#i have like ideas this isn't even like 1/3 of the people i've thought of

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[awxcoffeexno]

the patient - part 1

toxic!loganhowlett x reader

like real people do

series masterlist | fic masterlist | part 2 >>

summary: logan's in love w jean, ur in love w logan, and he comes to your bed every night that he cannot spend in hers.

content: more angst, the awxcoffeexno special. terribly, terribly toxic relationship between reader and logan. they both need copious amounts of therapy. this one-shot takes place in the x-mansion where reader is a student of the professor and logan is... well, logan. reader also has powers, you'll learn of them as you go.

warnings: all mentions of jean are actually referring to the phoenix who is extremely mentally unstable, logan mandhandles the reader quite a bit but never hurts her, the relationship portrayed is horribly toxic.

word count: 1.3k

a/n: wowowow im so happy the world is FINALLY sharing in my obsession with logan, he's such a cutie patootie. this fic isn't my best but it's an idea I've had for soooo long that i just had to have a crack at it.

you can sense him coming 3 minutes before he's made the decision to seek you out.

you sit up straight at your desk, eyes flicking down to the research paper you've been working on with the professor. you decide to get the last paragraph in, fingers scrambling across the keyboard to finish your thoughts before logan makes you forget everything.

and then he's at your door, throwing it open without knocking.

"good." he grunts. "you're here."

stepping inside, he locks the door and turns to you. and fuck, you hate this. you hate when he's like this, you hate everything about this arrangement.

well, almost everything. how could you possibly hate the way he walks over to you and leans down, brows set in a deep frown, pulling you up by your jaw? how could you possibly hate the desperation, the need, in his eyes as he he flutters them shut, pressing his lips to yours? how could you possibly hate the smell of wood and tobacco and... logan... as he slips his hand off your jaw to painfully wrap around your throat?

but when you slip into his mind, quiet as a cat, making sure not to give your presence away, his thoughts are swirling mostly with one person. and it's decidedly not you.

"no," you gasp into his warm mouth. "no, logan."

he grunts in protest, moving his mouth from yours to your neck.

"logan, please..." you try again, pushing your hands between you both. you reach for his cheek but grabs your hand in a vice grip and yanks away from you. he will not let you touch his cheek, he will not let you use your powers on him.

"what?!" he snaps. "what do you want."

he hardly even notices his own actions as he uses the same hand to also ensnare your other wrist, squeezing tight to let you know not to even attempt wriggling free.

you swallow thickly and look into his glowering eyes. "you know i don't like it when you... when it isn't about me. when it's about... her. i can't stand it. it feels... wro–"

and his free hand is wrapped around your jaw. you've done it again. you read his mind without his permission after years of him telling you off about it, years of him telling you to "back the fuck off, bub."

but you can't help it. you do it all the time. he lets jean do it. why should you not be allowed? why are you always lesser to him than she will ever be?! especially when she hurts him so much he has to come to you to lick his wounds clean?

jean's... broken. you're perfectly fit. jean's hardly ever there to give him what he needs, you're always by his side, before he even knows he'll need you. it's just how your powers work, and you don't hear him complaining about using the future for his advantage. and yet all he does is think about her. even when he's here to fuck you.

"logan, how about you let me go and go back to carrot top?" you say, evening your voice out in that way you do when you know you can talk people into things with your hand on their cheek. but your hands are both trapped in his crushing grip and there's no way he's going to let you move them.

he's glaring at you. gauging you. and you slip into his thoughts again – yup, he's dreaming of ways to kill you. you snort. well, at least you're on his mind now.

"get the fuck out of my head." he growls and lets you go roughly, shoving you back. you stumble back but hold your ground. he would never actually push you hard enough to hurt.

that's the easiest part about loving logan. feeling safe even when it hurts.

you take a deep breath and restart, voice still even.

"logan?"

you watch his shoulders sag in defeat as he leans against the window sill and sighs.

"logan, i... i just..."

he looks back at you, eyes sluggish. tired. "you just what?"

"i don't like being your... stress ball." you sit down on the bed, massaging your temple because you cannot read his thoughts anymore. he's spending a significant amount of his energy blocking you out.

"don't hear you complainin' when i'm balls deep in you most nights."

you cringe at the crudeness and rub your face. he stands up a little straighter at your reaction, having realised over the years that all your anxious tics reside in your face. the way you rub it, the way you harshly massage your temples, the way you chew on your lip and pull the little baby hairs out of your hairline. and now you're all that is on his mind.

he carefully pads over and crouches down in front of you. eyes softer, way gentler. his hands slip around your wrists again and tighten but this time his grip is friendly, comforting. he's trying to ground you.

"me on your mind, sweetheart?" he says, voice heartbreakingly soft. you simply nod so he continues, "mmm... i hurt you today?"

a lot, you want to say. all you ever want is her. your jean. the jean you'd do anything for even when she's trying to drag the animal out of you and turn you into a beast, logan.

"a little." you settle.

he shifts both your wrists into his left hand and slips his right palm onto your cheek. "how can i make it better?"

you swallow thickly. you have to choose your words wisely. none of your powers would be useful right now, so you lean in and kiss him first.

"i'm scared." you sniffle. "scared of losing you to her completely. you love her, lo. so much you let her chop your mind up into little pieces and put it back together every single day."

his eyes fall in a rare moment of vulnerability so you don't let go of your momentum.

"she's hurting you so much," you whisper, aching to reach out for his cheek and take it all away. "i cannot keep fixing the wounds that she creates."

his eyes snap up to you at that. "well, if you don't want this–"

"no! that's not what i'm saying, james! fuck, i want you! i need you. but it's all i've become to you," you whine with a pathetic sob. "a way to fall asleep at night. a means to an end. a solace from all the pain."

"when you know that that's what this is... that you can take my pain away..." he looks at you, his dark eyes accusatory.

and fuck, what the fuck are you supposed to say to that? what kind of doctor turns a patient away? a patient so desperate for care?

so you close your eyes and let the ache wash over you. several minutes pass in silence and he starts to get up.

"you're right," you finally mumble.

when you open your eyes he's still looking at you.

"i'm sorry. i don't know why i did what i did. of course i want to help."

he's immediately scooping you up and lying you down. logan's easy like that. he never asks too many questions.

he kisses you, softer than he ever has before and starts working his way down your chin and neck and... how does it always end like this for you? with you giving in and him having his way with you. with you under him, tears in your eyes because you do not want him to stop but it hurts so badly to be his second. his second priority, his second thought, his second need.

will you ever be able to deny him?

"open your mouth, sugar." he coos, slipping two fingers past your chewed up lips to let you wet them.

your eyes roll back into your head as you suck on his digits, body reacting in tandem with his.

no, there is no way you would ever deny him anything.

"logan?" you whisper when his pulls the fingers out.

"hmm?"

"i love you."

"i know."

--

i have once again risen from dead. i hope you liked this xxxxxxxxxxx ily

love, d <3

--

part 2 >>

[zara-renata]

So I had one holiday prompt that I couldn't include in the big holiday prompt fic I posted last week, and I also have been receiving some really sweet and cute ideas that weren't exactly requests, but the ideas were so nice that I wanted to write something for them. I've gathered them into one story that I hope isn't disappointing. I had intended to do separate, cute little drabbles, but I had a bad day the other day and somehow uh, really dark angst happened, and then I used the ideas people sent for the comfort half of the fic? So please forgive me for just... taking it as dark as you can go before including the sweet, cute ideas that people requested. I hope you like the result anyway, although please read the content warnings. Several of the people who sent requests/ideas apologized for doing so, as if sending the ideas was 'too much', but you don't have to apologize for sending asks. My requests are open, and I like seeing everyone's ideas even if I don't end up being able to write for them, or if I tweak them a little to make them work for the story that comes out of my brain despite my best laid plans to stick to an outline.

The river | ao3 | masterlist

It's Christmas Eve, you're at the end of your rope after an absolutely awful year, and you decide to end it all after pushing everyone in your life away. Sylus pulls you from the brink and convinces you to keep going.

Sylus x fem reader, Sylus x mc, hurt/comfort, angst, grief, banter, fluff. CW: attempted suicide, depressed thoughts, NSFW, Sylus penetrating reader (this is not sex ed, do not follow these idiots' example, no discussion of condom or birth control, this is fantasy and we're not going to worry about that in the fic)

Ask #1 You asked to keep sending silly little ideas for you to write so I thought I'd give my own request! After Caleb and Gran (supposedly) die it's pretty much canon that MC refuses help from their friends and isolates themself in certain ways. I always imagine MC sometimes sees Sylus as "the only one they have left" since he is the only one who goes out of his way to check up on MC. But MC kinda grows to resent this and has a moment when their drunk/really going through it and basically ask Sylus why he doesn't leave them be so they can just rot away in peace. Sorry if this is too lengthy or I'm overstepping! Brain worms are getting to me

Ask #2 Okay, so random thoughts here, but do you know that superstition that’s like, “the places where you have moles on your body show where your lover kissed you in a past life”? But like… can you imagine what it would be like if MC had a mole in the exact spot where Sylus bit her during Abyssal Mark (cus I have one there lol) and then that superstition randomly gets brought up, only for MC to show him that mole and Sylus is just s h o o k??? N e way that’s my random thoughts lol (sorry if this is a lot 💀)

Ask #3 I love the way you write the MC and I find myself relating to them at least 99% of the time. Sometimes I just imagine them giving Sylus one of those "Do you like me? Circle yes or no!" Love letters to Sylus because they are terrified of rejection -> i wrote the MC in this story really, really depressed, so if this didn't hit the spot for you in terms of fear of rejection, let me know, and I can include your prompt in another story idea I had before this one that's a lot lighter and sweeter before I got hit by the angst truck that this fic turned out to be. just let me know!

Ask #4 the last holiday prompt! -> idk if anyone sent it yet but from the xmas prompt list, i would love to see what you do with number 8 -> I'm so sorry that this is what I did with it, I hope you like it anyway😭

Thank you everyone who has sent me ideas! If you've sent me a request and I haven't answered it yet, it's because I'm still intending to do something with it.

Here you are. Again.

At the end of a long day. A long week. A long year. 

A long rope.

It’s the dark, this time of year. 

Maybe. 

You’re restless. You’ve passed through the Deepspace Hunters Association doors for the last time this year. Empty days of leave stretch before you.

Normally, it would still be light out, leaving this early. But not now, this deep into the year—it’s already full night, as you leave work early.

The bright lights of the building pour over your upturned face as you look back, just once. You don’t know what for. You’ve successfully severed most of the ties you had built before.

Before everything.

Tara, Xavier. After Caleb, Josephine—they reached out, over and over, and you bit their outstretched hands with your sharp, sharp teeth. 

You snapped enough times that they keep their distance, now. 

They’re still kind. 

Tara still comes, sits on your desk, shares tidbits of gossip during the workday. But she no longer invites you along to karaoke, to after-work drinks with other coworkers.

You and Xav work in sync, as you eliminate wanderers. He walks you to your door at the end of the day. But he no longer offers to lend you books. No longer invites you to the bookstore, or to try new restaurants.

You watch his broad back as he walks away from you, down your apartment building’s hallway. He feels as far away as a star in the velvet night sky.

It’s not their fault. You did this.

You wanted this.

You turn away from the warm light beaming from the Association as you leave early, the Christmas lights glittering in the windows, the holiday party you’re skipping still in full swing in the open, sleek company restaurant area on the ground floor. A division-wide shindig, to celebrate the end of the year, the holidays.

The night is cold. Fairy lights, nets of bright pinpricks in the dark night, cover the trees lining the sidewalk. Decorative light displays stretch across the busy road at periodic intervals, over the canals that parallel the streets, the gondolas and tour-boats festive under their own lights, red ribbons flapping in the cold winter wind.

You think about how they never recovered a body.

Only Josephine’s ashes fill an urn, sitting in a cold niche of a quiet columbarium. Caleb’s urn is empty.

You start walking, fast, along the busy sidewalk. People are out shopping, scurrying to tie up last minute errands before the city shuts down for the holiday tomorrow.

You want to unzip your coat. Unzip your uniform. Unzip your skin, your ribcage. Leave all these pieces of yourself behind, for others to puzzle over. To sweep up with the rest of the refuse left over from festive party goers on the street. You want to dissipate in the cold winter air like your breath with each cursed inhale, exhale.

You settle for beginning to jog to the metro station, your feet carrying you faster, faster, your boots heavy on the sidewalk. You see it lit in the distance, but you can’t stand the thought of being underground right now. Buried alive, with all the other people. You sprint past it. 

You’re graceful enough to duck and weave, not disturb anyone else, until the crowds thin.

You’re running, running, the city is streaming past, like the tears from your eyes. Wet from the cold, because you haven’t cried since waking up, your ears deafening, Caleb’s silver chain glittering in the firelight on the walk up to your grandmother’s burning house.

Tears won’t bring a body back.

You don’t know how much longer you can stand this.

The days, one after another. Alarm, moving through the dark to get to work. Moving through the dark to get back to your apartment at the end of the day.

The pain—your only constant, now. The only thing you expect, have to look forward to, day after blurred day. 

An echoing emptiness, like an urn without ashes. An emptiness that feels so full that your skin could burst with it.

You think about your apartment. The festive city outside its windows. The half-opened bottle of wine in the fridge, the only thing in it.

You veer from your neighborhood. Keep running. You’re sweating under your winter coat, your heavy Hunter uniform. It doesn’t matter.

You run, and run, and run, until you run out of streets, sidewalk.

Just the river, wide and black. There is a bridge, soaring over the water, in the distance. Its lights reflected in the water, along with the urban nightscape. Stars above, stars below.

You could drown in them.

You look at the bridge.

You could drown in it all.

There’s no one left, after all.

Who will miss you?

You slow. Stop.

Your breath is heavy in the quiet air. Fairy lights sparkle here, too. Pretty swooping light displays top each lamppost along the river path. 

You would have gone to identify the body, as you did with Gran. She didn’t look like herself. Not even a sleeping version of herself. They did their best, reconstructing her face. But it wasn’t the stitches, the bruising. It was that she simply wasn’t there anymore. Like a stranger’s body on display. An empty house after the residents have been forced to flee in a night of unimaginable violence. 

But running your hands through her hair, one last time. It soothed something in you. Enough that you could breathe in the cold mortuary air. Could nod. Could watch as they covered her again. As they escorted you out into the bustling hospital hallways, to stand under cold fluorescent lights. To stare vacantly at the wall, until you felt a strange, familiar feeling. You looked up, saw Zayne watching you, at the end of the long hallway. You stared at him, memorizing his beautiful face. His dark hair. His severe, cold loveliness. You let yourself look one last time, and he let you. Through the people filling the hallway, each walking with purpose, they were a blur and he was  across the world, across time, a part of your past that should never have reappeared in your present. It hurt too much, to look at his beautiful, distant face. He left you behind, once. He should have stayed gone. You can’t stand to experience the loss again, the loss you felt every time he listened to your heart, expressionless, a stranger with a beautiful, familiar face from your past, a past in which Caleb was still alive. 

You looked at Zayne one last time, across a bustling hallway in a place full of life, of death, and he let you. You then turned, headed to the reception desk. You switched doctors, hospitals.

You blocked his number, so you’ll never know if he sent you a text, tried to call and ask why, after. He let you walk out. Which is as it should be.

You wanted this.

The water churns under the whipping wind, the fast current. It looks so cold. Cold enough to numb. Cold enough to finally put out the fire that’s been burning in you, ever since you woke up, your ears deafening, Caleb’s necklace shimmering in the flames.

You think of running your hands through his hair. Something the fire robbed you of—it would have been your first time, your last time. He would pat your head. Call you pipsqueak. Ignore your protests to not mess up your hair, to not treat you like a little kid. But he would always duck out of the way anytime you tried to return the favor, tease him, tousle his hair. His pretty brunette hair that always looked so soft. Now you’ll never know how soft it really was.

You look at the water. You look at the bridge. The car headlights meteors streaking along their guardrail-gated orbit.

You think about going home. Waking up tomorrow, Christmas Day. The silence. You think about going back to work. Killing wanderer after wanderer. Wondering which one will be the one to finally kill you.

The days blur. The constant emptiness echoing inside your apartment, inside your ribcage.

You look at the water. You look at the bridge. You imagine running your hands through Caleb’s hair for the first, the last time. A tender goodbye you’ll never have, because they never found his body.

There’s no one left to miss you.

Your phone vibrates in your pocket. You fish it out.

Rafayel no longer calls, or texts you words. He just sends photos, every once in a while. Mundane details of everyday life, rendered extraordinary through his artist’s eye. Paintings he’s working on. A foreign landscape. Leaves glistening with dew. The moon, waxing full.

You haven’t answered in months. You look at each one, tuck your phone back in your pocket.

You look back at the water. Think about taking a photo of the reflected stars, the thin crescent moon in the black waves, think of sending him one last response. But even you’re not that cruel. You don’t want him to realize later, that he was the last one to say anything to you.

You don’t open his text. You block his number. Tuck the phone back into your pocket.

You start to walk toward the bridge. As you walk, you keep your eyes on the path, its edges. Decorative, smooth stones line the walkway along the river embankment. You pick them up, here and there, as you walk. Slip them into your coat pockets.

Eventually you run out of room in your coat pockets, add more to your pants pockets. 

You turn your eyes back to the bridge, looming now.

You think of your empty fridge. Josephine’s empty face. An empty urn.

You’re ready to scoop out what’s left of you, leave it behind on the sidewalk, smoldering as the cold night finally smothers the endless fire, the only thing left inside you. Maybe it will warm someone else, in passing. A last good deed, from you to someone in the world.

A metal staircase, leading up, up, into the black sky, mirroring the dark river, your heavy boots echoing. The cars are loud. If you close your eyes, they could be the rushing waves of an ocean, instead of a river of traffic, above a river of water.

You keep your eyes open. You’re not going to pretend that you’re not doing what you’re doing, now. You’re not at the ocean, its pure salt air drifting through your hair, now whipping around your face. You’re on a busy, exhaust- and oil-stained commuter bridge on the night before Christmas, having cut your ties with everyone you have always known never wanted or needed you in the first place. What’s the difference if a wanderer kills you tomorrow, or if something kills you today? Just empty time, blurry days, photo frames without pictures.

The guardrail isn’t so high as one would guess. It’s an easy step up. An easy step over. You stand, looking back over the city where you were raised. The city that contains all the past versions of yourself, from the moment you were pulled screaming into life from a mother whose face you’ll never know, through to now, an empty shell of a person. If your fellow hunters could see inside you, they’d mistake you for a wanderer and put you down, like the scientists who experimented on you, your own grandmother, did years ago.

Since learning that Gran was one of the people who fucked with your heart, you have often resented that she and her colleagues weren’t successful in finishing the job years ago, when they had the chance.

But now you wonder, standing over a dark, freezing river that reflects what’s inside you now, maybe they did finish it. You just didn’t realize it. Not till tonight, as you look down in the mirror of the rushing water, far below.

Even now, the tears won’t come.

What use are tears, when they can’t bring a body back. When they can’t wash it clean. When they can’t lovingly touch it, one last time, soft strands of hair under your fingers.

Your tears, your heart, your suffering, your existence—useless, for the entirety of a life you can only half remember.

You wonder if it’s the dark, tonight. Why tonight, and not yesterday? Why not six months ago? 

Because it took that long to sever the ties binding you here?

Now you are assured, no one will miss you. It will take days before anyone even notices your absence because of your holiday leave.

You hope that they’ll assume it was a wanderer. Bad luck. Wrong time, wrong place. A modest little plaque on the wall of heroes, even though you know you’re no hero.

In the end, it doesn’t matter why it’s tonight, and not any other night.

No need to be dramatic, pretending there’s meaning in the meaningless.

You put your hands on the guardrail, the metal colder than your freezing hands. You lift a heavy booted foot. Take a deep breath. 

It’s so cold. It will be over before you know it. You’ve read that from this height, it’s the impact, and not the drowning.

You’ve always had dreams of flying. 

You lift your other foot, arms thrown wide for balance, just for a moment. The world feels so big, here at the end. The stars above, the stars below, the doubled crescent moon. You’re ready to drown in it all.

You only have one hope.

I don’t want to be reborn.

You breathe, empty your mind of Tara’s earnest smile, Xavier’s soft laughter, Zayne’s steady hands, Rafayel’s flashing violet eyes. Josephine’s empty face. Caleb’s soft, untouchable hair.

You let yourself fall.

You’re flying. Your heart is soaring. Your heart is seizing. The relief, the terror, mingle. You can’t scream, even if you wanted to.

You’re flying and it’s everything you ever dreamt, until it’s not.

Your body jerks, abruptly. Your hair whips down, lashes your face. You grunt with the impact against… nothing. You’re suspended over the water, drifting in the air. The wind tugs at your stone-weighted coat.

You twist away from the water, craning your neck to look up, up, back at the bridge.

You have withstood the uselessness of tears for almost a year now. But now, you want to cry so badly the pain of the need steals your breath.

You knew he was cruel. You knew he was merciless. You knew that he hated you. You just didn’t realize how much, until now.

You hang suspended over a dark, rushing river, wrapped in scarlet and ink tendrils, looking up into the sneering face of the one person you refused to think about as you made your final decision tonight, at the end of your desolate, half-remembered life.

His evol begins to lift you, away from the merciful impact, the numbing water. You, your past, your heart, the memories and despair and stones filling your pockets seem weightless, wrapped in his power.

His usual mask of bored indifference is gone. He is finally showing you his true face, what he must always feel when he looks at you—fury and disgust.

He says nothing, as he pulls you from the depths, back into the world. As he sets you gently back on your heavy feet on the sidewalk in front of him. His evol evaporates, winter breath in the wind.

He looks at your face with his wine-dark eyes. Looks at the water. Flicks his gaze back to your face.

You will not cry in front of this man. This man who hates you so much he won’t even let you seek the peace of death. Death, which has always been too good for you, but not for the people you loved the most.

You clench your jaw as the fire re-ignites in your chest. The flames you had tried so hard to scoop out, to leave behind.

You don’t want to feel this much anymore.

If you speak, you know you’ll cry. You can’t stand it.

Maybe, with enough repetition, he’ll get bored. He gets bored so easily, after all.

You turn, try to launch yourself over the guardrail again.

This time, it’s not his evol, but his arms that wrap around you, pull you back from the fall.

You struggle, throwing your elbows, kicking, throwing your head back, hoping to catch his perfect nose, break it under the hardness of your stupid, useless skull.

He says nothing, just holds you tighter, wraps one arm around your waist, the other over your chest, his big hand cradling the side of your face, pressing your head back into his own chest, as he hunches over you, an immovable wall of warmth. As you fight to break free of his hold, you are wrapped in his scent—cloves, gun oil. 

Sylus.

Eventually, you tire yourself out—despite all of your strength, it is no match for his. He holds you against himself easily, as you pant, lungs burning with the effort, the sweat warm once again under your Hunter’s uniform. You become aware of a whimpering, the keening of a wounded animal.

It’s coming from your throat. Your eyes burn. You go limp in his arms.

“That’s it,” he murmurs. A voice like warm liquor in your veins. You think he’ll let you go. You prepare, hoping you can get to the guardrail again. Maybe this time he won't be so fast. But instead of releasing you, getting away from you as fast as he can, the arm around your waist moves up, cradling your upper back. He scoops his other arm under your legs, holds you against himself like you’re a delicate princess, if you were anyone else. But because it’s you, he’s probably just holding you like a useless sack of shit that would be too annoying to drop. He begins to walk, his stride steady, brisk.

He looks down into your face. “I bought a dress for you. Silk. A design like stars over a flowing river. That’s the only river you’re allowed in tonight, kitten.”

You stare at him. His breath puffs white in the cold air. The face of disgusted fury is replaced by his usual bored mask.

Why is he doing this to you? He wanted to kill you, just a few months ago. Why not let you do the job for him?

He is the only person in your life who didn’t take the hint. Who kept showing up, after you made it clear that you didn’t want their presence anymore. That you couldn’t handle the ties, because ties become nooses, snapping your neck when the other person leaves you behind.

When he showed up where you were, in a ‘coincidental’ meeting on the street, on a jog, you would turn, move in the other direction. He would match your stride, doggedly pestering you with questions, asking you about your evening or weekend plans, telling you silly stories from the N109 Zone, Luke and Kieran’s latest antics. Sometimes he’d just walk in contemplative silence, thumbs hooked through his belt loops, or jog quietly next to you, never losing his breath, never complaining about the pace.

When you would routinely see him at various restaurants you were headed to in order to pick up takeout, you’d leave your food, immediately turning and hurrying away. When the same food was delivered to your door half an hour later, you’d refuse to answer, letting the confused and irritated delivery man leave. A half hour after that, the same man would be back, yell through the door that he had instructions to leave the food even if no one answered, and then he’d make good on his promise. You were faced with the choice of either letting the food go to waste, or eating it guiltily at your kitchen island.

No matter how many times you told the delivery person of the almost daily packages you received with no return address that you didn’t want to accept delivery, they would always insist that their instructions were to deliver regardless of recipient response. You were welcome to bin the items after receipt, but if you didn’t accept, the packages would just pile so high outside of your door that you couldn’t reach your apartment anymore.

You would accept, and then donate whatever exquisite item was inside to women’s shelters, children’s homes, university museums, soup kitchens, fundraiser auctions. No matter how clear it was that you wouldn’t accept anything from him, Sylus never stopped sending you gifts.

When you were sick, he’d show up personally, barge into your apartment when you were too tired to look at the doorbell camera before answering, a duffel bag gripped in his big hand filled with fever reducing medicine, homemade soup from his home chef, painkillers, hot water bottles, cooling pads, muscle pads, vitamins. He’d lounge on your couch, manspreading, insisting that he wouldn’t leave until he saw you swallow the pills and drink a gigantic glass of water.

He’d wait until you lay back down on your messy bed, until you fell asleep. He’d be gone when you woke again, but your apartment would be clean and your fridge and freezer would be stuffed full of healthy pre-prepared food.

You were half-convinced he was just buttering, fattening his prey before getting bored and mercifully ending its life.

Tonight, you are now fully convinced.

“Did your tongue freeze in your mouth?” he asks, descending the stairs you had just walked up, thinking it was your last time ascending them. “Do you need mouth-to-mouth to warm it up again?”

You scowl at him, at how appealing the idea of Sylus’s tongue in your mouth is, even now. You hate yourself, your traitorous body for being drawn to him, even now. “What’s the point of talking, when you never listen?” you grind out, your throat sore. You hadn’t realized how much your animal wailing had wrecked your throat. At least the tears are no longer so close to the surface that they’re threatening to spill.

“I listen to every word out of your beautiful mouth,” he counters serenely, with that same inexplicable kindness that makes your heart hurt. So at odds with how you know he must really feel about you. “I just listen to more than your mouth in order to hear what you’re really saying.”

“What?” You stare at his beautiful face, the way the lamplight illuminates its sharp features for a brief moment, before the night swallows it again as he moves between lampposts on his way… somewhere. Back the way you just came from.

He spares you a glance. “Your mouth says one thing, while the rest of you is screaming something else.”

You feel the blood draining from your face. “What the fuck are you talking about?”

One corner of his beautiful mouth lifts. “Don’t play dumb, kitten. You’re too smart for it to be convincing.”

You were just falling into the river. You were just about to be free. How did you get here again? In this man’s arms, his smug, roguish smile filling you with the unease of being seen. 

“I mean, it wouldn’t kill you to be a little more honest about the fact that you want people to fight for you, right?”

You begin to struggle again, shame lancing through you, making your body unbearable to be in. You know it’s weak, to have wanted so desperately that the people you were carving from your life would see what you were doing and stop you, place their hands over yours holding the cleaver, gently push it down, down, until it dropped from your grasp���how desperately you wanted them to step into your space, hold you tightly, just like this man who sees right through you is holding you now. You wanted Tara to keep inviting you out with your ridiculous colleagues, to sing your heart out at shitty karaoke clubs, to forcibly drag you to sleepovers and arcade nights. You wanted Xavier to push himself into your apartment, try to bake something horrible in your oven, sheepishly offer to go to the bakery with you instead when the fire alarm inevitably went off. You wanted Zayne to walk through the crowd to reach you at the other end of the hallway after you identified Josephine’s body, to ask to take your hand, to ask how you were doing, even though you knew you wouldn’t have been able to answer. You wanted Rafayel to keep inventing excuses for you to visit his studio, to keep insisting that he needed you to accompany him to expositions and fancy lunches as his bodyguard. 

But none of them did in the end, and that’s okay. You kept pushing them away, because your terror of their leaving was apparently bigger than your need for their presence in your life, and at least if they were already gone, as they inevitably would be, you’d finally be free. 

But the last person you would want to see this utterly humiliating need inside you, exposing you like this, is the one looking down at you right now with deceptively soft, all-seeing eyes.

You know the feeling, this need, of pulling away and pulling away and then being heartbroken when people finally let you is weak, and pathetic.

You may experience weak and pathetic feelings, but you’re not weak or pathetic. Not at your core. You were prepared to do what was necessary, to save yourself from the pain of your emptiness, the fire raging inside your chest. You weren’t asking anything of anyone. You were doing it all on your own. 

Not a burden. 

Never a fucking burden. 

You clench your teeth, buck in Sylus’s arms.

He just holds you tightly, a straightjacket for the insanity that you’re feeling, the insanity of this man, out of all the people in your life, stripping you of your masks, flaying you so that all of your most tender, shameful parts are exposed to both him and yourself.

“Stop that. You’re just going to tire yourself further, when I need you tonight.”

Of course. The quid pro quo. He helped you with the auction, the Aether Core. Now you owe him. He doesn’t give a fuck if you live or die—he just can’t let one of his assets destroy itself before it fulfills his purpose.

You go limp in his arms. Turn your head away from him.

He continues his train of thought. “No, it wouldn’t kill you to tell the truth to your friends, so you decided to take matters into your own hands, huh? Telling the people in your life that you actually need them wouldn’t kill you, so why bother, right, when you can just jump off of a fucking bridge?” His voice sounds like the night you met him. Controlled anger. Disgust. Accusation.

Then there’s something wrong with her.

You thought you had killed everything inside of you already. The yearning for human connection. The kindness of a friend. Family holding you in their arms. You thought you had scooped out most of it, even as some of it rekindled when he pulled you back from the fall.

But the way you’re hurting now, at the memory of his hate, the reminder that the people you love won’t fight for you even if it would be fighting against you, and that this man, for all of his false generosity, never cared for you from the beginning, that his gifts and his visits were all what you knew them to be, all along—a bored predator toying with its prey before using it and consuming it. 

You let your thoughts drift back to the bridge, push your pain away. Feed it to the fire. When he’s done with you, maybe you won’t even have to jump.

“Just shut up, Sylus. I’ll help you with your problem tonight. Just promise me you’ll toss me over yourself, when you’re done with me,” you tell the night, because you still can’t bring yourself to look at him.

He stops walking. The wind is so cold against your face. You wish he’d snap your neck, right now. You’re so fucking tired.

“Look at me.” His voice is low. Menacing.

You watch the water. Wonder how long it would take if you just walked out into it, without jumping. Just walk in with your stone-weighted coat and let the cold paralyze you, the current pull you under.

“Look at me, my heart,” he whispers. The change in his tone, his bizarre endearment, has you turning your head, looking up into his face. “That is one promise I can never make you.” He looks like he’s in pain. You don’t know why. He leans down, rests his forehead against yours, hunching his big shoulders, lifting your body in his arms so he can meet you. His breath is warm against your lips. “Please don’t talk to me like that.”

You want to snort. It’s rich, coming from him—the same man who is telling you not to tell him to shut up, after all the things he said to you as he starved you, strangled you.

“Please don’t tell me to kill you. To hurt you. That hurts me.”

You stare up into his face. See the sincerity in his eyes. The wind whips your hair. He wasn’t upset that you told him to shut up, but that you asked him to kill you? “What does it matter? Aren’t you going to, in the end?”

“Why would I stop you tonight, if I wanted you to die?”

Of course he won’t answer outright. When has Sylus Qin ever answered a direct question?

“Yeah, that’s what I’m saying. Why bother stopping me, unless you just need to use me and then be done with me? I can’t be that irreplaceable. Just get someone else to put on the dress, and let me get on with my fucking life. Someone who you can train to say just the right things, at just the right time, who’ll look good in whatever fancy shit you want to put her in. There’s gotta be easier idiots than me to serve your purpose.”

He closes his eyes, breathes in the cold night air. When he opens them, you have to look away. You can’t handle whatever is in them. “I know I hurt you, when we first met. That I said cruel things to you. I’m sorry.”

You laugh, even as your heart wrenches at this strange apology. Of course he doesn’t explain what offended him so much about your existence at the beginning. Why he treated you exactly how you deserved. Probably just whatever he saw when he used his Aether Core on you. He saw the echoing chambers of your empty, fucked up heart and was enraged that it was you, and not someone worthy, who would absorb the Aether Core. “There’s never been any need to varnish the truth, Sylus. You almost choked me to death the day we met. You should have fucking finished what you started,” you sneer. “Why does no one ever finish what they start?” You think of Josephine, her researcher cronies. Think of Caleb, his promise to return, the last text he ever sent you. Your fucking parents, who you will never know.

You don’t expect an answer.

And yet, you’re surprised when Sylus wordlessly releases his hold on you. Lets you slip from his arms, sets you back on your feet. You settle in your heavy boots, the weight of your coat, the stones in your pockets, grounding you to the earth.

The lamplight shines in his silver-sheened, wind-tousled hair. His cheeks are red from the cold.

Of course. Of course.

No tool is irreplaceable.

You’re not irreplaceable.

You finally said the right thing, to push him away.

This is it. This is it. This is it. 

Your mind returns to the bridge. Your hand is holding the cleaver, dripping with the blood from the last unwelcome tether to your life.

You try to memorize his face, just as you did Zayne’s, but for some reason looking at Sylus’s face hurts you so much more despite having known him for so little time. Just a sigh, in the timeline of your life. The warm glow of his irises. The softness of his lower lip. The pride in his shoulders, his nose. 

Maybe you didn’t want to think of him before jumping because you had fallen in love with him, despite the fact that any affection he offered was counterfeit—the steady way he breathed next to you on a jog, the way he spread out on your couch, his dry humor, his intelligence, his piercing gaze, his kindness that was actually more cruel than if he had just tossed you out and never bothered to look for you again after the auction.

You knew it was fake. You knew it was calculated. You knew that the reality was, because he had told you from the very beginning—

Don’t tell me that you like me. Is this all so you can get my attention?

Clearly you’ve read too many fairytales.

And yet you had believed, in the bright moments of receiving his kind attention, in the fairytale. Just for a heartbeat. A raindrop, splattering on the ground.

You thought that you couldn’t bear to see what it looks like when Sylus finally tires of you pushing him away, and stops reaching out, as everyone else has. 

But with just a few words, you’ve finally managed to do it. He set the burden of you down, and now he’ll walk away, replace you with some other beautiful, breathing tool.

You learn in this moment that you actually can bear it. You can bear anything, as long as you know that very soon, you won’t have to bear anything at all.

“You wanted the truth?” you say, suddenly, the relief flooding through you that the worst has happened, that you’re now actually free. You think of the fabric of the dress, liquid stars over a night river, and wonder whose body it will caress, with Sylus’s big hand on her waist, his gentle fingers drifting across her collarbone, his forehead pressed against hers, for whatever ruse he needs to run tonight, on Christmas Eve.

He grows still. Watches you carefully, as if searching your face for a trick. You look back at him steadily, scooping everything inside you out, letting it splatter onto the sidewalk, here along this dark riverbank.

“Will you give it to me?” he finally asks.

“As a parting thank you gift, for cutting me loose.” You nod. Take a shuddering breath of the frigid air. “Here is me telling you the truth: you should treat the woman who ends up wearing the dress you got with more gentleness than you did me at the beginning. You could have the world eating out of the palm of your hand, if you skip the cruelty at the beginning and just treat people the way you treated me in the last few months. She’ll do anything for you, I think, if you do. Because somehow you made me love you, despite our beginning. I could bear to cut everyone else loose but you.” You laugh, and the sound is like icicles snapping, shattering on the ground. “Thank you for doing it for me, instead. It’s probably the kindest thing anyone has ever done for me.”

You smile at him. 

You don’t know why you’re surprised that he just frowns deeply, brow furrowing. 

Well. That’s okay. You never expected him to be pleased to see your face, smiling or not.

“Good luck, Sylus.”

You turn, begin to walk back the way you came, for the second time tonight. Your thoughts are already at the bridge. You’ve been falling for months now. Soon you’ll finally hit the crystal water and shatter. 

You hope you won’t be reborn.

“You said you love me.” His deep, low voice is carried by the wind.

You stop, turn your head. “Stupid, huh?” you ask, wondering if he wants to pour salt into the wound you just willingly exposed to him.

“Why would you love someone who treated you the way I did?”

You turn fully, face him across the night, one last time. “You’re so fucking funny. I’ve always appreciated men who can make me laugh.” You shrug. “And I’m a pathetic fool. You pretended to be kind, and I lapped it up like the thirsty dog I am.”

He tilts his head, takes a step towards you. “That’s all?”

You take a step back. You don’t need him and his pretty face, his delicious scent any closer to torment you.

You offer him more truth. “Of course not.”

“What else?”

You sigh. “What does it matter? We’ll never see each other again.”

He shakes his head. “Indulge me.”

So salt, it is. You press your fingers into the most tender part of yourself, peel yourself wide open. “Your cleverness. How sweet you can be when you want something—strangely pliant, for such a big, powerful man. The self confidence you have. I could say, do anything and you did so well pretending to never be embarrassed of me. You made me believe, very briefly, that you really wanted to be with me, do anything, go anywhere, just because I was there. It’s quite impressive, really. I can see why you’re so good at business. You’re competent. You’re beautiful to look at.” You pause, shake your head in turn. “But you already know all that. You know why you’re loveable. You made me feel cherished in a way that no one ever has, even as I was pushing you away. But honestly, those are just parts of you. They don’t fully cover what it is about you that makes my heart ache when I look at you. I love you because you’re you. Even hearing your name makes my heart race. Seeing your shoes in my foyer, because they were on your feet. The curve of your wrist, because it belongs to you. I know it’s pathetic, and stupid.” You shrug again. “Can’t help it, though.”

He stares at you. 

You prod him. “Is that enough?”

“How can you ask if that’s enough, when it’s everything?”

You look at him in confusion. “Huh?”

He takes a step towards you, frowning. “Are you only telling me all this because you think I’ve finally given up and allowed you to push me away, because I set you back on your feet?”

You take a step back, as he takes another step forward.“What do you mean ‘I think’ you’ve given up?” You squint at him.

“Did you only tell me all this because you’re going straight back to the bridge to try again?”

You take another step back at the intensity of his face, his question. “What does it matter? You don’t have to worry about what happens to me after this.”

He takes two steps. “You tell me you love everything about me, and then you plan to fuck off and leave me alone again?”

Okay, this was a mistake. You don’t know why he’s mad, but he’s mad again. “I’m sorry.”

You don’t know what else to say. You’ve been sorry your whole life. This is yet another miscalculation. You should have just left. What did you think would happen if you told him how you feel? That he’d be happy about your pathetic heart bleeding pitifully for him?

He strides over to you, his long legs outpacing your own. “If you’re sorry, don’t fucking do it.”

“What?”

He looks down into your face, so close you can smell him again, you can see the fine lines around his eyes as he frowns. “If you’re really sorry for loving me, for ever meeting me—which are the only things you have to be sorry for, then make it up to me by staying. Don’t leave me. Don’t push me away anymore. Just stay, and love me.”

You huff. “Are you really that desperate for help tonight?”

He lifts his hands, places his palms on your cheeks, his long fingers dipping into your hair. “No, I’m desperate for you tonight. It’s Christmas—I don’t give a shit about the holidays, but I know you do. I want to spend it with you. You made me watch you jump off of a goddamned bridge. What would have happened if I hadn’t already been on my way to you?” He sounds so upset. You’ve never seen him like this. The fear is naked on his lovely face.

“What the fuck are you talking about? What does it matter? You said you could get someone else for the dress, for tonight.” You’re so confused. Why is he acting like this?

“I didn’t say any of that. You suggested that I replace you with someone else, I set you on the ground to make sure you were looking at my face, that you were listening to my words when I told you that you’re irreplaceable. That no one else will do. That after watching you almost die, I can’t continue being cautious and trying not to frighten you away anymore.”

“You… what?” 

“You love me. Right? You weren’t lying?” he looks uncertain, like he can’t quite believe it.

You can’t bring yourself to lie. The truth is out. You’re witnessing the fallout. There’s no point in backpedaling. “Yeah.”

He nods, once, decisively. “Okay. That’s enough.”

You sigh in relief. Maybe he’ll let you go, finally, finally.

He checks his chunky watch, the platinum flashing in the lamplight. “There’s still time.”

“Time for what?”

“For my plans tonight. Come.” He closes the distance, sweeps you into his arms again, cradles your body against him like something fragile.

“What plans? Listen—” you start to argue.

“No. Now it’s my turn to speak, and for you to listen.” he squeezes you tightly. “Today was the last day you spend alone. If you can’t live for yourself, then you can live for me, until you remember why you want to live for yourself again. No matter what you say, or what you do to get rid of me, it’s not going to work.”

You can’t even process what is happening. “What are you—?” you begin, but he cuts you off again.

His voice is strained, rough. “You love me. So you have to take responsibility. You have to stay.”

You don’t know what to say. 

I’m desperate for you tonight.

You can’t believe this. He hates you. He has hated you from the beginning. He was so kind to you because he wanted to use you for something he never bothered explaining to you. He needs you for your resonance, your amplification of his powers.

You’re irreplaceable. No one else will do.

Because of your resonance?

I don’t give a shit about the holidays, but I know you do.

He carries you along the wind-swept riverbank, through the frigid night. Stars above, stars below.

You made me watch you jump off a goddamned bridge.

You didn’t think anyone was left to care.

You were so careful, severing ties like arteries, so that you wouldn’t leave the world with more pain than you found it. It was already bleeding so much.

You just were so tired of bleeding with it.

As if sensing the turn of your thoughts, Sylus carries you to the edge of the river’ embankment, where the concrete falls away, drops into the water.

He sets you down again, but doesn’t let you go. His big hands slide down the outside of your coat, dip into your pockets.

He pulls out a smooth stone. Turns it in his hands.

“I’ll never understand how someone so light can weigh so heavily in me,” he murmurs, almost to himself. “But you’re a weight I’ll carry for as long as you let me.”

His ember eyes flick back to yours. He hands you the stone.

“This is your conviction that the world won’t miss you, if you’re gone. You will hold it in your hand, one last time. And then you will throw it in the water.” He wraps your cold fingers around the stone. Somehow, his fingers are still warm.

You grasp it, look up into his face. You see yourself in them. It hurts, to be seen so clearly. You’re so ashamed. “How did you know?”

He closes his eyes, shakes his head a little. Opens them. “I looked into your soul, the day we met. I know you’re too soft-hearted in this life to kill yourself if you thought it would hurt someone else. You don’t carry that spite, anymore.”

In this life.

Anymore.

You can’t bring yourself to ask him what he means. You only know that once again, Sylus Qin has seen inside you, has seen you, in a way no one else ever has.

“But I don’t think anyone would miss me. I made sure of it.”

He huffs. “You’re a fool, if you actually believe that. The people you’ve pushed away still love you. But if you can’t believe that yet, then you can’t pretend to yourself that you’re disposable anymore, if for no other reason than I’m standing here now, telling you that I would miss you.”

You think of Tara, sitting on your desk, nudging a steaming latte she got for you on her way to work toward you, asking if you’ve heard the latest about Simone and Andrew.

You think of Xavier, walking you to your door at the end of a nasty wanderer encounter, reaching out, brushing a bit of mud off your cheek, then smearing it across his own cheek. See, we match now.

You think of Zayne, waiting across a busy hallway, patient, letting you choose to approach him, and respecting you by letting you walk away.

You think of Raf, the beauty he shares with you with every photo, the funny strings of emoji that don’t demand an answer.

“How do you know, that they would miss me?” you ask Sylus quietly.

“I’ve been watching you for a long time, sweetie. Do you think I haven’t seen your friends’ faces when you walk away from them?”

You clutch the stone in your hand. “I don’t think I can change my thoughts, my conviction, just like that.”

“You love me, so you have to try. Throw it. Every time you try to drag it back up, I’ll remind you that you threw it away, and you can let it stay at the bottom of the river.” He reaches up, caresses your cheek with his fingertips.

You want to cry. You want to cry, because you’re so afraid. If you let yourself believe that people love you, you have to stay, for them. You have to feel, every day, the weight of grief, of existence, the pain of being alive, of being inside yourself, your body. The hollowness will return, even with your friends, even with Sylus filling most of it.

It’s like he can read your thoughts as his eyes devour your face, as his fingers tuck a lock of hair behind your ear. “I won’t let you pretend, anymore. You love me, and I will not survive if you aren’t here with me. So you have to stay. We don’t have to accept that life is a curse. We can fight back. Make it something better.”

“I’m scared,” you say.

His eyes are so tender, as he watches your mouth form your biggest truth, set it free in the night. “I will protect you, until you can protect yourself again. There’s nothing to be afraid of, if we’re together.”

You want to believe him. Your heart beats painfully behind your ribs. The moon is a sharp crescent in the sky. 

But you’re a weight I’ll carry for as long as you let me.

“You’ll really stay?”

He finally smiles, a faint Sylus smile that feels like a grin. “I told you. Today was the last day you’ll ever be alone. You can’t get rid of me now, no matter what you do, or say.”

You turn, holding the stone in your cold hands. You think of all the lies you’ve been telling yourself, about your friends, your place in their lives, because you were so tired of living with an unnameable grief, one you carried inside you long before Caleb and Josephine died, but whose loss compounded, made unbearable the original sorrow.

And I will not survive if you aren’t here with me.

You don’t know why he feels this way. Does he love you too? He hasn’t said so. Can he even love you, in the way you love him?

Does it matter? 

It’s enough, that he says he’ll stay. That he wants you to stay alive. That he’ll help remind you, when the whispers drift back in your mind, telling you that you’re just a burden, that no one actually loves you, would miss you when you’re gone. When the hollowness echoes so loudly it’s all you can hear.

You lean back, lift the stone, throw it as hard as you can, as far as you can, into the rushing river.

You don’t hear its splash over the wind.

You turn back to Sylus.

He dips into your pocket again. Pulls out another stone. “Your guilt, for having lived. For having been born.”

You take it from him. Let your mind drift. Feel along the contours of your memories, the jagged, missing pieces, all the way back to when it fades to black. You throw the stone.

You don’t see it sink to the riverbed.

He dips into your pocket again. “Your shame, for needing others. For being human, and imperfect. For not being able to do it all alone. For wanting to be loved.”

You take the stone. “Is it really okay?” you ask, helplessly. There’s no point pretending everything he is saying isn’t true. “To want these things, when I haven’t earned them?”

He steps closer to you. Places his hands on your shoulders, draws you in. “There is no okay, or not okay. There is no crime and punishment, no transgression, no sin. How can it be shameful, to want what you were born to want? Why does love have to be earned, instead of just given?”

You lean into him, press your face into his chest, his thick wool coat soft against your skin.

“I don’t know.”

He reaches into your pocket, places a stone in your other hand. “One for your shame, one for the idea that love must be earned. Throw them.”

You lean back again, and it’s already too far away from him. But you throw each stone, and they disappear under the cold water.

“That’s enough, for now. We’ll take the rest home.” He draws you back into his arms. Lifts you without effort, stone-filled pockets and all. The weight of all of you.  “When you have thoughts of shame, of guilt, of not being loved, we’ll come back. You’ll throw them again. Until they’re all gone. We’ll gather other stones, when other feelings make life unbearable. I’ll come with you, as many times as you need.”

Sylus carries you along the path back to the road that snakes along the river. His motorcycle gleams under a bright lamppost.

He settles a helmet on your head, checks to make sure it’s secure. Puts his own on. You sit behind him, cling to him. Rest your head against his broad back, close your eyes. The motorcycle is loud, and he drives it carefully through the busy, holiday bustling streets, until he reaches your apartment building. He holds your hand as he leads you through the front doors, as he stands quietly beside you in the elevator, his red, warm eyes never leaving your face in the elevator mirrors. He leads you to your front door, waits patiently while you unlock it with your cold finger.

In the hallway, he kneels at your feet, unlaces your tall boots while you look down at him, the soft fall of his silver hair, his big, nimble fingers working the laces.

He then removes his own boots. His coat. He’s wearing a garishly bright Christmas sweater, with prancing reindeer. He hangs his coat on a peg in the wall. He turns, slowly unzips yours. Eyes flicking between the zipper and your face. He gently lifts it from your body, again like it’s weightless, even though it’s still filled with stones. He pulls it from your arms, hangs it next to his.

He pulls you further into your place.

The first thing you notice is the warmth. It’s so warm, like someone came in while you were gone and turned on the heating.

The next thing you notice is the Christmas tree. The one you didn’t get this year, because the thought of the holidays without Caleb and your grandmother was unbearable.

Beautifully, tastefully decorated. Silver and gold, twinkling lights. Its pine scent fills your place.

Sylus moves to a record player on one of the cabinets along your living room wall. A record player that wasn’t here before you went to work today. He fiddles with the arm, and suddenly Joni Mitchell’s River fills your house.

It’s coming on Christmas

They’re cutting down trees

They're putting up reindeer

And singing songs of joy and peace

Oh I wish I had a river I could skate away on

He walks back to you. “Is this okay?”

I wish I had a river so long

I would teach my feet to fly

Whoa I wish I had a river I could skate away on

The music flows around you, paralyzing you. You stare into his face, into the warm glow of his eyes. How could you have missed this? The way he’s looking at you now? Through all the long months since the auction?

He tried hard to help me

You know, he put me at ease

And he loved me so naughty

Made me weak in the knees

Oh, I wish I had a river I could skate away on

The words wash over you, through you. The scent of pine warms you, memories without form filling you with the sense of home, safety, love.

I made my baby cry

I'm so hard to handle

I'm selfish and I'm sad

Now I've gone and lost the best baby

That I ever had

Oh I wish I had a river I could skate away on

He takes your hands in his, thumbs across your skin. “Is it too much?”

You think of how cold it was, standing on the guardrail of the bridge. 

You were running toward the bridge, while Sylus was filling your home with warmth.

What would have happened if I hadn’t already been on my way to you?

You think of him spreading out on your couch, as a fever raged through your body. You think of your freezer, filled with food. You think of the takeout boxes, still steaming, sitting in front of your closed door.

You think of him hanging delicate ornaments on a fragrant tree. 

I made my baby cry

You shake your head, the enormity of what almost happened filling you. The enormity of the choice you made, that you enacted, until Sylus pulled you back from the rushing dark.

You start to shake.

“Kitten?”

“It’s not too much,” you say, teeth chattering. “It’s wonderful. Thank you.”

He stares down at you, seems to make a decision. “Shower. Now.”

You nod, moving away from him, but he follows. 

Inside your small bathroom, he takes up the entire space. He peels off your hunter’s uniform, tosses it beyond the open bathroom door. His gaze flicks from your undershirt, your underwear, to your face. “Do you want me to leave?”

You think of the dark water, an impact that never came. Sylus plugging in the record player, choosing a record with one of your favorite Christmas songs on it. Placing it delicately on the turntable.

“No. You promised you’d never leave me alone again.”

He smiles a little. “I mean, leave the bathroom.”

“No. You promised you’d never leave me alone again,” you repeat.

He stares into your eyes. Nods. Lifts your undershirt. He reaches behind you, unhooks your bra with the same agility that he unlaced your boots. He lifts it from your body, watches you as he lifts it to his nose, inhales.

You shiver.

He tosses the bra behind him. Kneels. Pulls your underwear from your hips, down your legs. You step out of them. He stands again.

He leans over, his ridiculous, festive sweater soft against your cheek, as he reaches past you to turn on the shower faucet. As he messes with the knobs until steam begins to fill the small space. He nudges you forward, past the sliding glass door and into the small shower cabin, letting the hot water pour over you. You turn, watch him through the clear glass. He picks up your underwear, watches you as he lifts it to his nose, inhales as he did with your bra. His eyes close for a moment, and then open. He tucks the little slip of fabric into his pants pocket, sits on the closed toilet, rests his elbows on his knees, and continues to watch you.

You let the hot water flow over your tired, cold body. You stare at Sylus’s face, let it fill your vision, blot out the rushing river, the impact that never came, the idea of everything you would have missed, if he hadn’t pulled you out. Everything you would have missed, in such a short amount of time. What else would you miss, if he hadn’t caught you? If he could give you so much within an hour, how much would you have missed in a day? In a week?

What have you been fighting, this whole time? 

Just yourself. 

You think of the stones at the bottom of the riverbed, instead of your body. Your conviction that you’re not loved, your guilt, your shame, instead of you.

You stare at the man who handed you each one, and told you to get rid of them, instead of yourself. The man sitting in your tiny bathroom, filling it with his big body, his even bigger presence, staring at you, staring at him.

You stop shaking.

Reach for the body wash, lather your hands. Run your hands along your body, under your armpits. He frowns, eyes on your hands. You palm your breasts, dip between your legs.

He lowers his head, eyes still on your hands, rests his full lips on his long steepled fingers.

You finish lathering your body, let the water wash it away. He’s too far away, even this close, on the other side of the glass.

As you turn off the water, he stands, lifts one of your towels from the rack. Holds it out for you. You step into it, him, let him wrap it around you. He turns you both, so that you’re looking in the bathroom mirror, which is mostly fogged.

“Better?” he asks.

You nod, soaking in his warmth at your back, the steam of the bathroom. 

You have a question, a question you can’t bring yourself to say out loud yet.

You reach out with one hand. Trace a finger through the fogged mirror.

Sylus watches you, resting his chin on your shoulder. 

Letters, a question.

Do you like me? Circle yes or no

Sylus smiles again, lifts an eyebrow. He reaches out, takes your hand in his. He circles no with your finger.

You frown, heart sinking, but Sylus just whispers, “Patience, kitten,” and flattens your palm across like. Guides your finger again, just above the erased like, drags it through the moisture in an elegant script.

love

He then gently sets your hand down. Lifts his own, circles with one long finger, yes.

He watches your reaction in the mirror.

You had no idea.

This whole time, you had no idea, even though he was showing you, with every ‘chance’ encounter, his pestering you with questions about work, life, his silly stories about the N109 Zone. His packages at your door. Fever medication, a big glass of water shoved into your hands.

You think of the rushing water, what almost happened. What you almost missed.

“Why didn’t you tell me? Why did you let me believe you still hated me?”

He looks down at you now, away from your reflection in the mirror. His eyes trail your face, down your curved neck. He palms the back of your neck, his thumb drifting along the side, over a mole there.

“Have you heard of the myth that where we have moles is where someone kissed us in a past life?”

Even if so much has changed between you in just the last few hours, you’re reassured that Sylus Qin still can’t answer a straightforward question with a straightforward answer.

You shake your head. “No, I had never heard of that.”

Sylus smiles, and it looks a little sad. He leans down, presses the softest of kisses against your skin, the mole there. “Like most human legends, it’s a pretty lie. Not quite true.”

You laugh. “I could have guessed as much.” You tilt your neck, enjoying the press of his warm lips on your skin for the first time.

He opens his mouth, runs his teeth over where he just kissed you. Bites, gently.

You shiver again. Press your neck into, instead of away from his teeth.

He bites harder.

You gasp.

“I was afraid I’d frighten you with the enormity of my feelings for you, when in your mind, we’d only just met,” he murmurs against your neck, his saliva, the indentation of his teeth hot on your skin.

He bites again, presses himself into your ass through the towel. You realize he’s hard.

You forget about the last part of his sentence. Had you not only just met?

You lift your hands, let the towel unfurl from around your body, let it drop to the floor.

You almost died tonight.

What have you been fighting this whole time?

Just yourself. 

He tried hard to help me

You know, he put me at ease

You turn in his arms. He’s breathing hard, cheeks pink.

“You love me?”

He closes his eyes. Opens them. Shakes his head. “Love isn’t intense enough.”

“Adore me?” You lift your arms, wrap them around his neck. Pull his face closer to your own.

He shakes his head again. “Still not enough.”

“You won’t survive without me?” You lift on your toes, his soft sweater almost unbearable against your sensitive nipples.

He nods. “You’re getting closer. Can’t breathe without you. When I saw you jump…” He swallows, thickly. “You might as well have pulled me down with you, beloved. If it ever gets to be too much again, take me with you. I’ll never leave you alone again. Promise me the same,” he demands, big, calloused hands running up your naked sides, the fabric of his dark jeans rough against your body, where your thighs meet, as he helplessly nudges against you again with his hips, his hard dick behind his zipper.

I'm so hard to handle

I'm selfish and I'm sad

“I wouldn’t have known, unless you told me,” you breathe against his lips. “Promise that you’ll tell me how you’re feeling from now on, and I’ll promise to take you with me if I can’t leave the stones in the riverbed, even with you here.”

His voice is deep, rough like the fabric of his pants against your sensitive skin. “Deal.” He closes the distance, presses his soft lips to yours. Licks into your mouth.

And he loved me so naughty

Made me weak in the knees

His hands drift down your sides as his tongue dips into your throat, as he swallows your noises of pleasure, just from kissing him, his hands on you. He grips your ass, urges your legs around his waist. He carries you out of the tiny, steaming bathroom, manages not to knock you against the doorway, or into any furniture on the way to your bedroom, even as he continues to kiss you, as your hands in his soft hair probably block his peripheral view. He lays you down on your bed, the puff of your duvet. It’s so warm in your place that you’re not even shivering. You watch as he pulls his cheerful sweater and undershirt over his head, tosses them to the floor. As he unzips himself, hastily yanks down his pants and boxers, his socks. He blankets you with his big body.

You wrap your arms around him, pull him tightly to you, arch your breasts into his chest. He leans down, runs his nose along your cheek, inhales the scent of your hair at your temple. You just feel each other, for a long stretch of time. His soft chest hair against your skin, the silken skin of his dick between your thighs where he just leisurely rubs himself against you, as your palms run down the muscles of his back, the line of his spine. You’ve refused to think of him like this, ever since he wrapped his hand around your throat. You couldn’t bear his beauty, through all the long months that followed. You fled, every time your heart raced at the flash of silver as he approached you, met you where you were, over and over and over.

But now he says he has loved you, through it all. That he’ll never leave you alone again.

You let yourself feel him, under your hands, under your tongue, as you lick into his ear, feel him shiver. As you squeeze your thighs together, offering him a tight, snug space for him to keep pleasuring himself, as you feel your own wetness begin to coat your inner thighs, his cock, the longer you feel him on top of you, inhale the scent of his skin, the ever-present gun oil, the cloves, his clean sweat underneath it all.

After a lifetime, or only a few minutes, he leans down, says softly into your ear. “I want you. Tell me you want me too.”

“Can’t you tell?” you ask, bucking a little, squeezing him with your legs again.

He makes a low, pleasured sound in his throat. “I want to hear you say it. You’ve gone through a lot tonight. I need to know you actually want this. That you’re not just—” his breath hitches, as you move your hips again, as his dick slips between your wet, soft places. “That you’re not too tired to say otherwise, not thinking straight.”

“Use your Aether Core on me. Then you’ll know that my body is telling you what my mouth would, if I said the words.” You smile at him, teasing. 

I wish I had a river so long

I would teach my feet to fly

You had wanted to fly. You had settled for flying for a brief moment, before shattering. 

But Sylus is offering you constant flight, under, over, along his crow’s wings.

You think of the rushing water. The tide of cars behind you, the wind whipping your hair. You almost missed this. You don’t want to waste any more time.

He lowers his forehead to yours, breathes, speaks against your saliva-slick lips with his own. “I don’t want to use my Aether Core on you. I want the words in your mouth, in your heart. I want your free will, your freely given consent. I almost lost you because I tried to force you, at the beginning. You believed I hated you, this whole time. Don’t ask me to force you again, my heart.”

You understand. You accept his request, his demand. “I want you, Sylus.”

He exhales, shifts above you, slips his wet cock between your legs, slides into your body with gentle, firm, graceful waves of his hips.

You whine, the feeling of fullness layering into the pleasure of the warmth of his skin, the taste of his tongue. For once, the feelings inside you threatening to burst out of your skin are so good, instead of painful, so pleasurable, that you can barely stand it. 

He kisses you, his velvet tongue big, heavy in your mouth. You suck, whine again as he lifts a hand, palms your breast, begins to thrust into you.

You are filled with him. His warmth. The size of him.

You widen your legs, wrap them around his thick ass. Urge him with your own body to move faster, to fuck you harder. He gives you everything you want. Just the pressure of his body against yours has you coming, the release bright, sudden—you shake with it.

Your pleasure seems to trigger his. He grunts, roots into you, buries his teeth in your neck, bites where he bit you before, over the mole on your neck. The sting makes you clench, and he whimpers, groans, comes with a jerk of his hips.

He slows, still filling you, still pleasuring you, as he lifts his head to look into your eyes.

You stare at each other, breath mingling, warm between you. 

You smile at him. 

He smiles at you. Nudges your nose with his.

“Can we do that again?” you ask.

He laughs, low and surprised. “Yeah,” he says, kissing you softly. “Just tell me, and I’m yours, anytime, anyplace.”

“I’m telling you.” You move your hips, feel his cum drip drown your ass. Feel him gasp at your movement.

“Now?” He’s surprised again.

“Problem?” you grin at him. 

“Fuck no.” He kisses you, hard. Slips out of you. Flips you over, lifts your hips with one big hand, pressing his other between your shoulder blades.

He presses his cock back between your legs, the slide easy and wet, and fucks you until you come again, until he blankets your back with his sweat-slicked, matted-hair chest.

“Was that enough, your highness?” he teases.

“I’m telling you,” you pant, wondering what he’ll do. 

“As you wish,” he murmurs, before flipping you again. Before watching your face as he slowly, leisurely works himself, his cum into you, makes you come again. 

In the morning, the sky through your windows is heavy, dark, gray. You wake slowly. Turn your head, find Sylus’s sleeping face next to yours on the pillow. He’s lying on his stomach. You take in the dark sweep of his lashes, his generous mouth, slightly parted.

You slip out of the bed, use the bathroom. You wander into the living room, gaze at the Christmas tree, its twinkling lights.

It’s Christmas.

Caleb and your grandmother are dead. 

But you’re still alive.

Your body aches from Sylus’s efforts, but it feels good. For once, it feels good to be inside your body. To breathe deeply.

You think of riverstones, sinking deep in the riverbed.

You know that the feelings tied to them will try to rise, clawing to the surface again.

We’ll gather other stones, when your feelings make life unbearable. I’ll come with you, as many times as you need.

Your eyes drift to the top of the Christmas tree. It’s empty.

“I thought we should finish it together.” Sylus’s warm arms wrap around you from behind. He leans over your shoulder, kisses your cheek softly. “Do you want to do the honors?”

You smile, wrapping your hands over his forearms around your waist. “You’re taller.”

“Use me as much as you like, kitten.” He turns, grabs a pretty golden glass tree-topper from your kitchen table, hands it to you. He lifts you up onto one shoulder, easily, and you fit it gently over the highest point of the tree. He holds you against him, as he lowers you. You slide along his body, until he sets you gently on your feet again.

You both stand, admiring it for a moment. It’s beautiful, like the rest of the decorations.

You hug him, look up into his face.

“Merry Christmas, Sylus.”

He smiles down at you, ruby eyes twinkling with reflected light from the tree. 

You would have missed this moment, and all the moments like it, if Sylus hadn’t stopped you last night. You shudder, hug him more tightly. 

You know your feelings will return. That no one person can solve a lifetime of wounds. But you promised him that you’d try. That you’d stay. You can only do your best.

You hear your phone vibrating, reluctantly pull away from him, head to your coat in the hallway where you thought you left it last night, but Sylus stops you. He points at your kitchen island. Your phone is lying on the counter. You look at him in confusion, but go to check it.

You’re shocked at how many missed texts you have.

From Tara.

Xavier.

Your eyes widen.

Zayne, who you thought you had blocked, months ago.

Rafayel, who you’re sure you blocked last night.

Each one is a response from a text you never sent. Telling them Merry Christmas. Telling them you love them. Telling them you hope to spend time with them soon.

None of them shame you, call you out on your behavior of the last year. Even Zayne simply suggests that you try a new bakery, that you’ve been in his thoughts, that he’s relieved you felt comfortable enough to reach out. Rafayel sends a bunch of firework emojis, suggests blowing shit up on the beach for New Year’s.

You turn to Sylus.

He looks steadily back at you, silver hair sleep-tousled, wine-bright eyes glowing.

Your eyes feel hot, and you realize you’re crying, the tears fat on your cheeks, dripping down your neck. 

This is the first time you’ve cried since you woke up, your ears deafening, Caleb’s necklace bright in the reflected fire.

Sylus walks over to you. Leans down, licks the tears from your cheeks with his warm tongue, one after the other. He kisses you, ignoring your suddenly snotty nose, your morning breath.

“If it’s too much, we can take it slow. We can throw more stones in the river. But please answer your friends. You need them. And you’re a fool, if you can’t see that they need you too, if that makes you feel better about your own need.”

You continue to cry as you wrap your arms around Sylus’s neck. As he gently sways with you, to music that isn’t playing. He hums, and you think it’s Joni Mitchell’s The River, but you can’t be sure. You smile against his chest.

A thought occurs to you.

“Last night, you said there was still time. That you had plans for us, a pretty dress for me. What did we miss?”

Sylus sighs, holds you closer against himself. “Don’t worry about it.”

You stop, look up into his face. “What did you have planned, Sylus? Are you sorry we missed it?”

He smiles at you. “Oh yes, so sorry I got to spend all night fucking you instead of going to a holiday concert featuring the organ.” His voice drips sarcasm. “But we can go tonight, if you’d like to make it up to me.”

You laugh, bury your face back into his chest. “And here I had planned to suck your cock while watching a black and white Christmas film marathon tonight,” you say forlornly. You smile into his chest as he chokes. “Oh well, the concert it is.”

He just laughs, rich and deep, and continues to sway you slowly in your living room.

“Merry Christmas, my heart,” Sylus says against your hair, in your pine scented apartment, as snow begins to fall outside your windows, as your phone continues to vibrate, filled with the love of your friends.

Here you are. Again.

You’re so grateful, to be here, again.

[capslocked]

KINKVEMBER DAY: 9

[prompt: problematic relationships]

male reader x nana

10k words

"Do you have any idea how long I've thought about it?" Nana slips a finger between the buttons of your shirt. "You, me - us?"

And here, you actually, truthfully do not want to know.

So, go ahead, cue up the sound of a mental rolodex spinning out while you start to list the very real, very valid, very adult reasons you should never, ever put your hands on her. (1) She's too young for you, (2) you're kind of a community figure, or at least someone who has to appear to be one, and more pertinently (3) she was your student not long enough ago - in your ethics class, the irony of which is not lost on you - and that makes it the kind of dirty, low thing you'd feel guilty for even masturbating to. Let alone actually attempt to live through, no matter how insistent some parts of you might be to the contrary, a point emphasized by the pressure of her finger against the dip just below your sternum.

"These... oh, how should I call them." Nana hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

-

You're a high school teacher, interdisciplinary. Sometimes history, other times philosophy, you've also taught math - and once, egregiously, home economics when the faculty member whose usual duties consisted of teaching the class was out on a very sudden and scandalous maternity leave. But it's your love of literature that finds you in a bookstore near enough to the high school to sell more used copies of intro textbooks than actual novels.

You're paging through a book you'd say you're considering buying - if any of the store staff were to push the question onto you - when she appears at the other end of the fiction aisle.

You catch the look first of her dyed hair, this perfect shade of chocolate, to the edges, the fade-to-brown, cascading over where a more formal shirt would ostensibly have shoulders.

She smiles; it's pretty.

Then, you make the mistake of glancing down and seeing the modest rise of her chest beneath a crisp-collared sleeveless top; all your typical college-age tells but for the red flannel, rolled back down around her waist. Her fingers, long and thin, dangle from where a uniform button-down would taper off around her wrist, thumb rubbing lazily at her forearm. The briefest glimpse of her nails, all done up in acrylic - perhaps the most potent way to show contempt for an old dress-code.

You have, admittedly, also noticed the length (appropriately, the lack thereof) of her pleated skirt and those frilly stockings that ride so far up the creamy curves of her thighs that it has your stomach rolling and tightening when she shuts closed the book in her hands and says -

"Isn't it weird how most of the novels in the romance section are written by women?”

- she speaks with a slow deliberateness, like she'd only ever hoped to find one of her old teachers alone and slightly vulnerable in a used bookstore -

“Like, how do you think a man would even go about writing those kinds of stories?" She grins, because maybe this isn't really a question at all - not one meant for you, certainly. And for one wild moment, the rush of relief (she's not actually talking to you), then panic (she's actually talking to you.) surges through you.

But then the girl pushes another couple books along the shelf and continues.

"Because I'll tell you what, Professor - all this stuff," a flip-flip-flip of her fingertips against a leathery dustjacket, "about just feeling it, not being able to control it. It's all women, always women." Another wave of her hand to set another row of spines a-shuddering. "Do you ever think maybe people will get tired of listening to girls talking about feelings when what they really need to see is what guys would do?"

There are so many reasons you should turn and run. 

So many little flags, flickering wildly in your mind. This is one of your students. Was it this fall? Maybe the last; she had sat front-center. Never slept in, was one of your best by several measures - not simply in regards to the simple repetition of classroom work, but by her insistence on getting in the kind of heated discussion where one might dig their fingers through the innards of your lectures. Not just good - fantastic.

"Nayeon," you end up saying, flat as your suddenly paper-dry mouth can make it - with just the tiniest hint of unease. "It's been a while, hasn't it?"

And almost as if she knows that you're trying not to let your eyes dip any lower than the collar of her shirt, her shoulders do that lilting little move (hiking up and away just so), the one that your girls tend to learn a long, long time before your boys ever manage to figure out. She laughs out this pleasant sound, adds: "not that long, sir."

"Well," you're clearing your throat, looking around the bookstore like it might contain a way out, and eventually landing somewhere on her skirt, "you know how fast it all goes."

"Nana, by the way."

“I’m sorry?”

“Nana,” She gently corrects you again with this mischievous slant to her smile, and you start remembering: all the gossip and rumors, how she was being courted by these talent-scouts and labels. A prodigy, or as close to it as anyone from this town could ever get.

Your eyes are starting to sting again when she, this perfect-fit model of your worst impulses, runs her hand through her hair, tugging at the roots a little bit, a silver wristwatch falling slightly down the perfect length of her forearm. It almost hurts not to reach out and steady her. And it definitely shouldn't, but it has you breathing a bit faster. The rationalization: you are a man, and there is a perfectly ordinary part of you that might be aroused by any amount of smooth, inviting skin. That's fine. You're fine.

"Just for the record," Nana starts, still looking like she wants to put a hand forward and hook one long fingernail into the buttons of your shirt. "You were, like, absolutely one of my favorite teachers."

"I guess it's nice to hear I'm not a complete lost cause," you say.

She snorts. "Oh, definitely not." And maybe because, after all of the years you have been teaching these soon-to-be lawyers, politicians, and doctors, you've come to not look down on them for saying the wrong things so much. Though you do envy their absolute ability to say the wrongest of things - just so - just on purpose.

"Are you," you nod at the thick stack of paperback novels that she is still holding, and with which, suddenly, she's bashful and flustered - this perfect shade of pink blossoming through her cheeks. "Actually here to buy those?"

The response: a demure little shrug. A drawl. "We all have our vices, professor."

"I'm not your teacher anymore," and remembering at the last moment, "Nana, you can drop the honorifics, please."

She holds a book out, cover turned toward you, and your mind stalls - even your fingers slip a little where they are resting on the spine of your own paperback purchase. The title is an affront to literacy, and the art on the cover seems to have been produced only with stock photos, gaudy.

"Have you heard of it?"

"Can't say that I have."

"Well," she laughs and has the courtesy not to lay it at your expense, "it is so good." Then, without missing a beat, she twists her lips together, and finds the book flush against your chest. "I'm sure it beats reading textbooks and essays about the merits of Locke and Hobbes' life-after-death stuff all day, anyway. An hour if you can spare the time? I'd love to hear your thoughts on it"

And - ah, there it is. The push.

-

There is a zero percent chance that, after any of this, things will end neatly for either of you. 

You still wonder, slightly, how long Nana will keep up the charade before breaking character - because there's no way in hell she doesn't see what she's doing: wrapping you around her pretty fingers, her shiny, manicured nails, twisting every chance you get to reject her into an excuse to linger that little bit longer.

But it's well over an hour spent at the cafe-end of the bookstore, where she orders an iced-coffee and fills you in on the details you don't really need to hear, what she's been up to these last couple semesters - playing twenty questions; questions about other faculty members, the school, if the school newspaper is still anything like it used to be (for the record: no), then coming back to if you've been seeing anyone lately. That last one slips in so naturally you can't stop yourself from taking a slow drag off of the straw in your drink and answering: "not recently."

Because no honest deed goes unpunished, or however the saying goes.

"Hey," her hands splay out over the tabletop, pushing the cold, condensing water of her glass, smudging where a finger drags a line through the pool.

Maybe she knows. How you're already caught, and there's no going back, which is to say you're perfectly free to watch, hungrily, where her throat moves, and then where her lips part.

"I’ve got the perfect thing for that," and for one unhinged, hysterical moment you picture it, Nana: lying back against a counter or maybe in the cushions of a sofa, panties thrown carelessly over her shoulder; heaving out this soft, heady gasp. You: pushing inside of her for the very first time, both of your legs bracing, the heel of her foot pressed into the small of your back - but before you can convince yourself that she can't be talking about that, and just barely before the air gets stuck in the back of your throat and you realize that you might be so thoroughly, tragically fucked -

"Read this." A snap back into the here and now. She is looking at you very pointedly, not naked - but beautiful and perfect as she leans a bit into the table and crosses those lovely, lovely legs of hers, and tilts the copy of that awful, awful filth at you.

"Nana, respectfully, this is drivel," you say, immediately and plainly, listening to Nana laugh out loud as you glean more than you need to know from the info on the inside cover. "They've crossed like five major genre boundaries for a hook-up. Why should anyone bother?"

"Come on." She waves it off with a careless gesture of her hands. "There's plenty of things to like. Maybe you should give it a chance - broaden your horizons, teach. Besides - the sex scenes?" She rolls her shoulders with the same shrug you remember watching so carefully all those times she made her way, out of the hallways and back into that front-and-center-seat she was always occupying whenever the bell rang. "So filthy. I can show you one of my favorites."

"Doesn't really seem like appropriate reading material for -"

"You said it yourself," her voice has a bright, saccharine tone, just on the right side of strained. And between sips of that straw stuck in the purse of her pert, little mouth, she draws that next sentence - the ice cracking, thinning under your feet -

"Not my teacher anymore."

Nana smiles; this brash, cock-sure thing that reminds you, as you try to clear your throat of the nerves making a bed there: you are actually so, so fucking gone on her. So far gone it hurts, when, with a flourish and a bounce and a complete, reckless lack of discretion, she starts paging through the first chapters.

"Who says you can't study these kinds of stories on an academic level? Think about it: sex sells. Whoever ends up writing, it's a whole lot easier and a hell of a lot cheaper than trying to do it all yourself." She looks up, this mischievous twinkle in her eyes, as she angles her fingertips down on the book and opens it - page after page of very obviously poorly-written sex. You look, not even consciously.

But of course, her fingertips drift lower and lower along the pages until it's evident: she doesn't have an exact page in mind, but only a particular passage -

"Here. Let me show you, just one."

"Alright, fine," you start - trying for an effect of exasperation, something to mitigate this god awful throbbing, "whatever - you get one, one sample paragraph and I'll, you know, whatever."

"Yeah, you'll definitely see. Just trust me. Just the one."

She drums her long, gorgeous nails against the table, then eases back with a finger highlighting the text.

You're screening and scanning the words as she tells you about the heroine in the story: a pretty girl who comes down with a bad case of infatuation for her teacher - unrequited, of course. And then, into a passionate affair, of course; all the most raucous, explicit details laid out over the table for everyone else to hear. She says it is about as nonchalantly as though she had been reading you the daily weather forecast and not an elaborate metaphor for - and here, you stop her.

"He cums on her desk?"

"Fucking hot, right?" She nearly snorts and gestures you onward, her eyebrows jumping - go on, go on.

So, you skim along: a heavy rush of nausea (alongside another) pulsing down around your gut at the thought of actually doing such a thing, your ears going hot and your legs crossing on instinct. There's not so much a breath of hesitation as Nana, cool, unfazed, and utterly unaware of the uncomfortable churning of your stomach and the simultaneous thrumming in your cock, takes another deep swig of coffee.

She hums, thoughtful. "Honestly? Kinda wished it happened to me like that. You were a good, good teacher, professor. I wouldn't have minded your hands all over me." You hear her laugh, and the entire universe collapses like the end-days. You are struck down with feverish conviction: this girl is the worst. 

"Anytime you wanted," she adds, so carelessly.

There's a clunking sound, of glass on wood; a half a second where you almost lose control over yourself.

“Nayeon,” you let slip, the old name - a mistake of an invitation she grasps like a weapon. All coming to a glint in her eye that says she knows how you see it, how you can still picture her sitting with her hands folded over the skirt of her uniform, chest rising and falling beneath her cotton shirt. Studious, taking notes, acting every bit the naive sweetheart everyone believed her to be.

You shudder out some pretense of composure and settle back a few inches as she continues to coax a reaction out of you, prodding: "how many girls did you make confess back then, hm? Did it ever do them any good?"

"Dial it back, Nana."

Her expression is all feigned, gentle surprise. "But sir," she looks at you so innocently, "you said I should drop the honorific."

You want to argue that, you also want to tell her off for being such a brat - to demand that, instead, she cut the shit, sit back, and remember who you both are, but when, with a wink and a smirk, she's getting up out of her seat, Nana sets a gentle, reassuring hand on your shoulder as she pushes her chair back beneath the table. You get onto your feet, and when the two of you are stood close together like this - she's really and truly that much smaller than you remember. Waist so tiny you think you could almost, almost wrap two hands all the way around her; skirt rising all too easily when she tosses her weight between her heels.

"I hope you know what you’re doing," you tell her, sternly - the voice of a teacher whose patience is running thin.

But no matter where you look, the consequences are dire and immediate: an abject fascination, a kind of debilitating greed; the absolute fucking loss of ability to look her directly in her eyes. Not like Nana isn't staring right through you. There's no doubt some part of her relishes the feeling.

"Hey, what do I know?" This sweet, demure-like chuckle follows. "It's just porn, right?”

-

Eventually, Nana says to call it a night because the sun's long set into the horizon and the chill starts getting at the both of you.

She tells you while you're packing up your belongings to come by again sometime, her voice teasing as she explains that you should pick out a new novel to read for your benefit.

Which is possibly the ideal outcome, all things considered, if it wasn't for the way she found herself in your hands just a few paces into the parking lot - no one around to catch you, where you're gripping fast onto her wrist and pressing the lines of her body into door of your car, looming and ready to give a piece of your mind.

You know what you ought to say - things like don't bother, you've enjoyed her company, she's fun and sweet, and in a dozen different ways: be a good girl, and go home. You had your fun, didn't you? But she's practically begging, those huge, wide doe eyes that stare straight up into your soul.

"C'mon,” her voice lilts into a deeper, more purposeful register, “you wouldn't turn down a student on her way home, would you?

(This fucking girl.)

She speaks of propriety, like you aren't a man of your own principles - like you aren't reaching down to press a kiss to the swell of her lips like she undoubtedly deserves. To lick into her mouth and pull and kiss and bite until she's trembling, teeth caught in a delicate whimper. Or, that you aren't running your hands down her sides to find the backs of her knees and draw them upward, hooking your hips flush against hers.

She's all too breathless, watching you draw off her lips, fingers fast in your shirt, your hair - holding you close.

Then finally, a true, honest reflection of your heart. Nothing less than sheer and utter capitulation: "let me take you home."

Nana just nods before wrapping her arms around your neck and kissing you again.

-

It's definitely on you for expecting anything different, but Nana fucks like she talks.

Conceited. Brash. A little selfish.

The girl's sitting there on her kitchen counter with one leg hooked over your shoulder. She's stripped herself down to near nothing save for those fuck-off ridiculous panties: slick, shiny with a thick strip of satin between her lips, complete with white lace frills and all; the same ridiculous pattern as the thigh-high stockings clinging tight around the soft-gentle fat of her legs and the lace top of her garter. Her pussy - all tight and pink and soaked - has left this shimmering, shiny mess that's trailing down the insides of her thighs.

Your fingers are in the elastic of her panties, near bruising the curve in her waist where she's rocking, flushed and keening against your grip.

You tell her, "take these off."

"Off?" She repeats it back to you with the same little grin: playing dumb, the smart, charming ass she's been all night.

"I'd tell you what I really want to do to you," you start, pushing your fingers in a little harder, eliciting another pretty moan. "But I'm really, really sure you can fill in the blanks yourself.

"I hope you're not planning on being rough with me," she teases, running her hands all through your hair as she pulls herself against you - and of course, it's her audacity to insist, "no marks." She drops a chaste little kiss along the underside of your jaw. "At least, nothing that might show up on a camera."

Someone with a little less baggage might have done just that. Might have jerked her panties down a couple inches further - ripped the cloth, exposed her even more. You might have followed the waistline further along the perfect round of her ass, found those dips and dimples that, maybe, no one else has ever gotten to explore. You may have grasped at the ends of her hair and gotten your fingers in her pussy without ceremony - driven Nana to the very brink of her climax just before palming two greedy handfuls of that ass - shoving yourself right there between her lips and, lost to shame, put a fucking kid in her.

All the things she must be dying for you to do.

"Something the matter?" She pushes her mouth into yours for a kiss that has all the urgency of a lazy Sunday morning. Your tongue against hers, languid and gentle at first; wet-sloppy, kissing and sucking on her bottom lip. You can feel her smirking when she says, "don't tell me you've forgotten how."

It's a lot, the effort you're putting in not to crumble - to crack at her taunts, snap your restraint, the temptation. You just wanna grab her pretty tits in both hands, shake her, and say: "shut the fuck up." But no - even in your wildest fantasy, you want to hear her first - beg you to make a wreck of her. So you force the words between your lips, dry and cracking:

"Not a fucking chance."

A laugh. "Guess I'm in good hands, then. Have to admit," Nana slides her hands down to hook under your own, bringing them lower. She grinds your fingers in slow circles over that one, aching, perfect little bud - a shock that has her curling tight inward until she's whining, clutching at her waist. "Not the - not the situation I had in mind."

Nana shifts her weight a bit more on one hip, guiding you through rubbing along the entrance to her slit - sloppy with precum, silky and aching - and when you place just the lightest pressure over all that hot skin, she opens her mouth: 

"Ah."

Her eyes, her hair, her fucking mouth - you can’t look away - she’s so gorgeous it hurts.

Even the way she pants; the perfect furrow between her brows. And then, you dip a finger inside her, just to the first knuckle. It’s enough to make her whine, all shaky and high.

"Go on then, with how you’d pictured it," you press, already easing your digit in and out; slow, slick pumps that she is growing hotter, needier around. "I'm sure you've touched yourself to it more than a few times. The details and - stuff - must have been vivid."

"You haven't the slightest clue."

A brief kiss. You coax another shy sound from her, drawing a long sigh against her mouth -

"Try me, Nayeon."

"This is a lot closer to the truth than you’d think, professor." This time, no correction, she just smiles wide and tosses her head back, asking, sweetly, as if to absolve you of the responsibility. "Do you have any idea how long I've thought about it? You, me - us?" 

Nana slips a finger between the buttons of your shirt and starts to pull.

On that detail, you actually, truthfully do not want to know.

"These... oh, how should I even call them." She hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

"You know," you start. And by this point, her cunt's that much tighter. You've managed two fingers now, but no further, and she's making these desperate, punched-out gasps. Her clit's a swollen pink nub, jutting out from its soft hood. "I really had you pegged all wrong."

"Not - not at all. You can fuck me just fine, trust me - ah. Please, you can fuck me anyway you want."

And here, you grab a little higher on her hips, pinching her on the outside of a thigh, and begin working your fingers fast. You've never cared much for teasing, not really, but something about the way she squirms in your grip, tries to lean up and grasp onto your shoulders with shaking hands, it gets you smiling. It gets you grinning, even, especially the way she makes these pretty noises: a long, desperate little, "ah," at each press and thrust, her breath going high and uneven. 

"Listen, Nana -" She squeals out loud when you push your fingers just a little deeper, a little bit harder. "I'm not going to talk about what a slut you've been today or how badly I want to spread you wide open," you can already tell it's affecting her: the sudden change, the subtle hitch in her breathing, the tremor where her thighs press together. "Tell me about you, about your little ideas. Let me help."

"Wouldn't be fair." Her pussy's getting tighter, urgent with want. And still:

"C'mon now. Humor me a little. There was probably-" you say, sliding down that ridiculous pair of underwear along her ass, tugging them over the curves of her legs - so slow and easy, all while you're not bothering with easing off. Nana moans again; voice pitched. "Lots. Lots and lots of dirty things - and, I'm willing to bet my career that they made you a hot, mess - an awful, soaking fucking wreck. Who could've guessed? You, of all people, with just the right kind of teacher's-pet-appeal, hm?"

And you meant it to be a joke, just some ribbing. But the question has her immediately tensing, looking at you very intently, no trace of shame as she snaps back -

"Your mouth." She rocks forward. "Your fucking mouth."

You shouldn't keep touching her, you shouldn't keep staring, you shouldn't push her flat on her back and shove your face right into her cunt, you should pull away before this goes too far - it shouldn't be your fingers drawing out sopping-wet gasps out of her pussy, nor should you press your tongue to her cunt, your mouth to all that delicate flesh and, at your first taste, shiver.

Nana laughs: shaky, nervous. Then, your fingers sink back into her pussy alongside your tongue, your lips, the way even your hot breath against her aching pussy has her all stunned, breathless - and -

"Please."

- right before she breaks off into a beautiful sound that catches her hard in the chest.

(A sound like you’re all she could ever want in this life, maybe the next; it’s this wordless plea.)

"Hah, I had - ah, had so much - hah - dirt on you, used to masturbate thinking - ah," and there, she arches her spine, forcing a sigh out, "thinking about how you might punish me." She laughs - nearly choking. "How you might break down all your veneer of being a good, moral man and fuck me raw and rough and - ah - fuck. Oh god, fuck."

You twist your fingertips up just so, right against this perfect spot in her, and all the sudden the entire line of her body seizes - stiffens up, the muscles in her thighs twitch as you both moan through the moment, the spasms reverberating in your own ears, loud and unashamed, right against her wet, wet clit. Your fingers are fucking and fucking and fucking away in her cunt, harder and faster and sloppier, every word, every groan, every gasped breath only making it easier to forget. To give in. And with every heavy slap and squelch of your fingertips digging in as deep as her body allows - you're sending her that much closer.

You pull back long enough to bite out: "cum whenever you want, Nana.”

She can’t, she can’t, she can’t, is what she’s trying to say, bracing against how your tongue moves around her clit, and she knows, there’s no use fighting it.

A kiss against her swollen mound and she writhes. “There you go sweetheart, cum for me.”

Nana comes undone. Gradually at first, then vaulting over that edge all at once. She lifts and lowers her hips - pushing your fingers into the smooth, velvety muscles of her cunt; rocking up and up again. It's a torturously slow kind of grinding, and her feet find purchase on either side of you as her toes curl, one heel digging into your shoulder. An assurance; a promise; a lifeline; that she might tremble and shake through it, moaning.

“Fuck,” and, “god,” and, “you’re gonna make me-” slip past her lips alongside all the assured gasped-out cries for relief - the orgasm sweeping through her, tearing her apart.

Back pitching, shoulders narrowing, face twisting, cinching tighter and tighter -

Until she collapses.

Until it’s over.

As she lays there, chest heaving, arm draped carelessly across her forehead and half over a kitchen cutting board - her thighs splayed open, fucked and spent - she's so, so beautiful.

And it’s in that sort of fucked-up-noodly-state where she just slides right into your arms - those long, slender legs wrapping tight around your middle. "Here's the deal," you say, grabbing hold of her hips and steadying her, as best as either of you can.

"Hm." This lazy, sated look, the way her tongue's dragged out - slow and slick - across the top of her teeth and bottom of her lips. "Go ahead, sir. I'm listening."

The lip service - that coy little appeal to authority that maybe you’re actually plenty fond of - it makes you stop for the barest of moments. This girl, she's unreal. How hard could you ever be asked to resist her?

She lifts a brow. "Professor."

So you continue:

"I'm going to get out of these clothes, and we are going to see what happens after that - if you have a preference for the bed or the sofa, now's your chance to pipe up. Or else -"

"Or else-" She repeats, shifting her weight around again. You can feel how she adjusts her heels to hang higher up your ribs, rocking her weight against your abdomen, against your cock - and the instinctual twitch that runs through your spine is turgid and rough. Like a shot. If it had a smell, it'd probably remind you of gasoline.

And then, maybe just to rile you up even more: "the dining room table makes a good impression of a teacher's desk, no?"

You slide your hand along the backs of her thighs until you have a good, tight, high hold on them and pick her up, leaving the panties, the stockings, all of it down where they can gather dust or whatever - she giggles, and tightens her hold around you like she doesn't need to worry about falling.

"I'd rather fuck you into a mattress to be perfectly candid."

Nana throws back her head and laughs - this real, honest-to-goodness peal of laughter, a hint of playfulness where there was usually just a practiced ease. "Oh. So forward."

(In all likelihood, you're both going to hell, and on the off chance you meet down there, you figure you'll fuck her then, too.

You've read the myths, the Greek tragedies, the ones that have these gods descending from the heavens on human women, for pleasure and nothing but, you've read those stories and plenty more - the details don't matter: it's always a bad, bad end for everybody involved.)

She takes you upstairs. And the two of you fall through the doorway to her bedroom, stumbling all the way.

Her apartment is simple and clean in the way all young adults try to emulate, all white countertops, but with pictures hanging in little, neat rows on the walls and the space void of anything with some sort of character or history.

You know because you're fumbling toward a dresser or desk or bookshelf in an attempt to orient yourselves, bumping and tussling, half-blind, on your path forward and all of a sudden there's a goddamn framed photo in your hand - not of her family, thank god. Though just about every other person in the picture is familiar to you, you remember every single one - but all you're capable of focusing on is Nana, Nayeon: not quite the same. The same glint in her eyes, the way her smile has a timeless kind of quality, the faint dimples in her cheeks. 

And some wicked part of you is all too willing to ignore the whole timeline of events that has led up to you, Nana, like this: you want to pull her hair. You want to shove her around like she doesn't matter - is in any way disposable or replaceable; the most selfish parts of you wishing you could keep her pinned down by her slender neck; pressing a palm, bruising, into her collarbone as you start to work at your belt buckle and slacks with your other hand.

It's hard, getting a grip on yourself as Nana, sliding onto her bed and rolling across the sheets, pulls her stockings down the length of her legs - only stopping herself long enough to meet your eyes. Her throat bobbing.

“Of course,” she says, because your cock is hanging out by that point, straining and a little pent-up. "I fucking knew you would have a perfect cock."

"Flattery or sincerity?"

"Um, let's say both." She shifts around the pillow - that sweet little pout on her lips. Her gaze dropping from your mouth and running all along the length of your torso, lower and lower. Like her hands. And when her eyes flick up to meet yours, just when you're stroking at your cock, base and shaft, teasing yourself, well past the point of pretense, a devious smile spreads wide across her pretty, beautiful face. The implication: you aren't leaving here until you're cumming inside her.

And with a glimmer in her eyes, the sheer audacity, her fingertips ghost the underside of your cock as she draws up toward the head, "you're going to ruin me with this thing. You know that right?"

"A bit dramatic."

Nana moves to rest with the tops of her knees at the edge, her chin resting against the insides of her wrists, elbows propped up - poised, playful, everything she should be as the both of you regard each other a moment longer. "Can you blame me? It's not just that it's huge, I mean - I've barely even gotten a hold of it, and yet... god," she snorts. Her eyelids are heavy, mouth curved, almost a snarl as she drags her bottom lip through the grip of her teeth and sinks down onto the mattress.

"Say something filthy again," and this is a test, this is Nana testing you to see what exactly you'll get away with.

(Hint: it's a whole lot.)

She sighs. The image of indigence, innocence, everything pure and good you couldn't hope for. "Should I suck it or not? Or maybe, I don't know. Would you prefer me to beg for it first, ask if you'll put it in? Like, I think if you ordered me to put it in my mouth, right now, I wouldn't be able to say no."

"Really," the most sarcastic answer.

"Really," she continues. "For instance. If you came over here right now and guided me up and onto your dick and told me, specifically, that you were going to face-fuck me? I couldn't say no. No sir."

You could have her any damn way. You could have her, and you both know it.

"So tempting," you tease, mostly in earnest, "maybe another time, when my self-control isn't quite so lacking."

Nana hums a low, flippant sort of noise - like: whenever you're ready - and just how much trouble it gets you in, the mere suggestion, is what she is banking on.

"Hey," is her invitation, "I won't beg yet. You still want me to put my mouth all over it," and to emphasize, she slips her fingers between the plump pillows of her lips, smiling at how that makes you reach over the nightstand, accidentally pulling open a drawer, possibly reaching for the first aid kit, "or would you rather watch me stuff all these fingers in my wet, little hole."

A sharp inhale: it really would be fun, probably, but you can't take it.

"Nana," this voice, gravelly-ragged and harsh, "if you're planning to make me snap, you are, without question, on the right track."

"Then before that happens," she says, pulling you down into the bedsheets beside her. Your body flush against hers, the beat of her heart loud against your own; this gorgeous, pristine girl, so nakedly giving - this is an honor and a curse all rolled up together, no doubt.

And after a hot, wet kiss: "fuck me like I always thought you would."

(She was made to be like this; it's the only explanation.

Made for wanting. Made for fucking. Made to be loved and made to have her cunt fucked full - ruined by your fingers, your tongue, your cock. This absolutely perfect body, and all the delicious parts of her; this thing of desire, bashful and coy and that deserves all the world and, having none of the grace or courtesy to actually beg, orders, like she always knew she could:

"Like, right fucking now."

Or else.)

Then you're there - her hot mouth, her cunt, your fingers digging in bruising-tight all along the curve of her thighs where they meet her ass, hips, thighs, waist. She's pumping her soft palm and delicate fingers, slick with her spit and yours around the length of you and this isn't going to last long; not that there's any doubt you're going to leave her sore. But still, you drag the head of your cock across the swollen lips of her pussy, down through the plump swell of her clit until it rests where the ridge just begins and every slide, every pressure along every inch of your cock, the thought of being enveloped entirely in all that silky warmth is nearly the end of you.

A whimper, "professor."

You wrap your hands tighter around the smooth, firm muscles in her thighs; dragging your fingers back and forth across the supple skin there - just firm enough to elicit a reaction from the tension in her legs, until you have her flipped over on her stomach. Because if you're going to fuck her properly, it's going to be with her face buried deep into a pillowcase and you perched above her, holding her down against the sheets.

You watch her get her elbows underneath her, laying almost flat. Watch her trace the shape of her own jaw, her nose, her neck - the smooth expanse of her chest - as you straddle her thighs. With her ass pointed right up at you and the heel of her ankle gently grinding into the underside of your leg, you groan, placing both hands just above her ass. And once you're gripping the whole shape of her, you push your cock into her, just an inch, listening to the shift in her breathing.

She shudders, "don't tease - oh, please, sir-"

"Is this what you expected, Nana?" You grab onto her hair. Then again, when she tries to get her hands on herself. Her shoulders are high, tight. You just don't give her a chance; pushing yourself another inch, a couple. The pace, so gradual she starts making these soft, little breathless sounds as you stretch her tight pussy open. A few moments when she stops trying to bury her noises, her gasps - stops trying to angle her hips or squeeze or resist the thick shape of your cock where it is so, so hot and full inside of her - and there you stop. "What is it you had in mind, hm?"

"Ngh - oh."

Her cunt's clamping tight around just the first few inches of you. The tightness, the wet heat is staggering; how it pulls and begs with the words she seems reluctant to spill out.

So - you lift a hand, bringing it back down again onto the pale, rounded flesh of her ass with a smack, a gasp, and this wet sound from the sopping heat of her pussy, all aching and sobbing, "don't, fuck, stick it - fuck, put it - just. Just fucking get on top of me and pin me down - make it hard for me to breathe - do it, just. Like I, fuck, like I always wanted, sir, please-"

And you sink all the way in.

"Fuck." She bites into those consonants, a whole-body motion that pulls at the tension in her spine, the muscles in her legs. But her hips angle right up, and she presses her ass into the hollow of your abdomen and says, "thank you. Thank you. God."

"Don't get lazy on me," you say, grinding the tip of your cock in little circles; pulling it out and angling it down until it's prodding at all the right places to make her arch and shiver.

"Please," she says again, louder this time, almost a moan. "That. Fuck. Yes. It's."

"Yes, yes, I know. Nana, you-"

"Just use me. Whatever you like," she pants; then, once you've pulled yourself out to the tip, slowly filling her again, "use me like a fucktoy, alright. Because - fuck," Nana shivers, pushing her hips into yours. Her shoulders lower, as if by degrees, "please. Use me. Make it rough. Please, professor - use me however you want, I don't care - anything's fine with me - use me, as long and as much as you need, I. Please."

The real difference here, beyond anything else, is that this is no longer the game it was; the very instant she was sprawled across the mattress with a line of drool dripping into the sheets, all her bright, polished glory has vanished, leaving this bare edge of her exposed - the girl who lives solely to be fucked and used by your cock, her cunt leaking, begging for more. Reduced to the basics and nothing else.

"Your fucking cunt, Nana, the goddamn clench - you feel - it's-" (So fucking good, is what you can’t quite say, because she’s tight and wet and her tiny pussy is quivering like mad every time you bathe your cock in its scorching heat. Over and over.) It’s hard to think; you’re truly - truly - fucking her, but you can’t ignore the tautness in her spine either, bent below you. There are probably tears beading down her cheeks, but there's no helping the raw instinct screaming through the core of her being, pleading with you to pull yourself free, before sinking hilt-deep into her again, again, again - to a chorus of sloppy, loud, nasty, fucking whimpers and moans.

Like music. 

It's easy after all, how her pussy gives way to you. How she molds around you - sleeves onto you like a glove - like there was only one cunt in the world you should ever be fucking up and fucking apart. 

"It's incredible. Fuck. Just that perfect."

Nana, as best as she can, trying to stay steady, braced against her hands and knees, is raising her hips.

But it's clear with the way she's slipping all over, slicking the sweat off her palms and rocking her ass back into your thrusts, a cry falling out of her, unbidden, when she speaks and not.

"Please," she pants, through tears probably, this breathy-shivering. A renewed enthusiasm for your grip on her - where, in another place, you'd worry about leaving marks behind - for the feeling of your weight slamming down into her, driving the air from her lungs.

The sheets are a crumpled mess, pillows knocked from the mattress, where the two of you are shaking it apart.

You're pulling her apart, slowly, thrust by thrust into her sopping cunt, and in a promise of how you'll put her back together, you get your mouth on her shoulders, her neck, kisses in her hair, behind her ear - Nana just whimpers, curling her toes and ankles along the backs of your knees, her face against the pillow and gasping, "thank you - thank - thank-"

And when your palm smacks against the generous swell of her ass, again, she keens so perfectly for you.

It's a breathtaking sight, so good, so perfect: her flawless ass pitched high, round and flushed pink. The flutter of her eyelashes and the tears and drool. The outlines of her pale white cheeks sent into ripple after ripple, and then the way you can slide one hand forward between her shoulder blades and slip it into her hair, nails raking her scalp, grabbing a handful of hair in your fist and tilting her face - to the side, enough for her cheek against the pillow and the way her hips try to press against yours; try to chase the pleasure; this brash, gorgeous, slim-waisted, well-curved, exquisite young woman - like everything.

"Please," is all she says as you fit your chest up tight to her back and mouth at her neck - lick all along the sweat. "Please."

You can't take it anymore, can't keep watching this masterpiece, can't stand the molten heat wrapped around your cock every time the drag in and out of her pussy pulls sets every nerve on fire. Right in her ear: "I'm cumming, Nana, I'm cumming inside this tight, little pussy."

A short gasp, "yeah."

"Yeah. Inside, Nana. Cum inside, you -" You twist your fingers against her scalp and find purchase, an excuse - a means to yank her head around and lean into her, teeth against skin, that familiar coiling in your gut and the burning sensation that flows right alongside every slap and smack of her hips on your skin.

"Fuck me." You watch her bite down, swallow a sound, try to say: "fuck your load so deep inside me it’ll be all I think about for weeks, let me feel it, all that hot, all that sticky, fucking cum"

And you drag your hips, these final, punishing drags through her drenched cunt. Her fingers are white knuckled and fisting the sheets, until the very second you've pressed every ounce of your own body's worth into her own, when you're collapsing her spine and pushing her face into the bedspread, this wave rushes through your ears like the buzz and hum of insects and waves and things out of sync - the high, the peak -

And then:

Sobering, subjugating silence.

In fact, you're shuddering; You're cumming, spilling pools of thick cum deep inside of her. It's all in that warm, filthy sensation, a heady, hazy, desperate thrill when her own cunt seizes in its climax around you, trembling, throbbing, quivering, clenching; drawing everything out and taking your cock deeper - even while the whole of her is thrashing and bucking, all of this messy with her pleasure and her voice caught up, writhing and breathless.

"God-" is the last thing out of her mouth before you can kiss it quiet, tug on her lower lip and open her up like a present - messy and breathy, crying out, you're making this mess inside, this beautiful fucking mess - as the whisper you feel against your lips:

"Inside me, like that."

As you groan, deep and hot, "filthy fucking cumslut-"

Right on the verge, riding out every twitch of your cock and each flex of your hands at the skin around her ass, her waist, back and shoulder blades; even after you've caught your breath, you keep pumping more and more inside of her, you don't stop, won't, and even when you manage it, pulling out the head of your cock - you can feel every slick detail - just the slit and rim, resting the throbbing head of your cock at her swollen little mound, feeling the length of her fucked-out pussy spasm at the emptiness and trying to grasp around nothing - empty, tight and aching, sopping.

There's her hips, just this, right there; the line, the silhouette. Her thin waist and the curvy swell of her ass, jutting out straight - the cream-colored flesh dusted pink. The lithe, soft line of her stomach and the insides of her thighs a little farther along, sweaty and inviting.

She's so pliant in your grip, even though she's trying her best to curl herself backward - to angle your spent cock back into the ready, welcoming warmth of her slick, wet pussy - and once the afterglow has begun to wear away, that same greed and yearning takes its rightful place. A glimmer in her eyes. The unmistakable need and drive.

"One more," she says, wiggling her hips back into your stomach. "For me."

(The truth: you can't refuse her, not as she bites her lip and twists, all that soft hair splayed across her face, stuck to her tear-damp skin.

One more, because you both still want it. One more, because in the dim glow and evening air of her bedroom, everything that happens now matters just as much as anything that happened before.

One more, because you need her again.)

-

When she wakes in the dark, you figure her bed will be empty.

Nana will realize that you're gone. Of course you’ll be - it was never going to go differently; the sex had to end at some point. After all, if you stayed, eventually she'd start saying something you'd find a fault in or your skin would be so sensitive she couldn't stand not running a finger up your spine and maybe kissing your hip.

The reasons to go always outnumbered the reasons to stay.

The world would catch up and someone would find out and that's the sort of gossip that might leave both of your careers in shambles. Or else, you'd do something you couldn't come back from, the moment the heat of the sex left your body and her cunt, god, her perfect little cunt was spent - slackening - and the moments-after-haze, her legs locked up and her arms a bit sore, would clear up. Then you'd look at her, or else the shame would win out - the guilt and you'd call it quits. She won’t blame you. She can't.

-

But then again,

Her heart won't fall completely to pieces, because:

You've stayed. And it isn't an easy position, even if she is easy.

Here she is, though: sleeping on her side with her wrists crossed in front of her face - peaceful and quiet, probably tired enough to sleep without dreams. The dark has long since settled across her bedroom, save the pinpricks of stars in the sky out her window and a sliver of moonlight. You can see her, or you could reach out and run your hands all along her calves and thighs, but you don't.

Nana's shoulders slump forward in the faintest of sighs, and there it is - the slow, gentle swell and fall of her chest.

-

Here's how you got here:

In this scandal-in-waiting of a relationship. Here's the stupidest possible path, where a bright-eyed student with a crush fucks her older professor just once, and somehow you both find yourselves coming back for more, like maybe your very, very bodies belong together - a maddening compulsion.

Even once you've managed to work through the idea of your cum all inside of her, a seedy, twisted corner of your mind murmurs how it makes the most sense. To stick your cock inside of her again.

Where she can show you the way it can look; the mess and the texture of the slick, white spill - dribbling out of her pussy in the afterglow, onto her palm, and down the crevice in her ass and lower.

It's the phone calls probably - and not just the phone sex - late-night talking, conversation and every once in awhile, the kind of hot, hard fucking that gets you in trouble, but also a reason to be with each other again. Not just the quick fucks but the nice ones - the days, the late nights and mornings and what have you: all the casual intimacy of it. All the sweet nothings exchanged.

The after-sex cuddling, with her straddling your lap;

The sensation of her thighs sliding into place around the tops of your legs, her arms tucked around your neck;

The kisses you don't take and kisses you'd be okay with, all the promises made to love you as many times as necessary, however necessary, wherever.

That's all here too.

Again:

She is young. But, who the fuck are you to say? Who the hell can tell you she doesn't deserve the least rotten, least painful, most promising love she can find in this particularly fucked-up world?

Who else is going to keep the both of you safe and hidden?

And who else, despite everything, seems to like having a secret that they're sure only you know; every glance or accidental touch with her eyes brimming, alive, and the whole of her bent like a bow-string - all held back and wound-up tight.

To the point her spine will shiver and shake; you know how it can be.

-

"Are you actually going to buy those?" Nana asks one day, dangling on her toes, chin rested comfortably in the sweep of your shoulder.

When she crowds the swell of her hip and her breasts and her entire body into your back and snakes her arms around your shoulders, you think there's nothing else in the world you need.

"You called them drivel," she adds, almost pouting - which is a look you're slowly trying to inoculate yourself against because the moment it comes up, you have a knee-jerk reaction to drop anything and everything and carry her off someplace else. To have a place where she could, could, could -

"Hah," you roll your eyes, not taking the bait. There's a shelf-full of campy, smutty romance novels in the dollar bin. "It is. The story was less than complicated, but I couldn't figure out what the hell two or three characters' plotlines had to do with one another, and sometimes you just want a little guilty pleasure, you know?"

"Ooh. So," Nana smiles, the devious sort. "I guess there is some honesty in you after all."

"Come on, this one at least has an original story," and it is a shameless attempt, "plus-"

"I know, I know. Fine. And if it is so terribly bad, well, I suppose I can use your chest as a pillow to take a nap," she says, before throwing this particular glance over her shoulder.

The cashier doesn't need to ask if the two of you want your copies of 'Wild West of the Heart' or whatever-the-fuck this one is titled, scanned separately.

All of that, those paperback-cover love stories and TV drama plots, these are the sorts of things you do just for Nana; as the two of you wait in long lines, get carried along, get bumped and pushed, like every other ordinary-person thing you've done for her ever since.

("Honestly, this isn't my kind of thing either," you tell her in the aisle of a grocery store once. The fluorescent lighting only accentuates the blush high on her cheeks. "don't make me fuss over something like this."

"Have a little sympathy," she insists, nudging the handle of the shopping cart against the inside of your shins. "A girl like me isn't good for much else.")

It's not romance, really, that's such a fucked up way to go about describing any of it, but then there's Nana, bouncing on her heels and prattling on, this girl in the spring of her life who is full to the brim and bursting with the most chaotic and eclectic sorts of thoughts and passions -

So, what.

"Really," she adds - another side, another angle on an issue the two of you had an hour ago while cooking breakfast. "Just, think about it. Would you honestly put all this effort into somebody who doesn't make you laugh at least as much as they irritate you? Because like, you would never tolerate some self-obsessed jerk long enough to eat their burnt, terrible pancakes every day of the week."

"Fine. Maybe." You sit across the table. "You're right."

Nana blinks and this look of wonder crosses her face as she grins. A moment of triumph for her and that was more than the honest truth. It's still strange, admitting defeat in any argument here or there, or that the two of you make an actual decent couple - together. The kinds of things that come naturally to other people.

"Any more caveats to all of this, professor?"

"You’re gonna end up bent over that counter again if you keep pushing it, kid."

The both of you break out laughing and then you finish your coffee, or she stabs the last few pieces of cantaloupe on her plate, or you kiss her neck, and just -

Everything.

[atley01]

Tips for all of my alternative & Chronically ill/ disabled friends!

A big thing that's helped me feel more comfortable accommodating my disability is finding accessibility tools that reflect my personality / interests.

I should put a disclaimer that making disability "aesthetic" should not be the most important thing about your health! I do this where I can to help me accept my disability.

Here are some alt accessibility tools I've found / made & utilized for myself!

1. If you're prone to nausea:

Anti-nausea meds work, but I also find that peppermints work just as well! I always have mints on me. At home, I've stored them in this coffin container!

I do keep a few of these mints in my bag, as well as ginger hard candies (they taste very strong, but are VERY efficient). I got the peppermints at Dollar tree, and they've genuinely been a life saver.

Alternatively, I've found this adorable ouija board altoids container that has mints in it!

The mints are even fun-shaped! I also saw other horror-movie themed altoid containers in-store as well. Since they're tiny, they dont work well for severe nausea, but they are still helpful!

2. If you struggle with temperature-regulation:

For me, my hands and feet are always FREEZING, but my core will be super warm. What has helped me a lot has been gloves and fuzzy socks!

I have a lot of spooky gloves like this, but I prefer the fingerless ones because I can still use my phone and be warm at the same time! I've also heard my friends who are wheelchair users say gloves can help protect your hands if you use a manual wheelchair. Another added bonus is that certain gloves can help limit mobility for those of you who struggle with hypermobility in your hands.

3. Do you have noise-canceling headphones? Decorate them!

I decorated my N/C headphones in shark stickers because sharks are my special interest!

These are Soundcore Life Q30's. I have gotten compliments on the stickers many times! You could put halloween stickers on yours or decorate your headphones in other ways! I've seen people crochet horns onto the headband portion of their headphones.

4. I would recommend any chronically ill person carry a cup around to stay hydrated:

ESPECIALLY If you need electrolytes. You can either have a drink like propel or powerade in your cup (or any drink of your choice, and you could put electrolyte packets in there).

This specific cup isn't the best at keeping my drink cold, but it holds a decent amount of liquid! And it's spooky. If you're someone who struggles to drink enough water, I've found that getting a fun cup helps me a lot!

5. Make communication bracelets!

If I'm having a difficult time voicing my needs, or I'm in a verbal shutdown, these bracelets can come in handy for me.

I'll either wear them on my wrist when needed or present them to my friends so they can read the bracelet and understand what I need. I keep them on a keychain that way I dont lose them and can transport them easily. An example of some of the phrases I've turned into bracelets is; "No spoons," "spoon debt," "verbal shutdown," and "flashbacks," (for when I'm having a PTSD episode.) You could make a bracelet with the medical condition you have as a DIY medical-alert bracelet. I added tiny spoon charms to some of my bracelets because I thought it was funny.

5. Mobility aids!

Decorate your mobility aids with things like stickers, kandi, lights, etc! Pinterest, instagram, and tiktok have a lot of good ideas. You can easily customize your mobility aids to look spooky or look however you want them to!

6. Bags!

I know that for me, I NEED to carry a bag around whenever I go out because it has important medical items that I need, but it also keeps all my important items like keys, id, ect, in one spot so that I dont forget / lose them. SOME spooky bags are expensive, but you could find a plain black bag at a thrift store or walmart and accessorize it with patches, keychains, and pins! I've seen people paint designs onto their bags before as well.

• You dont have to spend a lot of money on your accessibility tools!

Find ways to DIY them, or get them secondhand! You could even try working with household items you already have! A lot of these items, or items very similar to it, can be found at the dollar tree - even the materials needed to make the beaded bracelets! (Outside of the spoon charms)

Thats all!

If I think of more, you'll see me again! Be spooky, and be kind to yourself!

[becausebuckley]

michelle's buddie fic recs: week 51!

almost the last fic rec list of the year, can you believe it? like last week, i haven't cross-referenced this list with previous ones, so apologies for any potential double recs!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! some might also contain spoilers for season 8.

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

before the night fades | MilenaDaniels/@milenadaniels| 8.6k | T

EddieAna and BuckTaylor double date and it ruins everyone's night. this fic is one of my favourite outsider povs ever! it does such a wonderful job of capturing our 911 characters as well as fleshing out a lovely cast of ocs <3

chicken alfredo | EiraLloyd/@unlifeira | 4.6k | T

when Helena laughs at the idea that her son is now able to cook well, Buck ropes Eddie into proving her otherwise. this captures the buddie dynamic so so well <3 also made me hungry lol

do you want me (or do you want me dead) | carpediaz/@sofa-king-lame | 2.3k | T

The one where Buck finds out Eddie wears reading glasses and loses his fucking mind over them, and Eddie knows exactly what he's doing. eddie in reading glasses is a VISION holy shit buck is so relatable in this. i love the silly fun!!

emails i can't send | heartbeatdiaz/@lonelychicago | 6k | T

buck should've known better than to let his email account open and then give his computer to a toddler to play with. i love love love the formatting of this one, with the emails and everything <3 so so good!! they're just french angelfish <3

i took a little journey to the unknown | 42hrb/@exhuastedpigeon | 4.3k | T

“I-it’s okay, you don’t have to talk,” Buck says and the comforting warmth is back on Eddie’s hand. The only thought that rings clearly through his head is that Buck’s hand is safe. Buck is going to keep him safe. “Just - can you squeeze my hand if you’re awake?” this is just such a lovely fic. i love the character study elements and the hand holding and just <3

in the dark (with the stars) | tawaifeddiediaz/@aashiqeddiediaz | 13k | M

Eddie’s relationship with food, anxiety and cooking, as told through the past and present. eddie's relationship with food in both canon and fanon is absolutely fascinating to me. i loved this take on it so much <3

last first kiss | songbvrd/@songbvrd | 3.4k | GA

Buck tries to say goodbye. Eddie isn't ready. frankly i think the best promo i can give this fic is exactly what i said in my comment here, which is "tim minear better be taking notes" because wow it's just that good <3

lucky boy | serenelystrange/@serenelystrange | 1.9k | T

In which Buck and Eddie are so bad at being in a secret relationship, but instead of show-typical angst, fluff! secret relationship buddie, the gift that keeps on giving <3 exactly the fic i needed on a cold early bus ride this week!!

platonic co-parents don't kiss like we do | thelikesofus/@thelikesofus | 7.1k | M

5 times other people see Buck and Eddie kiss + 1 time they really mean it. i love love love all these different types of kisses <3 the loveliest buddie fic from the perspective of the firefam!!

take what the water gave me | Daisies_and_Briars/@cal-daisies-and-briars | 20.7k | M

New transfer to the 118, Eddie Diaz, has a secret. And upon getting to know his coworker, Buck, who is also hiding something, he begins to suspect their secret is the same. He's wrong. i've been devouring every little snippet of this fic i've seen on tumblr and i was so so excited to see the full thing land in my inbox! and wow did it not disappoint. such great worldbuilding and such a fantastic characterisation of eddie <3

the bunkroom fic | exvichan | 11.5k | T

The Station 118 bunkroom has witnessed a lot over the years. Private conversations, spats, occasions of affection, joy, and anguish. It’s seen pranks, and games, and camaraderie. It’s even been privy to an unfolding love story or two. It holds the memory of each of these moments. the 118 bunkroom my beloved <3 i love these little moments so much, especially the conversations between the firefam!!

the wayward son | brewrosemilk/@gayhoediaz | 56.9k | E

Eddie misses his son, grows a mustache, pines after his best friend, and becomes a regular at a gay sex club. That last part is either an indulgence or an inevitable, somewhat self-destructive conclusion to several decades worth of compulsory heterosexuality and catholic guilt. Don’t ask him which. i can't even capture the vibe of this fic in just a few lines but holy shit is it brilliant. the most incredibly writing, great characterisation, and also just very hot stuff. an immediate bookmark and new favourite!

[byers-bowlcut]

I've seen people say El likes the IDEA of having a boyfriend more than she actually likes her own boyfriend, and jfc it's so true 😭 Like it's all over the show:

Season 1

She's initially attached to Mike because he's the first person to give her shelter, food, genuine human care and just,, not calling CPS immediately. Her feelings for him was born from trauma and dependency in season 1. And throughout the rest of the 3 seasons, we don't see it grow past that.

Also I think it's noticeable in S1 that:

She was uninterested when Mike tried to share his hobbies with her

She also did not seem to mind AT ALL when she questioned if Mike could be her brother. He voice is neutral and curious here, not the least bit repulsed by the thought of being siblings with Mike, like girl does not care 😭

Season 2

This season has zero onscreen moments of Mike and El actually getting to know each other further. They were separated nearly the whole season.

What we DO see:

El's attachment and dependency on Mike that was developed from S1

We also find out how El spent a year of her life watching melodramatic romance films. Many other middle schoolers might identify that relationships in real life don't work like those films. But El is fresh out of lab life, she's literally learning the world through this TV, and has now become obsessed with the IDEA of having a boyfriend/relationship just like that.

Season 3

Again, no onscreen moments of El showing interest in who Mike is as a person.

The very first scene we see of them, she's trying to get him to stop singing along to the song they're listening to. She seems to like kissing Mike. But isn't shown enjoying anything actually characteristic about him, like sharing interests with him such as music.

Hopper indicates that they don't do anything meaningful together either. We see here that before hanging out with Max, El had little sense of her own style, her hobbies, her interests- meaning spending time with Mike for months probably didn't involve many talking points did it?

Also in season 3, El dumps Mike with ZERO hesitation. Then she has the time of her life with Max. The most acknowledgment we get that she's oh so heartbroken is a small frown to Max that her and Mike aren't on best terms. And even that doesn't seem so paramount cause 1 episode later she totally dismisses Mike after he explains how Hopper threatened him. She just tells him maybe Hopper was right 😭😭

It's literally ONLY once she starts becoming in danger that she starts clinging onto him again. I feel like we've seen this film before hm.

Like where are any signs that she likes Mike as an individual, and is falling for who he really is, rather than simply being attached due to trauma, and liking the concept of doing romantic things (ie: kissing, dancing at the ball, etc.)

Season 4

This is the season it becomes the MOST OBVIOUS: El loves the concept of a happy relationship and being loved, but not really loving Mike for who he is. And bringing in Will's feelings just emphasizes this point.

To start, El continues doing all these relationship-y things that she did in the start of S3. She has Mike's name and pictures plastered all over her room. She makes a "Mike box" with his pictures decorated all over it. But the thing is: this is all sort of a façade at this point. We know she's BEEN unhappy with him for months ("From Mike! From Mike! From Mike!"). But with all these items, she's basically trying to convince herself that she's in this happy, fantasy, movie-like relationship, like she probably watched in hopper's cabin in season 2.

And then, there's the sheer difference between her and WILL in their feelings for Mike. We see it right off the bat when Mike comes to the airport: Will and El both have plans to give Mike something.

Will plans to give him a painting he worked extremely hard on. The painting is a connection of what they BOTH love: DnD, and it includes their friends who also play the game. It's very personal and immediately touches Mike. What's more is, the painting illustrates the exact qualities about Mike that Will loves: his leadership, his bravery, his guidance. This painting literally spells out to us that Will truly loves Mike for WHO HE IS.

Meanwhile, El plans on giving Mike a fun reunion date. She has the whole day planned out. And immediately: we see that what she wants to do doesn't actually takes Mike's interests and personality into consideration. You can see and hear the strain in his voice when he talks about "burritos for breakfast" 😬

You can see how he's not that relaxed at rinkomania, and nervous about skating, saying he's clumsy. He probably would've much preferred movies and playing a board game, over skating. But El has her own ideas. When she brings Mike to rinkomania, she tries to act really cool about it. She wants to impress him, wants to seem like she fits in and belongs.

Her present was never actually ABOUT Mike, and about loving Mike that she would plan this huge date for him. Her present was about her desperately wanting to have this cool date like every other normal teen girl might, with a normal boyfriend, and make it seem like they have a happy perfect relationship.

And then finally we reach their S4 fight. I find it extremely interesting how Hopper's cabin is framed in the background during their whole fight. It's almost like an indication that her desperate need to be loved by Mike stems from her trying to cope with losing Hopper and the hole left by him, that clearly did not exist when she happily dumped Mike in S3.

In their fight, when the topic of bullying comes up, Mike says he understands her, but El is quick to say he doesn't. She thinks Mike doesn't understand her, but this is just as much her not understanding HIM as well.

She doesn't get the extent of Mike's insecurities (definitely partially a result of bullying), something that Mike later divulges to WILL and not her. If the writers wanted to show us how much El understands Mike and loves him for who he is, her and Mike would work through his insecurities in their rs together, NOT through a middle man.

Overall it's pretty striking that we've never once heard El actually compliment Mike, or articulate, or even show what exactly she loves about him through four whole seasons. I mean...

Attachment to him due to trauma or grief =/= loving him for who he is.

Wanting to BE loved =/= loving him for who he is.

So really in terms of a relationship, what El ACTUALLY wants is the concept/idea of a regular boyfriend, and a happy easy relationship, all in an attempt to feel normal. And that's why we see them fall apart the way they do in season 4, and why Will is currently so involved. Because Will DOES see and love Mike for exactly who he is.

[ckret2]

Wait okay in The Book of Bill, Bill’s putting in all these pages himself while he’s in the theraprism, right? So… how could he have gotten his hands on the lost journal pages in there? I’ve seen people point out certain inconsistencies in them (Ford being drawn with a hair streak even though it’s supposed to take place earlier, etc.) What are your thoughts?

My theory is that either somehow he got his hands on the pages before his incarceration and stowed them in TBOB; or TBOB itself, being a magical book that can regenerate & "corrupt" other books & teleport around when you aren't looking, got hold of the journal and ripped the pages out itself.

I've seen all the "but Ford's drawn wrong" "but Ford never does Bill's handwriting like that" "but why weren't these pages present in the J3 we read after it was magically fully repaired" "but Ford was supposed to meet Bill in J2" chatter suggesting that maybe the pages aren't legit, and honestly? I think the explanation for all of these issues is "Alex last worked on J3 like eight years before TBOB and he & the artists were more concerned with beefing up Ford's relationships with Bill and Fiddleford than they were with little details like that." This is a situation where the doylist explanation is much simpler and a lot more likely than a watsonian complicated forgery scheme.

So that's my serious "what I think happened in canon" explanation for all that.

Separately, my own headcanon:

Personally I've theorized for ages that the journals weren't written chronologically (because if Ford fully filled J1 and J2 before starting J3, why did he just so happen to have blank two-page spreads in J1 & J2 on which he could write the portal blueprints, and why did Stan find SOME portal instructions in J1?), so my own headcanon is that the J3 we've read is indeed complete with all pages, and these pages are actually taken out of Journal 2. There might even be a few pages out of J1. Bill advertised them as "missing Journal 3 pages" because he knew The Reader Of TBOB is a GF fan who has more of an emotional connection to J3 than 1 and 2. The idea that he was filling the journals non-chronologically explains why these pages also cover events that happened during J3; which journal Ford was writing in on any day randomly bounced between journals.

This isn't an "I think this might have been the authorial intent" headcanon, this is an "I think the author accidentally introduced some inconsistencies so this is how I'm privately justifying them" headcanon.

[thechekhov]

Hey Chekhov! How do you start converting an AU idea from character sheets and mini comics into a plot outline for a full, continuous comic? Especially if the series you're basing it on isn't complete?

I've been following your white diamond Steven comics for years, and frankly, I love how it builds and continues the scaffolding canon laid to be something that is thematically still the same but also very unique. And I never thought I'll ever say this, but now I'm working on a canon-divergent AU with someone that's I think aiming to do something similar(continue the themes of canon but different). So I'll just like some advice, I suppose!

You might've answered something like this before, honestly, but I tried to dig a little and couldn't really find it.

Thanks, if you do answer this! I just want take the opportunity as well to say also that your comic and blog accompanied me through parts of my late teens, and I'm very grateful for you being a stabilizing influence during that time.

Thank you! I really appreciate you saying that, and I appreciate you respecting me enough to ask for advice.

As for your question...

Well, to be frank, I don't START with character sheets and mini-comics. In fact, for WD!AU, I didn't have any character sheets until I started season 2.

Think of your story as an aquarium. Your characters are fish.

Yes, they're important, but having a whole bunch of fish without any substrate, tanks, feed and WATER..... will not really make for a memorable aquarium experience.

The reality is that all stories should start with an end.

That's my personal approach, anyway.

What I mean is - you need to know the general idea for your story before you begin to write or plan it.

Let's try this:

1.Tell me about your story in THREE sentences!

Just three. Not long ones, just regular ones.

For my AU, @ask-whitepearl-and-steven, it would be:

"A young orphan runs away from home with a mysterious lady who seems more cryptid than human. He realizes that he's not human either - he used to be the ruler of an alien planet! He and the other aliens he meets decide to (REDACTED) (REDACTED) (REDACTED) and he (REDACTED) (REDACTED) (READACTED) (READ ANDCTED) (READ AND FIND OUT)."

YOU should know how YOUR story ends too! Even vaguely.

It helps if you know at what point you plan to lay down the pencil. Because if you DO know, you are always going to know which direction to walk in, even if the end is so far away it's beyond your line of sight.

It's true that when I began WDAU, I didn't have much information about White Diamond and white Pearl, because they had literally ONLY been introduced. I had to guess a lot of the details (like WP being Pink's originally) and what White would be capable of. And thankfully, my original intent for the story's end fit pretty well with what was later revealed!

But don't forget - you could also just fuck around with stuff! It's your story, after all.

And don't forget... to also look back!

2.Tell me WHY the story is happening in the first place.

There's a reason that the beginning of your story happens when it does. If there is no reason to start somewhere, then find a different place to start.

You should be able to tell me "We're picking up the story here because something significant has happened... and that significant thing happened BECAUSE...."

That 'because' is your main background information that should be revealed slowly throughout the story. In WDAU's case, we only have a few pieces of the puzzle. We know Greg's side. He know Earl's side. But there are still little bits and pieces missing! And they're all important for finding out WHY Steven ended up an orphan and WHY he is being followed by White Pearl (Earl) at the very start of the comic!

3.Tell me what the coolest and most interesting things to happen would be....and then write them!

I think this may be something that's rarely said out loud, but I will speak on the behalf of the people...

We should write the scenes we want to read. If you don't want to read the scene you're writing, then DON'T write it!

If you feel like you "have to" do a page and a half of 'lore' because you think it's traditional to have that 'explanation' about the location of your story, or the history of the species or whatever, you're simply wrong. There are other ways to reveal information aside from just forced paragraphs upon paragraphs of information that would make an SAT Reading Section sweat.

Instead, I recommend that you find the most exciting or hilarious way for the characters to discover the most important bits of info. Find a dramatic twist. Shove it into the narrative. Then, figure out what needs to happen to get there.

Ultimately, though, remember this: When you're taking advice from me or from others, don't forget to take advice from yourself, too! It's your story, after all. You know it best, and only YOU can figure out how to get it written.

I hope that helps at least a little bit! Writing it never easy, but it should still be enjoyable!

[anima-temporis]

some hrkg things I've been thinking about!!

those below are all opinions and theories so please be respectful!!!

1. Hirano is PROBABLY aroace or demiromantic

this is one of my favorite arguments so I'll start right away!!

I've been rereading the spin off and I've noticed some things i guess I hadn't noticed before.

why do i think hirano is aroace?

because he's just uninterested. like, if kagi hadn't brought everything up, would he have ever even thought about a possible relationship?

he's not interested in relationships, he's probably never felt anything for anyone or we wouldn't be where we are right now (aka, waiting for him to realize). it's not clear if he dislikes the idea of a relationship tho, he seems pretty flexible but not too comfortable about it. like he's starting not to mind him and kagi acting like a couple but it wasn't like this before.

why demiromantic?

well, I don't think he's into a specific gender. he said he never thought about dating a guy but he still isn't against the idea of possibly dating one. what I'm saying is that he's probably into people he has a bond with, he tends to develop deeper feelings for people he's close with and it has nothing to do with gender or physical attraction. he never made any comment, never had a thought about kagi's appearance and he specifically likes his personality and the person he is (he likes him as a person. oh the memories😭). it actually makes more sense to me for him to be catching feelings now that his bond with kagi has gotten deeper because he knows him better, he feels closer to him in a certain way and that's absolutely great.

OR i just thought about it while writing this but i think he'll just stay unlabeled and I'd love that. unlabeled king!!! 🗣️🗣️

2. Kagiura might not be bi

i think he just was suspiciously not interested in his girlfriend during his middle school days. like he himself compared his lap pillow thing with his ex girlfriend to the one with Hirano and he had a face that said "nah, this is completely different" like, dude, did you even like her? 😭

we haven't seen enough of his past so honestly I wouldn't say he's gay but i seriously doubt he's bi, idk😞

3. i forgot

had this in my drafts for a long time and i forgot to post it so now idk what i was planning to write here, enjoy😭🙏🏻

[aakaneeee]

well people. . It's time, aka Akane's monthly revival because there's Luka content. And gosh do I have a lot to say about this. Except.. I'm not going to market these as theories, but as predictions. I think as an og fan I've seen enough to be this confident in my abilities LOL

Quickly, I'd like to address the lyrics and the title, because I will reference it later and I don't want to have to explain mid-prediction.

Wiege has two meanings, and both are so fitting:

1. Cradle. It feels.. perfect, for me. It makes so much sense. Luka was a cold child.. but I'd like to say only physically. I feel like he genuinely warmed up towards Hyuna and Hyunwoo as a child. And I'm going to bring an idea that might get me a bit of backlash but.. I've gotten worse, and that is, that Hyuna is at fault for Luka's approach on his feelings. (Audience boos) From the little we know about Hyunwoo, I feel like Hyuna treated both him and Luka.. at least a little bit similarly. Or at least, Luka couldn't discern a difference, if there was any. Luka is a tube baby, he probably doesn't know (and I am not babying him here, I'd like to add!) what "siblings" he has. For him, affection might just be all and the same. Yes, it wasn't Hyuna's responsibility to teach him, but I feel like a hint was there "Your life is mine", and she could've explained, in a way. But, back to our discussion, Hyuna was Luka's cradle. She burns as bright as the sun, while he's colder. But most importantly, she was his only true friend (Considering I don't think his relationship with Hyunwoo was extremely close, even though they were 'friends'), someone he thought truly cared about him. Hyuna was Luka's cradle, holding him close, comfortable... until at one point, he outgrows that cradle (Hyunwoo's death).

And the second meaning, beginning. In the picture we got, Luka is centered, he's in the middle.. but he's so small, and overshadowed by the tree. Luka is the best performer of the ANAKT, always first, but has no friends. But perhaps, he was better that way. Then, Hyuna comes, and it's a new beginning. He's finally not alone. What I've noticed in the new banner, Luka is missing, but across the tree trunk, in his place, is a taller shadow. Perhaps, a shadow of who Luka was, hopefully still left in there. Or, the other way around, it symbolizes his real self being left there.

And the lyrics:

When I close my eyes,

Play in paradise.

These, to me, remind me of the interview where Luka said his favorite game was hide and seek. In a way, his whole ANAKT life was a game of hide and seek: hiding all the time, but no one trying to seek him. Until Hyuna did, and found him. Something that intrigues me is the "paradise", which to me sounds like what Mizi once said: Dying in competition means returning to the Great Anakt, which I suppose is to them like Heaven.. or Paradise. This will be important later, so remember it.

And now, my predictions for the HyuLuka episode

! First of all, I think the song will be lullaby-like. When I first saw this teaser, with the lyrics, as weird as it sounds, it reminded me of Richard's song in The Hero in TAWOG, a song that always gets me to cry for some reason, and I've been really stuck on that . It would be interesting, because it would fit Luka's voice (as does everything else), but probably not Hyuna's, even though 6FU; would eat it.. which to me, sounds like their "love", where Luka loves her, but it isn't returned. I'd love to see more German in it than just in the title. And considering the nostalgic, pastel, very cutesy artstyle (that reminds me of the memory part from Jordan River animation!), it seems very viable. But the art style is also noisy, which gives an unsettling vibe. It feels like a 2020's dreamcore wallpaper.

I might be crazy, but the hand holding the flower (with only 3 stamens, like the 3 friends) looks dark-skinned, like it would be Hyuna's or Hyunwoo's, but I doubt it would be his, considering it's the account's profile picture. If this is some kind of reference to.. perhaps, an unrequited Hyuluka but the other way around, with Hyuna still not over Luka.. probably won't happen, but God, would that be awesome.

So, how do I think the round will go?

First of all, I have to say, I'm not sure if this will be a round or a Mizisua type episode.😭 I'd say "oh the wait time is way too small" but also... do you guys remember the production announcement of Round 7? Yeah. You can never be sure.

This isn't necessarily a prediction, but more of a suggestion of what could be: It would be SO cool if it would be both.. in a way, merged. This idea just appeared in my mind and I was like OH. MY. GOD. Imagine if almost the whole thing was just them, as children, having fun, a whole backstory.. but then, when Hyunwoo dies, it pans on his face, and then it's back on stage, the loser's face instead of his. It would be so heartwarming, and then DEEPLY DISTURBING and traumatizing. I also really want some Luka and Heperu backstory so I can hate Heperu even more.

On the topic of the loser... It's going to be Luka. I'm an insane Luka lover and it was hard to get accommodated to this idea, but there is no way that he will survive. First of all, the shadow in the account's banner, in place of Luka. It's implications... are quite obvious. Second, the pattern of characters shown in Sweet Dream, and he is next. Third: "In my arms, you would be protected." I feel like Luka would consider the competition "In his arms". I don't think he would break his promise: hear me out for a second. He wouldn't let Hyuna die this way, because I feel like his sense of possession over her also comes with responsibility and protectiveness. And fourth, the Paradise lyric, to me, is a foreshadowing of his death.

I also think he will die by self sacrifice. First of all, there's no way Hyuna could defeat Luka by pure odds. Yes, her stats are better, but lets be honest, her mental power would NOT be as good infront of Luka, and also, the aliens wouldn't vote her. She's a rebel, wanted for so much time, with technically no guardian: they wouldn't want her to defeat their prince, probably. And second, I have made two categories:

The "perfects": Sua, Ivan, Luka

The "rebels": Mizi, Till, Hyuna

See something similar? Both the perfects that are dead, have died by self-sacrifice. The only other dead character, Till, has been shot while reaching for his freedom, so you can't say this is for all characters. And let's be honest.. Patterns are usually being followed in this series. Id also like to add, even though it's a reach, that in a tier of how 'perfect' they are, it'd be:

1. Luka

2. Sua - not so obvious self sacrifice

3. Ivan - obvious self sacrifice

So, I'd say that Luka's might be even more backstage, as if to sabotage himself in a way that seems viable. It also kind of goes in line with his character, he's not one to break facade on stage.

I think this episode will be quite a deep-dive into their true selves. We know the least about them, so this will be GREAT. I'd love to see a more morally gray Hyuna in this. (Since I'm genuinely kind of tired of only Luka being villainized in the ship, which honestly..  is kind of in line with the other perfects. Let's let Mizi, Till and Hyuna be little freaks too) I also want to see atleast a little bit of Hyunwoo, like a little snippet of his mind, what he saw in Luka.

In conclusion, I'm SO happy and hyped about this HyuLuka episode, they're so mysterious and I really really want to see more of L- I mean, more of them. Getting 2 episodes where Luka is present one after another is literally THE dream to me. Basically, Wiege is killing me and I'm gladly letting it.

@4listr Since you asked to be tagged and also, @rockwgooglyeyes I REALLY want your opinion on this

[xray-vex]

Thinking about this and how there are certain people claiming to be fans of OFMD who complain, rather loudly and repeatedly, there is no chemistry between Ed & Stede, and/or that their kisses had no passion, etc.

This leads me to believe that there are several possible explanations for how those people might have reached that conclusion:

1.) The people complaining have a hard time reading body language/facial expressions, so they literally can't perceive it

2.) The people complaining hate the main ship: they don't like Ed and/or Stede and/or their relationship, or the fact that their head canons for the show didn't become canon and are still upset about it, and are therefore in denial about the chemistry between Ed and Stede and refuse to see it.

3.) They are somehow from an alternate universe that has overlapped a little bit with the one most of us are in, and they literally didn't watch the same show because they watched the OFMD from their universe, not ours.

In all of the above cases, though -- the people who insist that Ed & Stede had no chemistry are just wrong. It's not really an opinion. So, based on these ideas, either:

1.) They're drawing an incorrect conclusion based on their inability to interpret body language (***and there no shame in that in & of itself, not everyone has that skill set) -- However, not being able to perceive something doesn't mean it doesn't exist. Humans can't perceive ultraviolet or infrared light naturally, either. Those things still exist even if you can't see em.

2.) They're choosing to draw their conclusions based on their dislike of/disappointment in the show, and therefore willfully ignoring the evidence presented in the text (the show itself). -- If you want to argue a point and be taken seriously though, you have to provide adequate evidence. And their various arguments just aren't convincing. (I could expand upon how it's also much more difficult to prove that something doesn't exist, but I've already written way more than I intended to for what was gonna just be a short rant).

3.) If they literally watched a different, alternate universe version of OFMD, then they're not gonna convince anyone in this universe that 1+1=3 like it does in their universe. Maybe that's correct math in their universe, but that's not how it works here.

Here's the thing -- and I'm gonna use a simple example here. You can say that you don't like cilantro. You can hate it, you can be disgusted by it, especially considering that it might taste like soap to you. And that's ok! But you don't get to make the claim that it doesn't enhance the flavor of other foods/dishes in a positive way or that many people think it's yummy.

So take this simple advice, would you? You can just say "This isn't for me" and just not eat it. You don't get to say "This is bad and I'm going to keep pushing my thoughts about it onto people who do enjoy it, even while they're eating it, because I need to convince everyone to hate it too." That's not an opinion, that's just being a fucking dick. Go join your local chapter of the Cilantro Hater's Club and complain about it there with other like-minded people, and let the rest of us enjoy our cilantro in fuckin peace. And don't be surprised if we shut the door in your face (muting/blocking) when we're sick of hearing how much you hate something we love.

[greenpumpkinart]

wow 3 posts in 1 day that's crazy

anyways i think it's even crazier that people are STILL trying to police this fandom. Pretentious ass ideas in a fandom that was built off of shitty stories we all know and admit fucking suck.

I've been here for as long as I can remember and forgive me if I'm wrong but I'm PRETTY sure we JUST had a renaissance of sorts surrounding "Cringe Culture is Dead". Dude sounds like HOLLYWOOD trying to shit on others for being creative. It's so pretentious and stupid. What was said was said, no deleting the post is gonna do that.

If you can't write. Don't, right? Asshole. Be so fr and get off of your high horse. What you hold so near and dear isn't exclusively yours, as a matter of fact it was never anyone's to police.

It started on a shitty website. With shitty stories. For people to get scared of. I think the only one who needs to do some growing is that fucking guy.

Be silly. Have fun. Create. Don't let a fucking snob shit on everything this community has always been about.

P.S. Realistic Creepypasta isn't an original thought. Read.

[fushiglow]

10 things I've learned about being a fanfic author over the last year

At the time of writing this post, I have been writing and sharing fanfiction for Jujutsu Kaisen for almost two years. This time last year, my in-progress longfic, Over the Threshold, started to gain popularity and, over the last twelve months, I think it's fair to say I have become somewhat of a BNF in the SatoSugu community... Sigh...

While every creative wants their work to be seen, there is a threshold (ha) past which visibility brings difficulties, and unfortunately I went over it (ha) in recent months. It has changed my fandom experience significantly, and not entirely for the better. While there have been friendships for life forged, beautiful memories I'll carry with me for the rest of my life, and more kind words and fanart than I can shake a stick at, there have also been opportunists, naysayers, and even outright bullies.

Seeing your name thrown around in fandom spaces with little regard for the real person behind the writing — for your character, for your circumstances, for your creative liberty — does force you to re-evaluate your relationship with your work and your audience. With that in mind, I thought I'd share the lessons I've taken from the last year as a fanfic author.

I really hope this serves as advice for any fanfic authors seeking more visibility on their work, and also generally encourages more thoughtful engagement with fandom creators. Let's go!

1. Writing for anyone except yourself is still a bad idea

That doesn't mean it isn't sometimes worth taking reader preferences into account. It's just about knowing when to disregard them. We write fanfiction for lots of different reasons that vary from fic to fic. Sometimes, making other people happy is a good enough reason to write a fic, as long as that's what you set out to do and you're under no illusions about that.

However, letting reader expectations creep into your approach to your other work in a way that doesn't serve your personal creative vision is a bad idea, especially because...

2. People disrespect fanfic authors even more than you thought

There are plenty of kind, supportive people in fandom. However, the unfortunate truth is they are vastly outnumbered by people who will gobble up your work without even taking a moment to say thank you for the meal and who will, in fact, demand more from you instead.

Trying to please entitled people who are impossible to satisfy, who bring nothing of value to your fandom experience, and who may even resort to bullying if you don't play by their ever changing rulebook is a pointless endeavour — so don't bother!

3. Your writing process is a constant work in progress

Because you are a constant work in progress. You can't always expect something that worked for you a year ago to work the same now. There are too many variables in play, not least your skill as a writer. If the stabilisers you put on last year are no longer helping, maybe it's a sign you don't need them anymore. Maybe it's time to take them off and try something new.

I am still planning a more in depth writing process post, but the simple truth is, my writing process can be summed up as...

4. Whatever works!

My main piece of advice when it comes to writing is always going to be, "at some point, you've just got to do it". Sure, there are tools and techniques you can use to aid the process, but ultimately it always comes down to you and the words.

There's no right or wrong way to write, and there's no point comparing your process to someone else's, because ultimately you'll do whatever works for you. Whether you're someone who religiously practises a warm-up routine before sitting down to write or someone who stares at the screen for two months straight before vomiting up a masterpiece whole (or someone like me who jumbles their way through with a slightly different approach every time), it's all good as long as it ends with words on paper.

5. Writing for an audience changes the game

For better and for worse! Having an engaged readership on a WIP has, on occasion, created unique and invaluable opportunities to elevate my work beyond what would have been possible by myself. I'm very grateful for the artist-audience dialogue that I know we all crave when sharing our work with the world but aren't always fortunate enough to experience.

However, being aware of your audience while writing also influences your approach in unhelpful ways, no matter how much you try to get around it. Ensuring that I maintain control of that dialogue (or, at the very least, a 50/50 back and forth) requires constant vigilance.

6. Community is a double edged sword

I think everyone in fandom is seeking community of one kind or another. Building a dedicated community around my writing and seeing real good come of it was an unexpected by-product of sharing my fic with the world, but a deeply rewarding one. However, communities aren't static and they require a collaborative effort to maintain.

Series come to an end, fandom trends shift, people move on. On the flipside, you build something so wonderful that others want to share in its benefits without contributing in meaningful ways. Seeing a community so closely tied to your work and your sense of self shift into something unrecognisable until you start to feel like a stranger in your own space is very hard. Furthermore, managing a community in a dedicated forum takes significant time and energy which could be spent writing, which is why...

7. The most successful fanfic authors are selfish

What I mean by "successful" is up to you. However, whether it's replying to comments, supporting fellow creatives in the fandom, or even tagging work for discoverability, some authors disregard anything that prevents them from getting words onto the page. Some people are here to post their shit and leave — and more power to them.

The more of yourself you offer, the more people come to expect until, eventually, the already generous act of writing thousands of words for your fandom becomes the bare minimum. This is often where the topic of "fandom etiquette" comes up, but fanfic authors are already taking on a disproportionate share of the burden simply by sharing their work in the first place. Anything beyond that is a courtesy we are not obligated to extend. We should thank authors who thoughtfully choose to extend those courtesies anyway, rather than vilifying them when they don't.

8. Guarding your enjoyment is paramount

If, like me, you're an author who does enjoy being an active member of the fandom community, then it's important to watch out for the myriad of things that can come between you and your stories. Fandom politics, or even just fandom trends, can have a huge influence on your relationship with the characters that originally inspired you.

However, what other people are doing with them doesn't need to have any bearing on what you choose to do with them if you don't want it to. Responding to fandom trends in your writing can be satisfying, but maintaining a degree of separation between wider fandom and the stories that really matter to you is crucial, I think. That being said...

9. Collaboration feeds creativity

Some beautiful moments have been born from throwing an idea back and forth with my fellow fans. Simple things can rapidly snowball into territory you would never usually set foot in, and expanding your creative horizons like that can only ever be a good thing! Being open with your ideas in fandom spaces is always a bit of a worry, but the reward for extending that trust far outweighs the risk in my experience.

Additionally, I think we get caught up in the idea of absolute originality, but if you're active in fandom, you're always taking inspiration from your fellow creatives. Freely crediting the people who have inspired me has only ever brought wonderful things my way, and I've even gone on to develop collaborative relationships with some of them. Fandom is more fun with other people!

10. But ultimately, writing is lonely work

No matter how many friendships you forge, you still have to retreat into solitude to write the damn story eventually. Writing doesn't lend itself to active human connection as much as art or music. You can chat to someone while drawing or play an instrument alongside another person, but when you're writing, you have to go it alone.

And the worst part? Even when you eventually share your story with the world, no one will ever care about it as much as you do. Writing is such a deeply lonely experience most of the time, I think — which is why it's so important to hold onto all the things that make it worthwhile.

And that's that! I have been stewing on all of these thoughts privately, but I wanted to share them in case they're of value to someone. I tried to keep it as measured as possible, but I acknowledge that I'm in a bit of a bitter headspace about fandom in light of the Discourse TM and subsequent harassment over Christmas.

I don't think it will stop me writing stories for this fandom, but I do think it will make me more guarded in my interactions with the wider community, and I think that's a shame. I joined this fandom as a fan first and a creator second, and I'm deeply sad to feel like some of the parts I used to enjoy most are no longer accessible to me.

This experience has certainly got me thinking more critically about the trend of fandom creators seemingly becoming more distant as they gain popularity. The word "arrogant" is often thrown around, but I think it's much more likely that taking a less active role in fandom spaces isn't as much a choice as it is a necessary measure for the sake of wellbeing and even safety.

Fascinating in a sort of sick way.

[inuxi]

that ask was rude of me, i should've just blocked you instead of telling you about it, i'm sorry. i'm aroace and sex+romance repulsed, and i guess i thought alastor was gonna be something i could enjoy for once like everyone else gets to without feeling like i'm intruding on a conversation i have no right to be part of. i'm on ios so i can't use browser extensions to actually get rid of all the alastor ship posts like i want, and i'm not sure my problem even has a solution short of just giving up trying, because so far i have found exactly zero blogs that are 1.) still active at all, 2.) still post about Hazbin, 3.) aren't actually 12 years old, and 4.) don't post about fucking Alastor ships. i got so excited seeing such good, recent art i haven't nuked yet considering how old every other post i can still see is, and i'm not kidding when i say i sent that ask through tears. it was rude and unacceptable either way, and i'm sorry.

i've blocked over 200 different people and i'm not exaggerating that number even a little bit. i would rather put a gun to my head and pull the trigger myself than see them so much as breathe next to each other ever again. i am so. so so so so so sick of searching and searching and searching and finding nothing.

the thing i've learned from alastor's aroace representation is that not only is the world as a whole not made to accommodate me, fandom space isn't either. i am an alien on a planet i was never made to fit into, and i don't even get to escape that through fiction like everyone else does. no amount of filtering and blocking and searching will bring into existence a community for me that simply does not exist, and it is futile for me to try. that's what this fandom has taught me.

i think the chances of me sticking around in this fandom are slim, so at least it won't be an issue for anyone else anymore. i think being excluded from conversations about an aroace character sting a lot more than just not being represented at all to be honest.

Okay, listen.

First of all, Alastor is officially an Ace, NOT an aroace. That means he can still be interested in any romantic things or finding a couple. No one is stopping you from seeing him exclusively as an aroace. But shaming people who don't share your point of view is a bad idea.

Secondly, I am an aroace artist myself. Romantic and sexual themes are virtually non-existent in my art. I can joke about it, but almost all of my drawings explore completely different things. And you come to me and try to talk about how hard it is to feel socially comfortable being an aroace? I understand your worries, but, again, trying to shame other people because they don't share your point of view is NOT a healthy coping mechanism.

Third, I have done THREE drawings in all my time that include a romanticized Alastor. Two of them were collabs, and the third was asked to be drawn by people. And these three drawings made you give up on my art, which you said you really liked?

The community is too heavily oriented towards romantic and sexual themes, it's true. People like us are often uncomfortable in that environment, that's also true. But aroace people can't just come in and ban others from having fun just because we don't find that fun or interesting.

Man, I'm not even Alastor's artist! What the kind of Alastor shipper am I? And you picked me out of a thousand people to block? Oh my God, that's as funny as it is sad.

In case you haven't looked at my art, I am a Lucifer artist. I very rarely draw Alastor, simply because I don't find him interesting enough. And because of that, I find it so funny to be labeled an “Alastor shipper”

[lilybecca1]

Hi! Can I ask your top 5 fav BKDK fics recs? Thx so much 🥰

Hi! Sure! *Pulls out a list*

Okay just kidding

I've read like a TON of bkdk fics so far but the ones that actually got to me are just a few.

Starting with: The Way You Used To Do by edema_ruh

Yeah, no one can say that it's overrated because it's the absolute best bkdk fic I have ever read out of, well, A LOT. It's also the first ever bkdk fic I have ever read, which doubles the attachment I have towards that fic cause imagine being introduced to the world of fanfictions about your favorite ship and starting out with THE saint scroll of BakuDeku 😭 that fic set the bar higher than the freaking Mount Everest and it left a lasting scar in me so yeah, I don't think any other fic will ever top that one. It's a must read, if you're a BKDK shipper and haven't read it yet that's illegal. TWYUTD is my shrine.

Second one, I would have to say In the Dark by Jane_Harl0w. Actually, my top 4 fic recs are all some of the first fics that I have read so that probably contributes to the reason why I have such high expectations of bkdk fics 😂 Like the beginning of In the Dark, holy sh*t. Almost as good as TWYUTD. And the ending freaking broke me. (Spoilers ahead). I remember reading the second to last chapter and I kid you not, I was in DISTRESS, cause there was only one more chapter left and no way the story was going to have a good ending cause they were kidnapped and there's no way in hell they would survive and escape when there's ONE chapter left. And then I clicked on the last chapter and saw the "Trigger warning: s**cide" and I broke 😭 I'm pretty sure I cried for hours cause I seriously believed they were gonna die and the absolute DREAD I felt when I knew the story wasn't going to have a good ending. But then it actually did have a good ending, and that's the only reason why In the Dark isn't number 1, because I would have been traumatized for life if the story actually ended how I thought it would.

There was also a lot of fluff and I loved their interactions, it reminded me of how they would have been like as childhood best friends. Although I kind of hated all the smut ngl, that ruined it for me a little. Without it, In the Dark would definitely rival TWYUTD for me.

Number 3: The Devil Ships ZeKu by xairylleactually. I had no idea what the fic's title was for such a long time cause my stupid ass didn't save it and I haven't been able to find it for MONTHS but someone finally found it so THANK YOU. It was about Deku and Bakugo finding out that fanfictions exist about each other and a whole lotta pining through it all. This one wasn't even finished, but it was the first time I ever came along this concept and the way it was written was reaaaaaally good.

Number 4 is Operation BakuDeku by ratnotfound

It's a crack fic, I remember it being hilarious af, also there's a lot of fluff. Really loved the texting theme in it and the class interactions. Even Mineta lmao. People can hate on him as much as they want but he can be funny as hell sometimes.

I actually wasn't sure what to put on the number 5 spot but I ended up with Fire Lily by EtherealBeing. The reason I loved this fic so much is because of the world building. Cause like goddamn I could make my own fanfiction about the world alone 😂 the angel world, the demon world, the lore behind God and the Deep, everything was so genuinely interesting to read that I swear I enjoyed the world building better than the actual bkdk in it lmao. (Although that church scene was kinda top tier ngl)

Also honorable mentions:

Deku Enchanted by s_the_queen (didn't finish it but the beginning was hilarious af, I swear it's one of the funniest I've read out of all of them. Deku basically gets hit by an obedience quirk which makes him obey whatever people ask from him, creating a lot of...interesting situations lmao )

They ship us? by Raltaya (don't remember it much but it was pretty good. It's about Bakugo and Deku finding out about their ship and then pining for each other)

If I Have You by dommymommy (it's not finished yet but the ANGST and it's not even the typical kind of angst, it's actually good and it deals with more mature feelings than just simple pining and being flustered around each other. Their relationship is much more grounded in this one, but with a lot more heavy feelings than other fics. I definitely recommend reading it, it filled my soul with warmth. It's the perfect example of when you know you love each other but it hurts too much to be together)

I've read tons of Villain Deku fics but so far Forget Me Not by Scorned_By_Thornz (WynterThornz) was the only one that actually made me believe that he COULD become a villain. The pure angst, humiliation, and sickening feelings between them is just wow. Prime example of how a relationship can turn bitter even though you love each other. Has a good ending, but man I feel sorry for Izuku for how they treated him in the fic.

Dreams Change People by FireRuby1 (it's a time travel fic where they get stuck in the past and relive their childhood experiences. Lots of good moments but the moment when Bakugo relived the river scene was what sold me.)

To Stand by Your Side by aeronines (also didn't finish this one cause I was too impatient...yeah, I have commitment issues, anyway...but this fic was actually really good, Bakugo is younger in this one and Deku is a pro hero, and it was very interesting to see their dynamic this way)

Hero Class Civil Warfare by RogueDruid (Icarius51) (Not specifically bkdk but Deku is really f*king smart in this one, the plot twists are insane, like fr kudos to the author for coming up with them cause I for sure would have never been able to. The story itself is about a competition between the Hero and the Villain team, and Bakugo is the leader of the Hero team while Deku is the leader of the Villain team. The Villain team is low-key badass in this one)

Mirror Image by Eleke (Bakugo gets sent through the multiverse in this one. Pretty interesting AUs appear, and I liked the ending a lot)

In Another Life by Hollandvice (A part of me died with this fic. But in a good way. Like it could have had the opportunity to complete break my soul if the ending went down differently, so thank f*ck that it didn't, I narrowly avoided future heart problems. It's damn well written and I recommend it to everyone who wants to read an emotionally impactful story)

Get on my Level by Mikacrispy (this time Bakugo is the pro hero and Izuku is the younger one. Lots of fluff and I really loved the ending, it was very touching)

To Win You Again (with trembling hands) by DoesItSaySassOnMyUniform (this fic was amazing, especially the ending. I absolutely loved their confession, it was the most realistic confession I have ever seen in any fic so far)

That's it, I hope you'll like these fics too! 💚