#i have a huge plot in mind but meh i cant find the time to make it proper

[akaashiikeiijis]

If Koutarou had to admit one flaw in his career (and he had very few of those of course), it was that he couldn’t take the silence. It was ironic, considering his job required stealth but the waiting and hiding made it hard. Like right now, he was pressed against a wall waiting for his target to walk by.

The corridor was as silent as a catacomb save for the wall clock ticking like a bomb timer (and Koutarou wasn’t so thrilled about those). The elegant music of the ball didn’t seem to reach the far end of the manor which was a shame. The silence seemed to drown him and he tried his very best not to tap his feet.

He was supposed to be coming out of the powder room, as his target would enter the corridor. He would then ask her about the way back and grin sheepishly. His target was bound to come because she had ‘lost’ her ring. It had slipped from her slender fingers, probably because she hadn’t eaten due to the stress of her position. A lady had politely mentioned she thought she had seen something glimmer under the faint hallway lights as she made her way to the powder room.  

Of course, the ring was with Koutarou, who had inconspicuously taken her ring off while kissing her fingers in greeting. He would politely ask her why she looked so distraught and she would mention the ring. He would produce it from his coat pocket and show the ring. She would be grateful and she would insist on escorting him back to the ball. Koutarou would take that time in asking about her late husband and if business was going well. If everything went according to plan, he would get the necessary information he needed for his mission with an exchange of a few words.

It would normally be hard to get the lady to talk, but Koutarou had been told that it was hard to refuse him an answer. Plus, he was confident with his charms.

He stiffened as the familiar tread of heels echoed in the hallway. He adjusted his coat, fixed his tie and ran a hand over his hair. He took out a napkin and pretended to wipe his hands. He paused and looked around bewildered before allowing his eyes to find his target and smiled warmly.

The woman was in her late fifties, her hair dyed in a ruby red, heavy eye makeup and she wore an elegant black dress. She had stopped in her tracks and bowed her head a bit.

“Takahashi-san.” Koutarou said as he stuffed his napkin in the inner pocket of his coat. “Um, I think I’ve lost my way. Where did I come from?”

“A forgetful one aren’t you Hideki-san?” Takahashi chuckled.

“Ah I should work on my memory.” Koutarou grinned sheepishly. He waited for her to guide him. Takahashi Aimi was known to be a kind and lovely women from her friends and reports by those who observed her. But right now, Koutarou felt uneasy. The clocked ticked, its sound seeming to bounce off the walls and Koutarou genuinely began to wonder if it was some time bomb.

“I’m not the best for information.” Takahashi said, straightening her back and smiled knowingly. She resembled an adder ready to strike and Koutarou was her target.

“I just need ‘information’ to get back to the main hall.” Koutarou replied, keeping his easy grin. Inside his mind, he produced a mental map of the mansion. There was a window in the powder room; if he was cornered, he would make a run. He would keep the act of being oblivious to the situation till the very end. But he knew it would probably not work. There seemed to be a variable that he hadn’t considered.

That Takahashi Aimi probably knew who he was.

“I’m pretty sure you have other intentions Bokuto-san.”

Koutarou let out a chuckle. This was bad. His identity was Hideki Takeo, no one except Kiyoko was supposed to know of his identity in the entire mansion.

Kiyoko wasn’t a traitor, he knew that much. Which meant that he had been tracked. By some lackey of Takahashi Aimi? Or the suspected new ‘boss’ of the black-market trade? He chose the latter.

“Right, so does this mean that I must provide information?” he grinned, adrenaline rushing. He could hear someone else walking in, careful steps.

“Oh, I’m not interested.” Aimi twirled a lock of her hair, stepping aside for the new person. “But this gentleman may want something out from you.”

Koutarou raised his eyes to the man and swallowed. The man was tall and though his frame looked slender, Koutarou could tell by his stance that he was strong. He seemed to adjust the cuffs of his suit before studying Koutarou with an intensity that made Koutarou involuntarily shudder.

“Well, I’ll leave you two to it.” Aimi smirked and stepped close to Koutarou. “It was time the old man passed away. Keep the ring as a keepsake.”

Koutarou’s eyes widened. He was certainly not prepared for this outcome. He didn’t bother turning after Takahashi. It was a failed mission. All he could decipher was that Aimi was the new boss. But that too would require an extensive research to present it to his seniors. He groaned and threw a dirty look at the stranger.

It frustrated him even more that he didn’t know who this person really was.

“What do you want?” he muttered.

“You should do something about your hair Bokuto-san.” The stranger replied, seeming to ignore Koutarou’s bad mood. “You stand out. It took Takahashi-san only a glance to realize who you were. And it took me quite some time to convince her that you weren’t an important spy. Just an immature starter.”

Koutarou curled his fingers into a fist. He had to be calm, he heard Kuroo’s voice in his mind echo. Make best of the situation.

“I think you’re the amateur here.” He started but the stranger pressed a finger to his lips.

“Trust me when I tell you this Bokuto-san. I know an amateur when I see one.” He walked leisurely towards Koutarou. “Please follow me.”

“And what if I don’t?” Koutarou folded his arms.

“Then we have a problem.” The man murmured. His face was only inches away from Koutarou’s. Under the faint lighting of the hallway, Koutarou noticed an eyelash on the other’s cheek and willed his entire being to not brush it off. The stranger was attractive, his dark curls framed his face and the light tan made his dark blue eyes stand out.

If the man attacked him, Koutarou could easily throw him off. But the stranger seemed more careful, as if he didn’t want them to be found out like this. More cautious and calculating. Koutarou couldn’t read him. He jerked away as the man tried to cup his face.

“Okay, um personal space? Did you reveal my identity to Takahashi-san to uh get on with me? Because you could have hit me up after my mission.” Koutarou held his hands up.

The man rolled his eyes and huffed. “I was intrigued. You have strange eyes.” He jerked his head to the side, indicating that something was behind Koutarou.

Koutarou turned around slightly and noticed a towering man at the end of the corridor.

“Sure, you can see them up close.” He held his hands out and the stranger stepped closer and cupped his face.

Koutarou felt his cheeks growing warm and he hoped that the stranger didn’t notice.

“Gold.” The stranger whispered before closing in the space, his lips close to Koutarou’s and for a fleeting moment Koutarou thought ‘oh my god he’s going to kiss me.’

But instead of a kiss the stranger whispered harshly, “We need to get out. The lady will be waiting. We’re being pursued. And discard the ring, it records whatever you say.” He pulled away, wiping his lips as if he had really kissed Koutarou.

The scuffle of feet confirmed that the stranger’s voice had been heard through the ring or whatever it was. Koutarou threw the ring and followed the stranger through the hallways.

They broke into a run, Koutarou looked back and saw that they were pursued by two big burly men. He could throw them off, but considering they were inside the Takahashi mansion, it wouldn’t be wise to be caught up. He glared at the stranger’s back. It irked him that he had no idea about the stranger’s identity. He definitely wasn’t on the guest list for tonight. And yet he had to follow him.

They halted in front of the main ballroom and the stranger brushed his suit jacket and adjusted his tie before mixing into the crowd. Koutarou ducked his head and searched for Kiyoko among the crowd. The men were coming closer and Koutarou knew others would be joining them soon. Someone patted his shoulder and he turned, ready to strike but paused when the stranger stood instead of some lackey.

“Come.” He grabbed Koutarou’s hand and weaved in through the crowd.

There was a yell and they both quickened their pace to the main entrance.

“Wait, I need to find-.”

“She’s outside waiting for us.” The stranger replied.

Koutarou nodded, dumbfounded. Somehow this person had taken control of the mission, his mission, and he felt like some ragdoll thrown here and there. They were a few feet away when a gunshot echoed in the room followed with shrieks and gasps drowning out the music.

“We have an issue.” The stranger said and Koutarou realized that four more men stood in their way to the exit.

Koutarou grinned and cracked his knuckles. “Well, that’s not much of an issue.”

The stranger quirked his eyebrow in question and Koutarou let out a laugh as he grabbed a silver tray from a server, shattering the glasses and throwing it at one of the men. It hit one who stumbled back, clutching his nose and staggering. Koutarou used it as a distraction to close the distance and punched the other man and kicked him to the side.

“A show off.” The stranger commented, wiping his hands as the other two men collapsed on the floor.

“You’re not bad as one either.” Koutarou shrugged. “You up for a drink after this?”

“Let’s focus on not getting killed first.” The stranger said and Koutarou yelped as a bullet grazed his cheek.

“Shit.” Koutarou muttered as his cheek stung. The two men from before were coming close. If worse came, he’d have to take out his gun.

A car revved and Kiyoko yelled, “Get in!”

The stranger and Koutarou glanced at each other before running to the car, ducking their heads to avoid being shot. Koutarou hardly got into the passenger seat when Kiyoko drove. The door slammed against Koutarou’s shoulder and he rubbed on it frowning.

“Are you normally this slow?”

Koutarou rolled his eyes, ignoring the stranger’s jab.

“Shimizu-chan, who is this?” Koutarou pointed at the back seat with his thumb, refusing to look at him.

Kiyoko looked straight ahead, “His name is Akaashi Keiji. He isn’t a threat to us. Kuroo-san will brief you on it later.”

“Was he supposed to be part of this mission?” Koutarou growled. There was no way Kuroo would do anything this rash. The entire mission had been a failure.

“Takahashi-san had figured out that you intended to question her. After all, her husband’s death wasn’t some heart failure. She was the rightful heir to her father’s business and smuggling trade.” Akaashi replied calmly. “She intended to kill you off in that hallway.”

“Right.” Koutarou huffed.

“The information was relayed after we left Bokuto-san.” Kiyoko said, glancing at Koutarou for a moment before resuming her gaze on the road. “Akaashi-san was nearby, and considering signals are unreliable in this area, there were too many risks involved.”

“Fine.” Koutarou muttered, rubbing at his shoulder again. “Just…leave it for later.”

“We’re not being trailed.” Akaashi noted.

“Because we’re still not an important intelligence service in some people’s minds.” Kiyoko replied. “We’ll be returning to our hotel for now. Then tomorrow morning we have to catch our train and return to the safe house.”

Koutarou shut his eyes and willed to even shut out the night’s events. He would tackle them tomorrow. And find out who exactly Akaashi Keiji was.

[staticwritesnever]

enchanted: a series (pt. 1)

"the playful conversations starts counter all your quick remarks like passing notes in secrecy" - enchanted, taylor swift

quackity imagines

warnings: swearing, use of quackity's real name

a/n: decided to unpublished and redo the tommy series to make it a quackity one and do it even better, because the last one was kinda meh.. hope you enjoy! (for plot: alex lives in mexico and comes to visit you in california)

after a year of talking and planning, alex finally took the time to come and visit you in california. despite having visited the state before, this would be the first time you two met irl, which is both exciting and nervewracking...

"oh god, what if he changes his mind last minute and decides not to come? or her forgets to call me? what if i forget to go pick him up? what if it's super awkward in real life and we'll be those friends that actually hang out in real life, only online? what if-"

you panic very easily and the spirals goes way WAY down

but it's ok, because you set about a million reminders to go pick up alex and thought of different conversation starters

not that you would need them... it's just good to be prepared

an hour before alex was set to land in tijuana airport, you loaded into your car and began the drive down to the border

palms sweating, breathing heavy, leg jittery; when you arrived you were a mental (and physical) mess

but that soon flew out the window when you saw the message alex had sent you a few minutes after you had parked your car

a selfie of him at baggage claim, with a huge grin under his mask

you just knew his smile was as big and bright as the sun

it helped calm you down as you got off your car and went to the arrivals entrance, where you received another message

alex in front of a very scary-looking security guard (who wasn't paying attention) and a sign that says "no cell phones allowed"

'STOP UR GONNA GET ARRESTED'

'IM A BAD BITCH THEY CANT GET ME'

its about evening time and alex had already had dinner, but you still bought soft pretzels and red bulls from the food stand in the building

you saw the not-even-close-to-6-foot-tall man walk out from those double doors, and in your excitement, rushed to him and gave him a big, welcoming bear hug, to which he responded with a one-handed hug that, honestly, was just as tight

as you walked to your car, you presented him with his pretzel but told him to save the red bull for the next day "because you'll need it"

"what plans do you have for us tomorrow?"

you smirk

"you'll see"

and leave it at that. which worries yet also intrigues alex

the conversation was easy and you realize you had literally nothing to worry about

it was nonstop talking to the car, some tired singing on the drive home, and still chattering by the time you reached your apartment

you had cleaned, swept, mopped, and washed everything you possibly could in preparation for alex's visit (and it showed- or well, smelled (amazingly))

despite having the couch prepared to become alex's bed, you still offered to let him stay in your room and you sleep in the living room

"of course not, what kind of asshole would i be if i kicked you out of your own room"

"not an asshole... you'd be like a relative coming to visit"

he stayed in the living room and after you two said your goodnights, you let out a huge sigh in your room

turns out, there was nothing to worry about and alex's visit would go on without a hitch

it's like you've known each other your whole lives

bonus: the next morning, when you wake up and step out into the living room, you find him practically dead asleep, to the point that you noticed a bit of drool slowly sliding down the side of his jaw. you took a picture... for... reasons... that are definitely not blackmail or extorsion purposes

[unlimitedhorsepower]

been rotating t&b2 cour2 in my mind like a 5D object...

i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.

however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.

i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...

anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:

this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.

i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.

ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.

this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...

ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.

i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!

so, to begin... t&b2 cour2.

hmm.

i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!

there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.

i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).

cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.

cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.

season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).

cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.

speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.

i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.

im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.

even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.

i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.

side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.

in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.

it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.

maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.

we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?

more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?

i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).

however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.

in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.

i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.

back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.

it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.

however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.

its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.

i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.

i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.

t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.

zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.

lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.

i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.

speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.

its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.

before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.

the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.

misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!

narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).

why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.

those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.

kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.

despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?

it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).

i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.

it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.

i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).

kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.

i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!

just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.

its a deliberate choice, and its as odd as kotetsus reaction.

barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.

i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.

i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.

his sudden admittance to being mr.legends son is an urgent cry for help!

canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.

the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.

the “prevention of things” was especially obvious with ryan.

this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.

because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.

karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.

to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).

in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.

again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.

regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).

he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.

however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.

i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.

she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.

it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.

it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.

his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.

some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.

yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.

they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).

ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).

its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.

he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.

he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.

being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).

the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.

due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.

in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.

justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.

he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.

its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.

lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.

in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)

yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.

and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).

its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.

its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.

lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?

i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.

it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.

instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?

what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.

(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)

not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.

even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?

instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?

one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.

realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.

it is her decision, and it gives her agency and an active role.

they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.

karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.

its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.

either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.

it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.

having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.

while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...

kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.

they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.

it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.

the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.

having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.

another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.

that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?

it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.

frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?

to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.

capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?

ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.

in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!

also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).

to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!

lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.

it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.

and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..

they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?

both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?

the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.

both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!

some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.

its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.

yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...

and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.

unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.

i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.

lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?

we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.

its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?

but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.

what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.

my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!

theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...

t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..

i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.

like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.

the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..

i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.

the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.

in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.

it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.

in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.

even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.

they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...

especially when they already were in the last fight in cour1!

it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!

which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.

we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.

i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.

that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?

i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!

in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).

wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?

his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.

he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?

how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?

it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?

hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?

LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!

mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?

and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.

some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?

kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..

and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?

like a real bit of some gray morality that actually has a purpose!

thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!

it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!

kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?

yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?

we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.

and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?

it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.

lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.

then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.

agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.

like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...

my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3

anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...

its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...

of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..

sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?

wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?

this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.

youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?

those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..

for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?

barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″

and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?

of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.

the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!

nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.

but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.

the peripheral material has done this and more, why not include some of it in the show?

this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.

ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.

he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.

closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.

i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.

cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.

it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.

ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.

wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.

to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.

and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.

there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.

it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.

isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.

i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.

kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?

i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?

either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.

even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.

it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?

keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.

it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.

it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.

this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.

the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...

and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.

one remark and everyone figures keith is so sad too, but hes still trying so hard to help?

keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).

it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?

and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.

it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?

to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...

what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.

they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/

they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.

nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.

the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.

it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.

it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..

this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!

instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?

i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...

not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.

what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.

its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.

we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?

anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...

i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol

overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.

one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).

but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.

so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)

it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?

its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!

while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.

like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.

i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.

it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.

it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.

as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.

i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.

one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?

theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”

men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...

and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.

it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.

because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..

instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.

at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.

i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.

talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?

i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?

subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.

it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!

but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.

mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.

this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.

kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?

ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...

i also talked about them a bit earlier, so i dont have much else to say.

but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?

i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!

origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...

like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.

it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?

i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.

last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.

paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.

i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.

i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.

its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.

it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.

but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.

all of the girlies got sidelined, which ive already talked about...

i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.

it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.

i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.

another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!

to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.

nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.

as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.

this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.

this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.

it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!

i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!

i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.

and, unfortunately, the narrative itself undermines mattia because of auroras existence.

she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?

in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.

i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...

her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?

i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.

i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.

buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.

theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.

was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..

that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.

rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...

not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.

and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...

also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.

the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...

and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.

and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.

right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.

by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.

i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...

yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...

i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.

and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.

i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.

it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.

they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.

i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.

mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.

i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.

i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.

i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.

you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.

he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).

hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).

ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.

and what does he look like in t&b2? certainly nothing like that.

i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...

that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.

just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)

t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).

he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!

everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.

this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.

and heres a screencap of keith from that episode, where his face shape and features are distinct.

ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.

you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.

anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)

speaking of s1, where did this entire sentiment disappear to? into the ether?

also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.

then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.

theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.

oh well.

thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.

i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.

but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.

yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...

but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.

breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh

i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.

theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:

the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda

ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste

plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!

big misogyny moment for all woman characters of the show

hero ensemble overall was underutilized

new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead

they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3

never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened

cour1 wasnt even bad. it was solid. shit just hit the fan in cour2

the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.

leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...

[marshmallowgoop]

Doing yearly writing reviews isn’t really a thing. But once you start doing ‘em, it doesn’t feel right to stop, you know?

Seeing progress in other arts is of course a lot easier than seeing progress in writing, but I think there is some forward movement for me, especially when I also consider my compilations from 2017 and 2018.

In regards to 2019, I’ve selected various kinds of writing for this post: analytical essays, opinion pieces, news articles, creative fiction, and maybe some works that can’t be categorized so easily, too. It was a very difficult year on many fronts; I dealt with job struggles, financial insecurity, destroyed relationships, medical hardships, seemingly endless cyberstalking and online harassment. 

But there were good things, too. New friendships. New passions. New outlooks. I feel like I’ve learned and grown a lot more in these past couple of months than I have in a long, long time.

The end of 2019 is more than just the end of one year. It’s also the end of a decade. But I think the best advice I’ve received all decade comes from this year:

✄ Sometimes, you have to say yes to saying no.

✄ If you can’t do something well, do something poorly!

✄ The best option may be to simply not engage.

✄ You don’t have to apologize for disappointing others.

✄ Your worth isn’t measured by how much you “accomplish.”

✄ You have rights: the right to have your needs and wants respected, the right to make mistakes, the right to determine your own priorities, the right to not be responsible for the actions or problems of others, the right to express yourself, the right to be human. It’s not selfish or narcissistic to stand up for your rights.

And, since it is the end of the decade and all, here’s also a comparison between one nerdy fandom essay from August 2010 and another from August 2019:

2010 (with added spaces because yes, this really was just a huge block of text originally):

Also, in my own opinion, nobody really gave a damn for Xion all that much save for Roxas. I mean, yeah, Axel cared a little, but in the end, he got totally mad at her, got mad any time she was mentioned, got mad whenever Roxas worried about her, got mad when she showed up at the clock tower. She was his friend, yeah, and he didn’t want her to go, but in the end, he would have chosen Roxas above her anytime.

The other “mean villains” didn’t really care. Luxord didn’t care, Demyx didn’t care, Xaldin got exasperated once at her, but overall didn’t care, Xigbar didn’t care, Xemnas outright said he didn’t care, Saix was rather cruel to her, but really, in the end, he didn’t give a damn for her. The others weren’t around long enough to have an impression on her. I think even Riku didn’t really care all that much for her, in all honesty. He just wanted his best friend back.  

Also, you have to keep in mind that we played the game through Roxas’ perspective, and it’s in my personal belief that he fell in love with Xion. And if you’re in love with someone, when she gets into a coma, or goes missing, or ignores you, you’re gonna be upset, and talk about it. So Roxas did. 

But you know, he doesn’t actually do a lot of it until the end of the game. Before that, it’s all about the THREE of them. He loves his friends (even if he doesn’t know it), and he wants them to be together forever, but when Xion goes missing or whatnot and they can’t ALL have ice cream together, he gets upset.

2019: 

I’ve written more on the subject here, but to keep it short, Ryuko only tries to take Nui’s life when she’s convinced herself that she’s a monster, and her development is less about her becoming less okay with killing people and more about how she won’t let her anger and rage control her. What makes Ryuko’s attitude so different in the end isn’t that she’s reconsidered her thoughts on murder but that she’s composed. Come episode 22, Ryuko ain’t saying that she’s gonna kill anyone to sound tough or to intimidate. She keeps her cool even against her worst enemies.

But that’s just what I think! Maybe I’ve interpreted the character all wrong. But Ryuko’s freak-out after she goes berserk and hurts others in episode 12, her devotion to defending even people she’s just met… I just struggle to see her as someone who’s actually a-okay with killing. The fact that Ryuko’s perfect fantasy in episode 20 depicts her as a sweet girl without any of the violent tendencies that she has in reality also points this way; not to mention, Ryuko outright admits that her picking fights and causing trouble are bad things when remarking on her childhood in episode 8.

And Ryuko? She doesn’t want to be bad. All the poor girl’s ever wanted is love, and I can’t imagine she’d ever think that getting angry and killing people would get her a lot of that.

Progress may be slow, but it does happen.

At least, I think so.

Image Texts

January 2019

And personally? I find that sweetness just absolutely, utterly charming. When I understood what the rap was trying to communicate, I couldn’t imagine listening to the song without it. Heck, even before I understood, I found the “without rap” edits empty and barren. No matter how “silly” the lyrics might come off, the unabashed cheese is fantastic. The rap section that I was once “meh” about legitimately became my favorite part of the song.

Plus, I really can’t stress enough how sad the song is when it’s purely Ryuko. The official [nZk] remix replaces Senketsu’s rap with a reprise of Ryuko’s first verse, which recounts how she and Senketsu met. And it’s tragic! She says, “But I’m all alone,” and she is. Senketsu isn’t singing with her, no matter her claim that she can hear his voice. Considering what happens to Senketsu in the end, his absence in the song hits even harder.

Full post: https://marshmallowgoop.tumblr.com/post/182361051017/oomoj-marshmallowgoop-the-rap-is-good

February 2019

The focus then shifts away from Ragyo, but Kill la Kill ain’t at all done with building the audience up yet. As the scene moves to the following day, viewers are met with quick, close-up shots of Uzu’s note to Ryuko, timed right to the beat of “Blumenkranz.” Uzu wants to duel, and we soon get to see his full request in an engaging low-angle shot where Ryuko looks up to this sign looming over her. The weight and gravity of the situation is effectively conveyed: the smooth transition from Ragyo to here, as well as the music and shot composition, let us know in no indirect terms that this fight isn’t something to be brushed off. Uzu’s duel is a big deal, and it’s very much connected to Ragyo’s expansive empire.

And the tension just keeps growing. Ryuko’s reaction to Uzu’s note is presented with a dramatic canted, high-angle shot. The camera—which is just slightly tilted—peers down at both Ryuko and the sign, communicating a sense of danger and unease. Viewers already know that the upcoming battle is important, but here, we also understand that it’s not going to be easy.

Full post: https://marshmallowgoop.tumblr.com/post/182841724817/all-the-discussion-around-episode-6-of-kill-la

March 2019

Kill la Kill the Game: IF is currently being featured at the 2019 Game Developers Conference that runs until March 22nd in San Francisco, and a flurry of new gameplay videos are now available for viewing. Notably, these videos feature full English subtitles for the character dialogue for the first time since EVO 2018 last year and never-before-seen stages, such as what seems to be the Fiber Castle in the Kiryuin Manor.

Full post: https://marshmallowgoop.tumblr.com/post/183766224117/kill-la-kill-the-game-if-gameplay-footage-from

April 2019

I mean, Kill la Kill ended over five years ago now. There’s been fairly minimal new content ever since—an OVA in September of 2014, a few pieces of merchandise here and there, a small crossover with Grand Summoners last year. And then, not even 11 months ago, out of seemingly nowhere, there was confirmation for a full-blown Kill la Kill video game. That we now know will be released in just 14 weeks!

Lots of jokes were made about the announcement for a game so many years after the series finale, but, like, seriously, as a longtime Kill la Kill fan, it’s hard to wrap my head around. Ever since the show ended, I’ve dedicated over half a million words to writing about it, spent tens of thousands of yen on books and Blu-rays and CDs, devoted nearly 60 GB to my own GIFs and edits. I’ve loved this thing to death. I’ve always found more and more that I want to write and create from this series, but I never really imagined nor expected that we’d ever get much more official content from the original creators themselves. And now we are getting so much more, and???

Full post: https://marshmallowgoop.tumblr.com/post/184228103137/kill-la-kill-the-game-if-releases-on-july-25th-in

May 2019

Kiznaiver: Oh, I was so excited to love this show! I was lucky enough to see an advanced screening of the first two episodes, and I was totally hooked. It was drop-dead gorgeous—and probably the prettiest series Trigger has ever put out—and I was very intrigued by the plot and characters. I remember just coming back to my hotel room at like 3:00 am after the premiere, utterly filled with excitement. I mean, Kiznaiver  was directed by Hiroshi Kobayashi, the episode director behind the two episodes that got me hooked on Kill la Kill (episodes 5 and 18)!

But… my excitement quickly died. The story tried to develop way too many characters in way too little time, and I never enjoyed the romantic pairing of Katsuhira and Noriko, finding it shallow, undeveloped, and nonsensical (in a bad way), which… kind of ruins a lot of the series when that’s arguably the heart of the whole thing.

Kiznaiver is still super, super pretty, though. That last episode’s animation got me shook.

Full post: https://marshmallowgoop.tumblr.com/post/184700944732/so-have-you-watched-the-other-stuff-studio-trigger

June 2019

I do recognize that many, many matters do not warrant conversation. I do recognize that the phrase “I’m just trying to have a conversation” can be—and has been—utilized as a means of directing criticism away from inflammatory, unacceptable, inhumane remarks. I in no way feel that hateful, discriminatory comments should be promoted.

Simultaneously, however, “conversation” should not automatically be a dirty word in the field of analyzing and seriously engaging with fiction, and thoughtful reactions should be supported and striven for. Nothing in fiction is ever black and white. There are so many nuances and complexities to the storybook realities of our media. I want commentators and critics of fiction to be passionate about listening, considering, and rethinking those nuances and complexities. Isn’t that why we do this work at all? To share our own point of view and open ourselves up to others?

Full post: https://marshmallowgoop.tumblr.com/post/185289615202/we-need-to-change-the-way-we-seriously-discuss

July 2019

Initially, I was really bummed by this lack of development. But as I thought about things more, I… didn’t mind so much. If this dream or universe or whatever is something that Satsuki “experiences” before the events of the anime, of course she won’t grow as a character here. Maybe this game is kind of the Kill la Kill prequel I’ve been begging for for over half a decade.

And as much as I didn’t get anything, I thought the ending bits between Ryuko and Satsuki were so good.

Like, I suppose Ryuko’s absorbing the Life Fibers or something?? But wow, pretty.

And the part where they talk before Satsuki disappears? That’s my kinda anime bullshit. It’s the kinda anime bullshit I wanted from the OVA between Ryuko and Senketsu.

Full post: https://marshmallowgoop.tumblr.com/post/186648065467/goop-plays-kill-la-kill-the-game-if-satsuki

August 2019

That book, Log. 2, is a fan doujin from Kotaro Nakamori, who worked as an animator and animation director in Kill la Kill. There’s a bunch of assorted fanart in there, and I wouldn’t be at all surprised if Nakamori is a fan of Urusei Yatsura and wanted to make a little crossover between that series and Kill la Kill.

Personally, though, as someone not too familiar with Urusei Yatsura, I kinda just saw the image as oni-Satsuki (with oni being demon/ogre-like creatures in Japanese folklore). Oni are traditionally depicted wearing tiger skin loincloths, and Lum herself is definitely basically a space oni. So, I saw the cover and got super excited about oni-Satsuki because I love oni a lot, haha.

Fun fact: character designer Sushio has also drawn Kill la Kill characters as oni for setsubun, a celebration that’s held on the last day of winter (February 3rd). During setsubun, you might see folks dressed up like oni—who get beans thrown at them in an effort to bring in good luck and chase naughty demons away.

Full post: https://marshmallowgoop.tumblr.com/post/187228888187/do-i-see-satsuki-wearing-lums-outfit-in-your-last

September 2019

Though I don’t see it much anymore, I remember lots of comparisons between Ragyo and the villains of Saturday morning cartoons back in the day. She was described as a generic, two-dimensional “evilz for the sake of evilz” baddie and criticized for her simplicity.

And though I did admittedly agree to an extent—I craved a lot more depth and insight, particularly in regards to her haunting line about “still having something of a human heart” whilst brutally attacking her own daughter in the final episode—I also found Ragyo to be a remarkably compelling, powerful, and horrifying villain even without tons of backstory and explanation. Perhaps my write-up on her first scene in episode 6 best details why; this woman has such a presence, and the visual language of the series amplifies that presence spectacularly. Ragyo’s intimidating and scary without the audience even needing to know anything about her.

And… I’d say that’s a good villain. That’s exactly what a villain should do.

Full post: https://marshmallowgoop.tumblr.com/post/187987858537/on-ragyo-kiryuin

October 2019

And, though there are no visuals, so I can’t be sure if it’s an “Ocean of Light” or not, the fourth Drama CD also has the same kinda deal happening. In the CD—which takes place immediately after Ryuko learns the truth of her origins—Ryuko’s pain manifests as an explosion of light that knocks both her and Senketsu unconscious and pushes Senketsu away from her. The sound effect here is familiar, and I’m personally convinced that this is another “Ocean of Light” moment.

Which brings me to the “light” part of the terminology. Light is often associated with good, yes, but light is also associated with heat, and heat is associated with pain. In the Drama CD, Ryuko’s light is so hot that Nui even remarks that Senketsu “almost burned” from it, and when Mako embraces Ryuko after swimming through her “Ocean of Light” in episode 12, Ryuko’s touch scorches Mako’s skin.

I’ve already written an essay on the symbolic and narrative use of fire, warmth, and heat in Kill la Kill (that you should totally read because it’s actually maybe Kinda Good, Maybe), and relating to that, I see the “Ocean of Light” as a physical representation of Ryuko’s fiery spirit. That fire can be used for good, and that fire can also be painful, but no matter what, that fire is a part of Ryuko.

Full post: https://marshmallowgoop.tumblr.com/post/188247077227/i-always-wanted-some-explanation-you-are-smart

November 2019

She looks around her cottage. Her eyes find the walls and the furnishings. Her eyes find the scratched floors and stained wood. She does not voice it to the once-emperor, but she had never been able to remove the stains from the attack. Her son's blood has painted the brown wood red. It is a reminder of what she cannot remember. It is a reminder of the past she has forgotten.  

“This home feels so desperately lonely,” she admits. “I do not know who is missing. But it is not complete.”  

The man is quiet. He did not expect to find himself feeling sympathy for the woman's plight. Perhaps she is a fool, to have given her heart to a demon. But kindness ought not be punished, he thinks. Or has he grown so cold that he believes it should be?  

December 2019

🏀 Michiru and Shirou’s relationship may be the focus, but Nakashima emphasizes that Michiru’s relationship with Nazuna is also involved in the story in a big way.

🏀 Nakashima stresses the importance of depicting teen girls realistically. Two women screenwriters are on board: Kimiko Ueno and Nanami Higuchi. Both wrote for Little Witch Academia. Ueno also wrote for Space Patrol Luluco, and Higuchi was behind the production reports in Trigger Magazine (and, interestingly, wrote the script for the anime adaptation of BEASTARS).

🏀In regards to Michiru and Nazuna’s relationship, producer Naoko Tsutsumi (also an animation producer for Kiznaiver and Little Witch Academia) provides input as well. Nakashima says that they greatly value and take to heart the opinions of the women creators.

Full post: https://marshmallowgoop.tumblr.com/post/189928986922/otomedia-winter-2020-bna-brand-new-animal

[zeravmeta]

Ok so, my thoughts on the VR ending and VR overall as the 6th entry.

Also because most of my thoughts aren't...complimentary im editing the names so they dont appear in the general tag. This also got LONG so readmore.

The Good:

- A//i's character still managed to be the one thing that saves VR as a show for me. Even with all the weird...contradictory plot issues, A//i still manages to be a compelling character who brings up the question of the right to live. I actually do like how he made it so itd be an ultimatum that he loses in either way, even if the ending kinda ruins the weight behind the action (which I will get to in a bit).

The meh:

-the ending was left somewhat open to interpretation which for a show as...empty as this was works out but honestly it was so vague as to A//is fate is that it may as well not exist.

The Bad:

-The main conflict behind the entire show is...simulations. No joke. Every conflict in the show can be traced back to someone doing a simulation and deciding to lose it. Even if they gave the (rather stupid) explanation that AI experience simulations like actual life (which btw the first villain wasnt an AI so this reason doesnt work), the fact that Yu//sa//ku took a bullet for one of A//is robot bodies that he literally has millions of is...just stupid and there solely for the "uwu drama".

-They actually killed A//i off but wait hes actually alive, so like the final duel literally had no purpose aside from...drama??? The episode is called Compromise and yet A//i had to lose just to keep Yu//sa///kus win streak and theres no compromise whatsoever. Yu//sa//ku litetally destroys the CompromA.I.se card so its just, no comrpomise in any way.

-This....wasn't a happy ending??? I have no idea why both the show and the fanbase frame this as a happy ending bc think about it in context: A//i pretty much loses everything, so does Yu//sa//ku who just isolated himself from everyone else for 3 months in order to comb the network for whatever remnants of A//i exist.

- So many of the supporting characters are just...there. Like, there is no side/supporting character who actually has a character arc in this show. Lets go through the list: Ao//i is pretty much the same character as when she started and goes through 2 unnecessary costume changes for a character growth that isnt there because she has literally ONE victory against an opponent that was stated multiple times to be weak and faulty and have her lose and tortured multiple times for no reason whatsoever, G//o had this weird deterioration that may have lead to something but ultimately didn't, Ak//ira is pretty much the same, J//in has ALL HIS TRAUMA ERASED SO THERES THAT, literally the only side characters who have some sembalnce of an arc are Sho//ichi (the best one anyways) from his "betrayal" in S2, and E//ma with her reconciliation with her brother. Outside of that, nothing. Yu//sa//ku, Re//volv//er and Ho//mu//ra are pretty much the only characters with an arc and even then they're not too solid? Which brings me to-

- Yu//sa//ku has been so wildly ooc since the end of S1. Ive seen so many say that his enphasis on bonds and friendship are character growth but actually looking at the sequence of events he suddenly just like. changes completely around his first duel with Ea//rth. Plus, the message of "revenge is good" was always so weird? Like, he got his revenge so all his trauma is ok now and never brought up or explored again aside from within the first 20 episodes. Theres nothing about it after that and its never built upon. The whole point of a revenge arc is to show that its BAD and yet he starts preaching that revenge is wrong AFTER he successfully gets revenge??? And even then its not exactly a revenge as it is more lashing out since it was Ko//ga//mi who was behind it all. Yu//sa/ku was definitely at his strongest characterization in S1 where we see how badly the Lo//st Incid//ent hurt him but S1 had its own share of problems that led into S2 and so many random plot threads that never went anywhere (such as the Anot//her Incid//ents, the Cy//berse deck being irl despite that A//i didnt have a physical body before then, The Bl//ue Mai//den meetup that was repeated by Nao//ki like 10 times in S2 which seemed to be leading up to something but never did, and the fact that theres 4 recap episodes in S1 already spelled some early problems). So much of the supporting cast function to just say "he turned this whole situation around...with ONE card..." i kid you not watch back every Yu//sa//ku duel I GUARANTEE you'll see someone saying hes a great duelist and serve only that purpose. ALSO THE END OF THE SHOW IS JUST MORE DRAMA?? They make him suffer for no reason other than that they can??? What purpose does his suffering at the end serve aside from just "uwu...poor baby..."???

-Re//volv//er is not a good rival. At all. He's so incredibly bland because much like Yu//sa//ku he was at his strongest characterization in S1 where he actually had some solid motivation in continuing his fathers work and being unable to accept that his dad was evil, yet most of that just flies out the window with all the collateral he's willing to inflict with the K//O//H?? All his character amounts too post S1 is "yeah i told you robots are evil and YOU didnt believe me". The most we got of him growing out of this mindset was calling A//i by his name exactly one time and nothing ever again. Also the fact that in the end we see him and his crew working for S//O//L despite the fact that they were gonna turn themselves in for their crimes just. leaves a rotten taste in my mouth. hes not a good rival at all. All he proves to me is that a good design can get anyone to like a character.

- Ho//mu//ra is...there. I literally cant say anything about him because he absolutely has the strongest motivations of the three but then the show jumps through hoops to push him to the back of the other two. He also has a bunch of early victories I do feel are undeserved (ESPECIALLY the A//oi duel that one pissed me off so much). Also the fact that the show just made him Yu//sa//kus friend immediately whereas it took Sho//ichi several months to get Yu//sa//ku to warm up to him just had me :/.

-The speed duels were a cool concept but they just became these huge cheat fests? Seriously Play//Maker uses StAccess literally every speed duel to pull out a new monster from whatever plot holes the writers need to patch up. I am not kidding. You can go back to every single speed duel Yu//sa//ku was in and youll see this. Skills just werent a good mechanic because when a protag pulls a new card its supposed to be representative of some growth/characterization but he stays the same pretty much throughout the entire show up until S2 where he wildly just switches personality. Plus the fact that Que//en could literally use a skill whenever just shows that it was cheating???

- The villains were overall lackluster. Boh//man was the best because Re//volv//er is just flat whereas A//i struck me more as an anti hero. And again: simulations are the enemy. Light//ning ran one and decided to go ham. Kog//ami ran one and decided to go ham. A//i ran one and decided to go ham. The conflicts are all the same and it just makes things happen rather than following a consistent plot thread? I will say that Boh//mans characterization of a hive mind to become perfect does strike my tastes but thats more my personal preference in villains rather than any merit he has.

- This is a bit of a personal pet peeve but I've seen some of the praise to this show about being the "darkest Y//G//O to date so therefore its good" and im just...no? Edge does not make a good show and just because they lightly focused on the tragedy in Yu//sa//kus life (and it IS lightly because its barely touched upon after mid S1) most of the stuff that happens in this show is pretty tame in comparison? The most that happened here was an attempted global hack of everyones minds from S2 and destroying the internet in S1, with a few references to the torture that happened during the Lo//st incid//ent. To compare: the previous series had this huge interdimensional war that, even if they could reverse the carding of people (which makes Den//nis' attempted suicide even more tragic), ended with an entire dimensions full of brainwashed soldier children, a dimension with huge class inequality that was still being heavily worked upon since there were canonically slaves, and a dimension that was savaged by a genocide and total global destruction. Hell, the series before that had a huge war where the arc actually did focus on the tragedys the characters faced and held consequence (even if they pulled a dbz revive everyone at the end). And as far back into the very first series there were even more graphic depictions of war and death? Idk i feel like people are overplaying the edge here just to find a way to complement this show.

Overall:

I'm...genuinely dissappointed. VR really had so many strong starting points but it all just fell apart at execution. Really the only reason I even bothered to watch it as kong as I did was because Im a longtime fan of the series and wanted to give it a chance rather than jump on whatever love/hate train the show has. Its been rated poorly on the JP side and most of the approval is a vocal minority. Just to be clear: this isnt me bashing the show, my opinions are mine and you can agree or disagree to any capacity, and even if a show isnt well written you can still find a reason to enjoy it despite the flaws.

But if Im being perfectly honest? I do not like this show. It's rushed, choppy, has no consistent or clear plot threads, most of the genuinely interesting characters are wasted for the protagonist to look better and he never really does because he ALSO has an interesting idea behind him but it never goes anywhere. It started strong but ended so poorly. Id be angry but im more dissappointed because Ive watched this show from day 1 and wanted to see the good things it has rather than focus on the negatibes but. yeah. This show really had potential and yet it just fell flat.

[jira-chii]

I watched Crazy Rich Asians with my Dad

And my sister. It’s actually been several weeks since the event now but I still want to write about it, because there was some personal significance in it for me, and also because, honestly, it was a fun movie.

Disclaimer: I’ve only seen the movie once, and as mentioned, that was a while ago now so apologies if my memory is a bit hazy. Also, I haven’t read the book.

So the story of how this came to be starts with dad seeing some commentary about the movie on Chinese TV or WeChat or wherever Asians get their info from these days. He thought Constance Wu looked a lot like an actress he was into when he was young so he wanted to watch it. Funnily enough, neither my youngest sister nor I had watched it yet and so we organised a bit of a family outing (though it was technically only half the family).

I really can’t remember the last time I was in a movie theatre with any one of my parents. It must have been way back in primary school (which is like, almost 20 years ago now). I remember dad taking us out to eat at the foodcourts before climbing the escalators all the way to the top of the shopping centre to get to the cinema. He would purchase the tickets on the spot though the line was never very long. We would always get popcorn because it was such a rare treat for us, even though we would never finish it.

Cut to today and I’ll pretty much have consumed half a large popcorn before the movie even starts (I swear the ads before the movie these days just get longer and longer). I am also a pretty frequent movie-goer, complete with a membership card. Poor dad must have had a bit of a shock when I just scanned my phone in the priority queue to get our tickets. Also that the shopping centre had been completely renovated since the last time he was there.

Admittedly though, some things do stay the same: the buttery smell of the popcorn, and the nostalgic, childlike excitement of wandering down the corridor to get to the cinemas.

Ok that’s enough self-indulgent reminiscing. Time for some analysis.

Overall I though the movie was pretty solid. It was simple with a straightforward plot, but its appeal for me was definitely it’s relatability. I think this movie has a little bit of something for everyone, whether East or West. Asians who don’t come from a traditional family background will likely relate to Rachel, while Asians who do will find the whole first half hilarious. Anyone who fits even just half the description of a Millennial will absolutely love the best friend Peik Lin. If you’ve fallen in love before, know someone who’s fallen in love, have a kid with a partner etc., there’s probably something for you in this movie. Even if you are none of the above, the sheer spectacle of the shit crazy rich Asians get up to should be enough to entertain.

Unfortunately I don’t think the story direction was as strong as the characters. The way I see it, there were a handful of really brilliant scenes, and then everything else was kind of meh (as in they weren’t bad, but they were just good. Standard).

Unsurprisingly, the scenes I enjoyed the most were ones that carried through thematic elements that were foreshadowed in the beginning (HSC kids call this ‘textual integrity’ btw). Surprisingly, my dad also enjoyed those scenes, although for slightly different reasons.

So as a tribute to that, in a slight twist on my usual formula, I am going to analyse my dad’s favourite scenes.

**Spoilers start here if it wasn’t obvious**

Big House

Rachel visits her friend from college Peik Lin, before going to Nick’s house. Peik Lin is an awesome, down to earth character, however her family is pretty over the top and the first instance we see this is in their huge house. It’s a mansion, complete with a friggin’ water fountain and even gold plating on the ceilings or something. Rachel definitely does not relate to this extravagance, which is exemplified when she mentions something dumb about the gold plating (I cant for the life of me remember exactly what she said but the idea is it made her look like a peasant).

However this is directly juxtaposed when they go to Nick’s, whose family owns so much land they can’t even find the house. There are also two threatening-looking foreign guards (which kind of borders on racism), but the exaggeration here is used to visually convey the fact Nick’s family is a pretty big deal.

Mahjong

This was definitely my favourite scene of the whole movie and I was very impressed with its execution. The brilliance of this scene lies in its visual storytelling. Case in point: dad could only understand half the script but was able to grasp the full meaning of the scene just by looking at how the game was played.

In this scene, Rachel has made up her mind to leave Nick on her own accord, however wants to make it clear to Eleanor it is not because she was bullied into it. The meeting spot is an area where a lot of elderly people gather to kill time by playing Mahjong, a far cry from the glamorous world we’ve seen for most of the movie.

However Eleanor knows how to play, because just like Rachel she was taught by her mother. This is a good reminder that Eleanor’s life was not always easy, and a key theme of respect and gratitude for the mother figure shines through.

As they play, Rachel explains her reason for leaving: if Nick is forced to choose between his girlfriend or his mother, he will be miserable. As they are talking we see Rachel pick up a tile. It is actually a winning tile for her, but she chooses to discard it. Eleanor then grabs it and wins. This was the part dad picked up on: in Mahjong speak it means “I let you win”, which is a beautiful complement to Rachel’s key message. If Nick ends up with a girl who Eleanor does approve of in the future, know that it was all possible because of the choice Rachel made today.

Game over, Rachel leaves with her mother, the back view of their walking figures leaving at once a powerfully supportive yet fragile image. 

One other thing I noticed about this scene is how it reflects the game of poker Rachel played in her lecture at the start of the film. She bluffed her way to victory there in order to teach her class about Game Theory. This works because no matter how hard the odds are stacked against her, she stands her ground and puts on a show of bravery: she may have lost the game, but she’s still in the battle.

Proposal

This scene was pretty predictable but the way it is constructed leads to a great pay-off. Nick catches Rachel as soon as she boards her plane back to America. They are in two different aisles and Nick talks while walking to maintain the same pace with Rachel.

He narrates the way he had planned to propose to her: on a secret beach with the beauty of the sunset in the background. It’s a super idealistic image and kind of reminds me of Lenny’s American Dream scene in Of Mice and Men. 

Of course, his speech is hilariously juxtaposed with the reality that they are on a plane and Nick has to get out of the way of other passengers, even stopping to help one with their luggage at one point.

The cramped economy cabin is also a sharp contrast to the luxurious First Class cabin they arrived in Singapore in. 

Nick jumps to Rachel’s aisle to get on one knee and finally propose to her. I appreciated the totally random woman squealing in the background while hugging Rachel’s mum but I appreciated even more that the ring Nick presents to her is Eleanor’s. The story of the ring is that it was custom-made by her husband because his mother wouldn’t give them hers because she disapproved of Eleanor. It is very obvious symbolism but incredibly satisfying nonetheless.

I appreciate this movie so much more than I normally would because of the opportunity it gave for me to have a proper conversation with my dad. Since I started working full-time, I’ve realised just how much I’ve taken these family moments for granted.

I really hope movies like this, which bridge the gap between East and West, and between parent and child, will become more mainstream in the future.

[danixia]

Shananigans of being an aupair and Miraculous

(Ok so I cant share the kid's names so its gonna be girl or little girl, boy or little dude)

So for those who dont know what an aupair is, it's like a babysitter but you live with the kids and the parents, you take care of the kids , and sometimes you do some extra jobs (cleaning, taking care of pets ...) so the first time I kinda came in contact with miraculous was when I was at a pastors house, and some relatives went there and there was this girl, a pre-teen maybe that was watching what seemed to me like anime (it was those comics about ladybug) and since I am a big fan of anime, and I wanted to ACTUALY talk to someone about it(becouse I didnt have anyone that would talk to me about it altough they watched it...), I decided to put conversation with her. ��So, you like anime?” She smiles”Yeah” “whats the name of this one your watching?” “Miraculous tales of ladybug and chat noir” “I think I´ve heard about it before, is it good? “ “IT´S SO GOOD” “ So what is it about?”  she says “hmm” and I go “what´s the plot about?” “ I really don't know” (I think she said this because the love square is really hard to explain hahaha)

Months passed and now I´m in Ireland with, what I like to call them, My two kids, and I could not, I repeat, I could NOT watch the same movie again, as funny as it was I couldn't also, I wasn't sleeping that well and I didn't had the energy to play with them, as much as I loved them, so I started zapping in hopes to find something that would amuse the three of us. And then I see “Miraculous tales of ladybug and Cat noir” It wasn't the first time I noticed it, but I was always like, “meh it's just a kid show” but that day I decided to give it a try.

And the three of us were GLUED to the couch

What appealed to me was how light it was, it was fun, it made me remember when I was a teen and had those huge crushes on guys.

The girl loved LB and CN because Lb was strong, and Chat was in her words “he is really like a kitty!” because of the way he moves, the bell and she was the first to notice that his ears moved. She would always sing to the intro and one time she started repeating what Marinette says in the beginning but like really dramatized, and so serious like it was a matter of life and death I just stared at her and started to laugh my ass off.

The boy tough loved CN! And I mean it, it was like he was seeing his “idol” or something. He would always laugh when he felt, when he tries to make some advances on LB and she pushes him away with his finger, or just when he was making advances on her, but the laugh he would give when she pushed him away, it would give anyone life. XD

They both loved when LB would ring Chats bell, for some reason that was really funny.

They both liked Alya, but especially the girl, once she even said she liked her better than Ladybug.

And everyone hated Chloe.

And then....was the puns they were too young to understand them, but they are so recurrent that when we were together I would do the puns and they would lost it.

The fight scenes .... for some reason they were really intense for us, we would be like: "dock that, hit him in the head! Ooooh, noo they had to use their superpowers!" (Time for both of them, and me too who am I kidding scream Cataclysm and Lucky charm) And then the lucky charm would come, and sometimes the 2 of them sometimes the 3 of us would be like, what the hell is she going to do with that »?

Then the theories came.

In one episode, origins, I saw Gabriel's face and the light bulb went on and I was like to the kids “kids! kids! I know who hawkmoth is!” both of them turn to me “who?!” “Adrien's father!” they were so shocked. Somedays after that, after one episode I see my little dude sitting very quietly on the sofa thinking-he seemed sad. I got worried and I ask if everything is ok, since he was so quiet and he goes like “Why is it that Adrien's father is Hawkmoth (as in why is Adrien father a bad guy, Adrien is a good guy so his father should be too right?) And then I had to explain to him that he could have been doing bad things,becouse he wanted someone back, and this was the only way he knew how then I explained that Mrs. Agreste disapeared and she might be the one that hes trying to get back so that Adrien could have a family again and he was like “ SHE DISAPEARD?! WHY!? “I don't know they don't tell us that” “But why?!” “I don't know” “Does he miss her?” He was looking really sad so I hugged him “ Yeah, but he's fine, he has friends, he has Nino, Marinette cares a lot about him...” It was really cool because he was really putting himself in the character shoes.

It was a really good way to teach him that not everything is black and white as well people can sometimes do bad things and have good intentions. Because until now he saw Good guys x Bad guys.

Then it was the who is who... I got really surprised by these. So everyone knew Marinette was ladybug, but the girl didnt know Chat was Adrien, I had to explain to her (Keep in mind they are really young) that they were the same person, and then we started to discuss the similarities between the alter egos.

Then I would ask who was their favorite: The boy would be CN and then eventually Adrien (He was very devoted to his cat )

The girl was obviously "Ladybug and.....Alya, she's a great friend” (aaaw)

But then they would sometimes pile up some more characters and the little dude would be like “I like them ALL”

And then the parents came.

Dad reaction:

“What are you guys watching?”

The three of us at the same time:”miraculous tales of ladybug and cat noir”

he sits with us and Adrien transforms, me and the girl fangirling because of Chat and the little dude was like “This is my favorite part!”

Dad: “OH NO....this is so wrong....THIS IS LIKE SAILOR MOON BUT WITH A GUY!....Why does he have cat ears? And a bell?”

Me: “Its cute”

Kids make the face to his dad.

Mom Reaction:

“What are you guys watching? Is This Pijama Masks?”

“no  this is ladybug and cat noir..” Says the girl.

The girl starts to explain every little bit of the plot to her mom with me occasionally helping ( I was focusing on the episode).

Then the mom starts to point somethings out.

“Oh, Cat Noir, It means black cat. From French” (For some reason I had translated to cat of the night because my French is that good)  

Litle girl thinks its cute

And mom proceeds to watch the show with us.

(WE GOT HER ON OUR SIDE!!)

Then we start to play as LB and CN.

Then the amazing happens. They always wanted to play. Allways, but now they wake up from the nap, go to the couch and I ask, do you want to play.

“No. We cant. We are waiting for LB to appear.”

This was really good cuz I bonded really well with them I had to leave them, but when I saw them again sometimes, they would still get the LB references and the little girl said that the little dude would hug her and call her my lady (and he would hug mops and do that too hahaha) but it is cool cuz she wasn't really ok with hugs and now they hug!

I miss them a lot. But when I see LB I can kinda miss them less.

[tumblunni]

Bunni continues to play Richard And Alice! Random thoughts and stuff!

* I’m really not good at point and click advantures, so i dunno if my opinion is very valuable, but this one just seems... not good, gameplay-wise. The sections are all different lengths and difficulty levels in each chapter, and not in a fitting way. Like so far the only one where I had to combine two items was the first chapter, it took me ages to figure out what the game wanted me to do with the bedsheets. And then the second chapter had like zero point and click at all, you just had to find one toy brick and stick it to block one hole, then it was just story cutscenes. And now in chapter three we have a suddenly huge snowfield to explore with your painfully slow walk speed, yet there’s only like one thing you need to find and just... I’m getting surprisingly anxious worrying if I missed something cos i only found that one thing! There was a whole section i didnt explore cos i didnt realise you couldnt go back outside after you managed to open the door. And what was with the misdirect of Alice saying ‘maybe i can reach this window if i have something to stand on’ and then instead she just shot off the lock on the door? Does that mean there were multiple solutions to this puzzle and thats why the place was so huge?

* Anyway, the story continues to be intriguingly good! I continue to be really engaged in poor Alice’s journey through this post apocolyptic snow world with her lil son, and I continue to be really worried what happened to that son, since this is a flashback and Alice met Richard alone... Also I like the continuity that Barney is continuing to talk about the close call they had last time with a monsterous bastard who kidnapped them. This poor lil 7 year old is struggling to keep up and struggling to keep smiling so his mum won’t be sad, and its just SO COLD and he doesnt understand why they left ‘the safe house’ because he doesnt understand they were prisoners there. And god, its so sad cos you can understand how Alice might be getting frustrated with him, and you can understand that she KNOWS she’s being irrational, but she’s just so scared that she sucks at keeping up a brave face for her kid. But I think she’s doing a great job, she’s way more of a badass survivor than anyone else would have been in this situation! And Barney is being incredibly good too, he’s being really patient and obedient to his mum and he’s a really considerate kid, he gave his mum his toy car cos she was getting sad remembering when her husband was alive and they used to ‘go on adventures’. (”But we’re on an adventure now, mummy!”)

* And MAN I am REALLY WORRIED for this poor kid, he’s been showing signs of getting sick as they were travelling the snowy wasteland and I hope they can at least get a break now they’ve found this abandoned house to sleep in. BUT NOPE! Alice finds mysterious scary notes with some sort of log of... people...? It definately doesnt feel like just someone recording visitors or survivors they met, its got a weird sort of... priorities, to what was written down. ‘Fem. caucasian. 20s. Compliant. 65lbs.’ And then what struck me as especially weird was that someone would classify a kid as ‘Female. age 7. 21 lbs’ instead of like.. actually writing that it was a kid. This is someone seeing these people as.. merchandise. You never really get an answer in this chapter but I think it’s someone who was offering survivors fake shelter and then cannibalising them T_T The chapter just ends with Alice finding an ambiguously scary room with a bloodstain, but this is the only shelter they have, so all she can do is lock the door again so her kid doesn’t see, and barricade the front door in case this cannibal cult comes back for their home base... *shudder*

* But also seriously, why did I collect like five other red herring letters as well as the cannibal one? And a rusty saw and ammo for a different gun. Was that JUST red herrings or did I miss an optional puzzle?

* Its actually a weird relief to get back out of the flashback and back to our slightly-less-horrible horrible situation in present times. Sure, Alice and Richard are locked in prison, but in this apocolyptic scenario its a relief to be somewhere where you get daily food and working electricity. There’s even a tv that only sometimes doesnt work! And they have each other, and they’re building up a nice friendship now, and it just feels quite optimistic. Richard’s even getting a bit of a crush on Alice, even though the attempts at flirting between the two of them are failing horribly cos they’re both total goobers. i dunno, if they do get together in the end, I totally wouldnt mind it! I dont think its really necessary though.

* Aww but the more we learn about everyone’s backstory, the more I really wanna hug em! We still dont know very much about Richard, but we’ve learned now that he had an ‘average childhood’, at least, by his definition. And he lived in some sort of small country town, and he joined the army in order to see more of the world. But it went really badly and he got sent to prison for rebelling against a superior officer who made a clearly immoral order. JUSTICE FOR RICHARD, GRARR!! And then Alice continues to be way more well developed and interesting, even though I do still feel sympathetic for richard, yknow. Just a lil frustrated that it took us so long to even hear that lil bit about him, when he’s supposed to be the ‘main character’. Seriously he seems like just a framing device for us to talk to alice and see her flashbacks! Anyway, now we’ve learned that Alice didn’t have much of a childhood, because she was hospitalized for a long time. And she talks about how she felt like a burden and felt suicidal and how she never even got to make any friends til she grew up and became a lil more healthy, and then she sorta ended up in an unplanned pregnancy with the first man she ever dated, and never had a chance to pursue her dream career and just... wow Alice dear god, someone up there in the heavens hates you! God, I hope this game has an actual happy ending, please! And also it makes me EVEN MORE WORRIED about what happened to her kid, now im starting to worry if maybe he inherited her childhood disease and like.. it only first started manifesting during the apocolypse and she wasnt able to find a doctor in time.. or something... MAN THIS GAME IS GIVING ME A MILLION WAYS THIS SWEET BOY COULD DIE

* Oh but one random complaint... much as I care about Barney, he kinda isnt a very well written character. They fall into a lot of super outdated ‘fake movieverse child’ cliches instead of like.. bothering to listen to what actual kids talk like. He’s always using that fake cutesy talk like ‘i made you a waffle but i eated it’. Its rather jarring! ...but still I WILL DEFEND MY VIRTUAL SON FOREVER dont you dare kill him off just because his dialogue is poorly informalized!

* The next chapter is kinda boring, its not really even a chapter but just an intermission to show us some more gameplay and nothing else. Richard and Alice do nothing but have an awkward fetch quest to find enough stuff to make a pole to reach the termostat outside the jail cell, and then after all that it ends up failing anyway. I guess at least we do get a bit of character development cos we get to see them both frustrated and having a bit of an argument, then making up again, and etc. But meh, bring on the next actual plot flashback!

* “Why does Daddy live in the ground?”

* thats it im done this is how bunni is slain fucking hell

* god, I dunno if I made the right choice but I chose to be honest with the kid and try and explain what death is. I got to hear the backstory of how the dad died, so i THINk that was the right choice? It seems he died back when barney was too young to even really know him. It was at the start of the apocolypse and the family was doing semi okay living in a shared shelter with a bunch of other people. But then it was the start of government aid breaking down and society crumbling, and a gang stole the last food ration pack from them and the dad thought he could reason with them. And its just so sad cos Alice is thinking of all the ways it could have been prevented! ‘We’ve gotten used to surviving with less now, what if we’d just let that food go? we could have lasted’ And what if they’d shot first and asked questions later, instead of trying to be diplomatic. And apparantly back then things were a little less abd so there actually was a trader they could have got more food from, but resources were limited so they decided it wasnt worth it at the time. And the after the gang killed the dad and some of the other leaders of the shelter group, it seems like things just collapsed in a power struggle and thats how Alice ended up alone... And you just have this sad sidequest to gather flowers for his grave and then Barney is all ‘i dont really know him and i dont understand so i feel bad that i cant cry’ and then he’s asking if dead people can hear you from down in the ground. And I picked being honest again, and Alice didnt say yes or no, she just admitted that nobody really knows what happens after you die, and you have to choose what you want to believe. So Barney chooses to try and tell his dad about how they’re having a good day playing in the snow on this adventure, and Alice tells him that Barney’s grown up so big and strong, and Barney says ‘Yeah! Strong like a lion! Or you, daddy!’ and BUNNI’S SOUL SHATTERS INTO A MILLION PIECES

* i am gone i am deceased at this deceaseness aaaaaaaaaaaaaaaa

* And there’s like an optional note you can find that tells the story about some unnamed kid who was living alone with their friend Lucy and they were trying to survive without any adults to help, and its all SCARILY VAGUE and I hope we get to learn more about them later cos it just says how the same gang who killed the dad was just.. ominously circling around the area and Lucy was acting weird and then dissappeared, with a letter saying she chose to leave for [insert name of far away settlement here] but it was really suspicious and the unnamed kid thinks that the gang was threatening lucy and they must have kidnapped her and faked this note and then the diary just ENDS it just ends with the kid talking about how much they love lucy and cant live without her and we dont know if they found her or if she even really was kidnapped?? ITS SO VAGUE! its so vague that honestly im only just assuming the diary writer was a kid too, i mean maybe they were lucy’s parent or sibling or something? or maybe both them and lucy are older? but the way it was written sounded like they were like early high schoolers or something (then again this game is bad at writing kid characters so maybe not) I MOURN FOR YOU, UNNAMED DIARY PERSON AND LUCY OF MYSTERY

* OH GOD DOOM when it went back to modern day, now its got all mysterious and weird and sad too, AAAARRRGH the heroes are still in prison, but the guards have stopped coming to their cell and theyre stuck here scared and worrying and you dont know if the obvious has actually happened... i mean maybe the prison has been abandoned or everyone died and now they’re stuck here locked in their cell and AAAA eventually the cold will start seeping in and kill them too and AAAAAAAAAAAAAAAAA

* AAAAAAAAAAAAAAAAAAAAAAAAA

* okay im gonna go get back to playing this game

[lesbianyennefer]

ok ive finished andromeda and so im gunna collate my final gathered thoughts below:

All in all its been a good game but for the first time in my life in not just a mass effect but a bioware game i dont LOVE it i cant even say i think its very good - ive even been edging on outright disinterest and boredom at various points throughout. bioware games for all their faults have always made me get fully into their stories get completely immersed in the world and in mass effects case in their characters too. but andromeda is the first time ever that i find myself saying if someone asked me how good it was i would say meh. if someone asked me how the latest installment in my favourite thing to exist on this planet was i would say meh. as someone who for whom the original trilogy is genuinely my favourite thing in existence there arent words for how much it upsets me. im not even like ‘i wanna play again!!!’ like i usually am because im usually still so immersed in the world. here are some thoughts and delving deeper into the things that stood out to me:

- the writing: its poor. there have been a few funny moments and lines and most of the main quest dialogue lines are good but compared to what we are used to from mass efefct it PALES. only one moment of real enjoyment stands out to me in the entire game and that was the movie night one - of the only moments in the game I got happy about like the original trilogy. the writing for dialogue not just with npcs but with companions is often clunky, nonsensical, boring and adds nothing to furthering knowledge/relationships. i honestly couldnt tell you a lot about many of them because the conversations didnt pertain to actually getting to know them. it says in the codex that they all consider me close friends but its never been mentioned that they even considered me one nor can i recall when the friendship actually got going or how we reached the ‘close’ part. similarily a lot of criticism from critics was about the base elements being rehashed from the original and its true. so much has just been copy pasted from the ot in a way that actually makes this version less interesting. the big ‘reveals’ in the story are also so badly done that when jaal mentioned the angara were made by the jaardun is it? i didnt have a wow moment like mass effect has given me in the past i was so confused by everything going on i was just like what? nobody seemed to make a big deal out if either considering an entire race just found out they were genetically engineered. the only real ‘wow’ moment i had in the game was finding out ellen ryder was still alive and jien garson was murdered and even then you cant tell anyone and its pretty much forgotten!! ryder knows that jien was murdered by possibly this benefactor who seems to have ulterior motives for all of them and she also knows the reapers invaded and as far as shes aware eradicated the entire milky way. maybe thats something that should be shared with leadership hmm? (as much as i hate tann)  

- the plot: touching on the last the plot was, to me, nothing to write home about. ive always enjoyed that mass effect has a linear storyline that you get stuck into and follow through at a good pace. now i know they said andromeda was going to be more exploration based game - which i would normally like! - but not when the exploration has almost nothing to do with the main story and is so fucking much that you could play for 3 days 12 hours a day and not get to the next bit of the main storyline!! when you space it out too much the audience - or i - loses all connection with the sporadic main plot and what we are actually supposed to be doing so much so that by the time you go to play the next segment you dont even really know why youre there or whats going on. similarly the plot never made me go :O which the ot did a lot. an example ive mentioned before is that seeing the citadel always makes me go ahhh!!! the nexus by comparison is pretty boring. despite its flaws i love the storyline surrounding the reapers and it always gets me each time i play. sitting her writing this if you asked me to detail the main plot of andromeda i honestly couldnt. i cant remember what i did or in which order. theres no substance or linearity.  

- the exploration: i again cant believe im saying this but swtor a mmo game from 2011 has more interesting open worlds with more MANAGEABLE and relevant side quests than andromeda. they might be beautiful but none of the worlds stood out to me - though i loved elaaden and the downed remenant ship star wars reference. i dont mind doing a few bland side quests but when there in the 50s and they lead you on goose chases across entire planets i begin to get agitated. i cant recall the amount of times i had to go back to planets like kadara for one 5 minute firefight and a couple of lines of dialogue. going through the galaxy map animations, the landing animations, the lift down to the slums then crossing the threshold to actually reach the map to THEN find your destination? yeah im pretty done by then.    

- side quests: tying into the above side quests! bioware hinted theyd learned a lesson from dai and taken inspiration from the witcher 3 for their approach to side quests and they appear to have done neither. there are MORE side quests than there were in dai and i actually didnt mind dais but andromedas have become an issue for me - probably because there were so godamn many. they dont have any baring on the story and they are bland and uninteresting mostly fetch quests. i hate bringing the witcher into this because i dont like giving praise to cd projekt red but the truth is bioware could stand to ACTUALLY learn from the witcher 3. the side quests in that are small in number, long in plot and actually connected to the main story. they dont make you feel like youre straying from the plot, their content is deep and very good and they quite often have major consequences. see triss’ quests in novigrad.  one thing i will say is they did seem to take a little of the last into andromeda. some choices have consequences ie saving the salarians over the krogan. that was pretty cool but still underdeveloped. 

- the relationships: by the end of the story i  can say I love all my squadmates despite the fact that i feel like i barely got the chance to know them (the only one il say i dont know at all well enough to love em is gil who has no content aside from the incredibly uncomfortable jill storyline and i wonder why hes the negelected one hmm?). i loved how they moved around and talked to each other but the amount of times i went round to see them and they had nothing to say was a LOT compared to the fact that in me3 everytime you went to see someone they had something (or multiple somethings) to say often without having to enter into a cutscene style animation just to see if they actually want to talk. in terms of romantic relationships ( i romanced peebee) i was disappointed by how little your romanced companion interjects on the story. at least in peebees case there was very little content and she seemed hardly bothered when my ryder got injected then killed herself and then died AGAIN to save them aside from a little snarky “hands off” comment when the archon grabbed her face. she mentioned a little bit back on the ship but compared to me3 and how liara/garrus/ash/kaidan would interject a lot on mission and have hints to their romance sprinkled throughout it felt like another forgotten thing. not one person on the ship mentioned me and peebee aside from a quick thing from sam when i went to see him in my cabin. also jazzed up sex scenes dont mean anything if the rest of the relationship is bland and overlooked. i prefer liara and sheps me3 scene 10x over peebees (my little gay heart still cries). 

- the music: WHERE WAS THE MUSIC??!?! one of my favourite things about games FULLSTOP and the cherry on top of mass effect has always been the music. to this day i love the atmosphere that noveria creates and vigil makes me fucking cry. the suicide mission gets me pumped and leaving earth leaves a gaping hole in my chest. (diverting a bit even dai had fantastic music. in hushed whispers, the lost temple and thedas love theme are among my faves.) aside from the heleus galaxy map music and the ambient from that one destroyed planet i cant recall a single piece of music that stood out. i can remember about 3 tunes overall the map, the main menu and the one that plays a lot when you fight kett. there wasnt even any proper ambient music for the worlds!!!!! there arent words for how upset i am that theres no fucking mission themed bangers. im just really sad about this.       

i think at the end of the day a big reason for me why i havent loved it is because as ive said before it doesnt feel like mass effect to me. to a pretty great extent i think the reason for this is the decision to move to the Andromeda galaxy. the absence of shep and the crew and the normandy is another huge factor but rather unavoidable in terms of continuing the games, but moving to andromeda has robbed the series of everything that made it mass effect. the mass relays, the citadel, the council, the alliance, earth, thessia, palaven they all made mass effect mass effect. Not to mention the quarians (one of my fave races ever), the drell, the volus, hanar, batarians, vorcha they were all a part of what mass effect IS. even the architectural style of the colonies, the nexus its all different and it doesnt have any connection to the ot and the world it created. andromeda feels like its own game completely unrelated to mass effect and one that when considered on its own has an incredibly shaky foundation and sporadic storytelling. at the end of the day it was fun to pass the time but as a huge mass effect fan i feel it was incredibly disappointing and to be quite honest i dont consider it a part of the mass effect i love.