#i have feelings about this drawing BUT can only get better from here

[hanbinics]

!boxer matt meets !sunshine reader at one of his fights...

the boxing gym was like nowhere you’d ever been in before nor anywhere you usually spend your time. it was loud, gritty, and so alive with this sort of energy that had your heart racing for all the wrong reasons. it had you clutching your best friend’s elbow like a lifeline the entire time she led you through the crowds of rowdy people around you, all of them jittery and chattering excitedly about the two men in the ring.

“hey, just stay close to me, okay?” your friend calls over the noise. when she glances back at you and notices the slight pinch of your brow and your pursed lips, her shoulders relax. “trust me, you’re gonna love it. matt’s amazing to watch,” she reassures you softly, the somewhat familiar name piquing your curiosity. after all, it was the entire reason she’d dragged you here tonight—her boyfriend’s brother is the one boxing.

so despite feeling like a fish out of water, you offer a nod of your head and a small smile, allowing your best friend to pull you towards the front of the crowd to get a better view of the two men entering the ring. you’ve never actually met matt before, but as soon as you catch sight of him finishing up on the layers of tape on his knuckles, you just know it’s him. not only does he look strikingly similar to chris, but there’s something about the way he carries himself that immediately draws you in.

he’s... intimidating—broad shoulders, a sharp jawline, and cold blue eyes zeroed-in on the man across the ring from him. you can see fading bruises peeking out from beneath his tape before he’s pulling worn gloves over his hands, and the sight nearly makes you shiver. you’re so focused on how dangerous he looks when you suddenly feel as though someone is staring at you, and when you look up, your breath hitches in your throat at the realization that those cold blue eyes are now focused on you.

it's only for a fraction of a second that matt allows himself to study you, but immediately there’s an almost imperceptible furrow of his brow.

you don’t belong here.

the thought is immediate and unshakable. while the crowd around him roars with impatience, you stand there with wide, pretty eyes and parted lips, clearly out of place—like a daisy growing through a crack in the concrete.

but as soon as the fight starts, his attention shifts, and you’re left reeling from his cold gaze as he locks in on the only thing that makes him feel at home anymore—and it shows. you can’t take your eyes off him as he moves around the ring, even when you find yourself wincing here and there at the punches being thrown. it’s still not enough to make you look away, your body subconsciously leaning forward and your lips parted as if you’re watching a movie unfold before you. you’re amazed by the focus and control he maintains, and by the time his arm is being lifted in victory, your best friend is surprised at the way you clap for the brunette in the ring.

she looks at you with amusement twinkling in her eyes for a moment before leaning closer to your ear. “see? i told you he’s good,” she hums playfully, but you can hardly rip your gaze from matt’s broad shoulders and smug smile as he’s paraded around the ring in celebration.

once the crowd begins to disperse, most of them heading towards the front to collect on their bets, you find yourself being pulled towards the back despite your quiet protests as your friend insists that you have to meet matt. you can’t explain why, but the thought of doing so has your heart racing in your chest, the image of those cold blue eyes gazing down at you from the ring like a warning in your head. but before you can really dig your heels in and insist you should be getting home, you find yourself timidly approaching chris and his brother sitting on a bench in the locker room, one of the employees probably working the fights tonight cleaning up a gash just over matt’s right brow.

“baby,” the girl beside you greets her boyfriend, a wide grin on her face as chris stands from the bench to wrap his arms around her waist. you watch as he leans down to press a gentle kiss to her mouth, but find yourself looking away just before their lips actually meet.

when they pull away, she’s still smiling when she shifts her attention to matt. “matt, this is the friend i was talking about bringing along,” she explains, introducing you to the boxer. you can feel your cheeks warm as your name is spoken to the other man, mortified that he might think you can’t so much as introduce yourself.

from the bench, matt’s head tilts just enough to acknowledge you guys, his sharp eyes narrowing slightly when he looks at you. “so,” he says, deep voice laced with sarcasm, “you brought me a cheerleader?”

slowly, your face falls, and while your cheeks begin to burn, you find yourself blinking, lips parting and then closing as you try to find something—anything—to say to curb your embarrassment. he’s still looking at you, watching you closely, like he’s trying to gauge your reaction, but you feel like you can do nothing but flounder under the cold, subtle hint of amusement dancing in his eyes.

despite your obvious embarrassment, your friend just laughs it off. “she’s new to all this, but she thought you were amazing,” she informs him, raising an eyebrow as if challenging the other triplet from beneath chris’s protective arm around her shoulder. there seems to be something unspoken exchanged between the two, but you’re too flustered to decode any of it, especially when matt’s expression shifts into something a little more smug as his eyes flick back to you.

“is that so?” he asks, but there’s an air of cocky indifference about his question, and you watch as he leans his back against the lockers behind him, arms crossed over his chest in a way that makes a few lean muscles flex subtly. you don’t have to see yourself to know your cheeks are a furious shade of pink.

“i mean, yeah, um—you were really good,” you manage to stammer out, voice barely above a whisper. it only serves the burn in your cheeks, and you watch as matt’s smirk deepens.

“really good, huh? high praise from an expert.”

“oh i’m not an expert at all,” you breathe out almost immediately, not catching the teasing tone to his voice, “i don’t even really know much about boxing, but the way you moved—it was like, um... watching a dance? but better. faster, and stronger,” you elaborate. at this point, your hands are wringing together anxiously at the base of your stomach, and your face is on fire. you feel entirely silly after you’re done, especially when you watch the way matt tilts his head to the side, clearly amused.

“a dance,” he repeats, tone dripping with skepticism, “never heard someone call it that before.”

despite your own nerves, you nod your head quickly in response. “it was just that you seemed to know everything that was going to happen next, and you executed it so well... it was amazing, really,” you find yourself admitting, and for a moment, matt’s smirk falters as he watches you seemingly replay the whole fight in your head, looking completely fucking awestruck.

from beside you, chris rolls his eyes. “matt,” he says simply, a light, playful warning just beneath his brother’s name as he shoots him a look as if to say be nice.

you don’t catch it, his expression shifting into one of an easy smile when you look the couple’s way, but your best friend almost looks sympathetic when your eyes meet, and you can’t help but be a little confused and feeling left out of the loop as matt finally stands from the bench.

“it was nice meeting you.” your name rolls off the boxer’s tongue with ease, but he seems almost dismissive about the pleasantry as he throws a t-shirt over his head and picks up his bag from the bench, hiking the strap over his shoulder.

disappointment sinks into the pit of your stomach, oddly enough, and your mouth twitches into a frown despite your best efforts. “oh, uh, it was nice meeting you too,” you reply quietly, the room beginning to fill with soft shuffling as your friends begin to make their way towards the door to end the night.

your fingers toy anxiously with one another as you turn to follow the couple out of the room, but your heart skips a beat in your chest when matt calls your name once more, prompting you to turn back to him, eyes wide with both surprise and curiosity.

you watch as he makes his way towards you, blue eyes twinkling with something you can’t put your finger on as he takes you in carefully. the closer he gets, the quicker your pulse becomes, and you swallow hard when you have to tilt your head up slightly just to look at him because of how close he’s gotten.

“i’ll see you next friday then?” he asks, raising an eyebrow. he watches your face carefully, taking in the hint of confusion behind your pretty eyes, the sight making his own mouth twitch into a small smirk as he begins to move past you and towards the door to follow his brother out.

“next friday?” you echo almost breathlessly, twisting around to face him once he’s halfway out the door, his body only half turned towards you as he nods once, that same sarcastic smirk resting so beautifully on his face.

“’m gonna need my cheerleader at my next fight, won’t i?”

a/n. i missed writing. i'm sorry i haven't been posting, but i hope you guys stick around for what's to come. x

©hanbinics

[the-warlock-syndicate]

What is the purpose of a sex scene? Well on a completely literal level, it is to depict a character having sex. And if you only watch films on a completely literal level with no nuance or examination, I expect sex scenes would be as pointless as eating or sleeping.

It is an interesting question though. Departing from that framing, sex scenes can convey an awfully large range of themes and messages. But, the more interesting piece of the question, which I think you are right to contribute, is where exactly do we think the messages effectiveness is enhanced by a full sex scene rather than fade to black?

I remember Oppenheimer in theaters, and thinking that the sex scene was overdone. I don't quite recall how explict it was, but it seemed over the top, and exposing a historical event which gave insight to his character was not really added to by drawing it out.

On the other hand, there are movies and shows where the full explicit sex scene is narratively important. This is not to suggest anything about the writing chops of the directors, but rather that the plot, the way it is arranged, benefits more from an explicit sex scene than fade to black.

Horror films in general, and Jason in particular, make a lot more sense to have explicit sex scenes. They are generally operating off an old fashioned puritan idea of sexuality, and the logic of the movie is that the characters brought it upon themselves for being so slutty. Which is why the virginal good girl ends up living. The sex scene is important for the message, as something for the movie to rail against. Sure, leaving things ambiguous might have implied the teens were fucking, but that is pretty weak when the subtext is that extra-marital sex is bad. Its like a movie with an anti-drug subtext, but the main character who looks like a stoner is never actually depicted lighting up.

Since Netflix is on my mind, let's talk about a couple animated shows. I've joked with friends that a lot of Netflix shows have a 'Netflix Syndrome', which I use to mean that a somewhat more lax approach to what gets greenlit means a corresponding increase in blood, murder and sex, because it is perceived to be allowed. Particularly with 'adult animation', which needs to prove to its audience that it can be a cool and grownup artistic medium, and swings the pendulum a bit far in the other direction of edginess by overcompensating.

The two shows that spring to mind here are Castlevania, and Blue-Eye Samurai. Now, Castlevania, while I did enjoy it, I think does swing heavily into the Netflix Syndrome arena. Edgy for the sake of differentiating from children's shows, to the point where it feels like overcompensating out of insecurity. There are a fair couple sexy scenes that I think were unnecessary, with fade to black being better options. Also grimderp plot twists lmao. But I do think that one of the biggest sex scenes, Alucard in the BDSM threesome, had its message enhanced by the explicit nature. Spoiler alert, Alucard is lost and directionless, opens his heart and his home to strangers to make friends. One thing leads to another, they are all in bed together, in what should be a culminating moment for him to get out of his depressive funk, see the light and joy in the world, and open up. And when he is at his most vulnerable, being tied up in a particularly kinky threesome, they betray and try to murder him, and he tries to murder them back. Now, there are other ways to write a story in which one gets betrayed while vulnerable. But if you are going to have a sex scene, the scene is better served by going through with the whole thing, instead of fade to black, which deeply weakens the impact.

Blue-Eye Samurai has a couple of sex scenes, which I think work, because the titular character has a lot to work through with regards to her sexuality. Between not being comfortable with female norms and behaviors in a still very male dominated society, crossdressing as a man 90% of the time, and having a particularly odd relationship with her sexuality as an object of desire, owing to her mixed race Japanese-European status which has people see her as a hideous abomination or 'exotic' beauty, full sex scenes exploring these dynamics I think are warranted. Particularly the one with spoiler again, her husband, and the feeling that she could reclaim a degree of femininity in being desired sexually, before being betrayed for her masculine qualities.

I'm not the biggest film buff, so I struggle to name more movies, because there are truly an abundance of movies with no sex whatsoever, and the ones with sex do utilize a lot of fade to black themselves.

"sex scenes have no narrative purpose" is such a funny take on so many levels. people will really believe that the whole human experience is valuable to portray artistically except sex, which of course has never held emotional weight or significance for anybody

[daphwritesworld]

YOU ARE DOING GODS WORK WRITING FOR TOP!KEIRA. I HAVE BEEN LOOKING FOR SOMETHING LIKE THIS FOR MONTHS!! NOT TO RUSH YOU BUY WHEN IS IT COMING OUT??

hopefully the first part will be out tomorrow, but the latest will be Friday :D

…..and okay yall have done it…you have forced me to give you a lil preview 😩 (a.k.a i just can’t contain it to myself anymore bc im so excited lol)

part one out now: read here!!

18+ MINORS DNI

━━━━━━━━━━━━━━♥♠♥━━━━━━━━━━━━━━━

“You better get your girl, Kei!” A very drunk Alexia laughs out, “Before your best friend does.”

Keira’s eyebrows draw together in confusion, her eyes searching out to where her captain’s sights are set. And oh what a sight she is met with— you, her sweet angel, pressed up against Leah on the dance floor. You’re still high off the win, and even more elated from seeing your old english teammates celebrating with you. It’d been quite a day at the UEFA, both of your groups collecting a victory in your matches.

Now here you are, three shots deep and your adrenaline making you act out a lot more than you normally would. You’re usually such a good girl for Keira. An absolute picture perfect sub— admired by all who saw the two of you interact. She loves the way you heed her every word, never arguing or disagreeing when she tells you to do something. So it’s a surprise to her when you just smile at her, and grind your ass back against Leah when she motions for you to come towards her.

Keira feels her jaw clench as her fingers tighten around the glass in her hand, and she makes the continuous decision to set it down before she ends the night early getting stitches. She starts making her way through the crowd, her eyes never leaving yours as she does. Leah’s whispering something in your ear, and you bite your lips at whatever it is. A blush crossing your cheeks as you finally break the intense gaze of your girlfriend. Leah’s hands are circling around your middle now, her palms resting low on your abdomen as she presses you against her even tighter.

You can hear your heart thumping in your ears now. A pit deepens in your stomach as Keira rapidly approaches you, her hand instantly wrapping around your wrist as she yanks you into her body. You stumble at first, your free hand coming up to balence yourself against her chest. You feel like your blood is molten lava under your skin, and you aren’t sure if it’s the alcohol or your actions that’s causing the burning sensation to pump through your veins.

Maybe it’s the good girl deep inside of you burning alive from the guilt of acting out…but the sexy look on your girlfriend’s face quickly sweeps that notion from your mind. I mean how could you feel guilty when your pussy is throbbing from the way her nails angrily dig into your skin…you should right? You should feel guilty about how much it turns you on to see her jealous and hot headed with anger, but it doesn’t. It only makes you smile up at her as your hands go behind you to find her best friend, and pull her back against your body.

“What do you think you’re doing?” Her hands moves down to your waist as she tightens her grip there, knocking Leah’s away in the process.

“Well, i wasn’t just gonna sit on your lap all night because you didn’t wanna dance with me,” you make sure to roll your eyes as you say it— playing up on the brattiness to test her boundaries in front of company. It feels so much safer to do it with so many eyes on you. Because in your mind, what can she really do to you in a room full of hundreds of people? So it inflates your confidence, your ego, and your desire for her break to you back down into a pliable little sub. It’s like you have a sugar rush from all the praise and sweetness she’s always shown you, but you’re finally coming down from the high…and boy are you crashing HARD. You’re craving to see the rougher side of your sickly sweet girlfriend has been growing steadily for weeks now. At least, ever since she let it slip that she’s a brat tamer during a drunk truth or dare last month.

-

You had called her out with a big hearty laugh, “Oh Kei, come on! You’re like the total opposite of that. You’ve never even raised your voice at me, let alone spank me back into my place!”

“Yeah, because you already know that it’s underneath me. Brats are like wild animals, and you’re more like a house cat, babe. No need to tame a kitten when you’re used to dealing with lions.”

It was like a light went off in your head after that— a deep seated need to broken then put back together by her.

-

Your feet must’ve went into auto pilot, because your brain is just now playing catch up. You hadn’t even realized you’re being dragged through the crowd. At least, not until you hear a chorus of teasing shouts from the mix of your former and current teammates behind you. The door to the bathroom flies open just as Mariona makes sure to yell out for you both to “Usa protección, chicas!”

Keira doesn’t even check to see if all the stalls are empty. She just pushes you into the first one she sees. You go to speak, but you’re cut off by her hand coming up and locking around your throat. “Spread your fucking legs, y/n.”

Your eyes widen at her statement, hesitation clear as you make no move to follow her demands. “B-but we’re in pub—“ you’re cut off by a growl coming out of the older girl in front of you, “And I don’t give a damn, y/n. If you wanna act like a slut, then i’ll treat you like one…” She pushes you up against the stall door, her chest vibrating against yours as she lightly laughs.

“And sluts don’t get fucked on nice comfy beds, do they?” Her eyes flicker up to yours before she leans down to press a couple kisses up your neck. A few more condescending giggles come out of her too, slightly tickling your skin in her wake. When she pulls away it’s like you can see the switch flip behind her eyes, because suddenly her voice is back to being as stern as the look on her face. “They get finger fucked in dirty bathroom stalls with their panties hanging around their ankles.”

[ginnsbaker]

All Of Your Pieces (2 - Liar! Liar!)

Chapter Summary: You wake up one morning compelled to say the truth and nothing but the truth. Wanda seizes this opportunity to ensure everything remains under her control. Meanwhile, Jimmy and Darcy finally discover what happened to Agent Monica Rambeau. Pairing: Wanda Maximoff x Female Reader Chapter word count: 3k+ | Chapter Tags: Manipulation

A/N: Billy is my favorite twin, if that isn't obvious already :P // More author's notes here.

Series Masterlist | Main Masterlist

It doesn’t require a calendar to track the days here in Westview.

It's the kind of repetition that settles over suburban life, where dates fade into insignificance and days blur into a seamless loop, distinguishable only by the changing seasons. But even the current season—fall—is as predictable in its passage as ever, like storybook weather in its perfection. The birds are always chirping, the sun rises promptly at 6:40 every morning—never a minute early or a second late—and it never rains. Just endless clear skies, day after day, until the sun sets at five.

You've been chewing on this odd feeling ever since you and Wanda arrived in this part of New Jersey, but today, there's something extra. You can't pin it down, just that it's…there. Today feels different—more than usual—and you didn’t really get it until breakfast, when your mouth slipped past your usual tact with the kids.

“Mommy, do you like it?” Tommy asks, his eyes big and hopeful as he holds up a crayon drawing of what looks like the family standing outside a perfect little house. 

Perfect. Honestly, you’re getting pretty tired of everything being so perfect around here.

“It's...very colorful,” you start, the usual praise ready on your tongue, but what comes out instead is, “Though it's kind of all over the place, isn’t it? Maybe you could try to stay inside the lines a bit more.”

Speaking aloud is like sending an email: once it's out there, it's out there for good. Even so, an email would have been the better option. At least then, you could just hack into Tommy’s account—if he ever figures out how to set one up—and erase your blunder for good.

Could having a magical wife somehow save you from this mess?

It’s too late though. Tommy's face crumples, and Wanda doesn't seem keen on throwing you a lifeline, just a dirty look from across the table as you sip your morning coffee.

“But if you’re going for an abstract—” you start, but your son is already sulking off to his room. 

Billy digs into his cereal, blissfully unaware. Wanda, on the other hand, looks as if she's ready to rip open a portal to another realm and hurl you out of this one.

That can’t be good.

“You really upset him,” she says, arms crossing over her chest. “He was so proud of that drawing.”

“I know, I feel awful about it,” you groan, burying your face in your hands.  Seeing your genuine remorse, Wanda eases up, giving you a moment to stew in your guilt before she comes back to the table with a stack of pancakes.

“Here, eat up,” she says, setting them down in front of you.

You pick up your fork, cutting into the stack. They look perfect—golden brown, with the butter melting just right. You take a bite, and before you can stop yourself, the words are out.

“They're a bit dry,” you blurt out, instantly regretting your words. But once you start, you can't seem to stop. “And this maple syrup... it tastes kind of artificial.” 

Wanda gasps. “Excuse me?”

“Shit—”

“Language, Y/N!” she snaps, but it's too late, the curse is already out there, floating in the air like a bad smell. 

In the next moment, something strange happens—your lips tingle, and suddenly you can't feel your mouth. Alarmed, you touch your face, finding smooth skin where your lips should be. You try to protest, but only muffled noises emerge. Fear surges as you point frantically at your face. You attempt to scream, but no sound comes out.

Seeing your flustered pantomime, Wanda’s face goes from angry to horrified. With a wave of her hand, your mouth is back in its place, and you’re gasping, both of you staring at each other, not believing what just happened. Meanwhile, Billy is giggling, clapping his tiny hands together, and gleefully repeating the S-word you accidentally let slip earlier. 

You and Wanda just continue to stare at each other in shock, but then you glance at Billy, his innocent delight completely oblivious to the fact he’s saying something he shouldn’t, and you see the corners of Wanda’s mouth start to twitch. A moment later, she’s laughing unabashedly, and before you know it, you’re doing the same. 

Despite the peculiarities of your life here in Westview, you don't think you've ever been this content. Before Wanda, the idea of having your own family—your own kids, two no less—seemed unthinkable. You never imagined you'd have a wife, a house in a quiet suburb, or hear one of your sons swear for the first time. Westview is far from normal, but then again, so is your family. As you watch Wanda's laughter taper into soft giggles, you think it's impossible to love her any more than you already do.

Wanda made this all conceivable for you.

“Sorry, honey,” you say, though still a bit shaken by the ordeal. “I didn't mean to be so rude.”

Wanda looks even more remorseful than you feel—which makes sense, considering she did erase your mouth, however briefly.

“And I probably shouldn't have... you know, removed your mouth,” she murmurs, guiltily picking at her cuticles.

Admittedly, it was terrifying—one of the scariest experiences you've ever had. You certainly don't want a repeat. It makes you slightly wary of your wife, but your love for Wanda outweighs your fear. Standing beside one of the most powerful beings in the universe takes courage, and you've built up plenty over the years together. You're made for this—for her, for this kind of love.

“Apology accepted,” you say, mustering a weak smile.

Wanda's face floods with relief, then quickly contorts into worry. “What’s with you today?”

“I can't seem to lie,” you confess, realizing there's no easy way to skirt the truth. “I don't know what's happening, but I just can't stop saying exactly what's on my mind.”

She stares at you, confused and a little hurt. “What do you mean you can’t lie today? So, you’re usually lying?”

Before you can smooth that over, Billy looks up from his cereal, fixing you with that stern look that’s pure Wanda. “Mommy, lying is bad.”

Wanda’s gaze softens as she looks at Billy, then back at you, the seriousness returning. “Billy, why don’t you go brush your teeth and check on your brother? Your mommy and I need to talk for a little bit.”

“Okay, mama.”

Billy scampers off, and you feel your stature shrink under your wife's gaze, suddenly feeling every bit the child.

“What’s this about not being able to lie?” Wanda asks once it’s just the two of you.

You shake your head. “Look, it’s not that I usually lie, but today, I can’t even if I wanted to. It’s like a—a truth filter permanently switched off.”

Wanda takes a few moments to mull over your words. “Oh…” she starts, sounding half-convinced. “Maybe it’s stress,” she throws out after a beat. “You’ve been working really hard lately, haven’t you? Perhaps your mind is just overwhelmed and you need a mental day off.”

You had thought of that, but the whole situation seemed too weird for such a simple explanation. Then again, maybe seeing shadows where there aren't any is just another stress symptom. So you let it slide.

“Yeah, maybe you’re right. I’ll see if I can call in sick next week,” you mumble, trying to sound cheerful about the prospect of a break.

Wanda comes around the table and cups your face in her hands. You let her pinch your cheeks together, feeling both stubborn and a bit sorry for yourself. It's silly, but all you want is for Wanda to coddle you and make you feel better, not to dish out logical reasons for why you’re not yourself today. 

“Well, if you're stuck with the truth, let's have some fun with it,” Wanda says.

You swallow hard, aware that any question she might ask now would either please or upset her—and there seems to be no middle ground.

“Uhm, honey, I don’t think—”

“Do you love me?”

You smirk at her; that’s an easy one. “More than anything else.”

“Only me?”

You laugh at her silly follow-up. This reminds you of the early days of your courtship when Wanda was a bottomless well of need. You didn't mind at all, knowing she needed to hear it as often as you made her feel it. Initially, you were a bit bothered, wondering if your actions weren't speaking loudly enough for her to trust you. Eventually, it became less frequent, until the question turned into a statement—You love me—to which you responded with your own: You love me too. Since then, it quickly became how you say ��I love you’ to each other.

“Only you. I'd sooner die than love someone else,” you confidently tell her.

Her smile in return is a beautiful riddle—a riddle you can’t figure out. 

“Wanda, I—”

“Do you like living here?”

“Sometimes.” The words slip out before you can think, and you're relieved to realize that your feelings about Westview are honestly not all negative. “It’s a nice town. Quiet and cheap.”

Wanda's face does something subtle. You can't quite read her reaction, but it's clear she has more questions when she doesn't park on your answer, instead moving on to something else. 

“Do you... do you remember how we got here?"

You blink at her. Initially, the question seems a bit absurd. But as you try to formulate a response, “Of course. We got married at…” you stall, your brain blanking on the when and where of your own wedding. “...then we moved into this house last…”

You try to pin down the date, but it slips through your mind like sand.

“Wanda?” A laugh escapes you, but there's a nervous edge to it. “Why can’t I remember any of the details?”

The last thing she says before flicking her wrist is, “Because you’re not supposed to.” But even that slips away, scrubbed clean from your memory by Wanda’s sweeping hand.

–

“Jimmy?”

“Yeah?”

“I think I found her.”

Jimmy hurried over to the tight corner of their camp where Darcy had practically set up shop for the past few days. Since the signals were first picked up, she's taken charge of monitoring the transmissions, her main focus being to locate Agent Monica Rambeau. They've already confirmed that many of Wanda's bizarre, sitcom-style characters are, in fact, real residents of Westview, somehow trapped inside whatever anomaly Wanda seems to be in the center of.

“That’s Monica, right?” Darcy points at the grainy image on the retro television set they've been using to watch the town's activities. The broadcasts come through at odd hours, which makes every second of surveillance crucial. 

Jimmy leans in closer, squinting at the screen where a woman bearing a striking resemblance to Monica appears. “It sure looks like her,” he confirms.

The woman onscreen is dressed in distinctly 70s fashion—a bold, patterned blouse with wide lapels tucked into high-waisted bell-bottoms. Her hair is styled in voluminous, bouncy curls that softly frame her face, completing the look that is so far removed from the S.W.O.R.D. uniform Jimmy last saw her in.

“I wonder what character she’s playing in the show…” Darcy muses.

A handful of nearby crew quietly look on as Monica steps out of a Hornet, a stack of papers clutched in her hand, and strides confidently toward one of those cookie-cutter houses lining the street—yours and Wanda's.

“Stay frosty, Monica,” Darcy mutters under her breath, staring unblinkingly at the screen as they watch her knock gently on the door.

It’s Wanda who greets her with a guarded smile. “Hello, can I help you?” she asks, sizing up the stranger on her doorstep.

“Hi, there. I’m Geraldine. You must be Wanda,” Monica says. Jimmy and Darcy exchange a look, both arriving at the same conclusion: whatever spell has ensnared the other residents, Monica appears to be under it too.

“Do I know you?” Wanda asks, her teeth gritted in what she hopes passes for a smile. But Wanda, she’s got a tell. It’s never hard to see when she’s faking it. The sitcom laugh track of this Westview tries to spin it as humor, but it’s clear to anyone—she’s not thrilled about Geraldine’s arrival at all.

“Oh, I’m sorry, has Y/N not mentioned who I am?” Geraldine asks mildly,  like she’s bringing up some small, casual detail—which, for Wanda, it isn’t.

“Honey, who's at the door?” Your voice drifts from the living room just before you step into view, crunching on an apple. When you spot the visitor, your face lights up with recognition, puzzling Wanda even more.

“Evening, ma'am,” Geraldine nods at you with a polite smile.

Wanda keeps darting glances between you and Geraldine, trying to piece together what's going on. And what’s frustrating her is you don’t seem privy at all to her disconcertment.

“I told you to just call me Y/N,” you admonish with a light grin. “What brings you here?”

“W-Who is she?” Wanda jumps in, keeping up her charade of a pleasant surprise.

“It’s Geraldine,” you tell Wanda, expecting her to recognize the name. Her blank, slightly annoyed expression forces you to jog your memory and that’s when it hits you that your wife has no idea what you’re talking about. “She’s my new assistant. Didn’t I tell you?” you say sheepishly.

“No, honey, you certainly did not,” Wanda replies, her smile stretched a bit too tight. She turns to Geraldine. “Aren’t offices usually closed by five?”

“They sure are, Wanda,” Geraldine replies cheerfully. It bothers Wanda how Geraldine uses ‘ma’am’ for you but casually drops her first name like they're old friends.

“So, why are you here?” Wanda asks, no longer bothering to hide her irritation.

“Oh, just dropping off some reports that Y/N needed to review tonight. Urgent stuff, you know?” Geraldine holds up the stack of papers in her hand as proof.

“Yikes,” Darcy winces at the tension practically leaking through the screen, feeling that deep cringe of secondhand embarrassment for Monica's obliviousness to Wanda's ire.

Fortunately for your assistant, you position yourself between her and Wanda, intercepting just as your wife’s temper begins to flare. You remember Wanda’s warm, almost syrupy kindness with Agnes when she first appeared, which only makes her sudden cold front toward Geraldine unreasonable.

“I completely forgot about those reports. Thanks for bringing them over, Geraldine,” you say, nudging her toward the exit. “See you Monday!”

Then, you close the door before she can add anything else, sparing both women from each other.

“So, why haven't you mentioned Geraldine before?” Wanda asks, not sparing another second to grill you about your new assistant.

You frown, thinking back. “I thought I did.”

Wanda looks at you for a long moment, her expression inscrutable. “Are you sure there’s nothing else you’re not telling me?” she demands, her eyes searching yours.

“Uh-oh, trouble in paradise,” Darcy sing-songs, stuffing a handful of popcorn into her mouth. Jimmy reaches over, trying to sneak a handful, but she swats him away.

You give her a lopsided smile, doing your best to charm your way out of the situation. The compulsive honesty from earlier isn't nagging at you anymore, but really, there's no need to sugarcoat anything in this case.

“Sounds like someone's a little jealous,” you tease lightly. And there it is again—that distant chorus of an audience, laughing on cue. You really need to talk to Wanda about this; it could be linked to all the experiments she's been doing with her powers.

Wanda barks out a forced laugh right into your smirking face. “Jealous? Me? There's no way I'm jealous of anyone, especially not Geraldine.”

“Then why did you look like you wanted to throw her out yourself when she showed up?”

Wanda's smile fades a tad, then she just shrugs. “Because she was interrupting our family dinner time. That's all.”

Normally, you'd draw this out until she admits she's jealous, but that could take all night. Right now, all you want is to kiss your beautiful wife, the only one you see. It's getting late, and not being able to touch her all day is driving you a little mad with want.

“Fine, you're not jealous,” you whisper, moving in, wrapping your arms around her waist. “Why would you be? You’re the prettiest, smartest, most amazing woman anyone could ask for.”

Wanda melts into you almost instantly. “You love me.”

“You love me too,” you say before leaning in to peck her lips. She hums happily against your lips, but just then, you hear the boys complaining about being hungry. Sharing a smile, you both head back to sort out dinner.

The episode ends, credits roll, and Darcy groans, tossing her head back. “No way. I need more of this,” she huffs, stabbing her finger at the screen. “They're perfect together. Shame Y/N’s supposedly dead. I hate spoilers.”

“She doesn’t look dead to me from here,” Jimmy says.

“My theory? That’s not actually her. I bet Wanda or someone did something to make a rando look like Y/N.”

“You think?”

Darcy nods. “With all the surreal stuff happening here? Yeah, I'd put money on it, dude.”

“Maybe you’re right,” Jimmy concedes. “Anyway, it’s a relief to see Agent Rambeau’s alive and kicking.”

“As Geraldine,” Darcy reminds him. “I wonder who chooses their names for them. Back to Y/N, what did that Howard guy have to say about Y/N being dead but so alive in Westview?”

“It’s Hayward,” Jimmy corrects her with a sigh. “He doesn’t seem interested in her or anyone else trapped inside. He’s more interested in the energy field surrounding the town.”

“And their boys?” Darcy adds, not listening to Jimmy’s rant. “We don’t have any public record of their true identities in Westview, right?”

Jimmy gives her a sidelong glance. “No records, no data. As far as Westview’s concerned, they just… appeared.”

“Typical,” she mutters, jotting down notes without looking away from the TV's static, hoping there’s a bonus episode or something.

But the screen stays blank, nothing but static for hours on end.

–

After hours of making love, Wanda lies next to you, watching you sleep. She’s used her powers on you before, but never here, never without your consent since you became a couple. Casting the hex was the easy part, the lying to you—not so much. Acting like she didn't know what was troubling you had hurt her more than she let on. 

She wanted to check if you were still happy here, still content, or if doubts were starting to creep in. And knowing you—the real you—you'd probably lie to Wanda just to keep her happy, just to ensure she has everything she wants. You've always prioritized her needs over your own, always stepping aside to let her shine. She wants the same for you, but you always manage to outdo her in every act of self-sacrifice.

When you started asking her about the exact dates of the wedding you thought you two actually had, it confirmed you still had no idea why you’re here, or what she’s done. She was relieved, honestly, because it meant she could stop forcing you to tell the truth, a spell she’d put on you out of desperation more than distrust.

She isn't sure how long this will last, just that it might be the most happiness she'll ever know, even if it's a delicate, fleeting kind. How did she even do this? Wanda doesn’t even know. It just happened—like a rose that has sprouted off a barren land. And now, despite having everything she's ever wanted, there’s always this nagging fear that it could all fall apart.

Quietly, she makes a promise to herself to fix things. She promises to you and her boys, she’ll find a way to make this life real, something that won’t just vanish like everything else she’s ever loved.

[tuliptic]

Start Line: Growing and Transforming

We've been running this far, non-stop, all day yeah   Never getting tired, we keep up this runner's high   You know graduation   Even though it's over, it's not the end   Put on some new shoes   Yeah we're ready at the start line

Things have been difficult for a lot of us, and sometimes, we just want a flicker of hope, or some words of encouragement that can push us to go further. Just… Something, a message, to tell us that the pain we’re going through right now is temporary, and things will be better. 

Close your eyes, meditate on this topic and tell yourself that you’re on a brand new start line, and ask for the messages you’re called to hear. Breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.

Pile 1 - Pile 2

Pile 3 - Pile 4

Disclaimer: This is solely for my entertainment purposes. Take only whatever you feel like it. If it doesn’t resonate, it’s okay to just drop it. Also, I do not consent to my work or images being used by third parties on this platform or other websites as well.

Decks used: Crossing Star Tarot Deck (Major Arcana), Linestrider Tarot Deck, Sweet Dreams Oracle Deck, Starcodes Astro Oracle Deck, self-made lyrics deck.

Pile 1

One card to represent you: The Magician rx

The first thought that popped into my mind is that… You’ve probably been told (many times) that you’re a good manifestor, but you have not seen it working out for you, or at least, not at the moment. You’ll need to try an error (or maybe errors) to find what works for you, and what works best for you. It can be rather disheartening to fail, but look for the opportunities in life’s challenges and learn the lessons. You work better by letting your physical body learn rather than your brain to absorb the knowledge. You probably have also noticed your tendency to self-sabotage, but you don’t intend to do anything about it. Perhaps, not at the moment, as you’re not in a right place yet to fix yourself, but you need to remember it and to work on it.

1. Why have things happened?  - Four of Cups

You have been too focused on what you’re feeling and not looking at the outer world, on whatever that’s happening around you or to you. This definitely has something to do with The Magician rx above, where you’re sabotaging yourself and not focusing on the present. It’s giving me very… Neptune rx in Pisces vibes, so some of you who picked this pile may have Pisces placements. It’s like living in the world yet not living at the same time, where you’re floating and drifting, not seeing where you’re at or where you’re going. Life has been throwing you opportunities to learn the lessons, but you’re not learning it. Not to mention that you’re not organising what it is that you’re feeling inside and to do something about it. With all of that happening, some of you may feel you’re at a standstill or some will have their head and heart wrapped up in different bags and not know how to unify them.

2. How to stop your train of thoughts and start again from where you’re standing? - Knight of Pentacles rx

You have to stop dilly-dallying, and pick up the pace if you want to move away from where you’re standing. Sure, ADHD paralysis is difficult to deal with when you’re frozen (I’m referring to myself as well, in case y’all think I’m attacking anyone), but it is already something if you can move yourself away from the way of harm first. My first thought here is to train your body to be able to move on autopilot from time to time, which will help you in countless ways. Sure, you’re still sluggish and unenthusiastic, but let your body move first, exercise, and let your brain rest during those times.  Another way you can attempt to stop those thoughts is to get help. Not only external help from professionals, but more of building healthy interpersonal relationships. True friends will want to help you to be better, and will be willing to spend some time to accompany you to carry out activities that are beneficial for both of you.

3. What to look forward to? - The Magician rx

You’ll be able to tap into your energy. I do think that this is a time for you to work together with your manifestation talent/skill, and for you to decide which direction you want to head. You need to remember that the direction you’re going is not something fixed, so no worries in making a decision. You can change that anytime, or go on a different journey if it doesn’t fit you. The more important thing is to have a welcoming heart, to dream and invite limitless magic into your life, allow your guides to show in unexpected ways. Do not be afraid, go step by step and find out what works for you.  Of course, you can look forward to this if you take action. If you’re not doing anything, do not hope or wish for things to fall directly into your laps.

4. What have you left behind and grown from? - The Tower

You’ve gone through a huge upheaval, you’ve gone through a lot of chaos and traumas in the past. Now, you’re going through another fundamental shift. It may not be as tremendous and messy as it was in the past, but this shift is something more of an energy thing, where you need to learn to be more selective with where and who you want to spend your energy on. This energy encompasses mental, spiritual and physical energy, and you have to remember that you’re also an exhaustible being, where you can’t focus on others forever. Look back, and you’ll see how far you’ve gone from that unhappy place. Remind yourself that you’re able to do it again. Once you’ve grown from it, you’ll also be more free to explore your skills and abilities. You’ve always had a tendency to have a foot in almost everything, and with you now knowing how to distribute your energy and time? You definitely can. You can try focusing on what’s in front of you instead of attempting to explore far, you might find treasures closer to you instead.

5. When will things start getting better? When will you get your justice? - The Chariot

The Chariot talks about action and goal. I don’t think I need to say much on this, as it’s pretty self explanatory. However, remember to hold onto your reins as you move towards wherever it is you’re heading. You need to have a clear goal and a destination, else you’ll run out of energy/fuel, and you may end up in different places. You’ll need a clear and visible goal, and the stages need to be well defined and measurable. You get strength from seeing actual results, and that’s when you gain the confidence to continue moving forward. You will get justice when you’re moving forward. The justice here is internal, as it is more towards countering the self-sabotaging part of you. It’s difficult, but once you wipe the tears and bite on the happiness you’re seeing, you’ll know your purpose in life, and you’ll taste that justice.

6. Advice for you - Five of Pentacles, Nine of Cups rx, Ace of Cups rx

Some of you may be facing financial difficulties or even health problems. It’s best if you work on them now as you prepare for what it is to come. It can be quite disheartening at times when you question and wonder why hard times fall on you more often than others. This may also result in an unhealthy stream of emotions. Emotions itself isn’t a bad thing, the problem would be how you’re managing it. Don’t hold them in and stack them up. Find a safe place to release them, understand those emotions and nurture yourself back. Place your trust in the Universe, believe that whatever that is happening to you right now is part of a greater plan. Twist your thoughts a little, see it as a blessing where you’re finding problems when it’s still salvageable (it’s still painful but hey, we can work on it eventually). Tune into your heart, listen to your wishes, and look at what you have achieved throughout the years. Your wishes of the past are now fulfilled, and you’ve finally built the life you’ve wanted when you were much younger. Well, it may exist in different forms, or you’ve gotten it not according to how you originally planned, but it’s there. Know that you can change your wishes into reality because you have the power. Believe in yourself. Let’s say if you want to recover faster, you can manifest quicker healing. You can. Just make sure that you do not fall into the habit of feeling dejected and dissatisfied quickly. Hold on to a heart of gratitude. It will open up doors for you.

Overall energy: The Tower rx, Six of Pentacles

There’s a mix of energy here. You’re unsatisfied that things have gone out of your control, yet there’s also a sense of relief that you are not responsible over those things going out of control. Despite the difficult times, you still hold generosity in your heart, where you offer what you have (materials, energy, time) to those who need them. In turn, you’ll also be blessed with what you need. Accept help given to you with an open heart and a grateful attitude. The greater plan the Universe has in mind for you may have something to do with people and connection, so that may be an aspect you want to pay attention to. Things or memories from the past can be resurfacing, so stop hiding or running away, and face them. 

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Pile 2

One card to represent you: Death

First thing I’m picking up here is that you’re going through a lot of changes right now, and the next thing is that… You’re being watched over. There's a lot, and I mean A WHOLE LOT of things that are going on right now, and they’re overflowing your plate. I could sense a certain level of panic and dread over everything, but there’s also some form of apathy where you’re tired of everything and anything happening all at once. There’s too much that’s going on to the point you have no idea where or what to focus on, so you’re probably at a standstill where you’re looking at the overflowing plate, doing nothing. I’d say that this is a “freeze” response because you’re at a point where you can’t process anything at the moment, but once your brain starts spinning again, you’ll get things done. You have people watching over you, or your guides are protecting you at this time. Imagine you’re standing still in the middle of the path but no one is hitting you. It’s like that. Your guides are making sure that you have enough time to process whatever that’s happening to you and around you. Once you start moving, they’ll follow behind you and help you out when you ask them, especially when you’re facing any confrontation.

1. Why have things happened? - The Hermit rx

You’ve withdrawn yourself from certain aspects of life (friendship, or work, or a certain class, or even a hobby) with attempts of healing yourself and to give yourself more time. Sure, you’ve got the time, but those times were not spent on yourself, those free times were not helping you, but the other people in your life. In another sense, you were still busy, and you did not get the rest you needed.  There’s a certain level of emptiness that I’m feeling here, and that you’re torn as well, not sure if you want to fill that emptiness or you want to remain it as so because of the comfort of being used to it. Do you trust yourself, with the steps and decisions you’ve been making? BET ON ME by ITZY was playing as I typed this out, and I do feel that there’s a message in this song for you.

2. How to stop your train of thoughts and start again from where you’re standing? - King of Pentacles rx

King of Pentacles is generally the last card of the deck, and what I'm seeing here is that you still have a lot more to go, that things are not final yet, and you have the ability (King) to change things to your favour. I understand that you're currently in a flight or freeze mindset, but you need to work your brain to trick it a little so that it moves, and you can reprogram it a little so that you can move away from the spot you froze. Be kind to yourself and let go of those thoughts that are haunting you, step away from those self-criticism, know that you deserve gentleness. The King is abundant in finances, life experience, but I'd also like to add connections into this list. To be a King, you must have known to pull strings around to make things work, to make sure you win the trust of the people. To achieve that, you need good and skillful people who are willing to listen to your plans and to make them work. Those connections are what will help you throughout your difficult times. Sure, people may have turned you down in the past, but know that they may not be in any position to extend any help back then, and that things may be different now. They will be more capable now. Some… May have a really painful tongue, not filtering their words. But still, they will help, and you'll be surprised with what they're able to offer.

3. What to look forward to? - Ten of Cups rx

This… probably is not gonna sound ideal to a lot of people but… You can look forward to having a fresh start. It's like the cups you have are now poured clean, and you are forced to redo things again, to fill them up again but this time, you get to choose what you fill them up with. Previously, when you were growing up, people around you filled those cups for you, helping you make decisions (that you may not like or agree with), or even tainting them (putting droplets of other things in it), and those form you to who you are today. But, by pouring them clean (a very, very painful process), you are now able to pour and fill your cups with whatever you want and whatever you need. You'll be able to work with your dreams and spirit's energy to reach your highest good as you fiercely protect your cups, your energy, your life. Your life is now yours to write.

4. What have you left behind and grown from? - Three of Wands

It feels like you have left behind a lot of original plans that you have made for yourself in the past as you build yourself anew. There's a lot of internal cleansing done, and you've decided to start everything from scratch again. You'll be able to build things again and fully immerse yourself in a new future you'll create. You've learnt to grow from pain and to see the smaller happiness in life, learning to accept that growth is inevitable. Visualisation is also vital here, where you will need to immerse yourself in whatever you have now as you visualise where you will be standing in the future. You decide your own path, and you have to walk it.

5. When will things start getting better? When will you get your justice? - Ten of Swords rx

Things will start getting better once you pull out all the swords from your back. There's a lot of… Purging. Yeah, purging is a more suitable word to use for your situation. Your situation is like the shelf full of ceramic plates that will crash the moment you open that door. But you still need to open it, you'll need to let all of those fall, and you can clean it, to make space for new items to put in. You now can choose metal plates, or plastic plates to put in, whatever it is that you want. But first, you need to clean the space, only then you'll invite limitless magic into your life and allow your spirit guides to show up in unexpected ways. They are there for you, through a breeze, through a flyer, through a sudden noise to stop you from crossing the road. Once you've made space, that's when you'll get your justice by living your best self.

6. Advice for you - King of Wands rx, Strength rx, Six of Swords rx

There's another King card here, telling me that whatever you're going through right now is not an easy one. It probably will be there a little longer and it is what will help you to build up your upcoming new life, to start everything again. You will need to be at peace with yourself and be kind to yourself first.  Turn your strength and focus inwards, nurture yourself, and do not shy from cutting people out of your life if they drain you too much, even if they are family. You need to understand that you are your own universe, and you are your own priority. If you do not prioritise yourself, no one will. Others do not have that responsibility over you, so let yourself breathe. For now, heal your wounds, use it as your badge of honour, and live your life as how you see fit. Remember, it is you who define who you are, not your past.

Overall energy: Strength, Nine of Wands

There's a lot of strength in you, actually, just that you have not known how to work with it right now, not sure how to turn that strength for yourself. You have been resilient in everything you do, no matter how battered up you are, so let those tension fall from you. Sit down in peace and quiet as you receive the messages from your guides, letting them guide you through this time of difficulty. Trust your feelings, they know you better than yourself. Listen to your emotions, they understand your needs better. Act on them when needed, you will know when the timing is right.

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Pile 3

One Two cards to represent you: The Tower rx, The Chariot rx

I'm… Not exactly that surprised to see two cards falling out. The Tree in this image symbolises the Tree of Life as I was doing the reading, so some of you who picked this pile may be told that you guys are knowledgeable or do possess some extensive knowledge in very specific fields. And with this knowledge comes expectations, which can be seen with two cards falling out for you. With these two cards, what I'm immediately picking on is that… You are in a phase of life that can be quite challenging right now, where things that are beyond your control are happening almost all at once, and you're losing your balance as you continue to run on the uneven paths. You're growing exhausted as you're being chased with expectations and by your own sense of duty. So, please take a break when you need it.

1. Why have things happened? - Three of Pentacles rx

There have been conflicts going on with you and your social circles, may it be disagreements between classmates/colleagues, or getting shunned by them for not going along with them. There’s a slight hint of one being an outcast here. Correlating to the cards representing you, how you became an outcast is also due to what you're going through life right now, requiring you to put a hold onto a lot of other things, including assignments and/or socialisation, etc. Your intuition has been your assistant throughout these times of perils, and it's giving me that you do know how and why you're in a situation that's making you stagnant. Not sure if you are capable of breaking that ice or you're resting at the moment before you take the first step out. Either way, unlike most people, you know where you’re standing at right now, and you do know how to make changes towards a new you if needed.

2. How to stop your train of thoughts and start again from where you’re standing? - Three of Swords

This is probably a weird way to put it, but you need to use your pain as a tool to help you get back to the present. You may be able to perceive pain differently, like… It's to prove that you're still living, that you're still alive, and you still can make changes to the situation you're in. You need to remind yourself that you're beloved, and that the Universe loves you and is throwing hints at you through very… questionable ways. Trust your inner wisdom and intuition, let them guide you to where you're supposed to be. Oddly, I'd say that you have been through something similar before, but you kinda panicked when your previous methods no longer work for this situation. This is the time where you need to find a new method that will help you develop your senses, and for you to be at peace with yourself again. Coping mechanisms, but let it help you with more than just coping.

3. What to look forward to?- The Chariot rx

I'd say that things will slow down, not because the problems are resolved, but because the tires have worn out. Your nightmare and problems have also run out of strength to go after you, which gives you a quick chance to take a small break before you retreat to somewhere safer, where you build a new coping mechanism and possibly plans for the upcoming problems. I'd also say that this is a good time for you to make new connections that will be helpful in the long run. Don't worry about burdening others, as I believe that there will be a chance for you to help them back. Friendships and connections are mutual, where both parties benefit from them.  Not sure if you’re the type who’d welcome new changes. Nevertheless, challenges will be coming your way for you to level up. I’d say that these challenges are coming in a way where you’re capable of managing it. From there, you’ll experience a new sort of rebirth, and you’ll find a new identity that works with you better. 

4. What have you left behind and grown from? - King of Pentacles

I have no idea why but I'm sensing some… Familial relationships and expected duties? Most of you may be working with establishing healthy boundaries with your family, making sure that the roles are properly and fairly distributed. It also feels like… Financial responsibilities aren't yours alone, and the entire family will need to figure out how to contribute and prepare for any emergencies.  You’re now the King, where you have a comfortable relationship with your finances, knowing that it’s yours, your property, and you have every right to access it and to use it without guilt. There may be a chance where your family or extended relatives have guilt-tripped you to sacrifice or contribute to their needs, and you’re unapologetically free from those now. You now learn to trust your intuition more and let your inner wisdom guide you through your way subconsciously. It’s now a part of your life where you don’t really need to sit and listen, as you’re driving on auto-pilot by your subconsciousness.

5. When will things start getting better? When will you get your justice? - The Sun rx

I'd say that things will start getting better at unexpected times, or even at times when you can't see hope. The Sun is unable to shine on all people, it's unable to pierce through thick walls, but it doesn't mean it's not there. The Sun here feels mellow, like it's keeping its warmth and heat in check to not burn the other living beings that it's feeding.  There’s also another message here that is assuring you that good things take time, and that you’ll need to be kind to yourself so that those blessings arrive and you’re ready to receive them wholeheartedly. The entire thing is a journey, and the roads can be bumpy. But still, what matters is the journey and you’re able to reach your final goal in a good condition, so take your time as you tread through those paths. Once you start walking and taking action, luck will fall by your side and accompany you through this journey.

6. Advice for you - Nine of Pentacles rx, Knight of Wands, Knight of Cups

You may be using your time unwisely by focusing on things that do not exactly benefit you. I’m not saying that you can’t, but you need to set your priorities straight and know what is the final goal of your actions. You may start a project that requires you to invest and purchase tools, when you’re rushing a deadline that’s gonna affect your assignment and final’s results. By doing this, you’re in a way, not planning well. Sure, you get your emotional fulfilment, but it also comes at the price of you failing your semester (touchwood). Passion projects can be fun, but you need to plan your time well, plan your resources well, plan your enthusiasm as well. The planning happens behind closed doors. Others will see how well you portray yourself and be drawn to you, but you need to remember the need for continuous effort for you to achieve the best results. The public, or people around you may gather around you because of how well you have a grip over yourself, and once things have calmed down, feel free to let yourself loose a little. People will show up around you, and it’s totally fine for you to enjoy the attention and affection. You just need to remember how much you’ve put in to build yourself, and not let others take you for granted, or to take advantage of your skills or what you have to offer.

Overall energy: Strength, Four of Wands rx

Strength and beauty comes in all forms possible, even through pain and tears. This is something that you’ll be learning to accept through this difficult time. Most of us may understand the beauty and appeal of pain, but not many can accept it. Whatever we’re going through right now makes us learn and accept it, to come to terms with it. Of course, changes come along with it and we will need to learn to adapt to it, to build a “New You” as you face the upcoming challenges. Know that whatever you’re doing right now is a pre-requirement for you to achieve your dreams. You are your own world, and you can change the world as you grace the strong wind standing your way.

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Pile 4

One card to represent you: The Devil

What I’m feeling here is that you tend to have a certain level of control over some things in your life. The control here isn’t exactly pleasant, where it may be imbalanced and there can be some arguments going on. Temptations are heard as well. You know you’re stuck in some loop where you can’t escape, and you have no intention of escaping. The picture for this pile is somehow giving me Sex and The City vibes, where the neon lights (benefits, financial resources, interests) have been the focus of your sight, and this allows you to have a different perspective, or for you to see things differently from your peers.

1. Why have things happened? - Strength rx

You have lost strength, internal strength mainly. You were not surrounded by those who supported you, and your energy was depleted bit by bit as you tried to fit in. You have put yourself in a position where you depend on the actions and feelings of others, and you may have given up on your instinctive responses, not having the self-discipline and control you need. The Lion is your passion, and it’s now your enemy, threatening to destroy whatever stability and name you’ve built. Imagine a woman trying to tame the agitated lion and the two ended up in a fight, while the spectators (wrong group of friends) by the side just watched. 

2. How to stop your train of thoughts and start again from where you’re standing? - Knight of Swords

You’ll need to start taking care of yourself, listen to yourself. You’re a person who prides your intelligence, and you tend to be in your own head a lot. However, you’ve listened to the noises out there that have affected you in a negative way. Not to say that you’re supposed to go back into the state of being in your own headspace, but for you to pay attention to yourself more, to listen to the voices of your heart instead of the external noises. You’ve always been head>heart, and now you’ll need to go head<heart. You may not like how different this… new routine is, but you will also know that it has to be done, as you’ve been seeing messages of this “new path” around. Balancing out the heart voices and head nagging is important, and this is how you shall start.  You also need to remember you yourself, are the source of everything essentially you. You build yourself; you create yourself. You are not built on the words or acceptance of others. You need to remind yourself that you are already doing well, and the expectations of others are not yours to bear.

3. What to look forward to? - Ace of Wands

New beginnings come with changes. Once you’ve chosen a different voice to listen to, you’ll be able to regain energy, bit by bit, to attempt more changes in your life. Opportunities will surely come your way when you accept the positive energy around you, and it’s up to you to seize them and make them work. It’s a time for you to follow your instincts and have courage. Take action when you need them.  That aside, it’s suggested that you return to your roots as you venture through this bright explosion of good energy. Remember the importance of grounding yourself and go back to the basics from time to time. It’s not only to cleanse your heart, but also serves as a reminder of where you came from, and how you need to be in touch with your past and nature.

4. What have you left behind and grown from? - Six of Wands

What I’m seeing here is that you’ve put down the yearn and drive for fame and luxuries, and have redefined success for yourself. You’ve awakened from the past and start to feel more energised, learning to start your days in a better mood as you count your victories. More people are recognizing your achievements as they approach you with interest.  As you compare what you had and what you’re having now (or will be having in the future), you’ll be able to evaluate better and have a clearer idea of the direction you want to take next. You are warned of self-doubt and lack of confidence. You have to believe in your abilities and worth so people can trust you, so that you can trust and confide in yourself.

5. When will things start getting better? When will you get your justice? - Eight of Wands

Eight of Wands is a card that talks about movements. Once you’re moving, once you’re taking action, that’s when you’ll see things turning out different for you. You’ll start to receive things or messages that you’ve been waiting for, and it’s time for you to stop stalling. If you’re interested in someone, you will have to walk towards them and work for it. You’ll be able to attract a loving, happy, fulfilling relationship into your life as you’re no longer the old you. Remember, birds of the same kind flock together, and the same goes with people too. You attract people of your level. You want that person who’s active and charming? Be proactive in approaching them.  Your justice will come in unexpected forms, but most of it would be releasing of past hurt. There will be times where you’ll want to hug yourself to sleep as you were reminded of how things have been difficult. This is one of the healing phases where you slowly let things go. The lighter you are, the better you become. This is also because the karma of those who’ve wronged you will not be tied to you anymore.

6. Advice for you - The Star, King of Cups rx, Nine of Cups

Rebuild yourself. This probably sounds difficult and too… idealised? But this is what you need to do. The Star is there to tell you that there’s a silver lining behind every grey cloud, that you’re not broken beyond repair, and that you’re able to work yourself up to another peak. This card is an extremely gentle card, so take that message and be gentle to yourself as well. You’ll need to practise self-compassion, listen to your inner feelings, cultivate yourself and let yourself grow into your very best self. Love others by first loving yourself, don’t forget about the promises you’ve made to yourself.  Make new and healthy connections as you flourish. If you wish for them, they’ll come into your life. Learn to be content with the gifts you’re having everyday, learn to hold gratitude with what the Earth is offering you. With the amount of Cups here, try getting close to bodies of water (beach, sea, waterfall, etc). Water may be a healing element for you. Alternatively, try doing activities that are related to creativity (crafting, writing, drawing, or something that’s symbolistic) as they can be an outlet of your heart’s wants, which you can understand better from the results of your craft. Remember to stay hydrated too.

Overall energy: Justice, Eight of Swords

Justice is really your theme right now. You’ve been choosing to run away from the obvious, but it’s high time that you wake up, pull down the blinds that have been covering your eyes and to see the truth for who he is. The first action needed for every awakening is to open your eyes and acknowledge whatever that has been going wrong. Only then you’re able to take action towards a better situation. You’ll need to open up your heart and invite new changes in, welcome new beginnings in. The theme of Justice can be difficult and painful, but it’s necessary for you as you transform bit by bit, cutting down the vines that have been tying you down, severing unhealthy ties that have been binding you down (refer to The Devil). Get back your own autonomy, treat yourself right, let justice be served on who deserves them.

[tehkusogaki]

I'm seeing a lot of people in the comments disparaging this remake, but I do want to go into a few reasons why it doesn't look as strong as the original.

Now of course no one is immune to nostalgia goggles and it's very easy to have that "they changed it, now it sucks!" instinctive reaction, so I am going to try to critique specific things and go into why I think they don't work as well.

First, I want to point out the composition of these two shots and specifically where the focus is.

In our original Hiccup and Toothless literally meet in the middle. With both Toothless and Hiccup pushed off the edge of the screen.

In this version they kept Hiccup fully in scene, but look how the focus of the action is now off to the side. We aren't focusing on either character-- they're both still pushed off to the edges of the screen-- but it's no longer both of them coming together in the middle, but rather Hiccup taking up the scene with Toothless starting to invade it.

Now this bit may be a little nit-picky, but look how perfectly the curve of Hiccup's hand matches Toothless's snout in the original in a way they don't in second image. They are so close, running parallel to each other. That's a very powerful image, and the remake doesn't quite match it.

I see a lot of people in the notes saying the lighting sucks, but no one explaining why. Looking at the bottom pic, you can see it actually has a greater value scale. There are a lot more midtones. Why is this bad? Because the action disappears into the background.

In the first pic there is a clear line of action going from Hiccup's arm to Toothless. By having these the lightest areas in the shot your eye is drawn to them. Then the darkest parts are Toothless's body and Hiccup's vest and hair which make them pop from the background. The most visible part of Toothless is his eye. There's a little bit of highlight on his scales and there's lighter midtones around his body to help clarify his silhouette, but we are drawn to his eye because of the light on dark contrast.

In the lower pic there is some highlight on toothless's scales (look at all that Texture! Wowee! We sure can put our computers to good use adding in details), but why is that the part on Toothless that stands out? Why is that important? Hiccup's arm kind of disappears into the background, and I can see more detail in the background than in our main character. The light sandy beach wants to draw my eye down, but there's nothing important there.

Now I put these in black and white to better see the contrast, but back to the color version, the background is mostly cool tones with warm light settling on our characters: another way in which the first one makes the characters stand out.

The only thing really catching my eye in the second one is that the greens are maybe too green? I'm not getting the same delineation of foreground and background.

There are a few other things to be picky about.

Like Hiccup's costume. Now I don't know enough about costumes to confidently pick it apart detail by detail (and honestly can't make out enough details to do so anyway) but what is one of Hiccup's defining traits? His scrawniness, right?

Look at that skinny little arm reaching out for that dragon. Look how that thin strip of lighter colored fabric visible from under his vest accentuates how slender his trunk is. Look how clearly you can see how he leans away from Toothless even as he reaches out for him. You can see the hesitation in his arm through his slightly bent elbow.

I feel like the bulky, loose costume on the actor makes him look bigger than he should and obscures body language.

Now here's the part where I want to remind y'all that art is subjective. These are some of my thoughts on this, but are by no means the only way view this. Also, please be nice to this kid. He got a chance to play a favorite childhood character. I'm sure he thought it was pretty cool to be given the opportunity and is trying really hard to live up to the role. None of the things I've pointed out here are his fault. Don't be a dick! Actors are people too.

I don't like that this is a thing. But I'm sure many people really tried to put in their best effort into this. Don't let your ire with Universal/DreamWorks for making a cash grab of your childhood nostalgia turn into harassment of artists and actors. I've seen that happen too frequently.

And remember: animation isn't an inferior art form, sometimes it really is the best medium to tell a story in.

httyd got live actioned. trailer just dropped and its uh. hm

idk what i was expecting but what looks like a shot-for-shot remake except with ugly ass high definition cgi that detracts from rather than enhances the cinematography really is. well it's a choice.

[jetblack4realz]

better - jj maybank x reader

summary - in between season 3 & 4 when they're building their lives with the gold and jj wants to get his act together for you

word count - 1.9k

------------------------------------------------------------------------------

you were an artist. you always had been - whether it was drawing random doodles on the side of your worksheet in class, or sketching out the boys' names in fancy calligraphy, or coming up with a new layout and decorating scheme for the chateau when you deemed it bland (after john b refused to let you paint all over the twinkie), or even reworking furniture to flip and sell to make a few bucks, you were always artsy. it had begun to work out really well for them.

you designed the surf shop and all of poguelandia with the help of your uncle, who was a contractor by trade. you carefully curated the indoor and outdoor decor, picking out pieces unique to your friends and your story and making it a homely, pseudo-trendy little shop. only when that was finished and you had it running did you turn your attention to your guys' home.

jj loved watching you work. at the moment, you had sarah helping you finish up the paint for the main living room as you put a final coat of white on the shiplap accent wall you'd had jj install for you. you had him put a similar one in your shared room upstairs, but had yet to paint it, claiming that you'd rather have everyone's space finished before focusing on your own.

john b walked in the kitchen and spotted the boy seated at the bar, his fingers typing away at the laptop you had gotten from your parents when you were sixteen - you know, before you'd jumped ship and left home to find treasure with your friends. he grabbed a can of lemonade from the fridge as he furrowed his brows, coming up behind his best friend. he squinted his eyes at the screen.

"job listings? what are you-?"

the lid slammed shut on the computer, jj spinning around with a shake of his head.

"it's nothing, bro, okay? don't worry about it."

john b stared at him incredulously. "j you have a job here. we literally own a business now, what are you-?"

"outside," jj said shortly, standing and walking out the back door quickly, john b following after. you looked up from your spot in the living room, glancing back at sarah with a shrug once the boys slipped outside.

once they stood face to face again, john b gestured for him to go on. "so?"

"look," jj said with a sigh. "i know we've got this shop, and it's so great. but, i just keep feeling like it's all too good to be true. like, we have this money now, but it's all gonna be gone in a second."

"it will be if you're the one in charge of it," john b said offhandedly. jj sighed, running a hand through his hair.

"and i know that too, alright? which is why i need more," he answered.

"why? what's going on that you need more money - and money that's separate from us?" john b asked, staring the boy down in pure curiosity. jj's eyes weren't on him though, instead going through the sliding glass door that separated them from their girls right to where you were painting once more, bobbing your head to the rhythm of the music sarah had turned on. "oh."

jj let out another heavy breath. "you and sarah are like, married now, right? and i can hear you guys when you're talking about starting a life together and me and y/n have started talking about it too recently... just, when the time comes i want to be able to provide for us. i want to be able to go out and buy her a ring and a dress and marry her and never have her worried about finances ever again. we've both had to deal with too much of that."

"wow, jayj," john b breathed out, a soft smile pulling at his lips as he rested a hand on his shoulder. "i'm impressed. you're really pulling it together, aren't you?"

"i'm trying," he said with a sigh. "i've worked a lot of jobs before and i'm willing to do it again. anything to make sure she's happy."

"she'll be happy with you no matter how much money you make," john b promised as he smiled at him. "and we'll all always have each other's backs. even if when y'all decide you want to be together forever you don't have all the money you want, we'll help you buy that ring and that dress and get it done."

"thanks, jb," jj breathed out, but with the lack of a smile and the tenseness in his shoulders still, john b knew he wasn't going to be accepting handouts anytime soon. even if it was still shared money between friends and not just handouts.

you'd recruited him to help finish up a few things in your bedroom, managing to finagle a thrifted and refinished dresser up the stairs and below the tv you'd stolen from your old bedroom. jj began hanging curtains as you put both sets of y'all's clothes away, giving yourself one extra drawer for your extra clothes. he finished before you did, watching you with a smile as you tucked his shirts into the top drawer all organized by color, finally shutting it to be done with the task.

"last thing to do is the bed," you hummed as you turned to him with a smile. you moved to begin pulling the white sheets on, jj tucking the corners before you grabbed out the blue comforter with a simple white stripe pattern that alternated thicknesses. "i nabbed this from my grandparents - my nana always buys them when they're on sale for christmas and never does anything with them."

"i know," he said with a light laugh, grabbing the opposite edge from you and helping you pull it over the sides. "she gave one to me for my birthday once. didn't exactly know why."

"because that's what she had and she probably felt bad," you answered, laughing softly with him. you tossed the throw blanket kie had given you for your birthday a few years back onto the corner to add dimension to the look, finally placing the two throw pillows you'd let yourself splurge $30 on at kohl's at the center. you smiled, glancing around the room before looking back at jj. "there. our room is complete."

he sauntered around the bed with a grin, taking you in his arms and leaning in close to your face as he met your eyes. "our own room, with our things, in our house with our friends, on our land, with our business down the road by our boat."

"our boat?" you asked with a teasing smile, hands wrapping around his neck as he held you close to him. "it's mine too?"

"what's mine is yours, princess," he told you, pressing a short kiss to your lips.

"even the dirtbike?" you asked, a brow raised in jest as a teasing smile tugged one corner of your mouth up.

"well, sure. it's yours too, but that doesn't mean you get to ride it, sweet thing," he answered with an amused grin, pressing more kisses to your lips and jaw.

"our next purchase should be a car. or a truck. an old truck. i like old trucks," you told him as his lips trailed to your neck. he paused, bringing his head back up to meet your eyes again, though his grip tightened on you.

"me too," he mumbled. "but, i think there's something we need to buy first."

"what?" you asked, tilting your head curiously. he glanced his focus between your eyes, a soft smile pulling at his lips.

"well, actually... i already bought it," he hummed. you sighed.

"and how much was it?" you asked, raising a brow.

"does it matter?" he asked, raising his brows as his smile grew.

"jay..." you groaned, head falling back in exasperation. "we talked about budgeting-"

"hey, hey, hey, hold on," he said, pulling you closer to him and catching your eyes again. his smile was mischievous as ever as he turned slowly, turning you with him. "you don't even know what it is yet."

you sighed, a small smile sneaking its way onto your lips. "alright. what is it?"

"well, my first paycheck just came in from working with your uncle, and i thought i might as well get it now," he said, dragging his words in the suspense as you continued to eye him. he looked you up and down, his smile still wide as he winked. "have i told you how good you look in that dress?"

"every time i've worn it," you laughed. "reckon that's why you bought it for me."

"damn right," he said, pressing a quick kiss to your lips. you giggled against him before pushing him back, raising your brows.

"what is it?" you asked, almost eager now. "what'd you buy?"

surprisingly, he released you, stepping back as he shoved a hand in his pocket. his smile was wide, but his eyes softened as he brought his hand out in front of him. he breathed out his next words nervously; "i really hope you like it."

and then he was on his knee, and in his fingers was a dainty, gold ring with a small circle diamond on top. right there, in the room you'd just finished, the room you shared, in the house you and your friends rebuilt, with the shop you owned just down the beach - he was proposing.

"i really want to marry you," he breathed out with a nervous laugh, his fingers squeezing the ring tightly. "you're the love of my life, y/n. i really don't know what i'd do without you. being with you has been the easiest and best damn thing i've ever done and i want to be with you for as long as you'll let me. so, will you please marry me? i promise to provide for you and be there for you and-"

"yes," you said, beaming as you took his face in your hands. you laughed lightly. "absolutely yes, jayj."

he kissed you quickly, standing and wrapping his arms around your waist as he leaned into you. when he pulled back, he was laughing, causing you to let out a few giggles, wiping away a small tear at the corner of his eye. he kissed you shortly before bringing the ring to you, slipping it on the proper finger with a certain look of pride in his eye.

"it's uh, it's not much, it's not even a real diamond but i-"

"i love it," you cut him off, holding his hand as you glanced between him and the ring, beaming. "i love it, jayj. thank you."

he smiled, a breath of relief slipping past his lips as he gathered you in his arms again, spinning you quickly. he pulled back and pressed a chaste kiss to your lips again before stepping back away from you. he let out an excited whoop, grinning at you. he grabbed your hand and pulled the door open, dragging you with him down the stairs.

"she said yes!"

[magpie-come-east]

1 + 16 + 17 for the ask game!

16) You can't understand why everyone likes this thing...

IF MESSMER HAS 0 HATERS THEN THAT MEANS I'M DEAD!!!!

Jk (kinda). I do genuinely like his character's place in the Shadow Lands canon. But I don't really understand his explosive popularity. Like Tarnished/Messmer is going to overtake the top ship on AO3 (Tarnished/Morgott my beloved) any day now. He wins just about every Demigod based poll I've seen of late. I'm genuinely not being edgy or contrary here, but I don't see it.

The fandom is very based and sexy for drawing this hideous man weepily draped on beautiful women's laps as if he were a woman beholding Christ in a Renaissance painting. Meanwhile I feel like the only one that can see all the grannies and babies and sisters and husbands skewered through their assholes and set on fire every 10 feet by the world's most racist shrike.

Maybe I'm just bitter because the love Messmer gets comes at the expense of the hornsent. I'm so attached to them and their conflict and their culture. Their lore is some of the coolest in the game and the fandom has just swept it entirely aside because heaven forbid the genocide Messmer helmed gets addressed at any point while he gets fixed/saved/healed/pegged.

1) The Character Everyone Gets Wrong

Mohg and Miquella are holding hands.

I dunno man. The asinine Mohg and Miquella drama has made me pull away from this fandom a lot in the past few months.

Obviously there's a lot of wiggle room in characterizing both of them! A villainous Mohg is canon compatible as is a Mohg that suffered more under Miquella's charm. Miquella can be a naive figure doing his best or a more manipulative power player. There are wide margins here! But not wide enough for this fandom! I'm still so... baffled and bummed out FromSoft handed us Mohg fans a canonical sympathetic angle to his story on a silver platter and so many Mohggers slapped it to the ground in a tantrum because it wasn't good enough. Because I guess Mohg victimizing Miquella was hot and cool but Mohg being victimized in turn is despicable and traumatic? Whatever.

To fandom, Mohg is either a silly, campy, gay uncle goofball drinking bloody marys and getting manicures from Varre or an irredeemable rapist that deserved every bad thing that ever happened to him. Or- third option- he was the secret hero of the Lands Between, as virtuous and honorable as they come before that wretched Miquella ruined his life!

He's the Bad Guy of Elden Ring. He's Miquella's victim that did no wrong. He's the obnoxious comic relief because people don't want to touch on any of his unsavory aspects.

Like fuck me, he's none of these things. He is a powerful, charismatic cult leader with a devastatingly tragic past. He is worthy of sympathy and dignity, but he was also the literal vassal of an Outer God of blood and pain. I wish his character was treated with more depth. I wish his pain was given weight and his rough edges weren't violently sanded away.

Then there's Miquella. Who, fandom has decided, is either a horrible manipulative monster or a literal infant with no agency. It's tragic how illiterate this fandom is regarding Miquella. Claiming everything that doesn't corroborate the Messiah figure they invented in their head is a retcon or bad writing. Claiming that Miquella gave up on Malenia when that is straight up not true at all. Claiming that Miquella trying to lay Godwyn to rest meant he wanted to marry him all along. Claiming that Miquella is literally charming half the cast into doing his bidding just to make him more evil. Claiming Miquella would have been better off as Mohg's hapless victim rather than the richly nuanced and tragic character with his own faults and goals that FromSoft wrote him to be.

The hard pill for ER fandom to swallow is that Mohg and Miquella are just like all the other Demigods: flawed but compelling in their tragedy

[elifinchsart]

Uhhh post game cap in regular clothes?

(Prolly reluctantly trying to separate himself from the uniform a bit since….. *gestures at game* all of that happend, but also not quite knowing where to go from here since *gestures at game* all of this makes me feel like trying to move on from the BBs is probably gonna be hard for him and I feel like the uniform may or may not be a comfort to him in some weird sense… Wish I could explain my reasoning better but then again I don’t even think he could .)

Oh Yeah I absolutely understand what you're getting at here. The uniform IS him in many ways- it represented his place in things both as a follower and a leader. As long as he was wearing he knew who he was (or what his role was) and so did others. That uniform also represented all his hard work to become Inspekta’s right hand man, so it absolutely was a source of pride as well as comfort. Having the BB's disbanded and losing that position and uniform is going to be very, very hard. For the first time in a very long time he's going to have to think about who he is a person removed from a power structure that gave him purpose. He's been completely unmoored in a way. And that's going be incredibly rough- things are going to feel worse and perhaps get worse for him before he can get better. Even though he's out of a toxic situation and in a far healthier place I think it's going to be something he misses for a while. We know from Yugo's drawings that what he wore before joining the Bizzyboys and wears off the clock are more for function and comfort and that he doesn't take great care of himself or them. And why should he? He only needs to be presentable so that he's representing Inspekta well. If he’s not on the job there’s no point in dressing up. In my opinion, the contrast between how he treats his own clothes vs his uniform is really interesting and important. He wants respect but doesn't respect himself and that reflects in his clothing choices. It's also why he panics so much when his uniform gets colored in paint- suddenly he doesn't fit in and his image doesn't command power. I've drawn him in his tank top/shorts and flannel but let’s talk about what else could be in his wardrobe. After rotting for a bit I think Vibiano and the others will help/push him to get a new wardrobe. I have designed some clothes I can see him picking out. Similar shapes to his uniform, nothing too out there pattern or color-wise that would made him stand out (maybe one day he'll feel bolder)- stuff that looks nice and snappy and classy. Stuff that makes him look like a guy you'd respect- yknow? Something he can wear with pride again.

Anyway those are my thoughts/interpretations! They may be different from yours (general not just you anon) but I definitely think his clothing is important to his character! I have a stupid joke follow up to this too but I'm going to post it separately.

[granny-griffin]

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

I mean I think it is, and I’ve done it (or tried to). But I do tend to second guess my interpretation of a situation a lot more if I haven’t seen anybody else say something—maybe people sometimes aren’t sure if what they’re looking at is racist or not, and then decide not to do anything with that uncertainty because it would require thought.

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

I think people are taught that the latter only exists in real life, and that if you try to do it in fandom you’re just yucking someone’s yum. People who do the second one generally receive the same kind of pushback as people who do the first one (even though they don’t deserve it).

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

Because trolls go away when you don’t pay attention to them. But like you already said in question #2, those situations aren’t the same. People are drawing a false equivalence between the two. And as far as bigotry I experience in fandom—I think I just assume that it will be there and not go away no matter what, and I’m pleasantly surprised when that’s not the case. But that’s not really the point of this.

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

I want to annoy bigots XD I love the excuse. Honestly not sure why more people don’t feel this way on tumblr, the website that’s all about being as annoying as you please.

At the same time, I want the annoyance to come because I’m giving them a message they don’t want to hear, not because I’m also being a jerk about it. Maybe it’s weird, but I care about bigots because they’re people, and their bigotry hurts them too, and I want them to listen to me long enough that they hear what I have to say and change what they’re doing. But even that isn’t a reason to try to keep from offending them—coddling somebody in their bigotry isn’t kind either.

I do think that people often don’t want to offend bigots who are good at creating fanworks, because they look up to them as a creative and/or don’t want to drive their skill away from the fandom. Yeah—the better you are at fanworks, the more you can get away with.

The second question is hitting me really strangely—yes, I think everybody deserves to have a comfortable space, and I want to defend that for others. I don’t know if I care to defend it for myself.

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

I mean I plan to listen to them, even if I don’t like the way they’re presenting their frustrations—if somebody’s mad at me for something that I really did (or sat by and failed to stop) then it’s so not my job to critique their attitude.

I don’t think I’m okay with the outcome—that’s why I’ve spoke out in the past—but the parenthetical is psyching me out. Maybe I do ignore things out of fear! I’ll have to keep introspecting.

I don’t want Black fans to assume everyone is against them, and I don’t think other people want that either—but I think fixing the situation requires people to be proactive. I think a lot of people think that just not being antiblack is enough, and then don’t think about it any harder. And so nothing happens, because instead of looking to do something right, people are only trying not to do something wrong.

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

YES 100%!! I don’t think we can accurately judge from within! This is one of my biggest struggles—it goes back to my answer to #1. I want to speak out against racism, but even though I’m trying to educate myself so that I can spot it, sometimes I’m really not sure. And calling somebody racist feels like a really big accusation—if it lands publicly in the right way it could get somebody blocked by all their friends. I wouldn’t want to do it to mistakenly. So I’ve been trying to watch and see when Black people call out racism so that I can amplify/support what they’re already saying.

But maybe we need also to have a less all or nothing approach? If we aren’t sure if someone is being racist, we could start a more private conversation to tell them about our concerns, and see if their response sheds any light on the situation. Sometimes I ask people leading questions about their thought process when making something instead of just telling them to quit being racist.

Inevitably, no matter what I do, I worry that I’m not using the right level of forcefulness. But I guess sitting here and angsting about the appropriateness of my approach is still better than doing nothing.

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

Yes, and I think it’s tied to my struggle to judge situations. There’s a certain threshold of racism under which I can’t identify it with enough accuracy to feel comfortable making a callout. But again—maybe “public callout” and “do nothing” are not the only two possible responses.

Okay so after sitting on the responses from yesterday's question, I have some follow up questions to what seemed to be some consistent... Themes in the answers.

Like yesterday, I am asking with intent to listen (and maybe ask more questions) so I will not be arguing- at best, you'll get a "hm" to acknowledge i saw what you said.

My follow up questions:

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

*I also want to note that I'm not directing this to Black fans. I know that the context changes when you have to fight. I'm asking the people who have the privilege of fighting antiblackness while not having the identity. I.e. some marginal power in the area.

[jonathan-cranes-mistress-of-fear]

Genuine question, as someone who has characters of my own: how do I get over my embarrassment for having OC’s? I’d never make fun of someone for having them, but whenever it comes across my dash (especially if it’s ship art) I can’t help but… (for lack of a better word), cringe. I love people being creative but it feels like I can’t get over the backlash against things like that.

It's something you have to unlearn, and that's not always easy. I think as a whole, most fandoms are not OC friendly unless it's something like a videogame in which you create the main character from scratch. Most people will stick to already established characters, because that's easy to write. Very few are brave enough to make their own story.

Firstly, l'm going to discuss comics, this is a world of many worlds. DC as example has so many universes, and there's no way I could name them all. I think many of them are numbered, and fans who create their own usually make a numbered or named verse. Like, Codotverse! (if Codot can put his whole voice out there, you can do it too, btw)

Personally, I think the open ended-ness of comic worlds is a positive for fandom. It makes it so anyone can tell a story and despite it being fannon, it's really no less canon than what's in between the pages. Comic writers themselves can't get things straight half the time, heck I've been known to nit pick comics because they forget some fact about Jonathan that SHOULD be well known.

Now, lets talk OCs. The fact is, and this probably sounds mean, people would rather read about Scarecrow or Riddler then -insert Hench character for shipping here-

The reason is as stated above, it's easier to get into. They know what to expect. And unless this OC is someone you've been talking about for years and they have curated their own mini fandom within the fandom, most ARE gonna scroll by. That's sad, I know.

BUT that doesn't mean you should quit or be embarrassed about an OC. People can come to love them, but this usually takes effort and dedication on your part. You are the one and only author and content creator of this OC. Nobody else is gonna make content for them without insensitive. That means you gotta talk talk talk, and draw draw draw, then write write write. MAKE them care. People can very easily come to love and OC,. and i know this for a fact because I used to have my own and I always got asks, people wanted to draw them, or write stories, etc.

The thing is, you gotta embrace being potentiality embarrassing. If you don't take a step forward and put yourself out there, who will? This sounds very internal for you, and it's literally something that is taught to the youngins of fandom very quickly. Fandom, as a whole (think big here) will squash or despise anything that isn't palatable. And what is palatable? that changes often. Usually, fandom is a progressive space but that doesn't mean each and every sect doesn't have issues. Big issues that are spread between a lot of fandoms include misogyny and fetishization. This is why you sometimes see creators and fandom goers attacking canon female love interests and OCs. This is also why you see a huge influx of men being shipped together and any mention of either man loving or having a relationship with a woman is often erased. These two things go hand in hand quiiiite a lot actually. Just, a thing to watch out for and think critically about.

In the end, it boils down to making your audience care amongst a sea of easy to read and already palatable content. You gotta swim against the current. Make a space for yourself, provide something that doesn't exist yet. (for me, it was hi res comic scans)

Basically, don't let the haters win.

[stanofwar2]

Journal Entry 1, 2

Saw that my poll was tied between oc journal entries, and a mix of all three. So here's the start of Leon's Journal entries of his time in Gravity Falls. Hope y'all like it!

Transcript/clear text below

June 12th

I can’t believe I’m writing in this old thing after so long, but what the hell else am I gonna do after all the weird string of events that happened this afternoon.. I’m not even sure how to start all this, I feel like a 10 year old writing in her diary… Oh well, not like I’ve got anything better to do. This old beaten up journal my therapist gave me a while ago to “ Journal and process my feelings ”  is finally serving a purpose while I’m stuck here.

So how did I get here? Simple, I was making my way through the back-roads in Roadkill County Oregon so I could cut down my travel time so I can get to my client Mrs.Vandersheisse quicker (I’m going to need to call her as soon as my phone is done charging)

But as I was cruising, enjoying the scenery of huge redwood’s expanding as far as the eye could see, I looked back to the road and crashed my car after a Gnome rode a deer into the middle of the road and startled me! Which caused me to panic and swerve out of the way and straight into a tree! Luckily my airbag deployed, only leaving me with a couple of bruises at the end. Once my head stopped spinning I dragged myself out to assess the damage only to see that the front of my car was wrapping around the trunk of the tree that didn’t even budge, almost mocking me. I was grumbling to myself as I leaned against a tree, practically fuming with anger when I heard a set of footsteps approaching, a rough, gravely voice following quickly as the stranger approached. He asked me if I was alright, saying he heard the crash from his house.

I told him I was, opening my eyes slowly and I.. I was a bit.. Caught off guard when I opened my eyes to look at the guy. He was, well. Not what I would have expected to see out here. To be honest I was expecting a redneck with the smell of patriotism thickly wrapped around him but Instead I was greeted by a somewhat heavy-set, but muscular, older guy with short gray hair wearing a tight red t-shirt and white pants, a gold chain that peaked out of the collar of his shirt, taunting me.. Drawing me in..

His eyes peered at me behind square glasses that framed his face well. From his accent he’s probably originally from a big city, I’m guessing Jersey.

He. Was. Hot. And I found myself stumbling over my words a bit, worrying if I had hit my head harder than I thought or if I was passed out. He didn’t seem to notice.. I think If he did he didn’t say anything, just continued to ask me if I was okay, how and why I crashed, and where I was heading. I told him a little before I felt dizzy and nearly fell over. I caught myself but this guy gently wrapped his arms around me and told me that it was probably best if I get my head checked out, so he walked me all the way to his place, keeping me steady, and finally telling me his name. Stan Pines. I told him mine and he told me how nice it was to meet me. He smelled like the ocean

I was a bit.. Surprised to see that his house was actually a tourist trap called the Mystery Shack. Which I swear I saw a bumper sticker for, though it didn’t have an address so how I or anyone would find it is a mystery to me (wonder if that’s intentional?) I awed at it, earning a good chuckle from the guy who asked me if I’d ever been, to which I said no. He smiled wide, going into a proposition speech about how it’s one of the best tourist traps in the Pacific Northwest, that he would know since he made the place. I chuckled, finding his spiel somewhat endearing. But eventually he got me inside and called out for someone named Ford and Soos (Or was it Zeus?)

Soos, the now apparently current owner of the Mystery Shack came out asking, “What is it dudes?” Stan filled him in about my car and told him to go into town and get a tow truck. Soos saluted and ran out, giving me his quick condolences for my car. Then, there was Ford. I shook my head when I saw him come in, asking Stan why he called him. I thought I was seeing double! Making me worry that maybe I’d hit my head harder than I thought. Turns out that he’s Stan twin and a big shot with 12 Phd’s so Stan wanted him to give me a check up. Stan caught him up, to which Ford gave me a concerning and serious look and quickly got to work, grabbing some stuff to give me a full check up. It was awkward as he prodded and asked me questions like my name, my birthday, who the current president was, and eventually asking what had happened, giving me a good look at him as well and noticing that he has six fingers, which caught my attention, but I didn’t comment on it, didn’t want him to feel like I was judging him, making me quite the hypocrite. I told him 90% of the truth, keeping out the Gnome part of it. He hummed, his mind whirling away, asking me about my last name and swearing that he’d heard it before somewhere in his research. I wonder if he knows my family?

I just chuckled and then finally met the other family members of the household. Mabel and Dipper Pines, 13 year old twins spending the summer at their “Grunkles” place. They were very sweet and friendly, practically interviewing me about who, why, and how I was here, to which I gave them all I was comfortable telling, leaving the more.. Weird parts out. Stan let us know that it would be a little bit before Soos told him how bad the damage on the car is. I was nervous as I sat there, people-watching the Pines family, their antics and general weirdness growing on me, easing my nerves. At least until Stan got the call from Soos.

So, Good news, I only had a minor concussion and would be fine shortly. Bad news, my car is pretty much completely fucked and it’s estimated it will take a whole month to get it running. A MONTH!! I was.. Well I was devastated. I am devastated still, wondering what gods damned me to be stuck here in the middle of nowhere!! And in a house so damn noisy and filled to the brim with spirits!! Ghostly lumberjacks meandering about, trying to get mine and others attention. Luckily, they all are pretty weak so as long as I ignore/tune them out, I’ll be fine. But it’s.. Not just them there’s a generally strange aura surrounding this place. I felt it in the woods, which is completely normal but for it to be this strong and consistent here? That’s the odd part, then again in general this whole area has felt.. Off. Not bad, just, off, different.

Anyway, I groaned, wondering what the hell I’m going to do now! Where I was gonna stay for a whole month! I heard some small whispering before Stan sat down next to me, cleared his throat and put his warm hand on my back, telling me he was “sorry that life had given such a nasty hand.” But he said that it wasn’t all bad news, that he and his brother had been talking and while they couldn’t help with the whole car issue, they could clear out a room in the Shack, giving me a place to stay until I can leave. I couldn’t believe it, why were they being so nice to me? I was.. Skeptical and Stan found that entertaining, letting me know that it was because there weren’t any good Motels in town and they could use an extra pair of hands to help around the house and to watch the kids. So basically they were giving me a place to stay in exchange for a free babysitter. Which, as annoying as that is, isn’t the worst offer I’ve had. So I agreed.

Mabel was all the happier to have another person to talk to. She gave me the ~Grand Tour~of the shack, eventually leading me to what would be my room, which was clearly a storage room that she and her brother had cleared out and tried to make look homey. Which was very sweet.

Eventually Soos returned, giving me my travel bags. Stan dragged a mattress into my “room”, gave me some sheets that he swore he “cleaned recently”  before giving me another apology about my car. But it was different than before, it was.. Softer, genuine. But I didn’t pry, just thanked him, to which he gave me another confident, exaggerated smile and told me “Anytime buddy, welcome to Gravity Falls” (Guess that’s the town’s name) before walking off to do Gods knows what. 

I’ve set up my bed, cleansed my room with some sage, and placed some warding crystals in the corners of the room, hiding them so the kids or anyone don’t mess with and or steal them. So now, here I am, sitting in my new room recounting the odd string of events that have led me here in a busted up journal that I don’t even remember packing.

I should stop here for now, Mabel peeked in to let me know that dinner is ready so I guess I’m off. Until next time.

Leon

[lover-of-mine]

After the promo feeling a very "Eddie trapped under the fridge in the van" tonight... Ana what would happen if it's trapped Eddie again, Anna?? No, but srsly what do you think? Any spec...👀

Okay, hi, this is gonna get long, I'm sorry in advance, but hey, you asked oaksoaksoaksoaksa

No, but seriously, I'm gonna go back to what the goal of my drown Buck 2024 spec was to explain my thought process right now.

I said that initial spec came from the voices in my head, but I did have a somewhat logical thought process. Here's the thing, buddie needs to talk about almost dying, and (shameless self-promo incoming) while writing the trauma fic, I was trying to find what could be a canon trigger because I wanted to get as close to canon with that conversation as possible, so much so I didn't even plan on that ending up getting together fic, it just happened (and given the reaction I got to the fic, I think I did stay close to canon), and I realized the only way to get them talking about dying is to almost kill them again. And while in that trying to stay in canon mindset while looking at traumatic events, I caught on to some patterns on the way they handle and frame the ndes as triggers that were never pulled to their full extent. Considering the similarities between the well and the lightning (set on that here for better visualization) I was convinced we needed to give Buck a shooting moment. Mostly because buddie are connected through death. The big changes in their relationship are triggered by ndes. The truck, the tsunami, the well, the shooting, the lightning.

And well, the shooting is as intense as it is because of a few factors: it happens by chance, the thing they were supposed to be doing was already done but they weren't supposed to be there to begin with, it brings up a previous trauma for both Buck and Eddie, Buck is forced to do the saving alone. It's why the second collapse on the bridge made so much sense for so many of us. Because the show could draw us into a false sense of security and pull the rug the same way the shooting comes out of nowhere. They were at a bridge so adding water elements would be easy, and that's real for both of them since tsunami/well, betting trapped in/under a vehicle, doing the saving alone because everyone else is out of commission somehow. I also added the idea of equipment malfunctioning, because I kept going back to that (I don't fully know why I'm so hung up on that, it just makes sense in my head), and you could have all that happening at the bridge while Buck tried to get Eddie out.

But transferring all this to what we know about the 808 call. The cool thing about Buck and Eddie is that they are really mirrored and most triggers for one of them would work for both. Obviously, since I was literally mirroring the shooting, I latched onto the idea of Buck doing the dying and Eddie doing the saving (also because I know Ryan would EAT a desperate cpr scene), but it works either way. So let's assume Eddie is the one in danger here just because I think Eddie nde can have more consequences (you can trigger Eddie, Buck, Eddie and Chris, and buddie all for the price of dropping Eddie off a cliff or trapping him in a flooding car lol) and he's been relatively safe for a while since the bridge was a collective accident and Buck got him out with no effort. Oliver mentioned rock climbing and Tim said something about one character hanging off a cliff and I'm thinking maybe this is literal. So something collapses. We have very obvious water elements with the hydrants and the amount of cars makes the trapped under/in a vehicle easy too, something going to hell by chance, the street collapsing or the equipment failing and trapping Eddie inside the car we saw him in could do that, and since we have Buck and Eddie paired, Buck being the closest makes it so that he would have to do the saving. But the thing is, 809 is already done. So legit, if this is happening, this is where the episode ends and we get our first real cliffhanger.

I sorta want Buck to be the one who ends up trapped in the flooding car because I want the bragging rights, but I think rn, Eddie would have more consequences, but if we are talking pattern Buck is the one who usually dies with an audience, so I'm seriously going back and forth, it's all gonna depend on what they want to trigger here. Because the ndes are the beginning of the change, leading to some big consequences later on, and since Chris is not back yet, I can see them forcing a possible parallel oh moment in the way the shooting is supposed to be and then Eddie going to get Chris because Buck needs to get to a point where he's ready for Eddie and Eddie is never gonna truly find joy without Chris and then something on 8b triggers the getting together. Shit can go to hell for either or both of them. The thing that scares me is the way that 809 is already done, so they needed them still in the state they are now, so there will be little to no initial jump on 8b so I keep thinking cliffhanger.

But I'm also trapped into the idea of Eddie saying he's going to go get Chris, the call happening with no real issue and something happening to Eddie as he drives to the airport and the "Nobody’s hanging off a cliff at the end of the episode except for possibly one character." is actually Eddie while the rest of the team is unaware. (Or maybe buddie gets into a car crash while going together and then yall can call me Cassandra)

[sanguinessunflower]

Jason Todd

I only care about his hand. That is all that matters to me. Do you know how versatile his hands are???

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[xxplastic-cubexx]

sequel to this ramble cause the way james talks bout the reduced cherik scenes throughout the xmen films in this video is making me want to kill people. 'we'll always have paris darling' what if we all blew up.