#i have a whole fighting sequence in my head

[arcane-ish]

Arcane Act 1 - Everybody ends up where they don't want to be and why that is a problem

In my first reaction I talked a bit about structural weaknesses and after a bit of sleep one thing popped into my head. I tried to get not spoiled too much but one of the few things I read that there was an interview and somebody from the writing team said that in a way everybody ends up where they don't want to be or something a long those lines.

I think this theme is heavily present in Act 1 already and I think this is kind of a structural writing problem. Because it is usually fundamentally more interesting to see characters have a goal and try to achieve it and either get it or fail than for characters to be pushed into something by higher powers.

The additional problem is that so far in Act 1 we haven't always seen enough of what the characters want instead. So character A wants X, but is forced into Y.

Let's go into detail:

Back when I read the spoiler I assumed it would be something like that:

Jinx ends up as a revolutionary

Vander who wanted to curb his violence ends up as a violent beast

Vi ends up as a cop

Caitlyn ends up in a position of power and influence

Ekko ends up working with Piltover even though he wants to protect his people

Now that Act 1 has rolled around we concrete have:

Vi taking the badge

Caitlyn being thrust into leading Piltover (maybe being thrust into her mother's spot)

Viktor becoming an object of worship without wanting that

We see the first traces of Jinx becoming a freedom fighter and Ekko being pulled into working for Piltover.

Ironically, I think I've been enjoying the story of Mel and Ambessa (I know I'm probably in the minority) because that theme feels least present with them so far or at least they seem to be acting more along the lines of their genuine interest still.

Mel

Mel wants to protect Piltover in her way and doesn't trust her mother. She is also forced by circumstances to do stuff she doesn't like (like agreeing to the invasion) but she's still overall pursuing her interests (trying to figure out what Ambessa's plan is, trying to soften the murderous interests of the rest of the council). Maybe in the future her "ends up where she doesn't want to be" will be her working with her mother or becoming like her.

Ambessa

Ambessa of cource we find out is being hunted by the Black Rose, so I presume her "I don't want to be here" is being in Piltover. But she still feels like she's expressing her personality and making moves and being proactive within the situation she finds herself in. Maybe her ending up doing the opposite of what she wants will be either protecting Piltover or having to fight her own daughter (maybe a Black Rose possesed Mel).

Their stories are more fun to me because they are still in the "want" phase and not in the "forced" phase.

Caitlyn

Next we have Caitlyn. I think she's actually one of the better ones (again I presume many people will disagree with me on that). For one she actually gets some room to express what she wants. She wants peace (scene where sits at her mother's pond). She wants like Mel to soften the blow of Piltover against Zaun to some extent. We can infer that she wants a happy life with Vi (though I think that could have been really driven home if we had gotten a dream sequence which makes it clear: yes what she really wants is sit in a flower field and hold hand and play footsie with Vi, thus making it more tragic when her actions end up driving them apart).

It also benefits from her conflict not being purely external "Ambessa pushed her into taking power", but being actually an internal conflict. She wants to be a good person, but she also wants revenge and struggles with those feelings and her growing prejudice.

Viktor

With Viktor the whole "forced" is most present. He probably wasn't planning to be a prophet, it just sort of happens to him. I think his story is still weak because we have seen very little of what he actually wants. We can infer if we remember season 1 that he wants peace and hextech not being used for war. But in the show it feels very "oh, yeah, gotta go."

Vi

Vi of course ends up taking the badge. I think her story suffers because to me it feels very muddled what she wants at the moment. She wants to help apprehend Jinx. We presume she wants to be with Caitlyn.

Also her "forced" push is pretty unimpressive (like really? being flattered that Caitlyn praised her to other people plays a role?). She protects people almost out of instinct (ie the chemtech attack on the council).

In season 1 Vi's wants were a huge driver of the whole story. Vi wants to prove herself that's why she organizes the heist, Vi wants to make up for the mess she made with the botched heist, Vi wants to protect her family and save Vander, Vi wants to find her sister, Vi wants to rescue Jinx from Silco's influence.

Every single one of her wants ended up blowing up in her face and that made up the deep tragedy of season 1. We like Vi, we care about Vi's wants and hurts us to see her fail. She wants to prove herself but brings tragedy on the Lanes, she wants to turn herself in but gets foiled, she wants to save Vander, but he dies, she wants to find her sister and when she does it turns out that her sister is a different person, she wants to pry Jinx from Silco's influence but it turns out Jinx really enjoys it and there is no way bring Powder back.

In season 2 her wants feel pretty muddled and much weaker. She wants to apprehend Jinx with the task force. She feels bad and guilty over Caitlyn's mom. She presumably wants to be with Caitlyn.

I think it worth noting that there is IMO no strong drive to protect Zaun. I think a lot of fans probably perceived her as this is something she should feel, but IMO I genuinely don't see it.

Vi is somebody who suffers from being perceived as a Zaunite, she has some loyalty in the sense that she doesn't take the badge, but I genuinely don't get a deep connection between her and Zaun. Vi I think is more universal in that if she sees anybody getting attacked she wants to step in and help, there is no special loyalty to her people. She defends the Pilties when the Chembarons attack, she stands up to Caitlyn when Isha is in the line of fire. There are hints of Vi having a codex but I feel unclear on what exactly that codex is (no killing kids? no kiling at all? no killing except proven guilty people?).

Please note how at no point when the subject was on attacking Zaun she brought up Ekko (ie come on Caitlyn, you know there are good people down there, such as Ekko, or no attempts are made to warn Ekko that an attack is coming). [it's a pity I think if this connection had been made it would have ramped up the tragedy and emotional punch a lot, would have portrayed Vi more as somebody who is torn between Zaun and Piltover]

(my personal read is that Vi feels no connection to Zaun because she was in jail for so long and when she came back she no longer recognized it as "her" Zaun and maybe she associates Zaun with having poisoned her sister)

Anyway, Vi's clearest moment of tragedy coincides with her moment of stating an actual believable want and it says a lot about her as a character in Season 2 so far. It's the scene where she tells Caitlyn that everything around her changed and she wants Caitlyn to stay the same.

And of course she states it exactly 5 minutes before Caitlyn changes on her (becoming like Jinx as Vi puts it).

Still, what Vi expresses in that conversation is very telling of her character. That she feels like she has lost her connection to everything and she was clinging to Caityn as her one thing and that that one thing changes and rejects her.

I think Vi's story suffers from her stated want coming to late in the act and her morals being inclear (ie she against killing? can't be since she asks Caitlyn to take the shot on Jinx? so just kiling children? innocents? what violates her moral code and what doesn't?).

Jinx and Ekko

I think Jinx and Ekko are not completely deep in the "forced" phase, but I think they are sort of muted" in the "want" as well. Jinx has expressed that she wants to die but imo it feels sort of half hearted. Jinx says she wants to blow it all up, but imo it feels sort of half hearted. Jinx expresses anger over what Caitlyn using the grey but we don't really see the process of what she does about it.

Her forced aspect comes in the sense of the girl latching on to her (and there's potential there in her repeating what happened between her and Silco) but I think all of the new characters fall pretty flat so far. NuGirl really would have benefitted from getting a flashback to explain her backstory. (yes even if she ends up getting killed)

Ekko just wants to protect his people but the illness of the tree forces him to go to Piltover with Heimer. At this point both his wants and his forced are pretty muted.

Jayce

I think Jayce's story suffers from him being actually the character who is in multiple stories. He's a little bit with Caitlyn and Vi (he wanted to honor Viktor's wishes not to build hextech weapons but he makes them for Cait after all), he's a little bit Mel, he's a little bit in Viktor's story, and a little bit in the Heimer/Ekko story.

I think better writing could have really made use of the fact that Jayce is the character who is in multiple storylines but imo it didn't happen.

At the moment (maybe just because of how Act 1 ended) Hextech feels like his big tragedy. (Mel's line about wanting to protect his dream) Season 1 Jayce was cocky and wanted to make the world better with Hextech (+ be a magician), in season 2 he finds out that hextech is actually completely fucking over the The Arcane.

Again this is something that could really have benefitted to a flashbacks for Jayce's highs when everything was still golden and glorious for him rather than just pans onto his old mug.

Conclusion

Structurally the tragedy is there for everybody, but I don't really *feel* the tragedy of it yet because the show isn't making heavy enough use of contrast (ie investing more time of emotionally showing us what the character actually wants so we can feel the weight of when they end getting the actual opposite, I think flashbacks could have accomplished that).

[tiderideraa]

thinking about harry boxing. thinking about how even if he's disarmed he will still be rocking everyone's shit. forget the hook and cutlass, harry smashing people with his bare hands is top tier. the fluidity of harry's fighting when he's bare knuckle boxing is so smooth and so graceful in comparison to the brutality and effeciency of his fighting when he's armed tbh

[thecryptidart1st]

Wanna know something that just gave me a crisis? (/hj)

Events of FNAF 3 would be taking place this year.

i’m aware

[clockwayswrites]

Cozytober Day 14 & 15: Unexpected family gathering Getting comfort after a bad day at school

masterpost CW: referenced abalism

It was a Bad Day.

It had started as a so-so sort of day. The sort of day where words were a little slower and harder to find. Danny could work through those days, he always had to, after the accident. But then, of course, it had been a day that his sociology professor had actually shown up instead of just leaving the teaching assistant to do his work for him.

Of course he had called on Danny. And being a so-so sort of day, Danny had fumbled through the answer. Apparently, that meant the fucking jack-ass decided to use Danny as ‘an example’ right there in front of the whole class. As if public speaking was Danny’s issue. As if sometimes struggling with words meant that he couldn’t do social worker. As if he was worthless.

Danny made himself close his eyes and just breathe. He’d contact his ADA rep tomorrow. There were avenues to deal with this. It was just… it was so much effort and was probably going to be a fight over it. The professor as there for research reason, he didn’t actually care about teaching. Danny would probably have to go in front of a committed and tell his side and—

Tomorrow.

He’d deal with that tomorrow.

Right then Danny just wanted Jason.

Uncovering the hidden panel, Danny typed in his code, popped open the covered door, and swung himself down through it and onto the steal beam.

“Who the fuck?”

Danny froze. Very slowly he looked down. Below him, Jason’s table was expanded out into an oval and surrounded by people. People who were looking up at Danny with a frankly frightening amount of attention and suspicion.

The person closed to Danny stood. Their hand went to something on their belt in a move that Danny was sure was intended to be casual, but wasn’t actually. It made the hairs on the back of Danny’s neck stand up. That person was dangerous. All these people were dangerous.

“So who exactly are you?” They asked.

“Jay wasn’t inviting anyone else, right?” Someone at the table asked rest of of the people.

“Jason didn’t even invite us,” one of the other redheads answered.

“Oh, right.”

“Hey,” the redhead glaring at Danny barked. “I asked who you were!”

He was Jason’s boyfriend. He was allowed to be there. Jason had given him the code. Jason wanted him there! Words that Danny couldn’t manage to speak piled up in the back of his throat.

The redhead’s hand tightened around something.

Danny leaned back.

The rest of the table tensed.

“I swear to fuck Roy, if you throw something at my boyfriend you are not welcome back here!”

The room froze and slowly all eyes shifted to look towards the bedroom where Jason was walking out of it and into the main space.

“Boyfriend?” Someone at the table repeated in a near squeak.

Danny ignored them. Jason was there. Jason was there and knew who he was and that he was welcome even when he didn’t have the words for it. He dropped to hang of the edge of the rafter for just a moment before he flung himself at Jason, trusting the other to catch him.

And Jason did. Jason wrapped Danny up in one of his warm hugs and spun them so that his back was to the group and Danny was hidden.

“Hey, boo,” Jason said and pressed a kiss to Danny’s temple. “They sort of all just showed up. Apparently they decided to have a game night and that this was the place to have it. I was going to text you a warning later. I thought you still had class right now?”

Danny scowled and tapped a sequence against Jason’s hand. S.O.S. Something that Jason had suggested they use as a sign for when Danny was having a Bad Day.

“Shit, yeah?” Jason dropped his voice to keep his words more between them. “What do you need? I can kick them all out if you need me to.”

“Hey!” Someone at the table protested, followed shortly by a omph and a wheeze. “Ow! Fuck, keep those elbows to yourself.”

Danny quirked a little bit of a smile despite himself and shook his head. He pointed over his shoulder before running the same hand through his hair as if washing it.

Jason nodded. “Okay. You know where the bath salts and things are. I’ll check on you in a bit.”

Danny pressed a grateful kiss to Jason’s lips and practically dashed to the bedroom without a single glance towards the table full of Jason’s friends and maybe even family. That was… it was just too much right then.

-

By the time that Danny was settled into the warm, scented water he had managed to calm down a great deal. He still couldn’t find his words, they were still stuck down deep under his ribs, but he wasn’t in a panic anymore.

(Not having someone about to attack him helped with that, go figure.)

Danny sunk a little further into the luxuriantly large tub and rolled his head slowly this way and that. The rest of the world could wait until tomorrow. All that mattered was what was inside of Jason’s apartment.

Of course, inside the apartment meant Jason’s friends right then, but Danny knew that Jason would let him hide in the bedroom if he wanted to. For the moment, Danny tried not to be worried with figuring out what he wanted. Right then was about relaxing.

[pucksandpower]

Roll the Dice

Charles Leclerc x Reader

Summary: You and Charles throw your own private celebration after one of the best races of the season

Warnings: 18+ content

The roar of the crowd still rings in your ears as you make your way through the paddock to find Charles. Your heart is bursting with pride after watching him fight his way to a hard-earned P2.

Las Vegas may be a new circuit but Charles drove it like he had been racing here for years. He made the Ferrari dance in ways you didn’t think were possible, squeezing every last hundredth out of each corner.

You spot him up ahead, finally free from the mob of reporters and post-race press conference. He’s leaning against the wall near the media pen in a rare moment of solitude, eyes closed and head tilted back, no doubt mentally replaying each complex sequence of braking points and apexes.

You take a moment just to look at him — the way his damp curls cling to his forehead, the zipper of his race suit undone and its sleeves tied at his waist to reveal soaked fireproofs that cling to every contour of his chest. He’s breathing heavily, a post-race flush still clinging to his cheeks.

He’s the most beautiful thing you’ve ever seen.

As you draw nearer, his eyes blink open and immediately lock with yours. Relief, affection, and something more primal flash through them as a smile tugs at the corners of his mouth.

“Y/N!” He shouts, hurrying over to sweep you up in a massive hug.

You squeeze him tight, not caring at all that he’s drenched in sweat and sticky with champagne. “I’m so proud of you!” You beam.

He sets you down, his hands lingering on your waist. “I couldn’t have done it without my good luck charm.”

You playfully smack his shoulder. “Oh stop, this was all you! I can’t believe the drive you put on out there. You were incredible!”

Charles glances down shyly. “Thank you, mon cœur. It was a good race tonight.”

“A great race,” you correct him, “You drove incredibly. I was on the edge of my seat the whole time, watching you battle with Max and Checo like that. It was the best thing I’ve seen all season.”

Taking his hand, you lead him away from the crowds. “Come on, let’s get you out of here. I think it’s time we celebrate!”

A flight in the early afternoon means you both decide to forego the wild Vegas parties and instead make your way straight to the hotel. Once you’re in your suite, Charles heads for the shower while you pour champagne. When he emerges in a billow of steam, you hand him a glass.

“To my champion!” You declare, clinking your glass against his.

Charles smiles graciously but you catch a flash of disappointment in his eyes. “I’m hardly a champion finishing P2.”

You fix him with a serious look. “That was the drive of a champion tonight. You left you heart on the track out there. If it wasn’t for that safety car, you would’ve won. I would have bet my life on it.”

He looks thoughtful as he takes a sip. “You really think so?”

“I know so! The way you managed to regain the lead from Max? And then from Checo? The move you pulled in the last lap to take P2? Incredible. My only regret is that you don’t have a car that would give you an opportunity to compete like this all season.”

Charles sighs. “The team is doing their best with what we’ve got.”

You set your glass down and rest your hands on his bare chest. “I know and you’re so patient with them. But a driver like you? You deserve to be fighting at the front in every single race.”

Looking into your eyes, Charles brushes a strand of hair from your face. “We’ll get there, I know it. This result today, it shows progress.”

“You’re right. It does,” you smile up at him. “And when you do get a car worthy of you, the rest of the grid better watch out. Because you are going to do great things, Charles Leclerc.”

Charles gazes at you tenderly before pulling you in for a kiss. Your lips move together unhurriedly, his hands trailing down your back.

When you finally break apart, breaths mingling, he gives you a mischievous look.

“You know, I never did properly thank you for being my good luck charm today.” His fingers toy with the hem of your shirt.

You bite your lip coyly. “I think the good luck charm wants to properly congratulate her driver on the podium. I want to make you feel good. You more than earned it.”

Charles grins and tugs your shirt up over your head. His lips find your neck as he backs you towards the bed, hands roaming your newly exposed skin.

You fumble with the ties on his sweatpants, shoving them down as the back of your legs hit the plush mattress. He gently lowers you down, hovering over you.

“You are so beautiful,” he murmurs, eyes dark with want.

You pull him down for another heated kiss, reveling in the feel of his solid weight above you. Your hands grasp at his back, nails digging in slightly to leave crescent marks on his skin.

Charles groans into your mouth at the sensation, pressing his hips down firmly against yours. You can feel his arousal even through the thin fabric still separating you.

Breaking the kiss, you trail your lips along his stubbled jaw to his ear. “I want you so much,” you whisper hotly.

He shudders in response, hands gripping your waist. “Take what you want, mon amour. I’m all yours.”

You slip a hand between your bodies, palming him through his boxers. He hisses in pleasure, bucking into your touch.

“These need to come off. Now,” you demand.

Charles obliges eagerly, stripping the last barrier between you away. You waste no time to wrap your legs around his waist, gasping as he enters you in one smooth motion.

You move together unhurriedly at first, simply reveling in the feeling of being joined so intimately. Charles peppers your face and neck with tender kisses as your hands caress every inch of his back and shoulders you can reach.

As the pleasure builds, your hips pick up speed, chasing release. Charles shifts his angle, hitting that sweet spot inside you that has you seeing stars.

“Just like that! Don’t stop!” You cry out, nails digging into his shoulders again.

He increases his pace, pounding into you relentlessly. You feel the tension coiling tighter and tighter within you.

“Charles, I’m so close ...” you gasp.

“Let go, mon cœur. Come for me,” he growls breathlessly into your ear.

His words send you tumbling over the edge with a wordless cry. Your vision goes white as intense ecstasy washes over you. Distantly you’re aware of Charles following right after, your name a reverent sigh on his lips.

As you float back down, Charles collapses on top of you. You hold him close, heart threatening to burst from the love and pride swelling within you.

Charles presses his lips to your forehead. “Have I mentioned that you’re the best girlfriend ever? I don’t know what I did to deserve someone as wonderful as you. But I’m so glad you’re here with me through all of this. I love you so much.”

You grin and pull him in for a kiss. “You deserve the world, Charles Leclerc. And I plan on spending every day of our lives proving that to you.”

[hotvintagepoll]

Will Scarlett has lost his temporary lead in the Hot Medieval and Fantasy Man Melee, so I'm back with screenshots to prove my point that Will is the Hottest Boy in the Land. I normally avoid these types of long posts but I will do anything for my Slutty Merry Boy, so buckle in.

To introduce Will Scarlett—oh by the way here's the link to his whole movie—I think it's important context to know that when we first meet him, Robin is saving a man's life and Scarlett is staring at nothing in particular. His head is empty of thoughts. He looks this way the entire scene. I'm not sure he blinks.

As soon as the danger is over (a danger he did absolutely nothing to help with) he has a chuckle with Robin! Sunshine and laughter and roses!

The next time we see him (which is soon, because this movie loves Will Scarlett too), he is bitching because Robin had them sleep in the woods (???) and he got stabbed in the back by some acorns.

Here he is falling over a log.

Here he is getting smacked with a branch.

HERE HE IS AFTER GETTING SMACKED BY THE BRANCH.

He serves cunt continuously through the entire Little John sequence, and we don't have time for all of my screenshots, so just a quick smattering:

Here he is being hot and unsupportive when Robin decides to fight the biggest guy he's ever seen. (Scarlett literally says "your skull not mine" and then just stands there.)

Here he is getting in Robin's way.

Here he is, picking the hottest pose possible so he can be the bard and play little showtunes while Robin gets his ass kicked.

Oh my goddd fuck me.

Worth mentioning that Little John does loudly identify Will Scarlett as "a pretty fellow" and nobody contradicts this. In a world where all of Robin's men have one personality trait (big, friar, or tiny), Will Scarlett's is Slut.

Once we get out of the Will's Musical Singalong chapter and Robin goes in disguise to the archery contest, Scarlett does too, except whoever told him he couldn't wear his normal Versace didn't tell him what normal people wear because he shows up looking like this.

Absolutely nobody else in the crowd looks like that. That's just what he thinks the Normies are doing.

With Robin captured, you'd think it's time for Will Scarlett to contribute something. Unfortunately he is constitutionally incapable of not serving cunt at all times to the exclusion of all else, so Maid Marian thinks of the plot while he stands by looking really hot.

Here he is serving cunt as a monk. Jesus Christ.

HERE he actually does something during the climatic battle! I had forgotten but he does swing his sword around a little bit. He doesn't actually look hot while doing this which explains why he has never done it before.

i saved this screenshot with the caption "the beatles" and i'm not wrong.

here he is doing new things with blood eyeliner. very brat.

SUCH A SERVE THERE IN THE BACKGROUND AND FOR WHAT

in conclusion, Will Scarlett is a hot hot man who is clever (by his own estimation, never proven within the story) and extremely hot (by everyone else's estimation, proven twenty-seven thousand times over). He serves several different looks in the movie, all of them incredible, and is apparently brought along by Robin just for his charming good looks and lack of thoughts because he's certainly not good at anything else. He is the hero to all of us who want to hang out in this movie but not actually work out or hold a weapon, and the bard that every Sherwood story deserves. Vote Will Scarlett, my legend, my icon, my idiot.

@medievalandfantasymelee

[pickingupmymercedes]

Leap of faith - Lewis Hamilton

It can be read as a separate one-shot. But with the story it just makes it so much better

Sequence: Not just a pretty face / I need you to let me go / Fly on my own / Leap of faith (bonus)

pairing: Lewis Hamilton x Reader!

warnings: couple who went through a lot finally getting their happily ever after 🥹❤️

wordcount: +2k

a/n: Their story has my whole heart and I thought they deserved this closure❤️

As always, I'm open for feedback, come say hi!

______________________________________________________________

Laughter and clinking glasses filled the air, the glow of fairy lights casting a warm light across the open Californian sky. Guests were scattered around tables, their faces glowing with joy and a bit of alcohol.

In the midst of it all, the newlyweds stood at the center of attention, surrounded by family and friends who had gathered to witness this moment.

Lewis stood there, his fingers lightly gripping the mic as he looked around the room.

His eyes landed on Y/n, and his usual confidence softened into something more tender. He took a breath, the kind that spoke volumes without saying a word, then began to speak with that familiar, easygoing tone.

"I've been thinking a lot about what I wanted to say today. You all know I’m not really one for speeches—well, at least not ones that don’t involve a podium anyway. But today, standing here, looking at Y/n, I realize that there are some things that need to be said. Things that have been in my heart for a long time, but that maybe I haven’t always found the right words for."

He glanced down at his new wedding band for a moment, gathering his thoughts, before looking back up at her.

"When I first met Y/n, I was... let’s just say I was a little too sure of myself. I thought I knew what I wanted out of life, what it meant to be successful, to be happy. But Y/n... she changed all of that."

He paused, his eyes softening as he took in her face, the way she looked at him with that mix of affection and amusement that only she could pull off.

"I won’t pretend that our journey has been easy. It hasn’t. There have been times when I wondered if we’d ever get here, if we’d ever figure out how to make it work. But through it all, there was this pull—something that kept drawing me back to you. It felt inevitable."

There was a brief silence, the kind that came when words just didn’t seem enough, but he pressed on, his voice a little softer now.

"Over the years, I’ve felt so many things for you, Y/n. Admiration, frustration, pride, fear... love. So much love.

“But more than anything, I’ve felt lucky. Lucky to have met someone who sees me—not the driver, not the celebrity. The real me. And even luckier that, despite everything, you’ve chosen to stand by my side."

He shook his head slightly, a small smile playing on his lips as if he was still a bit in awe of it all.

"You’ve taught me that love isn’t about finding someone who’s perfect—God knows neither of us are that. It’s about finding someone who’s willing to grow with you, to fight with you and for you, to laugh with you when things are good and hold you when they’re not.”

“It’s about finding that person who challenges you, who pushes you to be better, even when it’s hard. Especially when it’s hard."

His voice caught slightly, just for a moment, and he cleared his throat before continuing.

"There were times when the distance, the pressures, the lives we lead seemed like too much. But every time I doubted, you showed up. You were always there, with your strength, your sarcasm, your endless belief in me. And slowly, I started to believe too. Believe that we were worth the fight, worth all the doubts."

He stopped, letting those words hang in the air for a moment before continuing, his tone more thoughtful now.

"I’ve thought a lot about what it means to commit to someone, to truly give yourself over to another person. It’s not something I’ve ever taken lightly. But then I remember when you asked me if I'd catch you. And how I just knew, somehow, that I could never let you fall. That I would always be there, arms wide open, ready to catch you."

He paused again, his eyes never leaving hers, and there was a rawness in his voice.

"You’ve been my biggest challenge and my greatest adventure. And through all the ups and downs, all the doubts and fears, one thing has remained constant: my love for you. It’s been tested, pushed to its limits, but it’s also grown stronger because of it. Stronger because of you."

There was a brief silence as he let those words sink in, both for himself and for everyone listening.

"I’ve come to realize that loving you, Y/n, isn’t trying to fit into some perfect mold, some idea of what we’re supposed to be. It’s embracing who we are, flaws and all. You make me want to be a better man, not because you ask me to, but because you deserve nothing less."

He took a deep breath, the emotion in his voice becoming more apparent as he neared the end of his vows.

"I’ve been in some pretty high-pressure situations in my life. But standing here today, committing my life to you, is by far the most important thing I’ve ever done.”

He smiled, a little wistful but also full of hope and love.

"You’ve always been the one, Y/n. Even when I didn’t know it, even when I tried to deny it, you were always the one. And, standing here, I can’t imagine my life without you. I don’t want to. Because I’ve found home."

Lewis’s voice dropped to a near whisper, the words meant only for her, even as the room listened intently.

"I’m all in, Y/n. I’ve always been all in, even when I didn’t realize it. And I can’t wait to see where this leap takes us next. Because whatever happens, wherever we go, I know one thing for sure—I’ll always catch you."

He let out a small, almost relieved sigh, as if a weight had been lifted off his shoulders. Then, with a soft smile, he added,

"And I promise, for as long as I’m breathing, I’ll never let you fall alone."

As the last word left his lips and he smiled at his wife, Y/n stepped forward, closing the space between them. Her arms wrapped around his waist, holding him tightly, as if to anchor herself in that moment.

He embraced her, his lips brushing softly against her hair, leaving a tender kiss there as he breathed in her familiar scent for a minute, before she let go and nodded at him.

Y/n took a deep breath as she took the microphone from Lewis, her fingers lightly brushing over his fingers as she gazed at him.

His vows had been everything she expected and more, and now it was her turn.

She could feel the weight of the moment, the anticipation in the air, but as she turned away from him, there was a flicker of something in her eyes—mischief, affection, and a hint of that vulnerability she rarely let anyone see.

She glanced at the guests, her smile widening as she began to speak, her tone warm but laced with the familiar sarcasm that everyone knew.

“Well, that was something, wasn’t it?” Y/n’s voice carried through the room, earning a ripple of laughter. She turned her gaze back to Lewis, playfully narrowing her eyes.

 “Leave it to you to set the bar so damn high. Now I’m standing here, realizing that I should’ve probably gone first. But hey, that’s always been our dynamic, right? You go ahead, and I’ll catch up when I’m not that scared anymore.”

The guests chuckled, and Y/n took a moment to collect her thoughts. The teasing edge in her voice softened into something more genuine as she shifted her gaze back to Lewis.

“First off, let’s get this out of the way— you guys have no idea how much I’ve been trying to keep my cool all day.” She winked at the crowd, earning a few more chuckles.

“The fact that I’m standing here, in front of all of you, without a single escape plan in my back pocket is... growth.”

Her gaze shifted to her mother, who was sitting with tears already glistening in her eyes.

“I see you, Mom. I know what you’re thinking: ‘Finally, she’s not running.’ But, you know, there’s a story there.”

Y/n’s voice softened; her smile more tender as she addressed her mother.

“I get it now. All those times you tried to guide me, protect me from the world, from heartbreak—I know you were just trying to give me the best. And I’m sorry if I ever made you feel like I wasn’t listening, or worse, like I didn’t care. I did. I always have. I just... I had to figure it out in my own stubborn way”

She paused, letting her words sink in. Her mother nodded, lips trembling with a smile that spoke volumes more than any words could.

“And Dad,” Y/n continued, her eyes finding her father’s across the room.

“You always knew, didn’t you? You saw something in Lewis long before I did. And me, being me, I just rolled my eyes, thinking you were too eager to hand me off.” She laughed, shaking her head.

“But you were right. As always. And you never pushed, never pressured. You let me come to my own conclusions, and for that, I’m so grateful. You knew I needed time to figure out that Lewis was my away to learn how to fly.”

A wave of emotion caught in her throat, but Y/n swallowed it down, keeping her tone light as she turned to address Lewis’s parents. Her smile softened as she met their eyes.

“And to my future in-laws—Carmen, Anthony and Linda – God, I can’t believe I’m saying that out loud—thank you for raising a man who is patient enough to deal with all of this.”

She gestured to herself with a grin, drawing laughter from the guests.

“I know you probably didn’t sign up for a daughter-in-law who has a habit of running. I know it hasn’t always been easy, watching us go through everything, but I hope you know how much I love him. Thank you for welcoming me, quirks and all, into your family with open arms. I promise to take care of him, to be the partner he deserves.”

She turned then, her gaze locking onto Lewis. The room seemed to fall away, leaving just the two of them in that moment.

“And you” she began, her voice softer, more intimate. “Lewis... where do I even start? You’ve been my constant when I was chaos, my anchor when I was drifting.”

Another pause, her voice almost choking as she took one of Lewis’s outstretched hands.

“I begged you to let me go. I was so scared—of us, of what we were becoming, of what I was feeling. I thought if I ran far enough, fast enough, I could escape it.”

She took a breath, her eyes glistening.

“But you—God, you just wouldn’t let me go, even when I didn’t deserve you. You stood there, you saw right through all my bravado, and you told me you weren’t going anywhere. That you’d wait. And you did.”

She said the last part almost to herself, nodding incredulously.

“You waited while I sorted through my mess, while I ran from something I didn’t fully understand.”

A tear slid down her cheek, and she let it fall freely.

“I’ve been thinking about this day for a long time—Feels like I’ve been calling you my partner, my best friend, my everything for so long, but now… Husband. That’s a whole new level. I mean, look at you, sitting there all smug, knowing you got me to sign my life away."

She let out a small laugh, lightening the mood for a moment as everyone else felt the tension ease, only for her expression to turn more reflective again.

"Seriously though … when I first met you, I wasn’t looking for forever. Hell, I wasn’t even sure I was looking for tomorrow. I was stuck, scared, trying to navigate my own storm, and you—you were like this ridiculous beacon of light, just… shining. And I couldn’t ignore you, even though I really wanted to."

She paused, smiling as she recalled those early days.

"I kept telling myself, ‘Don’t get involved, don’t fall for the guy with the world at his feet.’ But then you’d do something… something so small, like remembering how I take my coffee or noticing when I was having a bad day without me saying a word. You were patient when I needed time, persistent when I pushed you away, and through all my doubts and fears, you became the person I couldn’t imagine my life without."

Y/n looked down for a moment, taking a breath before continuing.

“You lit something up in me that I didn’t even know was there, something that made me feel like I was enough. Like maybe, just maybe, I could be more than the sum of my fears and insecurities.”

She paused, her eyes softening again as she looked at Lewis.

"We’ve been through it, haven’t we? And I don’t just mean the glamorous stuff. I’m talking about the hard nights, the distance, the moments where I didn’t know if we’d make it through.”

There was a soft murmur among the guests as Y/n’s voice lowered, the raw emotion in her words unmistakable.

“We’re standing here today because you never let go, even when I wasn’t sure I could hold on."

Then the room was silent once again, the weight of her words hanging in the air.

“You’ve taught me that love it’s something you choose, every single day. That it resides in the little things—the way you pull me closer when I need it, the way you let me push you away for a bit when I’m too scared to let you in. It’s about the quiet moments, when you’ve stayed by me even when I didn’t ask, because you knew I needed you. The times when you’ve held me together when I felt like falling apart.”

She took a deep breath, her voice trembling slightly before she regained her composure.

“I know I haven’t always been the easiest person to love. I’ve put up walls, kept you at arm’s length because I was scared of what it might mean to really let you in. But you never gave up on me. You never walked away, even when I gave you every reason to.”

Y/n’s voice trembled, but she steadied herself with a deep breath.

“Falling for you felt like coming home. Like finding the place I was always meant to be, the place where all the chaos was worth it”

She looked back at Lewis, her eyes shining with and her voice thick.

"Lewis, you were my leap of faith. And trust me, I’ve never been a fan of heights. But with you, it’s all about rising. Rising above my fears, my insecurities, all the things that used to hold me back."

She paused, blinking back tears as she smiled at the guests.

“You’ve been my rock, my safe place, the one who’s seen me at my worst and still loved me through it all.”

She wiped her cheek with a shaky laugh.

“There’s something terrifying about that, isn’t there? The idea that someone could know you so completely, so intimately, and still choose to stay. You’ve chosen me, even when I wasn’t sure if I could choose myself.”

She took a deep breath, her voice trembling with emotion as she continued.

“I always think back to that night – you know the one – when I asked you if you’d catch me or if I’d have to learn to fly on my own. You didn’t hesitate. You just opened your arms and let me fall… fall into you.”

Y/n’s breathing trembled again.

“And that’s when I knew. No matter what happened, no matter where life took us, I’d never be alone. Because I had you. I had this incredible man who was willing to catch me, over and over again, no matter how many times I stumbled.”

Y/n’s voice broke slightly as she spoke her next words, her tears flowing freely now.

“I’ve always been scared of letting go, of giving myself over to someone completely. But with you, it doesn’t feel like falling. It feels like flying. Like coming home.”

Y/n took a moment to steady herself before she added, with a smile through her tears.

“Lewis, I’m all in. My husband, my partner, my leap of faith, you’re the one I choose, every day and in every way.”

Y/n wiped at the corner of her eye as she finished, giving Lewis’s hands that extra squeeze.

“So here’s to us, to our forever. I can’t promise I won’t drive you crazy, or that I’ll ever stop being a little bit of a mess, but I can promise to love you fiercely, endlessly, and with everything I have. Thank you for being my anchor, my safe place, and most importantly, for being you.

There was a pause as she took a last breath, her eyes never leaving his, her smile bright on her features.

"Okay, enough with the mushy stuff. Cheers—to love, to learning how to fly, to taking the leap."

______________________________________________________________

TAGLIST - @saturnssunflower @xoscar03 @chocolatediplomatdreamerzonk @itsmrshamilton @vicurious28

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If you’d like to be added to my taglist you can leave a comment or send me a dm/ask.

[iamnmbr3]

When Harry witnesses Draco being forced to torture Rowle, he is extremely upset. Much more so than he typically is about these visions. There are a lot of very drarry implications. Let's break it down.

"Malfoy’s gaunt, petrified face seemed branded on the inside of his eyes. Harry felt sickened by what he had seen, by the use to which Draco was now being put by Voldemort.”

Notable points from this passage:

1) Harry understands Draco so well that he immediately takes for granted that he doesn't want to be using the Cruciatus curse. It never even crosses his mind to take this as evidence that Draco is now a willing torturer who enjoys cruelty or that he deserves to be in this situation for having chosen the wrong side and for his role in Dumbledore's death.

Nor does Harry think Draco is just scared and upset because he's afraid Voldemort might lash out at him too - which is what Harry would think if he saw any other Death Eater acting afraid around Voldemort. He clearly sees that Draco is horrified by the acts he is being forced to commit. And he also completely accepts that it is Voldemort forcing Draco to commit these acts, thus absolving Draco of responsibility.

2) Harry is DEEPLY upset by seeing Draco in this position. More upset than he ever is about seeing any other Death Eater being terrorized or hurt by Voldemort (Harry doesn't even spare one thought for Rowle for example!) Not only that. He's also more upset than he is about seeing Ollivander tortured. Or about seeing Voldemort murder a woman and her children later on while searching for information about Gregorovitch. He finds those visions alarming but he shakes them off pretty quickly.

The only comparable strong reactions are how he responds to his visions of Arthur Weasley and Sirius in book 5 - i.e. visions of people he knows and cares about in danger and suffering. And it's not even the scene as a whole that upsets him. It's specifically Draco - whose frightened face seems "branded" on the inside of Harry's eyes. Harry can't get the vision out of his head, feels sickened, and fights to keep his voice casual afterward. Even though Draco wasn't even actively being hurt.

So canonically Draco matters to Harry in a way that almost all other people don't. It's not generic nobility that gives Harry sympathy even for an enemy - because he doesn't feel this way about other Death Eaters. And it's not general pity that Harry would feel for any innocent hurt by Voldemort - because he doesn't feel that way about victims like Ollivander or the children Voldemort killed. It's the type of reaction Harry ONLY has to people he deeply cares about suffering or being in danger. Harry may not think of it that way on an intellectual level. But his heart knows it even if his brain doesn't. He cares about Draco Malfoy. A lot. He cares about him more than he cares about almost anyone else.

3) Also notable. Harry starts out referring to him as Malfoy but then switches to thinking of him as Draco as he starts worrying about him. (Yes. The drarry trope of Harry switching from "Malfoy" to "Draco" literally happens. IN CANON.) And he keeps thinking of him as Draco after that point. The next time Draco is referred to is during the whole sequence where the Golden Trio are prisoners at the Manor. Harry refers to Lucius by his full name multiple times, but consistently refers to Draco as "Draco" rather than "Malfoy" in his internal narration.

4) (Also the fact that Draco's face is described as "gaunt" hits me right in the feels. It seems that he's in worse shape even than he was when Harry last saw him at the end of 6th year. Sad but not surprising given the guilt that is probably eating at him over his role in Dumbledore's death, what he is now being forced to do as a Death Eater, and the very tangible dangers and suffering that come with being out of favor with Voldemort while having him in your house.)

Tldr: I don't need my ships to be canon but drarry is. jkr who? ;)

[secondbeatsongs]

Hello, you said in some tags in a poll that Speed Racer (2008) is your favorite film. If you’re okay with it, I’d really like to hear more about why you love it. I love the Wachowskis’ work (they’re among my favorite directors), but I kinda ended up bouncing off Speed Racer (2008). So, hearing that it had a real impact on someone makes me very curious why. I’m not interested in criticizing your opinion or arguing with you, I’d just really like to know why you love it in the hopes I might be able to enjoy that movie more in the future.

oh god this is from seven months ago, I'm so sorry - but I do love almost everything about Speed Racer (2008) and I still think about it nearly every day.

I love that it's so bright and colorful and absurd. I love that it's an anime in live action form. and I love that at its heart, it is a story about love.

it's about the mistakes people make out of love, and the consequences of that. it's about the way children grow to understand why the adults around them make the choices they do, and maybe choose to do the same things. it's about taking risks for the people you love, and the pain of failing to change the world, because everything is capitalism and everything hurts.

(and it's also about being transgender btw. like, that's one of the main things about it - it is very much a movie about being transgender)

what if your father's choices hurt your older brother, and your older brother's choices hurt you, and now it's you and your younger brother staring down a future where you're going to end up hurting him by making the same choice?

and then...what if you can escape that? what if the broken parts put themselves back together, and the hope doesn't run out, and you're not alone with the things that haunt you? what then?

and now you're at the end and mistakes were still made, people were still hurt, but everyone's grown and changed and they're different now. and they've figured out that maybe, just maybe, you can change the world by doing something you love, by creating art and beauty and making people feel things.

maybe you really can defeat capitalism by driving a car really fast. and even if everyone thinks you can't...don't you have to try anyway? shouldn't you fight with the skills you have, the only way you know how?

what if it works?

and I'm not even gonna get into most of the Racer X stuff (because I want people to go watch this movie, and most folks probably won't be spoiled for it), but his whole deal is just...everything. I love him.

(if there's a guy from Speed Racer that I want to put in a jar and shake every so often, or maybe wrap in a blanket so he can have a nice nap, it's Racer X. he's a great character. prime blorbo material)

anyway I've been rotating this movie in my head ever since I saw it for the first time, and I think I've seen it...seven? times now? and I still cry at the final race, and I still get blown away by the intro sequence.

(the beginning of the movie is genuinely one of the best things I've ever seen - it does an amazing job of introducing you to the world and the story of the characters, and gets you emotionally invested in it right from the start. it's fantastic filmmaking)

also like. story stuff aside, from a technical standpoint, the movie is a masterpiece. it's the type of thing that people hated when it first came out, but when you look at it now and see how it was made, how it intentionally looks bizarre and cartoonish, plastic and surreal, you can see the exact vision the Wachowskis were going for, and it's brilliant.

the way they did the visual effects, the way they made the outdoor scenes feel so detailed, the way the driving and the tracks work - they put so much thought into that, and the behind-the-scenes vids show how cool their process was.

also uhhh cars go vroom, crash into each other, flip upside down, explode, maybe have bees and hammers in them sometimes?

(the above is me complimenting the unhinged vibe of the races themselves, which I love very much)

anyway I could make other full posts about the script of the film and how much I love it, or the cool side characters, or the fanfic potential of the amazing world of the film, or how I can prove that it's set in 1991...but I guess if anyone wants those rants, they'll just have to watch the film and then come talk to me. :)

(please. please come talk to me about Speed Racer.)

so, yeah! I kinda lost my mind there and made this post way longer than I intended, but I do feel strongly affected by this movie, and I hope this has helped explain why.

[eufezco]

I CAN DO IT WITH A BROKEN HEART

bucky!winter soldier x fem!reader (kinda angst ig?) no use of y/n

based on the captain america: the winter soldier post credits scene because i loooooove it

omg this is my first time writing for something marvel related i hope you enjoy it, it's been so long since the last time i wrote anything so i'm sorry if it's kinda shitty 😭

He was looking at you and you were looking back at him.

Steve had refused to fight against him. He had dropped his shield from the ship and had surrendered to his old friend. You wished you could have done that so you would never have felt Bucky's hands around your throat trying to choke you to death nor his body over yours as his fists connected with your face once again.

But one of you had to fight him so that you two could get out of it alive, and if Steve didn't, you would.

Bucky's punches to Steve's face made you squirm in place as you tried to escape the beam that had fallen on you. If you didn't get out you feared that the beam would crush you or even worse, that Bucky would kill him. Steve was his mission after all and he was programmed to finish it.

You jumped on him when you managed to escape and freed Steve from the blows of his metal arm. Stay alive please you mumbled to your friend as he lay badly wounded, with one eye swollen shut and blood coming out of his nose. The last time you had seen him like that he was a small blond boy who had gotten into trouble in an alley with someone twice his size and you and Bucky had to come to his rescue. Now the trouble you had to save him from was Bucky himself and you were on your own.

Your whole body ached from fighting him and since beating him didn't work, you decided to try to make him see reason in another way. You called his name while you were trying to catch your breath, still with the sensation of his fingers closing around your throat. He looked at you full of rage while he tried to recompose from the hit that he had received from you. The name Bucky echoed in his head every time you repeated it, hurt him more than any kick or punch you gave him. The familiarity with that word made him feel sick in his stomach and more eager to fight you for making him feel that way.

You know me.

No, I don't!

Bucky, you've known me your whole life.

Shut up!

Your name is James Buchanan Barnes. We were friends.

He held a defensive pose while his eyes glanced nervously all over the place and his chest rose and fell slowly as he tried to catch his breath. It was so familiar. Not only the name you kept repeating but also the way it sounded when you said it.

He was looking at you and you were looking back at him.

There was enough distance between the two of you so that you did not feel threatened by each other's presence. The Captain America Exhibit in Washington also had enough civilians to start another fight like the one on the ship.

He broke eye contact with you to look at the screen. He had seen your face somewhere on that big panel dedicated to who he was once. And there you were. When the text ended there was a sequence of pictures. He did not know who those men in the pictures were but he could see himself smiling with them.

But there you were. In the middle picture.

He was wearing his sergeant's uniform and you were wearing a dress. You could still remember his reaction when he saw you in that dress, how his eyes sparkled looking at you, how his lips curved into a smile every time you grabbed his hand and dragged him around the Stark Expo. Steve with his new camera captured the perfect moment. Bucky held you around the waist. Bucky was slightly leaning over you. Your faces were just inches apart but in the picture you both were laughing, you still heard the sound of his laughter every time you looked at the picture, as if it had not been almost seventy years since you last saw him. Your faces were just inches apart but there was no kiss.

And now there would never be a kiss.

How innocent you both looked in that picture. Neither of you knew how all your plans were going to be twisted, how only one of you two would be the one to remember that night. If someone had told you that night that Bucky was going to disappear from your life, you would have laughed in their face. If you had known you would have kissed him. You would have kissed Bucky until you were breathless, until you were tired of kissing each other if that was possible. But now you would never know because you both insisted on remaining friends until the end of the war not knowing that out of that war would come a much worse one.

The very hands you had trusted to hold you had tried to choke you to death. The same eyes that had gazed at you with such devotion had looked at you loaded with the strongest wrath in the world. The man you had loved the most did not recognize you and by the way he was looking at that panel with all his memories, he did not recognize himself either.

Bucky stared at the picture for a few seconds and then looked back at you. You were the same girl, only now with some bruises on your face, the marks of his fingers on your neck, and definitely not with the same smile as the girl in the picture. What had he done to you? What would the boy in that photo think about the person he had become?

You stood in place far from him. Since you had seen him you had not taken a single step forward. Neither the cap nor the long hair nor the jacket covering his metal arm could hide him from you. Not anymore. You went to the Captain America memorial looking for the comfort that the panel dedicated to Bucky brought you, he went there looking for answers. And you found each other.

[sillybond]

As a send of here's my compilation of every detail/gag or pretty much everything that I loved about the Fionna and Cake finale.

First off, the lighthearded stuff.

First of all. That's Hunter!!! We finally get to see HW gender-swapped counterpart's design. Gotta say I love that they kept it the same, it does feel like it could fit anyone.

Talking about him, I LOVE that they are finally adding him to the gang. I didn't expect him to be so prevalent in the finale, but I couldn't be happier! It seems like the crew has finnaly learned to apreciate HW and they are inserting her (even if it's Hunter) whenever they can.

All the raw emotion of the lich would have been unheard of at any other point in AT's history. The depression and hopelessnes, such human emotions were amazing to explore in him. He poses himself as a "ceesless weel" a god-like beeing of pure destruction, but even he neels when he realices it was all for nothing.

For some time I theorized that Golb (and subsequently Golbetty) was, in fact, Scarabs and Prismo's Boss. Kind of like a ultimate deity, high up on the pantheon. But seeing how Scarab adresses her in such a careles way, emphasizing that she should "stay out of this" made me think about the real power dinamic between thees two. And thus, of the whole multiverse bureocracy.

This tittle card rips me apart. It's briming with thematic importance. But I feel so many emotions simply beacuse it says cheers, it's like a send-off, a happy cheerfull goodbye to all of us who enjoyed this show. It made me tear up a bit when I first saw it.

For thoose who aren't aware Pawn Swan's was created by Steven Wolfhard after CAWM alongside the pup kingdom. He has in his tumblr a gigantic amount of lore about it. I'm sooo happy they finally got to use his ideas and designs. Many of the pups seen all trought Shermy and Beth's sequence were in his drawings too. So go check that out!

I'm a complete sucker for happy endings and THIS was PERFECTION. I simply connot describe how much I obsolutely LOVE that they are able to comunicate and talk. it's just perfect, this show has me spoiled-rotten.

In pure Marceline fashion Marshal tries playing another song. And Gary is soo into this man it's unreal

But, also in pure Marceline fashion, he gets interupted. It kind of reminded me about Marceline's song to Bonny in Obsidian. But it's kind of the oposite outcome, Scarab isn't affected by it at all while Glorbo is finaly delt with.

Talking about Simon being happy. I'm just so glad that he has been able to reconect with Astrid!!! This man is such a DAD, I love him :,)

Before Fionna's world was finaly canonized we can see that it really just amounts to the city. Which makes sense because if you are trying to put a whole world in a dude's head, you are going to have to cut some stuff out.

Anyways, after they are made legit we can see that the city has expanded! And I also assume that now there's not only a city, but a whole world too!!

This really came as a surprise honeslty, but a welcomed one at that. I assume that since Jay agrees to stay in the city, even if it's not forever, Farmworld Finn must be fine. It doesn't make any sense for him to drop his 4 little brothers just to screw around in another universe.

The only sad part is that, since we don't see neither PB nor Marcy in the tank that means they are probably dead. In the end it does seem like they took eachothers life, together.

Now onto the heavy stuff!

"This is the world we want to fight for. The Scarab is kind of invincible. But we won't give up. If we die, we'll die together, as ourselves"

This cuts deep. At this moment Fionna was ready to die. She acknowledges that she had tried everything she could and that, in a way, it was her fault. But she also understands that this is what it is. And she's ready to depart. In what she thought were her last moments she found happines in thoose and that around her. Magic or not, they were all together, and that's what mattered.

"We made our choices. We could have made better ones, but I don't have any regrets. You were a wonderful experience"

We knew Simon had wronged Betty. She had put away everything for him. He didn't do it on porpuse, but he recognised he could have been more thoughtful. In the end, while Simon acknowledges his mistakes Betty doesn't demonise neither him nor the relationship that came bacuse of it. It's a very sentimental, heartfelt conclusion.

As humans we often try to make our best to navigate life. But with all the choices in front of us it's very hard to get it right. A lot of time might have to pass before we truly see how wrong we were. We realize that we hurt people, and that things didn't have to be this way. But once we acknowledge this we can finaly move on. At this moment, Simon realizes that it's okay to fail but, unfortunetly, we can't go back. We have to live with it and it can't prevent us from moving forward.

In the end all we can do is have compassion for ourselves, and for each other.

That was pretty much all of the details and highlights for me. There's some other ones but they are kind of too obvious to point out.

Thanks a lot for reading the whole thing! It means a lot :)

[autisticlancemcclain]

part one

———

“You did what.”

Keith coughs. “We, uh, we got married.”

“Accidentally,” Lance pipes up, because he can see the Stress Muscle in Shiro’s eyebrow start to twitch, and doesn’t want him to start freaking out which will make Keith get defensive and put his foot in his mouth — he’s as bad as Lance, really — and then the whole thing will be more difficult to handle than it already is. “It’s a whole big thing.”

Shiro stares at them for several minutes, then sighs, sitting heavily onto the kitchen floor with his bowl of goo. He shovels a bite in his mouth, then reaches blindly for the intercom switch on the wall, slapping around until he finally manages to hit it.“Team,” he says tiredly as it crackles to life, “please make your way to the kitchen. Keith and Lance made something stupid again.” He drops his hand back down, returning his full attention to his goo, committing to pretending Keith and Lance aren’t in the room.

Which.

Fair.

“I resent that ‘again’,” Keith mutters petulantly. “We’ve been remarkably well-behaved lately.”

“No,” Shiro says, without a second of hesitation. He doesn’t bother arguing.

It doesn’t take the rest of the team long to get here — Hunk and Allura have appeared to have sprinted, drama loving bastards — and they join Shiro on the floor, turning expectant eyes to the Red and Black Paladins. After a look of deliberation, Keith and Lance sit down, too.

“Tell them what you just told me,” Shiro says, voice garbled through his food goo.

Here’s the thing.

Lance knows he should feel nervous. Or worried, or scared, or embarrassed, even, about getting literally magically bound to his self-proclaimed rival (once a rival always a rival) because he got brained by the jacket that he left unattended. It is, objectively, a sitcom-level ridiculous situation. He knows that he is going to be shamed, and possibly gently bullied.

However.

Keith’s hand still grips him tightly. Lance doubts the Black Paladin has noticed, but every so often he runs his thumb over his knuckles, and every time he does his lips twitch up in the slightest smile. Lance couldn’t feel anything but ludicrously happy if he tried.

Plus. He and Keith just, like, made out in the hallway a bunch. If Lance is being honest, his brain is still kind of fuzzy. He’s half focused on everyone else and half focused on replaying the feeling of Keith’s hands pressed to his cheeks, cupping his face, kissing him like he was drowning and Lance’s lungs were the only place he could get oxygen. He’s still kind of lightheaded, and keeps having to fight off giggles.

“We got married,” Lance says, unable to stop the smile from spreading across his face.

As much as the team is used to their shit, that visibly shocks them. Coran squints at them and types something rapidly into his tablet. Pidge cusses and hands Allura a handful of GAC, which she pockets with a cackle. Hunk is the only outlier, the only one with a reaction Lance can’t place: he straightens up, looking between them with narrowed eyes, mouth flattened into a line.

“Explain yourselves.”

“It was an accident,” Keith assures, much like Lance did earlier. But instead of expressing is understanding, Hunk’s eyebrows only climb higher. Lance gets the same distinct feeling he gets when he knows he pressed the Wrong dialogue option in a video game.

“I hope you didn’t marry my best friend on accident, Kogane.”

Lance puts his head in his hands. He can physically feel the panic leeching from his husband’s (!!) body. He considers all the ways he can murder his best friend and make it look like an accident. He honestly doesn’t think he’s ever been this mortified in his life.

“No no no, I didn’t mean accident, well I guess I did —”

“Hunk,” Lance says through grit teeth. Hunk gives him a ‘what did I do’ look, stubborn set to his shoulders. Lance vows to take a seam ripper to his shirts.

“— like it was technically not a planned sequence of events, per se, if you want to look at things technically —”

Hunk continues to stare at Keith with his eyebrow raised and his arms crossed. Lance digs around in his pockets for something to chuck at his face.

“— if it went according to how I’d planned it in my head there would be more flowers involved, probably, and we’d be on Earth at least, but it kind of just happened, you know? It was so fast I swear I couldn’t have done anything —”

Lance tears his gaze away from Hunk and stares at his rambling mess of a husband. Any annoyance practically evaporates from his system as the implications of Keith’s words set in.

“You thought about marrying me?”

Keith flushes redder than he already is. “I’m not answering that.”

Lance barely manages to shove down the giddy laughter that bubbles up his throat. Keith, his crush, his rival, his husband, spent time daydreaming about marrying Lance. And kissing him, probably, and holding him and building a future with him. Keith maybe even got just as flustered as Lance did when they got too close, back off when sparing got a little too close, breathing heavy. The knowledge is exhilarating. Lance leans over, pressing his beaming smile to Keith’s lips. He softens immediately.

“I thought about marrying you, too.” He smirks. “Among other things.”

Keith’s gloved hand finds it’s way back up to his cheek, for the second time today, and the blood rushing in his ears downs out the sound of Pidge gagging.

“Gross. Can we force them to divorce? This is worse than the pining.”

“Physically impossible for me to divorce him,” Lance murmurs, distracted. “Since he technically owns me, now. Kind of.”

Keith makes a face. “I hate that a little.” He presses one last chaste kiss to Lance’s mouth before pulling away. It’s casual, and small, but the novelty of it is not lost on Lance.

He was not kissing Keith this morning, that was for certain.

It’s not until Lance manages to blink away his ga-ga eyes that he realizes that the rest of the team is looking at him in shocked confusion, and it clicks that his sentence would, sans context, be kind of horrifying to hear.

“Oh,” he blurts, without thinking, “I’m a Selkie.”

“You’re bad at this whole revelation thing,” Keith notices. “I think my Galra thing was somehow handled better.”

“Shut up.”

To his credit, Keith’s observation isn’t too far off. If anything everyone’s shock has only worsened, and it’s clear that Lance’s messy, half-explanations aren’t going to do much. The Alteans could probably do with some actual historical context, but for now, Lance thinks a demonstration is the wisest choice. And since he doesn’t have an ocean available to him, he decides to do the next best thing.

He slips his jacket carefully over his shoulders, spreading it out over his legs and gently running his fingertips over the rough canvas. Just as in his room, the fabric begins to blur, warp, change. He understands the change that is happening — it is his coat, after all; his own flesh — but he cannot find the words to describe it. There may not be. The coat simply changes in a way that is not comprehensible by non-Selkie eyes, as evidenced in the various strangled noises of bewilderment around him. Even Keith looks at the pelt in awe, unused to Earthen magic.

“How long have you been a seal person?” Pidge asks, hands twitching like she’s itching to touch.

“Two decades,” Lance says drily.

It doesn’t take long for the shock to melt away. That’s due in part to everyone’s curiosity, and the rest is because, as Lance suspected, their lives are just so goddamn weird — this Selkie thing just doesn’t even make top ten.

“So was that what the whole dramatic running out of the common room was about earlier?” Hunk clarifies.

Lance nods. “Yeah. I didn’t…I got too comfortable. Left my pelt out, Keith tossed it at me, boom, it’s not longer mine. Luckily I was wrong about how dangerous that is, ‘cause I didn’t lose my free will or anything, but I am essentially married to Keith now. So.” He turns to his husband and grins. “I don’t think he minds.”

Ignoring Pidge’s mutter of “here we go again,” Keith smiles back, leaning over to press a kiss to his cheek.

“I don’t.”

“I’m sorry you weren’t comfortable before.”

Lance looks up at Shiro, startled by the seriousness in his voice. His tired look from earlier is gone, replaced with something narrow-eyed, serious.

“Huh?”

“You said you got too comfortable.” He gestures to Lance’s lap. “With your pelt. I’m sorry you felt like you couldn’t tell us.”

“And I’m sorry for threatening you, Keith,” Hunk adds. “Well, it was barely a threat, but still.”

Keith reaches over to pat his shoulder. “All good, man. It was understandable. Lance probably warrants some threatening on his behalf.”

Lance narrows his eyes. He’s sure that’s an insult, somehow.

“Hunk, do not scare my husband away with your foolishness —”

“I know you’re just saying that to have an excuse to say ‘my husband’, you whipped simp —”

“Fuck off, no one asked you —”

“Pardon my interruption,” Coran says, holding up a hand. “But what is a Selkie?”

Allura raises her hand as well. “I would also like to know!”

“If I’ll be honest, I’m not that familiar with the legend either,” Pidge admits.

Lance pauses for a moment, considering. He knows that explaining everything would take a long time, and he knows he doesn’t have the energy for that. It’s something you learn over time, anyway, over years of stories at the right time. He can simplify some information, though. Get the point across.

“I’m not human,” he starts carefully. “I’m also not alien, not not-human. It’s complicated.” He runs his hand over the soft fur of his coat. “My pelt is like…a physical manifestation of my soul, I think. My quintessence? I’m not entirely sure. But when I wear it, I become another form of mine. Kind of like your shapeshifting, maybe? I turn into a seal, but I’m still very much me. And it’s not like I’m a seal with a human brain, or whatever. I’m a seal, I’m a human, I’m a Selkie. I’m never not those three things.”

Pidge cocks her head. “So you’re a seal right now?”

“Yeah. I’m a Selkie, I have to be. Unless my pelt were to be truly lost, I guess. If someone set it on fire I wouldn’t be a Selkie anymore. I’d lose my soul.”

“Jesus,” Pidge shudders.

Keith looks determinedly at him. “I won’t let that happen.”

“No shit,” Lance says, raising an amused eyebrow. “That’s your job now, Mullet. The pelt is yours to guard. You took it, it’s your responsibility.”

Keith’s determined expression does not change. Lance is just a little endeared but it. As unconventional as this has been, Keith genuinely seems to be excited to be with him. And if Lance trusts his word — which he does — then Keith has wanted to be with Lance for a while. With his space family’s approval, and the certainty that he will have the same from his Earth family when he makes it home, the weight he hadn’t realized he’d been carrying finally drops from his shoulders.

“God, I can’t wait to human marry you.”

Shiro sighs. This time, it sounds significantly more amused. He gets to his feet, dusting off his hands. “I guess that falls to me, huh,” he says, waving them over. “C’mere.”

Keith and Lance scramble up, running over to where Shiro stands, at the head of the table. He holds two twist-ties in his head that he has formed into rudimentary rings.

“I feel contractually obligated to remind you about Adam’s stance in elopement,” he says, looking pointedly at Keith. “And Lance, I don’t know your mother personally, but your sister and I were colleagues. You are also going to get into leagues or trouble when we get home.”

Lance grins brightly. “I am going to get in leagues of trouble anyway!”

Keith nods. “I left Earth against Adam’s specific instructions. I’m toast no matter what, so I might as well do the best thing I will ever do in my life before then.”

Lance’s ears burn. He glances down at his sneakers, embarrassed and pleased all at once.

He’s the best thing that Keith will ever do in his life. God.

“Well, that answers my first question, then.” Shiro turns to Lance. “Since Keith obviously does, do you, Lance, wish to take Keith as your lawfully wedded husband, so long as you shall live?”

Lance grins. “I would love nothing more.”

“Then by the power vested in me by the five dollar certificate I got online, I pronounce you wed. Congratulations. You may kiss the groom.”

Neither of them wait for Shiro to finish his sentence, surging forward immediately, colliding in the middle like magnets. Lance feels the weight of his pelt on his shoulders and Keith’s hands on his face in equal measures. It feels like swimming free.

[follows-the-bees]

2x3 Filmmaking Analysis

Editing and cinematography breakdown of the purgatory and mermaid scene in The Innkeeper.

I haven't talked much about editing in all of my previous breakdowns of this season, but I want to start talking about that, and I'm starting with this scene. The whole of 2x3 contains exceptional editing between what is happening in Ed's gravy basket purgatory and the real world.

We start with Stede on the stairs, quiet, only a deep inhale of despair is heard, the heartbreak already evident on his face. He holds up a lamp, one of the only sources of light in the "reality" scenes. Lighthouses and golden lighting in general have been used in both seasons to symbolism the love between Ed and Stede. Stede is literally carrying this light with him, and he sets it down next to Ed's head shining the light onto him. Stede is the one who puts the glow on Ed's face.

The editing then cuts to Ed in Purgatory as he hits the water, a giant light behind him, but he starts to sink away from it, becomes surrounded by water, recalling back to 1x4 when he talks about how he feels like he is just treading. Water shows Ed's mental state: he's expressed in the past that he feels like he's drowning, he wants to stay at sea forever, be the bird who doesn't touch ground, etc.

We end this shot with Ed's bare feet the most visible in the dark blue abyss of the ocean. And in a direct parallel, the next edit is to Stede's feet - which are wrapped in BLUE-dyed fabric, with RED lining - walking into the waterlogged cabin. This immediate cut between their two feet in water shows how Stede is meeting Ed in both worlds. They are together in the water, in the deep blue depth, their connection only picks up from there.

While talking to Hornigold, Ed professed that he didn't think anyone was waiting for him. And he still has that mindset as he starts to sink.

Stede sits quietly down next to Ed, lovingly calls him a nut, and debates about taking the cloth off of Ed's face. We know Stede to be a boisterous man, not afraid to talk, but his voice is quiet here, the sentences short. He covers his face with his hands, hiding and comforting himself. Stede is rendered speechless when he's faced with earth-shattering grief and this all encompassing sorrow tells the audience just how much pain Stede is in.

Stede pulls off the cloth from Ed's face, once again taking a shaky inhale of breath to prepare himself, and the show cuts to Ed's eyes opening in the water as he starts to fight, pulling on the rope tugging him down.

The editing takes us back and forth between Ed struggling with the rope in Purgatory to his fingers and hand twitching as he fights in the real world, all voiced over by Stede's mournful apologies to Ed. When Stede's voice comes through to Ed, it sounds muffled, like it has to travel through a tube to get to him - through the water and Ed's coma-induced brain.

As soon as Stede touches Ed's hand in the real world, squeezing it, Ed stops sinking further into the watery depths, and instead his focus is before him where a large light has appeared. This editing shows how Ed feels Stede's presence, not only his voice but how the touch grounds him, or at least prevents him from further sinking.

Stede's voice changes here, getting louder as he yells at Ed to come back to him. The quiet grief is replaced by twinges of hope, the deep sobs escape in raspy pains of anguish.

The light first appears to Ed in Purgatory when Stede holds his hand, and as Stede starts to hammer on his chest, to try and bring some life into him, the scene cuts to Ed seeing movement in the light as Stede in mermaid form starts to swim closer.

The scene then goes from both POVs to just Ed's. We see the rope come off as he decides to live. We can hear the muffled cries of Stede breaking in from the real world, and we see a sequence of scenes from the first season of Ed and Stede as Ed remembers all of their moments together.

Right when Stede pounds his chest for the last time and says he will never leave again, that's when the mermaid version of him comes into full focus. And we again spend time in just purgatory, in Ed's POV.

Mermaid Stede swims up to Ed and stops right in front of him, not touching, not pulling him to the surface. Instead he just stays there with him, smiling, and letting him know he's there. It is Ed who decides to live, and I think that's an important distinction. Stede doesn't save him, he just exists in Ed’s space, floating in the water, and ushering in light and hope.

The last moments are Ed waking up as Stede cries, their hands gripping onto each other in a symbolic meaning of them choosing each other, Ed choosing life. The last shot is no longer the fantastical purgatory place with bright white lights and blue water that symbolize the all encompassing pressure around Ed. Now it's the real world, where Stede is wearing blue and red, his feet are in water, and his lamp shining the light onto Ed. Their hands are clasped together as Ed takes a large breath of air - coming to life. Reborn not on the seas or water, but the boat that they fell in love with each other on.

We see continued symbolism throughout this scene. The red representing their love, the lamp set next to Ed by Stede and the bright light in the ocean that mermaid Stede brings in, showing the light and hope in Ed's mind now. And the blue colors that Stede wears, and Stede stepping into the water-logged cabin, showing how he is joining Ed in his world. And when Ed chooses life, all of those things are there to greet him but not in the bright fantasy colors of his mind, but rather the muted colors of the real world.

The cinematography of purgatory is lighter in tones. The ocean is dark until Stede brings in the white blinding light, which then surrounds them, turning the water around them to a soft blue. On the other hand, the lighting on the ship is darker. The brown wood of the cabin are just shapes in the background. The only light is from the deep orange lantern glow. The contrast in colors representing the fantasy from reality.

Every single cut in the editing has a purpose. Each action that happens in the real world is immediately reflected in the purgatory mindset. Not a single shot wasted. This scene is beautifully put together in all aspects of the filmmaking.

Hand gif credit

[notyourmajesty]

Head empty no thoughts save for one: Henry's self-soothing shoulder dips

So a lot of people did point out certain self-soothing gestures Henry does when he's very stressed or panic mode...or sometimes even as a bit of a habit that keeps him grounded. Like fiddling with his ring or tilting his head to a side.

On my last few rewatches I've also started to think that Henry also has a tendency to fold in on himself when he's feeling overwhelmed. I've only noticed it in two scenes so far, and I've been making a connection since.

The first time I noticed it was in the lake/almost-confession scene, where Alex speaks about a possible future unaware that the conversation is sending Henry into a panic. As soon as Alex tells him about the rope in his chest that keeps pulling him close to Henry, we see his shoulders move a little closer together, utter devastation written all over his face (I don't know whether this gif accurately shows that exact moment, but if it doesn't, here's the scene).

I feel like this is something he does as a self-soothing gesture. Something he does when he is aware he is getting into panic mode and needs to feel safe without anyone else noticing. Like he can feel the walls closing in on him, the exact thing he feared ("I can't afford for you to fall in love with me") this close to becoming a reality. His most fervent dream and his deepest nightmare all rolled in one.

So he does what he can do before Alex speaks that terrifying truth into existence. He folds in on himself, and jumps.

I noticed a similar version of this action in the scene after the V&A dance, when Henry wakes up in Alex's arms the next morning. The context and the intent here, though, is very different. Often, for me, the most striking thing was always Alex's tight grip on Henry's wrist, reflecting both his fear of abandonment and the heartbreak he experienced when Henry left. And of course, Henry's little smile when he wakes up and remembers.

But on the rewatches I noticed that familiar little shoulder-dip action again, and this time the meaning of that gesture seemed to be that he DID feel safe. That Alex's presence, and touch, makes him feel safe. That Alex's arm around him was a reassurance he didn't expect to gain, that this is a moment that is all his to savour. He finds comfort in that embrace, and if anything that little shoulder-gesture will only pull Alex's arm closer to him.

Edit: @hopelessromanticlittleshit and @tell-a-tale also pointed out a scene of Henry's during Alex's official White House statement about the leaks, when he (and Shaan on his behalf) are being silenced by the "wrinkled old white man" representing Buckingham Palace.

There is some shoulder action here too - again, in a different way and with a different context. In the other two scenes the gesture signifies either an attempt to protect himself or to an expression that he feels reassured and safe. Here his shoulders slump and his head tilts slightly- as a sign of utter defeat. Here he recognises the powerlessness of his position; he isn't even permitted a voice in a situation that has affected him. The head tilt here is a signifier of how disconnected he feels from this entire conversation.

This is a man who feels lost...and who feels he has lost a battle he's been fighting his whole life. (GOSH do I have things to say about Henry's Kensington sequences during Alex's speech!!!)

This also makes me think of the boys' relationship with touch. I've always felt like...of the two, Alex is the more obviously tactile one. It shines through every scene he has with every character. He snuggles with his mother after coming out to her. Nora and Alex sit close together in gestures of casual platonic intimacy. Even with Zahra, his "mean friend" you have that moment when a grateful Alex says "I could kiss you!" and her immediate response is "touch me and die". Even with the young women at the New Year party, he is comfortable with their touches, accepting kisses from them in the joy and exuberance of ringing in a new year.

With Henry, even at the height of his resentment, Alex touches his shoulder with his cake covered hand, bridges the gap between them during the interviews quicker, grabs his hand over a box of Cornettos. He's the one who wants to talk after Henry's kissed him and he's the one who makes the first move. Touch is important to Alex. It's how he seeks comfort, it's also how he seeks to soothe his loved ones.

Henry on the other hyperfocuses on the environment they're in, the people around them. Forever under the pressure of being gawked at, having his picture taken, his privacy never really his. The only people we see him close to are Percy and Bea - and in the one scene that Henry and Bea have together their touches on either others hands and arms are tentative, delicate. Careful.

(In a lot of ways Alex breaks through this barrier early on even as someone Henry barely talks to - the cakegate scene is FULL of little touches and pokes and jabs the two exchange, even though they're built up in the story as being antagonistic to each other at this point)

Hell, the first time Henry allows himself to be reckless and actually kiss Alex the way he has so desperately wanted to for years, he beats himself up over it, and punishes himself by avoiding any contact with Alex.

The few times Alex approaches to touch him without a second thought, Henry quickly, almost remorsefully, alerts Alex of their surroundings. But in the privacy of their rooms, he touches Alex with a certain desperation, a certain need to grab hold of the few moments that will belong only to them.

Alex is generous with his touch. Henry hoards the few moments of touch he gets like a priceless unexpected treasure that he has no hope of ever getting a second time.

I swear I intended this gd post to be about Henry's shoulder-dips only but somehow it turned into a different beast altogether 🤧

[mer-acle]

Okay it's that time. I just kinda wanna talk about the nightmare sequence in this chapter of Fighting to be Loved, specifically what's real/ what actually happened bc I love to yap about what i wrote whoops

1. The athletics festival where Pallas got killed did take place in the courtyard, and Zeus, Hera and Poseidon were all there for it.

2. Someone pointed out that it's implied that Athena rewatched the moment of Pallas's death with time dives many times, and that person is correct, that's exactly what happened. Like the goddess of strategy wouldn't try to analyze her own mistake in that moment, trying to understand what went wrong.

3. Athena doesn't really speak or cry as she tries to staunch the bleeding, both of which she originally very much did. The nightmare is kinda meant to take her voice away bc she feels very powerless right now.

4. Pallas did call Athena "Thena" in reality. Nobody is surprised.

5. The whole scene with Triton is unfortunately pretty accurate to reality as well, he was very rough with her in that moment both verbally and physically. So yeah. That slap did happen.

6. Also her kinda flashing back to learning to dive is in reference to what I laid out in this post. I'm kinda just sighing at Triton in tired exasperation.

7. When Triton demands Zeus to take his daughter back, that's pretty much where we leave reality and enter the fucked up world of Athena's guilt-ridden mind. Bc in reality Zeus yielded pretty quickly (Poseidon was like 'you cannot ask them to keep her, not under these circumstances')

8. So yeah actually Zeus said exactly nothing of what he does in the dream. Surprising, I know. The thing is, he wouldn't even taunt Athena with her love for others bc he just expects her to be cold, so if anything she'd be scolded for it. Which still sucks. He made a big fuss about the whole "Pallas Athena" situation so he actually never acknowledges that title of hers, not even in anger, bc he is personally offended that she insisted on it despite him not wanting her to.

9. Also the most obvious, literally nobody in the family made any prayer even close to this one.

10. Zeus definitely makes comments along the lines of "I shouldn't have let you out of my head." when he's angry at Athena. Very much the "be grateful I birthed you" route. So yeah. Athena has like all the reasons to feel unwanted in general bc honestly the only parental figure who unconditionally loved her is literally the immortal equivalent of dead. Poor owl

So yeah that was that fucked up scene I wrote, stay tuned for more LOL.

[mvrtaiswriting]

So excited for the writing event!!! Can I please request drunk prompt #7 with Zoro or Kid? I think it would be super funny for either of them to be really awkward the next morning after drunkenly kissing someone. Or maybe the reader drunkenly kissed *them* and now they don't know if she actually likes them or not.

Eustass Kid x prompt 7 (drunk prompts) - “did i… did we kiss last night?"

HELLO HELLO! thanks for requesting this i love this psycho bitch so much. hope this meets your expectations eheh this was slightly longer than others cause you know i love my characters to overthink everything just like me <333 enjoy!!

gender neutral reader | 913 words.

reblogs, likes, and comments are appreciated ♡ if you enjoy my works, click here to read more or buy me a coffee. -> from this event.

The softness of the blankets was gentle against your skin as you woke up from one of the best nights of sleep you ever had. That, if only the terrible headache that held you hostage in your bed would disappear. Even the tiniest glimpse of light filtering through the curtains was too much to bear - it only made your headache worst. Yet, there wasn't the tiniest residue of energy in your body for you to get up and block out the sun - so you laid in bed, throwing your blanket over your head and waiting for the pain to go away.

Enjoying the quietness of the ship, you closed your eyes trying to remember what had happened the night before - memories of the party came to you in a blur. They flashed before your eyes in a confusing sequences, making it hard to distinguish what really happened from what might have been just a dream. You didn't even remember how you made it to bed - the last thing you remembered was laying against your captain's shoulder, probably too drunk to sit still in your own place.

Yet there was something more to it, a memory that you couldn't quite grasp - a memory that felt more like a feeling, a phantom sensation still washing all over your body. It wasn't the nausea, nor the terrible headache; it was different, it was better.

Grazing your fingers against your lips, memories from the night before became clearer - did you dream it like all those times before? Was it all on your head? Or did you really kiss Eustass Kidd? These questions pounded your head as a subtle anxiety settles into your heart - the room around you starts to spin again, but this time not because of the alcohol. The idea of confessing your feelings to Kidd, to your captain, sent you spiralling - it was only a crush, after all.

Right?

Wrong. It wasn't only a crush - it was shivers down your spine every time his strong hands laid on your shoulders, it was your heart running faster every time he'd fight against an enemy, it was you melting into a stupid puddle every time he'd call you brat or some other stupid nicknames that you really should have minded but never did.

Forcing yourself out of bed, you dragged your body to the kitchen. The insufferable headache you woke up to was now gone, and you definitely needed a good meal and some water. You almost forgot about the whole kiss thing when you heard familiar footsteps made their way to the kitchen. Your fight or flight response was activated immediately, quickly slamming the door of the fridge and ready to leave the room before he could catch you.

"Took your sweet time to get up, uh?"

Kid roared from behind you, making you jump, a small laugh leaving his mouth making him less intimidating. Yet, you could feel his body almost pressed against yours, his taller figure towering you and making you feel ridiculously small even without having to look at him. Nodding in response, you were quick to move away from his trap, taking a few steps back.

"Yes, I.." you stumbled on your words, scratching the back of your head, panic quickly settling into your chest as you try to come up with something.

"Drank too much. I know."

Kidd cut you off, an unusual reassuring smile forming on his lips as he took a bottle of water from the fridge, throwing it at you.

"Don't even know how I made it to bed."

"Anything else you don't remember?"

Kidd asked. What you heard, however, was more similar to the sound of a ticking bomb about to explode.

"Don't think so." You chuckled, praying you were right - that there was nothing else to remember from the night before, that you didn't stupidly spread on top of him and slurred god knows what to him. Kidd only nodded in response, looking somewhat disappointed - there were no jokes, no sarcastic remarks, no angsty comment. Just an uncomfortable silence and an expression that you couldn't quite decipher.

"Kidd?" you called, causing him to turn towards you once again. He only raised an eyebrow in response, waiting for you to continue

"Did I.. did we kiss last night?"

You finally blurted out, your words rolling off your tongue before you could think it all through. Kidd's features immediately softened, his usual cockiness coming back to surface.

"What if we did?", he barked back, staring up and down at you.

Crossing his arms across his chest, he laid against the doorframe of the kitchen as the most annoying smirk appeared on his face - this was fun, seeing you blushing like a teenager without being able to look at him.

"I don't know. Sorry, stupid question."

You tried to brush it off, faking a smile and waving him goodbye - you just wanted to run, wash off the horrible wave of embarrassment and just forget about the whole thing. Kidd, however, was not really thinking about letting you go. His hands were quick to grab your wrist, pulling you closer to him. In a fraction of seconds he had you trapped in his embrace, your body pressed against his muscular chest.

"Want to give it another try?" he whispered, one of his hands already cupping your cheek whilst the one lazily slid down to the small of your back.

"If it wasn't that memorable, I must make up for it."