#i got bored and did something

[somerandomcockroach]

And coloring based on @thegunnsara 's sketch

[st4rstudent]

post this bug when they least expect it

[nothingbizzare]

Silly guy and a silly little frog

[katoska]

Theory why Betelgeuse left Lydia's side to "go to the little boys' room" and took over for Richard at his booth for a bit:

Yes, he could have dealt with Jeremy without playing dress-up and taking over Richard's job, and didn't have to enable Richy to get a little more family time in the process. They could have saved Astrid just fine without that, so it seems unnecessary, for him to do that. OOC, even. Except

2) Richard wouldn't owe Betelgeuse a big favor for said taking over of his job and enabling the extra family time with Lydia and Astrid. Also, ofc, for saving his daughter from trading places with Jeremy. Betelgeuse did all that at great cost to himself: A Code 699 violation (see screenshot of transcript from reddit below) gets you extra time working as a civil servant, it gets your topside privileges revoked, and it voids any marriage you entered into, so his contract for payment from/marriage to Lydia was meaningless (well, if it had been a marriage certificate rather than just an agreement to get married in the future. and if he'd actually signed it. and then possibly only if he'd signed it before entering the Netherworld so there'd be a marriage TO void, rather than... not signing it at all... *sigh* he totally burned that half-signed and not-yet-binding contract himself bc he understood she wasn't ready to marry him yet, is what I'm saying, but I digress).

1) Lydia wouldn't have gotten closure for her ex's death without it. Closure which she sorely needed, because the fact that Richard's body was never found plus her seeming inability to see his ghost (Richard: "I know you two can't see me, but I check in on you all the time") add up to her having been in denial of his death. She couldn't see his ghost because she really really did not want to see proof that he was dead. So now she gets to move on from him. Which is very convenient for B. Especially as Richard is unlikely to be able to visit her anytime soon even now that Lydia has accepted his death and should be able to see him again, but I'm getting to that.

Still 2): Anyway, B doesn't do favors. He does business. If people are allowed to take over for others at their jobs in the afterlife, but those jobs are also a form of punishment where you have to "do time" at them for a specific duration, then those work hours are a currency that you can give away or trade. You can, if you find someone who is willing, get someone to do your time for you (hell, you can even get a naive Breather to trade their actual Life for your afterlife existence).

So yeah, I don't think Betelgeuse took over Richard's booth just out of the goodness of his heart. I think they made a deal, one that means that B will be topside again much sooner than the Deetz' will expect so he can get back to trying to seduce Richard's ex (hey, Richard always supported lost causes, so... 😆), while Richard will be stuck at work, unable to visit the Living for a long and unspecified amount of time. Not that his family's gonna notice, bc they never used to see him visit them, anyway.

And yeah, according to someone from reddit who decyphered that page in the Handbook, there's a bit about how the Deceased who violated Code 699 has to cease Trading, if applicable.

But I think that only goes for post-conviction of the crime, not as an automatic consequence of the crime, as B was also still able to visit the Living World to attempt the church wedding. Which, actually, is yet more evidence that this latest marriage attempt was more for the sake of declaring his feelings and testing the waters (and showing off, and getting rid at the competition) than him trying to actually get, and stay, married. Cause the church wedding would have been voided by a conviction, too.

Anyway, that's my theory on B's incredibly considerate, and therefore incredibly suspicious, detour to Richard's booth and letting Richard have his heroic moment.

And tbf, Lydia and Astrid are Richard's family. So it wouldn't even be unreasonable to expect Richard to pay for the legal trouble B got into from saving them. Like, I'm sure he'd have done it anyway, but if B can pass on that buck then ofc he's gonna.

[thesleepyfable]

Still Wakes the Deep where everything is the same, but Rennick is dressed in the outfit Clive Russell, his VA, wore in Hooch adverts from the 90s.

[okitanoniisan]

ADKSBFKDKSLVJGH IT WORKS

[robbyykeene]

Potentially unpopular opinion, but I love that Miguel was an asshole again in the second part of this season! It’s a reminder that he’s a character and not just Johnny’s main support. I mean Robby didn’t deserve it at all, but it makes sense that Miguel couldn’t help taking his anger out on him. And I love that Johnny was on the receiving end of it, because it feels like the tension between them just went away for no reason.

Sorry if I’m bothering you!

You’re never bothering me, and I completely agree! They so rarely give Miguel any narrative agency these days, and like Johnny all it does is reduce him as a character. Miguel is a whole, complicated, messy teenager. He isn’t a saint. He isn’t perfect. He makes mistakes and has ugly unfair feelings sometimes, like every single teenager does. And I love when this show actually lets him be like this, lets him be wrong, lets him be a little bit of a dick to the people he cares about who don’t deserve it. Lets him be a real person with actual human feelings. And then also lets him take accountability for what he does wrong, apologize, show how much he’s grown, that he is a good person and a good friend. I love it truly, and it feels like it’s something that in a lot of ways hasn’t really been granted to Miguel since he fell off that balcony.

[satsuha]

valerio for 60min challenge

[peliginspeaks]

Yeah I'm not done Veilsposting actually. Woops. Anyways, the longer I think about it, the more its bounty has a very clear class implication that goes along with Veils' desire to not so much have a rival, as have a victim who draws out the killing. 4 billion Echoes. Think about who would go for that. A bounty like that, a share big enough to fund your life many times over and ridiculous enough to be a warning in itself, is going to pull out the overconfident, the overly curious, and the desperate. The type of people baited into hunting Veils would end up being: 1. Rich hunters armed to the teeth looking for glory, 2. The odd curious Neathy newcomer who's about to get way in over their head, and 3. Anyone too desperate to turn down a chance at the money, even if they know the chance is low if anything.

The first kind it could be flashy about dismantling, and prideful in its ability to overcome a well-funded arsenal. The last two kinds of people will be afraid. Openly, miserably, viscerally afraid. It enjoys that. There's a reason it takes its good sweet time actually showing up to try and kill the PC in the late stages of BaL, even though it can travel through Parabola and definitely has the resources to just have them assassinated at a distance if it really came down to it. It wanted desperate people to come to it, and it wanted them to jump through the ridiculous side-quest hoops the Scarred Naturalist set out, and it wanted them to show up and be afraid, for its own entertainment. For a chance at prize money they never had a shot at getting.

What I'm saying is modern-day Veils would fund those humiliating game shows.

[silently-standingstill]

This isn’t an art request but I just saw your AMV and I loved it a lot! If you can, could you walk through the process whereby you color the animation? Do you have set color palettes and add overlays to create lighting or do you manually pick the colors via color theory? I want to know /nf

Hello!! I appreciate your interest :D I put a lot of thought into the colors so this may be a long one! It'll include other animation info too

Any color I use is never reused for any section, I pick them all manually and for a purpose, it's important to have something different for each section as it adds more meaning and so things don't get boring. I occasionally use overlays, only one section uses it though. I'll go over a bunch of parts where color was important.

I struggled with the colors here, it based it off of an old drawing (on the right), and I realized I couldn't make my old coloring style work again, especially with how I was going about it, nothing played off of each other and felt very icky? I opted for more natural colors, creates a better sense of what I was originally going for, this part isn't very significant but it was interesting to find out what works and doesn't, you can learn a lot from redrawing old works.

This was another part I struggled on, I purposely made One look wonky because I liked the sketch more than anything I could come up with. They really look stupid, don't they? I redrew it a bunch of times to incorporate the orange, but I did not want to base it off of the scene where One was counting down, that had a purpose for it, this did not. It was following the previous parts color, which has an overcast of orange, but I couldn't find a way for this to work without feeling unsatisfying. I opted for using a trio of blue+green+red, it could be seen as 123 but that wasn't intentional.. it was the only colors I thought could work with the lighting of One's TV, but hooray for unintentionality! It makes this part connected with the lore!

This part I put a lot of thought into! Something I found interesting about One's lounge is how it uses red+yellow+blue, the three primary colors, in design those colors are used to invoke a sense of familiarity and safety, and if you pay attention, these colors are used everywhere. this could or could not be intentional in the actual show, I do not believe they are, but I used this to my advantage as when One's walking past the figurines, the yellows increases, but when they figurines fall, the yellow fades into white to show while One tries to come across as trustworthy, their façade can be quickly broken. I put together a lot of notes for this part and drew a sketch for it too LOL

"The lights that shine" section's color were meant to be like this from the start, this was the first section I animated, they have a big contrast and yellow limbs, I only put that because I thought it looked cool, but the colors carried over to the other part where they look like this, and ended up using this palette to symbolize who was kidnapped by One. I had trouble deciding how the beams(?) that were coming out of the moon should look like though, this was what I was originally going to do. The placement of each contestant is important too, more to the front, the more they may be impacted by One. I wasn't sure between Gaty or Leafy to put in this section, since we don't know if either of them will/had contact with her, it was difficult to decide. I put Leafy instead because I didn't want to animate Gaty.

The chair for Gaty! No one mentioned this detail and I was a little sad about that - each time One's lounge is shown, there is a different chair for each contestant, if One took Gaty, it'd leave a bitter feeling if she used a similar chair to her and Two's hangout couch.. their hangout couch is already split in half, it's possible One could take half of it. The colors were based off of how the person who designed One's lounge uses colors, I used some of her personal artwork as reference, and also how the chairs shown in the lounge were designed, and each design has something to do with the characters, One's is big, to show importance and uses the primary colors, Fanny's is small and dark with shadows taking up most of it, Basketball's is big, modern and green to reflect her mechanic room, Gaty in TPOT is (unfortunately) mostly associate with Two and this couch, and is similar to a therapist's patients couch, it would fit her role and characterization in TPOT if I am right about this

This was the only section to use overlay, layer 6 and 5 were the only ones to be changing as stated in the notes, there's a lot of light changes in this sequence, and if you notice closely there's a red, a shadow casting from characters outside of ones shadow, and there's a bigger contrast between the lighting and shadows. The "lights that shine" section you'd think uses that, but everything was done manually, even the transitions colors

These are some storyboards for this, the handwriting is probably poor I apologize about that, I created this during school and I don't write neat/properly if I don't plan to show anyone it LOL

[cranberrymoons]

.

[happyk44]

Jason: I'm sorry, my dad tried to do what to you?

Nico:

Nico: Nothing. I didn't say anything.

Percy, climbing in through the window: HE SAID THAT HE TRIED TO KILL HIM WHEN HE WAS A KID!

Nico: Oh my God, Percy, where the fuck did you come from?

Percy: From outside, obviously.

Percy, uncapping Riptide: Anyway, Jason, would you like to come with me to embark on a quest to kill your dad?

Nico: Percy, no!

[sbeana]

cold girl with warm heart and warm girl with cold heart. you see what i mean

[rozecrest]

no for real where did gucci get that leash

[pinkyjulien]

Valentin Da Silva | 177/??

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.