#i got mad while writing this up

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[sforzesco]

Agrippa, Antony, Actium

I cleaned up an old sketch I did of Antony and Agrippa when I was doing some reading about Actium: it was one of those ideas that I thought would make a cool painting until I realized I’d have to render the ocean and blood diffusing through the water 🫠

something something rival dogs of war. Antony and Agrippa actually ended up being the least interesting thing about Actium imo, when you realize the ocean became a tomb of the unburied. imperialist violence and and dynastic rivalries infecting the water. etc and so forth.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[raptorrobot]

was listening to the elden ring (+sote) ost on my 8hr bus trip last night and i cannot express how terrible of an idea that was . its was all gorgeous ambience and whatnot that lulled me into a slumber of false security and then i got activated into the waking world like a fucking sleeper agent when i heard malenia's phase 2 music kick into my ears

[the-broken-pen]

“You’re going to blow out your arms,” the villain observed. They watched as the hero merely grit their teeth, shoving themself through another pull-up. It looked painful, and if the sweat slicking the hero’s brow was any indication, it was.

They waited for the hero to let themself drop from the bar and accept the villain was stronger. But they didn’t.

Three more pull-ups, and the villain stepped in.

“Hero,” they said slowly. “You’re about to tear the ligaments in your arms. You need to stop.”

The hero blew out a shuddering breath. Struggled for purchase, fighting gravity—and let themself drop.

The hero’s hands were bleeding, calluses torn open by the bar. The hero didn’t seem bothered when their own hands shook so much that their blood began to splatter on the gym floor.

For a moment, the villain could only stare at them.

Shit.

They didn’t know how to handle this. They knew the hero was dedicated. They knew the hero was strong, and perpetually trying to be stronger, but they hadn’t thought…

They hadn’t thought the hero would be so willing to tear apart their own body for success.

It was supposed to be fun, the villain thought. They felt a little sick as the hero pressed their palms together to soothe the bleeding, an action that was practiced and familiar. As if they had done this before.

The hero reached for something in their bag, smearing blood on the side, and pulled out a roll of blue electrical tape. The villain didn’t understand why, until the hero tore a strip off and made to wrap their hands with it.

The hero would be the death of them.

They crouched in front of the hero, plucking the electrical tape out of their hands.

“What are you doing with this?”

The hero blinked at the villain like they were the strange one in this situation.

“Wrapping my hands?”

The villain hissed in a breath.

“With electrical tape?”

The hero flushed slightly, looking down at their bloody hands. They looked close to tears.

“It…sticks to skin, really well. And it doesn’t move, either, when you move your hands or wherever else, even if you’re fighting. Plus, blood doesn’t make it come off, at least, not for a while.”

The villain blinked at them.”

“Blood doesn’t make it come off,” the villain repeated, processing. The hero nodded, reaching for the electrical tape. The villain settled it out of reach.

“Not if you wrap it right.”

Dimly, the villain realized that meant the hero had done this enough times to have it down to a science.

“And you couldn’t use a bandaid?” The villain asked incredulously. The hero shrugged a shoulder, then winced at the motion.

Yeah, the hero had absolutely blown out their arms.

“Bandaids move—“

The villain hushed them.

“Be quiet for a second.”

The hero, wisely, went quiet.

The villain rubbed a hand over their face, then studied the hero for a moment. They took one of the hero’s hands into their own, studying the damage.

“Why did you do this to yourself,” the villain murmured.

“What do you mean, why,” the hero snapped. “It’s my job.”

“Your job is to save people,” the villain corrected. “Not destroy yourself.”

“I’m not destroying myself—“

“You are.”

“Shut up—“

“Hero.”

“I need to be better,” the hero snapped. Their voice rang out across the gym, echoing into the rafters, and they both froze. After a moment, the hero spoke again, voice soft. “I need to be better.”

They said it like they needed the villain to understand. The villain wondered who they were really saying it to—the villain, or themself.

“Better than who?”

“Everyone.” It was hushed, like a secret.

The villain watched them, waiting.

The hero took a shaky breath

“My whole thing is being the best. I have always been the best. That’s the only reason I matter. If I’m not strong enough, then I am nothing, so I need. to be. better.”

The hero had started crying, very quietly, like they were afraid to take up too much space.

The villain was not equipped to handle gifted kid burnout.

“There’s more to you than just being a good athlete,” the villain said hesitantly, and the hero shook their head.

“No. There isn’t.”

“Hero.”

“Can you give me back my electrical tape?” They hiccuped to contain a sob.

“No,” the villain said firmly, and then the hero really was sobbing.

“You don’t understand—“

The villain didn’t. Not really. They had never been the kind of talented that the hero was.

They wondered now if maybe that was a blessing.

“I don’t,” the villain agreed. “But I do understand that you’ve saved half the city, and you give everything you have to give, and you always do your best.”

“But I-“

“No.” The villain stopped them. “You are doing your best.” They tipped the hero’s chin up until they met the villain’s eyes. “And it is enough.”

The hero froze, eyes darting over the villain’s face. They wondered if anyone had ever said that to the hero, if whatever mentor they had was giving them anything other than orders to be stronger. Be better. Be more.

The villain had some new targets to take care of, it would seem.

For now, though, they had to take care of hero.

“We’re going to go wrap your hands,” they said softly. “And then we’re going to take care of your arms, and you’re going to take a nap.”

The hero nodded, watching them like they were some kind of good, selfless person.

“And if I ever catch you using electrical tape again, so help me, I will put you six feet under.”

That startled a laugh out of the hero, and they let the villain guide them to their feet.

“Fine.”

The villain turned to them. “Okay?”

Are you going to be alright?

The hero seemed to understand.

“Okay,” the hero agreed.

Yes.

And so, it was.

[imavikingo]

Everytime I look at Tumblr and see the tl I remember why I hate endgame with a passion you couldn't understand.

They fucked up Steve and Bucky so bad (yes, Bucky too bc suddenly he doesn't matter/isn't even a secondary character that deserves to be near Steve)

It's so funny to me (not) bc they talked about gay characters being in the movie at panels and interviews and even talked about Stucky at some point (basically queerbaiting) for then... Steve not even acknowledging Bucky. An awkward and impersonal hug doesn't cut it.

And Steve suddenly yearning and talking about Peggy? When he didn't even mourned her that bad and already had let her go ages ago? They knew they fucked up in CATWS with Steve and Buckys relationship, so they tried to distance them and then inserted Peggy bc ofc

(they possibly didn't have the time for a new character and they already had fucked up pairing Nat and Bruce and Wanda and Vision). Steve didn't have anyone else he cared about so they couldn't give him a new girlfriend. So they used Peggy AGAIN.

I'm not mad bc "Stucky not canon grr"

No.

I'm fucking pissed off because they did the worst character assassination and friendship assassination possible. Every movie of Cap America revolved around Steve saving Bucky at some point and him caring about him above all else, and you want me to believe that Steven Grant Rogers didn't care about him when Bucky died in front of his eyes? AGAIN? That Peggy's death was more important and impactful for him? If that was the case then why the fuck did he crash the plane then? If he cared so much about Peggy since forever?

No, that was just lazy writing and a way to reinforce Steve's sexuality "He can't be gay and you can't say that bc he LOVES PEGGY"(even tho he only kissed her once, even tho he crashed the plane and didn’t give her the coordinates, he didn't really care that much after all) they could have paired him with Nat in later movies, but they didn't.

That's why I only raise my eyebrows a lil when people say that x character will be gay canonically in a marvel movie/series. Is more than possible they won't. And if they are they're Deadpool, a secondary character no one cares about (obscure in lore too, so they can cut them off) or is plain queerbaiting again (because yes, even if you don’t see Steve and Bucky’s relationship as romantic, they DID QUEERBAIT IT)

Steve and Buckys relationship wasn't even written in a romantic way (you can ship them or not), but they tried so hard to rectify Steve's heterosexuality in endgame, that they fucked up their character arcs on purpose. And now they will always feel hollow and inconclusive. A bad taste in the mouth, a painful reminder of what it was and a what? 11 year long? characterization.

Idk man, I know I've talked about this more than three times, but omfg Tumblr reminds me why I hate that fucking movie!!! It's not my fault!!!

I know I'm going to end up writing something out of spite bc I can't take it shdkdjjcif

"It's been more than 4 years get over it" NEVER

Also the bit with Johnny Storm in Deadpool and Wolverine was also a dig (a fuck you if you will) to the fans bc Deadpool explicitly calls him Cap. And it implies that Steve as a character (not that old Steve nonsense) won't be back.

It's funny they've remade over and over again some movies (Fantastic 4, Spiderman) changed actors for characters (James/war machine, Bruce) and they include them in the multiverse/plot, but they won't do the same to some movies and some characters when they fuck up their stories, because they know if they do, they will have to acknowledge WHY they did it. Like with James/war machine changing actors.

So yeah, that's one of the reasons I don't care about Marvel anymore.

**I mean remake the movies ((Also they Can't remake Cap America bc that would mean they need to remake every important movie. And they don't have the time, the money nor the need. So that's why they decided to fuck their character arcs))

or include some characters in multiverse (they're going to do that with Tony/RDJ/Dr Doom after all, no?) and they also won't remake Cap bc the movies are amazing.

But the point stands. Steve couldn't be in DaW bc that would imply he's an alternative one or that Old!Steve was an alternative one or wasn't even Steve to begin with. But they couldn't do that ofc, no, bc that would give the fans hope in seeing Steve and Bucky together once again. So they did a dig at the fans bc "haha you thought it was Steve, but it's Johnny!"

Idk if I'm making sense at this point I'm tired af, need to sleep.

The thing is that they fucked up Steve Rogers's arc on purpose (Bucky's too, and others charas too tbh) and now they expect the fans to accept everything they give us with open arms. And imho I won't accept shit.

"Deadpool saved the MCU" how? If the other og characters are DEAD or they fucked them up too? Or are the butt of the joke now? Don't make me laugh. Most people don't gaf bout the new charas bc they only are presented in series not everyone watches (only available in one place) or are presented with characters that are dead now or as a replacement for the og characters. They aren't interesting on their own (not really, at least in mcu) and that's why most of the new stuff isn't liked as much. If they wanted to present more characters the opportunity passed already.

Also now if you want to watch and really understand 1 movie (if you don't read the comics too) you need to watch like 20 other movies and 5 shows. it's fucking exhausting.

[frenchy-and-the-sea]

Didn't expect to do this, but. Excerpt from a longer piece I'm working on from my Curse of Strahd campaign, because I was reading over it while trying to find something to work on in the midst of all of this awful shit and got slapped with some very on the nose feelings. Call it my WIP Wednesday, lol.

“But honestly, who is going to blame me for indulging in a little bit of absurdity right now? This whole situation is mad.” “Is it?” Now Ireena turns to face her, brows furrowed in genuine confusion. “How so?” This, from Ireena, is a real question, and not a sarcastic quip at Wyn's expense, so she takes a breath to quell the sudden scorch of fire in her chest and turns her attention back to her sketch.  “Where would you have me start?” she asks, very lightly. “The night that we spent safe among a full caravan of people on a well-traveled trade road, only to wake up in the middle of unfamiliar woods, alone, with necromantic mists chasing our every step? The haunted manor house so full to the brim with moral transgressions that it tried to eat us one floor at a time, and very nearly succeeded? Or perhaps the fact that less than two hours ago, we were sat down at the table of a woman who claims to see the future and told that, despite our inexperience and our incompetence and the fact that we have not so much as a whit of real skill between us, we are apparently meant to be this land’s saviors?” In truth, savior hadn’t been the word that Madam Eva had used. She had been more delicate, less certain; she had used words like ‘might,’ like ‘maybe.’ But she had still held out beseeching hands across her card-strewn table and told them that they carried hope on their shoulders, that she looked to them for the cure to the curse on Barovia’s stricken land. She had still said that they were what she had been waiting for.  The whole thing had been so absurd that Wyn still feels a little glow of pride when she remembers that she hadn’t laughed. Beside her, Ireena nods, slowly.  “I see,” she says, and she probably does, but Wyn can tell by her expression that she also thinks that Wyn is overreacting. The thought is nearly enough to spin up the grease fire burning in her gut again, almost enough to bait the howling animal — but then Wyn takes another breath, and sighs, and shrugs. “I expect that you’re the only one who does,” she says, smiling like there isn't a part of her that wants to start screaming instead. “But, as near as I can tell, I have two options: I can either wallow in the knowledge that this is our death sentence, and spend a very productive evening being a font of wretched despair and grim portent, or —” She makes a flourishing gesture down to the sketch in her lap. “— I can paint a beard onto the wizard. Considering that I expect to spend no small amount of time on the former, I’ve decided to indulge the latter while I have the energy.”

[dootznbootz]

Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".

They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)

I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅

Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂

[grimbeak]

i don't even really care about the possibility of never hearing from kevin again im mostly just mad about 250. like i never got the sense of loss from losing kevin i mainly got that from lauren. also the shock of that stupid ass abuse dialogue. but like. if we get an episode of kevin by himself without one of his partners (lauren / charles & donovan / cecil & carlos) then what's even the point.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[rxkuyo]

"Ahaha Daemon is so dumb for believing the old man is the one actively poisoning him when the weird goth witch giving him weird concoctions is right there."

May I introduce you to a beautiful concept known as sleep deprivation ? Man's only gotten poor quality sleep (if any at all) for weeks for all we know. Mood swings and paranoia are bound to go hand in hand with that one. Logical thinking ? Nope. Not happening. You add the fucking hallucinations further messing up his mind to the mix and you get exactly what we see.

[thatonebipotato]

sometimes you just need to pick and choose what is and isnt canon because canon is a mess and sometimes really fucking stupid

[docnukes]

Just wanted to clarify Vlad isn't a dsaf oc anymore (hasn't been for a while) and just a general oc... I did kinda rip off fnaf/dsaf's design elements of drawing humans but that's because it's easier to draw that way. Hashtag awkward!!!

[the-acid-pear]

Hands of hips looking down shaking my head I don't know how to sugarcoat this so I won't but signs is so much better than nope. I don't know how people even say the movie aged bad. I think the feelings they have for the director cloud their view (I don't even know how either of his names). You got a 1:30hs movie vs a 2hs movie (I'm cutting the 10 minutes of credit for both) where in one you are never bored and are gripped by emotions and the other where you sit waiting for anything to happen. Like I'm sorry but there's no fight here. Hydrogen bomb vs coughing baby.

[thatstroubling]

when your favorite character makes it to the finale

As a fellow Danganronpa fan, I'd like to imagine that if Pre-game Shuichi wasn't, you know, gone forever because he'd given up his life to become an anime character like a dumbass and could somehow witness our Shuichi kick So Much Ass in Trial 6, he would be the one cheering him on the loudest. After all, Shuichi is his perfect little detective guy and the person he once hoped he could become. That's why I can hear the "You tell them!" in his voice in my head so very clearly. And in spite of being responsible for ending Pre-game Shuichi's favorite TV show in the world, at the core of it, Shuichi was ultimately fighting on behalf of his friends for what was right all the way to the end.

And who wouldn't want to get behind that?

[athenaholmesartistsguild]

I've only just started chapter 3 of Gaiden but I am absolutely obsessed with the theme of powerlessness and how it's conveyed within the game.

I can't help but notice how often Kiryu says he 'doesn't have a choice' when doing pretty much anything. Even if it's in super banal, low-stakes interactions like doing something for Akame, he's constantly stating that he feels as if he has no agency in his current situation.

In the previous Kiryu Saga games, Kiryu is painfully aware of the consequences of his actions, but he still regards them as choices that he made; not something he was forced into.

His status as a Daidoji agent has basically beaten him into submission. He'll occasionally try to fight against this absolute control over him, but he's eventually returned to his position as a pawn in this huge, shadowy organization. The Daidoji are the first organization/power structure that managed to get control over Kiryu's tendency to burn shit to the ground and good god do they take advantage of that.

But then Kiryu's also painfully aware that this is the reality he asked for. Not only does he outright say this multiple times, but he's telling others that 'they started this' when they're confronting him and it's so obvious that he's talking to himself.

He's constantly bouncing between feeling miserable and powerless and then resenting these feelings and berating himself for having them in the first place. He's grasping at any sliver of control he can still have over his life, not to find meaning in his new existence, but to further punish and abuse himself.

I can't remember the exact post, but I saw someone describe Gaiden as a love letter to the Kiryu Saga and that's the best way to describe it, I think.

Kiryu's arc in his games is an incredibly slow car crash where we witness in painful detail how incapable he is of permanently leaving his life as yakuza to protect his family.

He has this almost codependent relationship with the Tojo Clan and feels a compulsive urge to get involved in the constant crises happening.

Of course, there were outside factors that were trying to pull him into these conflicts. Everyone believes that he's the only one who can fix everything. Kiryu's name carries power. Isn't it disgustingly selfish to refuse to get involved when he was the one who chose the clan's chairmen?

How could he refuse to deliver a single letter after the 5th chairman was shot right in front of him?

How could he ignore the people threatening to take his orphanage away from him and his kids?

How could he tell his daughter that she can't become an idol because of his past?

How could he justify staying alive when it did nothing but bring harm to his family?

What choice did he have?

But remember, you chose this, Kiryu.

[afniel]

Maaaaaaaaaaaan, come on.

(the post has ended up in the tags btw. I am not changing this and I need you to understand that it is just me talking to myself semi-publicly)