#i guess part of it for me is that it was just kinda unnecessary like. would it have made a big difference to the story if we were

[goshikisbaee]

Spending Valentine’s Day With Haikyuu Characters (part 2)

content: Fluff

[ Atsumu, Osamu, Kita, Hoshiumi, Sakusa ]

———

ATSUMU MIYA

Valentine’s Day with Atsumu is equal parts romantic and chaotic. You wake up to a voice message instead of a text—“Mornin’, sweetheart! Hope yer ready for the best Valentine’s Day ever.” —followed by another message: “PS: I got ya something. Hope ya like it.”

When he picks you up, he’s got a smug grin and a ridiculous amount of confidence. “Look at ya, lookin’ all pretty for me,” he teases, handing you a wrapped box. Inside? Something sweet—maybe jewelry, maybe a plushie—but knowing him, it’s something he absolutely bragged about picking out. “Knew ya’d love it. I got good taste.”

Dinner is at a fancy restaurent (because of course he wants to spoil you), and he spends half the time flirting shamelessly and the other half showing off. “D’ya see the way the waiter looked at us? Yeah, they know we’re the best looking couple here.”

But beneath all the cocky teasing, there’s so much love in his eyes. At some point, he reaches across the table and grabs your hand, rubbing small circles against your skin. “I know I joke around a lot, but… I mean it when I say yer the best thing that’s ever happened to me.”

At the end of the night, he pulls you close, eyes twinkling with mischief. “Happy Valentine’s Day babe. Hope ya didn’t think this was a one-time thing—yer stuck with me forever.” And with that, he kisses you senseless.

OSAMU MIYA

Valentine’s Day with Osamu is effortlessly sweet—he’s not flashy like his brother, but everything he does feels natural and full of warmth. You wake up to a simple text: “Happy Valentine’s, darlin’. Don’t make plans. I got ya covered.”

When he picks you up, he hands you a neatly packed bento box. “Made it myself,” he says casually, like it’s no big deal—but when you open it, it’s perfectly arranged with all your favorites. There’s even a tiny note tucked inside: “Eat up. Don’t want ya starvin’ on our date.”

Instead of a crowded restaurant, he takes you somewhere cozy—a quiet picnic, a drive to a scenic overlook, or even just a lazy day in, watching movies with homemade food. He’s the type to pull you close while you eat, resting his chin on your head like it’s second nature.

At some point, he just looks at you, soft and thoughtful. “Kinda crazy, huh?” he murmurs, rubbing the back of your hand with his thumb. “Never thought I’d be the type to get all sappy over a day like this.” Then, with a small grin, he adds, “Guess ya got me wrapped around your finger, huh?”

Before you part ways, he pulls you in for a slow, lingering kiss and murmurs against your lips, “Happy Valentine’s, sweetheart. Hope ya know I plan on spoilin’ ya like this every year.”

SHINSUKE KITA

Valentine’s Day with Kita is quiet, steady, and deeply thoughtful. He’s not one for over-the-top gestures, but everything he does is filled with intention. You wake up to a simple text: “Happy Valentine’s Day. Be ready at 5.” No unnecessary fluff—just a promise.

When he picks you up, he hands you a neatly wrapped gift, something practical yet meaningful—maybe a high-quality scarf because “it’s gettin’ colder, and I don’t want ya catchin’ a cold.” He won’t admit how long he spent picking it out, but the slight pink dusting his ears gives him away.

Your date is simple yet perfect—he takes you to a quiet countryside café, where the conversation is easy, and the atmosphere is peaceful. He listens intently to everything you say, nodding occasionally as he sips his tea. When you tease him about not being overly romantic, he just hums, setting his cup down.

“I don’t need fancy words or big gestures to show ya how much I care,” he says, looking at you with calm certainty. “I’d rather prove it, every day, in the little things.”

At the end of the night, he walks you home, his hand resting securely on your lower back. Before you go, he tilts your chin up gently and presses a soft kiss to your forehead. “Happy Valentine’s, darlin’,” he murmurs. “I hope ya know—you’ll always have my heart.”

KORAI HOSHIUMI

Valentine’s Day with Hoshiumi Korei is full of charm and excitement. You wake up to a text that’s as energetic and lively as he is: “Happy Valentine’s Day!! Hope you’re ready for an amazing day because I’m definitely ready!!” His enthusiasm is infectious, and you can’t help but feel excited for the day ahead.

When he picks you up, he’s grinning from ear to ear, practically bouncing with energy. He hands you a gift that’s quirky and fun—maybe a little plushie or something that reflects his playful side. “I thought this was perfect for you!” he says, looking proud of his choice. He’s always got a way of making even the smallest gifts feel special.

The day is filled with adventure, and he’s all about making things fun. Whether it’s going to a lively spot in the city, trying out something new together, or just being spontaneous, he makes sure every moment is filled with excitement. His infectious energy and constant jokes keep you laughing all day. You can tell he’s enjoying every second, and his bright smile only makes everything feel that much better.

Dinner is at a place that matches his upbeat personality—something vibrant, with lots of good food and laughter. He insists on ordering something extravagant, just because he wants to make sure the day feels memorable. “I’m treating you to the best tonight!” he says, even though you’re just happy to be there with him.

As the day winds down, he’s still full of energy but takes a quiet moment to look at you with that genuine, softer expression he doesn’t often show. “Thanks for making today so much fun,” he says, giving you a light kiss on the cheek. “I’m really glad I got to spend Valentine’s Day with you.”

KIYOOMI SAKUSA

Valentine’s Day with Sakusa is quiet, sincere, and unexpectedly thoughtful. You wake up to a message from him: “Happy Valentine’s Day. I hope it’s a good one.” Simple, to the point, but it makes you smile because you know it’s from the heart.

When he picks you up, he’s dressed impeccably, his usual cool, composed demeanor in full effect. He hands you a gift, carefully wrapped in sleek paper—nothing too extravagant, but clearly something he put thought into. “I thought you might like this,” he says, his voice calm but sincere. Inside, it’s something you’ve mentioned in passing, a small token that shows he listens and remembers the little details.

The day unfolds at a relaxed pace. You grab coffee at a quiet café where Sakusa doesn’t say much, but his presence is steady and comforting. He listens intently as you talk, giving you his full attention without the distractions of the outside world. There’s no need for grand gestures with him—his way of showing affection is through those small, meaningful moments.

As the day goes on, he keeps it simple, suggesting a walk through a park or a visit to a bookstore, where he’s content to simply be with you. You both enjoy the peace and quiet, just the two of you, no need for unnecessary words or attention. In these moments, you realize how much he values your presence.

As the night winds down, he quietly pulls you in for a hug, the usual distance between you two momentarily gone. “I’m glad we spent today together,” he murmurs. “Happy Valentine’s Day.” And with that, he gives you a soft kiss on the forehead, a quiet, genuine expression of affection that speaks volumes.

———

[starpros-sunshine]

Why can't queer people just exist? Why do we have to 'Come Out'? Why do we have to stick a label onto everything so that other people can better understand it? Why does our existence have to be a statement?

[guayabana]

like i do think its kinda disappointing that tural ended up being so unified. like whole area bigger than the entirety of eorzea (which we got several expansions & multiple distinct factions & conflicts out of) & huge parts of it is under a single monarchy the leaders of which are in our pocket before the expansion is even over

[supernovafics]

𝐅𝐎𝐑 𝐁𝐄𝐓𝐓𝐄𝐑 𝐎𝐑 𝐖𝐎𝐑𝐒𝐄

"i'll be there for you" universe masterlist

pairing: bestfriend!roommate!steve harrington x fem!reader

word count: 4.9k words

warnings: explicit language, a bit of angst (bc of some family drama), lots of fluff, smut (18+), unprotected piv sex, tiny hint of praise kink

summary: in which a family wedding makes you think about the future

author's note: i love when i randomly get hit with inspiration for this universe<33

general note: everything in this universe/series can be read as standalone oneshots but to understand the full “lore” it would prob be best to read the other stuff too<333

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

Summer 1986

You had been trying to stay on your parents’ good side. They hadn’t been pestering you a lot about your future— specifically college and transferring to the University of Chicago, where they had wanted you to go since you were a kid— and you wanted to keep it that way. And if that meant going to a family wedding in Illinois, then so be it. 

The only bearable part about it was that Steve was coming too, and it had taken absolutely no bribing to get him to say yes. 

“Is this my girlfriend privilege coming into play?” You asked him as you two sat on the couch in your apartment’s living room. “Because I swear if we were still just friends you would at least force me to do all of the driving or something.”

Steve gave you an amused smile. “Do you want me to make you do all of the driving?”

“Nope, not at all,” You shook your head. “So, actually, I’m gonna stop talking now.” 

Steve laughed a little and you focused your attention back on the random sitcom playing on the TV, a small smile on your face. 

“Do you think Dustin will wanna babysit Harold again?” Steve asked as he mindlessly reached out to grab your hand that was buried under the blanket draped over your laps and intertwined it with his. 

“Oh, yeah, definitely,” You answered with a nod, taking a look over at the brown and white hamster’s cage that was sitting on the low shelf you two had next to the TV. “Honestly, I think he’s starting to like Harold more than us.” 

“I’m pretty sure that happened right when we got him.”

“Shit, you’re right,” You said as you shifted a bit and wrapped Steve’s arm around you so that you were nuzzled more comfortably in his side and then intertwined your hands once again. “I actually feel kinda offended about that. Just so you know, I love you and Harold equally.”

“Equally?” Steve said, sounding playfully shocked. “I’ve known you for basically ten years.”

“Yeah, but Harold’s our son, so…” You shrugged, trying to contain your growing smile. 

“Okay, I guess I’ll share the number one spot, then,” He responded as he pressed a kiss to the side of your head.  

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

The four-hour drive to the town just out of Chicago where the majority of your family lived wasn’t terrible. You and Steve evenly split the driving time and spent most of it playing silly games; mainly the license plate game because it was a car ride staple, and also a game where you two had to try and think of the same word and say it at the same time, and you two were eerily good at it. 

By the time you made it to the hotel that all of the out-of-town family members were staying at because of how close it was to the wedding venue, it was the middle of the night. Even though Steve didn’t have to work today— he took off the entire weekend, actually— you two still decided to leave later in the day because you wanted to avoid as much unnecessary time with your parents as possible.

Unsurprisingly, you and Steve were the only people checking in at ten o’clock at night. 

“So, it looks like there are two rooms in the reservation,” The lady at the front desk told you; her name tag said Joan. “One under your name, and one under Steve Harrington.”

“Oh,” You said and then nodded after a second. “Um, okay.”

Joan seemed to take note of your slightly confused tone. “Did you not book two rooms?”

“My parents handled all of this, so I guess they did the two rooms.”

She nodded at your words. “I’m gonna go grab the room keys and I’ll be right back.”

She headed off to what you assumed was the back room and you turned to look at Steve who was standing right next to you. 

He let out a quiet laugh as his arm slipped around your waist. “Did your parents forget that we live together and that we've been dating for the last five months?”

“They probably think we still sleep in our own bedrooms,” You said, leaning into his touch and realizing just how tired you were. 

You truly couldn’t remember the last time you slept alone in the past few months since you and Steve got together, and even before that, you both had spent a lot of time in each other’s beds. It probably would’ve made sense for you two to downsize to a one-bedroom place, but you both loved the apartment so much that you couldn’t imagine living anywhere else. 

“Should I pretend that I’m actually staying in the other room?” Steve asked and you quickly nodded. 

“Yeah, just in case.”

“Bad idea that we decided to share a suitcase then, huh?”

When you came up with it, it seemed like the perfect idea for the quick weekend trip. Why bring two separate suitcases that would probably be half empty, instead of just sharing one? 

You sighed now as you took a look at the black suitcase that Steve was holding the handle of. “Very bad idea.”

Joan returned a moment later. “So, good news, the rooms are right next to each other, and they’re actually connecting, so you two won’t have to be too far from each other.”

“That’s great,” You said, grabbing one of the keys from her outstretched hand, and Steve grabbed the other. “Thank you so much.”

She smiled at you both. “I hope you two enjoy your stay.”

You and Steve said another quick “Thanks” before heading toward the elevators. 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

“Your room is so much nicer than mine,” You said as you slumped back onto Steve’s bed, head quickly finding the pillow that was actually so soft. 

“Do you wanna switch?” He asked from where he stood by the suitcase, pulling on a fresh t-shirt for the night.

The door that connected your rooms was wide open and it would probably stay that way for the entire night. 

“No, it’s fine, I’ll deal with my shitty shower pressure and lumpy bed.”

“You can stay in here with me tonight, y’know,” He told you, moving closer and maneuvering so that he was settled on top of you. It was a comfortable position, even though it probably shouldn’t have been. The way your bodies molded so easily for each other always felt like two pieces of a puzzle coming together. 

You smiled under his gaze. “Thank you for the formal invitation.”

He nodded thoughtfully. “Of course, no problem. I wanna be a gentleman.”

You couldn’t help but laugh a little at his words that were said very seriously, but you knew they were anything but. 

You could’ve easily fallen asleep just like that if you wanted to, with his warm body pressed so comfortably against yours, pretty much equivalent to a weighted blanket. And it would’ve made sense to fall asleep after the long drive you two had to endure, but you really didn’t want to.  

His head dipped down and yours tilted upward, allowing you two to meet halfway in the softest kiss. 

There was something about kissing Steve that always felt so nostalgic, and also the complete opposite. Even five months into everything, there was still a newness to being with Steve in this way that you’d probably never get fully used to. Every time felt like the first one, but there was also so much comfort that had been there from the beginning and it only continued to grow.  

After a moment that you considered way too short, he pulled away from your lips and his mouth started immediately trailing along the underside of your jaw and then down to your neck.  

You let out the softest hum as you shifted underneath him, searching for any sort of extra friction. Steve’s low groan was the first thing you heard when you brushed against his hardness and you wished that you could pull off the few layers that separated the two of you in one quick movement. 

“You still tired?” He mumbled against your neck.  

“Yes, but I also really want you right now,” You whispered back as you threaded your fingers through his hair, which was slightly damp from the shower he just took. The only pro about not sharing a room was that you both got your own bathroom, even if the water pressure in yours sucked.  

“Yeah?” He asked as he pulled back a bit to look at you. His voice was teasing, playful, but you also knew how much he loved the reassurance too. 

“Yeah,” You nodded immediately. “Please.”

There was the sweetest smile on his face as his fingers found the bottom of your t-shirt and proceeded to pull the fabric up and off of you. 

You had opted against putting on a bra after your shower, so your chest was left bare for him once your t-shirt was off and he was groaning at the sight. 

“You’re so fucking pretty,” He whispered as the pad of his thumb brushed against your already hard nipple.

For the briefest moment, your eyes slipped shut and you bit your lip to hold back your moan, and then you were meeting his gaze again. 

“You’re really pretty too, Stevie,” You said, smiling up at him as you reached up to softly poke his cheek. 

He laughed a little and turned his head a little so that he was kissing your poking finger. “Thank you. You’re so nice.” 

Your shoulders upturned in the most nonchalant shrug, but the same smile was on your face; you were always the one to bring a bit of silliness into moments like these. “I try.”

Steve was smiling back at you as he gave your nipple a quick squeeze and then his hands moved down your sides and settled at the waistband of your pajama bottoms. He pulled your shorts and underwear off in one motion and tossed them to the floor somewhere along with your shirt. 

He kissed from your collarbone down to your belly button, stopping and teasing different spots along the way which made you squirm beneath him and you could feel yourself dripping onto the blanket below you with every teasing press of his mouth. He moved lower and lower, and then deliberately skipped past where you needed him to be. Instead, he started kissing your inner thighs.

Your fingers carded through his hair as you looked down at him. “You’re being very evil right now.”

“I’m sorry,” He told you, but you knew that he really wasn’t. He spread your legs further and pressed the most featherlight kiss against your clit before looking up at you again. “What do you want?”

There were a lot of things you could’ve said in answer— in that moment, you were craving his fingers and his mouth too— but after the exhaustingly long drive, you simply just wanted to be as close to him as possible as quickly as possible. 

“Honestly, I really need you inside me,” You told him softly, hand moving from his hair to his cheek. “I need your cock. Please. Is that okay?”

He let out a contented groan at your honesty, head falling against the side of your thigh. “Fuck, yeah, of course that’s okay.” 

Steve moved away from you then, his warmth leaving your body as he pulled back to look at you. The juxtaposition of you being naked right then and him still being completely clothed, made you pout at him.  

“Well, this is very unfair,” You said, reaching out to grab at his shirt. 

Steve was smiling as he leaned in to press a quick kiss against your lips. “I knew you were going to say that.”

Before you could playfully complain any further, he pulled his shirt off and your fingers quickly moved to the waistband of his sweatpants. He let you pull them down along with his boxers, revealing his hard cock that you bit your lip at the sight of, and then Steve did the rest of the work of pulling them off his legs and tossing them somewhere to the side. 

When his body was once again on top of yours, his warmth enveloping you completely, he didn’t hesitate to push inside of you, your wetness making it easy for him to fill you to the hilt. 

Steve’s thrusts were languid and slow, both of you simply craved the feeling of each other rather than anything else. His lips found yours in the most searing kiss that was so different from his unhurried movements above you. It was a messy clash of tongues and teeth and one of your hands came up to tangle itself in his hair. 

You broke the kiss when a particularly rough stir of his hips made him push deeper inside of you and you gasped. “Shit, yes, Steve, right there.”

He hit that specific spot again and again and you were moaning louder each time, not worried about how thin the walls maybe were in this hotel. “You sound so pretty screaming for me, honey. You’re so fucking good.”

You nodded profusely, trying to keep your eyes on his, but it was too hard not to let them slip shut with every perfect snap of his hips. “Only for you.”

It didn’t take long for both of you to reach your ends— it was his thumb on your clit that triggered your orgasm, and it was the feeling of your walls clenching around him as you came that sent Steve over the edge too, pressing his face into your neck. 

A quiet stillness took over as your racing hearts returned to normal and a deeper tiredness took over and made your eyelids feel heavy. 

After you weren’t sure how long, Steve started to shift so that he could move off of you, but you stopped him with a hand on his back before his softening cock could slip out of you and told him that you wanted to stay like this for a bit longer. He didn’t protest your words and instead buried his face back in your neck, pressing the sweetest kiss against your pulse point. You two slowly fell asleep just like that for the time being, too spent and exhausted to make any other movements. 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

If it weren’t for the incessant sound of someone knocking on the door, you were certain that you would’ve slept for a few more hours. 

The sound woke you up slowly and then all at once. Your eyes opened and you got the urge to pull the blanket over your head. You weren’t even sure when exactly that had happened, but at some point, you and Steve finally made it under the covers and you had also grabbed his t-shirt and slipped it on too. 

You ultimately didn’t pull the blanket over your head to muffle the noise. Instead, you pulled it off of you when you realized that the knocking was coming from your room. 

“Shit.” 

The door that connected your and Steve’s rooms was still open and you were suddenly so certain that the knocks you were hearing were being rapped against your room door. 

“What’s wrong?” Steve asked when he felt you get out of bed. He tiredly rubbed his eyes; you, on the other hand, were suddenly the complete opposite of tired. 

“I’m pretty sure my mom’s right outside my door. Or my dad. Or both,” You answered him as you quickly searched for your underwear and pajama shorts and found them in different random spots on the floor. “It’s probably both of them, actually, and I’ve had no time to mentally prepare for whatever this conversation is about to be.”

“I can go answer it, if you want,” You heard Steve suggest as you hastily pulled on your bottoms. 

“I think it would be better if we kept the illusion up that we don’t sleep together,” You told him. “I’m gonna go see what they want and I’ll be back in a sec.”

You rushed over to where he was now sitting up in the bed and pressed the quickest kiss against his lips before heading over to your room and pulling the door that connected your room to Steve’s shut.  

You ruffled up the untouched bed so it looked like you actually slept in it last night and then went to open the door before another series of knocks were rapped against it. 

“Hi, good morning, sorry,” You rushed out. It was only your mom standing in front of you, and right then it was hard to tell if that was a good thing or a bad thing. “The bed’s so comfortable, it was hard to wake up.”

She nodded at your words. “The bed in your dad and I’s room is terrible, we’re gonna try to switch to a different room tonight. Anyway, what time did you and Steve make it here last night?” 

“It was a little after ten.”

“And how was the drive?”

“Good,” You answered simply. “Me and Steve split the time so that made it easier.”

“That’s good,” She smiled. “Do you know if he’s still sleeping?”

“Um, yeah, he probably is,” You shrugged through your lie. “He’s right next door, but I haven’t seen him since last night.”

“Okay, well, your dad and I are going to have breakfast downstairs in an hour with your Aunt Tracy and Uncle Sean, you and Steve should come too.”

Her words sounded like a suggestion, but you knew that they were actually the opposite. 

You forced a smile. “Oh, okay, we’ll definitely meet you guys down there. I’ll go wake him up now.”

“Okay, great,” Your mom smiled back at you. “See you two then.”

You closed the door when she started walking away and headed back to Steve’s room. 

“So, what happened?” He asked as you climbed back into bed. 

You settled next to him and rested your head against his bare shoulder. “We’re having breakfast downstairs with my parents, and my aunt and uncle in an hour.”

Steve nodded at your statement. “Honestly, that sounds good. The last time we ate was right before we got here last night and it was shitty McDonald’s.”

“Yeah, those were the saddest burgers ever,” You said with a sigh. 

“Wait, which aunt is gonna be there?” Steve abruptly asked. “The nice one or the one that hates me?”

You laughed a little. “The nice one. But, I feel like I should remind you again that Cheryl does not hate you.”

“You don’t remember that party the way I do,” He said and you couldn’t help but roll your eyes at his seriousness. 

It had been a birthday party for your mom a few years back. Of course, Steve and his parents were there, and you and him spent most of the night camping out in your room, away from your mom’s friends and your overbearing family members. It had been your idea to sneak a bottle of wine from the kitchen and bring it to your room, but Steve was the one who actually went and did it. Or at least attempted to before he got caught by your aunt and, according to him, was harshly scolded by her. 

“I’ve seen her a bunch of times since that party and I promise you she doesn’t think you’re a bad influence on me or whatever,” You told Steve, lifting your head from his shoulder to press a kiss against his cheek. “And she definitely doesn’t hate you.”

“We’ll see what happens at the wedding later.”

You leaned in to whisper into his ear. “Don’t worry, if she does hate you, I’ll defend you from any and all shitty comments.”

He gave you an amused smile when you pulled back to look at him. “Thank you, that’s all I ask. You’re the best girlfriend ever.”

You smiled at him as you leaned your head back on his shoulder and closed your eyes, attempting to get a little more sleep before you’d have to force yourself out of bed again. 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

Steve was right and he didn’t hesitate to whisper an “I told you” in your ear seconds after your Aunt Cheryl gave a warm greeting to you and the coldest hello to him. 

You didn’t have time to respond to Steve’s whispered words because you two were being told by one of the ushers to find seats since the wedding was minutes away from starting. The weather was pretty much perfect; warm but not so much so that it made sitting outside entirely unbearable, which was a little surprising for the middle of August but you weren’t complaining. 

Steve was on one side of you and your parents were on the other, and you smiled in thanks when your mom complimented the dress you were wearing; the long pale pink floral dress that you bought only because you knew she would like it, and you had wanted to avoid her saying anything bad about your clothing choices like she usually did. 

About halfway through the ceremony, Steve’s hand found yours, and the simple action made you suddenly feel warm all over. You shouldn’t have felt so fazed by it— that was something that had happened practically a million times before— but the current circumstances made it feel a little different. 

Samantha was one of your cousins that you weren’t that close with— you remembered going to the sleepover for her fifth birthday party and that was one of the last times you two hung out before you and your family moved to Indiana, and then you only saw her during random family occasions— but she looked beautiful and seemed so genuinely happy that it was hard not to feel a little emotional; it was what weddings did to people. 

You tried to listen to the vows and everything else being said right then, but it was hard to fully focus when all you could think about was a future that would someday involve this with Steve, and how nice that sounded. 

Maybe Steve could suddenly read your mind or the subtle smile on your face, but either way, he was giving your hand a light squeeze, as if telling you that he agreed with everything you were thinking about. 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

To probably no one’s surprise, you and Steve stayed attached at the hip throughout the majority of the night. Your hand was always laced in his or his was placed at the small of your back. 

You were grateful for that closeness and you were especially grateful for him because he made it a thousand times easier to deal with family members that you hadn’t seen in forever and the forced small talk that came along with that estrangement. 

It quickly became a revolving door of the same topics and questions— how was graduating last year, how is college going now, what are your future plans, etc, etc— and you thought you’d be able to put up with it for the entire night. However, there were only so many times you could say, “Fine,” “Good,” and “I’m still figuring it out” before it became too annoying. 

Therefore, the second the brief conversation with one of your uncles came to an end, your hand found Steve’s and you led him out of the big ballroom where the reception was happening. He didn’t question your current antics and you two ended up outside moments later— it was much cooler out now, but still comfortable— and you headed toward a little garden area with a bench that you had noticed earlier. 

 “Let’s just sit here for a bit,” You said to Steve, not explaining the why behind you wanting to do this right now, but you didn’t have to. 

He nodded, understanding just how exhausting this entire day had been for you, and sat down with you. Things fell into a comfortable quiet, the first silence all night, and you reveled in it. You shifted around after a few moments so your head was in his lap and your legs dangled off the side of the bench.

“Do you wanna leave? I think we’ve been here for a reasonable amount of time,” Steve said, breaking the quiet after a few minutes of you simply holding his hand and looking at all of the flowers in the garden. “We can go to that Dairy Queen we saw when we were driving here last night, if you want. I think it’s only like ten minutes away.”

You knew what he was trying to do— make things light in any way that he could, and in this case, it meant offering up ice cream— and once again you were reminded of just how fucking grateful you were to have him here with you in this moment.  

“I love you,” You said instead of answering his question. “Like, a lot, a lot, a lot.”

You immediately noticed the smile spread across his face as he looked down at you. “Hm, you’re not drunk right now, so where is this sappiness coming from?” 

“Shh, don’t question it. Just let me get disgustingly cheesy with you right now, Harrington.”

“Okay, sorry, continue,” He told you, but then he abruptly kept going before you could start talking. “And I love you too, by the way.”

You smiled up at him. “Aside from all of the family stuff I had to deal with today, this wedding was actually really nice and it made me think about you and us a lot.”

“In a good way or a bad way?” He was so obviously teasing you because you were certain that he knew the answer to his own question.  

You shook your head at him. “I don’t even want to dignify that insane question with a response.”

He laughed a bit as he pulled your intertwined hands up and pressed a soft kiss to the back of yours, and it was hard not to smile at the action.  

“This entire day made me realize that when we eventually, one day down the road, do this, I don’t want it to be anything like this,” You told him. 

“What do you mean?”

“I don’t want all of this huge fanfare and I don’t want a bunch of people that I don’t ever talk to, to be there either. If we just have the kids, and Robin and Eddie, and Nancy and Jonathan too. Oh, and Harold, of course. That’s more than enough for me. Is that okay? Does that even make sense?” You looked up at him to see if he understood what you meant, and of course he did. He always did. 

Steve nodded immediately. “That sounds perfect, honestly.” 

“I know that probably won’t be able to happen because of how involved our moms are gonna want to be with everything, but I just think the thought is nice,” You said with a halfhearted shrug. 

“We can do a small thing with just everyone that we want to be there and then let our moms take the reins on the huge fancy thing that they’ll force us to do.”

“God, you’re so smart,” You said and you wanted to sit up so that you could kiss him— you’d been craving it all night, actually— but you felt too comfortable to move right then. “So, is this a proposal, Steven?”

You were the one doing the teasing now, a smile playing on your lips as you looked up at him and he looked down and met your eyes again. 

He shook his head as he smiled at you. “Give me some time to plan the most elaborate one ever.”

“Take all the time you need,” You told him, and you genuinely meant that. In your eyes, there wasn’t any rush to get to that place. Even though you loved talking about the future with him, you didn't feel the need to make it happen before it was meant to. You two were already happy and in love and you felt so certain that that would never change, so you felt content being in this place with him. “Thank you again for coming with me to this, by the way.”

He lightly poked your side, making you let out the quietest breath of a laugh, before speaking. “You know I’d never say no to you.”

“Aw, I love it when you also get sappy with me,” You sat up then and finally leaned in to slot your lips against his. You hummed in contentment the second he eagerly reciprocated the kiss and your hand instinctually moved to the nape of his neck as you pushed yourself closer to him. 

You savored the moment for as long as you could before you had to pull away to take a breath. “Okay, now let’s get out of here and get ice cream.”

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

let me know ur thoughts<333

(requests are open for stuff you wanna see in the universe/series!🫶🏾)

[sativaonsaturn]

moon sign lingo

how do the moons communicate their emotions? (also keep in mind this is affected by sun, mercury and mars as well)

aries moon: as you’d expect, direct and honest; true representation of mars’ energy. you’ll never have to guess how aries is feeling. i always tell ppl to reference the Greek god Ares, god of war. aries in this placement creates an impatient and excited energy, so whatever they’re feeling kinda needs to be acted on immediately. they’re not very big on time and place, but sometimes this can be to their advantage. this energy makes them great leaders and willingness to work things out as they are happening is a huge plus.

taurus moon: not very loud but blunt with their opinions. taurus wants you to know how they feel and that they’re unwavering in whatever that is. of course tend to be quite stubborn and have a fixed view of emotions as a whole. they are very sure about how the feel on any given topic. when it comes to discussing how they’re feeling, taurus has already decided their standpoint and nothing you say will change that. taurus brings a stable energy to moon and therefore they tend not to experience much of a flux in emotions unless afflicted or have a mercury w/ opposing energy (ex: scorpio or sagittarius mercury).

gemini moon: quite a logical placement (mercury), but is more patient with themselves than aquarius. don’t get me wrong, gemini still desperately wants to get through the emotions and onto the fun! if it’s something light, you won’t even have to ask what’s bothering them 😂 however, often when their emotions are too heavy, they might say that they’re numb or avoid answering a “how are you?” & when they do finally talk, the feelings tend come out raw and uncut all at once. regarding others’ feelings, gemini tends to go around the mushy parts and get straight to making you feel better, as they’re great friends.

cancer moon: very connected to their emotions. have a tendency to be moody and express their emotions quite freely. they definitely wear their hearts on their sleeves but also protective of their hearts. it’s really not hard to guess how they’re feeling even if they don’t say it. when cancer is upset, their body language and tone tell everything; even their mannerisms change w/ their feelings. ofc very affectionate and understanding ppl, one of the best moon signs to confide in.

libra moon: often in a very subtle way at first. libras like to keep balance as we know, so if they feel their emotions may rock the boat, they’re not likely to say much at all. they will sometimes overlook their own strong emotions if they deem them “unnecessary” or it’s simply the “wrong time”. may be people pleasers as well. tend to use laughter/ humor to cope and might seem like they’re not taking things seriously. sometimes we don’t hear how libra feels until they boil over, much like libra mars.

virgo moon: critical and intellectual beings. they understand the world and the people around them by putting things in boxes. virgo needs logic in order to make sense of things (mercury) and it only makes sense that they would do this with emotions. so when they express how they're feeling, it's quite direct and matter of fact. like other earth moons, they prefer to intellectualize their feelings before expressing them. hate to say this (cause everyone says it), but it's important that virgo ease up a bit and validate their own quirks/ feelings and in turn, they will also not be too critical of others. they really want to lead others to "the light" in a sense and that's okay! they just need to find the right balance between pure logic and raw emotion.

leo moon: leo’s emotions tend to pour out of them; you will always know how they feel. these moons can be particularly sensitive and protective of their egos. as much as i adore leo suns, leo in this placement have such a hard time developing emotionally. as leo is the 5th house (of pleasure) and therefore tend to be quite child-like in their approach with emotions as a whole. and undeveloped leo moons can make those around them feel like they’re walking on eggshells. i’d say that leo suns want to be loved, leo moons need it. if developed you may find an enthusiastic leader, but checks and balances are essential as they’re inclined to emotional decision making.

scorpio moon: super tactical and observant. these people are a vault that only they have the key to. scorpio is so profound when they sort through the emotions of themselves and others. however, it’s not often that you’ll hear everything that they’re feeling. scorpio waits til what they think is just the right moment and not a second before. the only placement that may change this is the mars; scorpio mars and moon may make someone only reveal their strong emotions during moments of anger. scorpio moons also read the room quite well so if you’re feeling down, they already know.

sagittarius moon: i actually did a separate post for this one because it’s such an interesting placement. sag is a flame that you simply cannot put out 😭 they feel everything in such extremes and they wake up on ready every day. they cry loudly from their hearts, scream from their bellies and laugh like they might never laugh again. there is never a question about how sag feels because they can’t wait to tell you. if they are inconvenienced or offended, you’ll hear about it until it’s fixed. they are of course very empathetic as well, they wanna make everyone feel good. my little brother has this placement and if i look even a little sad he won’t leave me alone until i smile.

capricorn moon: as saturn would have it, they’re like steel when it comes to emotions. saturn often brings hardships to learn lessons before achieving greatness. so many cap moons experience things that make them tougher, often making it hard for them to create space for their emotions. when they do express their feelings, it may come out in a way that seems robotic, if at all. capricorn struggles to be there for themselves, let alone allow others to. capricorn needs to first release the fear they hold surrounding their own emotions before expressing them.

aquarius moon: another very logical approach to emotions, especially their own. prefer not to discuss how they’re feeling (if at all) until they have gotten to the bottom of things. they’re the type to intellectualize their feelings, sometimes to a fault. if you happen to catch one in their process, you may hear a lot of “why do i feel like this?” also, if you ask aquarius how they’re feeling before they’re done processing, they are likely to tell you they’re fine or that they’re not feeling anything at all. very empathetic people though! just not in the same way as water signs; if they feel you deserve what you’re going through they will not feel bad 😂 they might even tell you that you deserve it!

pisces moon: truly representative of neptune's energy. pisces in general prefers to avoid uncomfortable situations and in this case: feelings. we often teeter between ignoring emotions as a whole and being engulfed by them. so when we do express our feelings, it's either very cryptic or a sort of word vomit. undeveloped pisces moons will often either put the emotions of others before their own or behave as if only their emotions matter/ exist. we also tend to be empaths in every sense of the word. personally, when my loved ones hurt I can literally feel it. also tend to have prophetic dreams and even know what someone will say before they say it. but keep in mind, this is only if pisces is evolved! otherwise pisces may be aimless and lost, not trusting in themselves and disconnected from virtually everything.

sativaonsaturn 🍃🪐

[in-a-slanted-outhouse]

I was writing about this in the tags but no it deserves its own post. Like putting aside how uncomfortable it was and how creepy it was towards Aidan and how it’s against Five’s character and blah blah blah. Five and Lila’s storyline was incredibly sexist. I am too tired to go too in depth on this so if anyone wants to add anything then please do. It is 10pm and this is hastily written but I just want you all to understand how fucking angry I am

Lila starts out as this badass female assassin. She has a really strong character and personality and although she’s seen as a part of Diego’s storyline in s2 she very much feels like her own character and she integrates into Hargreeves like a new main character

S4 just… She’s a mother of three kids which is objectively fine I guess?? Like making her a mother was kinda sexist but they could’ve made it work. But it’s been six years and she doesn’t have a job. They turn her into a stay at home mother which was unnecessary. And almost her entire storyline revolves around Five. They don’t delve into her relationship with her parents even though they were dead. You barely see them. So much of what she does was the writers setting the scene so her and Five can get together. She starts looking into The Keepers so she can bump into Five and then have that scene in the cafe. She is unpleased with her marriage so she can get with Five. She wants to explore the subway system and try to time travel back to fix the timeline so that she can get lost in there with Five. It’s actually so foul. I am so disgusted. She argues with Five and says that it’s not about him and Five says that it is about him. They then make Five out as some like kicked puppy. Her reuniting with Diego has Five standing right there looking all sad. Her reuniting with her kids also has Five standing there all ‘woe is me.’ He then has his whole sulking on the train bit like they try SO hard to make you feel sorry for him. Her saying goodbye to her kids also has Five standing right there and then as she’s crying in his arms he leans his head into her hair like he owns her or something and seems almost happy after seeing her have to abandon her fucking children. And then right at the end as they’re about to die Lila goes and holds his hand to make him feel better

Lila was such a cool and complex character and it was really refreshing to see a woman especially a woc be morally grey and they threw it all away

They made a poc woman’s character arc revolve entirely around a white man for a conventional cishet romance that nobody wanted and actively harmed the actors on the show. They turned her into Five’s little plaything so Steve could live out his perverted fantasy of Five having a wife and I am utterly disgusted by it

[remuslupinslittleslut]

Teach us - Part one

@missakward123: can you do dom! reader poly marauders? Also loved this!! Yes I can, but I have such a hard time writing a sub!Remus, so I kinda took it in my own direction.

Part two is found here!

Reader x Remus turned into Reader x Poly!Marauders.

Masterlist.

They thought it was strange how Remus had been the first to lose his virginity out of the three of them. Both Sirius and James had girls throwing themselves after them constantly, but somehow, Remus was the first to go all the way.

You had always found them all quite attractive, but thought that Sirius and James tended to be a bit obnoxious at times. When you saw Remus studying alone in the library one day, you thought you’d go up and say hi to the tall, handsome guy. The two of you had only talked briefly before this interaction, but soon found that you enjoyed each other’s company. It didn’t take long from there for you to go on a date and soon you were a couple. 

Remus, ever the gentleman, didn’t tell his friends about your first time, he thought it was best kept private between the two of you, therefore you always tried to keep it somewhat lowkey, finding time to be perfectly alone. Though any secret could not be held for long in that dorm and one evening the cat came running and screaming out of the bag. You thought you’d get to be alone with Remus, as the other two had practice. As it turned out, however, practice was canceled and the door to the dorm was thrown open just in time for the two surprised boys to see you orgasm, quivering around Remus’ cock.

It slightly ruined the mood and you struggled to cover yourself as Sirius went on a long rampage about “The betrayal! The absolute betrayal. Our baby moons got laid and didn’t tell us. Here he is, having had sex the whole time – while keeping us in the dark.” He was pacing back and forth, only half joking about his distress before deciding to be the bigger person and be happy for his friend. “Good job Moons. First one out of all of us. Amazing.” With a chef’s kiss he left the subject of betrayal and moved on to something else.

After the embarrassing moment of coming in front of your boyfriend’s friends, it didn’t take long before the question was asked.

“Hey Moony, since you already had sex, could you teach us how to do it?”

“Yeah, Moons, I wanna be ready for when Lily lets me go all the way if you catch my drift,” James agreed, with a very unnecessary wink as everyone understood exactly what he meant.

You stared, gaping. That they would ask such a question didn’t surprise you one bit. The fact that Remus seemed to be actually thinking it over did.

“I guess,” he started, patting your thigh, “you’re gonna ask her if she’s willing to teach you.”

You, teaching his friends how to have sex? The idea was preposterous. Yet… It did make you feel a certain tingle between your legs. You still found them attractive, and the thought of being the one to take their virginities? Oh, that was just beautiful. You thought it over in your head. Remus was quite dominant, not really treating you as a submissive but he liked being a bit in control, he’d never let you have all the reigns. These two however… Looking Remus straight in the eye, you searched for any form of hesitance – you didn’t find any.

“Alright then, we’re gonna have to set some rules,” you said.

It was agreed that the day after, you’d help take your boyfriend’s best friends’ virginities. You said 24 hours to give everyone a chance to back out, and told them very specifically that they would shower, properly, “none of that locker room stuff, a real shower, clean everything.” It was best to be clear when dealing with teenage boys.

A whole 24 hours later you found yourself walking up the stairs to their dorm. You knew Remus would be there, and you knew they’d given consent. You wore your school skirt, but without panties, a t-shirt with a very flattering bra and your hair out. You had to get yourself in that dominant mood, ready to boss the boys around. Since becoming Remus’ girlfriend, you had gotten to know his friends as well. You knew James would be easier to dom, and you knew Sirius would be a little brat. Therefore, you started with James. Opening the door, you could cut the tension with a knife.

The boys were so cute and nervous, standing up and waiting for you (not Remus, of course, he was comfortably splayed out on his own bed). “Jamie,” you said. “Do you still wanna do this?” He nodded. “Okay, then take your clothes off and sit down on your bed. You,” you turned to Sirius, “are gonna have to wait your turn.”

When James was naked and seated on the edge of his bed, you took a moment to appreciate his toned body. The moment didn’t last very long though as you wanted to feel him. Climbing into his lap, thighs straddling his, you took his face and held it in your hands. He was so pretty, so soft, so pliable. “Jamie, have you ever kissed a girl?” you asked him, bringing your mouth so close to his that your lips almost touched his. “No,” he said, cheeks flushing red. Holding onto his cheeks, you brought your lips against his, softly at first, then with a little more pleasure. The warm breath from his nose on your cheek sent chills down your spine. Deciding to progress, you slightly opened your mouth, letting your tongue out to lick lightly at his lips. He moaned.

You continued kissing him, making out really, until you felt he was ready to move on. Leaning back a little, you pulled your top over your head, revealing your soft tits, perfectly framed by your bra. “Go ahead, baby, you can touch.” With your permission, warm hands pressed against your back before following the lines of your body, meeting your front and lightly squeezing your tits. You allowed him to explore freely, until he pushed his head down, paused and looked up at you, eyes asking for permission. Instead of answering him verbally, you pushed your tits against his face, letting him know he could kiss and suck all he wanted. He did manage to get your bra off all on his (you were so proud of him), and as it fell to the floor, you felt his cock twitching.

You let him play some more with your boobies before taking his hand, kissing it once and telling him “Jamie, have you ever felt a girl?” When he shook his head, you kissed the top of his head and pushed his hand down, between your bodies and toward your core. “Feel that? I’m all wet, that’s all for you baby,” you cooed, watching his facial expressions in awe – he was so fascinated. “Now, do you know where your little cock is supposed to go?” Little was a big lie. His brows furrowed in concentration as he felt around for the right hole, he did find it, and pushed a finger in. “Good boy, now put your cock in.” You raised yourself, hovering above him, hand coming down to help him push his cock into your warm hole. “Oh that’s a good boy f’me,” you moaned, loving the feeling of him filling you up.

Being so focused on James had almost made you forget about your audience, looking to the side, you met Remus’ hungry eyes. You could tell he was enjoying the show, hand rubbing against the bulge in his pants. You decided not to look at Sirius, making him wait for your attention.

Grabbing James’ shoulders, you carefully tried moving, sliding yourself along his cock, making you both moan. You tried a few different movements, going up and down, back and forth. It felt really good and you enjoyed playing around with it, and it seemed as though he was enjoying it too, his head thrown back, glasses askew and mouth slightly open. Suddenly his hands squeezed hard on your hips, making you stop your movements. “Jamie, you okay?” You asked, massaging his scalp with your fingers. “Yeah,” he reassured, “yeah, just need to… I’m gonna come…”

You giggled softly, “it’s okay if you do, but first, I wanna do one more thing.” Pulling your body away from his was hard, letting his heavy cock fall out of you was even harder, and you immediately mourned the loss. Though, you knew it would be worth it. Laying down flat on your back, you beckoned for him to join you, to climb on top of you. “You should know how to fuck a girl, Jamie,” you said, helping him find his way back into you. His athletic body was made for this, for moving himself back and forth, hips pushing against yours. He didn’t go very fast, but you knew he’d be able to when he got more used to the feeling. Hiding his face against your neck, letting the vibrations of his moans shoot right through you, his hips started making the smallest, cutest, most desperate little movements. “That’s good baby, that’s a good boy, you’re doing so well, so good, making me feel so good.” You didn’t think you’d be able to come, he was a virgin, but the little thrusts pushed the head of his cock against you in a way that just felt too good to hold back.

“Jamie, baby, I’m ‘bout to come,” you moaned, kissing his head, holding him close, “you’re so go- ah-od,” your moans grew louder as you experienced a rather mild orgasm, though, an orgasm nonetheless. Your walls spasming around him made him come as well, pretty cock filling you up with his little virgin cum.

“Wow, Jamie, you did so well, I’m so proud of you,” you told him, after he had pulled out and collapsed on top of you. His head was still buried in the crook of your neck, his breathing fast and hard. “Did you enjoy it?” You asked, to which he pulled his face away, eyes wide. “Like it? That was amazing.”

You stayed like that, letting him hold onto your body for a while, not wanting to leave him without aftercare and love. Though you knew, as soon as James moved away from you, you’d have to deal with his mischievous best friend. Before you let James continue his cuddling – with Remus – you made him promise you something. “Next time love, you’re gonna let me take your cute little cock in my mouth, okay?” To this, he nodded, excitedly.

Part two.

[kosmicdream]

Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..

1) making comics does not get easier.. Not really

Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 

2) Read your own comics after making them.

I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.

3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)

I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 

Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 

4) Don’t draw every leaf. Unless you really want to.

I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)

5) Don’t draw ahead, draw those inbetweenies.

“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.

Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.

I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 

Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic

[alicenpai]

"Lament! Terror! Despair! I shall kindly teach them all to you! And in your final moment, I... shall kill you by my own hand!!"

pandora hearts print for anime north this weekend 🥀🖤🤍

I also put this up on my inprnt! there's a sitewide sale for 40% off right now 🌟

For this drawing, I really wanted to emphasize the gothic and chaotic, convoluted nature of the series. Pandora Hearts has become a lot of things to me, as someone who's read it since I was like, 14 years old. but I eventually found the perfect words to sum up the series - a cross between a Shakespearean tragedy and a Grimm fairy tale.

The ink brush + watercolour brushes I used turned out so well together!! I wanted the style to be kind of a nod to like the manga cover art you'd see from the late 90s to 2000s, kind of like Mochizuki's early approach to traditional art.

A lighter approach to both the lineart + coloring also helped me not strain my arm too much - besides work, I stopped doing full illustrations due to the amount of work being heavy on my arm/shoulder T__T. my last full illustrations were the TGAA/DGS zine + WHA zine pieces back in Dec-Jan, but my heart really lies in illustrations more than anything and I definitely want to get back into it!! (as long as my physical health allows it!!)

anyways, above is the thumbnail/inspiration board for this drawing! I also did some quick chickenscratch studies of others' drawings to help me get a sense of their composition. I started on the top left and then made a sort of meandering curve through... definitely went through a lot of ideas for this one. If I explained the intended symbolism.. I would be here.. all day..............

the candles were definitely first inspired by an animation of a lighter I did during art skool... and then I did this AA Dahlia animated illust... and then this OC charm (below) I did in 2022...? maybe I should draw fire more often. it's like, the way that fire looks in animated keyframes that I really like drawing out, and I guess I kinda really enjoyed translating that into a non moving visual medium??

This drawing simultaneously took SO long but I also sped through it?? I had to like... not dwell too long on certain parts... like for example I think some individual character compositions really could be a lot stronger... because I knew this would be a beast of a drawing, I didn't want to spend an unnecessary amount of time focusing on details when I should be looking at the big picture. and I know that's a bad habit of mine!! I'm trying to unlearn my perfectionism!!

thanks for reading if you got this far, hope ya enjoy it!! and I hope I'll keep drawing Pandora Hearts in the future (clearly I haven't stopped since high school omg) and I hope to draw some more Vanitas someday beyond just chibis!

[queer-ragnelle]

Understand is is a very weird question to get out the blue so no offence taken if this gets left in the inbox, but I was wondering how (if at all) to integrate transgender knights into arthurian retellings/adaptations ect while trying to keep it vaguely true to the medievalisms of the whole thing? I know its easy and liberating to just go 'fuck it everything queer' and its a totally valid way to go about it, but (as a trans person) I like having a narrative examine queerphobia and other structual issues with the setting - gives the whole thing a bit of meat (in my personal tastes). That being said, it feels like its a nightmare to try and have a transmasc knight stay stealth in this place! Everyone feels like theyre getting stipped and tended to after breaking a rib in a joust or merlin shows up and is a dick about pronouns and outs you to get you married to a Roman king. Stuff like that - things that feel a little easier to dodge when its a civillian character, not an ruling class.

Is this a 'kill the cop in your brain' kinda deal? As a queer storyteller yourself do you have any tips or strategies or tools you use to crowbar this kinda stuff a little easier together? Or do you know any stories/retellings/academic texts ect that cover these kinda things (even if its in a 'for the love of god, don't do that' way). Love the work you do for this fandom a lot, regardless of your answer! Hope you have a good day.

Hello anon! This is a great question.

Now let me preface this by saying I’m not transgender and I’m not a medievalist. There are plenty of trans medievalists on tumblr, but I’m not one of ‘em. So my answer is coming from a queer but cis author and enthusiast perspective. I'm going to provide lots of links to read things as well so everyone can draw their own conclusions from the material.

I think a large part of this does come down to “kill the cop in your head.” But at the same time, I’ve been exactly where you are wondering, “How can I make this story feel authentic to its era without torturing the trans characters?” Because you’re right, there’s a lot of nudity and close proximity interaction between knights in the medieval stories and Merlin is totally the type to be a dick about pronouns. I've also searched and struggled to find a medieval-set story that manages to incorporate queerness in a period-appropriate way (so far as we can guess) while balancing the narrative as to not tip into something deeply unpleasant for the target audience to read. (See: the series by Lavinia Collins, which has great queer rep, yay! But tons of horrors previously unseen and still unnecessary, boo!) So where does that leave us?

Well first I’m going to give you an example of how not to handle transness in an Arthurian story....

The book Once & Future and its sequel Sword in the Stars by Amy Rose Capetta and Cory McCarthy went with the phenomenon you already described as, “fuck it, everything queer.” It doesn't take place in the past, but does use the medieval stories as more than reference, it's not as divergent as something like Port Eternity by C. J. Cherryh, the reincarnated characters do interact with the past directly at times, so I'm using it as an example.

Anyway most characters are either gay (umbrella term) or trans. Except the way trans characters are treated sucks majorly (in my opinion). I completely lost faith in book 1 after the introduction of Lamorak, a gender fluid knight who uses they/them pronouns. Merlin misgenders them and gets corrected by Kay, to which Merlin does this whole self flagellation routine about. Lamorak is also disabled, missing their left hand. (Why isn't it Bedwyr? Anyway not the point...) Lamorak gets no dialogue here whatsoever, all agency is completely stripped from them regarding their disability and their gender identity. Double whammy.

This is worsened when Percival gets introduced, as Merlin then makes a point of asking for pronoun clarification in the most obnoxious way possible. To which Percival takes no offense at the weird slight against his sibling and tells Merlin his pronouns.

But what about the sequel? Surely these two queer authors improved with time.....

Is this a joke? Is this the best way they could indicate the inclusive realm of Avalon? Why not just describe the women as they are, all shapes and sizes, and let the reader figure it out? The authorial intent would be so obvious by this point. Instead they say it… like that. Gag.

It only gets worse when Mordred is born. Then they're weird about a literal infant.

What in the bio essentialism? If the characters have been living in a future that’s broken out of the gender binary, the baby’s genitals should be irrelevant. Gwen’s literally saying Mordred is going to fulfill the evil prophecy because he was born with a penis. Even if this is intended to be a teaching moment, I hate how it’s handled. These quotes are in order of appearance in the books, so after the subtextual implications of all that came before, this last part really doesn’t sit right with me. Sorry I find these books completely abhorrent. They've won awards, they’re beloved by many. Maybe it's me. But no thanks.

Honestly, so long as you're not blatantly offensive with your handling of such things, I think you'll be fine. It's important to remember that even if one is part of a demographic they're depicting, it's always a good idea to hire sensitivity readers and take that feedback seriously. Not everyone will love your work, there will be advice you don't utilize, with time you'll be able to weed out the bad faith feedback, (the "all depiction is glorification" crowd) and ignore it. But it's so important to open oneself up to constructive criticism so you can learn and your work can develop into the best possible version of itself.

Now let's get to some ways you can go about researching a way to do this that fits in your story. It’s important to remember that throughout human history, many people lived stealth their whole lives and we don’t know about them for that reason, not because no transgender folks ever lived authentically and happily in medieval times. So it’s never impossible to incorporate a trans character into a story who experiences no direct violence, even if the world they live in isn’t presented as a queer utopia. The other thing is that public opinion regarding queerness, cross dressing, etc have varied a lot over the centuries and were vastly different depending on location. Not every “woman” found in armor would have been treated as poorly as Joan of Arc. So there’s lots of wiggle room for interpretation when you go about writing these narratives. The majority of my examples deal with the ruling class so they address the concerns you mentioned with added scrutiny a noble would face if they were to experiment with gender presentation compared to a commoner. I’ll be spoiling the plots of everything on the list to make clear why I’m suggesting them.

My initial advice would be to read medieval literature with queer themes followed by essays on the subject. The best examples I know of are:

Yde et Olive

Transmasc knight (good ending). 12th century French romance. Yde’s mother Clarisse died giving birth to her & later when Yde reaches maturity, her father makes advances, so she disguises herself as a man & flees. Yde becomes a successful knight & is married to the king’s only daughter, Olive. When it comes time to consummate the marriage, Yde must confess the truth of his identity to Olive, who vows to keep it secret. This is overheard by the king who then attempts to uncover Yde’s identity but is stopped by an angel who chastises the king for harassing such a good vassal. Then Yde is transformed into a man, the king dies, & Yde is able to have a child with Olive. They name him Croissant as if it couldn’t get any more French than it already was. Anyway the story alternates pronouns for Yde given the situation which is pretty neat & in the end he gets to live his best life! Yay!

Le Roman de Silence

Transmasc knight (bad ending). A 13th century French romance about a baby girl named Silence. Silence is raised as a boy because King Eban won’t allow women to inherit property. Like many medieval romances, the hero's adventure is often punctuated with personified emotions (Dame Fortune, Lady Love, etc) but Silence is tormented by Nature & Nurture as he comes into adulthood. He becomes a knight & eventually takes on an "impossible" quest, to capture Merlin, which supposedly can only be done by a woman. Content warning for the ending, it does not go well for Silence. Merlin reveals his backstory, & he’s forced to take a feminized version of his name, live as a woman, & marry the king to keep his lands.

Wigalois by Wirnt von Grafenberg

A 13th century German romance that follows Gawain’s son, Wigalois [Gingalain], but this ain’t about him. There’s a character Marine who fights as a knight. She’s consistently referred to with she/her pronouns, but she’s renowned for her knightly virtues & fights alongside the men in the war. She’s treated very well narratively & dies in battle after apprehending a high-value hostage. Everyone mourns her & there’s a big funeral held in her honor. So even if Marine never presented herself as a man the way Yde or Silence do, she provides an example of a female thriving in a male role. Food for thought.

Parzival by Wolfram von Eschenbach

Another German banger from the 13th century. This one’s about a cis male knight but Parzival has transmasc vibes. Trust me. Here’s my favorite article about it called The Clothes Make The Man - Parzival Dressed & Undressed by Michael D. Amey that really illustrates what I mean.

After that, you can check out these retellings:

The Story of Silence by Alex Myers

I bought this but haven't read it yet. It’s a retelling about the aforementioned Le Roman de Silence. This book uses neutral they/them pronouns to refer to Silence, which I can say from experience sometimes causes confusion with readers, so it's good to study how this author did it & determine if that method feels right for you. (If you ever decide to do something like that with a character.)

Spear by Nicola Griffith + Spear's Author's Note

I enjoyed this one, beautiful prose. It didn’t feel like the most comprehensive Grail Quest retelling, but Peretur can be interpreted as a butch lesbian or transmasc, it’s ambiguous. She only uses masculine pronouns when stealth, otherwise using she/her, but it has a happy ending! It’s firmly set in the era & felt authentic on that front while letting the queer characters relax. Peretur isn’t alone. (A/G/L enjoyers keep winning + sapphic lady of the lake ftw + the other hotties Peretur pulled.) Definitely worth checking out.

The Bright Sword by Lev Grossman

This book just came out in 2024. Including it here is already a spoiler given the topic but I’m going to spoil fully from this point on so ignore this if that’s a problem. This is the best example I can give for your reading/writing tastes based on the ask; Dinadan is a trans man. His transness isn’t revealed in the main character Collum’s pov, but in Dinadan’s backstory pov, opening in his childhood. He & his twin brother were sent to different schools but young Dinadan would leave the girl’s school to practice knightly skills with the fay, which retroactively explains why he has a fairy sword that Collum was admiring. In exchange for this training, the fay ask that Dinadan slay Merlin. Which he agrees to while never believing he actually can, but the wrath of the fay in the afterlife is worth his ability to live as a knight. I love how it was all handled firstly because Dinadan has a fighting style that works for his smaller frame & because every knight has a different fighting style (Dagonet’s is “If it sucks hit da bricks.”) Dinadan doesn’t stick out like a sore thumb yet his physicality is accounted for. Secondly Dinadan explains the lengths he goes to in order to stay stealth from obvious ones like binding his breasts to pretending to shave his face every couple days & wearing a packer. Later on, Dinadan’s secrets are revealed when he goes swimming in the ocean with Palomides (who evidentially already knew) & Collum joins them. Collum had no idea, which I think brings up an interesting point about all of this which also reminds me of Gawain not recognizing that Beaumains was Gareth—the power of expectation. Just as Gawain expected to find a kitchen boy & would have no reason to assume his brother (who hit puberty since they last saw each other) would be stealth in the kitchens so therefore didn’t recognize him, Collum expects to find men as knights of the Round Table, so when Sir Dinadan is introduced, & Collum had heard of him before, Dinadan’s stature & high voice don’t register to Collum as anything but traits that this guy Dinadan happens to have. Learning Dinadan’s secret in the presence of another knight who already knows & is chill about it also encourages Collum to be accepting too. So giving Dinadan at least one ally in his corner throughout the story went a long way. In the end Merlin, who can only be killed by a man (which is why Nimue had to settle for sealing him away) is stabbed by Dinadan. So it’s like a reverse Silence/Éowyn situation that Dinadan’s gender is affirmed in his ability to kill Merlin. This book also includes the part from Le Morte d’Arthur where Dinadan’s forced to wear a dress, which in this context is very transphobic, but that’s the point. It’s made better when Dinadan gets to go insano style on Merlin so he gets payback. Just a heads up about that.

Some fantasy/scifi that’s not Arthurian but may help, as Arthuriana is largely fantasy to begin with, this may help you determine where on the spectrum your taste/writing falls regarding the bending of reality/history to fit your narrative.

Orlando: A Biography by Virginia Woolf

1928 novel about a character named Orlando living during the reign of Elizabeth I. Orlando is born male, then at some point in his early adulthood, falls into a deep sleep from which he awakens the exact same person, now metamorphosed to be female. Orlando, for her part, adopts this new role immediately & keeps on moving. She lives for 300 years as such & has many adventures, including an instance where she then presents as a man to elude marriage. Transitioned so she could cross dress in the other direction. She would’ve done numbers on tumblr. Ultimately, Orlando does marry… a gnc sea captain! The success of their marriage is attributed to their similarities in gender non-conformity. Even though this book only remains in the late medieval era for the opening, I think it’s a poignant example of a transgender individual living their life in their time & still getting to enjoy themselves without excessive suffering that may provide lots of inspiration.

The Left Hand of Darkness by Ursula K Le Guin

1970 Hugo & Nebula award winning novel. A fascinating examination of gender from the point of view of a cis man named Genly Ai having to reconcile his interpretation of the gender binary when confronted with a society who operates outside that. His travels with ambisexual Estravan challenges what Ai understands about the universe. His ignorance forms the backbone of the narrative as he grows close to a person from this other society. Even if it’s not a medieval setting, it may help you develop a narrative voice regarding this subject you’re able to bring to your work. Also it’s just really good.

The Privilege of the Sword by Ellen Kushner

2007 Locus award winner, Nebula & Gaylactic Spectrum nominee. High fantasy medieval setting. Katherine is a country girl brought to the big city Riverside by her uncle the Duke where she’s offered the opportunity to train as swordsman (ie cross dress) instead of political marriage. She’s unsure of the reasoning behind her uncle’s motivations for doing this, but goes along with it & kicks ass. A preview is available on Google books (linked).

The Realm of the Elderlings by Robin Hobb

This is my favorite series ever. It spans 16 books published between 1995-2017. The fandom on tumblr & ao3 is hugely active. (Avoid tags to dodge major spoilers or check it out for amazing art & many quotes!) The series has many gnc characters in a fantasy medieval setting. First & foremost, The Fool, who’s in all the books & whose gender ambiguity is mentioned book 1, to which he says, “None of your business.” The character ever. Without getting too specific, there are several trans characters including gender fluid characters who will alternate between masc/fem presentation & pronouns. This is my favorite example of gender fluid characters in any fantasy I’ve read, especially since there are several & each feels unique. In The Liveship Traders trilogy, Amber coaches another woman how to hide her period while pretending to be a ship’s boy by using a sock, so if anyone finds the blood on it, she can say she cut her foot. Little things like that really deepened the realism in an otherwise fantastical story for me, because addressing those details answers questions my overly analytical mind would ask & wonder about if unacknowledged.

Lastly I'd like to suggest the article Armour of an Alienating Identity by Jeffrey Jerome Cohen. While it doesn't mention Parzival (the text), it does mention Perceval (the character), as well as Gareth Beaumains, Lancelot, Gawain, Yvain, and even Arthur himself. It goes on to reference endless examples to support its thesis including Greek heroes such as Achilles and Odysseus with references to many different medieval stories from Old English Beowulf to the Irish Ulster cycle to the works of Geoffrey Chaucer. Most (if not all) of the texts mentioned in this essay can be found on my blog for cross reference if you desire, although the article already contains many quotes.

Okay I think that’s all I got. I’ve given you a ton to think about and read. Ultimately I don’t think there’s a clean cut answer for this. Nuance, you know? Having hired an editor and many sensitivity readers myself, it really is just a professional a vibe check sometimes. You write what you want to the best of your ability, then other people weigh in, and you keep tweaking it until it’s as good as you can possibly make it. During development, and even in its final form, there will be people who don’t enjoy your story and that’s fine. It isn’t for everyone, it’s for you and your audience. No single experience in this life is the same so each fictional depiction emulating life will also be unique, there’s no “right” answer on how to write this or anything else, only the way you want to.

Hopefully now you have some tools to help you learn how best to express your vision. I know they gave me a lot of insight and ideas I lacked before when writing trans characters in my books. Thank you for trusting me with this question and good luck with your project! Take care! :^)

[hadesrise]

𝐒𝐀𝐅𝐄 𝐖𝐈𝐓𝐇 𝐌𝐄.

part one — part two

𝖘𝖚𝖒𝖒𝖆𝖗𝖞. the wayne family witness how you handle jason’s trauma.

𝖕𝖆𝖎𝖗𝖎𝖓𝖌𝖘. jason todd x addams!male reader

𝖜𝖆𝖗𝖓𝖎𝖓𝖌𝖘. sfw content, foul language, trauma, nightmares, mentions of torture, typical addams behavior (dark, edgy, gothic, disturbing behavior), romantic, death threats, soft addams!reader, mentions of a very dark and gruesome fictional book, dealing with trauma, fluff, lots of fluff, everything’s just soft

𝖆𝖚𝖙𝖍𝖔𝖗'𝖘 𝖓𝖔𝖙𝖊. can't help it, i really enjoy writing addams!reader content. honestly, it's kinda getting old but i guess this will be the last one??? or one more and then i'll end its endless cycle?? anyway, if y'all have any recommended translation apps it'll be nice to know. don't wanna trust google translate that much.

FEM ALIGNED DNI !!

“Why are you awake so early in the morning?”

Bruce’s slightly raspy morning voice interrupts the silent reading you had indulged yourself in, barely reacting at his sudden presence despite the fact you failed to notice him from how focused you were on your book.

You glanced at him only for a split second before your eyes went back to reading again, “I prefer the quietness of your manor in the morning for a quick read. Although, I must say the bright sun is such a terrible sight. It nearly burned me as soon as my consciousness awakened.” As you replied casually, Bruce took notice of how the curtains are closed completely shut to block the sunlight from entering, as if getting even a little bit of it would burn you like a vampire. Well, you did look like a vampire because of how pale and ghostly your skin is as well as the all black, gothic medieval or victorian outfit.

Bruce still wasn’t used to your unique culture, ancient speech and intimidating presence, but had learned not to be too bothered by it ever since you and Jason began visiting the Manor often. He didn’t want to waste energy by constantly reacting to any unusual traits you displayed, and he’s been successful so far. Even though he still doesn’t agree with your morals, he knew not to argue with you like before, since you’ve been nothing but respectful to him everytime you set foot in the manor.

Raising one of his eyebrows, Bruce tilts his head. “Do you always read?”

“Yes, indeed.” Came your immediate response. “Books are what defines me, Mr. Wayne. My soul is practically attached to it.”

“Is that why you always carry a book with you?” Stephanie suddenly chimes in out of nowhere with Tim behind her, curiosity plastered across her face. You nodded, glancing up to see Damian sit down on the other sofa while playing a brutal game that occasionally makes a blood splattering sound.

Bruce sighs, “And why are you all awake so early?”

Tim looks at him weirdly, “It’s already eleven o’clock. Almost lunch time, you know.” Deadpanning, he then leans in from behind to get a glimpse of what you were reading, only to cringe slightly after his eyes read a particular sentence; The flesh muscles of his legs were torn off, almost as if it had been ripped open by a lion, exposing bones with blood uncontrollably flooding out. It’s definitely one of those horror books who has unnecessary amount of gore. “What in the hell are you reading?”

“Bloodthirst by Clementine.” You sipped on a black coffee before continuing, “Wherein the main character becomes bloodthirsty for revenge after his lover had been abducted and mutilated by a group of serial killers. The sentence you’ve read is one of his acts of revenge which includes a pack of wolves.” The corner of your mouth twitched up a bit, looking up at him with that glint in your eyes. “It has a pleasantly satisfying plotline.”

Disturbed and quite freaked out, Tim exchanges eye contact with Bruce and pressed his lips together. “That is... uhm, interesting.” Amusement merely crosses your face before it instantly went back to your usual emotionless expression.

They still haven’t gotten used to the extremely calm demeanor you had because of how most of them grew up not having a quiet presence in the manor, even Cassandra wasn’t as silent as you before. You’re the only calm and fully collected person they’ve ever met, coming off as rather intimidating due to your piercing gaze, emotionless face, wiser-than-thou mind, and utmost patience. Especially the patience one, because most of them were either short-tempered or just born enraged. Sometimes, they get intimidated without you even speaking — once, you and Jason reluctantly joined them to a grand event and someone made an utterly horrible decision to insult Jason by comparing him to the “well-behaved” eldest son Dick, which resulted in you shooting them a piercing, dark, cold and harsh glare not even a second after that instantly made them freeze in spot. That look in your eyes alone made their blood run cold and face pale.

Needless to say, they regretted insulting Jason as quick as the wind blows, but that story’s for another time.

“Where’s Dick? Did he sleep at Barbara’s?” Stephanie wondered, realizing the lack of annoying presence.

“Nope!” An all too cheerful voice in the morning pipes up as Dick appeared with a big smile on his face. He quickly noticed you reading a book and approached, “Reading a dark book again? Where’s Jay?”

“There’s only an obvious answer to an already obvious question, Richard.” Retorting without sparing him a glance, you flipped the page and earned a snicker from Damian. “He will be walking down the stairs soon. Sois patient, frère.”

Dick replies an ‘okay’ before jumping on the couch Damian was sitting on, deciding to annoy his youngest brother instead. Shaking your head with the corner of your mouth twitching up only barely, you focused on reading your book again despite the peaceful silence being broken by their chattering, although it didn’t take long before you averted your gaze and stared at the ceiling, as if feeling something wrong.

Damian notices. “What are you doing?”

You didn’t speak right away. Just staring up like something was there, which also made the others look up in attempt to figure out what you were doing.

“Jason is not sleeping well,” You finally stated, not looking away from the ceiling. “Humans often radiate different energy depending on their mental state, which makes it easier to specifically identify what their current emotions or moods are. It can be felt if you concentrate enough. Jason’s energy has been much peaceful ever since I’ve tormented Joker. It is supposed to stay as that.”

“What do you feel now?” Cassandra asked worriedly, her body leaned back against the wall.

“He’s distressed.” You concluded, shutting the book close without bothering to slip a bookmark on the page, which she noticed quickly. She reads with you a lot and had never seen you close a book without bookmarking it; books are absolute treasures for you, but not as much as Jason now.

Confusion took over Tim’s face as you set your book down and drink your black coffee in one go, “How do you know?”

“There is not one thing I don’t know about Jason.” You remarked nonchalantly, like it’s how it should be. You just knew Jason well enough to understand him more than anyone else, even more than himself sometimes.

Before you could stand up from the couch, a footstep erupts from the top of the stairs and comes Jason slowly walking down, wrapped around in a blanket and thick arms hugging his body, making himself as small as possible despite his large frame. “(Y-Y/n)...?” His voice was thick and hoarse, as if he had been crying, as he stuttered and looked for you like a lost child.

You quickly got up from the couch and walked up to him when he stopped in the middle of the stairs. “Come here, darling.” Jason doesn’t hesitate to drop the blanket and wrap his arms around your neck, clinging onto you for dear life. Slipping your hands on the back of his thighs, you lifted him up with ease and returned to the couch, sitting down sideways so Jason could lay on top of you, just how he liked.

“Horrible...” Jason murmured, face buried in your chest. “Horrible, all of ‘em. It hurts. Everything hurts.”

You frown, although your face had the softest look anyone had ever seen as you gently stroke his back, still having him caged in your arms. “Terrifying dream, was it?” You asked, earning a nod.

“ ‘m scared...” Jason breathes shakily, “I’m still there... Still hurts. Too dark. Cold. He’s still laughing. Hurts, it hurts.” He blabbered, words repeating over and over again, and breath increasingly becoming rapid as panic begins to slowly build up inside him. His entire body was trembling, sobs wreck through his body.

Everyone except you was at lost for words.

Jason seemed... weak and fragile. A cracked glass that can easily break with just one touch. Had Jason been suffering like this all this time? It felt as if Bruce was bludgeoned by a brick in the form of realization, opening his eyes to how the events with Joker truly affected Jason. He was obviously and clearly traumatized (who the fuck wouldn’t be?), but this is the first time everyone had actually witnessed the trauma, considering Jason refused to be vulnerable in front of them.

“Shh... Open your eyes, chéri. Look into mine and breathe slowly,” You gently instructed, rubbing his back in a soothing manner and muttering encouragements. Jason does as he’s told and open his eyes, staring into your calm and comforting (e/c) eyes while attempting to slow down his breathing. “Doing so excellent, mon amour. Breathe in and out, slowly. Good boy. You do not have to rush yourself.” The soft tone of your voice bringing him a sense of safety.

Once he’s calmed down, you slowly hold his hand and squeeze to provide warmth, hugging him tighter with one arm. “Can you tell me where you are and who you’re with right now?”

Jason squeezed back, little tears still running down his cheeks. “T-the Wayne Manor... With—with you... A-and Bruce, and Dick... Tim... Damian... C-Cass and Steph...” His gaze focusing on your encouraging eyes, his mind slowly detached from the nightmare it was drowning itself in.

“Good boy, sweetheart.” You kissed his forehead, “Is it still dark?” Jason shakes his head. “What about coldness? Am I succeeding in warming you up?” He nods this time. You smile, running your hand through his hair. “Be not afraid, Jason. Darkness will not consume your mind forever, although it is a part of our lives. You might remain afraid of the excessive trauma for years, but being afraid of it does not mean you will be chained eternally, and neither does it mean you are weak nor easily destructible. You’ve bravely fought a war within yourself. I know you will be able to defeat the nightmare someday.”

Jason sniffles, “Do you think I’m healing?”

“Yes, very slowly, as how healing process should be.” You stroked his cheek, “Trauma comes with nightmares. It especially shows when you are doing well so it could test your strength, whether you’ll be able to overcome. But it can never defeat you; it only knows to cause pain, agony, and fear. You know love, joy, compassion, and empathy. It is what make us humans that defeats the monsters.”

He curled up against you, “Just want it to be over. I feel less like myself.”

“You are not bounded to your trauma for all eternal, chéri. It does not define who and what you are, and it certainly does not make you any less.” You softly replied. “Never doubt yourself, my love. Healing cannot be completed within a day, it takes more than few years and I will be with you every step of the way.”

Biting his lip, Jason rests his chin on your chest. “You’ll get fucking tired dealing with me. Your patience might not be able to handle it.”

“I cannot get tired of you. Not when you hate pastels too.” Jason chuckles at your joke, the mood surely lightening. “And do not speak as if you don’t know me, Jason. There is no such thing as might not be able to handle it in my vocabulary when it is you. I love you too much. If I cannot handle anything that involves you and matters about you, then my love for you will mean nothing but dishonorable. The two of us definitely have knowledge of how I would rather decapitate myself than offer you a half-hearted love.”

Jason’s heart swell as the back of his eyes sting again, tears threatening to come out. He knew how difficult it is to be with someone as much trauma as he has, which made him live in fear of you getting tired and leaving one day, even though you’ve assured him more than a hundred times. He knew he was difficult to be with even without the trauma, yet you willingly giftwrap your heart to offer to him while simultaneously providing him with the understanding he deserved. You accepted him along with his trauma. Nobody knows how special that feels.

Cassandra and Stephanie sat on the carpet near the couch where you two laid, so they could check up on Jason. The others had scooted closer as they watch you comfort him nearly expertly.

“Can still feel it, (Y/n).” Jason snuggles on your chest, “The crowbar. It’s still hitting me.”

You gently pull his hand to see his arm that was littered in autopsy scars, some little and some a bit big. Caressing them, you press a lingering kiss. “It was just a fragrance of your memory, beloved. You are safe now, I will keep you protected for as long as I am here. No crowbars.”

Jason nods and looks up at you, puckering his lips. You immediately kiss him, then pressed a kiss on his forehead. “I know he can’t touch me anymore. You already tortured him enough.” He smiled and wiped off his tears.

You pat his head and hug him closer, “Everything will be alright someday. Would you like a hot chocolate with marshmallows on top? I’ll cook you breakfast as well.”

“Yeah, that would be nice.” Jason whispers.

You slowly slip out from under him, making sure he’s laying down comfortably before fetching the blanket he dropped and wrapping it around him, muttering an i’ll be right back. Watching you disappear into the kitchen, Jason sighs in content and curls up on the couch, still feeling vulnerable but not worse. Stephanie smiles softly at him as Dick walks over to sit beside her, ruffling Jason’s hair.

“You’ll be fine soon, little bird.”

Jason only nodded. The first time he didn’t scoff nor bark, indicating he still can’t forget the nightmare he had.

Soon, his other brothers joined Dick while Bruce sits on the couch beside Jason, looking regretful and apologetic with a frown. Witnessing the amount of trauma Jason has to endure even after many years dropped an equal amount of realization within the family, even though they knew he was traumatized. They just didn’t know the extent to it, and seeing it unfold before them had made them realize they hadn’t been supportive or doing enough for Jason when they should’ve known how much trauma torture and murder would cause. He literally died and came back to life — it’s impossible to not carry a lifelong trauma that greatly affects his personality and attitude; the utmost rage and murderous desires he displayed before might have just been his coping mechanism until meeting you, who quickly became his comfort and calmness.

Nearly most of them had guilt written in their faces due to feeling as if they had been invalidating Jason’s trauma, especially Bruce who did not deal with the entire thing well and had failed to show Jason he cared even though he did more than the son could ever know.

Once again, you beat him to it.

“He cares about you so much, doesn’t he?” Bruce quietly and rhetorically questioned.

Jason nodded happily, “A little too much sometimes. (Y/n)’s always careful and calm, but he gets reckless when it’s about me. Like that Joker thing.” He chuckles, “He said fucker didn’t even have time to laugh.”

The corner of Bruce’s mouth twitched up only to disappear, the guilty look still staying. He breathes in and out slowly, causing Jason to look at him questioningly as Bruce avoided eye contact. “Jason, I... uh — I’m sorry. I’m sorry If you ever felt invalidated or unloved by me. I had been so focused on my morality that I failed to show you I cared for you. I really do, Jason. Just maybe not the way you were expecting me to show it.” He carefully says as to not trigger anything in his son.

Pulsing his lip, Jason shakes his head and reached out to play with Bruce’s hand. Bruce seem surprised, but let him nonetheless. “Mhm,” He hums, “It’s okay. I was just angry and hurt... You didn’t look for me enough, and there’s suddenly a new Robin, so... I thought you forgot about me. I couldn’t accept that you seemed to move on so easily.”

Bruce’s heart clenches. “That’s not true, son.”

“I can see that now. I was too bitter and angry, it made me blind.” The broken boy smiles a bit in an attempt to reassure him. “It’s not your fault I turned out like this and ruin everything, you know.” He sadly says, looking down.

The older Wayne shakes his head, “You don’t ruin everything, Jason. You were coping and still coping with what you went through. (Y/n) was right when he said healing takes time.”

Letting go of his hand, Jason instead fidgeted his own fingers now with a sad pout. A little child-like. “But you gave up on me. I know I’m difficult. It’s why you normally can’t deal with me and we always end up arguing. And I was a failure ‘cause I died easily as a Robin.” His voice was slightly high-pitched and trembling. It reminded Bruce again of a child.

Immediately shaking his head, he grasped Jason’s fidgeting hand and firmly looks at him. “You were never a failure, Jason. I’m sorry I made you feel that way. You did everything you could. What I can’t forgive is that I let you die as Robin and not as Jason Todd. I can’t forgive myself for being too late to save you. It wasn’t your fault. Nothing’s your fault, son.”

He pulls him into a hug, which caused Jason to breakdown as he clings onto Bruce and cries his heart out. Embracing him tightly, Bruce kept stroking his back for comfort. The others watched silently with a sad smile, knowing both of them wanted to reconcile for a long time but was too hesitant to do so. It made them happy yet emotional at the same time, Dick and Stephanie already having tearful eyes.

“It truly feels upsetting to ruin this wonderful moment, but I’ve got to feed Jason. May I?” Your calm voice erupted, just then everyone noticing your presence standing at the side of the couch. Bruce chuckles and pulled away, sitting down on the carpet instead so you could take his place. You nodded appreciatively before taking a seat.

Jason sits up, accepting the hot chocolate from you with both hands and sipping it. You ruffle his hair gently.

“His age mentality regresses when the nightmare’s been too severe,” You explained what Bruce was wondering. “It is one of his responses to trauma. I believe it’s the inner child coming out, attempting to relive again.”

“How long?” Dick asked.

“About an hour.” You take the mug from Jason and set it on the table as you begin to cut a bite sized piece from the pancakes to feed your lover. “He has the desire of being taken cared of and I intend to fulfill it. Mother and father takes care of him once in a while when it happens in our Addams home.”

“Mom and dad takes me shopping. It’s fun.” Jason remarked, grinning.

“Shall we buy you some dead flowers, chéri? And a new gun, perhaps. Would you like that?” You caressed his cheek while feeding him with the other, Jason leaning his face on your palm.

“Yeah, I’d love that. Love you, (Y/n).”

“I adore you too, my love.” You kissed the tip of his nose, which caused him to erupt into a fit of giggles as you feed him again.

After Jason had fallen asleep peacefully on the couch, you pinch the bridge of your nose and sigh deeply in attempt to calm yourself down. Seeing Jason struggle with trauma is not easy, especially when he’s far too scarred mentally that it causes mental age regression. It also probably came from the fact he had never lived a peaceful life even before meeting Bruce, losing his childhood by witnessing the harsh reality at such a young age, and having to stop being a child after becoming Robin.

You had utmost patience, but when something affects Jason greatly like this, you often tend to lose calmness and be overwhelmed with rage and bloodthirst. If you could take all his pain away and those painful memories, you’ve already done it. You would give up anything for Jason to not struggle with the torment of his torture and murder — you will give up everything for him.

“You okay, (Y/n)?” Tim asked worriedly, feeling your atmosphere change.

“I wouldn’t call blood boiling with rage okay.” You muttered murderously as your dark eyes glared daggers at the carpeted floor. “Joker is already encaged and chained down within the cells of Arkham Asylum, but the aftermath of his vile actions still haunts and torments the victims who have gone through survival. Trauma is inescapable, including fear of the perpetrator. Their spirits won’t rest peacefully, alive or dead, while his existence still roam the Earth.”

The way you spat with utmost disgust and anger was now understandable, as well as your nearly inexcusable actions committed before. You witness this side of Jason more often than they do. It’s already unbearable even for them, what more for you who takes precious care of him?

Suddenly, Bruce comes to understand your morals. Why you do what you do, why you believe what you believe.

“May I ask you to take care of him while I’m out, Mr. Wayne?” You asked, voice thick, clearly grounding yourself to your humanity.

Bruce nods, for the first time. “Yes, now go do what you want to do.”

You smiled, immediately standing up and wearing your coat before rushing off the manor.

Cassandra shakes her head with a smile as Damian looked at his father with a smirk, “He might kill him, you know.”

Bruce just shrugged.

“Well,” Stephanie sighs, “Can’t stop (Y/n) from going on a rampage against the Joker. He deserves what’s coming for him anyway.”

Few hours later, Jason wakes up to the news of Arkham Asylum increasing its security due to an unknown attack against Joker that left him barely alive, and you casually reading a book with pleased and prideful look. It doesn’t take him long to figure things out and tackle you in a hug, leaving kisses all over your face.

Joker’s probably going to have nightmares about you, but he deserves what’s coming for him, doesn’t he?

© ᴀʟʟ ʀɪɢʜᴛs ʀᴇsᴇʀᴠᴇᴅ ᴛᴏ ʜᴀᴅᴇsʀɪsᴇ. sᴛᴇᴀʟɪɴɢ, ᴘʟᴀɢɪᴀʀɪᴢɪɴɢ, ᴏʀ ᴜsɪɴɢ ᴍʏ ᴡᴏʀᴋs ғᴏʀ ᴍᴏɴᴇᴛᴀʀʏ ɢᴀɪɴ ɪs sᴛʀɪᴄᴛʟʏ ᴘʀᴏʜɪʙɪᴛᴇᴅ. ᴀsᴋ ᴘᴇʀᴍɪssɪᴏɴ ʙᴇғᴏʀᴇ ʀᴇᴘᴏsᴛɪɴɢ ᴏʀ ᴛʀᴀɴsʟᴀᴛɪɴɢ.

[runningfrom2am]

cold nights // part ten

summary: may the odds be ever in your favour.

pairing: coriolanus snow x fem!reader

wc: 3.3k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, r is very smart (as she should), district twelve!reader.

a/n: playlist coming v soon!!

series masterlist // playlist

Coriolanus lets out a scream of anger as he pulls the weight of the cement block down on the boy again, dishing out every last bit of rage he had over the inconvenience he had caused. He had to. He was sure the tribute was already dead, but one more hit couldn't hurt- not when he needed to make sure he was really done; not when it felt so powerful the first time.

He's breathing heavily, staring down at the body in front of him with his curls falling in his face, preventing him from seeing reality. Shielding him from seeing you.

You open your mouth to speak, but you can't. To ask if he's okay, but clearly he is- that final blow was too late to be a hit out of desperation, panic, or pain. It was pure, unnecessary retaliation. It went against everything you stood for. Everything you said.

Coriolanus was Coriolanus indeed; you could see it in the darkness that suddenly appeared behind his eyes. It was like he had done it for fun.

He looks up only when you take a step back, shoe crunching over the rubble underneath your sole and alerting him to your presence.

"Y/N-"

You look between the boy you thought you knew and the battered body on the ground. You take another hasty step back.

The power he thought he felt was replaced instantly by guilt when he saw the look on your face. He wasn't sure your kind features were even capable of showing an emotion so abrasive as disgust- but that was all he could think of to describe what he had to guess was going on behind your eyes. Betrayal, maybe. Horror, even, at something he had done. He moves to take a step toward you, dropping the metal rod in his hand so maybe you'd give him the chance to explain but you were taking off like a bird in the street threatened by a moving car the second he moved a muscle. He freezes, hand extended toward you despite you being too far to reach.

You were scared. Of him.

He very quickly had more pressing matters than your understanding or coping with the idea that you had run from him since he was now hearing the war cry of Coral and her pack as they ran from the tunnels toward the exit he was standing under.

He was grateful you had fled before that, hoping they didn't see you before you hid away again. He hops back over the gate, grabbing Sejanus and forcing him through the front entrance just in time.

"For Coriolanus, when I am gone."

He reads over the words on the outside of the intricately folded note over and over again, sitting at his desk and trying to ignore the stitches pulling at his back. Sejanus had given the note to him when he was discharged from the hospital. A note from you. It was a goodbye, he knew it. Something about your delicate handwriting on the outside felt so sacred to him.

"My Dearest Corio,

For once, I cannot express with words what I need to say to you. Regrettably, Sejanus is waiting so I must find something to say soon. I'll begin with thank you. You told me not to thank you until you had done something for me, but what you didn't understand was that you already had. Having a friend at the end has meant the world to me. I wish I could tell my family about you. When I can't sleep at night, I think of how much they would love you, and how we could sit together in the field at night and look at the stars. I hope one day you get to see them.

I apologize that I have to ask one more thing of you. I admit, I do not know how your mentorship works, but I hope with all my heart that I have done enough for you to win your prize. I regret that I will never know. I'm sorry that you ended up with me, you deserved better. I feel like you weren't given a choice, though I know you would never admit that. I digress. All I ask is that you do not forget me. You don't have to feel guilt, or think of me all the time, I just hope you read Romeo and Juliet one day and guess which parts were my favourite. Or that if you're out on cold nights when the breeze chills your skin, you'll think of us. I also hope that is not too much to ask of you. I suppose, again, I will never know.

If I can take your position for a moment and mentor you; I have some advice I would like to offer. Be whatever you want to be, do what you want to do. Don't let anything or anyone stop you from being good. Your kindness, Corio, was not lost on me while I had the pleasure of knowing you. I've seen who you are, and I will never forget.

I must tell you posthumously that you are the closest thing to my own Romeo Montague I have been lucky enough to have in my life, but our story is different. You get to grow up, change, have a life, and fall in love. Please do. See the beauty in everything and do not let the cruelties of the world change the goodness in your soul.

"Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof!"

With love and not nearly enough time,

Y/N

He couldn't resist unfolding the page in his hands and reading it. Every inch of the page was covered in your scrawled print, urgent from not wanting to keep Sejanus waiting for too long. You were still very much alive, but he was probably dead to you and he saw that in your eyes as you looked at him with nothing short of fear. He was supposed to be your Romeo, or at least you thought so when you wrote it. And he wanted that for you. He regrets so deeply that he took that perspective from you. It was a mistake- but maybe, if you won, you would see that for what it was and forgive him.

He wanted to crush up the note and throw it against the wall, tear it to shreds and light it on fire and burn away the fact he had ever met you, but he knew he didn't want to. It was all he would have left of you. He couldn't lose it, even if he hated himself for ruining what you could have had.

Instead, he folded it back up and put it on the shelf where his mother's compact once was before crawling into bed and crying until he finally passed out.

"You can explain it to her, Coryo. I know she will be reasonable." Tigris smiles sadly at him, helping him once again with his blazer following yet another back injury.

He hadn't said anything to trigger her sympathies this morning besides having puffy eyes in her presence. Though, the wall that separates their bedrooms is thin- it was likely that despite the muffling of his sheets, she had heard his cries. He had told her everything, he always did.

"Would you like me to come with you today? I can miss just one day of work, no harm will be done." His cousin offers. He wants to decline, her income is all they had, but if Coryo was being honest with himself, he needed someone in his corner.

"Okay." He agrees quietly and she smiles, patting the front of his uniform.

"I'll grab my things, can you wait a few moments?" She asks, already heading for her room.

"Of course." He nods. In another moment of self-honesty, he realizes he doesn't even want to go. But he had to be there. For you. If you had even survived the night.

When you decided there was enough daylight, you crawled back deeper into the vents. Seemingly you were safe there, if you had to guess it was almost noon and no one had bothered you. You were on your way to check on Jessup- that was a better use of your time than dwelling on what you witnessed last night and slipping deeper and deeper into a downward spiral.

You approach the grate in the vent you entered through, peeking in to see if he was still there. "Jessup?" You whisper, unable to see him. Worried when you get no response, you slide the cover off and hang your head out of it to look around. He was curled up against the wall across the room, and he looked distressed. Shaking, crying, skin ashen.

"Jessup?" You call toward him again, beginning to climb down to go check on him.

He's not responsive to you, not as you take a few hesitant steps closer. "Are you okay?"

His head snaps up to look at you. "Y/N?"

You smile a little, surprised he even remembered your name in his state. "Hi." You crouch down in front of him. "What do you need? Are you holding up okay?"

Again, no response.

"I'll get you some supplies." You whisper to him, knowing that if the microphones pick it up, Coryo would likely send you nothing when you emerge into the open area. He was very clear that you shouldn't share, but Jessup clearly needed help. He'd been down here for over a day without food or water, but now, you didn't know that you had anyone to help. You had Coryo and Sejanus, but now Sejanus hated you and Coryo was never who you thought he was. It had haunted you all night.

"I'll be back soon, okay?" You smile at Jessup reassuringly, standing and untying the scarf so you can get back up into the vents.

Coryo hadn't heard what you said to the boy, but when you reemerged from the vents after checking it was mostly clear, he knew what you were there for. It was decently safe, spare for Reaper who had collected and covered several bodies with a torn flag while you were gone. Making eye contact with him startles you, but you don't move. Neither does he. You give him a nod of understanding as he kneels next to the aboveground grave, which he returns. Lamina wasn't on her beam anymore, and that makes your heart clench. It took you a long time to get from one place to the next using the vents- anything could have happened in the time you weren't watching.

Now that you've established that you're safe, you look to the nearest camera with hopeful and tired eyes. Coryo knows you want to bring whatever he would send back down to Jessup.

He chews his lip, looking between you and the small screen in front of him. He shouldn't enable you to help another tribute, but it did look fruitless. Jessup was not well, not at all, and it would be a waste to even bother feeding him. At the same time, after what he had done last night, after what you witnessed, he would have to buy back your trust. Allowing you to help your friend is his only way to do that, at the moment. So he selects the water and sends it, followed by some bread.

You receive it, giving a weak, almost hesitant smile to the camera with the food and water tucked against your chest. "Thank you." He can only read your lips before you disappear again.

Climbing back out of the vent, this time with a water bottle and some bread in hand as you drop to the ground, you startle your friend. "Hey, Jessup." You say, raising your free hand to calm him. "I brought you something to eat."

You approach him carefully as he stares at you. You hold the items out to him, but he doesn't take them. "Do you want some help?" You offer, kneeling down in front of him. "Here," You tear off some of the bread and try to hand it to him. After not eating enough for so long, smaller pieces would probably be easier. "It may be a little dusty from the vent, but it's still good. You need to eat."

Then, without warning, he slaps the items out of your hand and shoves you back. "What did you do to it?!" He shouts as you fall back on your butt, quickly shuffling yourself back away from him.

"Nothing! Nothing, Jessup, shh, we gotta be quiet down here..." You try and calm him, still backing away.

"You're trying to kill me!" He yells, ignoring your pleas for him to be quiet, reaching for the now empty and broken water bottle that spilled out over the floor.

"I would never, I just want to help!" You try and assure him, standing up and backing away. Clearly, he doesn't want to talk as he's jumping at you, now with a weapon in hand.

You have to run. There's no time to get back into the vent, making a run for the door and throwing yourself through the hole at the bottom.

"Why would you do this?!" He shouts after you as you run down the halls of the tunnel, still trying to stay as quiet as possible through your heavy breathing. "What have you done?!"

"Lyssie- what is he doing?" Coryo asks his classmate next to him, thankful now that you are apparently such a fast runner.

"I- I don't know. He wouldn't betray her like this." She replies with a slight shake of her head, eyes glued to the screen.

"She's fast enough, but she can't get back in the vents while she's being chased." Coryo says, as if either of them could do anything, but he was as helpless as you were.

You slide to a halt in the long, rounded hallway when you see Coral round the corner in front of you. Jessup was sick, he wasn't fast, but you couldn't turn back. You were cornered, and there was nowhere to go but up. You look up, scanning the overhead vent system for a grate but see none. Turning quickly, you look along the ceiling toward Jessup as he makes his way toward you with the broken water bottle. You'd rather try your odds with him than Coral and the others.

Your eyes land on a grate just ahead of you as you hear footsteps and shouting closing in on you from both directions. With shaking hands you scramble to untie the scarf as you run back toward Jessup, throwing it back over the pipe and using all your strength to pull yourself up into the ceiling, hitting in the grate and pulling yourself inside. "Jessup, Jessup! Run! Hurry!" You try and urge him, but it's like he doesn't hear you, jumping to jab at you with the bottle. He misses, luckily, but Coral never does.

Coryo watches with bated breath while you struggle to pull yourself up, abandoning your friend to his fate. He cringes as he watches Jessup fall, the inflicted wounds being just hidden by Tanner's form and the buzzer goes off.

"Oh, and that's the end for Jessup as his district partner climbs into the ceiling!" Lucky's voice sounds distant to him. "Lysistrata, get out of here and Coriolanus, you may want to start packing your things as well."

He wouldn't budge. He's not packing a single thing until you're done taking your final breaths. Lyssie sighs and shakes her head, tears in her eyes as she pats Coryo's shoulder. "If this is it for her, I'm so sorry..." She apologizes before taking her leave.

Your heart is beating out of your chest as you pull yourself almost fully into the vent. You don't make it smoothly, though, crying out in pain as you feel the prongs of Coral's trident plunging into your calf. Your blood drips down your leg and on top of the other tributes as you finally make your way all the way in. You don't have time to feel any pain as you quickly crawl away. They know where you are, she could stab up into the vent just below you and catch you again- you had to find a way up farther.

"Y/N! We know where you've been hiding now, you're not safe in there!" Coral calls after you, and you have to ignore it as you slide through the metal tube, feeling it get slick from the blood pooling underneath you with every movement.

You don't hear them following you, though, so when you finally make it to where you can climb up to the next level, you feel a lot safer. Your chest is heaving as you sit up on the edge of the drop-down to the tunnels, just given enough room in the T intersection of the vents to take a breath and look at your leg.

You hiss as you lift your leg, assessing the puncture wounds. They wouldn't be fatal if you stopped the bleeding. You exhale shakily, pressing down on the flesh with your palms, pain shooting up your leg and into your back. You don't have anything to use to help besides the scarf, but it was Coryo's. You don't want to ruin it.

You didn't have a choice. You grab the material that you had dragged along with you, wrapping it tightly around the skin. "I'm sorry... I'm sorry,.." You cry, knowing he can't see or hear you.

Coryo is already panicking. Just like Highbottom had said, you could be dead in there and he wouldn't know. The panic only escalates when the cameras follow Coral, Treech, Tanner, and Mizzen as they go back up to the main floor, and Treech and Tanner go for the two main vent entrances, all of them too focused on you to even notice or care that Reaper was sat in the same clearing.

You don't hear it for a few minutes. The bleeding in your leg had mostly stopped, soaking the silk material by the time you heard the familiar clang of shifting metal. Someone else was in the vents.

You look behind you, trying to discern which direction they were coming from, but it was nearly impossible to tell with the echo. You had to move, but you could be crawling right into your fate. Maybe you should just stay and wait and let it happen.

As the noises got closer from both sides, accompanied by coughing from the dust, you knew you couldn't just wait. You'd made it this far, and as far as you knew, no one else knew the vents nearly as well. That was an advantage you had sought from the very beginning, and now was the time to use it.

You gently lower yourself down to slide back the way you came, hitting the bottom level with a bang before ducking out of sight and around a corner. It couldn't have been Coral up there, she would be taunting you by now, but she wasn't. It was quiet until you heard whispers up from where you just were.

"There's blood on this side. She must have gone back down." You recognize Treech's voice when you hear it, and you hold your breath as you fiddle with the compact in your pocket. Stroking your thumb over the carved metal over and over again, trying to stay quiet. "Look, there's a trail going that way."

"Down we go, then." Tanner replies, making your heart stop. You couldn't fight them off, you knew that, and there was a trail of your own blood that would lead them straight to you. You couldn't hide.

You slowly pull the compact from your pocket, turning it over in your palm. You swore you wouldn't participate in the games. You wouldn't harm anyone. But maybe, if you 'accidentally' spilled its contents in the vent before you had to move on, they would stop following you.

Before you can think too much about it, you're holding your breath and opening the small clasp. It just looked like salt. Yeah. It's salt. You already believe it as you gently tip the container, making a thin line of the substance across the bottom of the vent. Salt is for protection. The salt will keep me safe.

You pocket the compact again and quietly crawl away.

taglist: @soulessjourney , @dreamyysouls , @rockstarbfs , @maysileeewrites , @baybieruth , @kitscutie ,  @fratboyharrysgf0201 , @totallynotkaibiased , @stelleduarte , @secretsicanthideanymore , @bejeweledreverie , @drewsandsebastianswife , @niicole-87 , @innercreationflower , @nallasstuff , @baybieruth , @scorpiolystoned , @iovemoonyy , @thatmarvelchick19 , @wearemadeofstardust0 , @regulusblackcore , @puredreamagination , @fantasticchaosthing , @becauseseaotters , @secretsicanthideanymore ,

okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry! hopefully for part eleven it'll be business as usual!

also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)

[broidobe]

𝔣𝔯𝔞𝔠𝔱𝔦𝔬𝔫𝔰 𝔞𝔫𝔡 𝔞𝔩𝔤𝔢𝔟𝔯𝔞

requested! this is a part two of sore thumb which is linked below

☾bill and the reader spend time together in study hall, with the reader helping him with math homework while they flirt and bond over shared interests, leading to a budding connection☽

⁎⁺˳✧༚sore thumb

⁎⁺˳✧༚guns and roses masterlist

the next day, you walked into study hall to find bill already sitting at the back of the room, his usual spot by the window. his leather jacket was thrown over the back of his chair, and his homework was spread out in front of him, though he seemed to be staring at the paper more than actually doing anything.

you made your way over, your bag slung over your shoulder. he glanced up as you approached, a surprised look on his face. "you again?" he asked, a half-smile tugging at the corner of his mouth.

you grinned. "yeah, i’m starting to think we might be study hall buddies now."

he shrugged and scooted over slightly, making room for you. “don’t expect me to actually help with your homework,” he warned, his tone a mix of teasing and genuine concern.

“who said anything about homework?” you replied, sitting down next to him. “i’m just here to make sure you don’t fall asleep before class ends.”

bill rolled his eyes but didn't protest. he glanced down at his paper, then back at you. “fine. but if you're here to make fun of my math skills, i'm leaving.”

“math? oh, no, i’m not that cruel.” you took a look at the sheet of numbers in front of him. “but you could use a little help.”

bill gave a defeated sigh, pushing the paper toward you. “i don’t get it, alright? this stuff just doesn’t make sense. why do we need to know this?”

you smiled softly, scanning the problem. “it’s just algebra, bill. think of it like a puzzle. you just have to figure out the pieces.”

he leaned in a little closer, clearly intrigued despite himself. “a puzzle, huh?”

“exactly.” you picked up your pencil and started walking him through the steps, pointing to each part of the equation. “okay, so first you need to isolate the variable, which means moving everything around to get the ‘x’ by itself. like this…”

bill watched you closely, his usual guarded demeanor slipping a little as he followed your explanation. his hand fidgeted with the edge of his notebook as you worked through the problem. “okay, i get that part. but what about this one?” he pointed to a different question, his brow furrowing.

you glanced at it and smiled. “let me guess, you’re stuck because of the fractions, right?”

“yeah, how’d you know?” he asked, sounding impressed.

“because fractions are evil,” you said with a playful grin. “but i can show you a trick to make them easier.”

bill chuckled at that, shaking his head in disbelief. “you really think fractions are evil?”

“i do. they're just unnecessary drama in an otherwise perfectly good equation.”

“you’re kinda funny,” bill said, his voice softer than usual.

you looked at him in surprise. “you think so?”

he nodded, a genuine grin spreading across his face. “yeah. i didn’t expect you to be this… cool.”

you felt a warm blush creep up your neck at the compliment. “well, i’m glad i’m not as bad as those people who throw your lunch tray on the floor,” you said, teasing lightly.

bill’s smile faded for just a second, his eyes darkening with something close to bitterness. “they don’t know what they’re talking about,” he muttered, but he quickly shook it off. “anyway, i’m not a fan of math, but you’re making it a little less horrible.”

you chuckled and nudged his shoulder gently. “well, you’re welcome. maybe i’ll even let you buy me a coffee for this tutoring session.”

bill’s eyes widened a little, clearly caught off guard. “i—uh, i don’t know. i’m kind of broke.”

you smirked. “i’ll settle for you being nice to me. that’s all the payment i need.”

his smile returned, warmer this time. “deal. so, uh, you wanna hang out after school tomorrow? i mean, if you’re not too busy.”

you couldn’t help the smile that stretched across your face. “i think i can make time for you.”

bill’s green eyes sparkled, a mix of relief and excitement behind them. “cool. it’s a date then.”

you hesitated, feeling a small flutter in your chest at the word. “it’s a date,” you agreed, glancing down at the paper and brushing your shoulder against his as you continued working on the math problems together.

[dedalvs]

ive done a lot of translating to high valyrian in my day and id like to think im pretty good at it sometimes (the way ive spent literal hours researching how just one piece of grammar works to change a noun to an adverb or something is maybe insane)

anyway all that to say i usually know what to look for and how to apply it, but i am struggling with this new bit im trying to translate. “i disdain all glittering gold.”

ive replaced disdain with hate cause there doesnt seem to be a word for disdain in valyrian and hate is the closest approximation. same with glittering — replaced that with shine, and had to manually transform that to an adjective (jehikagon -> jehikere? dunno if its right)

so what i have now is “nyke buqan unir jehikere aeksion”

(im not as concerned with getting the word order right as i am with the rest of the grammar)

ive learned from a previous answer “nyke” is potentially (probably) unnecessary here, so that leaves it as “buqan unir jehikere aeksion,” but the unir there in the middle kinda makes it feel off and im not sure if maybe that also needs to be part of a compound word like valar or how to make it one if so because idk what part of valar is all and what part is men and how to fit aeksion into that equation.

i lost track of what my question was originally meant to be but i guess im wondering if im on the right track and if theres some guidance you may have to get me all the way there.

thank you for your time 🙏

Uhhhhhh... Not to be that dude, but...maybe be more concerned with that...?

I'm not sure if you know about this site, but my wiki is exhaustively updated with respect to High Valyrian, specifically. There's a team of people that work on High Valyrian and it's massive. For example, you could go to the entry for jehikagon and see that jehikere is wrong: it should be jehikare. And, of course, it has to agree with āeksion (note the long ā), so it should be jehikarior. To get the sense of repetitiveness (with "glittering"), you might add ā- to the front, so ājehikarior.

Now for "all", why not use the collective? This is how you get "All men must die", so it should work for "I distain all glittering gold". That would be āeksior. Of course, it would need to be in the accusative, so altogether it would be ājehikarior āeksȳndi. By adding the repetitive you kind of get the aliteration, too, since they both begin with ā.

Finally you have "disdain", for which buqagon serves. Aside from sound a little more posh, the difference between "disdain" and "hate" in English seems to be one of duration. The words "disdain" and "loathe" seem to emphasize that this is a character trait rather than a reaction. If you disdain something, you've given it some thought, have experience with it, and may use this as a way of describing or characterizing yourself. You can do this with "hate" as well, but it's a much more common word, and so can be used in other more basic ways, whereas "disdain" and "loathe" tend to only have specalized uses. To try to approximate this, you could use the frequentative with buqagon to imply a lengthy duration. That would give you jobuqan "I disdain". In fact, you could even use the aorist if you really wanted to imply that it was a description of yourself, i.e. jobuqin.

Now that you have the pieces, though, I really hate to say it, but the words must be in the right order. I mean, you can change the order of the noun and adjective, if you'd like, but you simply cannot put the verb first and think you've created a Valyrian sentence. It's not just "kind of" wrong: it's completely wrong. It'd be like suggesting "I him saw" is close enough in English because the forms are correct. It's not. It's wrong. This is not a minor part of the grammar you can ignore. High Valyrian is aggressively verb-final. The verb must be at the end.

All in all, that gives you:

Ājehikarior āeksȳndi jobuqin.

Hope that helps!

[suzukiblu]

Day twenty-nine of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon AU.

Kon disassembles his sand castle back into the original pattern without looking, Tim experiences multiple internal crisises, and someone passes by with a tray of hors d'oeuvres. Tim, in self-defense, grabs a couple of the little crostini things on said tray and offers one to Kon, who looks pleased about it. 

“I dunno, does this count as a party?” Kon asks, glancing around with a little grin before popping his hors d'oeuvre into his mouth. Tim does the same, then remembers this means that now he knows what Kon’s mouth tastes like again. Dammit. 

Kon’s mouth currently tastes like ricotta and roasted grape, which isn’t even necessarily a taste that especially appeals to Tim, aside from the part where it’s how Kon’s mouth currently tastes. Why do people even roast grapes? Why is that even a thing? 

Why does Kon look so attractive in slightly smudged eyeliner he put on for him and clothes he bought him? Like–Kon always looks attractive, it’s an incredibly unfortunate curse on the world, reflexively checking out his ass in spandex literally did get Tim thrown off a roof once, but this attractive? This is several new layers of “attractive” and Kon is wearing all of them like a second skin. A very tight and fitted and well-tailored second skin, to be specific. One with cutouts and short-shorts involved. 

This metaphor may be getting away from him. 

“Technically I think so, though maybe not the usual kind,” Tim says. “I mean, it’s sort of a party, it’s just mostly an event. Maybe they want donations or something, I don’t know. Museums usually do.” 

He assumes that’s what the ticket money went to, or at least a fair chunk of it. They were pretty expensive tickets, considering, but since it’s an adults-only special event that isn't obviously themed in either a rogue-baiting or rogue-planned way he hadn't really questioned it. Getting overcharged by a probably-underfunded art museum isn't exactly enough to trot out his inner Bat or inner future supervillain for. 

Well, as long as nobody on staff annoys or insults Kon, anyway. Because in that case he will be financially destroying this place. Like, obviously. It's a little early to be planning his supervillain calling cards, but “you know what you did” is an increasingly tempting option. 

Anyway, that's just a contingency plan. Totally unnecessary as long as Kon has a good time. 

“What’s over there?” Kon asks, peering towards another station. Tim wonders why he’s asking, since he assumes he can feel it, though in retrospect “feeling” whatever it is doesn’t necessarily explain the purpose or point of whatever it is. 

“No idea,” Tim says. “Why, does it feel interesting?” 

“Um.” Kon . . . hesitates, then glances back to him, looking oddly–embarrassed, almost? Weird, Tim thinks, repressing a frown. “It’s, uh . . . kinda, I guess. I dunno. Wanna check it out?” 

“Sure,” Tim says, peering towards it. It looks like a series of boxes with holes in them all stacked on top of each other, though he can’t see what’s actually inside them–there’s curtains or something built into them. He’s not really sure what the whole setup’s supposed to be, honestly, but if Kon’s interested . . . 

They head over, and it turns out the whole setup is basically the same theory as those haunted houses where they make you stick your hand in a box full of peeled grapes and cooked spaghetti and tell you they’re eyeballs and brains, although Tim is hoping peeled grapes and cooked spaghetti won’t actually be involved. 

“So there’s literally zero surprises here for you, I’m guessing,” Tim says wryly. Kon looks sheepish. 

“We can go do something else,” he says. 

“I mean, I’ll be surprised,” Tim points out. “So up to you if you’re interested or not.” 

“Okay, point, I guess,” Kon says, laughing a little and rubbing his arm self-consciously. “I dunno.” 

“Tell me which one to try?” Tim suggests, smiling at him. Kon laughs again, ducking his head to hide a grin. That continues to not be as effective as he probably wants it to be, given their height difference, but Tim has no intention of pointing that out. He doesn’t want to make Kon more self-conscious, and also it’s fucking adorable. 

Bastard. 

“You sure about that?” Kon says, his grin turning sly as he glances back towards him. “You don’t know what’s in there, babe.” 

“I’m willing to live a little dangerously,” Tim replies with an easy shrug. Kon laughs again. 

“Okay, but don’t say I didn’t warn you,” he teases.

Tim quickly regrets letting Kon pick which boxes he should stick his hands in via trying said boxes, but also Kon just looks so fucking cute laughing at the different faces he makes for every one, so it’s hard to actually get annoyed about it. Also, Kon admittedly did warn him. 

Although he might’ve rather put up with the peeled grapes and cooked spaghetti, honestly.

Seriously. Those are some textures, ugh.

[pepstarvanmoon]

I really wonder what GAs think about Mike’s overall storyline in S3 and how it extended into S4.

When I first started S3 (I didn’t start shipping Byler until the rain fight and didn’t go deeper into the fandom until after finishing S4), I didn’t really care about what Mike had going on.

He was being a typical teen with their frustrating and dismissive ways, but I wasn’t really bothered by it? I didn’t really care until it started to feel sort of shoved in my face? Like being late to the theater, ditching Dustin on his first day back, everything with Hopper tbh, lying to El, advice from Lucas, not playing DnD to look for gifts at the mall, the break up, not playing DnD (again) to wallow in self-pity and to be gross boys lol (part of that scene is just so El and Will can react to Mike being gross like why).

By the time we got to “they’re conspiring against me!” I started rolling my eyes every time Microbial’s relationship issues became the focus of a scene. It was starting to piss off other characters, too, so I felt kinda justified in how little I cared.

Then the store scene where they’re patching up El’s leg and Mike struggles (badly) not to SAY “I love you” to her face, but to somehow get her to say it for him? (Like some weird school lesson trying to get students to find the answer without outright saying it like it’s a curse or something. This show has never needed I love you’s to convey that a couple is in love, so this whole thing felt unnecessary to me my first watch). I remember sitting there wondering why I should gaf about this plotline at all. It was so drawn out for what felt like no reason, and it didn’t seem to be going anywhere? “I know that I…” Are you sure you know, Mike? Like say it or move on.

Correct me if I’m wrong, but it really had no impact until they force you to remember it during the move out scene where El says she loves him too (weird btw seeing as we got the “I love her and I can’t lose her again!” BEFORE the “you’ve never heard that term…?” I guess it was to have a ‘funny’ scene after that first encounter with ther meat flayer? Idk maybe I need to rewatch S3)

I guess they left it open ended after that uncomfortable kiss scene because it’s clearly still an issue in S4, but in my initial watch, more than it not making sense to me, I just sort of found it boring? It might’ve just been my bias because I started to enjoy Will and El’s characters more than Mike’s at the time, and Madraosis’ constant (and minuscule) problems were making them both miserable. To have it pick up again in S4 annoyed me because the S3 finale made it seem like their relationship was okay, but… did they really resolve anything?

Honestly, my biggest gripe was it being included at all. It felt unnecessary and boring at the time, but if they’re gonna keep pushing Mike’s inability to say “I love you” and function normally while in a relationship after all that bs in S3, it better be for a decent reason. It was no longer as cut and dry as I thought when I watched S4, and it’s difficult to grasp that a lot of people watching the show still think this way.

I mean, just imagine Nancy spending a whole chunk of S2 trying to convince/tell Steve she loves him and treating Jonathan like an afterthought before they get together that SAME season (like a romantic and less traumatizing spin on what happened with Barb (RIP), where they clearly demonstrated how bad it was that Nancy was getting swept up in her relationship with Steve).

Nancy getting back with Steve at the end of S1 was annoying for a lot of people, but more of an “eh, whatever” until they started having problems again in S2. Why is it literally the same storyline?? It’s pretty blatant, too. I hardly see any GA really questioning it, and if they do it’s always chalked up to bad writing (which… yeah). If it’s not because Mike and El are having legitimate problems, or about Will’s confirmed feelings, then what do the Duffer’s want me to think?

(first post but I've been lurking here so long it doesn't feel like it.)