fill of you, sweetheart," he smiled before forcing his head between your legs. The moan you let out was guttural, almost feral, he lapped your folds like a starving man. He took long, drawn out licks up your slit before focusing on your clit. His lips kissed and sucked on your sensitive nub, sending waves of pleasure throughout you entire body. You couldn't pull away if you tried, he had wrapped his arms under your legs so you couldn't escape his assault on your cunt.

"Sh-shit, oh-oh my God Lucifer, FUCK," you moaned. You could feel a smile form on his face as this seemed to have made him pick up the pace. You screamed from his tongue darting in and out of you, feeling so close to snapping. Your thighs started to fold in on his head and you grabbed a fistful of his hair trying to regain some assemblance of control. “Fuckfuckfuck, mmmm…gonna c-cum, aaggghh, gonnacumgonnacum!” Lucifer’s tongue relentlessly circling your clit finally caused your body to spasm, your orgasm causing you to scream out in pleasure. Lucifer didn’t stop though, he let you ride out your orgasm and hungrily devoured your release. Once you finally came down from your high, Lucifer lifted his face from between your legs and flashed you a toothy grin, seemingly quite proud of his work.

“You alright, darling?,” he asked innocently, almost pretending like he wasn’t the cause of what you had just experienced.

“Y-yeah, I’m…I’m fine,” you breathed. “Just…Jesus, that was intense! Give me a little warning before you go all in on me like that again!”

Lucifer laughed. “I’m sorry, love, I couldn’t help myself.”

You rolled your eyes at him playfully. “Oh, I’m sure you couldn’t. Now, let’s get these off you, hmm?,” you said tugging at his pants.

Lucifer stood up from the bed quickly. He undid his belt and let his pants drop to the floor. From the outlines of his briefs, you were surprised that they could contain him at all. Before he could pull at the hem, you jumped off the bed to stop him.

“Allow me,” you offered, getting on your knees in front of him. You reached up and grabbed onto his briefs, snaking them down his legs. His cock sprang free of its cage and hung in front of your face, its tip already leaking. Without thinking, your wrapped your lips around the head of his cock. Lucifer let out a moan that you’ve never heard before, filled with absolute lust and need. You took one of your hands and grabbed the base of his shaft, slowly stroking up and down while your mouth continued to work on his head. You ran small licks against the slit, tasting and lapping all of the precum that was forming. You loved the taste of him.

“Love…f-fuck,” Lucifer panted, trying to fight through his moans, “if you don’t s-stop now, I-I’m gonna cum. I wanna…wanna feel you. P-Please…”

Reluctantly, you pulled your mouth away from his cock with a *pop*, pouting slightly. Lucifer leaned down to grab your torso and tossed you onto the bed like you were made of paper mache. That angelic strength of his always caught you off guard. Lucifer crept between your legs, planting a tender kiss on your lips.

“I promise,” he whispered against your lips, “next time you can finish what you started, but right now I need you. Need to feel you.” Lucifer brought his fingers to your needy cunt, feeling the slickness of your folds. Your breath caught in your throat at the sensation. He took his other hand and lined up the tip of his cock to your entrance. “Are you ready, my angel?,” he asked softly.

You grinned and nodded your head. With that, Lucifer closed the space between you once more with a fiery kiss as his cock entered you inch by inch. Your cries mixed with his as he finally entered you completely.

“You feel…amazing, darling, fuck…” Lucifer choked out. “Are you okay?”

“Yes,” you murmured, “I-I’m okay. You can move.”

“Anything for you,” he smiled. Lucifer slowly began to rock his hips into you, his cock filling you up completely with each thrust. You could feel every inch of him ruining your pussy, hitting just the right spot every time. It didn’t take long for his pace to become erratic and uneven. He buried his cock deep inside you, both of your moans filling the room.

“Lu-Lucifer, o-oh shit, Lucifer, I-I’m so close,” you pleaded. “Please don’t stop, p-please don’t.”

“Cum for me, darling. Wanna feel you cum.” Lucifer groaned. He bit down on your should as he continued to pound into you, biting and sucking your tender skin. You were shaking, he was going too fast, you were coming undone.

“Cuminme…FUCKCUMINME,” you screamed and wrapped your legs around him as your orgasm flooded over you. You felt your walls pulsating around his cock, it was too much for Lucifer to handle. You heard him cry out and felt him twitch inside you, filling you up with his hot cum.

Coming down from your highs, you both laid there for a moment trying to catch your breath. You played with Lucifer’s hair as he laid across your chest, completely worn out. A minute or two passed before Lucifer sat up and pulled himself out of you. He laid down next to you, staring at your flushed face.

“Are you alright?,” he asked. “Did I hurt you at all?”

“No, you didn’t hurt me,” you smiled. “That felt…really good. Thank you, for everything.”

Lucifer hummed and leaned up to press a gentle kiss to your lips. “No, thank you, love.”

You chuckled returning the kiss. “Would…you mind if I held you, Luci?”

Lucifer’s eyes widened, but he smiled wide. “Of course not, I’d love nothing more.”

Lucifer rolled on his side, giving you the chance to push your body against his back and wrap your arms around him. You both didn’t move until the morning.

~~~~

Hope you enjoyed my second attempt at NSFW content lmaooooo

AND YEAH I MADE HIM THE LITTLE SPOON, IT’S WHAT HE WOULD WANT

#hazbin hotel #hazbin hotel x reader #hazbin hotel smut #lucifer morningstar #lucifer smut #lucifer x reader #lucifer morningstar x reader #writing prompt #my writing #this was meant to be a cute short thing but i can never stop myself lmao #my signature is just posting goofy faces of Lucifer to remind everyone this is who we’re thirsting over

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httpstes · 2 months ago

Text

Synastry observations/thoughts ll┊͙ ˘͈ᵕ˘͈

(Overlays)

Link to synastry observations: Synastry observations l, Synastry observations lll

ღ Venus/Moon overlaying 4H

The familiar placement.

When ones Venus/Moon overlays your 4H there is a mutual level of comfortability between the two. Either partner in the relationship (or both) felt a strong almost familial connection to the other. This doesn’t mean you necessarily see each other as family but rather you both enjoy the others presence due to the fact there’s no need to hide your true selves, knowing you won’t be judged.

When I see this overlay between two people, I just know that there is an unbreakable bond, one that no one else can necessarily understand unless they were you. Whether the relationship between the person you share this overlay with is a positive one or not, this placement definitely can tell me that it’s hard to not see this person in your life, it’s hard to imagine a life without them, or that it’s hard to forget them after everything. The bond two individuals with this overlay have is remarkable. Both in good and bad, there is always a need to just have them there in your life. They’re the person that you can come back home to, the person you can call after several weeks of not being in contact, and nothing changes. No matter how far away these individuals may be from each other, or how many years it’s been, there is always some tie held between them, and when they reunite it feels as though everything has fallen back into place.

This connection can be traumatic for some, and even in those cases, you will always find yourself looking back to the moments you shared with them simply because of how much of an impact they had on you as an individual. You cant imagine how life would be without them storming into your life, because that reality doesn’t exist. They’re presence is familiar to you, you don’t have to act or be someone else, you can be your authentic self without question, and because of that comfortability, you will always find yourself being drawn back.

ღMars/Jupiter overlaying 3H/9H

Dual pursuit for academic/spiritual enlightenment

Mars overlaying the 3H can go 1 of two ways. The mars person may be attracted to the 3H person due to the 3H person's intellect, the way they communicate, their opinions and ideas etc. The Mars person may even feel energised by the way the 3H person expressed their thoughts and beliefs. Mars could believe they are extremely articulate and eloquent in the way they speak and or write but in such a way that is passionate and adrenaline-inducing for them. The 3H person here could find inspiration through the Mars person, especially if it comes to creative works (writing, art, poems, music singing etc), if not creatively then the Mars person could make the 3H individual feel more energised to get work done and to be as driven towards their goals as the ambitious mars individual. The second way this could go could actually be more of a competitive dynamic. I’ve noticed a lot of siblings have this overlay, as well as those who academically compete with their friend. This overlay definitely brings the raw competitive nature of our psyche out, and so these two individuals could get involved in heated arguments, debates often times their differing opinions and personal stances being the root and cause. The Mars person here could instead of inspiring, incite negative feelings from the 3H individual, as the 3rd houser could feel attacked by the Martian. Even if it’s not the Mars persons intention they may come off a bit too passionate for the 3rd house. The Martian could think that the 3rd houser is too all over the place and possibly too open-minded. The Mars person could view the 3rd house individual as a person with no backbone, no solidified opinions or stances (this could be especially true if it’s regarding religion of politics). This obviously could create tension in the relationship as the fierce Mars is loyal and knows where they stand in their opinions and beliefs whilst the 3H likes to wait for more lingering information to come to light.

Jupiter overlaying an individuals 9H illustrates a relationship focused on mutual growth, shared experience and understanding. Jupiter is at home in the 9th house as it’s co ruled by Sagittarius and Pisces, this allows for individuals to have a more easier connection when it comes to understanding deeper topics such as spirituality, philosophy, religion. This overlay allows for two individuals to explore and understand more difficult topics together. Most importantly it’s a placement that shows mutual learning and pursuit for experience therefore asking questions is met with acceptance regardless if the topic or question is absurd. The 9th house individual could be attracted to the optimism and faith held so strongly by the Jupiter person. This optimism is very much welcomed by the 9th house individual and can even help them when in times of doubt for pursuing something that may seem grandiose. Jupiter IS grandiose and they admire the vision or works of the 9th house individual and want to be apart of it. This pairing has the potential to work very well together in academic settings, religious or political settings. This is due to the patience and acceptance held by both parties as well as the insatiable hunger for wisdom in pursuit of truth.

ღNorth Node overlaying 12th house/8th house/4th house (water houses)

North Node overlaying any one of the water houses holds a deep profound sense of emotional connection and possible past karmic ties.

North node overlaying the 12th house indicates a mutual belief that both people feel spiritually connected to the other. This is something I've noticed in synastry and composite charts amongst best friends and lovers alike. Even if separated and no longer together, both individuals may still yearn for the same connection that somewhat felt fated, beyond our world's understanding. This connection definitely is giving platonic/romantic soulmates. On the downside, both individuals could be keeping secrets from the other, particularly the 12th house person and this can lead to a lot of miscommunication and lies. Even if the 12th house person doesn't mean it there could be this mutual understanding that the other just knows what they're feeling, however of course this doesn't play out that way all the time and can lead to strong pent-up feelings (most of the time negative) if not communicated healthily. This pair can often dream about the other and even connect in the dream realm, further pushing the belief that their connection is out of this world. I've also noticed at the beginning of the connection of this pair that there is somewhat of an addictive pull or obsessive tendency to hang out together all the time, but once this honeymoon phase ends it settles into something comfortable where now you don't have to be together all the time. There is a magnet pull here and even if you don't come into contact again (likely you both do) there is this sense of yearning for the other, even if the connection is unstable or toxic. With South Node overlaying the 6th house in a past connection/past life connection, both could have definitely been coworkers, or even a duo working hard to give their services for the benefit of others. The 6H-NN synastry shows mutual hardship and understanding for operating in a similar line of work. Both may have had to give themselves up for a greater cause and not focus much on their connection. Of course, they are bonded by mutual respect and compassion for what both work for/deal with. However, they are pushed now/this current life to focus more on themselves and their connection. As in the past/previous life,e much of their time was spent giving to others, now however they are able to learn to give back to themselves. This moves away from the service-oriented 6H to the isolated 12H. Both past and current have themes surrounding healing, just in different ways.

North Node overlaying the 8th house is still just as deep as the other houses but with less focus on the spiritual otherworldly connection. This is a synastry involving possible codependence and ties to finances depending on the other. In some cases, I've noticed one individual in this pair tends to lend their material items (whether it be money, clothes, food etc) to the other, and negative is not reciprocated. However, I've also seen where shared resources are reciprocated but I've seen this in healthier dynamics. In this connection the 8th house person may also confide a lot in the North Node individual, the NN being somewhat of a therapist lol. However, I've noticed the NN individual does not mind being vented to or helping the 8H person with their troubles and or trauma as it allows them to better understand the 8H individual and deepen the connection. NN individuals may want to learn everything they can about the 8H person. Both individuals may feel they just understand each other and don't feel the need to justify their actions. The 8H individual may have troubles with intimacy physically and or emotionally. They might struggle with opening up to others and letting their guard down. The NN individual may be one of the first to break down these barriers or allow the 8H person to heal through them. The North Node person however may be inclined to some kind of awakening (spiritual, psychological, physical etc), they are likely to be inspired by the 8H person's depth and life experience that they themselves transform and shift. With South Node in the 2nd house, much more of the financial dependence comes into play in the past/past life, themes surrounding taking the other's resources and depending on the other heavily show up. In a past connection, the 2nd house individual felt their confidence is somewhat dependent on the SN individual opinions/ideas, their self-esteem may have needed to be validated by the SN individual and this could have pressured the SN person to feel as though they're responsible for 2H individual's confidence. Both may have been deeply connected through shared values and morals, this factor being integral to their connection. With this in mind (SN-Past), they are now ready to move on and explore the depths of connection (8H) and away from the already established morals and material pursuit (2H).

North Node overlaying the 4H is somewhat similar to the Venus/moon overlaying the 4H in my opinion. This connection doesn't necessarily have to be a familial connection however that trust and bond that occurs with those you have familial connections to comes naturally with these two individuals. This is an overlay where both individuals feel very safe, especially the 4th house individual. They may feel unjudged, cared for, and nurtured by the NN individual. The house person could feel they have found a home with the other individual, however, this sentiment can go both ways. NN could remind the 4H individual of their own mother, or the mother they would've wanted. Even if it's not reminiscent of motherly love there is nurturing energy the NN exudes that allows for the 4H person to rest and feel at ease. With the South node in the 10th house, in childhood/past life, the 10H person could've been a mentor, a parent, or even a close colleague who gained a lot of respect and admiration from the SN individual. Upon first meeting, both individuals could view each other naturally on an equal level playing field, based on respect for the other.

ღAll my notes are personal observations and thoughts. I am not a professional astrologer and like to have a sense of whimsy in my life by looking at peoples charts, thankyou.

Went on a tangent during the NN/SN dynamics myb yall forgive me 🙏. Finally freed of the shackles high school had held me in. Free to do wtv now I'm back (still will post irregularly lol)

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thydungeongal · 5 months ago

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There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.

#long post

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kiefbowl · 8 days ago

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On radblr, in my early twenties, now what is likely 10 years ago (which, it's hard to remember when I started actually feminist positing on tumblr in earnest), I used to write about rape a lot more. I think my younger self felt invigorated not so much about the conversation of rape (of course, it's horrific), but by being angry and political about it. Being able to articulate complex, feminist ideas about rape, and have likeminded women engage. It felt intellectual and important, while a form of my own conscious raising. As I've aged, I find it harder. I can only say so many things, over and over again. It was never not hard, or depressing, or angering, but where the bad feelings once felt righteous and worth experiencing for the sake of speaking towards truth, now it can feel ineffective and exploitative.

I'm not saying one way is right, the other is wrong. I think (speaking broadly of course) that this is a part of aging. I think there is some truth about the patterns we see between young people and their thoughts and abilities, and then aging out of them. I think, speaking politically, younger and older activists need each other because two perspectives work in congress: the young passion that can be short sighted and ideological, and the elder pragmatism that can fall into complicity. These two perspectives together can be stronger than when apart. It's always more complicated than that, and each person is different, but I do think the trend of "I'm full of energy and angry and shocked and won't faulter" giving way to "I'm going to be measured and find priorities and perhaps become more lenient" is a general trend that is true. You get older and you realize both how short time is and how much longer you get to live it, and constant anger is not only exhausting, but it can be counterproductive. What's more, is that not only do your responsibilities increase, but some of those responsibilities also rub up against the very "machine" you used to rail against. You can achieve a lot with money, and to gain money you have to work. You gain money, you can start increasing your circle of influence, but then that increases the people you need to take care of. You need to take care of people, then you need to buy things. Suddenly, what seemed so easy being young and living off a shoestring budget 10 years ago seems irrational and dangerous today. I need to feed my dog, I need to help my sister, I can't expect my parents to live forever, I want to retire one day, I can bet on declining health...on and on. I'm speaking about myself in many ways, but I'm also trying to gesture to the larger trend generally. Extrapolate as it suits you, I think more of you than you realize will find yourself re-evaluating what actually isn't reconcilable as you get older. It's both hard to swallow and yet...like a toad in boiling water, you're almost not surprised looking back and realizing how much has changed and how right so many adults were when you were younger.

And so to this point, my intellectual posts about rape decreased. Never completely out of the fight, but being more specific about my time, my energy. Opting out of discussions that were too triggering, being more careful about my word choices. Understanding the harm that can come from being combative towards strangers on a public platform. Realizing that some periods of my life could be dedicated to enriching my life and creating enjoyment, and that meant certain things could be put on the backburner. Just because I wasn't writing, doesn't mean I wasn't thinking. I didn't need external validation (especially from strangers on tumblr) that my time was being well spent when it came to observing the news and thinking about it. I know what goes on in my head, putting it into a public post didn't make it more true. I'm not so sure I had the same belief at 22/23/24, etc. I think whether I would have articulated it that way, I think I felt like what went on in my head was meaningless unless it was being crafted into a message that had some sort of impact, with tumblr being my main platform to do that. I don't think that way now. I think my thoughts have value even if I keep them to myself, which means when I really have something I think is worth sharing on tumblr, I can craft it more precisely if and when I find the time. Or at least that's my goal as a 30-something, and I don't think that was as explicit of a goal as a 20-something who just wanted to get every thought down because it felt like my brain was being turned on for the first time.

But something that is coming into focus with the accusations of Gaiman that I haven't really reckoned with, or at least not as much as I have the past 24 hours & past 6 months, is that while I aged privately and passively by blog followed suit, is that the landscape of tumblr has evolved around me. I think there's a trick my brain has played on me: that at the end of the day, something of what I engaged with on radblr 10 years ago still exists. And, yes, to an extent, there are some women here I've followed for the entire time (but they have also aged...). But my followers have increased and decreased and increased and decreased with every stupid post that goes viral, and as I've aged and remained on tumblr, many many more women have aged and bowed out. It's becoming increasingly clear that I have a lot of young women following me who are not my age, and did not see those posts, mine and others. The "classics" that live large in my mind but weren't viral hits, just radblr discourses of the week. Some of these young women have a wildly different online experience than I did, and I think I knew but didn't know know the difference 10 years makes when growing up on the internet. I never had twitter, some of you are "twitter expats." I remember when youtube was people uploading 20 second home videos, some of you only know youtube as the long form video essay platform. I remember events like they were yesterday that are already erased in the public consciousness. Some of you were coming into your own during the "Me Too" movement and gave it so much credence, where I was not surprised nor expected much from it. Now I can see how we retroactively talk about it like it was such a bombshell, when most women I knew at the time, even "normie" women were, like, "yeah duh." I also haven't really reckoned with the fact that it's been long enough era of the "new algorithm" that there are (although young) full-grown adults who don't remember the internet before it.

The conversations I took for granted on tumblr are changing. To be sure, there are still a lot of women on tumblr who are likeminded to myself, making amazing posts that are good, true, & eye-opening. I'm not panicking that the "landscape" has changed so much that I can't recognize anything anyone says anymore, and that ""real"" feminism has dried up and disappeared when I stopped looking. But I want to say some things about rape that I believe are ideas that were shared between a collection of women that I deeply associated with on here a long time ago that maybe isn't explicitly talked about in these terms as frequently as I used to experience. I want to say some things that I used to say all the time that I think I assumed that "everyone knows" I say "these things" and "think these ways" - when maybe I haven't been so explicit in so long that people don't know, or haven't seen me speak these things before.

And so, some thoughts on rape:

Rape as a word is known to be an evil act, and therefore people (men and women) will speak of it as if they are against it. However, rape as it functions in our life is seen as a necessity. This is why people can speak out of two sides of their mouth about it. Rape is a concept of evil, but it is not an evil action. Why? Because women are meant to be raped. This is what's understood: women are inherently rape-able. Women are not sexual beings, they are sexual objects. They are incubators, and they create lust in men, which is what unravels the virture of men.

When a man rapes a women, the ultimate evil is that the man's virtue was corrupted, not the woman's. These ideas aren't explicitly articulated by anyone, but they are patterns at the heart of rape myths. It is a "shame" that a man "lost his will" because he happened across an "object" that "tricked him" into being "bestial", something that is ultimately excusable because man is beast. Is woman beast? No, she is not man.

If a man can resist, he is the paradigm of virtue; if he can't it's because she was too rape-able to remain virtuous. This is how men know they are rapists but don't agree they are rapists. They know they do the necessary action of raping, they disagree it's the same as the agreed upon concept of Rape. Rape that is evil is some monstrous other using these women as they are reserved for men.

When it suits men of a community, they can use this idea against other men they want to other. When it doesn't suit men, no man can be monstrous because all men are brothers, and so rape ceases to exist. You can't rape my daughter, unless you marry her, then do as you please. You can't rape madonnas, unless she is a whore, then do as you please. You can't rape my women, but if they're your women, do as you please. These ideas are not concrete convictions, they will morph to suit the man at the center of the rape accusation. A rapist who date-rapes might very well feel righteous anger when it happens to his sister. He can and will find a way to excuse whatever he did as part of some normal paradigm, a way he must act or should act, or a thing that is excusable for him. The inconsistency of this logic does not matter, because it does not suit him, and therefore does not suit male supremacy.

I say this all because, even though I'm appalled by the reaction of Gaiman's fans online, who are both men and women, and who can only fucking think of how they consume media (truly unbelievable and juvenile), I am simply not surprised. In so many ways, Gaiman's victims were rape-able, and that's why in so many ways his fans can readjust the variables of the situation and come up with some sort of conclusion of how it is rape, but it isn't Rape. Maybe she liked it sometimes, maybe she is misremembering. Maybe he was just confused on the terms of consent.

But what's more important to them is that they give credence to the idea that of course Rape is Evil, because they are good people who must think that way. What they're trying to convince themselves, and what can seem like they are speaking another language, is that this isn't Rape, this is rape. And so it's not that "she is misremembering" means she wasn't raped, but that she was raped in such a way that is the natural order of things. Man, who is a virtuous human and a beast, raped a sexual object who can only expect to exist so long in the world before tempting a man. This seems so obvious to most people. Feminists seem so intense and crazed, because they are centering something that is unnatural to most: a woman's experience as a human, not an object.

It comes natural to these fens to ask: "How can I enjoy my tv show knowing so many people think my hero is a capital R Rapist, when that's philosophical idea on evil and not a material reality, when I don't want people to think I don't take the capital R Rape idea as a serious evil." They are having two conversations in tandem. One is the idea that of course it's possible for Rape to exist, it's possible for some monstrous other to exist, but this man is not a monstrous other, because he is just a man. And men rape, that's just how it goes, because women are rape-able.

I'm condensing many ideas I have about rape into something simplified, for the sake of a tumblr post. And I got there in a circulus way, but I want to encourage the "old guard" who is still here, or women that agree with me above, that although they don't need to, if they have the time to speak more about rape as an intentional weapon against women, to do so. I think there are many ways the political conversation about rape for young women is first happening online, and I think the popular discourse is going sideways. A blind leading the blind moment. This is not a value judgement, but I'm gobsmacked at some things that are said as if they are "given" feminist talking points, that fall outside my understanding of rape as a feminist. Things like equalizing the complicity of Palmer with Gaiman's actions, rationalizing certain sexual proclivities as rooted in some innate sexuality, creating a hierarchy of which actions were worse for which victims, and so on. In many ways, also not surprising, par for the course for how feminism is generally spoken about. What is surprising to me is the confidence of speaking this way, and being convinced of their transgressive ideas. I think feminist online discourse must be so dire that the needle moving to some mid-point in a woman might convince her she's quite enlightened, when there's so much more she could learn. I think this idea that "libfems" are actually women who are clearly anti-feminist has convinced a lot of women that they are "good feminists" by engaging with ideas that are at odds at all with blatant conservatism, that it might be mystifying that they are quite centrist in comparison from many feminist talking points 10 to 20 years ago, at least as it appears to me. I'm speaking broadly, I know, but I had to get some thoughts down. Some angry part of me still exists and I do still feel the need to discuss rape, if only to show some young woman that there really is a deeply radical way you can think of rape that perhaps you hadn't thought of before.

As always, I'm open to critiques about anything in this post.

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gatheredfates · 12 days ago

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Playerscope, modding and the hunt for aesthetic: why you should be more upset about mods and community expectations than you already are.

I love that this sounds like an academic paper but HONESTLYYYY. I need to put my thoughts to paper in regards to my burnout with xiv, otherwise I think I'll go insane. This is a controversial yet brave post. I am well aware that I partake in some of the things I'm going to be critiquing; aka, "thank you, dinklebottom, we live in a society." I'm also not critiquing mods from a space of offering more accessibility to people and/or facilitating representation not currently offered within the context of the game. There is nuance to every discussion and I'm coming at this from an overarching view around mods and community expectations/standards rather than player joy. I hope this makes sense. I'm also predominately writing from a roleplay perspective, though I'm sure a lot of what I end up saying can reflect in the art party/social space. Just know if I haven't mentioned the latter it's because that's not my scene and I don't pretend to know otherwise.

Anyway. For those who don't know, there's a new mod that's causing some strife in the xiv community called Playerscope. Here is the reddit thread about it. I'm not going to be talking too much about the mod in general because that's not the point of this post, but seeing discussion around it today just made me feel more exhausted than I already am when it comes to modding and the xiv community around it. It made me realise... I'm actually really sick to death of mods. I'm sick to death of what they're doing to the community when it comes to gatekeeping, policing and in general the interactions we have with each other in the community.

Let me explain: I wrote a post about the roleplay mod on bsky that kind of articulates at a surface level what I mean.

I think what makes me sad, which I'm sure is echoed by a lot of people, is that mods feel like the standard now rather than an option and that there's a certain expectation for people to have them if they want to engage with facets of the community—whether intentional or not.

Unlike XIV, WoW has a supported mod scene (within reason) and TRP 2 and the like have been accepted for years now. In a space where people can't slap on an RP tag, having that tool readily identifies you as a writer/roleplayer and you can include as much or as little of your character as you like. The general idea is if you have one of these tools enabled, you're a roleplayer to some capacity. You can dress up the profile to a certain degree, you can add links and supported pictures, but you're mostly reliant on what you put to paper in regards to your character. Even then, I find filling out what my character is doing currently and marking the rest as a WIP doesn't necessarily exclude me from roleplay if I want to find it. A lot of people will do that and a super simple description to incite interest around their oc.

These days in XIV... I don't know. I do think communities have gotten more insular—it's why I'm so pedantic about trying to find them for the Compendium—but I also think mods and, to a certain extent, the 'nightclub' scene have gotten in the way of it as well. My argument is such.

I want to go to an event (for example sake, I'll call it Seascape). In order to fully participate, I may need:

Their discord.

A roleplay addon.

A carrd/google site/etc.

Their synchshell (including mods, mare and everything else)

Potentially a mod of some description so people know I can see theirs (and vice versa).

Also that your mod isn't made by a shitty person.

Appropriate understanding of the scene/social space.

Some luck and a prayer that it's an inclusive space and not a closed rp group advertising as being open and/or a mod showcase advertising itself as something different.

Like??? Holy shit you guys. If you are someone who doesn't want to mod because you're worried about repercussions it really just feels like a big 'fuck you, good luck'.

And let me be clear, not every community is like this. I'm incredibly lucky to have found fantastic roleplay within my own rp event/community, I have great friends who run awesome, inclusive events for people of any skill (writing or otherwise) and I do fully believe you can just enable the rp tag and find fun, fulfilling roleplay. But I've also found the above a lot of times, too. I've had people point-blank get mad at my partner because he won't install mods and try to exclude and/or circumvent him in spaces. It's weird. I've been to events where the only time I felt like I got proper interaction(s) was when I joined the aforementioned, even if I have my character's profile linked in my about. It's weird.

Honestly, no wonder new roleplayers feel overwhelmed. Not only do they have to learn roleplay etiquette, they have to be a mod expert overnight? It feels less about what someone can bring to the table as far as a story but what mods they can install to either look cool or pass an unspoken social barrier. As much as I'm down bad for aesthetic and looking the part, I hate it being at the cost of accessibility and fun for someone else.

Arguably it's the same for gposing and the like as well, which contributes to my exhaustion alongside all the graphical changes and I just. I'm gnawing at the bars of my cage.

I don't think it's going to change and arguably it's more of a Twitter/X issue than a Tumblr, one but Tumblr lets me write mini essays and Twitter will tell me to kms.

Ergo, I'll go with the essay-writing platform.

Anyway, I guess this is just a reminder that you don't need 4596419651 mods to be in the community and that people should be more vigilant on including people who don't have them for whatever reason, provided they operate in good-faith and want to contribute. I think we're careening to a slippery slope of expectation for something unsupported and I don't like it.

#｡･ﾟﾟ･ — sea speaks #i don't know if this a popular opinion or not #but i sure know it's mine!!!#idk man sometimes i'm like 'should i go back to wow'#at least i can find walkup #and read people's trp for fun #i'm enabling reblogs for now BE NICE

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cy-cyborg · 7 months ago

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It's been confirmed that there are 3 amputees in the main cast of Dragon Age: the veilguard - Neve (leg amputee), Bellara (arm amputee) and your inquisitor (arm amputee). So as an amputee myself, here are some things I'd like to see.

Note: these aren't predictions, just things I'd really like to be included.

The inquisitor doesn't use a prosthetic (I already talked about this in its own post but with 3 amputees, and 2 of them already being shown to use prosthetics that, lets be honest, do look like "perfect replacement" prosthetics, it would be nice to see at least one who doesn't)

We will get to customise our inquisitor in chatacter creation, so I would love, if they do use a prosthetic, for there to be some customisability to it (im not holding my breath there but still).

Neve and Bellara's prosthetics aren't perfect prosthetics, and they are actually acknowledged as being disabled while still being active members of your party.

There's some kind of party banter between Neve and Bellara about some of the downsides/problems with their prosthetics, not necessarily in a "poor them" way, but in a "ugh, don't you just hate it when you can't get the stupid thing on in the morning" kind of way.

I get a kind of jokey/adventurous vibe from Bellara, I hope they aren't affraid to let her use her prosthetic for pranks or jokes. I don't think neve would, but I can see bellara having a blast with it.

I hope the prosthetics come off during down time. No amputee wears their prosthetics 24/7, it's uncomfortable, and they get heavy and sore after using them all day.

I hope we see Neve express some frustration or see her alter her walk animation on rough terrain. It's hard to get a clear look because the trailers she's been shown in are so dark, but her foot doesn't look articulated, which is going to change how she walks, even just a little bit.

I hope the prosthetics don't break - this is a trope I'm starting to notice more and more, where someone has a perfect prosthetic that is only not a perfect replacement when it breaks, usually for plot reasons, at which point the character in question is forced out of the action until its fixed. DA has forced companions out of your party for story reasons before (e.g. solas after you free his spirit friend and he needs to cool off) so I can see this being used for plot, and I really hope it's not.

The inquisitor, Neve and Bellara compair prosthetists (the maker of the prosthetic) and maker techniques.

I really doubt they'll do this but I'd love it if random NPC's approach you if you have any of the amputees in your party to ask what happened and/or make weird comments at them ("but cy, that would be so annoying and inconvenient!" That's the point. So many people do that to irl amputees, and it's never at a convenient or even safe time, and I've never seen it happen in media. A game is arguably the best place to have it happen, in, say, a random event similar to the ones that could happen in origins)

In that same vein, I'd love to see a scene where someone approaches the inquisitor to call them an inspiration- you and the inquisitor assume it's for, you know, beating corripheus (I know I spelled it wrong lol) and saving the world, but it's revealed the chatacter has no idea who the hell the inquisitor is and just means it's inspiring that they're out in public "like that" - referring to their arm. This also happens to me all the time, and you can't tell me some snooty orlesean or tevinter noble wouldn't make those back-handed compliments, lol. You also can't convince me that any version of the inquisitor would just accept that

I hope none of the chatacters are used as inspiration porn ("don't you worry Rook! I can still pull my own weight on the team despite being an amputee, you just have to give me a chance to prove myself!")

At least one of the chatacter's stories of how they lost their limb is left untold in game (we don't always need to know how it happened if it's not relevent to the plot).

Like I said, these aren't predictions, just my hopes. I wouldn't hold my breath for any of these to be honest (bioware has not been the best in term of disability rep in the past) but A lot of them wouldn't be hard to implement and could take the representation from hardly even acknowledging their disability to something actually pretty decent disability rep-wise. It's also pretty rare to have so many characters with the same kind of disability in the cast of such a mainstream piece of media, and I really, really hope they do something with that because you can have a lot of fun with that.

#dragon age #dragon age the veilguard #dragon age veilguard #dragon age 4 #da4 #datv #dragon age companions #da: the veilguard #writing disability #disability representation #amputee #amputee representation #amputees in media #disability in games

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thats-godscomma · 1 year ago

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Since rewatching Psych, I've been thinking about how weird and arbitrary Shawn's interests are. Sure, late 2000's writing had something to do with it, and maybe a bit of Henry and Gus's influence, but hearing Shawn be so vocal about how he hates certain popular things or (more importantly) refuses to give them a chance BUT at the same time knowing so many pop culture references, it got me thinking.

What if the reason Shawn has so many pop culture references on hand is because of his eidetic memory, and he doesn't actually have as much of an interest in pop culture? Throughout the show, he actively avoids getting roped into big interests and franchises (see: comic books, soap operas, etc.) despite the fact that he genuinely seems excited once he's part of it. In fact, we don't get to see a lot of Shawn's interests at all unless it's based on an idea.

Take being a bounty hunter, for example. According to him, he's obsessed with the idea, but he doesn't make many references to an actual bounty hunter show or franchise. Instead, he just remembers the one bounty hunter he saw as a child and maybe references a movie or two. Because once he remembers something, he's never going to forget it, or at least not for a very long time.

That's why he thinks in references. Everything is a reference if you have a good enough memory. Everything reminds you of something. If Shawn hears someone make a Spock reference, it's in his repertoire forever. But he wouldn't be caught dead watching the shows or movies because that's just too much information. Why on earth would he endure that?

Of course, it also intertwines with his ADHD. He has bouts of energy and trouble focusing. He can't sit still to save his life, and he hyperfixates...or he would if his memory didn't make him averse to it. So if he doesn't want to hyperfixate on an information-based interest, then what does he hyperfixate on? Physical activities. Instead of learning about his favorite daredevil, he tries to be one himself. When he learns about oil rigs, he doesn't get a book from the library. He tries to find oil in his backyard.

This is also where he and Henry differ regarding Shawn's "potential." Henry is correct when he talks about Shawn's "wasted" potential, but he doesn't understand the toil of having this eidetic memory and ADHD. Here's what I think happened: Henry probably noticed Shawn's stellar memory at a young age, realized he has a gift, spoke with his wife about her eidetic memory, learned that you need to challenge your child's eidetic memory at a young age or it'll go away, started the hat game to make it fun and exciting, but then Shawn's ADHD appeared. Suddenly, it made him much harder to raise (because let's be real, Shawn was not an easy child.) Henry didn't know what he was doing anymore, and since it was the 80's, he didn't have the resources to properly understand his kid's behavior, so he tried to find a common interest, and started training Shawn to be a detective "because kids love cop shows." But Shawn struggled to stay attached to one single interest, and when he grew up, he stopped trying to articulate his problems because his mom (the only person who remotely understood his struggles) left, and he blamed his dad for it.

And academics? Those are a joke because what is the point of studying if he already remembers everything? Until, of course, he needs to apply it to a problem-solving test or writing an essay. Suddenly, he's memorizing a math teacher's answer sheet and copying Gus's report.

Yes, Shawn could have been a great cop. He could be an amazing scientist or anything really. He could have been a national spelling bee champion like Gus wanted to be. Even 15 years later, Shawn remembered exactly what word Gus messed up, how to spell the word, and what letter he made Gus slip up, but he didn't want to be on that stage with Gus because that requires so much learning. And so much time. And so much memorizing. And he refuses to sit still for that long when he knows that overloading his head is going to give him migraines.

Also his "I've heard it both ways" probably comes from the fact that people with eidetic memory can still make lots of mistakes if they don't actively commit something to memory. If Shawn only overhears something, he'll still naturally try to fill in the gaps like everyone else, but because he's so confident in his memory, he just believes what he remembers to be true, leading him to repeat incorrect information with confidence. That could also be why some of his references are incorrect due to mixed-up homophones.

Anyway, this post was supposed to be about how Shawn is just a walking movie reference because his memory won't let him forget quotes, but then I fell into a rabbit hole of the negative effects of having an eidetic memory as a child, and I am very passionate about how Henry actually tried his best, and people need to stop calling him a horrible parent. Love y'all. Let me know what you think.

#i just care a lot about the real-life consequences of having an eidetic memory combined with ADHD #psych #psych tv #psych usa #shawn spencer #henry spencer #burton guster #eidetic memory #long post

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ktjislove1119 · 3 months ago

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what they'd post on your birthday

-> p1harmony x seventh member! male reader, this was giving more platonic love but i think its still sweeeeeetttt

warnings : none , i think talk of getting old, i guess

rating : fluff 🙏

yoon keeho

- he loves including aesthetic pictures of you (and him) in his dump.

- he likes keeping the messages short and sweet on the internet, but trust the first thing you see and hear when that clock strikes 12 on your birthday is either: a lengthy heartwarming text from him or him just going to your room and smothering you in love.

- he probably will be the first member to greet you because he takes wishing happy birthday to people seriously (secretly holds grudges on everyone that doesnt wish him happy birthday in the first minute of his own) (he does not play when it comes to birthdays). but its because he thinks that theyre such important and sentimental dates.

- always makes it a point in each post and each year on your birthday to say that he can’t wait to grow old with you because he thinks that is one of the most raw forms of love and admiration you can have for someone. envisions a future with you constantly and just gets even more mushy and sensitive about it when your birthday comes around because it’s like, actually real and happening. you two are really getting older together and he just lowkey tears up at the thought of it.

- tries using his persuasive leader skills to get the company to give them all a singular day off to properly celebrate and will try his hardest to fight for this one day off, entirely for you.

- probably cries in his room about it too LMAO i just see him as someone overly sensitive and invested in the idea of growing old with his loved ones, which obviously would include you. thinks about how you two even first met and how you’re both so different now and it lowkey feels like a punch to his gut because the time really is flying so fast.

- keeps the fesitivities of the day wholly centered around you; whatever it is you want to do, he wants to do too! it’s your birthday, they’re all just coming along for the ride since it’s your special day.

choi taeyang

- makes it a point in his message every year to emphasize the fact on staying happy and prioritizing your happiness above else.

- never wants you to forget that you are one of his strongest pillars of support and motivation to keep him going and he very literally needs you to be healthy, happy, and content in order to have peace of mind. he places personal happiness of an individual above everything and really hopes you share that same sentiment so that you can put your own happiness above everything else, too.

- pics he drops of you are very bf-coded lmao don’t ask him if it was purposeful because it wasn’t, he just likes taking off-guard photos of you. he thinks that that is when you’re the most handsome to him, hence why he posts them because he wants others and p1ece to be able to appreciate those photos too.

- makes a lot of jokes on your birthday about how you’re getting old, but are still younger than him therefore a baby.

- i can just imagine him affectionately rubbing his hand on your head or up and down your neck and softly saying that you’re still so young. he feels like reminding you of that fact is important on your birthday, as well as just making you remember that just because you’re a year older doesn’t mean you need to feel rushed into doing something, such as obtaining your goals or dreams. he knows how hard you are on yourself and wants you to know that just because you’re older now doesn’t mean there’s now a timer on how “far” your dreams are now. pulls the “oldest is the wisest” card definitely when he gives you that talk because he’s speaking so articulately on it and solemnly trying to remind you of that fact.

- i feel like he’d be one to reminisce a lot on when you two were younger together, maybe when you were trainees together or just little things you experienced together that you can’t now due to whatever circumstances. speaks fondly of those times, but his heart does ache to see that time is passing by and how different things are now.

- in general, he tries not to be too sappy, but rather keep the mood uplifted and high. he wants you to keep a positive outlook on your life and will remind you that he’s always there for you, to talk or whatever it is you need him for.

choi jiung

- wishes you a happy birthday with the softest smile on his face and maybe even leaning in for a hug, and if he’s really feeling soft about it being your birthday he’ll even kiss the top of your head. it depends on the year, honestly, he’s only done it a total of five times for all the years he’s known you.

- kind of likes to be in control of what goes on on your birthday BUT NOT IN THAT WAY. he obviously doesn’t make the plans for you, chooses things for you — not like that. he just wants to make sure everything is perfect for YOUR day. so he likes to be in charge of cleaning up the place for the celebration, decorating the place, even little things like being the one to place the candles on your cake because he needs them to be perfect and he knows he can do that.

- genuinely will lowkey get pissed or annoyed if any of the members do anything to slightly ruin the plans that were made, shoots them a warning look if even the slightest thing is out of line. he wants you to have this special moment and memory in your mind of how everything was on your special day.

- likes to linger close to you, surveying all the surroundings to make sure it’s too your liking and everything is comfortable.

- in his birthday post to you, he likes mentioning some term of endearment just to show that, while he might not always physically show you how much he loves you, he still harbors such strong feelings of love, admiration, and care for you.

hwang intak

- intak is so incredibly loud and proud each year when it’s your birthday.

- after keeho, he’s probably the next member to eagerly wish you a happy birthday, smothering you in hugs and kisses, squeezing you tight as he proclaims how happy he is that it’s your birthday. jokingly will call you an old man at least once in the day.

- p1ece love his birthday post to you because he drops some of the most top tier pics of you, everyone say thank u intak.

- physically cannot be away from you for too long or else he will start whining about how you have to be near him for your birthday. likes holding onto your arm as an anchor in keeping you close.

- probably another member to quietly cry about how you’re getting older in the privacy of his room or when you all are around the cake, he just randomly lets a tear or two slip. but they’re happy tears, he swears! he’s just sososo happy that you’re life is continuing on for another year AND MANY MORE !!!!!!!! and he just feels so grateful to be able to see you actually grow into such a strong individual, becoming a man he loves and truly admires.

- scrolls through old photos of you and him from your pre-debut days and the smile on his face when he does is so unbelievably wide.

- just a smiley guy throughout the entire day, physical affection amped up to the max, and maybe a tear or two slipping,

haku shota

- the only person to explictly say that they love you in their online post to you.

- loves posting the silliest photos that you two have together, he thinks that that side of yours is one he loves seeing because it reminds him of how the two of you would goof off a lot when you were younger. obviously, having debuted there is almost always some level of maturity and professionalism that you need to show in public. but those silly pics he has of you two together are just cute ways of shota showing everyone, and reminding himself, that at heart, you’re just a silly guy.

- another latcher, along with intak. likes to just be on top of you the entire day, have fun carrying around two fully grown men around with you because these two seriously won’t be away from you for longer than a minute.

- incredibly vocal on your birthday, way more than he usually is because he just loves talking about how it’s your special day, how you’re getting older, but still remaining the same boy that was guiding him when he was a trainee, how much he loves you, how much he hopes you enjoy your day, how- the list goes on.

- will hand you your gift with an eager look on his face, wanting to see you open it right then and there because he was so particular in picking it out for you and wants to see if he did a good job (tell him he did because he did. do it rn. don’t be RUDE tell him or else.)

- definitely not the type to get sentimental though, he doesn’t like looking at birthdays like that. instead, he’s in a completely celebratory mood and outrageously positive the entire day. someone would think it was his birthday from how excited he is about today.

kim jongseob

- jongseob’s post about you is absolutely beautiful and it makes him bashful to read what he feels being made public, but he gets over it rather quickly because he knows that that is how he truly feels and that there’s no other way he could have worded it to you. he also wants people to know how deeply he cares for you and how much admiration he holds for you in his heart. it’s slightly embarrassing, but he gets over it when he hears you acknowledge how his words have touched you.

- he is taking pictures of you the entire day. his film camera, his phone, videoing you as well, he just really wants to commemorate this day and have something to look fondly back on.

- shows you privately, probably at the end of the night when everyone is more worn out, all the photos and videos he had taken of you from all your birthdays prior to this one, smiling into you as you hug him tightly and thank him. he squeezes you just as tight, softly whispering a happy birthday to you and pulling away with a wide grin.

- doesn’t really get sentimental PUBLICALLY, but understands why the other members would. he is secretly super thankful that he gets to be present in your life for each birthday you have had since he’s met you and whenever you blow out your candle, he is, again, secretly wishing with you that you have nothing but a healthy future in front of you. and maybe, also how he wants to be in your life for forever and be there to celebrate every single future birthday with you.

- the next day he looks at the special photo that he has of the two of you in his studio (the one from when you were trainees still — i mentioned it briefly in my other seventh member post) and smiles really sadly at it. realizes that you two will never be those kids again, but snaps himself out of his by reminding himself that he can’t take this present time for granted either.

- jongseob has an undying devotion and care for you that he translates into photos and videos captured of you, smiling softly at them whenever he is in his alone time and just feeling so lucky he gets to really be by your side as you grow older.

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tealvenetianmask · 7 months ago

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How Blitz and Stolas figure out how they feel: external vs. internal processing

I've been in therapy a ton (feeling like I'm not alone in that in this fandom), and one of the things I've learned from it is that I like to process my thoughts and feelings externally- by talking about them. It turns out not everyone is like that. I'm like Blitz in this way.

I first got on this topic when I was thinking about how Blitz flip flops in Apology Tour. When he goes to see Stolas at the beginning of the episode, he goes in with an idea he's trying out- a narrative he's committed to FOR NOW, insisting that he's there to reinstate the full moon deal with TONS of undue and shaky confidence.

Is this plan something he's actually confident in? Absolutely not. But he's going to commit to it damnit and see how it plays out. Does he believe it? I think he does in the moment. He's convinced himself anyway, and when Stolas wears him down and he understands that he's not doing himself any favors . . .

He starts processing the real shit aloud.

I don't think Blitz has ever admitted this to himself, at least not this articulately and accurately. He needs to say it aloud in order for it to be real. Oops too real.

He's SCARED because he didn't even KNOW he felt this way, but things are becoming very clear and dangerously close to the heart of the matter . . . so he pivots again back into comfortable territory (conflict).

By the end of the conversation, he arrives at a new mission, one that's sort of an equilibrium between his realizations about his honest feelings and his need to have a mission he feels confident in. He's not all confident or all honest- he's still in flux.

There are SO many more examples of Blitz realizing how he feels BY TALKING (later in Apology Tour when he's talking to Stolas, and then when he's talking to Verosika . . . but then also back in Oops, etc.), but I'm going to leave it at one for brevity here. What's important is that we NEVER see Blitz processing alone. Even in his part of the duet (more on songs in a sec), when he's technically singing to himself, he's consoling himself with a narrative rather than really processing the things that need to be processed.

Blitz needs a person to process with.

But Stolas is an internal processor. We know this already because he made the plan to give Blitz the Asmodean crystal and sat on it for literal months, procuring the crystal, ironing out what he would say, trying to initiate conversations with Blitz, but never explaining how he felt to anyone before it was time- and absolutely NEVER in a way that was half baked.

The way Stolas sings his feelings actually gives us a really clear and beautiful picture of how he processes and figures things out. I forget who said it, but someone on the Helluva creative team referenced a broadway truism that in a musical, characters sing what they can't speak. I think for Stolas it's often what he can't YET speak because he's still processing. He has full honest conversations with himself (Stolas Sings, Just Look My Way), and then when he's face to face with Blitz, he knows exactly what he wants to say. His feelings and beliefs actually progress from song to song- he expresses his awareness of a problem in Stolas Sings and gets more precise about how he feels and what he needs to do about it in Just Look My Way.

By The Full Moon, for better or worse (kind of both), Stolas knows exactly what he wants to say to Blitz and how he wants to say it.

Even when he's upset, angry, and then drunk, when Stolas speaks about his feelings, he's consistent. He's decided. He loves Blitz. He wants a real relationship. From his point of view, he doesn't care about social class, so he can't understand why Blitz is so stuck on it.

But he's missing something key (it's the social class thing- it's definitely the social class thing), and internally, he's cooking, and we see that (again) when he sings.

This is the rawest and most in flux stage of his thought process that we've seen. Because this is how he figures out what he thinks and feels- with himself, in song.

Okay- so interesting psychoanalysis- why does this matter to the story?

Well, I think that Stolas doesn't understand that when Blitz speaks in these super emotional, fraught conversations, he doesn't go in knowing what he thinks and feels. He's figuring it out on the fly. He's figuring it out BY talking, and needs to be allowed to do that. Should he do this with a therapist instead of with the person most likely to be hurt by the ideas he flies through on his way to his true feelings? For sure, but this is Blitz.

In turn, Blitz doesn't understand that when Stolas acts absolutely certain and doesn't seem to take in the things Blitz is saying, he's not talking to a brick wall. He's talking to a moveable person who, once he's alone (or singing) is going over and over everything and breaking his thoughts down and reformulating until he arrives at something new.

So . . . it might be a little much to ask these two to understand each other's different processing styles- but they're coming along in their own ways. And I'm looking forward to them understanding each other. Someday. Maybe. Fucking sit down and talk. Slowly. AGH.

#stolitz #my helluva meta #blitz #stolas #blitzo buckzo #stolas goetia #blitzo #Is this the longest piece of meta I've written? Maybe.#Am I missing important details? Absolutely.

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howtofightwrite · 5 months ago

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In writing a fighting scene how many sentences need to be it is always said it needs to have a variety of how long? Technical jargon better be ditched, or sometimes needs to be written? Is there any advice on how to do this, I still trying to get an idea of how to write fighting scenes? from tournaments, corridor battles (narrow and wide), room battles, field battles, war battles, or even hit-and-run battles?

So, there are multiple questions here, but some of these are going to be kind of quick.

How many sentences do you need? Enough, but no more. You need to be able to communicate to the reader what's happening in the fight. Or, at least, be able to communicate what your PoV character experiences from the fight. The more you add to it, the longer it will take your average reader to read the scene, and (to an extent) the slower they will perceive the fight.

This creates an awkward situation for a writer. If you have some, “really cool visual,” but you can't convey that quickly and efficiently, it might need to go. Especially if it's the kind of thing you'd see in a film, or comic, but that your character wouldn't be directly aware of. For example, a character isn't going to know that a blade narrowly missed their head, shaving off several locks of hair in the process, because they're probably not looking in the direction of their hair when it happens, and they're probably not going to feel it. In attempting to completely articulate that moment, you're going to slow down the fight.

Now, there is an application for this. The better a character's reflexes (really, the faster they are at processing information, which isn't technically reflexes), the more ability they'll have to actually perceive these kinds of moments as they happen, and the slow the fight will be, for them.

Technical jargon is characterization. A character who doesn't know how to fight, and has no prior aptitude for violence, probably won't have a particularly extensive vocabulary for violence. So, if that's you PoV for a fight, they don't know what they're seeing, and they might not have a vocabulary that extends much beyond hitting, punching, and kicking. This applies both to the attacks they can (intentionally) make, and what they can see and understand when other characters are attacking.

A character who is a combat veteran, with extensive training will have a much wider range of options open to them, and also a much greater capacity to accurately articulate the violence they see. They're likely to use and recognize things like stances, parries, restraints, holds, and throws.

This can lead to a specific situation that's counter-intuitive (at least in comparison to what I said at the beginning), but also very real. An inexperienced fighter, can find themselves quickly losing to a skilled opponent without really being able to understand what just happened to them. In this specific case, accurately communicating the details to the audience can be to the detriment.

So, this is all for limited narration. If you're using omniscient narration, then you'll need to make decisions on how to describe the combat. This is one situation where it's really difficult to avoid characterizing your narrator. Though, this should help make that characterization a conscious choice, rather than an accident.

Beyond that, asking about the different venues, that's a little to vague to really give any coherent answer beyond simply pointing to the earlier paragraphs. For example, when you're looking at armies clashing in a massive battle, the PoV is still the most important factor to assessing how it should be written. A general, commanding the troops from a hill behind the front lines is going to be far more interested in the overall strategic state of the battle. They'll be directing troops, trying to get orders through, watching the enemy, and trying to anticipate what they'll do. A soldier down in the melee will have a radically different experience. They may not even have the tactical background to fully appreciate the way the battle is progressing, beyond simply that there are still people trying to kill them, and they're preemptively returning the favor.

At a grander scale, a footsoldier in a war might not even have the frame of reference to really understand the state of the world beyond the scope of their orders and the battles they find themselves in. They may know who they are fighting, but, not really understand why. And, if they encounter enemy forces unexpectedly, they may have no idea what that really means for the war as a whole, where a general or commander would likely be able to understand and explain how that happened. In fact, a diplomat or spy, with extensive experience from before the war, may have entirely different understandings for how and why the enemy is maneuvering than even a general would.

Again, violence, whether it's on a personal, or a mass scale, is a venue for characterization. Who your characters are will dictate how they perceive, understand, and interact with the world around them. There isn't one way that a fight in a corridor will occur, because there isn't one kind of person who will walk into a corridor with violent intent.

If it sounds like I'm thinking of Glen Cook's Black Company novels, I am. I'm also thinking of Sandy Mitchell's Caiaphas Cain novels, and a few other stray examples.

Ultimately, this is all about characterization of your narrator, regardless whether that narrator is also a character in the story or not.

-Starke

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#writing reference #writing advice #writing tips #how to fight write #starke answers

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winitry · 11 months ago

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it seemed a lot of people liked the brother-in-law merle headcanons and a couple of people like the idea of uncle merle, so... let's talk about how you and daryl make merle an uncle :)

─•~❉᯽❉~•──•~❉᯽❉~•──•~❉᯽❉~•─

• you get pregnant not long after the group settles in alexandria

• merle keeps his distance from you while you're pregnant

• your hormones are all over the place, you go from laughing to crying at the drop of a dime, and any time he opens his mouth around you, he's always saying the wrong thing

• daryl has to play mediator so that you don't kill him, even though sometimes daryl considers doing it himself

• like when merle mentioned how big you were getting during your second trimester... *sigh*

• you cried

• daryl snapped

• it was... not a good day

• so he stays away for the most part, asking daryl when he wants to know how you're doing. he occasionally brings you some snacks that he must have stolen from the pantry, but you're always too hungry to care about how he got them

• first time merle actually calls you his sister out loud is after you've given birth and he holds his niece for the first time

• "atta girl, baby sister. you did real good."

• he is BEAMIIIINNGGG

• his eyes are just a little wet because the air is dry, that's all...

• he had wanted a nephew so bad, but the second he sees her, his heart grows three times it's size

• he was convinced that dixons could only make boys, but here he is holding a little dixon girl, daryl's babygirl, and she's the most precious thing he's ever seen

• constant jokes about needing a paternity test

• "i'm just saying, that nose is lookin' more like mine than yours, maybe your girl slipped into the wrong bed one night-" "shut the hell up, merle"

• merle always gives you a little wink to show he's just being an ass and not actually accusing you of such a thing

• which daryl knows. it doesn't annoy him any less, though

• never allowed to babysit EVERRRR. if your daughter isn't with aunt carol or aunt maggie, then she's at the grimes house. merle always has choice words about it

• okay, well... he babysits a couple times. and your daughter was returned back each time covered in dirt. one time merle carries her up to the door with wet pant legs pulled up to her knees and bits of leaves still strewn in her hair

• "oh... you had a fun time with uncle merle, huh?" "damn right she did, mamas. taught 'er how to catch frogs. babydoll, tell yer mama what a frog says!" "bib-bit!" "she's learnin'."

• saying the name merle is too complicated for your daughter's limited articulation, so she just calls him 'unca' while she's learning to talk.

• when your daughter DOES start to articulate...

• "son of a bitch!" "bitch!" "ha! that was good! wait- nah, nah, don't say that- aw, shit..." "shit!" "no!"

• he refuses to own up to it

• "merle! why's my daughter cursin' like a fuckin' sailor?" "well, darleena, sounds to me like she's gettin' it from you!"

• he's the favorite uncle (after aaron - your daughter adores aaron)

• rick's lowkey offended by it and tries to subtly bribe your daughter into saying she likes him more

• "uncle dick!"

• ...

• "... are you kiddin' me?" "don't know where she learned that from. must be a good judge'a character."

little bonus that doesn't have to do with uncle merle: it's really up to you, but i like to think that you and daryl would have agreed to name your daughter beth 🥺 you would have suggested the name, knowing that part of daryl never really healed after her death, and he would freeze. forgets how to breathe for a second as the memories wash over him. and then he would blink really fast as he feels his eyes start to water and he'd give you that soft little nod he does when he's trying not to cry. PLEASE- 😭

#twd #the walking dead #merle dixon #twd headcanons #daryl dixon x reader #daryl dixon x female reader #uncle merle

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thydungeongal · 5 months ago

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I think people who play D&D despite its combat focus is, and correct me if I heard this wrong from them, but like... the idea is that they don't like combat, so having a big, chunky combat engine is good somehow??? because the rules don't interfere??? with The Roleplay TM.

Or as my GM said it: "I prefer D&D because I don't have to worry about rules when we're Roleplaying TM and it gets combat out of the way"

I don't get it. I don't. I tried asking why the hell you'd play a game with this much Combat Time and I can't get a straight answer. Like, not having combats is somehow impossible. It's required. But also bad, annoying, and must be codified so the GM can turn brain off BUT ALSO have so many rules you are Brain On, wait 15 minutes i gotta check the book heavy.

I think it's legitimately a toxic meme (in the academic sense of the word) being spread to make people think D&D is not about dungeons but "Whatever You Want uwu" or something.

Maybe you can help because I am on the verge of having an aneurysm here.

There's a lot of stuff that plays into this all too common sentiment.

First of all, there's this idea going around in D&D circles that Combat and Roleplay are two things that are not to touch. You see this expressed quite a lot by fans of D&D, the notion that once combat begins roleplaying stops. This is of course a silly notion, because combat is also roleplay, and it's even more silly coming from the players of the game whose rules are 80% combat.

But once you've established in your mind that roleplaying and combat are two, fundamentally incompatible modes of play and the game you're playing mostly has rules for combat and very little rules for stuff outside of combat (and the rules for combat aren't, at the end of the day, all that interesting) it's easy to draw the conclusion that roleplaying and rules are themselves at odds. @prokopetz has articulated this much better than me, and to paraphrase him: in the dichotomy of combat vs. role-playing, combat actually acts as a metonym for rules-mediated play as a whole. So it's your classic role-playing vs. roll-playing dichotomy, which not only smacks of elitism but is also, frankly, idiotic.

Anyway, once a person has drawn the conclusion that rules-mediated play and roleplaying are fundamentally at odds with each other it's easy to see where a person might draw the conclusion that having any rules that touch upon the "roleplaying" side of play would either needlessly restrict the roleplaying or somehow infringe upon the purity of roleplay. Within the dichotomy of role-playing vs. roll-playing role-playing is ultimately seen as basically free play where there are no rules and procedures in play, only to be broken off by the necessary evil of procedural scenes.

Where has this toxic meme come from? Well, sadly it's as old as the hobby itself. A lot of people who are fans of D&D still think they need to inject "real roleplaying" into the dungeon game to grant it legitimacy as a roleplaying game. This is, of course, bull-honkey. D&D, even played as purely a dungeon crawling challenge game with no pretensions of trying to tell a greater story beyond "the story of what happened during the events of the game" is still roleplaying, and ultimately it owes to a lot of D&D players themselves having bought into elitist notions about roleplaying games and not actually even liking the main supported mode of play of D&D.

Because if you take a look at what D&D as a game mostly supports, it's ultimately a challenge-based dungeon game, which is great and cool actually. But if one has a reductive notion of what counts as "real roleplaying," then, well, there's gotta be something wrong with this game. So actually the roleplaying isn't what the rules say and are actually a secret third thing and also it doesn't even matter what the rules say about the game, because system doesn't matter whatsoever.

You might see why, as a person who is passionate about game design and who loves the dungeon crawling challenge game playstyle, I might find this attitude grating.

And I definitely agree that it's a toxic meme, but D&D 5e play culture at this point is mostly a circlejerk about how the game actually is fine and how game design doesn't actually matter and how in those other games the rules actually get in the way of roleplay instead of doing what they actually do: act as a participant in the game on equal footing with the players and with an actual voice as to how the narrative should look like. Even D&D's rules are loudly opinionated about what the act of gameplay should look like, but these people have convinced themselves that the style of play D&D's rules are opinionated about is bad, actually, so in fact any type of rules that are opinionated about play are actually bad rules that get in the way of roleplaying.

Anyway, as a final note, while these ideas have been around for a very long time, there has been something of a resurgence of this idea, and Brennan Lee Mulligan is partly to blame. Brennan is a wonderful comedian and clearly a great entertainer, but he has also espoused the idea that D&D is good because it gets out of the way in the scenes which he is actually interested in (social, interactive scenes) and takes the reins in scenes which he's not interested in (combat scenes, procedural action scenes). I can sort of understand where he is coming from, and in fact the game taking the weight off the pedal during social scenes is great if your players are all extremely funny comedians like you. But it's also basically a playstyle where there are procedural, rules-mediated action scenes followed by essentially improvised, free play cutscenes where the rules themselves don't have anything to say. It doesn't play into the strengths of the medium, which is that the rules of the game are an active participant with an actual voice in the fiction and not just something to be sidelined. So like with all due respect to Brennan Lee Mulligan, but this is something where he simply is incurious and frankly fundamentally disconnected from what the purpose of rules in a tabletop roleplaying game is. The rules aren't there just to handle the boring stuff for you, because in a game you actually enjoy playing there shouldn't be any boring stuff! In a good game engaging with the rules shouldn't be boring! I play older editions of D&D because I like how the rules shape the act of dungeon-crawling and wilderness exploration! I play Monsterhearts because the rules are opinionated about the teen monster melodrama and they produce extremely cool and wildly volatile drama!

All of which is to say: the idea that the rules of a game are somehow diametrically opposed to the act of roleplay is a silly, toxic meme, and one that is often espoused by D&D players who have latched onto D&D because it was the first game they became aware of and who clearly want something more out of games but they have also convinced themselves that D&D is what all RPGs are and the idea that other RPGs might actually differ from D&D in terms of rules quality, how the act of play looks, and the type of play the rules actually incentivize is completely alien to them. A lot of D&D players have nothing but sneering contempt for the playstyle incentivized by D&D because they have convinced themselves that that playstyle is beneath them and not "real roleplaying," and I think those players should stop playing D&D and instead play games that actually support the playstyles they think are befitting real role-players. Also they should shut up and give me like a hundred dollars for being forced to read their posts.

#thydungeongal answers #long post

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