#i have a transparent version bc its funny

[totallyalamp]

lamp!! no stop!!! you shouldnt even have that!!!!

[chaos-of-the-abyss]

im sorry but i find it funny how you went from tolerating feanorians and those apologists to just straight up admitting your disdain for them. seriously, i feel you on that, because its those type that pushed me away from liking the feanorians, and sadly, it drove me away from liking elrond as well (i know, i'm horrible) because of the many times he's been used as a weapon to shit on elwing or any of her family like y'all i can see the bs from miles away with that

let me tell you anon, i've reached my limit for "everyone can have their own opinion uwu" after the continuous slew of """opinions""" that have zero canon basis and are obviously trying to make the feanorians look better and more moral while simultaneously condemning their literal victims. it is funny too bc like i've said they used to be some of my favorite characters - and i still very much enjoy them as they are in the story - but the refusal of so many of their "fans" to engage with the people they actually are is frustrating and ridiculous. you'd think if you like a character you wouldn't feel the need to sanitize their actions. at that point just write your own original story of misunderstood "forced by circumstance to commit mass murder" tragic heroes, because whichever characters it is you're stanning there, it's not the feanorians

i still do adore elrond (the canon version of him, not the fanon "maglor is my real dad!!11!1! also i hate my parents bc they Abandoned Me" knockoff), but i do steer clear of content that's not from my mutuals lol. like you said some characterization choices are so blatantly just using him as ammunition for their "we want m&m to be elrond and elros' real parents, so we have to make elwing as bad as possible so m&m become better caretakers by comparison despite being the reason elrond and elros no longer have their family, home, and friends" pipeline. it's transparent as hell and especially annoying considering that elwing lost her family and home and was displaced as a toddler thanks to the feanorians' actions. then when they come back and take everything from her a second time you want to vilify her while glorifying them? using her sons who in canon clearly loved and respected her? lmao

[mcdbutgay]

zoeymau cheebs (click for better quality + transparent pics)

some hcs below ^^ also i love how they complement each other so much GODDD

APHMAU SHALASHASKA

- aphmau shows up at phoenix drop’s doorstep pretty much half dead. no one knows where she came from, and upon waking up she doesn't remember who she is, where she's from, nothing.

- vylad carried her here because he knew that garroth was stationed in phoenix drop and he knew that the village was in dire need of help due to it being lordless; however it doesnt get revealed until way later.

- aphmau gets carried into the guard station which is where she resides for a period of time. zoey, who was visiting phoenix drop at the time (she was a wandering 'merchant' of sorts, looking for a permanent place to stay) feels a weird presence coming from her, not magical but also not normal, and decides to prolong her stay, healing aphmau back to health with garroth's supervision.

- aphmau wakes up and is sooo grateful they took care of her and decides that as payment she’s going to help make this mess of a village better (also she has no memory of anything that happened prior or why she ended up here anyway, so it’s not like she has anywhere else to go.)

- so she fixes up the roads and helps remodel some of the houses (i feel like this version of aphmau is much less princess-like and more handy than canon aph) garroth is very grateful for this

- anyway uh i dont actually have a lot of stuff for her since i find aphmau to be somewhat bland?? ig thats bc aph is meant to be jess for the majority of s1 but yeah uhh that needs to change. this aphmau is more rough around the edges, not afraid to fend for herself and those she cares for, but also very kind and compassionate. also very bubbly at times, but around those she trusts. she’s actually kind of against the idea of having guards follow her around all the time when she first becomes lord (because she believes she can do everything on her own), but later realizes that its much better to have backup bc the world is dangerous tm

- anywayz she grows closer to zoey when she moves into her house. she finds her presence weird at first but quickly gets used to her company, and she finds that waking up to the smell of tea everyday is soothing

- she is often sent out to the woods to gather whatever herbs zoey needs for her magicks. this quickly turns into aphmau trying to find pretty flowers to bring back to her pretty wife as a gesture of love friendship. sometimes she gets scolded bc she unknowingly brings back poisonous flowers or something but zoey knows that she does it with the best of intentions and thinks its kinda cute in a way.

- also aphmau brings back zoey pretty items from her travels, usually rings, necklaces, or even pretty rocks. zoey keeps them all in her room and looks at them while working on magicks stuff

- sorta angsty but i feel like aphmau definitely feels guilty for being absent for most of levin and malachi’s childhood. way in the future i feel like she and zoey would either adopt or have a biological kid of their own that they can both be present for, now that aphmau is no longer a lord and zoey is just enjoying her last lifetime with her beloved wife.

- OH AND i find it funny that they end up together since, at least in my canon, irene and zoey were a thing way back when. so like after irene left this plane or whatever and reincarnated as aphmau its like zoey and irene found themselves again in another lifetime (more on that in zoey’s section, which i actually wrote first)

- god i really don’t have much to say abt aph lol uh she’s bisexual (fem leaning, which is why she doesn’t rlly feel anything for garroth or laurence but does get flustered around guys sometimes) and demiromantic (takes a WHILE for her to feel any romantic attraction. again its why she doesn’t feel anything for G and L LMAO)

ZOEY TALTATHEIL

- was a devout follower and close friend of irene 900 years ago. zoey, although she wasn’t part of the divine warriors, was irene’s right hand woman, and would help her with decisions etc etc.

- she was kind of like a guard but not really lol. i do feel as though she began to mess around with barrier magicks as a way to protect irene, despite the fact that it got her exhiled from her home. she’d do anything to protect her.

- they were overall very close, but due to circumstances tm they had to separate. they never saw each other again sadly

- (although there are some books written by scholars that state that at some point lady irene had a certain lady friend who she lived with and shared intimate moments with. wonder who that is :P)

- ((also irene did have a family at some point, and levin is of her bloodline. he has blonde hair and blue eyes, guess who else has blonde hair and blue eyes? garroth ZOEY (and yes also garroth but thats a coincidence imo) so i think they are at least distantly related but very much so regardless))

- enough about irene. in zoey’s long 900~ year life she’s travelled to many regions, learned about many different cultures, and met many people, some who she did settle down with at some point. due to her immortality, however, she outlived all her previous partners and since then has been afraid to settle down with anyone, afraid of losing them to time

- it wasn’t until she met aphmau and levin (and later malachi) that she began to change her mind. she began to raise her children when she was away on lord duties, and she got VERY attached to them. she treated them as her own, and soon became accustomed to the idea of having a family

- she also began to see aphmau in a more romantic light at some point during s1. she didn’t know when the change from platonic to romantic feelings began but it didn’t matter. what mattered was that she had been raising another woman’s children as though they were her very own, cooking for the 4 of them like a happy family, and literally living the life she had always wanted without even realizing it.

- anyways she sleeps with aphmau in her room despite having her own room. she uses her room more as a workspace for her magicks

- also (and this is less about zoey and more about elves in general) i feel as though elves start out with dark colored hair and with the years it slowly lightens up until it’s completely white (doesn’t matter what color; zoey’s just happened to be blonde which is why she has platinum blonde hair pre-timeskip. it obviously doesn’t change this fast, but zoey giving up her immortality did speed up the process by a LOT which is why the change was so drastic in such a small amount of time (for an elf))

- speaking of her immortality, i feel as though it was the main reason that drove her to, you know, actually become a thing with aphmau. they were practically married pre-timeskip but they never really mentioned it, both scared they’d ruin what they had. aphmau being trapped in the irene dimension was the thing that drove her to spend years of her life studying, trying to get her closest friend, no, her lover back; losing her immortality was the final push to make it official. losing her immortality mean that they’d both pass within each other’s lifetimes, which is something zoey had always wanted (that sounds morbid but imagine being immortal and outliving all your loved ones.. i feel as though one can only take so much pain before it turns you crazy)

- anyways enough angst. since zoey has lived so long and has been all over the place, she has countless stories to tell and levin and malachi always loved hearing them. post-timeskip she tells the same stories to the children of phoenix drop in her spare time. she loves being around children and overall just loves caring for ppl ^__^

- as for like sexuality hcs uhh i can’t imagine her as anything but a lesbian lol

[gwaaaaar]

So, remember that long ass post i made abt noah thy creature characterization bc i was ill. Here to back up on my claims btw. Spoilers below, this is info i gathered from regis altares stream as i cannot play the game </3

I... i kind of miss early access thy creature. The story and the flow was just, so much more natural and endearing and calm. Like you had time to savor the residents and get to know them. There wasn't a rush. This isn't to say the new version is bad, I just enjoyed the early access much more. Specifically the introduction. The way Noah is introduced first makes him feel more personal to the creature. In the final version you meet Noah, El and Justine all together. And oh my god El.

Where do I begin. He is not a bad character, on the contrary I think hes ok. But it feels as if he took Noahs more positive traits like the kindness and selflessness. And he feels ever so slightly shoehorned in, BUT he does have an important role. Afaik he is the nepe of madness, mazm spoiled that in like previous material and shit like im assuming its supposed to be a surprise but its so obvious theyre related. But to a newcomer it would be a surprise so i wont riff on mazm too much.

So yeah we meet El in the beginning as opposed to later on. This is important because madness is the third floor boss, if they wanted the twist with El to hit, the player would have to know him since the beginning. Since early access didnt have El then, they'd have to change up the approach.

Tbh how I'd write the new version would be keeping the EA plot, BUT, introduce El in the beginning with Noah, and also develop their interpersonal relationship because it seems Noah does trust El. It would be good to develop a reason why he trusts El and also El can convince him to help the creature. It would hopefully keep the same effect as the final version where you still get to meet El in the beginning.

While we are at change, Noah feels ever so slightly flanderized from early access, its hilarious. HE LITERALLY MAKES CASH REGISTER NOISES THATS HIS SFX!!!! Its so funny it makes me laugh, mori calliopes mickey voice for him is priceless. BUT, in a story sense, flanderization is kinda, not good. Its not good to reduce characters to a singular trait as that is how they become one dimensional.

However, I am making these assumptions based on the 3 hours of gameplay i have seen, and I am not saying this is Noah in entirety. For all i know he may get development and grow as a character. I applaud mazm for their characters as that is what they mainly focus on when it comes to writing. They want memorable characters, I just dont think flanderization is the way to go.

Noah in the new version is a man that lives by the sigma grindset. He cracks a lot more mortician jokes which is rlly funny that can stay. There is also a flyer for a "evans funeral service" which gives a two in one coffin deal, sounds familiar doesnt it? If Noah's last name is "Evans" then thats a pretty clever way of revealing that. But hes far more transactional and light hearted compared to previous Noah who could be an absolute edgelord if he wanted to.

EA Noahs lines about beggars asking for free services and his more dry sarcasm conveyed a more adult vibe to him. Hes like 33 hes seen some shit. Thats not old but more like enough time for him to be thoroughly unamused by the world. His tired lines reveal just how little faith he has in anyone but himself and certain people. But then you get his memories, you see that sweeter side to him, and he gets more lighthearted and a friend to the creature. He makes jokes with the creature, he teaches it about life and new words, all sorta fun stuff.

Hes still using it, hes 100 transparent about it and he apologizes for lying to the creature about going up the tower. However, the friendship it builds with the creature feels more personal, more earned. He helped the creature not because of someone elses interference (El in the new version), but out of his own will, even if there was financial intent behind it. He was the one that tried breaking down the door and failed. He had far more of an independent role and felt like a character, not azul ashengrotto 2.0. I have joked abt Noah being an MLM salesman but I did not expect this.

When Noah got his memories back in EA, he had a strong reaction to them, and you got to learn just a bit more about him, adding depth to his character. In the new version it doesn't really feel like you're getting anything new from it. Sure the meat is in the memories, but I think the character's reactions to those memories also matters a lot. It shows how they've changed as a person, and its a subtle way of self reflection.

I feel as if because we don't know about new Noah that much yet, he does fall a bit flat. I hope that his arc does not end here! And I am sure it wont! I'm sure his story will continue even beyond floor one. Mazm is amazing at characters when it wants to be, and for a game like thy creature, i think it does want to be outstanding.

[iamanartichoke]

So this is kinda random, but um, do you have any favorite films, and if so, what are they? Also sorry if this is kinda a broad ask, you don't have to answer - no pressure!

I like random! I have a lot of favorite films, tbh, films that I rewatch a lot and films that I forgot about until I rewatched them for the first time in forever and remembered how much I loved them (for example, I started writing a "review" on this 90s movie, Can't Hardly Wait, that I love but forgot about until I found it on Roku a couple of weeks ago, there were gifs and everything, smh, and abandoned it bc I doubt anyone cares lmao). For the sake of being (somewhat) less long-winded than I could be, here's five films that immediately came to mind:

- Harold and Kumar Go To White Castle. Just gonna get this one out of the way first bc I am legit embarrassed about it, but it did come to mind immediately bc I just watched it a few nights ago, so in the interest of being transparent, yknow. Like, I'm not proud of this; it's just a lot of stoner/weed jokes, sexual innuendo, and literal toilet humor. It's sorta gross and problematic af and I don't actually recommend it - but, at the time it came out it was a fairly original premise and it's kinda impressive how absolutely random the narrative is while still managing to tell a perfectly cohesive story with beginning, middle, climax, and end. Plus, Kal Penn and John Cho are both charismatic enough to sell it. I do find about 70% of it genuinely funny, bc my sense of humor is trash, but. *helpless shrug* (Incidentally, I did not like the sequel and didn't bother watching the 3rd installment; the first time around, the material was original and funny; the second time around, it was just gratuitously trying to cash in on what made the first film good and it shows.)

- Little Women (1994). Until I die, this will be one of my most beloved films. It has been not only a favorite film but a comfort film since I was a teenager, and everything about it is beautiful. I think that the casting was perfection, the story was done so well, the acting was on point, and the music is gorgeous yet heartrending. A few years ago, when I was living in Boston, I got the opportunity to visit the Louisa May Alcott house in Concord, which was an amazing experience. I'm so emotionally attached to this film that I refuse to watch the Little Women remake that came out last year or whenever. I'm sure it's a wonderful film, but the 1994 version is just too dear to me, and that bias would certainly color any reaction I had to the update.

- Breakfast at Tiffany's. I love Breakfast at Tiffany's. I first discovered it when I was a teenager bc I was really into Jennifer Love Hewitt as a teen (I'm dating myself) and she did an Audrey Hepburn biopic, which led me into an Audrey Hepburn obsession, and well. I think that the film is so well done and perfectly captures this tangible sort of quintessential experience of New York in the 60s. Moon River, in all its forms, will never not tug on my heartstrings. What I also like too, though, is that I did read and fall in love with the original novel and though the film takes its own liberties and differs a lot from the novel, it doesn't diminish the quality of either? Each incarnation tells a good, solid story. I also like that they can stand alone; you don't have to have read the book to understand and enjoy the film, and obviously vice versa.

- Serenity. I haven't watched this in its entirety in a hot minute but I was watching clips from it about a week ago, hence it springing to mind. Serenity is very well-written and hits all the right emotional punches, but I will say that those emotional punches land due to the film being an extension/conclusion to Firefly. I adored Firefly and I love that we were able to get a film to show how those characters' stories wrapped up. (That said, I know some Firefly fans hated it, which - well. Subjectivity and all.) I think this film has all the best Joss Whedon elements - drama and tragedy perfectly balanced with sharp wit and genuinely funny comedic relief, satisfying character arcs (and development in general), and no one is safe from a sudden, shocking death (in 2005, this "trope" was actually outside of the norm and the shocking deaths hit hard and mattered, unlike today where everyone and their mother shockingly dies at least once), plus the cast is incredible and the score a thing of beauty.

- The Dark Knight. When this movie first came out in theatres, I probably went to see it no less than 12 times. I like the entire Nolan Batman trilogy but the Dark Knight is the best one and also just a really well-done film in general. I adore Christian Bale and loved him as Batman (he gets a lot of flack, mostly for the voice, but imho he was the best Batman, I will not be taking constructive criticism on this opinion), and I had been a Heath Ledger fan since The Patriot (another of my favorite films, now that I think of it) and thought his Joker was flawless. Plus, it's so damn quotable; it's impressive to me how many quotes from that movie have become part of the modern cultural zeitgeist, in that at this point they exist almost independently from the source material and just belong to everyone and everything. "Some men just want to watch the world burn," "You either die a hero ..." etc.

... so yeah.

I truly apologize for the length of this answer. But thank you for the ask and the opportunity to ramble (and procrastinate at work)!

reblog if you want your followers to ask you anything they’re curious about.

[headofhelios]

Ok I am a single follower but I like hannibal tv but would enjoy ur movie thoughts I like some of the books too and have been meaning to get around to the movies 😳😳

OKAY I'M EDITING A READMORE ONTO THIS LOL I REALIZED THATS SOMETHING I CAN DO! so now my incredibly waaayyy too long answer abt my thoughts on 2002 will is under there. apologies bc this is less "movie thoughts" and more "2002 movie will thoughts" but well thats how the chips fell

GOD okay sooo for the record i am reading the red dragon book and am like 7 or 8 chapters in and full transparency im not like. enjoying it lol. the book pisses me off with its misogyny (all the women in it are either dead or it feels like you're supposed to think theyre Selfish Bitches or theyre just there for like. bizarre and uncomfortable sexual moments like the guys talking abt that woman in the elevator, or that one part of mrs. leeds diary which is like. i guess could be there to Show Her Humanity or whatever but 1. there are more ways to do that 2. the book doesnt seem particularly concerned with her humanity considering she's barely even given a first name and so far the novel hasnt seemed to disapprove of how will thinks of her as a possession of her husband) and its inconsistency with will's most important character trait or whatever (he's so intensely, extremely empathetic towards EVERYONE, even serial killers, which makes him really good at finding them! and he can never turn this off, to the point where every time he has a conversation with someone, he ends up mimicking the way they talk, even if he tries to stop! but also he never empathizes with the victims or HIS OWN FUCKING WIFE? HELLO? so it really feels less like "extremely strong empathy for everyone that he cant control" and more like "he can empathize with serial killers extremely well and also other people if we want to Make A Point in one scene instead of letting the point show through the whole book") BUT UHHH ANYWAY. MOVIE THOUGHTS. THE MOVIE THOUGHTS YOU ASKED FOR COMING RIGHT UP!

okay this is what i am worried will either 1. draw annoying tv will graham stans to my blog like flies or 2. end with me being hanged in the town square BUT. it must be said. i prefer 2002 red dragon will graham to tv will graham. and quite frankly? so far? i think 2002 red dragon will graham is better than book will graham. i cannot lie.

my reasoning: because 2002 will actually empathizes with more people than serial killers and his boss! y'know! like you'd assume someone with constant extreme empathy would! the difference between the first scene with molly in the book vs in the movie are SO striking to me now that i've read that part of the novel. in the novel he seems very... rough, i guess, and like he doesnt care about molly's worries. he doesnt seem to see things from her perspective, which especially feels like a kick to the gut because MOLLY! SEES! THINGS! FROM! HIS! PERSPECTIVE!!! she literally empathizes with him more than he does with her! what the fuck! MEANWHILE in the movie, he does seem to care about her. his assurances that he wont get too involved seem like assurances rather than him trying to get her off his back. he hugs her and tells her he loves her and i actually believe that yeah, he loves her, he knows she's worried about him, and he wants to comfort her and ease her worries. and the victims! AGAIN such a stark difference to me! in the book, will is like... uncomfortable empathizing w the red dragon, of course, but he doesnt seem to empathize with the victims all that much, ESPECIALLY not the women. he doesnt care about them. he sees them as possessions belonging to their husbands and its so fucking gross. despite already suspecting that the red dragon chooses families based on the women, he decides to waste time focusing on the husbands as a way of "asking permission to look at [their wives]." what the fuck? meanwhile in the film, he feels for the victims so much that he can barely even say that the kids were shot in bed! when he watches the tapes, he focuses on the women! because that's his fucking job!!! and we see him empathizing with them! wow!!

siiigh okay im gonna stop talking abt the book vs the movie now bc again im only like 8 chapters or so deep. but now we come to tv will vs. 2002 will, which is admittedly gonna be more subjective and part of that it bc i cant remember a whole lot of specifics from the show bc my memory is Very Bad. but anyway

let's get the shallow stuff out of the way. yes i prefer ed norton's face to hugh dancy's. call hugh dancy "gender" or whatever have your fun i support you and your right to call any blood covered man a gender but by god is that not even REMOTELY my experience. next shallow thing to get out of the way: ed norton's line delivery is like music to my FUCKING ears compared to hugh dancy's i am so sorry. like the jokes about will shaking like a damp chihuahua before taking 5 minutes to stutter out "he's killing them....... On Purpose, jack." are funny and all but christ i had SUCH a hard time watching the show bc of that im not lying. literally hearing 2002 will just say "he's not keeping them. he's eating them." nice and quick, matter of factly is better than well im actually gonna end that sentence there but you get the idea. like YESSS you little blonde bitch get to the point i love you!!!

OKAY NOW less shallow points but also less uhh idk man i just dont remember a lot of hannibal. but basically: after seeing how caring 2002 will is, i'm kind of... idk i'm just so over tv will and how abrasive and harsh he is in comparison. like i fell in LOVE with how vulnerable 2002 will is, how he feels like he cares deeply about the people around him (and honestly... idk i cant remember a moment in the hannibal tv series that made me feel the way i felt when 2002 will can't say "the kids were shot in their beds". it's like... yeah this is a guy who feels so deeply for everyone around him at all times. i believe that.) and i just dont remember getting that same feeling from tv will. i have been gently spoon fed the most excellent chocolate pudding and everything else in my memory is just a snack pack. i guess tv will has those moments (what comes to mind is when he brings gideon to hannibal's house and is crying and he says "please dont lie to me") but idk they just didnt really do for me what 2002 will does. and then their scenes with reba! wow! i rewatched the tv version after watching red dragon, bc the film version made me tear up, meanwhile the tv version i barely remembered and i wasnt sure if that was just bc of the different mindsets i was in while watching them or what. and ok i just rewatched the tv version again and like... yeah. it's the wills lol. i LOVEEE tv reba SO much she is giving everything in that scene!! she sounds so like... broken, both bc of dolarhyde's apparent suicide and bc of finding out who he was + what he was doing, she sounds so fragile and guilt ridden! she's amazing!! but will. idk. tv will's delivery just seems... idk this feels dumb to say but it sounds like writing. i admittedly LOVE the line "people who study this kind of thing say that he was trying to stop because you helped him." and his delivery there is good. but between tv "you didnt draw a freak, you drew a man w a freak on his back" and the 2002 version, the 2002 delivery seems more genuine while the tv delivery sounds rehearsed. idk overall the 2002 version of that conversation just makes me feel more? its like. idk i can feel the 2002 version gently holding my heart while the tv version is a scene that is nice in h/nnigram gifsets or w/e.

umm ok this is already suuuper long and my brain is getting a bit mushy so i'm gonna start wrapping it up lol. i'll probably compare book will and 2002 will again after i finish the book, and then i miiight rewatch hannibal, or at least parts of s3. but right now my thoughts are basically: book will is a fucking dick who has an easier time empathizing with serial killers than with his wife. tv will is a nothing girl after being so completely catered to + also idk he doesnt have the same fragility that i want from my wills now. and 2002 will is my little caramel apple. he has this delightful vulnerability and feels like he cares so much and empathizes with more people than serial killers and his boss and 4 people in a diner for one scene! 2002 will made me care about will graham! which is honestly kind of a feat!

[bladekindeyewear]

HS^2 bloggin’ mainline 2020-12-25

I’m not going to spend time BLOGGING an upd8 on Christmas morning!

...yes I am who the fuck am I kidding.  (Bonus stuff and Hiveswap are still well on hold though.)

So are we gonna follow up on the main ship?  Probably not, right, with that perfect Karkat point to cut away, right?  We’re just going to leave Roxy’s question hanging, as well as makeouts etiquette, and leave while having seen a COUPLE FRAMES of non-possessed canon Jade with only whatever fun fanart was inspired across the internet by the moment to tide us over????

Yeah, probably.

Ugh, more Dirk.  I guess it’s overdue.  :(

> CHAPTER 16. Welcome to my Secret Lair

Oh huh, I guess not?  So... Jane’s, or Rose and Kanaya’s?

Karkat stays for longer than John thought he would. They talk a bit, but mostly they are quiet. Eventually, Karkat gets called away on yet more important war business, leaving John with one final touch on the shoulder. John leans into it in response, though he’s a bit ashamed of chasing down a sliver of physical affection so soon after obliterating Karkat’s evening like he had.

Pretty much, yeah.  Can’t blame either of them.

When Karkat is finally gone, John still doesn’t move. It isn’t as though he has nowhere else to go, since there are quite a few places he might attempt to make himself useful, for better or for worse.

You’re still abandoning the task that was explicitly yours to protect your literal kid and his friends, but, oh well.  Low-point.  Dave dead, house dead, broke news, I get it.

He just doesn’t feel ready for that yet. The remnants of his house are still smoldering, and he can’t stop staring at them. It would make sense, he thinks, to want to root around through the rubble for anything that’s still intact; some half-charred keepsake to claim as the last thing left that’s still his. But he doesn’t want to do it, and he doesn’t want to think about it. And he still can’t move.

Can’t move.  No Breath huh?  What’s going to get him to, then?

> (==>)

Oh boy, that might help.  XD  She’s pretty good at that.

> (==>)

Still with the waistline gap.  And was his phone always yellow like his God-Tier shoes?

ROXY: hey john can u do me a quick solid ROXY: actly idk how quick itll be but its definitely solid ROXY: harry anderson says i just missed u being here but could u skip back on over?

Nice, huh!  No judgment, just a hey-any-chance-you-could-swing-back.  He sort of needs to be needed right now, in a simple, almost everyday non-judgmental way I guess.  (That’s what he NEEDED anyway-- whether he deserved it though is up for debate.)

ROXY: i need help w/smth and yr darling boy is holed up in his room working on some fuckin craft project or other and cant be bothered

YES SEW JOHN A BETTER FITTING FUCKING OUTFIT

ROXY: and now that me and u are freshly on speakin terms again i might as well take advantage of that olive branch and put u to work ROXY: assumin you havent died in an air raid, that is ROXY: which id also be interested in knowin about so if u wld be so kind as to reply instead of leavin me hangin

Heheheh.  Gosh Roxy is always the best.

JOHN: yea yea sorry im here. JOHN: i just had a hard time getting my phone out of these fucking tiny pants.

Hah.

JOHN: and also my house is bombed out so i'm kinda grappling with that. JOHN: but i honestly am not sure how much longer i need to sit around staring at it. trying to align my memories of my youth with whatever is happening right now so JOHN: short version is no i’m not dead, and yeah i can come back over there and help you out. ROXY: oh sweet yr alive and down to do manual labor its a win/win JOHN: see you soon.

Yep!  Pulled away from all the metaphorical, ultra-meaningful bullshit, back to some brass tacks with some easy humor.  Definitely something Roxy can do well.~

> (==>)

EXCUSE ME.  What is that outfit and pose.  Did you--

ROXY: sup ROXY: follow me ROXY: well were just going to my room so i guess technically u know the way JOHN: haha ok.

Did you invite him over for the manual labor of banging you while your son is sewing in the other room

Or maybe the labor is making him a new sibling.  JFC

Is this plan part of why we got the sudden content warning that was mocked or was that mainly for Hiveswap 

John follows, trying to shake the ominous feeling he got from what she’d just said. He’d been in and out of this house a lot in the past few days. Why should this be any different?

I DUNNO JOHN DOES THIS SEEM DIFFERENT TO YOU

> (==>)

Yea this seems like a fucc room.

JOHN: it’s not like i could forget! ROXY: ya i guess u only really saw the living room when you were here the other day but i have changed some stuff up ROXY: done a lil redecoratin here n there

So it’s MORE of a fucc room than previously >__>”

ROXY: may have to do a smidge more if my old bff decides im next on the list for bombing out ROXY: but so far so good

Ah geez.

ROXY: just a coupla exploded cars in the yard from some shenanigans our dear son and his friends were in but u kno it is what it is!!!

Well, that’ll buff out easy.

ROXY: can i get u anything? ROXY: just made some coffee JOHN: no, uh, i’m good.

Of course she has a fancy handled winecoffeeglass  (and the handle does look ridiculous but it’d be too hot to hold otherwise)

Roxy shrugs and swirls her own coffee around in her novelty mug. John looks around. A lot about the room is the same. The family photos, the rug. There’s a lot more cat stuff in there now, though. The bed is new. John feels like he’s about to take a test he hasn’t studied for. He makes himself focus on what she’s saying.

That would be the feeling.

> (==>)

MY GOD.  Roxy is so fucking good at this holy shit

She KNOWS she’s making him squirm and she loves it

JOHN: so uh anyway. JOHN: what was this favor? ROXY: yo why dont u just come rest yr tush for a bit ROXY: take a lil relax next 2 me here JOHN: haha uh. JOHN: roxy i uh. JOHN: im flattered, but i don’t know if that’s really the right step right now. JOHN: don’t get me wrong, everything seems so fucked up right now that when i try to think about what might actually BE the right step, it feels like a huge cartoon question mark might physically manifest over my head. JOHN: but I’m not sure if um rekindling our physical relationship is really the best--

So is Roxy trolling him, about to reveal she wasn’t thinking of sex and was just making things seem sultry?  Or just had “lol jk” as an option-select, maybe.

> (==>)

ROXY: r u kiddin me rn egbert JOHN: i’m not? unless you were, in which case yeah lets say i was also kidding. JOHN: oh my god, i’m sorry, i don’t know why this making me freak out.

OH NOOO NOT THE DISDAAAAIN - CRITICAL HIT D:

ROXY: i remember our past boot knockin with fondness but that is a situation im not interested in revisiting

boot knockin XD

ROXY: look john ROXY: i was trying to be polite about it ROXY: offering u sustenance n rest n all ROXY: but you look like shit ROXY: i just wanted to catch up on the whole heinous war situation were in and maybe check in on e/o before leaping strait to the real n actual nonsexual manual labor favor i have in mind for u JOHN: oh.

Hey, she can’t help looking sexy she’s too good at it.

Is the manual labor moving the crashed cars?  Can’t Roxy pull that off on her own, or... banish the cars to the void or something?  (Oh, but WOULD she want to do it on her own when she can rope in John and bring him down to earth by giving him a useful task?  And admittedly his strength and wallet would make things easier.)

John feels his shoulders unbunch. Of course. Yeah. He’s almost embarrassed by how relieved he feels. So what if his ex wife wanted to hook up? Shouldn’t that be a situation he could navigate? Don’t people like to find solace in human physical connection during dire times? Why did the idea of it make his mind white out in panic more than, say, any number of the traumas he just experienced?

Probably some gender stuff mixed up in there too, June.

He doesn’t know, but he believes Roxy that he must look pretty haggard. He probably feels haggard? Maybe sitting down will feel better.

Just put your feet up yeah

> (==>)

WHAT A CUTE IMAGE

JOHN: sorry. like i said, my "how to react to stuff" meter is completely fucked right now. ROXY: thats fair bud

she’s used to being patient with you don’t worry otherwise you never would’ve gotten this far

ROXY: real fast i do need to do a quick takeback of all that shit i said last time we talked about janey not being literally the most evil person we knew or whatever ROXY: i guess i was hopped up on arguin or somethin since that was before we hit our conversational vibe bc of course u were right and i shoulda listened

Ouch.  Yeah, we saw just lately just how far off the deep end she was.  (Where was that funny upd8 reaction art summarizing the bit where Kanaya was holding Tavros hostage and Jane was transparently debating “hmm do I let my son die?” and Kanaya and Tavros were just looking at each-other flat-mouthed nervous?  I REALLY wanted to share that but I don’t usually want to reblog or put most stuff HS^2 not under a read-more, for spoiler purposes, usually.)

ROXY: im just glad ur ok ROXY: or like alive JOHN: yeah, jury's still out on "ok" but, you know. ROXY: ya ROXY: u said ur house is gone?? JOHN: yep. JOHN: completely. ROXY: jeez ROXY: i would ask how ur feelin but like the answer 2 that has got 2b "prtty bad"

Talk it ouuuut~~  get those feels out there and articulated john

JOHN: yeah. JOHN: i mean. JOHN: no? JOHN: it’s weird. JOHN: it feels like it should be a bigger deal, I guess? JOHN: like it’s my HOUSE. JOHN: but mostly it always felt like my dad’s house? JOHN: and when i started living there after i moved out of here, it was like i crammed myself back into whatever was left of my kid self? JOHN: and it didn’t feel good, but it at least was familiar, you know? JOHN: like living there let me feel closer to my dad, trying to be like the way i remember him, or like how i remember him wanting me to be, or something? JOHN: and i didn’t realize how much i hated doing that until i saw it all go up in flames. JOHN: so i guess i could have used my powers to stop the fire and save whatever was left of the place, but i couldn’t bring myself to do it. JOHN: like some fucked up part of me was glad i got there too late? JOHN: so i just sat there, watching, trying to figure out why watching my house burn down felt like i was being released from prison. JOHN: and even now i keep trying to explain it away, as though it’s because of how fucked up everything else is that it made me feel good. JOHN: but that’s just bullshit. JOHN: it DID feel good. JOHN: i DO feel free. JOHN: sorry.

I was kind of saying some Breath/Blood stuff at the time of him losing his last tie to his stubborn sticking-to-his-kid-self bit?  Except now we’re mixing it in with June Egbert and his gender-identity questions too.

ROXY: no need 2 apologize ROXY: we just delved in2 my whole gender thing last time so it seems fine for u to have a turn JOHN: i didn’t say it was a gender thing.

Oh shit

ROXY: well no i just meant like i did some sharing ROXY: like referrin 2 the topic i brought up when we chatted last ROXY: but like now that u mention it ROXY: *meaningful pause* JOHN: … JOHN: i JOHN: ROXY: lol well we can move on 2 the favor part if youd rather ROXY: stick a lil pin in that topic n come back 2 it when u have had sleep

Are you just INCREDIBLY incisive Roxy or have you and John talked about this before?

ROXY: like i said the other day its not like this shits figureoutable in 1 sitting anyways JOHN: yeah... ROXY: sooooooo ROXY: movin on

It’s just fine for Roxy to slow-roll this yeah, if she’s going to pry open that door a little

ROXY: dont be mad but theres a part of the house u didnt know abt the whole time u lived here JOHN: what? ROXY: yea ROXY: i got a secret lair ROXY: for my sciences

OH FUCK YES SCIENCE LAB, of COURSE Roxy would want a cool science lab basement because she always wants a cool science lab basement

ROXY: and i get to it via a transportalizer underneath our bed ROXY: which is 2 heavy 2 move by my lonesome so i just needed to borrow some o your aforementioned powers of wind

Okay no.  Wait.  What the fuck?

First of all, as funny and MSPaintAdventures-y as furniture being in the way of things is, why would you block it with a bed too heavy to move, but,

Second of all, more importantly, how is a GOD-TIER ROXY not strong enough to lift a heavy bed?!?!?!?  Either she’s lying to get John involved in things or this is a gendered cop-out because these characters are superheroes at the TOP of their echeladders, given obnoxiously powerful video-game strength and athletics only to then have ascended into DEITIES.  God-Tier Roxy could probably have lifted a bed like that when she was SEVENTEEN!  And now she’s an ADULT, out-of-shape or otherwise!  If this were a whole CAR I might be willing to handwave it, but just a heavy BED?!?  And none of the GUYS are going to have this much trouble lifting a bed like this, are they??  This just feels like following classic cartoony gender tropes in the complete absence of these characters’ super powers, what the fuck, and also Roxy if you didn’t make it Transportalizer-only access you could have given it an entrance you could phase through with your fancy powers to get to.  FUCK.

This feels stupid.

ROXY: so if u dont mind woosh away JOHN: uh ok, well... JOHN: a secret science lair, sure, i can deal with that. JOHN: why not! JOHN: it doesn’t work out great when i do the windy thing indoors, though. ROXY: aight then no wind bending just use your mangrit

Roxy flexes, the corner of her mouth pulled up into a familiar grin. John feels his guts, so recently calmed, twist up into knots again. Her eyebrows shoot up and the smile loosens. He must have shown something on his face.

You’re already THIS sensitive about gendertalk?

ROXY: ok or just like push when i push ROXY: we both got sick muscles ROXY: no other adjectives necessary JOHN: yeah ok. ROXY: on 3?

Please, please reinforce the idea that they both have sick strength, because they fucking do and the idea that Roxy actually a hundred percent NEEDED John to do this is BS.

> (==>)

JOHN: holy shit? ROXY: sorry to lop yet another huge scoop onto ur lil brains ice cream revelation sundae JOHN: so wait, if this thing's always been under the bed, how’d you get down here before without me? ROXY: well thats neither here nor there john JOHN: i mean it is kinda. Here. ROXY: fine ok checkmate ROXY: i dont ACTUALLY need ur nerdgrit for this escapade ROXY: like im sorry but i said it ROXY: i mostly just wanted to see you and show u wats down here

THANK FUCKING CHRIST.

If that wasn’t actually just a lie to get him involved I was going to stay SO mad.  Of COURSE Roxy can move a fucking BED no matter how heavy it is.  OF COURSE.

ROXY: and also uve been ~sent for~ JOHN: ok but like ROXY: john i am inviting u 2 my inner sanctum ROXY: i am literally bringing out the word "sanctum" in case u werent already clued in 2 how cool this is ROXY: so do u wanna go into my secret lair or wat JOHN: yeah!? JOHN: yes? i guess? ROXY: aight good

Yes John of course you want to stop fighting it

ROXY: then as they told me in the hospital before lil h a was born ROXY: just push

eyeroll, but yeah, of course

> (==>)

Oh cool, sprite form version of her loungewear.

> (==>)

Sorry for my compulsion to post every full-frame image of Roxy in this awesome outfi-WERE YOU KEEPING CALLIOPE UNDER YOUR BED THIS WHOLE TIME?!?????

That’s like... almost a fucking metaphor isn’t it????  For the relationship you preferred in the other timeline and possibly THIS one TOO or

ROXY: hey callieee i got him ROXY: o damn john sorry i shoulda also told u callies here weve been hangin out again ROXY: 1 more freak for ur bean

Oh huh, so this isn’t an always thing.  And these two can get close in more than one timeline where it would’ve worked out nicely.  :)

JOHN: oh it's ok, my bean feels pretty well adjusted to freakage at this point so keep them coming if you like! ROXY: k cool i will JOHN: do i get to know what that big thing under the sheet is? ROXY: hmmmmmm no JOHN: oh ok. JOHN: are you sure? i mean, it seems like a pretty prominent feature of the room. JOHN: space. JOHN: wherever we are. ROXY: and a totally mysterious n COMPLETELY inconspicuous feature it will have to remain for now ROXY: we r kinda in a hurry here fyi ROXY: and by that i mean ROXY: we are in precisely the amount of hurry that means im excused from having to a that specific q rn JOHN: right, sorry. JOHN: i will pay no attention to the object behind the curtain. ROXY: u catch on fast egbert ROXY: anyway theres more cool info coming so just follow me

I don’t have any big theories.  Is it just the Hiveswap device or something?  If Calliope helped with it it’d help explain the Cherubic theme.

> (==>)

JOHN: so... this is all downstairs? JOHN: it seems like you had a lot of work done. ROXY: well no not x actly ROXY: were in the old meteor JOHN: under the house??? ROXY: ok so ROXY: in hindsight it may have been a bit misleading 2 say like ROXY: "downstairs" ROXY: in reference to a place which is hells of buried underground and may not actually be literally under the house ROXY: but there is no time to explain all that rn john so instead im going to refer u to my adorable little green friend here CALLIOPE: #U_U# ROXY: (hehe) CALLIOPE: *AHEM* CALLIOPE: hi john! CALLIOPE: long time no see. ^u^

Cherubs just really like dark cavelike places full of weird tech don’t they.

> (==>)

THEY’RE SO CUTE

JOHN: oh, uh. hey callie! JOHN: it sure has been a while huh. JOHN: now that i think about it, the last time the three of us hung out like this... CALLIOPE: was when i was aggressively third wheeling yoUr prenUptial coUrtship? CALLIOPE: if yoU dont mind, john, i'd rather not rehash that period of oUr lives. CALLIOPE: it was more than a little painfUl for me. JOHN: oh. JOHN: god, jeez, i'm sorry. i didn't mean to-- CALLIOPE: hee hee john i am only pUlling yoUr leg, don't worry. CALLIOPE: if anything i was personally a little thrilled with how things shook oUt in that respect. CALLIOPE: imagine, if yoU will, a yoUng cherUb raised in solitUde, whose only solace was the convolUted and tUmUltUoUs romantic schemata she projected onto her only friends from another Universe. CALLIOPE: and then fUrther imagine that this yoUng cherUb, throUgh varioUs even *more* convolUted contrivances, ended Up in the company of those selfsafe friends as an eqUal participant in their sphere of social discoUrse! CALLIOPE: it is a joy the like of which yoU possibly cannot fathom. u_u

Reinforcing that things turning out this way was in fact the FANTASY that Calliope was writing over in the Canon timeline.  Just, heavily, HEAVILY implied that the Candy timeline is -- or at least originated as -- Calliope’s fanfiction as a Muse of Space, and its competition for audience interest with canon is the essential conflict between alt!Calliope and Dirk (or Dirk and Andrew Hussie).

CALLIOPE: so to pUt it simply, getting to experience sUch emotional drama myself was an impossibly enriching experience. CALLIOPE: possibly a first for my species! CALLIOPE: it's actUally qUite interesting, if yoU ROXY: *nudge* CALLIOPE: oh, right. yes. i'm getting a little carried away, haha. CALLIOPE: argh, i'm sorry, this is not how i planned to begin this vital conversation.

Vital conversation?  What sorta truth-bombs are coming?

CALLIOPE: but to sUmmarise, what i was trying to say is: CALLIOPE: don't beat yourself Up aboUt it john. CALLIOPE: besides, hUman divorces are even more fascinating than i had ever imagined, and being able to witness yoUrs in motion was an honoUr. CALLIOPE: so i consider Us aboUt even at this point. JOHN: hahaha!!! JOHN: okay, well that's good to know! CALLIOPE: ^u^

Holy SHIT that was savage!  And we’ll NEVER know whether or not she really intended it so savagely, either.~

JOHN: so um... JOHN: i hear that there's this big secret thing you wanna tell me about? CALLIOPE: oh right, yes of course! CALLIOPE: let me jUst say first of all how thrilled i am that yoU're on board. CALLIOPE: i wasn't sUre if yoUr natUral inclinations woUld have preclUded yoUr coming to such a place as this, and yet here yoU are. CALLIOPE: this whole endeavoUr will be *so* mUch easier with yoUr help.

Uh oh.

Hopefully babies aren’t involved.

JOHN: oh! well, shucks. JOHN: not really sure what that means but i'm just glad to be of use somewhere, haha. JOHN: which, speaking of somewhere, CALLIOPE: ah right, right. yoU're probably a little cUrioUs as to where the dickens we are. CALLIOPE: how much do yoU know aboUt black holes? JOHN: um... like, the big space things? CALLIOPE: they aren't always big actUally, and in fact their relative smallness is practically their defining qUality. JOHN: oh. CALLIOPE: bUt okay i think we are on the same page. CALLIOPE: so, what if i told yoU that we are inside of a black hole right now.

Oh dear, we’re getting into the canon/noncanon divide?

JOHN: um... JOHN: like, HERE? JOHN: we just transportalized into a black hole? CALLIOPE: no, i mean, what if oUr whole WORLD was inside a black hole. JOHN: ok.

Yeah, that’s gonna be John’s reaction.  “ok.”  Pretty much inevitable.

CALLIOPE: earth c, or at least oUr version of it, has, from the moment we crossed the victory threshold, been inside a black hole. JOHN: ok. CALLIOPE: and not just any black hole, bUt the very black hole in which the green sUn Ultimately met its demise, allowing oUr victory in the first instance! JOHN: huh! ROXY: ("huh!") ROXY: (rofl my fucking ao egbert) JOHN: (shhhh!)

And Roxy enjoys his non-reaction reactions as much as we do, hehe.

CALLIOPE: bUt, paradoxically, the critical moment which determined its capture within the black hole happened *after* that point. CALLIOPE: i refer of coUrse to yoUr decision not to retUrn to the mediUm and fight my brother. JOHN: wait, wait. JOHN: you mean, the meat and candy thing? JOHN: oh my god. JOHN: you mean i actually DID make a mistake that day. CALLIOPE: well, that's not exactly what that-- JOHN: ugh, i fucking KNEW it! JOHN: i'm so sorry. JOHN: i'm so sorry that i put the earth inside a black hole everyone. ): ROXY: john ROXY: listen ROXY: u have got to get out of this mindset i am begging you JOHN: ):

Yeah shake him out of this shit.

ROXY: your choice literally didnt matter ROXY: the whole thing was symbolic in the first place ROXY: literally symbolic in the case of the picnic i mean come on ROXY: it was just some steak and a plate of candy suckers JOHN: oh. CALLIOPE: i mean, i wouldn't go so far as to say that the meal we shared was unimportant, given the sacred significance of the two options i presented. CALLIOPE: but yes, yoUr choice of snack was infinitely less important than the choice which it presaged. CALLIOPE: and even then, calling it a choice woUld be sorely misleading. CALLIOPE: think of it like a coin flip. CALLIOPE: the series of events that led to Us being trapped beyond the event horizon of an Ubermassive black hole could be considered "tails", while the events which would have occUrred otherwise could be considered "heads". CALLIOPE: since both were possible, and paradox space is the way it is, they actUally both happened. and we jUst "happened" (hee hee) to get tails instead of heads. JOHN: you mean we ended up with the bad possibility. CALLIOPE: not at all! since both possibilities depend on one another's existence, it really doesn't make sense to call them "right" or "wrong". they both just "are". JOHN: o...kay... CALLIOPE: u_u

Yeah, it’s going to take a bit more than that to convince him he didn’t make the “wrong decision”.

CALLIOPE: i realise that this may be a lot to process. CALLIOPE: it's easy to forget that this wasn't obvioUs to everyone from the beginning. CALLIOPE: anyway, the reason i went on this tangent in the first place was to explain that the space we are standing in right now has a special significance, in that it is the location which corresponds to the black hole's singUlarity. JOHN: oh, wow. JOHN: um. JOHN: ok so, sorry if this is a dumb question to ask suddenly, but what does being inside of a black hole actually... mean for us? JOHN: is that bad? JOHN: is it like in movie, um, JOHN: shoot. JOHN: roxy what was that matthew mcconaughey movie from your earth that we watched? ROXY: u mean interstellar JOHN: RIGHT. JOHN: the one with the organ. JOHN: man. i cried at that movie so much. ROXY: lol u can say that again ROXY: iirc at least part of y u got so weepy was the fact that u couldnt believe a version of earth existed where ppl got 2 watch more mcconaughey films than you JOHN: listen. JOHN: i simply don't think you all appreciated the gift you were given. CALLIOPE: i don't believe i'm familiar with this particular film ^u^;; ROXY: oh dont worry cal you didnt miss much JOHN: (gasp)

This is all gold

ROXY: but the important point is that no its not really an interstellar type situation here egbert ROXY: ur not gonna enter a weird time vortex and change the trajectory of a little girls life with the power of love JOHN: aw.

Dammit, now we have to be on the lookout for that possibility.  Or it did sort of already happen more than once to John.  ...Whatever.

CALLIOPE: to go back to your original question, john. CALLIOPE: it's not strictly speaking "bad" for Us to be inside of a black hole, mUch thoUgh that contradicts most of what anyone knows about them. CALLIOPE: of coUrse, if we had fallen into it, that woUld be a whole other kettle of fish. CALLIOPE: the tidal forces woUld have stretched Us all into spaghetti and then ripped us apart! CALLIOPE: bUt the natUre of oUr arrival was more akin to simply "being" here, sUddenly. one moment we were not, and the next moment we were, and somehow always had been. CALLIOPE: in everyday, practical terms, being inside of a black hole has very little bearing on Us. CALLIOPE: i mean, the natUre of space and time is a little finicky in here, bUt for the most part it doesn't seem to be anything too oUt of the ordinary. CALLIOPE: bUt beyond that, it means that we are sealed away from the rest of existence. CALLIOPE: oUr sphere of inflUence is limited to the sphere of the black hole's bounding horizon. CALLIOPE: as far as everyone else is concerned, we might as well not even exist! JOHN: is there no way we could let anyone know that we're in here...? CALLIOPE: almost certainly not!

No?  So this doesn’t have to do with the divide?

CALLIOPE: there are very few ways for anything to escape the kind of predicament that we are in right now. one of them is to be an all-powerfUl being with control over the very fabric of space, with the energy of two Universes at yoUr disposal. CALLIOPE: in which case, escape woUld become rather trivial, if a little Unscientific. JOHN: ok. i am going to assume that we can't just do that. CALLIOPE: yoU've hit the nail on the head, UnfortUnately. U_U CALLIOPE: the method i described was the one employed by my alternate self, who yoU may recall crashed through the event horizon in the body that once belonged to jade harley. CALLIOPE: she departed through a pUnctUre she created in the black hole's surface shortly after consUming my brother, a deed which provided her with the necessary "oomph", and which was frankly rather breathtaking to watch. =u= CALLIOPE: bUt Upon her departUre, the rift closed for good. as far as i can see, there's simply no way for Us to commUnicate with the world oUtside the black hole.

What the heck?  Calliope SAW all this?  Is this her Muse powers at work, letting her observe these things, or was she there?  And John certainly did NOT see ANY of what Calliope just said happen.

CALLIOPE: i woUld certainly be very sUrprised to find oUt that anyone had managed sUch a thing!

So we’re going to find that out if we haven’t already.  Maybe something to do with the way Vrissy just conks out narcoleptically?

JOHN: ...right. JOHN: so... let me just get this straight. JOHN: knowing that we're inside of a black hole... does that actually change anything? JOHN: like, can't we just go on living like normal? CALLIOPE: oh absolUtely not. CALLIOPE: i don't know if yoU've noticed john bUt this world is on the brink of a total cataclysm. JOHN: oh.

Um, what?

CALLIOPE: oUr exclUsion from the overarching coUrse of events which governs all reality means that oUr existence here is liable to dramatic and violent Upheaval. CALLIOPE: to pUt it another way, becaUse nothing in here "matters", we are likely to be sUbjected to things which are a bit bats in the belfry, for no reason other than it's totally insignificant to the wider canon of reality. CALLIOPE: and mUch thoUgh i am personally titillated by some of the conseqUences of this predicament, it is a degrading way for Us to live. u_u JOHN: that's... certainly one way to put it, yeah...

No plot-armor for your entire timeline, I guess, yep.  Outside of canon, we can imagine and write about ANYTHING happening to the characters, or just drop their existence entirely, much like a doomed offshoot timeline.  It’s a plot stability that depended heavily on the threat of Lord English and being trapped in a story, and without it things are bound to see a BIT chaotic (or “degrading” if you view it as subjected to the whims of fanfic writers, certainly).

CALLIOPE: at first, i believed that this was simply necessary. Us playing tails to oUr coUnterparts' heads, the black to their white, and so forth. CALLIOPE: bUt over the years i have come to the conclUsion that this is simply not kosher. ROXY: its total bs is what it is CALLIOPE: right, yes. CALLIOPE: a steaming pile of bUllshite. CALLIOPE: and so we have decided that something needs to be done aboUt it.

Ah fuck.  You’re going to regulate non-canon?  “Canonize” it?  Is the fact that you eventually succeed at whatever it is you’re trying to do part of why we have the story presented to us in this bifurcated structure?

ROXY: this is finally where u come in jegbert ROXY: we gots quests for yous CALLIOPE: hee hee, yes. CALLIOPE: or *a* quest, to be specific. JOHN: oh boy! ROXY: (this fkin nerd i s2g)

Roxy and Calliope setting him on this quest as a Rogue of Void and a Muse of Space feels fitting.

JOHN: i'm not sure how i can go about freeing us from a hellish space prison, but i'm up for giving it a try i guess? JOHN: i have... literally nothing better to be doing at this point. except for maybe hanging out with harry anderson. ROXY: nice save lol

YEAH WE’RE STILL GLOSSING OVER HOW YOU LEFT HIM UNPROTECTED, JERK

ROXY: but u dont need to worry abt busting us outta space jail tbh ROXY: thats not ur problem to fix JOHN: oh. JOHN: i'm... not sure i follow, then. ROXY: i mean yeah ur gonna obvs facilitate it in a sense ROXY: but only by going and busting the person who can actually help us outta normal earth jail CALLIOPE: we need yoU to free vriska from the clUtches of oUr misgUided friend jane, and bring her here, to the singUlarity. ROXY: weve been calling it the plot point CALLIOPE: yes, the plot point is a key part of oUr plan. CALLIOPE: as far as we have been able to sUrmise, the only remaining method for escaping oUr grim confinement depends on leveraging the UniqUe properties of this location to create an event of sUch catalcysmic proportions that it simply cannot be contained within the black hole any more. CALLIOPE: something SO dramatic, so hyper-relevant, that it becomes ontologically impossible for anyone to ignore it. CALLIOPE: for that, we need an individUal of sUfficient narrative cloUt, so to speak. CALLIOPE: and to liberate her, who better than the embodiment of the aspect of freedom itself? CALLIOPE: ... CALLIOPE: phew. okay, i'm finished. CALLIOPE: CALLIOPE: sorry, that took longer than i expected to go throUgh.

..............................

OOooooh, kay.

Whatever this is, it’s going to be really weird and PROBABLY infuriating and/or shippy, and I’m probably not going to like it.  Plus it seems like it’s some sort of inverse belated canonization of some other black-hole-rescue theories I went on about at some point.  Although, related to that link, “aspect of freedom” if anyone wasn’t paying attention!  That’s a (sorta-)canon mention of the purpose of it!

They’re going to attention-wh-- attention-hog themselves out of the black hole so that they’re “considered canon” too, or close enough.  Huh.

ROXY: what r u talking about cals that was great ROXY: i could listen 2 u plotsplain for years CALLIOPE: oh you >u< ROXY: fyi this was why i wanted u to get a move on eggbread ROXY: so callie could have more time 2 infodump ROXY: thats love bitchhhhhh JOHN: hahaha. JOHN: ok, well, i think i understood all that?

Love with who? Callie, John, both?

In reality, John isn’t sure what most of this means. But on balance, it feels okay? He’s gone back and forth about a hundred times in the last week about where his place in everything is, so he might as well ride this out. Plus, the last time a Lalonde kind of told him to do something, he thinks that he chose not to, and look where that got him. And it’s not like he has other plans. He may as well do this! It’s at least going to get him involved in things again, if nothing else. He turns to go, and then hears a sound. It’s the sound of feet and knocking on doors, echoed through stone and digital static.

Oh shit.  Is Andrew trapped behind some fourth walls behind the curtains.

> (==>)

Oh RIGHT also that DEVICE is where they want to bring Vriska.  Are they going to overturn part of canon itself with a super-retcon thus making this timeline unbelievably relevant or--?  Maybe make all the PESTERQUESTS canon or something?!  I don’t know.  Maybe they’re INTENTIONALLY starting the game like Vriska wanted to??????

Guh, this is something so big that I don’t WANT to theorize about it, do I.

JOHN: did you hear that? ROXY: wha ROXY: oh yeah uh ROXY: i may have messaged rose and kan and jade to check on them too ROXY: so its prob onea them showin up ROXY: they don’t need to know bout all this tho ROXY: we got time to chat with them b4 u go get vriska

No, even if it’s a knock at the somehow-top-level-house-even-under-buried-- oh, right, maybe it’s covering in part a monitoring system that looks up there.  But still, part of that sound was DOUBTLESS these two hiding something, all standing in front of the curtain like that.

JOHN: i’ll go stall em. ROXY: thx babe ROXY: oh is it 2 soon for that joke or JOHN: no, weirdly enough, that one’s fine. ROXY: oh good ok see u up there soon!

How is calling your significant other “babe” not cool REGARDLESS of gender?!  Like wasn’t that always cool? --Oh wait is it because they’re not together or... but... guh, I don’t know.

Anyway, see y’all after the holidays at least.

[bigskydreaming]

It’s so funny to me that’s there’s two contradicted mindsets in this fandom and I’ve seen them both used by not two but ONE person. “In my minds, Dick was never fired, he just left, bc Bruce wouldn’t do stupid things like that, so it’s unthinkable of him to take Robin away from Tim.” And “he was fired so he should have known what it feels like to Tim.” Strange that thoughts can be twisted that blatantly.

omggggggggggg this is my pet peeve, well one of them, I have many peeves, or maybe its pets I have a lot of? Hope its not the latter, I’m crap at caring for living things, I could kill a cactus.

ANYWAY.

The way people like to selectively cycle back and forth between ‘Dick voluntarily gave up being Robin’ and ‘Dick was fired’ bugs the craaaaaaaaaaaaap out of me, because the first one is like....NEVER relevant to the point its being brought up because of? Because like, the only version of events where Dick voluntarily gave up being Robin himself, was pre-Crisis and in that version....Dick literally gave his mantle to Jason himself, who he was SUPER close with at the time, and he and Bruce got along like...just fine? Dick moved out and began working more with the Titans full time with Bruce’s blessing, as just a growing up thing....

So point being....the ONLY continuity in which Dick gave up being Robin on his own, instead of being fired....there was NO conflict between him, Bruce or Jason! They all got along great!

So its so blatant when that gets brought up, almost ALWAYS in the context of like “Dick has no business being upset at Jason anyway, when he wasn’t even using the Robin mantle anymore” because like....a) that’s literally not how that works, just because someone’s not wearing their clothes doesn’t mean its open season on their closet and anyway Robin was always more than just a wardrobe change for Dick, no matter its specific origin....and b) ITS NOT RELEVANT because Dick GAVE Robin to Jason after he voluntarily QUIT being it!

People ONLY bring that up to try and make Dick seem more petty for the supposed antagonism for Jason that he didn’t even have in the first place, lol, and its just....dumb. Stop doing that. NOBODY uses the general pre-Crisis take on Jason’s origin OR Dick and Bruce’s utter LACK of conflict around that time, so its exactly what I was talking about in the other ask....when people only all of a sudden start caring about specific aspects of a completely unrelated continuity, because it makes it easier to twist things around in regards to Dick’s character specifically and its like omg whyyyyyyyyyyyy. 

And also, I don’t even really care why, just stop doing it, its so transparent and its SUPER annoying.

[chaseprice]

Shouldn't you change you ne ?chasepr*ice is an abusive ship or do you get off on a 16 year old girl drugging a 14 year ild girl?

OH     . MY GODhfksdfhfksahfsdkjfhsdfkjhdfskjfhsadfsfgkjsghkjfdhgkjsfdjkfdhgfkjhfskjfhsdkjfhsdafkjfshfdskhjfs i’m actually cryin w laughter rn oh my god fd. okay. okay im calm now jjes su,,  alright. ok. god. i’m gonna try answer this seriously for you but lord let me tell you i was so god damn tempted to Not do that 

i’ve had this url since way before deck nine decided to release their damn high budget fangame. i’ve been into chaseprice based on headcanons and personal subjective interpretations since back in 2015 when lis eps were coming out. ppl drew fanart and liked the idea of them as a crack ship from what we were shown about the two seperate characters in the canon. their potential weird, tense dynamic esp in pre-game vortex club setting was a good creative output for some people. whether as a jokey thing or a coping thing. they had NO CANON HISTORY WHATSOEVER apart from chloe referring to her as a bitch once, so it was an enjoyable thing to explore as a ship n test out their chemistry. it’s fucking... old news, man. deck nine’s interpretation... oh jeez. right. let me just spell this out for you. i don’t care for deck nine’s wack portrayals of teen girls drugging each other for fun. i just don’t care. that’s on them. i have NO idea why they’d make such a poor creative choice wrt that, but they fucking did, and it’s on them sadly. 

and you know, if it was just victoria doing the drugging i’d take it as just them exaggerating the horrible parts of vic’s character due to lack of understanding/care/attention 2 detail bc vic is irrelevant to the themes of bts (which is.. valid, tbh), with a sidenote of Funny Girl Vs Girl Rivalry -- but like. rachel can do the drugging too. so its like..... those previous things as WELL as them thinking girls drugging each other is a joke and good plot device. it’s treating it with ... triviality. treating this theme which was so significant in lis1, a horrific, nasty theme, as if it’s... nothing. just a joke. which, considering their ‘rach will die here in this junkyard ha!’ foreshadowing references, doesn’t bother them too bad. they obviously don’t consider the implications of stuff like that too deeply. so, whatever. i wouldn’t expect them to. it was mostly the wlw players of lis who were harmed by it in the first place and are aware of the power these devs can have over some of us.you coming into my inbox and being like ‘um.. deck nine wrote this.. so... you’re a problematic fucking bitch? gotcha?’ is so... sad. i can’t believe you thought you were... actually going somewhere with that argument. or maybe i’m being too harsh -- maybe you’re a newbie here who didnt play lis back when it was out and only recently followed me and think i’m glorifying deck nine’s weird version of things! in that case: truly sorry bro, i’m not. don’t worry about it. this is..... largely a ship that me n my friends are steering. and i’m being harsh in this whole response here bc i’m at the end of my rope w certain dumbasses in this fandom. to me, this whole ask is essentially like some rando coming up to me and being like “yoooo why the fuck do you ship pricefield? somebody once wrote a fic where max HIT chloe on the FACE. it’s so problematic. fucking scum”, you know, that’s the relevancy of this argument. deck nine are irrelevant when the chaseprice that i talked about in the past was always about their blank history in dontnod’s life is strange. you have NO business making those assumptions about me and policing me over that. (god damn deck nine gotta b honored if i ever cared that much about their interpretation of chaseprice lmao)

anyway sorry but yeah. this kind of unimportant tumblry call out is so transparent and such a waste of your time. you obviously don’t know me if you think i’d associate w/ such a bad creative choice which completely contradicts the effort i’ve gone to just to condemn and denounce dontnod for the same damn shit. hours of my fucking life, man. just shouting into this kinda space about how shit was fucked. that idea you have in your head is fucking antithetical to everything i stood for in the lis fandom. fuck off 

[harryfeatgaga]

Well no offense but C****** and her fake quirkiness are just as annoying as Kindles privileged ass so I get why they're both annoying in their own ways, they're both also fake woke white feminists so, lol

tea

Anonymous said: So Louis is gonna go onstage in a tragic suit struggling to sing basic notes where Bebe leads the entire song and people still gonna call him a legend….IM hurt by this

WHY DO U WANT ME TO GET IN TROUBLE RJFHBHUFJIK

Anonymous said: its literally all twitter starting these rumor shit, i dont trust anything that comes from there unless there is proof

twitter can be so funny but most of its demons

Anonymous said: I’m gonna be honest with your anons. Maybe y'all are new Harry fans so you think Camille is revolutionary or special or some shit, but she’s not. She’s like an older version of Paige in every way. Her being in London means fuck all lmao. Harry always does this before he tours or has work. He did it with Nadine before OTRA, he did it with Kendall before he went to the studio to make his album, he did it with Snapchat girl when she flew to London to see him. This shit ain’t new y'all, get a life.

literally lmao

Anonymous said: Harry was seen in Shoreditch in the middle of the afternoon anons lmao that outfit Harry’s wearing in the picture was exactly the same thing he wore with Mitch last week.

^

Anonymous said: This is like NYC all over again lmao Everyone saying there’s no proof and then out of nowhere they square danced surrounded by hellfire. I hate this shit.

i cant believe this

Anonymous said: Why is everyone so obsessed with Camille?????? We’ve only seen them together twice at a concert. I swear I’ve seen more people talking about her than any of the other girls in the past wtf. Harry could be fuckig someone else for all we know. I’m just tired of this bs 😩

i don’t know but i wish people would stop messaging me about it

Anonymous said: I’m just curious if this account was around before they got pictured at the concert or if it just started up after cos if it’s the latter then that’s vry transparent lol

it wasn’t as far as i know lmao

Anonymous said: Idc about Camille and that’s the deadass truth. Whether Harry’s in the picture or not. Very few people know how she is she’s not well known at all. There are a million girls on IG exactly like her. Like I’m am dead fucking tired of people pretending to be interested in these girls because of Harry. Y'all don’t have to pretend to care you know, you can just not give a shit like a normal person.

I KNOW

Anonymous said: this is like when people were freaking out about Harry and Kendall hanging out or being seen just bc they were both in la and it was all for nothing

for real

Anonymous said: Anons my GOD what is the bloody fixation on Shoreditch!? That’s doesn’t even look like Shoreditch to me lol

i have no idea

Anonymous said: The pic are your anos talking about its from 06.08 Harry wans’t with Camille yesterday

thank

Anonymous said: it’s so sad that someone feels the need to tweet at someone who took the pic with him asking if he was with a blonde girl like it’s so embarrassing

i know……….

Anonymous said: Knowing these people starting these Camille rumors, Harry’s going to be on tour and pictures of the audience are going to come out and they’ll pick some skinny blonde in the audience that you can see the back of her head and they be making tweets like “omg Camille is at Harry’s tour supporting her baby! What a great girlfriend.” They’re reaching at straws at this point hoping something happens so they can unclench.

efjnbfhubfghu bye ik

Anonymous said: I never thought I’d dislike anyone more than Kendall but there’s something about camille…. I just get the creepiest vibes from that girl tbh

idk man ITS JUST SO ANNOYING

Anonymous said: Someone referred to Kendall as Pepsi Cola and I knew who they were talking about before they even said her name 😂

LMAO IK ITS SO FUNNY