#i hated everything about this movie

[lose-your-fuckin-illusion]

Timothy Olyphant as 'Randy' in The Safety of Objects, 2001

[phantomrose96]

The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.

And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.

[rockingtheorange]

Why is Nick such an asshole to Taylor and the film? He already toldAmazon he will nto be doing the sequel.

I don't like answering this type of questions so I'll make it as complete as I can, so people can get a life outside their own expectations. (I'm not defending Nick, I'm stating facts.)

First of all, let's not spread false rumors. Nick has not dropped the project. (I'm baffled on how this rumor could start in the first place)

Nick signed a contract for the sequel, he has responsibilities towards it, and consequences if he doesn't follow it. Regardless, it's not us who decide the terms. If he ever decides to leave the project, he'll make a choice and ponder the consequences.

"He could do more". Well, he also could do less. He's an actor and does his job however he feels like. (Do y'all care about every single aspect of your own jobs or studies? Bet you have priorities, right?)

In pop culture, there's this conception of the artist "owes his fans". While I'm inclined to love fanservice of all kind because it makes us, fans, feel appreciated, no one forces us to be a fan, meanwhile the artists are forced to do fanservice as long as they want or their contracts stipulates that.

Now let me go onto the specific part of Nicholas' life and personality.

Let's remind ourselves that we can be the biggest fans and yet know nothing about our favorite celebrities. They show us what they want us to know, it's our choice to decide what we want to follow, hear or understand.

As far as we know Nick, he's always been a quiet reserved person, who suffers from anxiety, doesn't like big social events and hardly uses social media (especially in the recent years)

He's somewhat a fearful person who decides to step outside his comfort zone. We can know that from his song Comfort.

Nick has talked about how one of his "great fears is being misunderstood." You can read about it in the article RWRB related from BritishGQ in which he compares his fear with Henry's experience.

Nick has been showing multiple times in multiple occasions how he loved Henry and loved playing him. He wouldn't have said "yes" to a sequel if he didn't want to. (I'd also say it's a big deal since Nick has always only played in project that didn't get a sequel, and he consciously decided to agree to it.)

In Nick's career, we can see how diverse and interesting his characters must be. He's drawn to peculiar characters and when he finds one, he puts everything he has to offer into it. This leads him to focus on other characters that aren't the same static one from a year or two ago. (He moves on to the next project, and I don't see anything bad about it.)

Working a lot means schedule conflicts and Nick has always had this problem. If he doesn't work on something new, he rests while doing his little hobbies. (Does he need to attend every social event if he doesn't want to? Do y'all ever rest? And if you don't, can other rest instead?)

I added my personal opinion in parenthesis so it doesn't get confused with the facts. Nick is a human with personal interests, ranked scale of values and personal life.

If you don't want to be a fan, don't be. If you want to be a hater, talk it to the wall instead of harming or annoy others. If you have expectations over other people, learn to manage what you can't control. If you think you're in control of someone else, you're not.

Now, excuse me I'll go back to watch RWRB with Henry played by Nicholas Galitzine, the actor who took his fragile character and held him in his hand, and protected him.

[cry-ptidd]

Karaba la sorcière

[uncanny-tranny]

If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀

[bananonbinary]

somewhat kicking a bees nest here, but hear me out-

"homemade and handcrafted goods should cost hundreds and even thousands of dollars" is why attaching a monetary value to esoteric concepts like "time" and "skill" (and, you know, "a human being") is a bad system.

now, before the pitchforks come out, i am not bitching because i want a handcrafted quilt for $20. i do recognize that it would be unbelievably unfair to the quilter. but like...doesn't that sound obscene? that we live in a system where things that used to be pretty mundane are now only available to the upper class, or the creator just fucking dies? where in order for someone to make anything artistic, they need to be independently wealthy or ONLY cater to wealthy people?

again, i am not suggesting that artists should sell me their shit at a horrific loss. im not really suggesting any solution at all here, we're between a bit of a rock and a hard place. but it feels really inherently fucked up to me that the only options are "Artists taken advantage of" and "only rich people get art."

anyways, UBI huh

[swan2swan]

The biggest problem with Dominion is the dichotomy of Maisie's plotline with regards to motherhood, and the way both plots revolve around it from wholly opposite perspectives while never actually clashing.

Her plot starts off simply enough: she's angsting about not being a real person, Claire's trying to protect her, and Maisie spits at her with the "You're not my mother!" line right before she's kidnapped.

This is a classic Finding Nemo setup, which Claire takes to with gusto: she calls on favors, slips into seedy markets, fights a crime boss, eludes raptors, jumps out of a plane, and crawls through a forest to get the girl she calls her daughter back. Most stories would show this as a trial: ye olde "GASP! My parents love me!" story.

But the fact that Claire has no obligation to bring Maisie back is never challenged. Soyona doesn't bother with asking or playing the role of the tempting serpent instilling doubt; the closest the movie comes to that is Franklin giving her the "I told you this would happen" speech. It's all taken for granted, which is...okay, because we have already established who Claire is, but that's not the problem.

The problem comes with the other half of the story: Maisie mopes to Wu about how she's just a close, and Wu immediately points out how no, she was conceived and carried in a human womb just like everyone else! And he calls Charlotte "your mother".

And Maisie goes "Is that my mother?"

And when she meets Ellie, Dr. Sattler is somehow fully aware of who Maisie's REAL MOTHER, the one who created her and who she looks like, is, and gushes about how great of a eugen--person she was. Every single time Maisie talks about "her mother" with the people around her, the word is referring to Charlotte Lockwood, the woman who birthed her.

Meanwhile, that Claire woman is crawling into a slimy pond to get away from a twenty-foot-tall Kreugersaurus because she wants to get Maisie away from kidnappers.

Of course, Maisie runs back to her and yells "Those are my parents!", but there's still something missing there. Claire's side of the story is all about her powering through, risking her life time and time again to track down her daughter...but there's never really a moment between them later. Maisie even posits the "So I was just an experiment to her..." plotline that has been seen before, but even that's immediately refuted.

The movie's not wrong for avoiding the cliches and the oft-used tropes of foster motherhood, but it doesn't really break any new ground, either. Obviously, people can have more than one mom, but there's something of an imbalanced focus on Charlotte as Maisie's mother in the Maisie and Jurassic Park plotline, while Claire in the Jurassic World plotline is doing all the expected Mom Stuff.

I can't wholly express what's bothering me about it, maybe I'm overthinking it, but it...doesn't quite sit right with me.

[leronboi]

I wanted to draw outfits for the gang loll. I had other ideas but just wanted to keep it simple. This was supposed to be a doodle but I spent way too long on this one har har

[slurical]

some quick messy sketches from tonight to mark the first page of my new sketchbook ^_^ (totally didn't spend almost two hours trying to get ezra miller's face right)

how do u guys take aesthetic sketchbook photos

also ignore the blank space, it was totally a stylistic choice and i totally don't have to go to sleep rn (idk what to fill it with help me)

[morninkim]

As a show of good faith toward the remaining Decepticons at the beginning of a new, united Cybertron, newly appointed Senators Bumblebee and Soundwave allowed Shatter and Dropkick to enlist into Autobot City's Defense Team.

These two turned out to be... not the best choices.

The city may have fallen to Insurgent Decepticon occupation had it not been for young recruits Hot Rod and Arcee's accidental interception of Shatter's communication with the fugitive Starscream.

To replace the errant Defense Team members, Springer and Blurr were reassigned from Iacon to Autobot City in their stead.

[phvnthom]

[mysticalcats]

fellas. my friends said they ACTUALLY want to watch cats 2019 with me and i was SHOCKED because like. who would. want to do that. i am delighted. HOWEVER it will take everything in me to not pause it and clarify every five minutes about my opinions on the movie

[xxplastic-cubexx]

chat htey fuckin jumpscared me while im trying to do my assignment

[sonknuxadow]

it just hit me that the movie is coming out next month imgonna throw upppppppp

[aflawedfashion]

I don't know much about the comics, but I have heard that Wanda and Ghost Agatha walk the road together and Agatha gets her physical form back, so even though things are a little different in this universe, I really think something like that would be a perfect tv series. Marvel, if you're listening.

[novelconcepts]

feel like i have followed you for like, most of my adolescent and teenage life on this void app so i am incredibly validated by your tags on my agatha all along post, thanks for Getting It but also i feel like given that you’ve been on tumblr probably as long as i have, we’ve seen it all lmao

Your points are all valid! I hate that while watching a really interesting, well-put together episode of a show I love, I thought, god the internet will be insufferable about this for a week. That shouldn’t have been the vibe at all. Obviously certain elements of storytelling will speak more to different people, and that’s the joy of the craft, but I get so irritated watching entire pieces of art trashed because the story doesn’t 100% suit the viewer. Slight twist on the topic, but it’s how I feel when people go “season two of Yellowjackets SUCKED because my fave had a bad time” or “this adaptation is trash because it left out my personal favorite detail”. A story can go south because of bad storytelling, but there’s a difference between “bad” and “wasn’t for me”, and I wish folks would accept that nuance with a little less hostility.