#i have a few opinions

[oifaaa]

Just realising most of my grievances with popular bat fanon really boil down to "Character flaws are good and interesting actually and I don't like when you try and take them away to make the character more palatable"

[sasswonfp]

WOOF. UHM HELLO! this one is a long one! Quite the scroll! It is actually only *half* of the larger comic. I'm not done coloring it yet - but I finished all the inking. (alt desc. provided!)

Please stay tuned for the rest! I'm like kind of deranged over this whole comic and have put possibly way too much thought into everything about it. PART 1 (here!) | PART 2 (DONE!)

[poorly-drawn-mdzs]

The Charcuterie Board, as designed by your votes! Thank you to everyone who participated; this was a fun challenge!

[alpacacare-archive]

day twoe ah haha

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[arttsuka]

Kiss~

[egberts]

ALSO if prisoners could get educated then prisons could run themselves more reliably and function like communities which is conducive to a growing/healing/learning/absolving mindset

[fonulyn]

i will forever be annoyed by the entitled "well you put it on the internet for everyone to see so I am allowed to be a dick about it!" attitude. fandom is supposed to be fun. if you have nothing nice to say about a piece of fiction (or an artwork, or so) then do not say anything at all.

"so authors only want gushing comments praising them and no real criticism??" yes actually that would be great! because fandom is supposed to be fun and hearing all the things you did wrong is actually not fun. we're not being paid for this. we're not offering any quality guarantee. if you don't like it? go away.

posting art on ao3 or on tumblr or on x or whatever is not blanket permission for random strangers to be mean about it just because it's posted publicly and they feel entitled to offer their ~opinion~.

[butwhatifidothis]

I just wanna just. Say something real quick, with the year ending soon.

3H is the one saying that the Nabateans were nearly all killed off.

3H is the one who has the Agarthans be the ultimate bad guys in every route and have them be defeated in some way in every route.

3H is the one saying that the Nabateans were defending themselves against power hungry humans and were the ones to restore everything power hungry humans destroyed.

3H is the one saying that the Agarthans knew that Nemesis was just a bandit who cared for nothing but power - that Nemesis was not some freedom fighter, but a genocidal tyrant.

The creators of 3H are the ones saying that the Nabateans never tried to "control" humanity, only that they ruled over them.

The creators of 3H are the ones saying that Nemesis and the Agarthans killed the Nabateans for power.

The creators of 3H are the ones saying that Rhea never tried to control humans when she made the Church of Seiros and rewrote history.

The creators of 3H are the ones that made the one route where the Nabateans are specifically targeted as enemies who "need" to be gotten rid of and the one route where you work with the Agarthans in any way the one route they explicitly say is the villain route.

There is no ambiguity in 3H that is enough for the interpretation of Nabateans being evil and the Agarthans being good to hold water. None. Both within the game itself and through the words of the creators, everything makes it clear that the Nabateans are the victims who are generally a source of good and that the Agarthans are the victimizers who are generally a source of evil.

And there is a reason that the people who insist otherwise have to lie about what the Nabateans have done in order to make them look wrong. There is a reason why they have to turn to the noncanonical spinoff game to get anything more to "back up" their claims - and why they still have to lie about what that game says anyway. There is a reason why they would rather support a group of characters who have proven themselves willing to instigate genocide against innocent people for power even when not accounting for the Nabateans, regarding the Tragedy, than say there is anything good about the Nabatean race at all. There is a reason that, in their reasonings and explanations as to why the Nabateans are evil, in their rush to say what they think should happen to the Nabateans, these people always fall back on real life, genuine racial supremacy rhetoric.

There is a reason why, even when directly told by victims of this racial supremacist rhetoric that what they're saying harkens back to racial supremacy, they continue to say the racial supremacist rhetoric - why they defend the racial supremacist rhetoric as "not being the same" because the Nabateans' race "doesn't actually exist." There is a reason why they insist that their racial supremacy rhetoric that is the exact same as every other racist's supremacy rhetoric about actual, real life races of actual, real life people is just being "taken out of context" - why they not-so-subtly imply that racial supremacy rhetoric has contexts in which they are okay to say.

At this point I'm not really going to sugarcoat it: if you see someone try to make the point that Nabateans are all evil and deserved the genocide that fell on them - or that what happened to them wasn't a genocide because they are all evil, or there totally weren't that many of them so it isn't a genocide, or there's totally more in some unseen unexplored location we just never see or hear about so it isn't a genocide - and/or that the racist, murderous, genocidal Agarthans were the good guys who "the writers failed to make look bad," despite everything directly pointing towards the opposite reading in every context of the game, know that they are almost certainly not doing so with any good intentions. They are almost certainly using the fictional nature of the Nabateans' race to use as a shield to spout racist rhetoric they know they "aren't allowed" to say about real races. This is far from the first time racists have done this regarding fictional races, and it will not be the last time either. At the absolute best, they are uncaring about how they are rationalizing rhetoric used to dehumanize real life people just to make some point about fictional characters, which is frankly not that much better.

This isn't about discourse, it isn't about whether people think Edelgard or Dimitri or Rhea or Claude or any other character did this or that, it isn't about war criminals, it isn't about theories or meta or what have you. This is about the real world rhetoric people like this slip into the fandom sphere in order to normalize it. This is about how these people set themselves up as pillars of their communities so that they can normalize this rhetoric without anyone able to stop them from doing so or stand up against them. This is about how these people silence the few who do speak against them if they're able, and set up anyone who speaks against them that they can't directly silence as "attackers," "spies," these dangerous interlopers who are trying to shut down a "safe space" for "no reason." This is about how they've been doing this for years now.

I've personally given the benefit of the doubt to others who've genuinely ignorantly done things like this before, but this is too consistent, insistent, and long-standing for it to be anything else but racism from those who peddle this rhetoric, whether due to being racist themselves or through their indifference to the topic of racism. Regardless of the whys of the matter, it had led to the 3H fandom to housing cesspits of unopposed racism that breed hostility and harassment to others; at the absolute least, the harm and danger of this mindset and everything it leads to and has already led to should be made clear

[that-was-anticlimactic]

just saw an article criticizing the httyd books for having a ten year old protagonist... said the movies fixed it by... by making hiccup older... and then criticized the fact that toothless was small... and that the movies fixed it by making toothless bigger so hiccup could ride him... as iF THE WINDWALKER ISN'T RIGHT THERE!!! it is very well established in book one that these are hunting dragons not riding dragons. there is a DIFFERENCE. anyway the DISRESPECT saying the movies "fixed the books" shut up

[pavlov-sdog]

I remember seeing a post saying that Bell was less skilled/professional and less violent (i believe in comparison to Case) and it’s been stuck in my head for awhile

And while yes in comparison to a super soldier infused with a rage drug they’d be lacking, but i always imagined Bell being not only skilled, but violent in their own right. not as violent and aggressive as Case, but still. I think the post mentioned unnecessary movements in finishing moves being unskilled/unprofessional and Bell seemingly just trying to kill someone quickly as a point, but i always attributed it to Bell just being violent and unhinged. It’s unnecessary just because they want to hurt and stab and shoot more. While it’s less common Bell does also have a finishing move just using their fists, which i read as another sign of violence. 

Cryptography/language/intelligence may have possibly been their strong suit, but they were not really unskilled/unprofessional or nonviolent in my eyes, maybe just more mild mannered and controlled compared to Case. I don’t think they would’ve been so high up in Perseus otherwise. I also don’t think they would’ve been as proficient in half the missions and tasks they preformed otherwise. 

[rustedleopard]

Chujin's opinion of Starlo is that he is an immature loudmouth who only grew physically beyond middle/high school. He's a reckless moron that has no regard for the fact that he is poisoning the minds of monsterkind with his admiration for human culture. He thinks that Starlo's desire to bring a slice of the Underground is a waste of time and that if Starlo REALLY wanted to help monsterkind's situation, he'd try to figure out methods to escape the Underground instead of finding escapism in a pale imitation of the Surface. He is unable to conceive why Starlo even likes humans except out of some twisted, Stockholm Syndrome-esque fawning over monsterkinds' captors.

(Deep deep deep deep deep down, Chujin knows that Starlo is a kind person who doesn't have bad intentions. And, he can begrudgingly admit that if the Wild East prevents some monsters from falling into despair, (which is a death sentence for a monster,) then it does some good. But you'd basically have to dislocate his shoulder from twisting his arm so hard if you want Chujin to admit this.)

Starlo's opinion of Chujin is that he is some above-it-all asshole. He insists that he remained civil and respectful of Chujin ever since Chujin and Ceroba started dating and he started to get tangentially involved in Starlo's life, yet all Chujin's done is scoff at him for following his dreams. Chujin must think he's soooooooo great being some smarty-pants scientist instead of a nobody farmer/sheriff like he is and that's why he looks down on Starlo, what a snob! And as for Chujin's belief that all humans are evil? Greatly exaggerated! If humans were such wicked things, why would the westerns they make show such relatable concepts like justice and freedom and how cool revolvers are? Starlo's just trying to inject some fun into the Underground and distract everyone from how dire things are getting and Chujin has a massive stick up his ass about it.

(Deep deep deep deep deep down, Starlo knows that Chujin is a kind person who only wants the best for everyone. Chujin is beloved by Ceroba and the Sunnyside family and other residents of the Underground for a reason. The fact that he's such an admirable person drives him a bit nuts, because Starlo knows that he would never be able to measure up to him. It's no wonder that Ceroba fell for him so quickly. How could he ever compare? And as for Chujin's opinion on humans? While he strongly disagrees with Chujin's outright hatred, he does recognize that some humans can be dangerous.)

I would say that Chujin and Starlo would bitch at each other like two Southern belles backhand complimenting each other, except I feel like Starlo lacks the subtlety to be able to dish out those sorts of insults, let alone pick up on them. Instead, they'd try to be silent in each other's presence out of respect for Ceroba. It's a........... very tense silence, to say the least....

[yunmeng-jiang]

every day i wish there had been a better solution for the qin su marriage problem.

in my fix-it fics i either have some other sect leader claim that he was actually madly in love with her this whole time and sweep her away for jgy's sake, have her mom confess earlier, make jgy decide to tell her for her own good and have them work together, or not give them a chance to meet and fall in love in the first place (i guess i could also make qin su have a miscarriage, but that's really sad and awful and not my preferred option at all), but all of those require tweaks to the circumstances, sometimes early on so they don't meet or jgy feels safe enough to talk with her or another confidant, or sometimes later like madam qin finding out they're pregnant before the marriage prep is too far along and telling one or both of them right away so they can make other arrangements.

with the situation being what it was, jgy didn't find out soon enough to do anything that wouldn't involve either marrying her anyway (and he didn't think telling her about it would do anything except make her upset and depressed) or leaving her essentially a ruined woman with no prospects and an illegitimate child who would inevitably grow up fatherless, which is pretty much exactly what his dad did to meng shi. this would be a crueler option than pretty much anything else, and given that he clearly still cares about her, he couldn't do that in good conscience. jgy tries his best to protect the people he loves, unless there is literally no other way for him to survive.

it's one more example of jgy being faced with a situation where the only choices are bad ones, and making the decision that he thinks will hurt the fewest number of people. metatextually, it's one more example of women in fiction being shoved aside and not given agency in their own lives, and getting killed off instead of surviving and growing as people like the male characters are allowed to do. it's just a tragic situation all around and i wish there had been something they could have done.

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[lizzybeeee]

I didn't like every map in Inquisition, but the elven ruins were some of the best parts of it. Sometimes I think about how Suledin Keep was laid out where you're running through this kind of mazelike environment and then you can glance up at one point and there's this GIANT dread wolf statue watching you from the mountains. that was neat. Arlathan has giant statues too but imo they aren't framed in a very fantastic way where you can get startled like that. and where are the elven prayer puzzles. why can we not show our obeisance to the Evanuris with logic and whimsy :<

I loved Suledin Keep as well!

Especially since, by that point, you've fought your way through red templar camps and the giant behemoths to get to the *heart* of the operation at Suldein. There are red templars, rifts, the people/quarry operation, and then you get to the Keep and, like you said, there's that cool moment where you look up and the Dread Wolf is just LOOMING over you (like Solas in the story!).

Something that really appealed to me with this world was the tangible sense of the past, the consequences of decisions made ages ago, looming over you - the Blights, the Ancient Elves, the Dwarven Empire, Tevinter...the world never let you forget it.

And that's the whole game of DAI - wherever you go there's always traces of the people that came before you, unable to swept away by time or conquerors...and sometimes those people claw their way back to the present like Corypheous or Solas. In Ferelden you find traces of the Avaar and Chasind, In Orlais you find the remnants of the Elves, the Western Approach is dotted with Old Tevinter outposts and the Wardens, and the Hissing Wastes/Storm Coast with the dwarven ruins on the surface! I loved discovering every inch of those maps (large as they were lmao) and it added so much to the world. It made the world feel large! It added to the idea that this world had so much mystery to it - so much lost history.

And Arlathan?

It's a maze, not in a good way, but because parts are cut off only to be opened 'when allowed', and not like in Inquisition where there was a rock-slide or you needed a bridge etc... You're boxed in with glowing doors that tell you 'not now come back later' or water that instantly drowns you, and it's hard to not be taken out of the experience when the game is so very upfront with you that you are not supposed to explore until we say you can.

This game doesn't reward exploration, it has fast travel spots all over the place that seem to discourage it once you find an area. Camps in Inquisition were spread out over large maps but sparingly used in comparison - it still made certain that you explored the world to find new things on your journey from a to b. The quests train you to fast travel, to get to where you need to go - kill, talk, repeat. The game teaches you to look out for crap to break and so my eyes are rooted firmly on the ground because of it. The game can look gorgeous at times, but it doesn't feel like it wants me to look at it too hard, like it will break the illusion of this game lmao.

It's a personal opinion, of course, but my experience with this game was that it made the world smaller, less interesting, and devoid of that mystery and reverence that made this series so compelling. Like you said, there are some cool visuals like those giant statues in Arlathan, but everything else in the map is so condensed and twisting on each other that it's hard to notice them naturally while playing the game.

'Why can we not show our obeisance to the Evanuris with logic and whimsy'

That would be so cool! I can get Andruil's alter having a hunting test - like with the Vir Tanadhal (the way of three trees), which is a hunting philosophy the Dalish have relating to Andruil who is the Goddess of the Hunt. That makes sense - you show deference to her by hunting according to her way.

...but for all of them?

It's a game design choice, I get that -> make it simple, keep it the same...it goes with the repetitive combat and exploration loop of this game. But they really lost out on showing us how the Evanuris differ to each other - how each of them had their own little 'aspect' they had dominion over in accordance to their lore. Why not have a little puzzle for June, God of the Craft? A riddle for Dirthamen, God of Secrets? Have some sort of brazier lighting puzzle for Sylaise, the Hearthkeeper, who gave the elven people fire?

From what we learn in DAI with the veilfire and temple of Mythal we know that they were massively egotistical assholes for the most part, some way more than most. They had their own temples, their own valaslin, their own mythology/legends...giving them all the same prayer puzzle is pretty dull when you consider how different they all are and the efforts they went to to distinguish them. Not that you'd really know in this game - for a game about the 'Elven Gods' there's very little discussion about the rest of them.

But, yeah, to sum it all up: Elven ruins in Inquisition were gorgeous, encouraged you to explore and interact with the lore with veilfire runes, and gave you some gorgeous set pieces like with the giant Dread Wolf statue in Suledin. Inquisition may not have been everyones cup of tea, totally get that, but for me it really captured the wonder of Thedas - the depth of its history...datv unfortunately did not.