#i gotta solve it somehow

[bookishtheaterlover7]

POV:

Your brain is filled with so many story ideas, you can't decide what to do first, and you intend to do them all while you've got the time. And so you've resorted to letting Fate decide...

Let's see who gets written first... Shall we?

Any guesses?

[langernameohnebedeutung]

.

[ruler-of-the-universe-boy]

Me when im planning something big but it has this guy

[transmechanicus]

It is sunday night. I remain exhausted.

[savethepinecones]

i was fully intending on this new fic to be fully lighthearted with nearly over the top shenanigans and funny tropes but i thought about character dynamics for five minutes and realized i have to add some angst to make this work

[daz4i]

you know you're fucked when you go through that mental checklist of basic needs (did i eat recently/did i get enough sleep/have i been social lately/when's the last time i showered etc) and everything is alright there but you're still feeling like stabbing yourself in the head

[friendbreakfast]

i have a bone to pick with whoever decided that the most common way to make videogames about investigating murders and mysteries in general should be by making them hidden object games. what an awful choice

[forestryfae]

actually you know what. i still havent tried the airfryer and im hungry a sfucka nd i have a few bags of sweet potato fries so like. if i just clean the drawer thing and i grab some baking sheets and cut them up i could make food

[anothermonikan]

yknow i got a genderqueer pin the other day just to try it out and I haven't even took it out of the packaging yet. It feels like I'm lying a little bit still. awful </3

[beast-of-the-void]

.

[dadbots]

Happy holidays / Yule / upcoming traditions. 🖤

[postracehair]

altitude

max verstappen x reader | 1.5k

you hate flying. but it's a necessity if you want to see max during the f1 season. when you finally fly home together during a break, will you let him help calm you down?

cw: r hates flying, anxiety, kissing, like, lots of kissing, worried max, allusions to more than kissing, fluff, george/carmen cameo

a/n: she's so me! i hate flying! but a girl's gotta do what a girl's gotta do! wrote this way back after brazil, but have it now as a race week gift.

--

Everything changes very quickly after you meet Max Verstappen.

You are pulled into a world of action and luxury all because he wants you there. And you go willingly because you want to be with him, too. How could you not? The world famous champion is a kind, funny, and sweet man who loves his cats, his friends, and, as is becoming clear, you.

Much of the start of your relationship is scheduling. A day here and there between races, dinners and walks and movies at his place or yours. You spend a lot of time in airports when you can, working on the go and white knuckling your way through flight after flight. It's worth it to see him on the other side.

Somehow, you've never actually travelled together.

Until now.

The race weekend ends the best way possible -- the top step of the podium. A night of celebrations fades into an early morning flight on a private jet and this time, you're coming with. Because Max has three weeks off. He'll have to work, of course, spending time in Milton Keynes before the final stretch of the season, but for the most part you're going to have him all to yourself.

It does not occur to you until you're in the car on the way to the tarmac that Max has no idea how much you hate flying. You're in one of those big Sprinter vans, head on Max's shoulder as he scrolls through his phone. George and Carmen sit on the other side, the former's head tipped back as he dozes. Everyone is quiet and you're working a bit hard to keep yourself calm.

"What is it?" Max whispers. He puts his phone down and you look over at him. His hair is a mess, you can see that much even in the low light of the van. You reach out and run a hand through it.

"What?" you whisper back.

He shakes his head a little and wraps his fingers around your wrist. "You were all loose and then you got tense."

The frequent distance between you and the busy nature of your schedules demands that communication be top of mind. You do not lie to each other about your feelings, and you do not hide things. Even things like this.

"I don't really like flying," you say, softly. "I've never told you because we've never flown together. It just makes me kind of anxious. I've never been able to shake it."

His brows furrow. "Really?"

"I'll be fine," you assure him. "Just, maybe hold my hand during takeoff and landing. And if there is any turbulence."

"But -- I don't understand. Are you afraid?"

You know that there is really no way to make him understand but also that he won't stop trying to. Max gets afraid, he gets nervous. He's only human. But he combats it with sheer willpower, focus, and skill.

"I fly this way all the time," he says, urgent this time. "It's totally safe."

"That's not -- Max, I just get nervous. It's not really to do with safety. I just don't really enjoy it."

"Oi," George says, rousing. "What are you two yapping about?"

"Go back to snoring, George," Max says, not taking his eyes off you.

"Do I really snore?" you hear him ask in a hushed tone. Carmen shushes him.

"Pulling up to the plane now, folks," the driver calls back.

"Seriously," Max says, sounding a little desperate. "It'll be alright."

"I know. I fly all the time, Max." His frown deepens.

"To come see me," he reminds you. "If I knew you didn't like it, I would have --"

"What?" you interrupt. "Invented teleportation? It's okay, Max. Knowing it's to see you makes the whole thing easier, honestly."

This does not satisfy him. You can tell. It's a problem he can't solve -- his least favorite kind. There is no simulation to run for this, no meeting he can talk through, no track he can circle a thousand times.

The van door opens and you're all beckoned out onto the tarmac. You follow George and Carmen with your bag and Max is at your heels, his duffle slung over one shoulder and his other hand on the small of your back. Normally, he's not this touchy, but he seems reluctant to let your conversation in the van go.

"Max--"

"I'm thinking, liefje."

You roll your eyes. "About how to invent teleportation?"

"Something like that," he grumbles.

The jet is narrow, an aisle on one side and four rows of seats on the other. Four sets of two, a table between them. Carmen and George settle into one nook and you toss your bags into another. You slide into the window seat and Max sits heavily in the one next to you, still frowning. You let him, instead looking around to absorb the new experience.

It's much nicer than a regular plane, that's for sure. There is a cooler stocked with drinks and a cabinet full of what seems to be snacks. You can stretch your legs to rest your feet on the seat across from you. It's so early you figure all of you will just sleep, though Max's mood seems at odds with that plan.

The pilot introduces herself and gives a quick rundown of the route and airtime. You all nod and smile and then the doors close and the lights dim.

Max's hand finds yours immediately. You sit up a little and look over at him. He looks even more frazzled than he did at the hotel, when you both rolled out of bed and into comfy clothes. Soft pants and a hoodie that make him look boyish, younger than he is. But here, his cheeks are a little flushed and his jaw is set like he's about to get in his race car.

"What do you do normally?" he asks, softly. You can hear George's soft snores already. "When I'm not there."

"Max," you sigh.

"Tell me, please?"

The seat shifts under you as it heads for the runway. You close your eyes and take a deep breath.

"Well, I don't hold some random guy's hand," you tease. He squeezes your palm and huffs. 

"He could be so lucky."

The plane comes to a stop and you know what happens next. Your mind remains preoccupied with Max -- a good thing, right now -- but your body tenses and you squeeze your eyes shut tighter as the engines kick up and you pick up speed.

Max says your name but you don't budge. "Liefje," he whispers, much closer than before. You can feel his breath on your cheek as he gently holds your chin with two fingers and turns your face towards him.

And then he's kissing you. A closed mouth press of his lips to yours, firm but still. At least until you sigh into it, releasing your death grip on the arm rest to reach for him blindly, your tangled fingers between you. The kiss deepens, his nose sliding against yours as you part your lips and the chaste press becomes more. Max's tongue licks into your mouth leisurely, like he has all the time in the world to explore you. 

You kiss and kiss and kiss, so long that a voice in your head wonders if maybe you can do this for the whole flight, please? Max tugs your legs across his until you're practically in his lap, spread across the two seats like they're one.

"We're reached cruising altitude," the speakers crackle. "Feel free to move about, but please be mindful."

Max pulls away, a strand of spit glistening between you until he wipes it away with a smirk. His hair is even messier than before and his cheeks are pink. Lips swollen, eyes glassy -- you must look the same. Your heart is racing and you laugh, breathless.

"Well," Max says, then swallows. His voice is raspy, hoarse with desire. "Guess you have to fly with me from now on."

"Max." You pitch forward and settle where his neck and shoulder meet and inhale. His arms wrap around you and he holds you close. You can hear his heart racing just as fast as yours.

"Yeah, yeah," he grumbles. "I know."

"I can do it," you remind him. "I do it all the time. I just don't like it, that's all."

You feel the press of his lips on your hair.

"I just don't like that I can't fix it," he says. "I can't get inside your head and make you know it's alright."

"No, you can't," you sigh. The plane jerks just a little -- a swoop of your stomach that has you gasping. Max's hold on you tightens and he says your name.

"How do you do this alone?" he rasps, mouth next to your ear as he rubs your back.

"I close my eyes," you say, taking deep breaths. "And I imagine you with me."

He curses softly. "We should get a jet by ourselves next time," he mutters. "Then I can really distract you."

That gets you to laugh, though you can't say you hate the idea. It makes you feel warm, makes you press your thighs together.

"Next time," you echo. "But for now..."

Max cups your jaw and ghosts his nose over yours. "For now..."

He brings your lips together.

[ssentimentals]

im so glad that i found your blog, was looking for some wholesome texts with reader/seungcheol and yours are so nicely written, i enjoy them so much! thank you 🫶🏻 if i could leave a request, i'd love to read something where reader is a foreigner and some miscommunication happens but solved without much drama (with help of vernon or shua maybe). thank you for your blog once again!

awwww this is so cute!! thank you so much for your kind words anonie, i'm happy you're enjoying this blog <3 and of course you can leave a request, hopefully you'll like it!

seungcheol + foreigner!reader

no matter how hard he tried, seungcheol couldn't pinpoint how something so small escalated at rapid speed and turned into a full blown argument which left you both angry and offended. he can't even remember how it started, doesn't have any idea on what even caused you two to start arguing. the whole part of 'not seeing eye to eye' is generally an unfamiliar concept for your relationships, so seungcheol really has a hard time grasping the reality of you not talking to him. it hurts too bad, hurts much stronger than he expected; cheol knows that fights happen and that it's normal, but somehow he still thought that you two will be spared from this.

'she's not picking up?' vernon asks and seungcheol shakes his head. 'and she's not at home?'

'she's at the gym.' seungcheol answers. by this point he learned your schedule by heart. 'should be back home in thirty minutes or so.'

this is ridicilous. both the argument and his moping. cheol knew very well that coming from different cultural backgrounds will echo in the relationships dynamic one way or another: different past, upbringing, culture, language have a huge impact on the personalities and views. he was ready for some tension but you both settled into this relationship so smoothly that he honestly forgot about cultural differences. he should've known that they'll pop on in some way.

'go over it with me again.' seungcheol asks, sighing. 'from the scratch and make it logical, please. start with what i did wrong then move to why it was incorrect.'

vernon, god bless him, is not tired of explaining again. he was the first person seungcheol called to when all of this happened and his younger friend agreed to help readily. in a calm tone vernon helps seungcheol understand your angle, how his words that held no malice intent managed to come out wrong. 'it's not that big of a deal though,' vernon adds, seeing how seungcheol frowned even deeper. 'i mean, it's not ideal but like, it happens, it's okay. there's no way you could've known, so it's normal.'

'even so, it sucks.' seungcheol sighs, rubbing his eyes. he understands that you two just got a bit too emotional over everything, but he still feels a huge sense of guilt on his shoulders.

'i promise you it's not that big of a deal.' vernon reassures.

seungcheol nods. even if it's not that big of a deal having you not to talk him is the worst thing that could ever happen. he gets up, dusting his jeans off. vernon eyes him carefully and then smiles. 'you good?'

'yeah. gotta go and make it right.'

seungcheol waits for around ten minutes in front of your house when he notices your lonely figure in the distance. clad in your workout gear, he can see even from there that you're sulking, walking in a slow speed. without thinking twice, seungcheol runs to meet you, his legs carrying him faster than wind to your side. when you notice him you pause at first and he almost thinks that he is fucking up here too, but then you start running towards him and oh. oh.

'baby,' seungcheol breathes out, catching you when you throw yourself at him, wrapping your legs around his hips. with strong hands he stabilizes you, holding you securely close to his chest. 'baby, my baby.'

'cheollie,' you mutter, hugging him tight. 'i'm so-'

'no, shh,' seungcheol interrupts. 'it's me who's sorry, okay? i am sorry, i didn't know. i promise i didn't know-'

'i know!' you lean back and hit him lightly at the shoulder. 'let me finish! i know that you had no idea, cheol. i'm sorry for reacting the way i did.'

seungcheol breathes out in relief. he really got incredibly lucky with you, huh? 'i'd never say anything intentionally hurtful to you,' he promises sincerely, making you smile softly. 'never, baby. hurting you will hurt me more.'

'i know,' you whisper, leaning in until your foreheads touch. 'i know, cheol.'

'i love you,' seungcheol whispers. 'so much, babygirl. so much.'

you giggle and instead of answering, kiss him sweetly on the lips.

a/n: hope it was fine!! let me know what you think :') - nini

my other seventeen works are HERE

[alpaca-clouds]

I really find it frustrating how very different in regards to effort the different companion quests in BG3 are.

Like, you have Astarion and Shadowheart who both have those really nice paced out companion quests with a rather good structure in the story, a dungeon for that quest each and this big bombastic finale with stuff that is only connected to their quest and nothing else. They both also - regardless of whether you romance them or not - have quite a few of cut scenes connected to the quest.

Then there are Gale and Lae'zel. Their companion quests are a lot more weaved into the actual main quest which you can see both positive and negative. Positive: They are a lot more related to the plot. Negative: You will do most of the stuff from their quests either way. You can argue that the creché is a dungeon connected to Lae'zel, and you can also make the argument that Laroakan's tower is kinda Gale's dungeon.

Then there is Wyll, who mostly just hangs around during Act 1 and 2 and then has a little tiny bit of quest in Act 3, though the game will very much make sure to push you into the quest even if you have not recruited Wyll or Wyll has left the party. So, yeah, depending how you read it, there are two dungeons that are kinda connected to Wyll (the Iron Throne and then the Ansur dungeon).

And then... there is Karlach. Karlach's quest can be summarized by: "Fight some fake paladins, get one piece of infernal iron, get a second piece of infernal iron, defeat Gortash." The Gortash fight is not even like the two Wyll dungeons, that are not really Wyll exclusive (I mean, technically none of the quests is), that are optional outside of the Wyll questline. No, you will have to confront Gortash in one way or another to finish the game, no matter whether you have Karlach recruited or not.

And it makes it just feel so very... unsatisfying. I think a lot of the problems that people (like me) have with act 3 of the game really are connected to the fact that the endings for the companions outside of Astarion and Shadowheart feel rather, well, as I said: unsatisfying.

I mean, yes, Gale and Lae'zel are connected with the plot, but also their resolution is kinda pushed somehow into this "post-final-boss" scene and hence feels not really as if it actually resolves somethng. Especially as it feels also so very disconnected from basically everything else in the game you do with them.

With Wyll I would even argue that technically the post-Ansur stuff could almost serve as a proper resolution... If the dialogue was not bugged as hell. At least it is for me. And of course it still does not compare at all with the stuff happening with Astarion and Shadowheart.

And then there is Karlach. I just... I am sorry, I hate how the game handels Karlach. Especially because she is such a cool character. But her companion quest gives you less to do than your average side-quest. It is a fucking fetch quest. That's it. And it has no proper resolution. Because in Act 3 there is not even an attempt made to solve her issue. I spoke about that before: I would be totally fine if there was a quest in Act 3 where the player tries to get the engine fixed in the city. BUT THERE ISN'T. It is like: "Well, Dammon does not know anything. Tough luck Karlach. You gotta either die or go back to hell." Meanwhile I am like: "THEN ASK SOMEONE ELSE?" Ask the Ironhand Gnomes, ask the Gondians, ask bloody Gortash, try to make a deal with Raphael. Like, there has to be something, right?

And look, while I would have loved some Halsin content in Act 3, I am fine with the fact that there is not really anything. That is alright. Because really, the entire Act 2 stuff and how Halsin is interwoven with it might very well be the game's highlight for me.

Just as I am fine that Jaheira and Minsc are more like cameos with not that big of a role in Act 3.

(Again, I cannot talk minthy, because I failed to recruit her so far because I do not like to play evil characters.)

But... Yeah. I will not go here and argue that the game is incomplete. It is not. But it still is very frustrating how the game handles the companion quests in this regard, because the companions are the beating heart of the game. And I think the ending of the game would have been more satisfying if the companion quests had been more comparable in quality.

[caughtthedarkness93]

Ok, I guess I gotta talk about that one scene in Dragon Age: The Veilguard eventually because I've heard about discourse regarding it and it's driving me up a wall with how some of the criticism ignores key context from the rest of the story that informs how it's written. Spoilers for Taash's storyline follow below the cut.

So I mainly have seen this referenced on TV Tropes because I am not on the hellscape that is Twitter, but people, it seems, have been criticizing the scene where Taash comes out as nonbinary to their mom for how they get pissed at how their mom takes it. Often this is used to frame Taash as being unreasonable as their mom is struggling to understand what that means.

And I feel like that criticism kind of misses a big part of what that scene is actually about. Because Taash's relationship with their mom is complicated. This is something that their storyline stresses repeatedly. Taash has fond memories of growing up with their mom and knows that she basically gave up her whole culture to ensure that Taash wouldn't be forced into a soldier's life. It's clear that their mom is still very attached to Qunari culture and she outright expresses a couple times that she feels like being a Qunari scholar equipped her extremely poorly to actually raise a child. That checks out - under the Qun, that would be someone else's job entirely.

So this informs a lot of Taash's relationship with her - Taash recognizes that she gave up a very privileged position with the Qunari for their sake. Because she wanted a better life for them than what they'd get there. That's a huge sacrifice.

However, you watch how they interact, you can see that Taash's mom is also very critical of them and very controlling. She doesn't care much for Taash's privacy, tries to make a lot of their decisions for them without putting a lot of thought into what they actually want, and she is extremely critical of them sometimes about things that don't really matter.

So we get to that scene late in their storyline - the Lighthouse dinner. I think the critical mistake a lot of people make when looking at this scene is thinking that it's about how she reacts to Taash's gender identity.

Which that informs it, sure, but there's more to it. When Taash yells that nothing they do is good enough for their mom, it's not a reaction to how she responds to their identity, it's a reaction to the way their whole relationship has been built up throughout the game. It's the straw that broke the camel's back. And it's true to Taash's character.

One of the things that I like about Taash is that they're someone who likes a straightforward, direct solution to most problems. Thing in your way? Break it. Big scary monster? Kill it. They like to be able to take the most simple, direct path through a problem, preferably one that involves slaying a big monster, and Veilguard constantly puts them in situations where that isn't an option. And in those situations, they struggle a lot. Taash struggles to get along with Emmerich because that involves overcoming internalized prejudices (and understandable ones too - necromancy is something that would probably make a lot of people uncomfortable irl and for a culture where cremation is the norm and undead can be a legit issue, that would go, like, quadruple - of course they're uncomfortable with Emmerich). That's not an easy thing to do because it involves a lot of introspection and interrupting thoughts that you've been trained to think. Taash questions their gender identity. Definitely no easy, straightforward way to solve that. They angst a lot over being afraid they're broken somehow for feeling these things. A fraught, complicated relationship with a parent who sacrificed everything so that you would have a better life, but can't seem to bring herself to let you actually live it the way you want? Can't hit that with an axe.

And ultimately, that's what's happening in this scene - the whole game, we've seen Taash struggle with this really complex, nuanced relationship, this mother who clearly loves them and wants the best life possible for them, but struggles to understand what their child really needs and often says or does things that are hurtful. In this scene, this bubbling, brewing resentment, definitely exacerbated by Taash being outside their mom's orbit and with a team that has more faith in their skills and abilities, finally comes to a head.

The scene is only about Taash's identity on the most surface of levels. Yeah, that's what sparks the argument, but it's not what the argument is about.

[wandering-pirate]

Headcannon: controlling jimmy like your evil little dog. Is he lowkey a psychopath? Yes. Will he do literally anything for you? Also yes

a/n: To the lovely anon who sent this, mwah, chef's kiss🤌🏻 you’ve unleashed something unholy. be warned tho, this entire thing? no thoughts, no logic, just pure, unfiltered degeneracy for our co-pilot (sometimes you just gotta let the intrusive thoughts write the headcanon, y’know?)

So enjoy the ride—you sicko. (cause girl, same.)

Jimmy x Reader

Jimmy Zane is one peculiar man, and somehow, he became your boyfriend. How'd that happen? You better blame your slasher-film obsession as a kid.

Your Human Guard Dog

The man acts like you're gonna get snatched from him 24/7. Imagine being in public with him. Scaring some, unnerving many.

Some guy accidentally brushes past you, and Jimmy’s already stepping up with a cold smirk

“Apologize. Or don't. Been looking for an excuse today.”

You have to grab and drag him away (not helping that the man's built like log) before he ruins a face for the second time this month. “Baby, please, we’re here for snacks.”

But the moment you give him a subtle signal, tho? Oh, it's game over.

Some creep starts chatting you up with a repulsive smile, and Jimmy doesn’t even raise his voice when he appears behind you. Just leans in, looking them dead in the eye:

“You wanna keep those teeth or should I start counting them out.”

You casually mentioned being annoyed at your co-worker for being too yappy and Jimmy?

Yeah, already halfway out the door

“Say no more, princess.”

Physically stopping him was impossible and you wagered with the pervert, all night letting off his steam through you

Your Unhinged Yes-Man

After the restaurant's reception was rude on your friends' night out. You texted him

“Ugh, I’d love to see this place burn to the ground.”

No replies from him, but 5 minutes later, you nearly drenched your friends with the wine you're drinking when you saw him outside, holding a can of gasoline

One time, you complained about someone’s annoying laugh. Jimmy didn’t say anything, just calmly glanced your way with that familiar glint in his eyes.

“Don’t even think about it,”

“What? I didn’t say anything, love.”

Later that night, he casually asked

“How much do you hate that laugh? Want me to rip their throat out? No more ha-ha’s ever again.”

“STOP TRYING TO SOLVE EVERYTHING WITH VIOLENCE!”

The man's pride was more hurt than his face when the pillow landed, you paid for it tho ;)

Your Deranged Liaison

Want something without spending a dime? You can get it by the magic effect of compliments!

"Oh, I love your jacket!" Boom, appeared in your closet the next day, suspiciously smelling like someone else’s perfume

"That scarf’s so cute!" Already folded on your pillow the week after, and you’re 90% sure you saw a TikTok about it missing

“Jimmy, why is there a name tag stitched into this shirt?”

“Souvenirs are better with backstories.”

"Is-- is this blood?"

You finally confront Jimmy: “Isn’t this… someone else’s?”

He just shrugs, smiling sweetly (unnervingly wide) “Not anymore.”