#i guess this makes me a system?

[cb-writes-stuff]

(ahem)

I think I’m plural. I’m not quite sure how, but I’ve been doing some talking. To myself, I guess. Or myselves?

I’m not sure how to talk about this. Or what I’m supposed to talk about. Should I talk about it? Have them talk about it?

I don’t really know much about “alters” or “fronting” (as terms), but the terms make me kinda uncomfortable right now so I’m not sure about using them. I don’t think I’ll be posting if one of them is doing that, though, so. I don’t know. If they do, they’ll (hopefully) tag it appropriately. That’s what I see other people doing, anyway.

Now that I’ve figured this out, hopefully I can stop posting about it and things can go back to normal. Or maybe that’s a bad idea. Probably shouldn’t ignore it. I don’t know.

Does anyone have any advice? Or, I don’t know, encouragement? Any sort of next steps?

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)

[kiivg]

.please please please please please pl.

[vivitur-moritur]

what's this? fanart for @nyoomerr's fic speak your mind (not that much!) ? Again? Yes! I love that fic with all my heart and soul. You should go read it! And leave a kudos & comment because it's amazing and the author deserves everything.

Anyway, this took me around 14 hours total T^T. INSANE. 9 & 1/2 of those hours were on the first page, which is wild to me, because I drew it second & very nearly decided to do just the second page. If I had to guess the culprit, it would be THE HANDS. I HATE DRAWING HANDS. Also, the sketches this started out as under the cut! (Also also, tumblr is MURDERING my vibrancy & resolution what is going onnn)

So I actually drew this on paper, originally, because I was doing it during a series of lectures & didn't have my tablet, and it started out formatted a bit differently.

The second of these is my planning page, so the sketches there are ROUGH. Also, at the time I was drawing this, I’d literally never done a comic before.

Anyway, after that, I started digitizing the second page, but I decided I didn’t like the arrangement of it. So because it’s easier to sketch layouts on paper, that’s what I did! Twice.

And so I got that done, and digitized it, and I then started messing around with the first page. You know, the one I completely skipped working on for no apparent reason.

This is how I planned it out, on the notes app, on my phone, drawing with my finger. (At 1:25 in the morning. Y'know, like a normal person!)

And then I spent forever drawing, a final version and now I'm here! I know this is kinda weirdly long for an art post, sorry about that. I just think it's cool to see the full weird process! Weird because usually my pieces don't go through so many mediums and revisions before the final version.

[puppyeared]

my brothers been playing elden ring recently and he let me draw his character ^_^

[kyonshi-8610]

a realization i had about a month ago

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[olasketches]

you guys... a genuine question, do you think yuuji is gonna just roll with yuta's plan or not? like do you think he's gonna be cool with it considering that the only thing on his mind right now is to kill sukuna or yuta's plan is going to serve as some kind of wake up call for him?

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[riayuun]

[triglycercule]

why is horror almost ALWAYS sweating bro this man must be a straight up water faucet with how much sweat he has in every horrortale panel. however it is for this reason that i think he has hyperhidrosis. hello my name is triglycercule and in this essay i will explain

[ozonecologne]

.

[opens-up-4-nobody]

You know that feeling where you have ideas. So many ideas. Too many ideas. And they all would take way too much time that you don't have if you actually wanted to execute them. So you just sit there giving yourself a headache because you cant decide where to start? Love that feeling. And by love, I mean I want to take my brain out of my skull and wring it like a wet sponge.

[redrocketpanda]

From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

[isfjmel-phleg]

It's my night to work, and I can't, and I'm very sorry. Can't argue with the campus nurse though.

I am also very sorry about the grass out front of our main building. The circumstances were desperate and hopefully it will never happen again.

[puppyeared]

i wrote this as a joke because I wanted to strangle a guy watching tiktoks without headphones on the bus, but im genuinely disturbed that we've gotten to a point where convenience comes first. and it depresses me even more that its used to justify and monetize greed