#i have a plan for how things go

[nemo-draco]

Re-Purposed Thoughts

- Huggy being a Gremlin. Aislinn’s the only one who can really talk him down, though a large part of that is just letting him be a Little Crazy. Kissy also has a bit of pull as far as getting Huggy to calm down.

- Doey getting to be around people that are his own maturity level or above, actually being A Kid for once. Thanks to Aislinn, he's introduced to 80s-90s animated Disney and falls in love with the music.

- Hugs hugs HUGS

- The Wuggies will occasionally swarm people they like. Huggy just surrenders. Doey might try to hug them back if he's not too worried about hurting them.

-Lucas is going from bisected to Lieutenant Dan, i.e., he's basically missing his legs from upper thigh down. Will drag himself around the house. Doey gets antsy when he does this and will repeatedly offer to carry the other Bigger Body around. Lucas only sometimes takes the help, he does want to be more independent.

- First few weeks after Playtime Co were spent in the living room watching movies and mostly chilling, as well as keeping a close eye on the news to see what folks were saying about the factory. Movie roster was a mix of animated and live action. The kids were given a ton of trivia about different movies/actors in the meantime.

- Doey has gone from 900lbs of dough to under 700. Blame Proto and his apparent desire to bump off potential problems. His body is tender during the first month, particularly around his back and shoulders, and he intermittently feels 'floaty', like someone would if they’d suffered a traumatic injury. It fades with time, the only lingering aftereffects being a sort of raised ridging on his shoulders and back, like what you would get if you tore a piece of play dough in half.

- Theo hides in the attic for a lot of the first few months. Aislinn makes a habit of going up there to give him meals and check on him.

- Huggy being nonchalantly referred to as Aislinn’s "guard dog" or "shadow". After how things ended in the factory, he's protective.

- Doey being the Mom friend, especially when he realizes that folks like Aislinn have their own issues. He gets plenty of caring back though, the adults of the house entreating him to take breaks and look out for himself too.

- Aislinn lives in an old house with her younger brother, and two other friends, one of whom works as a nurse at a hospital. While she was initially apologetic about dropping a whole bunch of traumatized kids into the equation, everyone kinda collectively went "well, screw Playtime, our kids now".

- Aislinn finds an android body in the Doctor’s area that has a crafted brain, nicknamed Alpha. Ultimately though, she is a relatively chill sort that hits it off pretty well with Doey, especially after they leave. After some deliberation, she chose the name Dani.

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[xxplastic-cubexx]

throws these at you

[dreamsteddie]

Enamored with an Eddie who comes back from the Upside Down completely changed and turns to writing as his only solace, eventually turning it into a successful career.

When Eddie realized that the grate wasn't closed properly and the bats started swarming, when he saw the fear in Dustin's eyes as they quickly lost control of the situation, he had been well and truly prepared to die. Part of him, privately, was hoping to die.

The town was out for his blood, his friends hadn't even come to the trailer park to check on him, and despite what he said, he knew 86' was not going to be his year. Not even close. At least if he died in the Upside Down, he died as a hero. Not a failed rockstar, or a high school dropout, or another victim of Hawkin's endless bloodthirst for anyone outside of their preconceived ideas of "normal". Not a mirror image of Al Munson.

So when he wakes up in the hospital, bedridden and dehydrated, it doesn't feel like a victory.

When Dustin comes in to see him, positively bursting at the seams with excitement at Eddie's long-awaited return to consciousness, Eddie can't say a word. He has to watch as the light in his too-wise eyes dims as Eddie just stares. He's trying, he's trying so fucking hard, to say anything, but the words have dried up.

All Eddie can think about is the lack of anything worthwhile waiting for him out in the big, scary world. He's missing the pinky on his left hand, and the corresponding elbow has been chewed to bits. Even through the opioids, he's aware of an odd, sharp tingling that screams nerve damage. He knows that he'll never play again, and if he does it will never be worth anything to anyone. He's not going to graduate, which is the one thing Wayne always wanted for him. The one thing that has always kept him going despite how much the world has tried to bury his head in the sand has been taken from him, his excitement to get out into the world.

When Eddie looks out the window in his hospital room, all he can think about is how badly it wants to swallow him up and spit him back out.

Dustin has to be dragged out of the room by Steve and Robin as Eddie's silence seems to make him hysterical. He's screaming at Eddie, mad and desperate and sad.

Eddie doesn't see him for a week. When he comes back he's sheepish but determined, carrying a load of books under his arm. Eddie still won't say a word, but Dustin sits by his bedside and reads out loud until his voice is hoarse. Tolkien, Le Guin, Pratchett. He ends every visit by taking his hand, squeezing it tight, and telling him he's glad he's alive. Eddie can't agree with him, but he's grateful that doesn't stop him from saying it.

Wayne is faithfully by his bedside. He doesn't say much, content in Eddie's silence the same way he was in the midst of his endless chatter. He holds his hand, brushes his hair, turns the TV to all his favorite channels, and settles in for the long haul the same way he always has. Eddie doesn't know what he would do without him.

The rest of the monster fighting crew are in and out. Steve is there the most, standing in a corner with his arms crossed near the door during Dustin's visits. He never says much, but Eddie thinks Steve might understand him the best. He thinks back to those moments in the Upside Down.

"Don't be cute"

"Please be safe"

"we are noooot heroes"

"We'll try our best"

"Steve...make him pay"

"I'm scared, but I'll keep him safe"

When Steve looks his way, it feels like someone is hearing him, hearing how loudly he's screaming in his head.

He's in the hospital for five months and not once during that time does he breathe a single word. He feels hollowed out in a way that's foreign to him, like a great void has taken the place of organs, veins, and muscles and left him cold and stiff.

When he gets home, a new but almost identical trailer sitting in the same plot as the last one, he's far from better. He's weak, and sore, and tired to the bone. Wayne has to go back to work, no two ways about it, so Eddie spends his days wasting away on the couch. Dustin is back at school, leaving long stretches of time where Eddie is alone with his void and the sound of him screaming into it, so he turns to his books.

Except there are only so many books in his possession and even if he wanted to leave his house, a feat that seems insurmountable in his current condition, he still can't walk more than the length of the trailer without feeling like he's going to collapse. So, he turns to his notebooks.

At first, it's just reems and reems of sloppy-looking screams. He tries to make them as loud and angry looking as the voice in his head. His hand aches, weak from damage and disuse, but when he's done his throat feels just a little looser. Like maybe that void just got a little smaller.

That's how Steve finds him, sitting on the couch huffing like he just ran a marathon, surrounded by pages and pages of frantic writing. He's been coming by once a day, usually for an hour or two after work, to sit with Eddie and hang out. Eddie is pretty sure Wayne asked him to, but he honestly doesn't care. Steve is a little more chatty in the confines of the trailer when it's just the two of them, and Eddie craves the presence of someone who gets it. Gets him.

Steve takes in the scene, gives a low whistle, and asks if Eddie feels a little better getting that all out. Eddie still can't talk, kind of hoped for a moment there that he would, but when all he does is nod Steve still gives him that annoyingly charming smile and a firm pat on the back with a wide, warm hand.

And, well, Eddie doesn't think he's ok, but for the first time in a long time, he thinks maybe he will be.

After that, it's like something is unlocked. He spends almost all day every day writing away in his notebooks. They used to be for songs and campaigns, but even the thought of music and DnD makes him feel like he's going to be sick, so instead he writes stories.

Eddie has always loved to spin a tale. As a child, his mom would make up stories of knights and princesses, bards and bakers, peasants and children, love and life. When she died, Eddie wrote as many as he could remember in a book that sits proudly on his shelf. He can't bring himself to crack it open, crack himself open, when he's already so vulnerable, but the act of building a narrative makes him feel closer to her.

He writes stories about a young alchemist falling in love in a foreign land. A scribe reluctantly taking up with a rouge knight until she reaches a more accepting kingdom. A princess working to expose the ugly underbelly of her village.

A handsome prince abdicating the throne to fight on the side of the rebels.

A disgraced bard finding his way home.

Day by day, page by page, the void gets smaller.

The first person he shares his writing with is Dustin. The younger boy spends all Saturday at the trailer with Eddie, chattering away about Suzey, the Party, school, and all the things a kid his age should be worried about. He never asks what he's writing, which probably means Steve warned him not to, which Eddie can't help but appreciate.

Eddie wordlessly hands him a notebook. The one he's been filling for the better part of the last two weeks. Dustin takes it with eager hands, flipping through pages until his eyes are clouded with tears and he's flinging himself into Eddie's side.

It's about two brothers, separated at birth but brought together by a mutual cause. They adventure across the kingdom, seeking the knowledge that will end the brutal war ravaging their homeland. In the end, the eldest must sacrifice himself for the other, but the youngest defies fate to save him. It ends with the eldest, unable to live the life he once thought he would lead, thanking his brother for fighting for him when he wasn't brave enough to do it himself.

He lets Dustin take that one home with him.

Ultimately, it's Steve that gets him to speak.

He doesn't try, never seems bothered by Eddie's lack of voice, content to pass notes and relish in the silent company.

Eddie hands him their story, the one about a handsome prince and a voiceless bard, and for the first time since he woke up is met with that terrible smile. The one that isn't a smile at all, but an apology. While Eddie and Max may have come out the worst, no one came out of the years of interdimensional terror unscathed, especially not Steve.

He explains that since last summer, his ability to read has deteriorated steadily. The doctors aren't sure exactly what the cause is, but they assume the continued damage to his head has damaged the centers of the brain dedicated to reading and writing.

But Edddie needs him to read this, needs him to know this. Because this is the only way Eddie can think to confess. Writing has become so much of who he is since he left that hospital bed, and he wants more than anything to offer it to Steve.

When he speaks, it's rough. Scratchy and almost incomprehensible but when he chances a look up Steve is giving him his undivided attention. It takes him all day, stopping and starting and getting water and fighting off the pull of the void. The only thing that keeps him going is the stars he sees in Steve's eyes.

When he's done, there's no room for the silence to build back up because Steve is cupping his face in his wide, warm palms and telling him how much he loves him, too.

In the end, Eddie never regains his voice entirely. He goes days, sometimes weeks without saying a word. A year in, when they've all accepted that Eddie will never be the same as he was, Robin invests in a handful of ASL books and drills them all in sign language until their fingers cramp.

Two years in, Steve and Eddie watch as the kids walk across the stage, all six of them flipping Principle Higgins the bird as they accept their diplomas. Eddie cheers so loud his throat aches the next day, telling them how proud he is of them even as their parents tell them off.

The year after that, Nancy confiscates one of his books and sends it to her friend in publishing, mailing him a generous publishing offer and a heartfelt letter that makes him cry. Steve holds him tight as they call Nancy to work out the details, his boyfriend talking into the phone for him as Eddie signs frantically.

Five and a half years after Eddie survived, Eddie's first book opens like this:

To the love of my life

Who hears me in my silence

And to myself

For filling the void with words

[gkdmts]

chess is fun until the pieces start running around and flipping you off right Leona finished the cloudcalling event yesterday! the best one for me so far, i haven't laughed so much at any other.

da bonus scribble! the chess pieces in question. not gonna finish this one but look at these sillies

[lucabyte]

Not all who wander are lost. Some who wander, however, are extremely, extremely lost.

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[vaguely-concerned]

can u believe that back in the day it really must have been like...

viago: you threw my pet snake out a window in my dream and just so you know I will be holding it against you personally and indefinitely. so first of all, how dare you, secondly --

lucanis Beholding him while he rants: ...I want to kiss him under the pale moonlight

[xxcrumbxx]

Hello hello soo um im still workin on it ,ive been kinda burnt out from it an ik thers no real preshure and im wayyy past valintinse day but heres a wip of those silly lil valintines cards

Also today is my birth day im 22 now so .. Thats a thing. Anyway im planing on making like 3 alternet vershions of eclips 1 with the cannon tipical 2 arm pre decomishion desighn 1 with the 4 armed fannon /cannon design and 1 with the 4 armed ballone world desighn. Probly ganna take a bit but what ever it will be valintine in fuckin may who cares lol

[mohntilyet]

veilguard spoilers regarding a josie romance. but can we talk about the letter josie sends to a romanced inquisitor because. i’m sorry. fucking losing my mind at the fact that the inquisitor and josephine are close enough friends with the guy the inquisitor duels in her romance to be invited to meet his third child. implying they’ve been invited to the other two. at a baby shower and getting introduced as the one who dueled the baby’s father because he was trying to steal your girl. antivan romances insane.

NO LITERALLLYYYYY. AND HE’S AN IN LAW. ITS TOO FUNNY. i cannot imagine how they met and how yvette probably was like “teehee…. the man that my sister spurned…. has fallen in love with ME!” and the best/worst part is that ortranto really has. i like to think of them running around with each other and secretly meeting as though their families actually hate each other (they really don’t lol) . the ortrantos would probably be delighted to have their son actually marry a montilyet like they wanted, even better that they’re actually in love and it’s not arranged!

i have this image of josie going like “you can’t marry him. is this a joke, because it’s not funny. i almost embarrassed him! the only reason the ortrantos do not hate us is because he is a very kind man who saw that i was in love with the inquisitor! ….yes i suppose a very kind man like that could love you…….. yes of course i want you to be happy…… yvette gabrielle montilyet, i fear you are not hearing what i’m saying— DON’T SAY YOU ARE ALREADY AN ORTRANTO. DID YOU ELOPE? ah okay. don’t do that. i said don’t do that. yvette come back and listen to me” etc etc

of course i must believe that there was a big scene caused (once again) by a montilyet and ortranto that ends with lord ortranto making a speech where the publicly declares his love for yvette in front of all of antiva city to see and hear. so there’s no backing out from this one. in my mind there’s a rehash of the big “BECAUSE I LOVE HER!” (ortranto, desperate but genuine), “you do?” (completely aghast josie who has somehow missed the fact her sister has been giggling even more than usual), plus an “OF COURSE HE DOES!” (a thrilled yvette) that reminds josie so fondly of her own love story that she's immediately relaxed (and suddenly accepting) about this whole thing <3

[puppppppppy]

Alex and my farmer Cosmo (he/him)

[blizardstar]

Me when Ashton Greymoore is denied honorable and meaningful self-sacrifice, and now must face the reality that they MUST keep living after it’s All Over

[raayllum]

I get that in general a lot of kids shows do utilize the protagonists ('good guys') in ways where they're supposed to be role models, particularly because some do have a "lesson of the week" where the character does bad things, then clearly learns and explains what they should've done instead by the end of the episode.

That has just... never been how TDP has operated, and I don't get how and why people think we're supposed to take what anyone does in the show as being unilaterally good or evil. Particularly in arc 2; any moral simplicity that was hanging on by a thread in arc 1 has been taken out back and shot numerous times by now.

TDP very rarely calls anything Evil or Good, and when it does, it's always filtered through the characters' biases, and rarely does more then 2-3 characters ever have the same opinion on something for the same reasons. Soren and Rayla, who have inverted character arcs, are some of the only characters to ever use the term villain / good guys or bad guys, and are two of the most staunchly black-and-white thinking characters, heavily to their detriment, I might add, in terms of coping with the increasing complexity of their lives. They have cognitive biases. They're not always right, and are frequently wrong. This is true for everyone in the show.

The show refuses to condemn murder, indirectly and directly condemns the expulsion of humans from Xadia routinely (Evrkynd being a city for everyone, Ezran arguing with Karim, who is the most wrong about the most things), and shows a variety of viewpoints on all things.

The show understands that the choices people make—whether the same character trait is a flaw or a strength—as well as 'moral' choices are all circumstantial.

Are you wrong to burn people alive? Mostly yes (2x07, 6x08) but also no (3x09). Are you wrong to kill people? Sometimes yes, sometimes no, sometimes whether it's 'wrong' or 'right' doesn't even factor in. Are you wrong to use dark magic, or use the dangerous Staff of Ziard, or coin someone and condemn them to a 'fate worse than death'? Sometimes yes, sometimes no. Is lying or hiding the truth to protect someone wrong? Sometimes yes (1x06, 2x03, 3x03, 5x01, 7x04, 7x06) sometimes no (1x02, 2x03, 6x06, 5x08, 7x08).

Are you doing the right thing?

Do you have no choice? Is that true, or is that just what you think, or how you rationalize it yourself?

When is it right or cowardly to leave (Viren, Lissa, Rayla, Callum, Ezran, the Cosmic Council, the offer made to Karim's troops)? When should you stay? When do you decide to share resources (2x05) to your potential detriment or withhold them in the name of protecting yourself and your own people (Xadia and magic)? At what point(s) do you prioritize your own pain and grief, or someone else's (i.e. the Keeper vs Callum vs Ezran)? At what point is someone too dangerous or 'too far gone' to keep alive (Runaan about Harrow, Ezran about Aaravos)? At what point do you decide someone cannot change? When do you refuse to change (Karim, Terry) who you are no matter what happens, and when do you decide that you must (Ezran, Soren)? When is it wrong to use illusions to trick someone (3x09 and 7x06) and when is it more reasonable (2x03)? When should you be willing to sacrifice others (Rayla with her family, Runaan and Rayla with Callum, Soren with Viren) and when should you refuse? When should you sacrifice yourself, and when it is wrong to? Did you betray them, or did they betray you, or both (usually both)? When should you betray or stay loyal to your family? What is the right thing to do?

The show, tbh, doesn't know, at least 90% of the time. It's not interested in knowing. It's interested in exploring. That's the whole point. At most, it says you should work towards harm reduction, but what constitutes harm, and what peace looks like, is also something that greatly differs for all the characters.

Rayla is willing to sacrifice the love of her life, Ezran is willing to create weapons of mass destruction and wield one, and Callum used a torture spell on someone when he absolutely did not have to. The idea that any of the protagonists are meant to be paragons of unblemished virtue who are always 100% right, or that any of the antagonists do not canonically have a good point of contention with anything that's happened and are always 100% wrong, is reductive to everything the show is and explores, because it is Quite Literally not what the show does, ever tbh.

They literally spelled it out this past season as a core theme; I don't think they needed to have a character directly point it out every time a main character did something that was Kinda Fucked Up or Complicated But Understandable to know that the show knows it was Canonically Fucked Up or Complicated But Understandable.

There is not a single character or action in TDP that is always right, and there is not a singular character or action in TDP that is always wrong. Hell, even narrowing it down to "this is 'right' or 'wrong'" feels counterintuitive because it's so subjective within the narrative.

Every choice the characters make is often well reasoned, aligns with their values and world views, and fits into how they work through problems. Every choice has benefits and consequences, for them or for others. That doesn't mean it's Right for everyone involved. That doesn't mean it's Wrong for everyone involved. That's what makes the show interesting. Everything has nuance. Everything has Complexity. I'm not interested in a simplified version of TDP. I'm interested in the show as is.

I hope you are, too.

[backpackingspace]

Odysseus: demanding Athena take off whatever enchantment she put on him the second the situation ends.

Odysseus: who constantly reminds Athena that he has great plans to grow old and die with his wife so don't even think about getting any ideas.

Odysseus: side eye diomedes who has started fucking glowing he has so many enchantments on him: bro you should talk to Athena about getting those removed. You're going to end up immortal or some shit

Diomedes: who has been a solider since he was 5 who has intersting thoughts about his own personhood who has a much more traditional relationship with Athena and would rather literally stab his own eye out with a rusted sword than speak out of turn: I don't know what you're talking about

[lucabyte]

A belief in Nominative Determinsim