#i hate tagging it like that because it's just a discussion

[wilcze-kudly]

Hey, hi, hello! I wasn't going to interact with this post after my first reblog, in which I did agree with you that I did not like the direction Toph's character was taken, since you seem to have made it clear that you're not interested in engaging in a discussion! But since you saw fit to engage and interact with my rather tongue and cheek tags, I thought it would be beneficial to clarify my opinion on the matter, as I believe it has been a bit misinterpreted, be it on purpose or not.

Before I do so, I want to reiterate: I do not enjoy cop Toph, nor do I like the lenient portrayal of the police force in tlok. I just think that people are much to willing to jump on a bandwagon of blindly crossing out this development, despite the interesting storyline it could provide.

You claim that I reduce Toph to 'a wealthy girl who likes violence'. Now, barring the fact that my original tags were more jokey, because I didn't expect a response, I would like to note taht you left out the arguably more important part of Toph having a constant need to prove herself, which I believe is arguably more important to her becoming a cop.

I've already alluded to this in my post about Toph's story being a tragedy but I think a lot of people handily discard Toph's need to prove her worth. This is probably due to the bravado she puts up, which, in my opinion, is used to cover up her fear of dependence and weakness.

Toph was not just seen as weak as a child, she was purposefully kept 'weak' by her parents, particularly Lao. Keeping her hidden from the world, not allowing her to socialise with her peers, not allowing her to move past basic earthbending forms, not giving her a shred of independence. I don't think I have to elaborate on how harmful this will be to a child.

We see how hard Toph wants to prove that she can be independent in literally the wpisode after she joins the Gaang, in the chase. This is literally the primary reason for her and Katara's conflict.

Toph: Katara, I'm fine. I can carry my own weight. I don't need a fire, I've already collected my own food and look, [Earthbends a rock tent over her.] my tent's all set up. Katara : Well, that's great for you, but we still need to finish - Toph: I don't understand what's the problem here!

This isn't Toph being a brat, or difficult, this is her trying to establish that she's able to handle herself, so the Gaang don't treat her like her parents did. This is a fear and suspicion that follows Toph constantly, and this is where her struggle with authority figures comes from.

And yet, she craves her father's approval. So much of her arc is trying to show her father the value of her true self, the powerful fighter and force of nature she is. Achieving greater and greater feats, just to prove to herself and perhaps her parents that she has more value as the person she truly is, not the person her parents tried to mould her into.

We see Toph enjoying new challenges and searching them out. She's competitive, but bot due to a sense of ego, I believe, but due to a a constant need to prove herself. Why wouldn't she search out a vocation that would allow her to, at least in theory, test herself and assert independence?

Her metalbending school does not give her that, she clearly loves challenges too much.

Furthermore, your argument that Toph's reduction to a 'rich girl who likes violence' being the reason 'so many' people are fine with her being a cop doesn't hold up. Most people flatten Toph to 'aggressive gremlin who hates rules' and actively use that to go against Toph being a cop. People hating Toph being a cop is the majority of the fandom, I would argue.

'This is what the fandom reduces Toph to.' Would you find someone agreeing with you and calling Toph a 'law breaker', 'insurance fraid', 'petty criminal', as they do in the reblogs and replies of this post, flattening a complex character to one aspect of her character? No, becauae they're agreeing with you. I personally find the idea that Toph is constantly stripped of her depth and reduced to "criminal chaos causer" upsetting for how much of a deep character she actually is.

And yes, Toph's wealth is important to the discussion, and so is her being accustomed to solving issues with violence.

Remember, Toph was sheltered as hell as a child. Even when she hung out in Earth Rumble 6, she didn't stick around to socialise. So we have a young woman who grew up in very particular enviornments. And while spending time with the Gaang, she widened her horizons, a gagle of teens and preteens wandering the world aiming to take out a monarch isn't the most 'preparing you for real life' situation out there. This leaves us with a girl who has extremely limited experience of the world, and is very accustomed to violence as a form of life.

People also tend to ignore that Toph is actually an incredibly pragmatic person, who will often prioritise efficiency over things like morality, ideologies and even personal grudges. This doesn't make her a bad person, I love that about her. She's not only able to see clearer than the Gaang that they need Zuko to teach Aang firebending and she is able to forgive him for accidentally burning her.

We would be remiss to see that she is willing to surrender her own ideals for the bigger picture. Like as she did with the case of Liling, advising Aang to remove her bending. I don't believe this is a decision Toph made lightly, especially with how important her own bending is to her. She knows more than anyone the pain and fear removal of bending can cause. But she offers this anyway because it's how she believes a dangerous criminal will be stopped.

We also ignore that Toph has a love and fascination for progress. She's drawn to the future that the refinery and Cranefish Town represent, and she's willing to defend them. So her remaining in Cranefish Town while it becomes Republic City and becomes a hotspot of both economical and technological growth is in character, as is her wanting to defend it from the apparently many crimes that happen there.

And sure, there are many ways to do that, and I honestly wish it weren't by being a cop. But we can also remember that Lao Beifong was on the council of the city from its beginning and may have wanted Toph to be less of a vigilante and help train benders to defend the town. Because, cool as Toph is, she can't be two places at once.

And we've already seen how much Toph cares for her dad's approval and she's also very protective of him.

So is it really that improbable that Toph would start a police force in Cranefish Town, where her father whom she wants to impress resides? The girl who wanted to spread her influence across the world via spreading her teachings? The girl who loves progress and challenges?

And honestly, Toph didn't even seem to be having that much fun on the police force anyway. I think a very likely progression of events for Toph in the police force is that she created it and later became disillusioned with it a she realised that she had become what she hated most. A controlling authority figure.

Hell, the way she acts when we actually meet her in tlok lends credence to this theory. Toph is clearly bitter and disillusioned about her time in the police force.

Toph: Listen, when I was Chief of Police in Republic City, I worked my butt off busting criminals. But did that make crime disappear? Nope. If there's one thing I learned on the beat, it's that the names change, but the street stays the same.

It's a tragic story and it makes me sad, but I can't deny that it is an enjoyable storyline to follow. It feela like more of a critique of the

Now, do I think Bryke intended for this to be the true meaning Toph's story? Hard to say but I'm leaning more to no. I think they made Toph a cop because they're two liberal white cishet men who were creating fictional New York in a East Asian skin. Although B1 did try to lay a critique of police brutality and police states it falls flat due to Lin and how the storyline absolves her of a lot of her flaws.

I don't like cop Toph. I'd much rather she do anything else!

But I do still maintain that this storyline isn't a character assassination or the 'worst caharacter progression ever' or impossible, as a lot of people claim. And my opinion doesn't come from a reduction of Toph's character to a caricature of herself, but from a very careful consideration of her multifaceted nature.

People are free to dislike cop Toph, hell, I dislike cop Toph. But it's not as bad as everyone claims. But we sadly see a lot of this in fandom culture. A fandom reduces a character to their most basic traits and creates their own little doll of them based on said traits. And when writers and creators want to do something new and interesting with a character they created, they are faced with extremely harsh backlash because fandom has begun to see their version of the character of not only the 'correct' version, but also as their property.

So as much as I dislike the direction they took Toph, I dislike the fandom culture that caused so many people see this as some sort of destruction of Toph's character even more.

Reblog if you also think Toph shouldn’t have been a cop.

I want to see how “unpopular” this opinion really is outside cop-worshipping Reddit.

[rookinthecrownest]

Some Updated Thoughts on Lucanis' Romance (Both Positive & Constructive)

I want to make this as balanced and as reasonable a take as I can. I'll put everything under the cut and tag as critical so you don't have to engage with it/see it if you don't want to.

As usual, these are just my opinions. If you really enjoyed Lucanis' romance, none of what I'm about to say is meant to dissuade you from that. I'm happy for you!! I'm so glad you enjoyed it. There were parts of it that I absolutely loved too, and I hope I'll do that justice with this post so it doesn't come across as hate. Because I don't hate his romance, I just think there was some places where it could have been fleshed out a bit more.

If you want to engage in discussion with the more critical aspects of this post, my only request is you do so respectfully.

Positives

I'd like to start on a good note by detailing the aspects of his romance that I really liked. There are a few places where I think they did a great job with his romance.

Party Banter & Codex Entries

Although meant to be supplemental material to the story, I think they do a really good job at helping the slow-burn aspect of his romance they were going for. There's one codex entry that goes something along the lines of 'It is not an hour lost, but an hour found' and that is one of my favourite codex entries....ever. It's such a short entry but so meaningful and shows you a lot about his character. You get this profound sense of just how much Rook means to him with this one line.

His party banter once you're in a relationship is also very sweet. I didn't get a lot of it, but what I did get was lovely. Especially when he admits to Neve that Rook is good for him and makes him smile. There's another line about how he doesn't know what Rook sees in him, but he's happy they're with him which is super sweet. Telling Emmrich how Rook is his first relationship? Adorable.

Everything about the party banter and codex entries did a good job of giving us more insight into how his character is dealing with things, when it's not explicitly shown to us in cutscenes (We'll come back to this later). It helps form a more complete picture of the way they wanted to handle this romance in general.

Relationship Cutscenes

There's a few scenes throughout the romance that I enjoyed a lot.

The scene with Illario at Cafe Pietra and the talk of first kisses and kisses goodbye was very cute and well done. It really did feel like a coffee date haha.

The almost-kiss scene was also amazing. The confident stride towards Rook, the wall-lean, his facial expression when he pulls away. You can feel how much he wants it, but something in the back of his mind (whether it's him, or Spite) pulls him away at the last second? I loved that. I'm actually super glad they didn't kiss here. The pull away made for great tension (I'm going to come back to why this is important later).

His line about Rook breaking apart his 'perfectly gathered clouds of doom' was beautiful, and one of my favourite lines in the game.

Although there could have been more to it, his romance lock-in scene with him baking dessert for Rook is also sweet and shows his romantic side and thoughtfulness.

The ending scene of the romance, after Rook comes out of the Fade Prison, is some of my favourite romance scenes in any Bioware game. Any game, period. It was so incredibly well done. From the writing, to the dialogue, to the facial expressions - absolutely everything was perfect. The wings coming out, the fade to black, the banter about falling asleep and playing cards with Spite? Lovely. All absolutely lovely. 10/10, no notes.

His dialogue about killing any god to keep Rook safe is very sweet/romantic. How he wants Rook to tell them this all ends with him asleep in their arms. How Rook's voice is a comfort. This was SO beautiful.

All in all, in some places, I feel that they did achieve the slow burn they wanted with his romance. Even excelled at it, really.

Constructive Criticism

I'm just going to re-iterate that while this section may be longer than the positives, it comes from a place of love rather than just wanting to hate for the sake of hating. I've been a fan of this character ever since I picked up Tevinter Nights, and was looking forward to his romance the most.

The Neve Situation

I'm going to get this one out of the way first because it's probably one of the more.... contentious points in this discussion.

Besties, I need you all to hold my hand so tightly as I say this, but absolutely none of my frustration with the Neve/Lucanis thing is to be construed as hate towards Neve. In fact, I love Neve. I've been a fan of her since she appeared in the comics. I loved her in Tevinter Nights. I love her in the game, I can't wait to romance her. I don't have a problem with these two characters getting together if Rook is not romancing either of them. That being said, there are a few things about his interactions with Neve if romanced by Rook that I can see why they would rub people the wrong way (and why they rub me the wrong way a little bit too).

-Neve and Lucanis can still flirt after Lucanis is locked into a romance with Rook. This is a pretty big oversight from the devs. Its no secret that characters will romance each other if not in a romance with the player character. It happened in DA2 with Fenris/Isabela, in DAI with Josephine/Blackwall, Sera/Dagna, and Bull/Dorian. In ME, I believe it happens with Garrus and Tali as well. So, I don't think the simple fact that they can get together is really what's bothering people.

Importantly, unlike previous games, once the player character is locked into a romance with the other party, the LI doesn't flirt with other companions. I think if the devs had locked the flirting once Lucanis is locked in with romance, much of this conversation wouldn't even be happening.

DATV is a role-playing game. Nothing would take someone out of a role-playing game faster than their love-interest being flirty with another companion - and understandably so. It just feels...icky? Like your player character is getting in the way of a ship the writers wanted. I don't think it's unreasonable for someone to not want to feel like a third wheel in their own romance.

-In Lucanis' mind-prison quest, even if he's romanced by Rook, Neve will still appear. The way Spite describes her seems to imply he still has some sort of romantic feelings for her. Which.... yikes (but this may also just be the way I read his line). If he's not romanced by Rook, Neve being here would make sense. There's not even a mention about Rook in a note or anything. Spite has one line about Rook opening doors and not closing them but that's about it. There's no special romance reactivity in this scene, even though it happens pretty late in the game and after the romance-lock in. Afterwards, he says he trusts you with his thoughts, which is sweet. But this should have been in the cutscene - not skippable banter at the LightHouse.

Set Up & Pay-off

This is a fundamental aspect of storytelling I'm sure you're all familiar with. The classic Chekov's gun. Don't set up something you don't plan to pay off.

Let's go back to the almost-kiss. They set up some fantastic romantic tension here. If you go see Lucanis again after this scene, I think he has a line along the lines of "I'm sorry Rook... I can't ..." But that's all we get. And the almost-kiss isn't really addressed again. Actually I wouldn't even call this being addressed in the first place, because if you wait too long to see him after that cutscene it may not trigger in the first place. This is probably the most egregious example of wasted set up with no pay off. There's no discussion about it. There's no cutscene of Lucanis talking to another companion, or even having some kind of internal monologue about it.

Another example of set up & pay-off is after confronting Illario. Lucanis says he has a plan to celebrate instead of sticking around at the party.

Cut to him drinking coffee by himself back at the Lighthouse.

Rook & Lucanis could have sneaked off to Cafe Pietra, or gone walking in the Treviso market. Or hell, taken the Gondola ride that was in the concept art. Or kissed in the rain under an awning. (I'm never getting over that concept art they showed us...)

The conversation about sparing Illario, how he doesn't want to lose what he has left, including Rook, is fine. But I feel this was another wasted opportunity.

The romance lock-in scene is another example of a missed opportunity/failed set-up. It doesn't even feel like a romance lock-in to a lot of people. If so many players think their game is bugged because that's how you lock in the romance, I think there's a problem. You go from almost kissing to a full on relationship. There is so much that can happen in between that (none of which has to be physical intimacy btw) which could have helped make the lock in scene make more sense. It's the same scene as the one with Neve - but almost...done worse?

Having coffee with Spite & Lucanis. This one is more a writing issue. At the end of the scene he stands awkwardly next to Rook and says, "Whatever this is, I'll take it" and I couldn't help but feel... the writers really just didn't know what they wanted to accomplish with this scene. 'Whatever this is' could have been 'I don't know what this is yet or what to call it, but whatever it is, I want to see it through with you' or something along those lines. Astarion actually says something similar in one of his romance scenes, but he holds your hand, looks at Tav earnestly, and says "Honestly, I don't know what we're doing. But this...this is nice..". He doesn't put a name to the relationship either, but it's the way he says it and how it's conveyed that make it a more effective scene.

He's been imprisoned for a year. He was made into an abomination. He doesn't sleep. He's dealing with PTSD probably. He's a romantic at heart but needs to learn to trust again. It makes sense that he's not overly flirty with Rook, and the romance isn't very physical. This is all FINE.

BUT.

While I listed the codex entries & party banter as a positive (because I do like it), I feel that they leaned too heavily on that for the romance.

Let's contrast Lucanis' romance to Cullen's romance in DAI. After all, Cullen has also gone through some pretty traumatic shit and is literally struggling with Lyrium addiction when you meet him in Inquisition. I want you to remove all of Cullen's side-banter about the inquisitor, all party banter about their relationship, and all the codex entries. When you watch the cutscenes of his romance in order, you are still left with a solid romance. If you're a mage, you even get some heartbreaking mage-specific dialogue about whether or not he'd cut you down if you ever become an abomination.... And I'm getting off topic here, sorry.

My point is, these things are meant to be extra. They are not supposed to be the way you piece together bits of your own relationship and a substitute for companion interaction. And here is where I think DATV's choice not to let you randomly talk to your companions really hurts it as a game.

Romance Reactivity

There's a few points in the game where romance-specific dialogue would have really helped solidify things.

No, I don't mean flirting. I mean dialogue that reads like he's struggling with building the relationship - not bulldozing right past it. It makes the romance-specific dialogue wheel options feel rather useless.

One example is during one of his personal quests, Rook says

"I'm still here aren't I"

No facial reaction, "We need to talk about Illario"

You can see how this is a bit ... jarring, right? Like you may as well have not even picked the romance-specific dialogue? There's a few instances of this, but that one is just the one I can recall off the top of my head. When I pick the romance-specific dialogue wheel in Bioware games, there's always something about the response from the other character that indicates something more might be going on - it could be something as simple as a nervous smile, or an extra line of dialogue, or hell, maybe they flirt back (although with Lucanis I understand why he wouldn't).

If you're not going to show romance reactivity with Rook, give us a scene with Lucanis where we understand why. Show him fumbling to do something nice for them. Show him pacing and wondering if Rook is really into him. Show him struggling against Spite, if he's worried Spite will hurt Rook. Don't just tell us through codex entries. Show us.

Miscellaneous Sentiments & Final Thoughts

On the whole, I genuinely feel like Lucanis has the least content out of all the companions. Maybe it's because they laid off Courtney Woods & Mary Kirby, maybe there's another reason. I don't know. But so often I found myself going back to the Lighthouse wanting to talk to Lucanis but there's no little indicator thingy for him. But every time I go back Davrin, Harding, Bellara, etc. all have something to say.

We should have had an opportunity to delve a little bit more into his relationship with his family, unpacked the stuff with Caterina & Illario a bit more, and unpacked him being made First Talon. Which, if you read Tevinter Nights, you know he actually doesn't want the job. If they weren't going to include it as a cutscene, then extra dialogue (a-la-Inquisition) would have been a good place to fit that in.

On the whole, I still like aspects of his romance. I'm looking forward to romancing him again. I just feel that the romance could have benefitted from even 1 or 2 extra small scenes. If I can go on 1000 walks in the forest with Davrin and Assan, I should be able to have a real conversation with Lucanis about the relationship, his hangups about it, and try and work through it.

Keep the almost-kiss in there. An extra kiss before the finale would have been fine, but not necessary. What was necessary, imo, is a whooole lot of buildup throughout the course of Act 2 so it doesn't feel like you're getting whiplash in Act 3 when you do kiss and have the implied sex scene.

I think the concept art that was recently released feels like a gut punch to us Lucanis fans. Because it shows that Bioware had the skeleton of a great romance, and chose to axe nearly all of it.

It really feels like they didn't quite know what to do with his character and romance and just said 'put it all in the codex and banter and let them figure it out for themselves'.

Quick Notes

The argument that we should 'run to AO3' to fix our issues with the narrative, to me, is unproductive. Fanfiction should supplement the source material, not act as a replacement for good storytelling.

I don't think telling people to headcanon a majority of a romance they were looking forward to is helpful either. Headcanon is not supposed to replace storytelling either.

Boiling down the criticisms of Lucanis' romance to 'you just want more steam/sex/etc' is also unhelpful. Maybe it's just who I follow, but I have barely seen anyone (on here or reddit) state that this is their main problem with the romance.

Okay, that's it!

Bye!

[jetspikepub]

No one ever really talks about it in the fandom and it NEEDS to be discussed because it's hilarious to me. I have to ask where all the crazed spike x julia fans come from 😭 like say one thing negative about the ship or ship spike with someone else and there's this one person (who I think owns multiple spikexjulia accounts snd pretends to be different people😭😭) that starts sending their "CAnoN aNd facTuAL eviDencE" with so much hostility

I've also noticed that Julia fans either always hate Faye and/or don't give a damn about Spike's well-being and just want him paired up with Julia even if that costed him his life, which I don't even think Julia herself wanted for him to do in the end lol. It's a little disturbing

Oh trust me, this is a looong story. It's not like we don't see it, we just got tired of it. You're not alone, I give you a warm hug🫂

This user has been terrorising Bebop fandom across multiple platforms since 2022, I think. If you ever see this bitch harassing someone just flag the account or ban it. A collective appeal could do the trick, but it's gonna be like chopping off Hydra's heads. This pain in the ass keeps posting weird commissions on X (Twitter), Deviantart, Reddit, Pixiv (for Christ's sake, please DO NOT search Bebop tag on Pixiv, it's a total disaster in there right now) and edited Bebop wiki, describing Faye as Spike's no 1 enemy and Julia as a goddess of doves and roses 🤢 It's hard to track down every account, the only way to stay safe is to not interact with them and blacklist. "If I ignore it, maybe it will go away" tactics is the best in this situation, don't let them take away your time and emotions, they cannot be reasoned with.

Another thing that bothers me is that stupid localisation of guide books with SpikeJulia nonsence the translators added just because they wanted to and ruined the original idea that implies multiple ways of story perception. I've aready dispelled that "truest lover ever" myth by presenting the original texts from my collection of Japanese books. They fucked up with "love" kanji meaning in Eng and this changed a lot (I did some analysis here and here). Now we can see what happens when these love stories fall into the wrong hands: haters cite it like a Bible in each and every thread about SpikeFaye😩 Also there was a post about some Julia's love letter to Spike (wtf?) written on the back cover of the vol. 6.

I wanted to make a post about it and took pictures of a Japanese edition but forgot. Now it's the right time to dispel another myth.

According to quick translation results, this guide was made to inform fans about some Bebop episodes which weren't aired on regular TV and appeared later on WOWOW (premuim satellite broadcasting) because of censorship.

There was no mention of Julia writing letters to Spike in the original series. It was Spike who gave her a note describing rendezvous point or whatever and she tore it to pieces🤷🏼‍♀️

Just remember: Spike's well-being is up to the viewer. Noone can convince you otherwise if you don't want to and noone has right to insult you. Spike is for everyone 🌸

The situation is so annoying, those who loved SpikeJulia or didn't give a damn about them now hate this. If someone is going to use "SpikeJulia" as a safeword I will understand 🤣

[pjsk-hot-takes]

To add onto Anons before me I’ve noticed that whenever misogyny is brought up in the PJSK fandom the people talking about it always specifically refer to L/N, MMJ and even N25. Which.

Actually I think we should talk about Emu Nene An and Kohane more. They face SO much misogyny. Constantly. And nobody even mentions them in discussions about misogyny BECAUSE of said misogyny. Literally every single time an Emunene or Anhane song comes out people call it bad or say it should’ve gone to someone else. Every time. Without fail. It gets ignored at best outright hated at worst.

Ok so thought experiment time. Name a popular Emunene or Anhane song that’s as beloved or gets as much attention as Aun no Beats and Fixer.

If you couldn’t name one - that isn’t even because they don’t have bangers people just don’t like women unless they’re standing right next to men. Anhane alone has Imperial Girl and Odo and Pheles and Love is War and the Night Sky Patrol of Tomorrow and Butterfly on your Right Shoulder archives and you’re telling me that none of those are “good enough”????? Idk I think that’s just bias. Ruikasa and Akitoya songs have gotten popular with worse. Anhane and Emunene could drop the most jaw dropping gorgeous songs ever and not a single person would care and I firmly believe and will stand by that statement.

This isn’t even getting into how they’re treated in group covers!!!!!! Everybody ignores or hates on them!!!! If people feel like they got even slightly more lines than Ruikasa or Akitoya, even in their *own focus songs* (cough forward cough) they get so upset. And yet when Anhane and Emunene get the EXACT same treatment in Ruikasa or Akitoya songs nobody says a single thing!!!

And that’s not just speculation I KNOW that’s the case I can literally prove it. An has three total solo lines in the entirety of blender. That’s the exact same amount of solo lines as Toya gets in Ready Steady. They pretty much have the exact same amount of duet lines as well. In both songs. But Ready Steady is infamous and hated for it whereas blender nobody has even pointed this out and it’s universally beloved. It’s not even just a “blender is a focus song” thing because this happened with Forward too. It’s just misogyny.

I’ve seen people complain about Daybreak Frontline. Because and I quote “I hate it when the girls get most of the lines”. I can’t even go into any of the Nene or Emu tags without filtering every single Tsukasa and Rui tag first and even then finding any sort of content is almost impossible I think that’s a problem.

People will call Kohane “just a girl” despite the fact that she has a solid character arc and a personality and development. You can think she’s boring or not for you but????????? Don’t call her “just a girl”????? Esp not when she has social difficulties that are intentionally supposed to be relatable to the audience. A lot of people might actually relate to her character and journey even if they don’t necessarily like her. Idk leaves a bad taste in my mouth.

An has it only SLIGHTLY better because there’s a niche little fanbase for her and she’s somewhat popular (in the western fanbase. I think Kohane is more popular in Japan iirc.) but she still gets treated as an accessory to Akito and Toya just like Kohane. Also people keep trying to be weird and frame her as abusive or toxic which. Considering that possibility isn’t like a bad thing but people are just straight up reaching to try to prove stuff that either isn’t implied at any point or is outright refuted in the text just to villainize her??? Which is weird??? Especially because these people will turn around and defend Rui and Akito. Like. What did she ever do to you….. you’re willing to defend Rui who has canonically put people in mortal danger because teehee autism (I am autistic FYI I still think that’s a really stupid thing to use as justification especially if he’s aware it’s dangerous????) but An. Just existing with her fear of abandonment was too much??????

I could go ON and on and on there are so many examples….. help me……… help me anons…..

It’s not even that liking Akito and Toya or Rui and Tsukasa is inherently bad!!!!! But the favoritism as a whole is…….. something. Especially when it turns into hating the fem characters.

Also Mizuki suffers this too with Rui as another anon mentioned and it’s like. Really guys. Like first off it’s not about him it’s about Mizuki and if you’re gonna involve anyone else it should be the Nightcord girlies. Second off It’s a double whammy because people will bring up Rui but make no mention of An despite the fact that An is the one who’s canonically defended Mizuki from transphobes. Like. Why only Rui.

(I tried to word this as neutrally as possible I hope it didn’t come off as too aggressive ausuxuvhxhgxhgshg…. Anyways….. introspection and growth is good and cool actually…. Also I’m using Anhane and Emunene and Akitoya and Ruikasa for ease of use not as like a ship thing just to clarify it’s just tiring typing out each name individually)

.

[botanikos]

Good evening! 

While I hate to make such a large announcement and “kill the vibe” for the weekend, I really do need to set something straight. The world outside of roleplay is tumultuous and full of horrors, ailments, and struggles unique to each day. Writing is a hobby for many of us, I assume, and a reprieve from the chaos that hounds us. However, I cannot speak for anyone else; these are my words, and my feelings. 

I made this blog as a means to connect with others and write! Roleplay, to me, is what I have always enthusiastically described as collaborative storytelling. Not only that, but it is one of the easiest and most accessible and enjoyable means of relief for me. I get on my silly little blog to write and goof off. To step away from everything else around me. Sure, occasionally I let my own feelings for the day seep into my writing - but who doesn’t use their muse as a means to an end when things have been a little rough? In the end, I am here to have fun!

Like anyone else, however, I am unfortunately and fatally…human. I have feelings such as doubt, anger, frustration, anxiety, joy, compassion, etc.. There will be times where I may have the desire or need to let these feelings be known in an OOC post. It is my blog, and that is my right! That is every individual’s right; your blog should always be your safe space, and that is exactly what mine is: A safe space. That being said, I work hard to keep my blog safe not only for myself, but for my mutuals or anyone who might come across it. I tag anything and everything I should or can, when I remember to do so and as I see fit. What I will NOT engage in however, is drama, venting, or negative specific vague-posting. And I refuse to consistently let it be a constant presence any longer. 

WHAT DOES THIS MEAN? 

My blog will remain a safe space for anyone seeking comfort, reprieve, or looking for advice provided we are mutuals. You may always approach me with any questions or concerns, especially if it is in regards to my/our writing or content on my blog. I encourage any discussions to be held in privacy between us either through tumblr IM or Discord (available upon request or when I occasionally offer it on the dash). 

I will NOT unfollow anyone for the occasional vent post. OOC venting and feelings are FINE! I make those too! My blog will have a LOT of OOC postings throughout the week and even peppered between replies and activity. My DMs are ALWAYS open if you are having a particularly hard time, and need someone to talk to (albeit, I may be delayed). 

What I WILL UNFOLLOW FOR includes but is not limited to: harassment of any kind, bullying, constant negativity, constant trauma dumping, constant acknowledgement of anonymous hate-mail, constant complaints of lack of interaction (ONLY if I have knowledge that I have reached out multiple times or reason to assume others have done so too), negative or derogatory vague posting of other users. Also, please keep in mind that I have other responsibilities outside of tumblr. While I may not immediately receive your message, see it, or response to it, it does not mean it will go ignored! Though it is no one's business, I have my own chronic conditions and experience varying degrees of social burn-out. I love chatting but can become easily overwhelmed! Give me time!

IN REGARDS TO BLOCKING - I do not block anyone without reason. So far, I have only ever blocked spam or porn bots. However, if I grow uncomfortable or have reason to doubt the safety of my space, I will not hesitate to hard block. You will not be given a warning, because again, I do not do this often / at all thus far. And for me to take this sort of action, it simply means I am unwilling to communicate my discomfort and for what I believe to be, good reason. I do not immediately block people I unfollow because on most occasions, if I unfollow someone it is either A) an accident or B) just that I don't vibe or see us interacting anytime soon or in the future. This does not inherently mean this won't change! Maybe later on I have expanded my abilities or have newfound interest / new perspectives! Neat! But unfollowing does not warrant an immediate block from me. Blocking is a SOLID and DEFINITE sentence. I do not do it lightly.

Please understand that I still wish to be a positive presence and will continue to do my best to provide this! But even I have my limits, my own external struggles, and I am weary… So very, very tired. 

If you have any GENUINE questions or concerns, please do not hesitate to reach out to me! I value communication and compassion above all things, and will happily engage in a civilized conversation about anything you might find unclear. 

Thanks for reading! 

Jude

[loganwritesprobably]

Dealing With Grief

Notes: Insp by Unopened Windows by Set It Off

Tags/Warnings: Mihawk/M!Reader, family member death, discussions of grief following a loss, implied that deceased person had dementia/alzheimer's, hurt/comfort

It never got any easier, or any less, the ache that came from losing someone you love. Loss is incomparable, no matter how much you believe you are hurting more than others, you cannot truly perceive that difference. What you do know for sure, is the loss on your mind hurts more than any of the others. Losing someone you love hurts, but watching as they slowly lose themselves and being forced to grieve all the while, as they forget you and all those they hold dear, robbing you of a true chance of ever saying goodbye - you can't tell that they're gone until it's too late and then there's a husk left behind wearing their face.

You sat before the grave of your grandfather, letting your thoughts roam freely as you pulled absently at the grass beneath you, something to do as tears rolled silently down your face. Those who saw you often claimed that time would heal the hurt you were feeling, yet you'd been coming for years and it had her to leave you. Healed, perhaps, but gone? It never would be. You were often left pondering what could've been and what you had missed - if only he'd been able to see you now.

When he'd been alive, your grandfather had urged you to be happy, whatever that looked like for you. Though, he particularly wanted you to find a partner that you could love and would wholly love you in return, someone you could rely on and call your life partner. If only he could see you now and find out that you'd done just that.

Dracule Mihawk perhaps wasn't the most likely suspect for that, and yet he was perfect for you. Just wonderful. He too had lost much in his life and so whenever you felt melancholy, he would join you in your grief rather than rushing it away, he'd lay beside you until both of you were ready to brave what regular life is supposed to look like, and then you'd both manage to do it with a small smile.

"He's perfect." You whispered to your grandfather's grave, watery smile gracing your features, eyes stinging from tears and your cheeks no doubt pink from the same.

Since he'd died, you hadn't been able to return to your home island. Most other family members had left and so there was no reason for you to go back. Every corner you rounded, every building you entered, every person you spoke to, they all held memories you couldn't face anymore, ones you weren't strong enough to remember without being left in the lurches of grief all over again. You would look around and see not just was, but also what could've been, and end the night cursing the sky.

"There you are, dear." Mihawk said softly, stepping up behind you. He knelt down and carefully pulled you to his chest, gently scratching his blunt nails over the back of your neck to soothe you. "It's a pity you're crying, but you do look so handsome today." You couldn't help laughing, even as you continued to cry.

"I miss him." You whispered, as you often did, the tears thick and catching in your throat, choking the sound.

"I know. But do you know what else I know? I know that he would be incredibly proud to call you his grandson, and that he must hate seeing you like this. Present tense. Because I know he's up there, looking down at you." He always knew just what to say. Despite Mihawk never having met your grandfather, he'd learned plenty about the man from your stories, and having known him yourself you had a feeling your lover was right.

"Yeah. You're right. I just wish he were here, he'd have loved to see us get married." The ring on your finger shone on the orange light of the sunset.

"He will. We'll leave a front row seat open for him, and he can watch from there." He assured you, and your slowly dying tears started anew, now largely from love for your fiance, and how willing he was to accommodate you.

You'd be alright, some day. The wound of loss would scar over, and the ache would dull. You'd be able to look back fondly without choking up, and be free to reminisce and pass the memories of the man you'd loved so much to your own children. You'd be able to impart his lessons, and share his jokes, and see his face in theirs.

Today, you cried.

Tags: @cainnoable @claryeverlarkf @uselessboots @frillsinadress @categoryace

If you'd like to tip me and get exclusive ficlets, Kofi

[sotwk]

Fanfic writer interview

Thank you @emmanuellececchi for the tag!! 💖 I've been tagged on this game a couple of times in the past, but I never answered them because looking at my Ao3 Stats just made me feel sad.

Stats are a little better now, and I have thicker skin about it, so here we go! :)

How many works do you have on AO3? 23

What's your total AO3 word count? 72,658

Your top 5 stories by kudos/likes:

Taken (Eomer x OC) *most popular by a large margin!

Greenleaf's Day Out (Child Legolas and family)

The Task of Living (Thorin x Reader)

Breathe (Boromir x Reader)

Dandelions (Boromir x Reader)

Do you respond to comments? Why or why not? Umm. I am shamefully REALLY bad at responding to comments. More often than not, I just don't get around to it! I know that's a terrible thing to do as a writer, because commenters deserve so much appreciation! It is definitely one of my resolutions in the coming New Year to improve on this flaw.

What's the fic you've written with the angstiest ending? The Broken Shield - It's a Thorin fic set during the War of the Dwarves and Orcs, and shows the death of both Elvenqueen Maereth and Frerin, brother of Thorin.

What's the fic you've written with the happiest ending? I like to think most of the fics I write have happy endings, but I've received feedback about Dandelions being particularly "feel good".

Do you write crossovers? Crossovers are not my thing, BUT I did receive a fic request for one from a friend, so I'm going to deliver it just because they asked.

Have you ever received hate on a fic? Never, thankfully. I don't think my reach is wide enough to attract the notice of haters.

Do you write smut? If so, what kind? Nope, I leave smut to the experts. M-level spice is the most I can manage.

Have you ever had a fic stolen? Not that I know of.

Have you ever had a fic translated? Nope, and I can't imagine anyone would want to.

Have you ever co-written a fic before? @scyllas-revenge and I sorta accidentally co-wrote a sort-of fic. LOL. Maybe we'll formalize the partnership eventually. @heilith and I have been discussing a (her)Lindir x (my)OC collaboration for ages now, but we're both so busy offline! I would love to co-write fics, but only with friends I'm confident can tolerate my slowness and focus issues.

What's your all-time favorite ship? I enjoy MANY ships across different fandoms, but none really stand out. On a personal level, I really love my Thranduil x Maereth ship. It means so much to me that I will forever be insecure about sharing it with others, for fear of rejection or criticism.

What's a WIP that you want to finish but don't think you ever will? I want to finish ALL my WIPs and I don't think about ditching any of them. Hope springs eternal!

What are your writing strengths? If you ask me? Worldbuilding and integrating my AU into canon. If you ask others? I've been told I can deliver a decent gut-wrenching piece of prose or dialogue here and there.

What are your writing weaknesses? I am the SLOWEST WRITER YOU WILL EVER MEET. Tons of WIPs. Updates on long fics are a miracle. I honestly question whether I'm cut out for multi-chapter fics, but I keep trying anyway.

What are your thoughts on writing dialogue in other languages in a fic? I only do it sparingly, usually using short phrases here and there.

What's a fandom/ship you haven't written for yet but want to? I am chomping at the bit to write for ASOIAF/Game of Thrones/House of the Dragon! I have fic requests waiting for HotD; I just need to get my butt moving on them.

What's your favorite fic you've written? I have yet to write a fic that stands out above the others; I love my fics equally for different reasons.

Bonus: Live shots of me trying to write:

Tagging: @hobbitwrangler @from-the-coffee-shop-in-edoras @heilith @lathalea @missiemoosie

@emyn-arnens @celeluwhenfics @dilettantefeminist @cycas @scyllas-revenge

@cuarthol @entishramblings @lucifers-legions @torchwood-99 @softboiledwonderland

....and anyone who wants to share! I'm not sure which of my writer Moots are on Ao3 or just on Tumblr. :)

[cursed-sonic-opinions]

I am DREADING the release of sonic 3. I genuinely do not have any hopes that this movie will be as great as the fandom has been hyping it up to be, especially after the knuckles series. I fear it's going to miss the mark on a lot of things, particularly sa2's major narrative themes. And I feel like no matter how badly the movie fumbles the writing, people will still praise it like it's the best thing to come out of the franchise because it has cool sonic and shadow fight scenes in it.

Also as someone who enjoys sonadow, I know I'm going to have to filter its tags once the movie comes out. I can already see the flood of shipping content and people making all of sonic and shadow's interactions about the ship coming and I Hate it. It's going to drown out meaningful discussions and criticisms of the film and just make it extremely annoying to navigate the main sonic tags for literally anything else.

Also also. I don't want a sonic cinematic universe. Please god let the movie franchise end with this one so that sega moves on and we can hopefully get better written, fully animated movies and shows. Please.

.

[gwenllian-in-the-abbey]

do you think if succession war between aegon II and rhaenyra never happened, would it have happened between jacaerys and aegon III?

would daemon really allow jace to be king because his daughter would be queen?

Hi eve! I could easily go off on so many tangents about Daemon and Aegon III and Jace, but I think the question has a pretty simple answer: yes, a war is inevitable if Rhaenyra or Jace inherits, and if not between Jace and Aegon III, then between Jace any one of the seven remaining trueborn male claimants.

First, I think Daemon's role in Jace's possible succession issues is overstated. Could he arrange three very convenient accidental deaths for the oldest boys to make sure that Aegon III is set up to inherit whether Daemon himself is alive to see it or not? Sure. But he also did not do this to any of Alicent's children, instead he waited to see if Rhaenyra and Aegon would fight. My gut feeling is that by the time Daemon is in his 50s, he just does not care enough. Will he feed Aegon III the idea that he should be the heir, that he has more Valyrian blood, he's trueborn, etc.? Likely. But I think Daemon would leave it up to Aegon III to fight for it, rather than conveniently clearing his way. That said, the fact remains that Daemon could drop dead the day after Rhaenyra took the throne, and there would still be people who would find it advantageous to align themselves with one of the trueborn claimants to the throne. Jace's problems do not begin or end with Daemon.

Keep in mind, this is the argument Criston Cole used to convince Aegon II to fight. It's often conflated in the fandom with "Rhaenyra will kill your family to secure her reign," but interestingly, Criston says that all of the king's trueborn sons have a better claim than Rhaenyra's "brood of bastards," that is, he frames the real threat as occurring when a bastard attempts to inherit ahead of trueborn sons, and although it's not relevant to Criston's point so he doesn't mention it, of course Aegon III and Viserys II are included in this number. Now, unlike most of the fandom, Criston frames this threat as coming from the bastards towards the trueborn sons, rather than the trueborn sons towards the bastards, which is convenient for convincing Aegon, but also happens to be a good point. Daemon and/or Aegon III don't have to have Jacaerys killed, they simply have to corroborate the story that Jace is a bastard, and press Aegon III as a claimant. At that point, Jace can either admit to being a bastard and step aside, or go to war. And it doesn't have to be Aegon III. If there is no Dance, there are still seven trueborn sons and grandsons of Viserys who can raise a legitimate challenge to Jace's claim (and disclaimers apply about bastardy being a construct, no one can prove it etc. etc., but once Rhaenyra, Corlys, and Viserys are dead, it becomes much more difficult for Jace to defend himself against those claims). And this is in essence why it was absolutely insane of Viserys to overlook this issue, but that's a different tangent.

That's the problem with a lot of the arguments that Alicent "lied," or poisoned her kids against Rhaenyra and her kids, that Rhaenyra never would have hurt her brothers, Daemon never would turn against Jace, that Aegon III loves his brother, or what have you. Rhaenyra, Daemon, Jace, and Aegon III do not even have to be the ones who personally initiate violence against their rivals, Rhaenyra, whose claim is already non-traditional, has built her line of succession on shaky grounds. At any time during Rhaenyra's reign, or after she dies, or during Jace's reign, or his son's reign, if the lords of the realm are unhappy for whatever reason, they have a perfect pretext to decide that Rhaenyra wasn't the true heir and/or Jace was a bastard all along (take your pick) and the line was illegitimate, and challenge him.

And unfortunately for poor Jace, regardless of whatever loyalties Aegon III might hold for his brother, Aegon II has two trueborn sons who have zero reason to have any affection or regard for cousin Jace. If Aegon II doesn't want to be king, can we be sure his sons don't? And likewise, even if Aegon III is loyal to Jace, can we be certain his sons will love their uncle and cousins as much as he does? Jace is not stupid and a lot can happen in a decade or two! This is why, even though it's also true that Otto and Alicent probably would have tried to put Aegon II on the throne regardless, Criston's argument that anyone who stands in Jace's way will have to be eliminated (by Jace and whoever upholds him as the true heir) in order for his succession to be clear, is the one that convinces Aegon II. Because it's true, and if Jace does not eliminate the potential rivals, at some point someone will challenge that line, and the result will be as devastating as the Dance.

[lucabyte]

Different standards

[barawrah]

been extra miserable about them this past week

[throwawayasoiafaccount]

i’m genuinely shocked by this:

how can someone miss the point by such a large margin that they end up implying that Rhaenyra’s cause would have had no positive impact on the women of the realm?

how can one’s thought process be so far removed from the actual reality? is this the inconsistent logic one must tangle in to become a green? have these people never sat in a history class before?

jeyne arryn anyone? does she not exist to them? a point actually made in the book (not one twisted by the greens to advance their agenda) was that her rulership of the vale would’ve been seriously endangered and put into question if the greens won. but that is conveniently ignored by these interesting… folks.

i can understand the anger this person has with the horrible dance of the dragons adaptation and its treatment of female characters. and i mean it. especially when i say female characters. because alicent isn’t the female character who’s actually getting the shortest end of the stick. it was rhaenyra and rhaenys who were the most grievously declawed. rhaenyra is queen. her council is supposed to be her council. the war is supposed to be her war for her throne, not for some stupid prophecy that should’ve logically been lost a long time ago. and rhaenys is a baratheon with a temper and a dragon rider who would’ve burnt the greens and melted their bones if she had the chance. but for some reason the show decided to make a whole new character and slap rhaenys name on it.

to be clear: rhaenyra and rhaenys were powerful in their own right. they had dragons and were a part of the royal dynasty with claims to the throne. their power is theirs. it is derived from them.

alicent’s power is derived from the power of the men she is related to. that’s literally what the queen dowager title means. her influence is dependent on if the men in her life and her children listen to her. they don’t have to, and many characters don’t listen to her in the book, which is why i say she wasn’t the most grievously declawed.

it’s also hilarious that this person considers the queen dowager position to be the most powerful position in the greens court. they must have never read a cersei chapter as she faces her loss of power, which showcases the fickle nature of the power women hold in the westerosi patriarchy.

the correct sequence of power in the greens court is: the usurper king. then the hand. then the princes, specifically the usurper kings brothers, and then the queen consort, as they have dragons and claims to the throne. then the lords who can call on armies and fleets and have coffers that run deep. then the queen dowager, who has little influence outside of kings landing and therefore not as much influence in court as others.

the case the screenshotted post tries to make is that non-targ women’s positions aren’t advanced by rhaenyra being queen, which, as i pointed out above, is not true, nor is it what rhaenyra is fighting for. rhaenyra fought for her throne, which she had a legal claim to. that’s all. many houses joined her instead of joining the usurpers because of many different reasons, but, imo, three of the most important reasons for joining the blacks/staying neutral were 1) women’s inheritance rights (and women in general) should be respected 2) the head of the houses heir and the heirs right to inherit should be respected 3) oaths should be respected.

i also want to point out that women, most obviously targaryen women, did lose power after rhaenyra’s death and due to the concessions made to the greens and their ideology by the blacks for peace along with anti-rhaenyra propaganda that set women’s inheritance rights and the general power they could hold back by quite a lot.

and funnily enough, we see this first with jaehaera, who, while was a queen, was most likely murdered by the character who was supposed to be guarding her because no one gave a shit about a targaryen girls status and the potential consequences of killing her because they knew they could get away with it; and her death directly led to alicent’s line ending. the reality is that there were practically no consequences, as it seemed to have been easily covered up as a suicide, because the targaryens lost so much power after the dance, which directly put the targaryen women in the line of fire. if the targaryen women couldn’t be used they’d be discarded. and jaehaera, a simple girl who’s entire family was all dead besides one, and who’s father was greatly disliked by many, was an eyesore to those who wished for more power. so she was killed. brutally.

and the reason the women of house targaryen were so vulnerable? it’s because they had no claim to anything anymore! no one could try to use jaehaera for power so no greedy lords sought her favor nor did any want to protect her! and jaehaera is just the start because afterwards we get the maidens in the vault, then viserys ii is installed over daena, and then everything about naerys and her horrid husband, maekar over daenora, and eventually everything concludes with young princess rhaenys and rhaella over a hundred years later. tragic.

it’s literally downhill after rhaenyra’s death.

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[starscreamingg]

Detroit Become Human and why does this game decide that the problem in society is individual people treating androids poorly because those androids are choking them out of the workforce and NOT the corporations and governments who deliberately designed the androids to do this

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.