#i have a complicated relationship with technology

[lkfarrout]

I've always been a bit confused why Stan would want to wear his father's fez and suit. Why he would want anything to do with the man who never took the time to play catch with him, who made him stand outside with the "extra Stan" sign, who would list his faults at Passover, who kicked him out onto the street...

and I realized that, despite all the bad that Filbrick did, Stan probably still just... missed him.

We, as the audience, know the bad things that Filbrick did, and I'm sure he did many more bad things. But I think he also did some good. He cared enough to put Stan into boxing and teach him to defend himself. He probably taught Stan how to run a business by having him work at the pawn shop. Stan probably has positive memories of his dad. We as the audience feel no remorse for Filbrick because of the abuse he committed, but Stan was a child. And children bond with their caretakers, and we have to accept that Stan cared enough about his father to not burn his belongings as soon as he saw them.

I think the other solution to this dilemma is that, when Stan first came to the shack, the man he saw there was vastly different from the twin he grew up with. He was surrounded by strange technology and cryptic journal pages, and those belongings of Filbrick's that he found in the shack were a reminder of the Ford he once knew - moreso than even Ford's belongings, except his glasses, of course. They were a connection to their childhood and to all the memories he had with Ford.

Family relationships are complicated, yall. I'm so glad that in the end, Stan got the family he so desperately wanted and clinged to for so long. And I'm glad the fez has happier memories tied to it now. Stan gave it new life and made it his own, and passed it to his own "son", who will do the same.

[ninelo74]

Drawed up a little image again 😛

[im-smart-i-swear]

self-indulgent fnin doodles cause existance is Not Fun right now:/

[miss-conjayniality]

being the tech support hottie isn’t easy but someone’s gotta do it! 🤷🏻‍♀️💅🏼

[theminiartblog]

Back w another ask!!

What were Emmy and Desmond's initial reactions to meeting Aurora? Their time with Aurora was complicated and I could see them feeling a bit more personal responsibility for what happened to Aurora before. Does that complicate things or do they see her as a different person from the get-go?

Thanks for you answers! I love this au sm, it's so so good!

I’ll say that they both took it as well as they could, Emmy a little more so than Desmond, but it was startling at first for both of them.

Emmy was warned in advance, via letters from the Professor, but she couldn’t help when the name tumbled out of her mouth upon actually seeing her; only for the young girl, unfamiliar with the stranger before her, to ask how she knew her name without introducing herself, aha! When enquired loosely about events of the past and if she remembered her at all, when the consensus was no, Emmy took it at face value and slowly but surely let it go. There are plenty of people out there with look-alikes, look at Luke and Cive, it's just an added bonus that they bore the same name as well!

Desmond on the other hand looked as if he’d seen a ghost. There's always been some lingering guilt over the events of the Azran, and for things to be looking up, only to run into this… doppelganger of a girl, he wasn't sure what to do or say. But I continue to realize I'm still not too confident in my own characterization of him to elaborate much further :') He never really voiced his opinions, though Hershel made sure to check in with him.

He'll keep all his emotions right here *points to chest* and then he'll die.

Desmond is glad to hear she's doing well for herself, reincarnation or not, but they don't talk much if he can help it. Maybe they'll get closer over time, but he's just not ready yet.

[styllwaters]

Hailing from the harsh planet of Ettera, Knights are the only sophont in the Zhagaviit system made of two consciousnesses. ---

At last, here they are! Nearly finished with redesigning every Vivere 44 species. These guys are retconned werewolves which I posted about some time ago. You might have noticed I brought back some space unicorn aspects as well! They've been through so many design changes but I've finally settled on something solid.

More information below!

I'll try to keep this concise. Most of this info is introductory biology.

Knights are the only sophonts living on Ettera, a mostly barren planet where survival is tough. Their civilisation is the least advanced compared to others in Zhagaviit, such as Arrows and Sea Crawlers. They were the third species to be contacted by the ZGC (Zhagaviit Galactic Community) followed by Post Humanity. Knights are known for being hardy, efficient, and motivated.

If it isn't already clear enough, Knights are two species in a symbiotic relationship acting as one individual. Helmets and Hosts have an evolutionary history so intertwined that one cannot survive without the other.

The Helmet is attached to the head of the Host, and will remain there for the rest of their life (unless separation happens - but we'll get into that later). In the relationship, their role is vision and dexterity. Since the Host is effectively blind, it is the Helmet's job to guide them. Their hands are also important, being the Knight's primary manipulators. They played a large part in early tool use. The Helmet lacks a mouth, and receives all its nutrients from the Host through a specialised organ not unlike an umbilical cord.

The Host is essentially the main body of the Knight. Wolflike and mammalian in nature, the Host is the Helmet's mode of transportation. Because they need to eat for two, Hosts are omnivorous and will eat just about anything. Although majority of their diet is comprised of meat, they are capable of digesting plant matter and bones. They are highly skilled and effective hunters.

It is in both party's best interests to assimilate as soon as possible. The Host cannot see without a Helmet, and within a few weeks bonding will become impossible. The stakes are higher for a newborn Helmet, because they cannot feed by themselves and will starve in under a week without a Host or an artificial feeder tube. Prior to first contact with the ZGC, Knights did not have the technology for artificial feeders, and infant death rates were high.

So how do two beings coordinate one body? The fact is that once assimilation occurs, they become one being. The Helmet's brain and the Host's brain are connected by millions of nerves exchanging signals. It's complicated, but the best way to describe the experience would be a 'mutual trance' in which full body coordination is achieved. They have shared interests and intentions. However, a Knight can mentally separate the Helmet and the Host, gaining back individuality; they do this for many reasons, perhaps to discuss something among themselves or simply for company. Yet on the whole, a Knight will spend 80% of their life in this 'trance'.

Both Helmets and Hosts have noticeable sexual dimorphism. Male Helmets are called Pikes, and females are called Guards. Pikes are distinguished by their horn, bold stripes, and more prominent crest spines. Guards lack a horn and have less contrast in their thinner markings.

Female Hosts are called Forts. They are larger than males and have a mane of fur on the back of their necks. Male Hosts, Spires, lack this mane.

In Knight society, individuals are usually referred to based on their combination of Host and Helmet. Since there are four sexes involved, there are four possible combinations.

Guard-spire [female Helmet, male Host]

Pike-fort [male Helmet, female Host]

Guard-fort [female Helmet, female Host]

Pike-spire [male Helmet, male Host]

(Knight languages have their own version of pronouns for each, but in English all are referred to as they/them by default. Of course, each individual has their own preferences. Usually a Knight will refer to themselves as we/us).

____

I'll get into Knight social structure, cultures and more in another post! For now, if you have any questions, feel free to send an ask. Always happy to answer!

[emese-of-void]

I have so many feelings about the psychic autism creature from Scavengers Reign.

It's such an interesting idea to have a creature with telepathy but not human level intelligence. Having Kamen in his mind doesn't mean that he now knows everything Kamen knows, but it does change him in really destructive ways. Kamen's complicated feelings about the Demeter filtered through Hollow seem to translate to indiscriminate anger towards all technology - the emotions are there, but not the comprehension.

Another thing I really liked is that mind control is presented as quite bening in its natural context, and also that it's purpose is so simple and so easily achievable by other means. It's so typical of evolution to not only solve the same problem in many different ways, but also to solve it in wildly extravagant ways. Trying to reach food high up? How about claws, flight, mind control, shock waves to shake the branches. Why not. Just irrepressible abundance.

I've been trying to figure out the potential evolutionary function of Hollow's kind absorbing their symbiotic critters. I think this could be super useful if the ecological niches of Hollow and the tripod creatures only partially overlap. And there are times when the tripods are in distress or desperately lack some nutrients or something. Hollow took Kamen in when he was clearly in distress, and after Hollow was completely focused on actions driven by Kamen's feelings, not even feeding. So the critter is kept alive and safe, and through the mental link Hollow knows what it is they're in distress about and can get them to the right place. That is such a neat adaptation! And potentially really flexible, allowing Hollow to create symbiotic relationships with different species. Maybe originally it started as a gestational adaptation. If the environment was unpredictably hostile it could be useful to be able to give birth to young but then, uh, unbirth them I guess, to keep them more safe temporarily.

The problem is, Kamen's needs aren't evolutionarily driven, and Hollow has no way of fully comprehending them or achieving them.

Oh man, the scene where Hollow lies down next to Fiona's body. Kamen doesn't know and Hollow doesn't comprehend, and it's killing them both. It's like Kamen completely abandoned his responsibility to be present in the world and act upon it, but his will is still acting on the world in a blunt and uncomprehending way through Hollow. Which as far as the addiction metaphore goes, yup, that's pretty spot on.

I'm so happy that Hollow got a happy ending. For a moment when he was melting away to reveal Kamen I thought that they were going to treat him as just a container for a human, a violent problem to be solved with violence. I should have trusted the show to be kinder.

Hollow is just a little creature, he shouldn't have been forced to try to understand concepts like self loathing or divorce, and now he never has to ever again.

[chronicbeans]

Queerplatonic Alastor x Reader Headcanons

Hehe my plan of writing headcanons for various Aroace-spec identity Alastor headcanons has begun. This one is with a cupioromantic and asexual Alastor in mind. I haven't seen enough of them, and as they say! "If you want it done right, you gotta do it yourself."

TW: Frustrations regarding romantic identity, complete unawareness of certain LGBTQ+ topics (my man's from the 1920's, he's almost completely in the dark), slight yandere behavior? (I feel he's just obsessive by default, regardless of the relationship type)

• So, this man has never necessarily identified himself with any sort of LGBTQ+ labels. Back in his day, there weren't any terms to use for being asexual or aromantic. At least, not any that he knew of. He's always been comfortable with his sexuality, though! His main thought process was always "I'll probably find someone that I'm attracted to at some point, and if I don't, that's alright." That thought process has also followed him down to Hell, and stayed the same for all these years.

• However... Whilst he's very comfortable with his sexuality... His romantic feelings are very complicated, now. He's always desired to have one, and he's very confused as to why he hasn't felt any romantic attraction, yet. It makes sense that someone who wants a romantic relationship to be able to feel romantic attraction, yes? He's very much in the dark to the complexities of how these things really work, mostly due to him being from the 1920s-30s. He's caught up on slang and technology, but he hasn't bothered to keep up with sexualities and romantic identities, as he doesn't think about them much.

• So, does he ask any more modern demons and sinners for help? Ha! No. He's too prideful, and simply assumes that there probably isn't much of a difference in knowledge on romantic attraction as compared to his day. Yes, he's aware that there's way more identities for sexualities. People talk about them often, and he hears terms thrown around here and there as he walks through Hell. He never hears anything in regards to romance, though. It's simply not talked about as often, from his experience. So, he's completely in the dark. If anything, he's probably completely unaware that there are identities for romantic attraction.

• He does what he can to cope. This whole situation is very frustrating for him. However, at the same time, he thinks that it shouldn't be so frustrating. So, it's embarrassing to him, and he doesn't tell anyone about it. Instead, he does what he believes everyone who is single and ready to mingle does: reading romance novels. More specifically, he flips to parts where said attraction is described, or little scenarios that he wants is going on. Restaurant dates, walking through the park, dancing, holding hands and cuddling. Those sorts of things! Things nobody would ever expect someone as unhinged as him would want...

• The most frustrating part, however, is that he feels he should already be feeling such an attraction to you. You, being his most close friend. You're the one he trusts with certain secrets, one of the few people he doesn't mind touching him unprompted (besides, say, Niffty), and probably the only person he lets his smile down around. Though, he rarely does so, as he doesn't want to worry you. Unlike Niffty, who he sees as having a more familial feeling towards, he sees you as a close friend. His closest friend, but just a close friend, which frustrates him to no end.

• It takes him a long time to even think of mentioning it to someone. However, when he does, he'd feel too awkward to bring it up to you. So, he decides to speak to Charlie about it! After all, she has one of the more "modern" relationships. So, she probably also knows something about whatever is going on with him! And after the long and grueling process of talking to her? He comes out even more frustrated than before. Being unable to feel romantic attraction, but still want romance? Cupioromantic? It is all so confusing. However, he won't question it. He's clearly out of his zone, and he was horribly wrong when assuming the world of romance hadn't progressed...

• You, however, are his most trusted friend. His closest friend. So, he decides to waste no time in deciding to propose an idea to you. He's heard of these things called "queerplatonic relationships", and his understanding is that they are like friendships, but with some more traditionally romantic interactions involved. Which, whilst his understanding of the nature of queerplatonic relationships may be a bit off, he's trying his best. Once you explain it a bit further, emphasizing that they're closer relationships than friendships, but not romantic and can vary widely in affectionate interactions, he is immediately is set on trying to start one with you. Luckily, though, you agree rather quickly.

• Despite him wanting many of your interactions and ways of showing affection to be more traditionally romantic, such as cuddling or going out on friendly dates, he won't cross any boundaries. Both because you're his closest, most prized relationship with another person, and because he can't think of many other people who would even be willing to enter such a relationship with him if he ever asked. Not that he'd want to ask anyone else. There's a reason why he immediately went to you. It's hard for him to describe it, though. Despite being a man of words, whenever he tries to explain why he feels like you are the perfect person for him to enter this queerplatonic relationship with, he stumbles heavily.

• His little ideal for this relationship is, essentially, the types of things he's read in the romance novels he has. Sure, a little bit of a twisted version of it, but at it's core it's the same. He wants to cuddle in a nice, safe, and warm room (while there's probably the screams of an extermination going on the background). He wants to go to restaurants (this man's a cannibal so check your food). He wants to do the cheesy move of handing you red roses and candy as a gift (do not ask how he was able to buy such an expensive brand, or where the two large, heavy trash bags came from or what they are filled with).

• He's going to be very, VERY protective of you. Almost, if not completely to an obsessive degree. He knows how Hell is. People want power, and he's powerful, and you are close to him. He's sure many people are going to go after you, in order to get to him. So, your little relationship is going to be as well protected of a secret as it can be, at first, until he believes he can properly protect you from any danger. And after the secret is out, he's going to be right by your side the entire time. Literally. Whenever he can be, he's next to you. Nobody, except maybe Vox or another pesky overlord, is going to try to hurt you as long as he is there. Even then, he could completely destroy them, anyways!

[jinxed-sinner]

I am simultaneously terrified and excited to see Alastor and Vox's backstory honestly. On one hand Viv said it's "complicated and sad" but on the other I swear I remember Amir Talai said ITS SAD ON ALASTOR’S SIDE? (don't quote me on that I remember seeing something about it but can't find anything about it)

What the fuck did Vox do? He's not the type to take any accountability for a relationship not working out (whether it's romantic or not), is he blaming Alastor for something that was entirely or mostly his fault? Is Vox the main reason Alastor hates modern technology so much? Was Vox stalking Alastor before the series ever started? Was Vox ever NOT a fucking weirdo towards Alastor?

I have so many questions that I genuinely want answers to but at the same time I'm terrified to know the answers. Like I want to know what makes them "sad and complicated" but I ALSO DON'T because I don't know if I'd be able to emotionally handle it and it literally gives me butterflies every time I remember it's even going to be expanded on in the show itself

[celestiamour]

‧₊˚✧ ❛[ when i'm alone ]❜

━━━ .°˖✧ requested by @lokotrona11 ˚₊ ⊹

ft. peter pevensie x f! reader — the chronicles of narnia

╰₊✧ peter meets a bookworm who makes life in london a bit more bearable┊1.3k words (prt two coming soon)

setting: england after the golden age contains: exposition, first meetings, strangers to friends, minor blood & injury & mentions of fights

➤ author's note: the very first narnia request i received!! there will be a part two that’s further into their relationship and includes more of the request, so please look forward to that (it will be better than this one, trust me, i just thought this meeting would be cute)!

to say adjusting to life back in england was difficult would be an understatement. although it was nice to see his mother again and the familiar landscape of where he grew up, it doesn’t change the fact that it was a complete accident as a result of them exploring during a hunt and going back towards the wardrobe’s tunnel in nostalgic curiosity. all of the siblings would be lying if they said that home had the same magic spark that narnia did with the gray skies and the nauseous smell of pollution, but at least they had the wonders of modern technology here like lightbulbs rather than wax candles. it was even a shock for them to remember that they are no longer the only humans in the world, that animals didn’t talk anymore, and that mythical creatures like centaurs and griffins were only real in fiction. however, the most difficult change for peter by far was the fact that he was no longer the king of a fantastical land, instead he was now some nineteen-year-old boy who wasn’t taken seriously and was often told to go off and do literally anything else that isn’t meddling in adult affairs. it’s common knowledge that he was always very mature for his age since he’s constantly looking out for the younger ones, but it was such a drastic change for him to already be acting like he was in charge of everyone after just a few weeks in the countryside and even wondered what the eccentric professor must have taught him for him to come back acting all high and mighty.

he’s tried so hard to go back to being a normal boy, yet he struggles to hide the regality in the way he acts and the air of superiority he holds. the other former royals are used to his behavior even before being crowned, but soon he found himself isolated from others his age no matter how close they were previously and getting into physical fights with anyone crosses him. he was no longer used to holding his head low when disrespected and now that he’s had a taste for being held in high esteem, he would no longer tolerate it and was now known as a troublesome person whom most people steered clear of.

although his family was concerned for him, peter didn’t seem to have cared less about how quickly his reputation plummeted and he spent his days as a loner. he often found himself exploring the city’s largest library instead of playing sports or getting a job since no one wanted to hire a rebel, reading through overly complicated books about portals and other dimensions. he knew that science wouldn’t be able to explain the phenomenon that he experienced since it was magic, but studying up on the subject made him feel a little bit better that there were other people around the world exploring the subject.

the entire section dedicated to this field of knowledge was in a far corner quite a ways from the entrance, a dusty little space a tad bit darker than everywhere else, and never had a soul near it which made it the perfect place for him to brood and be alone for the most part. the only other person he saw there occasionally was you, someone he only saw through passing within school hallways and heard about receiving academic prizes all the time. while classes were out, he fully believed you had already read all the books in the building. you were there from the moment the sign was flipped to “open” until the moment the librarian told you it was closing time, never thoughtlessly roaming around since you always walked with purpose knowing exactly what you were looking for, and often seen carrying books that towered over your head threatening to tilt over.

despite seeing you every single day, he never really had the chance to talk to you. you seemed so… untouchable… like you didn’t have the time or place to spare for people who weren’t in your schedule. he wonders if he used to appear like that to others back in narnia when he was rarely approached by anyone who wasn’t one of his siblings, but at least he had the excuse of being a high monarch— what was yours? it was the first time he found himself curious and thinking about something else that wasn’t his former life.

turns out, peter’s chance came to him when he least expected it and when he was in his most vulnerable state: freshly bruised and cut up after a fight with a gang of middle schoolers over stepped-on toes. he’s landed himself in this situation countless of times yet still never learns his lesson to leave it alone before it escalates. fortunately, he got to witness the satisfying conclusion of the leader getting dragged away by his mother, but he was really the one with the egg on his face when he barely managed to get in a single punch while he ended up with a busted lip. to say he was pissed off was an understatement, but frankly, emotions that weren’t anger or longing didn’t come to him much anymore. he didn’t want to get a scolding from his family about he should have been more careful again so he wandered back into the library to take care of himself in his usual corner, unwittingly catching your eye on his way and leading you to him.

neither of you said anything when you walked up to him with a first-aid kit in hand as you used your eyes to ask for permission to patch him up and he simply nodded to grant it, the silence being more tense than awkward. you wrapped bandages around his aching knuckles, applied ointment to his wounds, and uttered nothing but a “hold still” when he hissed in response to the sharp pain of hydrogen peroxide on his lip. he didn’t even feel your skin against his, just feather-light touches that tickled him slightly as he intently looked at you while you were focused. he’s never seen you up close before so he took the opportunity to study your features, slowly realizing that he developed a crush on you at some point and immediately straightening his posture to act like he wasn’t staring when you glanced back at him.

“you’re… the guy who’s always reading about different dimensions, right? your name is... peter?”

“yeah… that’s me.” he's surprised that you knew anything about him at all, much less his name and the books he was reading. considering that you were always in your own little world, it meant that you paid more attention to your surroundings than he originally thought.

“have you visited any other realms lately?” your tone was serious, but the absurdity of the question made it sound like a joke.

“you wouldn’t believe me, it sounds ridiculous.”

“really? i’ve heard all kinds of tales, i doubt it would be even close to the worst one.” you weren’t sure why you were the first to start the conversation when you never cared for your peers or what they had to say before.

“well… it all started when we left for the countryside and my youngest sister wanted to play hide and seek…” he wasn’t sure why he was telling you about the wardrobe and narnia when he refused to open up about it to anyone other than his siblings, but it felt right to do it. at best, you’ll believe him and he’ll have someone to talk to. at worst, a cute girl will think that he’s crazy.

neither of you were quite sure about the reasons behind this conversion, but perhaps there didn’t need to be one as long as it felt like the right thing to do.

request [ I didn't find your requests so I'm writing to you here 😅 I wanted to ask Peter falling in love with a bookworm (they only see each other in the library in the last hallway and she's shy and all that) (in the second movie) in London, as if she were the one capable of removing his anger for a while and Peter felt calm with that little girl. (If you write smut with +18 at the end or just fluffy, whatever you choose) ]

[thesoftboiledegg]

"Unmortricken" was a lot. In fact, it might have been a little too much.

To start, I loved the glimpse of what exists outside the Central Finite Curve. The visuals were stunning and reminded me of M.C. Escher's drawings. The Jetson-like family was a nice touch--if anything can happen, who says they can't have different animation styles? All those colorful portals make me wonder what's lurking just out of sight.

It's also funny that the space outside the Curve is full of Rick's favorite thing: crystals. If he took a trip there, he'd come back with his pockets stuffed with gemstones.

Evil Morty's reappearance gave us a decent character study. Since he wasn't the antagonist, we saw him interact with the C-137s as a regular person. Morty's a little impressed, and Rick has a grudging respect for him. Others have called Evil Morty the Rickest Morty, and I agree: similar intelligence, similar technology and similar bloodthirst.

I was glad that he left in the end because that's what his character arc is about anyway. He doesn't want to be part of anyone else's story, not even another Morty's.

However, that's also part of the issue that I had with this episode. Seeing Evil Morty was great, but it was also a little...pointless? You could've had the same story without him. He's not working with Prime, and he has no ties to C-137 after "Rickmurai Jack," so it felt like the writers just said "Hey, you know what would be cool?"

I'm not against writers having fun and giving the audience what they want. "Spider-Man: No Way Home" (yeah, groan at me, Marvel haters) is fan service in blockbuster form, and it was one of the best theater experiences I've ever had.

Still, if Evil Morty came back, I think he should've had a separate episode. The episode juggled C-137 Rick, Morty, Evil Morty and Prime Rick pretty well, giving them satisfying interactions with each other, but no Evil Morty would've meant more relationship development for the C-137s.

Evil Morty's backstory also didn't reveal much about him. I mean--yeah, we all figured that he had an abusive Rick and got fed up. The fact that he had a "regular" Rick instead of a deranged lunatic does make a point about the banality of abuse. Monsters aren't always raving maniacs who torture people in their basements. Ordinary people can wear you down with a slow drip of toxicity and neglect.

I enjoyed this episode, and Evil Morty's return was exciting, but cramming the series' two biggest antagonists and storylines into twenty minutes was a little overwhelming. New plot developments kept showing up, too: Rick found Prime! Prime's various lairs! Omega device! I would've preferred a two-parter.

I'll admit that if you told me that we'd see Evil Morty and Rick Prime in the same shot, I never would have believed you, but here we are.

On that note, Prime's characterization was perfect. No attempt at a cutesy, sad backstory; he's a laughing monster until the end. And is it really the end? He has regeneration abilities, but C-137 acts like he's dead and even gives up the search. This leaves us with a few options:

C-137 killed him.

Prime fooled C-137 into thinking that he's dead when he isn't.

C-137's keeping him alive for later use.

Hopefully, this is more complicated than it looks because I'll be disappointed if this is the end of Prime. He's a brilliant reflection of C-137: the Rick he'd be without his tiny shred of humanity.

And Prime's a maniac, but he tells C-137 the truth. Rick broke into Prime's house. He pretended he belonged with this group of strangers. He latched on to Prime's grandson because he never had his own. His brutal, violent streak never went away no matter how long he tried to play house.

Prime says "Admit it! You would have been me!" In season three and parts of season four, Rick was close. His love for his family--love that he pretended he didn't have--and desire for their approval just barely pulled him back. But what kept that spark alive? How close was he to becoming a cold, unfeeling shell?

In the end, C-137's not satisfied after he destroys Prime--and weirdly, I'm not satisfied, either. Beating Prime to an unrecognizable pulp doesn't bring Rick's original family back. It doesn't erase the atrocities that Rick's committed. It doesn't make his grief go away. It doesn't change the fact that Rick teetered on the edge of turning into the monster that he despised.

What's more satisfying is that Rick didn't turn out like Prime. His Morty doesn't give two shits about Prime, but he loves him. He hugs him in relief (come on, Rick, hug him back already!), cries out "Rick? Rick!" and shakes his body when he thinks he's dead, and talks excitedly as they return home.

Rick's going to therapy, which Prime would have mocked. He went from having nobody to living with FIVE kids if you count Morty and Summer. Even he and his Jerry are pretty tight.

Rick knows this, but he still feels empty all the time. Vengeance doesn't work, drinking doesn't work...wouldn't it be easier if he just switched off his humanity and laughed at everything, even his own death?

But now that he knows how it feels to be loved, especially by his hypothetical grandson, I think he'll always find himself at the Smiths' doorstep.

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[a-radi0]

This is the start of a series i posted on instagram a WHILE ago, i was playing with vox's head and fashion designs through the decades as TVs developed and it turned into big word blurbs with alastor and their relationship over the years. It does turn into a fuller comic later bc i started making it Complicated and Sad.

This is the 1950's, i based him off 1950s Philco Television sets! Theyre pretty nice looking and he gives the vibes of a ceo that would own a shiny set like that. Did you know? Color television was first tested in 1949-51? But it was illegal to distribute! There was one color broadcast in 1953 that was only shown to ONE network headquarters! Households, however, would still have black and white in the 50s. Hence why i made him b&w, thats how audiences would percieve him on screen, thats how they see him now offscreen.

I feel like he was a network tycoon of sorts who was developing a monopoly on the tv business at the time who just kept wanting MORE. Definitely a broadcaster himself who probably let the fans feed his ego and found his ways to manipulate them. I feel like he fell towards the end of the 50's once TV had taken its hold, allowing him to claim that business hed attatched himself to on earth. He sees al, a fellow broadcaster, as great for business and himself. Because who wouldnt want the radio guy 's powers to add onto your monopoly on YOUR team? Its good for business since all technology runs on radio waves

Alastor is apprehensive of course but interested to see if this guy rises or falls.

Part 2

Commissions are open!

[marvelstars]

Anakin and Slavers

"His undoing is that he loveth too much"

George Lucas

One thing that I always liked about George´s work in relation to Anakin and slavery is how out of the left field he and Dave Filoni wrote Anakin´s relationship to the people who owned or saw him as a property at one point or another and yet it makes total sense for his character.

For example kid Anakin has no doubt that Slavery is horrible and at 9 he is actually working towards developing technology to help free his Mom, friends and himself from it. He hates with capital H the fact those people have control over the life and death of other people but at the same time he has great compassion and kindness which his mother helped nurture. This along with the fact that Watto was the only adult male figure who was around during his early chilldhood, this complicated his feelings towards slavers in a very tragic way.

Anakin feared Watto´s violence and didn´t for a moment doubt he would have been willing to sell off his mother or him if the customer got to a big enough price but at the same time he listens to his advice when he travels to the dune sea to do his work with the jawas and his pov is almost as important as his Mom´s, in the novelization of TPM Anakin remembers not to talk to strangers or to get close to Tuskens Raiders camps thanks to Watto´s advice.

So in Anakin´s mind, Watto is someone he fears but also someone he takes advice from, respects to a point, sometimes gets sassy to and actually listens to almost as a father figure BUT at the same time he has no doubt he would activate the killing chip if he tried to escape.

Pain/abuse/fear mixed with care/advice(sounds familiar?) Anakin knows slavery is awful but he can´t help but see Watto as a person because of who Anakin is, Annie is a kind and understanding person and to point may justify Watto as a "Man of bussines" and "Not as bad a other masters" "It could be worse" but he definitely doesn´t trust him in the same way he does his mother, she is blood, she is family. He and Mom are a team.They shared their secrets.

The first time Anakin saw Watto again after being freed, he was a Jedi with training, almost a knight and the first thing he does to the guy who beat him and his Mom some years ago is to ask him if he can help with the ship parts Watto is working on because he noticed Watto is struggling and his bussines is falling down compared to how it was when Anakin was a kid. When Watto noticed who Anakin was he didn´t reject him and accepted his congratulations but keep himself appart, hoping to learn about his mother whereabouts.

When Watto told Anakin he sold Shmi, Anakin doesn´t have a reaction, he takes Watto´s justification of "I am sorry Ani but bussines are bussines and anyway the person who bought her freed her and married her" Anakin doubts it´s as good a picture as Watto is talking about but he takes his justification and leaves.

When he meets Owen, Beru and Cliegg he sees they are indeed nice people and the reason for his mothers suffering is something completely different that they were not able to stop so he doesn´t blame them for her fate. When Anakin lost his mother it was only natural for him to seek a family, someone he could share how he really felt and his secrets, he could not be part of the Lars family but Padme was willing to love him so she became his new confirmed family, right along with Obi-Wan and Ahsoka but while he had to show himself different to them, he didn´t had to do that with Padme, just like he did with his mother.

In the clone wars Anakin shows again this complex view of slavers with Queen Miraj Scintel, the cartoon goes out of it´s way to show she looked at him as pretty property and he didn´t let her forget that and actually it was strongly suggested he may have been raped by her at some point to keep safe Obi-Wan, Rex, Ahsoka as well as the people they wanted to save while he got enough soldiers to stage their rescue. Anakin had a plan the whole time just as he did as a kid so he keep his cool even when he saw another slave choose suicide over keep being under the control of Scintel. Yet in the end when the Queen was killed by Count Dooku Anakin felt sorry for her, he could not help it.

So this mix of rejection/anger/hate/disgust towards slavers mixed with pity/understanding which is something that was part of what made Anakin a good person gets used agaisn´t him in his relationship with Palpatine.

He first shows himself as the father figure Anakin thought he could find in Qui-Gon before he died a better father figure than Watto had been, a father figure that didn´t reject this title like ObiWan did, Palpatine did this to get his trust as a young child and later young adult and then he showed himself as the real sith master he actually was, Palpatine knew that Anakin wasn´t a stranger to be treated as property by people who showed themselves as good advicers or somehow not as bad as others despite their actions. So Anakin´s initial compassion, kindness and understanding for people that abused him is played agaisn´t him to make him fall to the darkside and chain himself again to another worse master who didn´t just seek to use his skills and body but who wanted his soul as well.

And the same reasons why Anakin justified Watto at first when he was a young kid also applied to Palpatine, he may be a sith but he ran the Republic better than those corrupt politicians, he isn´t a perfect Emperor but in Padme´s absence he is better than the alternatives. He isn´t as bad as a master and anyway I deserve this because I fell to the darkside and nobody can come back from that, if he abuses me I got this coming because I choose this and he still teaches me the ways of the force, he rescued me from Mustafar when Obi-Wan left me to die and he didn´t have to, he is all I have left.

So once Anakin´s voice died down Vader was left with many reasons to say to Palpatine "What´s your bidding my master?" because in his mind master isn´t a word that contradicts father and Palpatine became his father in all but name, this makes George´s words about Anakin fatal flaw being the fact he loved too much make complete sense and it´s a tragedy.

[sugar-grigri]

Yes, see Swordman announces that certainly the other "hybrids" including Reze are alive, but his presence raises more questions than it answers. Even if I'd like to see the way this chapter is cut, i.e. in three parts, already an element of answer. 

The first part was a little confusing and contradictory, with the new bodyguard Fumiko, appointed by Yoshida to watch over and "protect Denji". But what really stands out for me is the line "you're the one and only Chainsaw Man!". 

It's an answer that's already important, as it fits into a context in which Denji is increasingly stripped of his own identity as CSM, whether because of this impostor who represents the church, the church itself, the fans or the detractors. I had already analyzed the fact that CSM had become a collective essence rather than an individual identity. So to tell Denji YOU are Chainsaw Man is to give him back the link he has with himself. 

But this line would be interesting in another context, and here we're getting into pure theory and personal speculation. To explain, let's break the chapter down into three parts. First, Denji and his relationship with Chainsaw Man, as we've just seen. Then, Asa, who is beginning to come to terms (positively) with her own popularity as the new heroine. And finally, Swordman, who appears at the end of the chapter and introduces himself as such. 

My theory came from a single question: why did you present the chapter in this way? Why the ellipsis with Asa? Then continue with Swordman? I mean, Fujimoto did decide to bring these three elements together in a single chapter, so they must necessarily have some as-yet ungraspable narrative link. 

I've been thinking about it, and there's a lot of mystery surrounding the "hybrids". We don't even know what they're called, since their names have been erased by Pochita, according to Makima. Which means that they represent a very special concept that Fujimoto intends to exploit. A concept surely more complicated than a human fused with a demon. 

I've been thinking about this, and two main theories come to mind when I put together what little we know about them. Hybrids are immortal, or more precisely, they can be resurrected as long as they are given enough blood. There's something vampiric about that. Vampire in the sense that they're human-looking demons who need blood, literally. Another theory is more contextual, and that's the one I'm going to bring out today. 

Have you noticed that all hybrid demons represent weapons, machines. Never a fear of a broad concept like the demons of the apocalypse, or of an animal like Beam, or stemming from natural reflexes like the fear of blood and the fear of falling? 

My theory is that they are deeply artificial demons. This was more or less confirmed with Reze, who was a laboratory rat for the USSR, or Katanaman, who became what he is thanks to Akane Sawatari. What's more, hybrids are always more or less connected with the state, Reze with Russia, Quanxi with China, or Denji, whose public hunters are trying to get their hands on him. 

I can't speculate any further, but the only thing I'm sure of is that "hybrids" have something to do with the evolution of the world. And when I mean "evolution of the world", I mean technological evolution, particularly of weapons. 

Which brings me to my theory about chapter 138. There was always something I found unexploited about Chainsaw Man. Exploiting the relationship between mankind and demons, but in a different era, in the past. 

When we return to the chapter, Denji and Chainsaw Man represent the heroes of the present, who threaten to be eclipsed by a new heroine, Asa, associated with the demon of war. Yoru would represent the future, which is why for me she refers so much to nuclear weapons, which remain the most advanced and dangerous weapon at the moment (along with hydrogen bombs, but you get the idea). Swordman, on the other hand, may represent the past, a hero from the past. I mean, people in the past weren't afraid of chainsaws or bombs, they were afraid of swords and crossbows. 

Imagine how old immortal beings could be, representing traditional, ancient weapons? I think it's Quanxi aka the first devil hunter, or Swordman.  

With this context, what Swordman says resonates even more, doesn't it? Who knows better the feeling of being forgotten than a hero of the past like Swordman? Hybrids are doomed to feel this sense of obsolescence. 

Don't get me wrong, I don't think Swordman knows anything about this. He may have a few points from his past still fresh in his mind, but having been brainwashed by Makima, his memories are surely muddled. The fact remains that this link with the past and technological evolutions: hybrid demons are still those who have a direct relationship with the state and governments.

An important point, given that the Japanese government is the main antagonist in this story.

[bodymachine]

i think part of the reason that machines and obsolete pieces of technology are so viscerally interesting to us is because they remind us of our own bodies. things with buttons and levers and wires not only invite physical interaction (which is something beautiful and potentially radical in and of itself!!) but are easily anthropomorphized in that their heft and clunkiness elicit a sort of empathy in us. we realize that our bodies are not so different from machines, and it’s not because our bodies are sterile and cold and unfeeling, but because we all have these tangled insides and a desire to touch and to take up space in the world. we have such complicated relationships to our own bodies and we like tech that shows us how it can be touched and how it was assembled and how it can work and how it can fail. it is kind of body horror. it’s grotesque and erotic. we also realize that analog devices are being replaced and phased out of existence, and so there’s even more of an impulse to connect with them.

newer designs tend to emphasize sleekness and thinness and quiet and invisible parts and instantaneous results. i’ve heard of macbooks and iphones being described as sexy. they are not. a real sexy machine evokes the heat and weight and grittiness and entangledness of sex. so the condensing of functions into one tiny digital device and the storage of information in some invisible cloud and the forced reliance on a few entities that control the ‘progress’ of all that—as freeing as all of that can be in many ways that are worth considering, the implications for the future of our own bodily autonomy can definitely be frightening. i think that’s why it’s important to be intentional and interested in our physical interactions with any kind of object, but especially the old and the ordinary ones. to insist that they not become obsolete to us, and to insist on our ability to choose how they fit into our lives. that can be a sort of resistance to capitalism i think, that can start on the smallest level. that’s mostly what it boils down to, to me.