#i got art blocked on another drawing im working on so i just made something stupid instead

[motheatencrow]

[xanwyn]

animation for THE NEON VOIDD BABYYYY

this post is for @sugarpasteltmnt

‼️‼️MEGA YAPPING AHEAD PLEASE BEWARE‼️‼️

this might end up being really long and rambly and sappy but maybe not who knows.( it was) (and also featuring numerous spelling errors i am way too tired to fix and i am not re reading what i just wrote) SO. yknow how when chap idek..25(?) came out and i was all like “yeah so i made this animation for TNV and ill drop it when the fic ends” in your ask box? so. I FINISHED IT RAHHH. technically it has been finished since i sent that ask but ohhh my goodness did it need polishing. i haven’t animated in 4 years before that and omg it felt so good getting back into it but IDFK SOMETHING IS STILL NOT UP TO MY STANDARDS. i feel like i could have done so much more with it and i deffo wanted to but as soon as i told myself “oh yeah this is basically done” art block literally sucker punched me in the gut out of NOWHERE. I COULD NOT PICK UP MY I PAD. I COULD NOT DRAW. I WOULD STARE AT THE WIP ANIMATION AND BE UPSET BC I DDINT WANNA WORK ON IT AHH. that goes with saying. i kept having this thought in the back of my head “you need to finish it. you have a wip sitting. finish it. go do it. what are you doing are you STARTING ANOTHER PROJECT??? anddd yeah i got super distracted with other stuff and other projects and then i started spending my free time rewatching 2012 turtles and omg this summer has been a mess. i have all the free time in the world and i choose to be the least productive as possible with it even though i have a job that lets me literally sit on my phone and do whatever i want if no one is there. (i’ve brought my switch to work numerous times ☠️) what i was trying to get at is the fact that TNV has inspired a lot of the old me to come back and i lowk missed her. i really missed the point in all those words up there but im here now so whatever. BUT. TNV made me make a tumblr account, i got back in to animation AND digital art in general, got back into longfics that are ongoing, AND it also helped kickstart ideas for writing. i’ve got so many stories now!! you are such an inspirational person pastels i just- every time i read a new chapter of yours it made me wanna go get up and do something. i wanted to create something. because at the end of each chapter, i would think- “woah. a person out there just wrote this. they just sat down one day and committed. i wanna do that” so i did that. just huge thank you and shoutout to you pastel. like damn. idk no words from me here. just a bunch of platonic hugs and kisses and thankyouthankyouthsnkuou for this lovely heart wrenching but also sweet story. i love this fandom (tmnt) so SO much and i think it’s so awesome how interactive you are with your own personal NV fans. crazy how we’re all here because of a bunch of turtles. 

STUFF ABOUT THE ANIMATION:

okay i really like to talk and if you let me, i will run my mouth. this is the internet so im gonna do just that. so more words for you to read 😁. AHEM. so like i stated before in the genuinely scary mess of words up there, i haven’t touched animation in a while, like, 4 years a while. yes i’ve done digital art here and there along the years, i haven’t been doing it nearly as much as i need to to use some programs to their full potential. layers are still confusing, and don’t even get me started on multiply and all that jazz. shading never comes out right on digital for me, i gotta work that one out. so, for this animation, i decided to go with a very rough style. nothing needed to be perfect, i just wanted to live my little life of trying to experiment with a bunch of different things all at once in one short animatic. I wanted to do that little ball bounce thing all animation artists start with (i kinda included that with the key). i also wanted to have a go at lip sync (no hate it was my first time) and also timing the animation with the music. i wanted to see how smoothly i could move a figure in and out of and out of the screen as well, which honestly, i think that part might be my favorite. i think i did a good job, and thats what matters. the animation itself lost a bunch of quality on importing it- no clue how it happened but now the ending is grainy af. ignore that pls lol- but it was sitting in my flipaclip for god, i dont even know, 3 months now? i kept going back and forth on if i wanted to share it or not, so im throwing it to the wolves and i guess whatrver happrns happens and im good with that. yay. im actually rrwlly tired now sooo *leaves this absolute pile of words with a video attached at your feet and stumbles away quickly*

also i’ve genuinely never posted anything so i’m learning how to use tumblr too ☠️

[frogs-with-tea]

they could never keep me from you my beloved (drawing comics)

So I've been dark on this page for a min because I had a big life event happen (I moved away to college so now im living on my own) and over that time period I haven't really had time to draw. I'm all settled in now and I have a whole art studio set up(!!!!!) and I finally feel like creating again. I've suffered from pretty bad art block before I had to move, so finally having a creative space has been a really wonderful change.

SO about this comic in particular, I just really wanted to paint something so I ran with a new idea I had. As much as I love the Zosan ship, I've kind of gotten really tired of drawing them and I needed a change of pace. So LawKid is the new ship I've glomed on to. I'm past fishman island and I'm getting to the parts that have Law and Kid as big players and shipping them just gets me more excited.

Since I can't leave well enough alone, I did start thinking about some a/b/o/mpreg stories for them. But one thing about that is that I honestly don't think Law would want kids or would want to be pregnant. So I ploted out an abortion story (because there aren't enough mpreg abortion stories and I think LawKid could make one very comical) but then I started thinking hmmmmmm but what if I made a cute LawKiD oc. what then?! So since in my mind Law would probably not knowingly stay pregnant, I decided to go the route of a Cryptic Pregnancy story. It has 10x the drama and 10x the angst of a normal pregnancy story. But then that got me thinking "okay so he has the baby now. He probably wouldn't want to hold on to it." I think Law would be torn between wanting to kick the kid to the curb, and getting really sad at the idea of creating another orphan. So I think in his high emotion, high distress, state of suddenly giving birth, he drops the kid on the deck of the Victoria Punk and then fucks off. He would 100% make it Kid's problem.

The story would be about the Kid pirates and the Strawhats trying to find where Law vanished to, all while Kid figures out how to be a father. I also would want there to be flashbacks of Law and Kid's relationship developing, the horror moment where Law goes into labor, and then what the Heart Pirates are dealing with while Law has a downward spiral.

I'd love to draw all of that but at my current speed level it isn't feasible, but maybe one day. I was originally going to draw more pages for this, but I was feeling the one page curse (where I get one full page done but struggle with even starting the others), and since I put to much work into this page, I thought might as well post it.

I can really be dragged down by my ideas sometimes, like I have so many things I wanna make but I feel like there isn't enough time to do them all the exact way I want. I'm trying to be freer with my art and take a slower pace with how I grow as a comic artist. I have so many comics I want to make, so I'm going to just try and make them!!! But that requires me to think a little smaller for now, and just draw what I want in the moment, even if it's not how I envision it in my mind.

And if you've read through all my yapping, I love you.

[mbslost]

hi. yes i came back for another yapping session, ironic.

i would like to express some of my feelings towards... some interesting things.

1. The Strade nazi drawing

i talked about his before, i am aware, but later (while reading other opinions as well) i got reminded about EP (Electricpuke for those who dont know him). did we all forgot HOW MANY nazi drawings he made? dont you believe that's an influence as well? if i remember correctly, Gato cut ties with him because of his abusive behaviour (there arent many people talking about this but some user are aware about his actions. sadly i wasnt in the community when that happened)

literally there are people calling Gato a nazi when she doesn't support the ideology. why did no one act the same with EP? different standards? the fact he left (probably) for good? still its not an excuse to call Gato a nazi. also she apologised multiple times. again MULTIPLE TIMES. even in the callout post in twt you can see the fact she IS sorry for drawing that. that she REGRETS it

edit: kay found a ss on tt from the user @/gorturic where Gato said this as well

again, she doesn't support any nazi shit :/

2. The way others silence opinions that they dont like

im not saying you should be forced to agree with it, but when you make a callout account, normally, you let multiple people say their opinions over that thing. you can even show proof when you see someone is wrong. thats how argument work, crazy ik.

i start to see that if you defend Gato or just leave the community because the fandom its on thin ice, you'll be harassed and bullied for your choices. first of all, HOW ABOUT WE LEAVE PEOPLE THAT DONT WANT TO ASSOCIATE WITH BTD/TPOF ANYMORE ALONE. good? literally saw multiple users being harassed by this. its THEIR decision, suck it up. also can we stop SENDING DEATH THREATS???

or the fact that if you do have a point, they'll immediately cancel it with the "oh but its not important". it can be if you have some proofs for their misinformation (just like i proved the variety of poc characters Gato CREATED. didnt talk about Ren since he's another story)

3. Lack of proof for the side allegations.

if people noticed mods harassing people sm, why didnt they talk? why arent there ss of their conversations? we dont even know (most of us) what they even commented about (aside of Pussyspieler drawing). or the twt user that was wronged. that situation was like.. kind of a "im more autistic so you should shut up" (i have to add that i asked people on the spectrum about this and that was their point of view) of course the mod shouldn't have said it like that but.. its more of a misunderstanding really.. that doesnt mean you cant be upset. you absolutely can. everyone can react differently so dont harass them for feeling down or for being frustrated.

also the spanish (or mexican idk) users that just copied and translated @/renhanasgf posts with little to no new information. just the same thing. (although they said something of Gato not sending merch to latin America. probably because of the laws back then or the fact that the transport fee would be high af. im still searching for the reason tho so ill need some time for that one).

4. This fandom is messed up

people when fans of horror porn games are problematic 🤯. i agree that some people are being like extreme with their reactions, but no one is perfect here. just like i approached the situation completely wrong, they did the same. of course, now if you go around and be a racist piece of shit, you shoudl just stay off the internet for a while. luckily more approach the "like the art not the artist" thing.

look. you can always block users that you dont like (just like i do to those who are either into csam,thanks for telling me ab this term anon!, or incest). i know. shocking that people can block others.

after all these fandoms are not for the weak. there may be some safe spaces in it as well but... lets be real... its still going to be problematic. if you cant handle the community or how others act around here, then id suggest for you to not have a close interaction with others. like uhm, just, appreciate the content, not every person around here. just be aware of the users, stau safe okay?

5. Will i stop yapping?

not until i will see an agreement in the fandom. Gato is a human, of course she will do mistakes. especially if she's anxious or tired. having hundreds of people around you its hard and i can imagine it. having supoortive people only to wake up with people hating you. i hope she's safe and that she wont have to go to the hospital again. i pray for her well being, and to others that got spammed with those disgusting comments.

im not saying we should forget about this like.. her poor management and emotional way of responding to things, but is it truly worth it? to force a person to apologise just because they tried to fix things?

i also dont think ill stop because i just feel like im the only one that does talk here (trying to even prove wrong on some things). if others do it as well, PLEASE PLEASE PLEASE TAG ME I WANNA SEE THEM😭 also because most people are still so confused about EVERYTHING. for some reason this drama its only getting more popular on tt for some reason.. which is a big no no since there are a lot of YOUNG people. i believe this should be talked here, and on twitter. (idk what to say about telegram)

ill stop here since my sickness got me. i will edit it later to add or correct myself but *sighs*

please stay safe and try to view more opinions over this. DONT SPAM OR HARASS ANYONE WHO ONLY WANTED TO EXPRESS THEIR FEELINGS. we'll see on Sunday how things will turn out.

(if i missed something out or said something wrong please correct me)

[stilettomafiosas]

If you don't mind my asking; how did you develop your art style? I've been trying to work on developing my own style but I don't know where to even start. Your style seems so well developed, and I utterly adore it.

;w; its so kind of you to say so!! thank you!! I wish I could offer some insightful or exciting advice haha but I do have a short and a long answer!

the short answer: its the boring yet tried and true tip youll hear from everyone 😭😭 it all comes from a lot of practice over a lot of time!!

i kind of hate hearing that too because it seems dismissive BUT the practice isnt just drawing as much as possible, its also looking at art from other people, paying attention to the colors n shapes n composition around you, and at times just Thinking...

the long answer: style is ... hard to pinpoint! and in some ways, aiming to have your own very distinct style (and that being your main goal) can be restricting. focusing on that can keep you in a box of what's recognizable as Yours and hesitant to experiment or make changes. Ive seen some people who get hung up on making themselves a Brand draw no differently today than they did 10 years ago because they admit making changes or venturing into new subjects/styles "flop".... (and if your livelihood comes from selling art or merchandise and you rely on engagement to pay your bills thats another thing but as a hobby artist myself im talking more about a goal of just getting better at your craft in a way that makes you, personally, happy and satisfied and proud of it vs making what an audience wants to see and feeling rejected in pursuing other creative endeavors)

a lot of style development just progresses naturally over time as you absorb more art around you and train your mind to distinctly pick out what you like about other artwork and why. :] its all about the influence and how you incorporate that into your own work! so many of my artistic choices come from other artists, and the more you draw and the more you study other art, it becomes something thats a unique blend of You, even if not necessarily something immediately and strikingly unique that anyone could recognize as yours, its You cuz of the choices made in it and all the influences you enjoyed enough to pick up.

for me, it was pretty much doing studies + compiling an "inspiration/reference" folder (for doing studies) :3 ive been doing that since I was in elementary school and just drawing on loose leaf college ruled paper... I started out copying drawings in the funny papers we got on sundays, going to the library to get those "history of disney" kinda books that show a lot of cels or concept art, googling looney tunes screenshots to copy... it was So much copy, copy, copy. in my teen years it was shonen jump, i'd trace panels from naruto and one piece and shaman king, i'd freehand it, i'd redraw pages in my own way... and more recently ive kept it up with other interests (opening a catalog of model cars and filling sketchbook pages with car drawings... taking photos of cool scenery or bugs i see and blocking out the composition to figure out Why it looks appealing... going through an invertebrate zoology textbook and drawing creatures to understand their shapes/distinguishing features so i can anthropomorphize them in fun ways)

it might seem contradictory that spending a lot of time copying stuff leads to something thats your own but it does!! so much of art really does come from that internal library you build up, and building it up happens thru all that observation and exercising your hand to match up movements with the images in your head, and gaining experience + refining memory of how certain things are built or shaped or constructed. thats probably the number one tip i'd give to anyone who wants art advice... get a little sketchbook thats JUST for your eyes, and fill it totally up with stuff you copy. youll learn SO much and feel really refreshed for your own original works!

and if you feel discouraged, keep in mind that things tend to look better from an outside perspective! you see my art as having a developed style, and i very much appreciate that comment cuz to me, it's jumbled haha. i can draw the same character in very different ways in the same day... even the way i draw hands varies depending on what set of ocs I'm playing with. each of my stories presents some different artistic choices, and draws from a few different inspirations, so even if all the characters and the ways i draw them are recognizable as my art, they would still look a bit strange if they were all together because I have multiple "styles" ehehe

so in short, rock on with making art thats enjoyable for you and dont let an idealistic goal of a distinct style hinder you from having fun with the process & being proud of what you make. cuz honestly if you hold out waiting for the moment of realization that youve developed a style, you might never have that moment! not for lack of having anything distinct about your art, but just because its natural to be more critical and lost in the details of your own work than an audience would be. you likely already have aspects in your art that are recognizable as yours! consistency is good in some regards (like animation or comics) but dont be hesitant about trying things that are new or drastically different from your usual!

[plagueislost]

Hii, for the artist ask game: number 4 and 10 is something I'd love to know :3

i wrote A LOT for this ask, sorry! i wanted to do the questions justice, yknow how it is.

4. piece you wish got more love?

Ive found from experience that original art tends to not do very well on social media, which kind of makes me sad. It's not much of a problem for me (because most of the stuff i post is fanart anyways) but i can't help but think that part of the reason i rarely ever draw original pieces or make OCs is because of the lack of feedback i get on social media. I know tumblr is supposed to be the fandom website, and maybe id have a different experience on another site, but it is disappointing when i post something original that I'm very proud of and it barely manages to get more than 20 notes, whereas something i like less easily surpasses 100 just because of the tags i put on it. i think the most recent example of this is this piece, which admittedly did get quite a few notes for an original piece, but definitely would have gotten more had it been fanart of the same caliber. this is also not to blame anyone or make anyone feel bad about not reblogging original art (god knows im guilty of that too, and art piggybacking off the popularity of other works of art are of course gonna get more notes), its just something ive noticed from my time on social media.

10. how do you deal with artblock?

i dont get art block very often, but when i do, its ANNOYING. it mostly manifests in me having a bunch of motivation for a part of my process that i cant get to without doing the stuff i have no desire to do (does that make any sense?). like, ill have a strong urge to render an artwork, but no ongoing WIPs that are at that stage, meaning i would have to sketch and color and shade a whole new piece before i could satiate that urge, or do the steps out of order which could mess up the flow and end look of a project. when i get like this, i find its best to try and translate those desires into different activities and take a step away from art. for example:

if i want to sketch, but nothing comes out right digitally, ill find a scrap piece of paper and a crappy pen and make thumbnails until i cant think of any other iterations of the ideas in my head. if one of them turns out good, ill take a picture and transfer it into my software, but only go over it a day or so later so i can have fresh eyes.

if i want to color, but i have no sketches currently ready for coloring, ill go into my photo editing program, find some random old photos that i never edited, and post-process them until i get something im happy with.

if i want to shade, but have no colored artworks ready for that, ill usually do a study of a photo ive taken, because most of the time me shading is really me wanting to see how light and shadow interact in certain scenarios. i actually did a whole AP portfolio on that because i liked shading and lighting so much!

if i want to render, but ive got no pieces ready for rendering, i find its easiest just to find a tedious activity where i can be a perfectionist but also feel like im the smartest person in the world. this generally turns into me cooking some big meal because its constantly engaging but also not that difficult. i know its probably weird for it to not have anything to do with art but this is just what works best for me, and i get the bonus of a nice meal at the end of it!

if i get the more classic kind of art block where everything sucks and nothing i make is good, i find its best to go back to the media that inspires me to make art, and not worry too much about having made something by the end of it. generally the media that inspires me ends up, well, inspiring me, and i can remind myself that art is a voluntary practice that i do because its fun, not because i want something out of it. if it doesnt manage to inspire me, thats okay, i can just tell myself im taking a break and live life for a bit.

i hope that was helpful, and i really enjoyed answering these questions! if anyone else wants to ask a question, the artist ask game is here.

[yinses]

B R A N D E D

| he would make sure that everyone knew who you belonged to |

tattoo artist! sukuna ryomen

rating: t

a/n: this is going to be a three part series. it got too long because i couldn’t shut up. thank you to @teoran for beta reading !! 

you should have never informed yuuji that you were thinking about getting a tattoo, because of course his first response would be hey, sukuna owns a shop. why don’t you stop there. as if you didn’t already known that. your other friend, unfortunately had not known how to be subtle about it.

its when you go to hand off your card that they gasp audibly, drawing the attention of both yourself and the woman behind the counter.

“you’re not going to ask for a discount? i mean you know the owner, right?”

she jumps back quick enough to dodge the errant elbow you throw her way.

you knew you would regret telling her.

the woman is undeterred as she take your card, looking bored with the news. “so you know sukuna, huh?” the way she said it implied that it wasn’t the first time it had been made known to her.

you had known the man long enough to know where her thoughts were going with that assumption. sukuna wasn’t only popular for his art. a shudder rolled through your body at the idea of being categorized as one of his flings.

it wasn’t as though you were intentionally shaming the women. but it was sukuna. the same guy who locked you and his younger brother out on the patio whenever he was meant to keep an eye on you. and then blamed you for hiding from him when the responsible adults got home.

in hindsight, maybe you should have chosen another location. but now your card has been charged.

you scribbled your signature on the receipt, “uh yeah, awhile now. im not requesting him or anything.”

“his appointment book is full anyway. he doesn’t take walk ins.” its not said snidely, just matter of fact. as if she was seasoned with dealing with these kind of customers.

the man of topic strides in then, carrying a few bags of take-out that he drops carelessly onto the counter. he doesn’t m look unlike any other day, a loose white sleeveless shirt with a low hanging v-neck that just invited attention to his skin. the swirls of black ink made permanent by his hand only. though that was the advantage of this field and owning your own business on top of it.

sukuna was prepared to ignore the clientele planted at front desk, until he did a double take. those vermilion eyes took you in, morphing from speculation, to shock, a pinch of awe, then back to postulation.

“what are you doing here?”

a small frown mars you face. you didn’t actually consider that perhaps sukuna wouldn’t want you here. it was one thing to know the guy, but whether you wanted to accept it or not, you weren’t just another customer. so you unsurely respond with, “getting a tattoo?”

the snort he gives isn't one of annoyance. in fact its almost comforting to see the minuscule curl of his lips until they start to part, “yeah, missing something aren’t you?”

you realize with a frown that he’s referring to his brother.

“i have other friends.”

that slow smile wides as he gives your friend a brief look of appreciation. suddenly all those years of witnessing him cart his flings around rise to the forefront of your mind.  really nothing rarely changed. “ i can see that.”

his gaze cuts back to you, “what are you getting? your boyfriends name?”

you cant tell if he’s teasing, fishing or a combination of them both.

he turns to lean over the counter, arms flexing at the action and pinches the fresh design still hot from the printer. you resist the urge to shuffle in place as he inspects the image with more interest than there were lines. it was hardly all that complex, just as you intended.

sukuna finally voices his opinion, to no surprise of your own. “yeah? kind of small isn’t it?”

“its my first sukuna,” you drawl.

you realize too late that the wording isnt best around him.

“no kidding.”

he tugs a styrofoam box free from the plastic bag before gesturing to you with a tilt of his head.

“alright, lets knock it out.”

you look to the woman expecting her to complain about his pending appointments but she only returns it with a pointed look. when it came down to it, what the boss wanted goes.

right then.

turning, you address your friend who seemed more invested in watching sukuna’s departure. “are you coming?”

her gaze snaps to you and she doesn’t even bother to pretend. she shrugs, “you may not be squeamish about needles but i am.” her hand waves vaguely towards the lounge area near the coffee station and stack of assorted snacks. “i’ll come running if you scream though,” she teases as you turn down the hall.

sukuna’s voice carries from the right in guidance where you find him setting his food off to the side. the room is neat. though you don’t know what you were expecting given the health expectations lining his work. then again, you’d spent the better part of the decade watching him cart week old pizza boxes out of his room so it was hardly a baseless assumption.

aside from the desk of tools and variety of inks the only other defining feature was the wall at the back. there was no rhyme or direction to the madness. the once white wall was littered with varying penmanships and messages. almost like an autograph book. some derogatory, others genuinely thankful for his work - you think you see a few numbers too.

the cushion of the seat protests under his weight as he rolls to the center of the room. he has the stencil of your chosen art held up in expectation.

“where is this pretty little thing going?”

“oh my rib- here on the right.” you think nothing of bringing up the hem of your shirt to expose the skin just under the curve of your breast.

he almost looks impressed, though there is some doubt. he wheels closer and gives no warning as his hand palpates the area. “over the bone? that’s daring for your first tattoo, princess.”

the name was nothing new, an accompaniment to yuuji’s ‘brat’.

part of you actually grateful that its sukuna. the entire shop had good reviews but it was best known for his talent. besides, the charge was already sitting on your card.

“i can handle it.”

he’s still squinting at your side, fingers tickling at your skin.

“yeah?” he answers absently. nimble digits you didn't think had any taste for delicacy carefully peel the plastic from the stencil. he doesn’t second guess himself in the slightest before pressing it to your skin.

when he pulls away, the chair follows him as he collects a hand mirror from his desk to reflect the design back to you.

“double sure?” he’s still rallying your resolve, but there is a hint of warning to his voice as professionalism seeps in.

with a firm nod you seal the deal,” yeah.”

“aright, pin up your shirt out of the way. tuck it into your bra if you want.”

you were expecting this already, given the location you’d decided on. with sukuna that action comes effortlessly without thought. it was no different than the times he’d seen you in your bathing suit, your brain reasoned. at least you still had your pants this time.

sukuna rests back into a lean against his small desk. absently you note that his eyes haven't left you once since you’d entered the room.

“eager little thing aren't you?”

but its sukuna.

you shrug.“ i guess. kind of been saving up for this one.”

the noise he makes is non-committal as he nods to the angled chair.

without your shirt there was no barrier between yourself and the leather. you expected the cold chill but the lack of stickiness kind of surprised you. once again you were reminded of the indisputable list of reviews at your fingertips.

sukuna goes about collecting the materials to disinfect your skin, angling the bottle and cotton over the trash can to catch the excess drops. satisfied with the saturation, he slides back.

you try to absorb the brief shock you feel when he applies the alcohol to your skin. it was hardly a substitute for actual bracing to come but it was good practice. when you look up, you catch his gaze again.

he’d been more observant in these last few minutes than you could ever recall sukuna caring before. maybe it was the job. though the thought of him excelling at customer service has you fighting a snort.

“cold,” you supply and he gives another grunt.

he chucks the cotton ball into the trash with all the efficiency of a man who has made a sport out of it and probably keeps score.

deciding on a solid color eliminated the need for him to break away to change shades, eliminating any surplus time keeping you in this chair.

a gloved hand braces your side, pinching the skin, while the other holding the gun rests against your sternum. when the motor starts you take a careful breath in. sukuna’s eyes raise at the sound.

“not nervous?”

you blink, expecting him to just get to it.

“uh, not really? i’ve never really been afraid of needles.”

he pauses. just when you part your lips to ask what wrong the buzzing starts.

its impossible not to tense at the first bite of the needle. but you fight the urge to jerk. it stings. the vibration of the motor is uncomfortable against your ribcage but it's not unbearable. you certainly wouldn't cry.

sukuna seems to notice it as well.

“not going to lie thought you’d be more of a cry baby? weren't you the one sobbing after you stubbed your toe.”

you latch onto the idle chatter even if it's a jibe.

“i was eleven and i sprained that toe.”

he gives you a quick glance. “sure, princess. completely called for the waterworks.”

you snort. “yeah well it made me stronger. im barely affected today.”

your words are followed by a shift of his hand as it turns to follow a line, the movement pressing firmly against the underside of your breast. you're too attentive to the needle pinching at your skin to take notice.

but sukuna does, eyes narrowing without your awareness.

“yeah, i can see that.”

rather than closing your eyes to block out the pain, you find a more comforting distraction in tracing the lines of his tattoos with your gaze. you can hardly make out the first tattoo he’d gotten at the age of seventeen after forging his parents signature. 

the abstract design had now branched out, interlocking with new styles to map out the formation of a sleeve. it was almost like his own branded language. a dialect of bold shapes and bands. you’d never thought to actually ask what his tattoos meant. nor did you expect an honest answer.  

sukuna works rather quickly and efficiently while your mind wandered. even if he hadn’t squeezed you in during his lunch break this felt like the usual pace for him. he looked so in the zone as he followed the pre-made lines to perfection.

you weren’t the model customer, still having your brief moments of weakness but he rolled with the interruptions better than you expected. sukuna was brash growing up and didn’t tolerate nonsensical people. you’d had your fair share of opportunities to be chewed out by him.

and earned a reasonable amount of them, though your returning attitude said otherwise.

but this sukuna was softer, if you could put it like that. he knew the right time to give you breaks but didn’t let your nerves settle too much. when he wasn’t adding a layer to permanency to your skin, an errant finger would smooth over the swelling flesh.

more than once you heard him throw out a quiet good girl. that you knew was meant to be encouraging but it came with additional implications that tickled your skin.

he tells you that you should be grateful that the artwork doesn’t need any shading. that it was never a good fit for beginners.

your chest expands the furthest it had in the last half hour when he finally rolls back.

“alright, princess, go ahead and take a look.”

you take the offered mirror again and angle it to take in the fresh piece. the reflection you get back is- amazing. you’d been so concentrated?? on micromanaging the pain that you failed to take in the little details he’d added along with the original design.

as if reading your thoughts, he snorts. “it's not my art if i don't leave my mark. you can tell me it looks good you know.”

if you didn't know any better, you’d say he was authentic in his attempt to bait your approval.

and you had no reason not to provide.

your legs are a little shaky but you manage to balance yourself before brining the eldest itadori into a hug. sukuna goes stiff for a moment before returning the embrace and doesn’t resist when you press your face into his shoulder. there’s an awkward pat before they release each other from the hold.

sukuna .. before he’s shrugging you off.

“god, what a noob. at least let me cover it up. you’re going to irritate the skin.”

when he turns back to rummage through his desk you note the hint of a flush creeping up his nape. you know better than to mention it, instead just smiling at his back.

there is a scowl on his face as he applies the cotton square to your skin and tapes it in place.

“please do not itch this shit. i don’t care if you feel like your skin is going to fall off.”

he presses a small tube of antibiotic into your hand.

“and apply this daily. you don't need it drying out. “

you’re grateful for the little slip of printed instructions that follow. you were able to remember the sensible directions but it couldn't hurt to have additional guidance when you started to question the progress.

“oh and no sex.”

that was definitely not on the list.

sukuna raises a brow in all seriousness. “what? if you get your blood pumping too much.”

you call him on his bullshit,” this small? hardly. “

he raises his hands in mock surrender. “alright, try it yourself if you want. i charge for touch ups though.”

the two of you size each other up. just like old times.

with a sigh you relent, “fine, no sex.”

“good, see me in two weeks.”

his words stop you short. it wasn’t as if you needed anything added and he wasn’t a physician checking on your progress. if anything, you would only revisit your artist if there was a problem.

“what for?”

the dawning grin would follow you for the next fourteen days.

“to make sure you didn’t have sex.”

[madfantasy]

I haven't seen you post in a while, I hope you've been doing okay? How is everything? Hope it's been a good year so far for you 💕💕

You're too kind, u & everyone who made inquiries, bless ur hearts.. im sorry for disappearing, but yeah, I don't have net— using my phone credit and hope this posts..

I tried to record my voice answering this, like I sometimes did on tik, suddenly ended up trying to muffle the floods of my burning tears, so now I have an awkward vid of me talking then weeping out of nowhere, which a good reason for me to keep up the no cry habit, heh.. but seriously, I suppose I'm fine till I be conscious of it.. its much easier for not to talk .. even tho I'm aching to be back in thy company, lonely in my foresight to catch on to the present that joins us, hand held out to reach like minded souls but shying from the fear of forgetfulness occurring..

I'm fine tho, did few new stuff, merely drowning in too muchness and nothingness as usual, this month I guess you could say I took an act of mad fury in search of any happy source because the echoing silence and the swarm of sadness nipping on my brain cells thickened, and the reasoning merged with the obscene. So instead of giving my guardians the usual of 3/4 of my earnings last month for net and groceries, I spent it all. Ya know, as it was told to me it mine to do as I please? As being prevented any chance of work if it was possible, 't was supposed to be spent on art supplies & measly delights craved for years ?

Before hand, I've been begging them to take me for months to get any clothing or whatever, be it the first time I ever see a shop, then just to drive around, then just me peaking to the outside when the front door is open, merely seeking change I suppose. They kept vaguely promising me until they refused point blank— getting tired of my nagging, then their car just stopped working till this day. Its in the workshop rn..

Anyway, befouled by despair, needing the mere basics of life and not granted, I was delighted when i found a site to buy from cheap & pretty, I pressed buy without any further considerations, or taking their permission and thrilled to be able get gifts for my siblings too. I say gifts but really they are deprived necessities too and not even much just one each cuz well, they are 5 of my babies and to start with the top of priorities; we all draw

I could already see it, they can't help themselves; heck seeped through the clenched gates of their mouths, trying desperately to poison me with undirect attempts this time, cuz I bought for my sibs they're out of the option of calling me selfish. I was upping the same trance like state of vague existence dealing with them, absorbing their insults and degrading just to make sure my shi arrives safe.

Unfortunate for me, the site chose the worst carrier in this country

I did everything in my power to make it into their convenience, by embarrassingly messaging the carrier daily, they took a week of promising to deliver and flanking so my guardians reached a heated level of threatening, waving their hands nd almost tossing shi at mE saying that they don't care if they came and if i dared to order something again they'll do this and that. Not allowing me to open the door for the delivery guy when he comes, blaming me for missing vaccination dates (they kept missing them even before)& missing going to important places(again, they just didn't go to for ages), made them loose sleep, etc etc— in turn, I seen red and regretfully blew up.

I screamed at them its literally the only time I ever did this, it BECAUSE it easier on them & I'll do what I want whatever anyway, & to stop interrupting me while I try to explain things , then they suddnly back done and be like I'm not mad at u I'm mad at the delivery ppl, that they are proud of me for being able to do all this, and such sort. I left them to cool in my room, Idk how I did it but must have slam-gripped something so hard it chipped most of my short nails & cracked one, was glad I didn't hurt my drawing hand but yeah, goofy mani

They robbed me of the joy of anticipation & the dissipation of apathy, I started to lose sleep again and my liberating dreams left me and I don't think I remember leaving bed.

But still, If not force myself to do things.. there'll be nothing for me if I don't.. at least I know im able of that

I got my guardians happy tho after another tiresome refusal, by trying out one of those Uber-eat like local apps here, since they have no car and being disabled & ill, I ordered McDonald's for the first time. Slythry behind their backs per habit, told them someone coming and they had that look again, but thankfully the guy came through and didn't steal my money, heh. For a big 1800 calories meal I suppose it was passable, the happy fam faces I got was the real treat..

Oh with that thing with the credit card stating I owe them money, waited weeks & nobody got back to us? They started taking from my guardian's account directly to pay it, saying oh we did send you warnings--- TO THE SHADOWY LINES OF THEIR POSTERIOR A.K.A NOWHERE. Thankfully the account is mostly empty nd just for random transactions, i alerted my guardians not to use it. And again, my god, another round of endless calls and promises started, and we wait again so they just don't act as if we owe them a frking 17k dollars that we don't have.. was panicking cuz I have nothing and but my guardians were weirdly comforting about it and told me not to worry

One thing good bout no net is it made me stop thinking about life in general, and stop the tiny unnoticeable prick of misery when I have no input to share, trying not to helplessly compare people just living, in inflated style or not, in media, to my isolated-most-of-my-life style and missing much of that organic "life experiences and chances", heh. At least, my situation would be favorable to me if it was ever possible for it to let me have peace, or have the simple knowledge I'm not virtually imprisoned and have never familiarised with nothing of this world but the surrounding walls.. its nice to have more time to be consumed by muse and day dreaming that flutters life through my dull being and sing chorus of inspiring means for art to flow and finds its way delicately onto my realised canvas.. but no, I continued drawing whilst sight blurred with salty droplets contradicting that happy tintin dance on tiktok I worked so long on just cuz I couldn't stop, not the tears or the mad scribbles of determined intention to visualise the mourned excitement I need, hating everything I make

Somehow the lilac dream still intrudes, visualising me friends, living, in a quaint home, maybe we roommate, arm in arm we go to make every fracture of fate's encounters a disgusting adventurous thrill, like building a maze of cardboard or chasing each other in the dark.. maybe getting that half bleached head and endless ear pericings ... then it dies and I totally forget it..

But what those awesome headphones helped me do, literally blocks all their voices listening to Sev losing it and I can Waltz around not feeling gutted to go and interfere or play the referee each time. But I can't wear them forever, gives me a bad headache, and honestly; I can't be too neglectful.. my sibs hates me for it already hehe

At least these clothing came true to their measurements, felt the new sensations on how everything I wore hugs me & learnt the baffling ways on how "gender" and region plays different tunes on the same measurements. Getting fitting things felt like suddenly there's hope to be, for myself to be me, and ease this severe disassociation between who I am, and what my body is .. from how little I see myself nd consider it worthy of anything because of how long it been living like a phantom among people.. to numb this dysphoria until it be gone one day

Saddened that the only site I can't order from again if they keep using that awful carrier

...

I missed our country's 91 national day, too. They made sales everything 91 riyal so.. but knowing the sellers here, I don't think most of em went true with their offers.. Horrible news tho on the celebrations, sigh

I turned this into a dear diary, guess bothered you enough today, sorry

So thankful to yous, Idk if I can be back, but I'll remain creating, and will keep the thought alive of being tickled when sharing my creations with your viewing pleasure somehow

'till then my precious dears, take care 💛🙏

26.9.2021, 8 pm, sleeping

[descendantofthesparrow]

I put a Spell on you - Harry Hook x Sanderson! Reader - Halloween special one-shot

Halloween Harry Hook x reader

basic version of outfit for reader, can be changed as wished

VVVV 

=

Halloween night, 2007, on the isle of the lost.

Young 6-year-old Harry Hook sat in the hull of the jolly roger, pouting to himself as he picked at his scarce stolen candy.

The isle never got much in the way of candy, the most they got was during the month of Halloween that the parents of Auradon threw away early for some odd reason.

Though what candy the isle got was little, and the “good stuff” was still on Auradon.

And Harry had unfortunately gotten a bad pick of candy this year, nasty fruit ropes that tasted like death, molding “coconut” chocolate candy that was too mushy to really enjoy, and watermelon looking hard candy.

The best he got was little wrapped hard pieces of candy that looked like brown barrels that had a slight spice to them.

Harry dropped the piece of candy he was holding and sighed, starting to stand and getting ready to turn in for the night after the disappointing Halloween. “jus’ like last year” Harry mumbled, brushing off his horrifically made copy of his father's jacket, he paused, something rang across his ears. “wha’ was-“

Come little children, I'll take thee away

Into a land of enchantment

Come little children, the time's come to play

Here in my garden of magic.

“singing?” Harry quietly asked himself, turning towards where the voice was coming from. It seemed hypnotic or at least was supposed to be, but It had no grab to it as if it had lost its power.

But Harry's curious nature pushed him to seek the voice out. He snuck off his father's ship and followed the voice into the dark forest near pirates bay.

He ducked as he spotted an old slim woman, the one who was singing, waving her hands about and twirling.

“Winnie~” the woman stopped singing, spinning around and crossing her arms, and whining at a hidden figure “It's not working!”

“of course it's not you twit, the stupid barrier blocks our powers, we won't be getting any children tonight!” “wait!” a plump woman stepped into the mood light, her eyes glinting “I smell a child~”

“that’s just (y/n) you idiot!” the hidden figure scoffed, stepping next to the slim woman, and smacking her torso “keep your child inside sister, they will ruin our plans” “But we can use them to lure children! Maybe they can even lure a boy~”

“silence Sarah” the oldest woman scoffed, turning and walking back towards the rackety shack near a pond. “sistars!”

“coming Winnie!” the slim one called back, hiking up her dress and running after the oldest.

“But Winnie! The child!” the plump one moaned, turning her eyes right at Harry.

Harry held his breath and ducked behind a tree, freezing as he heard the woman sniff the air and continue to walk closer to his hiding spot. Wait…shit! he walked right into the Sander-

“Auntie! It's just me!” Harry's jaw dropped as a child, who seemed just around his age, popped up from behind the tree in front of him, a small smile on their face “sorry, but there's no other kids around”

The plump woman groaned and shook her head, stomping back into the shack. “little brat, fooling me”

The child watched until the door closed, slumping against the tree in relief as they looked at him “you shouldn't be here, you don’t wanna know what happens when my mom and aunts get their hands on kids” they walked over to him and pulled at the lapels of his jacket, the hood of their cloak falling as they did so.

They beamed at him “but im not gonna let anything happen to ya don’t worry……sorry I don’t know your name?” they tilted their head at him, their bright (e/c) eyes staring into his.

“H-Harry” Harry stuttered out, gasping as the child grabbed his hand and started pulling him the opposite way of the old shack the old woman were in.

“Nice ta meet ya Harry im (y/n)!” (y/n) chirped, flipping their hood back over their head and continuing to lead Harry out of the forest.

Moments later they reached the edge and (y/n) turned, grabbing Harry's arms, spinning around, and pushing him over the edge “now you have ta promise that you won't come back no matter what, and to never follow random singing” (y/n) pouted at harry, wiggling their finger in his face “it's too dangerous”

“I-um” Harry stuttered again, wringing his hands together before he stomped his foot “they aren’t even tha’ scary! I can take ‘em”

(y/n) just shook their head “doesn’t matter, they’ll eat you if they get the chance”

“e-eat me?!” Harry squeaked, taking a step back from (y/n) “wait aren’t yeh one of their kids- won't yeh eat me too?”

“no!” (y/n) shook their head defiantly, scowling at Harry “that’s just gross, eating kids, Id rather eat rotten candy” (y/n) crossed their arms and tilted their head at Harry “what you think all witches eat kids?”

“well, they-” Harry swallowed harshly “ur mums a Sanderson ain't she? She's known for tha’ “

(y/n)s shoulders dropped “well I’m not my mother” Harry felt slightly bad as (y/n) curled in on themselves, looking off.

“hey-i….thank yeh fer savin’ meh” (y/n) perked up, smiling at him.

“you’re welcome Harry, now DON’T got back into the forest on Halloween night ever again” (y/n) once more shook their finger in his face, pouting at him.

Harry nodded slowly, placing his hand on theirs and pushing their hand down “why Halloween night only?”

“because that’s when they think they are most powerful, and the only time they are brave enough to wander outside the shack….aunt Winnie makes me go out to get food and all that every other time” (y/n) explained, eyes turning to the sky and gasping.

“you have to get home! It won't be long before my aunt gets another idea to get kids, go go!” (y/n) pushed at Harry's shoulders, back towards pirate bay.

“Alright alright im goin’!” Harry yelled, shaking his head at the odd witch, he turned to start walking back towards his dad's ship when he stopped. He spun back around, watching (y/n) walk back into the forest. “wait!” (y/n) groaned and stopped, spinning around to look at him with raised brows.

“what” they snapped, glaring at him.

“will I ever see yeh again?” Harry asked, blinking in surprise as (y/n)s cheeks turned dark and they looked down at the forest floor.

“um-i-maybe…I have to go!” (y/n) turned and ran back into the forest to her home, leaving Harry at the forest edge.

=

12 years later, on Halloween night, Harry sat in his temporary room at Evie's castle, sitting on his bed while Gil and Uma sorted through their first real batch of Halloween candy.

Most of it had been leftovers from Evie's trick or treaters, but Evie had made them chaperone Dizzy, Celia, and the twins for their first Halloween.

And the younger VKs had somehow roped them into Trick or treating with them, which luckily the people of Auradon were nice enough to ignore that they were technically too old to trick or treat.

Harry could recount Evie scoffing at the “Age limit”, saying that no one is too old to trick or treat.

“Gil hand me that orange one” Uma muttered, chewing on a Butterfinger.

“The Reese's?” Gil asked, holding up the flat packaging and handing it to Uma.

“yep, thanks…Harry you good?” Uma asked, noticing Harry staring out the window.

“hm?” Harry turned back to her, his eyes drooping “ah, sorry Uma, zoned out”

“well, it has been a tiring night….I'mma head in for tonight, night boys”

“night Uma” Harry and Gil called back in chorus, Gil leaving after Uma a moment later, leaving Harry alone in his room.

Come little children, I'll take thee away

Into a land of enchantment

Come little children, the time's come to play

Here in my garden of magic.

Harry perked up, he knew that song…..he definitely knew that song.

Though this time, the hypnotic power it had was present, taking hold of his mind and dragging him out of his room and out the door of Evie's castle.

Harry walked deeper into the forest surrounding Evie's castle, the voice becoming louder as he walked.

Suddenly he was grabbed, the cackling of three women echoing in his ears.

“oh, it’s a boy! Hes Handsome too~I want to play with him~!”

“later Sarah, first we must take him along with the others back to the cottage, he’ll be the first for your child, let them experience the dark art of Magic!”

“ohhh! Yes! Let em’ learn, let ‘em learn, let ‘em learn!”

Harry's vision went black, and he woke later in a chair, something invisible tying him down to it.

“wha’?” Harry muttered, pulling at his arm “where…shit” Harry tried to wriggle his wrist to draw the small switchblade in his jacket sleeve when the three Sanderson sisters walked in, holding two small children in their arms.

“ohhh hes awake!” the thin one, Sarah he guessed, gasped, clapping her hands together.

Harry let out a snarl and thrashed in his chair, the sisters gasped and reeled back. “nasty one isn’t he” the one with the odd lips, Winnie, muttered “perfect for our little imp isn’t he Mary”

“perfect Winnie” the plump one snickered, licking her lips as she separated from her sisters and dragged one of the children over a chair next to Harry, forcing the young girl down into it and snapping her fingers, silver rope wrapping around the girl's arms and legs and binding her to the chair “there we go!”

Sarah giggled and grabbed the boy she had by the scruff of his zombie costume and dragged him over to the chair on Harry's left, pushing him into the chair and binding him with the silver rope that turned invisible like Harrys.

“ohhhh (y/n)~” Harry perked up….he knew that name?

From the door on Harry's right, someone stepped out from the shadows, wearing a long dark pink jacket that tapered off at their waist, a corset type top with fishnet under top underneath it, ripped black jeans with scuffed brown boots, a belt with a pouch resting on their left hip that held two beakers resting on their left thigh.

“yes, aunt Winnie” the teen witch sighed, their hood hiding their face from Harry. Winnie grabbed an odd brown colored spell book with an eye on it and handed it to the hooded teen.

“here, finish the life potion while we go get more children, the…pirate boy is yours to do what you wish with” Winnie patted the teens head and turned “Sistars!” she stormed out of the cottage, the two witches running after their sister.

“coming Winnie!!”

The door slammed shut, the teen watching the door for a good minute before they sighed and dropped the book on the table to their right “thank hades” they tipped their head back, ruffling their (h/c) hair and blowing a raspberry “thought they’d never leave” they rushed over to a cabinet and ripped the doors open, rummaging through spices and herbs. “wormswart wormswart, where are you wormswart-ah-ha!”

They spun around, holding a jar of some sort of liquid and opening it, a hiss of silver mist rising from the bottle, they held the bottle delicately over the cauldron holding the boiling potion of life and poured a single drop of wormswart into the potion.

The potion turned a sickly brown, sputtering into the teen witches face. “ugh” they groaned, leaning back and wiping their face.

They grabbed a large spoon and mixed the potion, stirring until it turned back into a dark green. “there we go, now they can't use it” the teen muttered, looking up and locking eyes with Harry. “now to get you all out of here before they come back!”

With a wave of their hand, a silver pocket knife appeared, and they speed-walked over to Harry, cutting the invisible ropes at his hands. “im sorry about this, I tried to spell them to sleep until tomorrow at dawn but im not very good at potions other than ruining them”

“(y/n)?” Harry asked aloud, the teen stopped, slowly looking up at Harry, their still bright (e/c) eyes widening.

“Harry! What-“ they stood, leaning over Harry and shaking their finger in his face, “I told you not to follow the singing!”

Harry smirked at them and mocked bite their finger, (y/n) gasped and reeled back, pouting at him and smacking his chest. “jerk, im saving you from being eaten and yet you repay me like this?”

Harry chuckled and grabbed the knife from (y/n)s hand, cutting the rope from his legs “sorry love, couldn’t resist”

“l-love?” (y/n) stuttered, backing away from Harry and staring at him oddly.

Harry just looked at them, making their cheeks turn dark “you….you grew up” they muttered, looking away from Harry.

“heh” Harry chuckled, standing from the chair and looking to his right “we should probably get them outta here huh?”

“y-yeah” (y/n) stuttered, waving their hand and another silver knife appeared, walking over to the boy while Harry kneeled next to the girl and started to cut them free. “I’ll need to break the spell my mom put on them before we take them back, otherwise they’ll get their hands on them again.”

Harry nodded, picking up the girl dressed like a princess and setting her on his hip, her head resting in his neck.

(y/n) picked up the boy and walked over to harry, muttering a counterspell under their breath, and with a snap of their fingers, the two kids snapped out of their trance. The Girl leaning away from Harry and looking from him to (y/n), her eyes wide.

“where-whats” her lip wobbled, starting to cry a bit. the boy stared at Harry with wide eyes.

“you’re Harry Hook” the boy whispered in awe, squeaking a bit as (y/n) rearranged their grip on him.

“that's all dandy but we have to get you both back to your homes, the witches will be back soon and I need to be here when they are”

Harry nodded, pressing the girl's face back into his neck and following (y/n) out to the back door.

“come on, the main town is this way!”

=

Harry and (y/n) dropped the girl off, who told them her name of Sofia, and hurried her inside. “now don’t go after random singing on Halloween okay, it only leads to bad things” (y/n) warned them, handing the young girl a slip of paper with markings on it “as long as you have this, you will be protected from my mother's song” Sofia nodded, unsure but ran into her house, slamming the door behind her.

“alrigh’” Harry sighed, shifting Elijah in his arms and looked at the young boy “where do yeh live?”

Elijah pointed across the street and down a few houses “tha’ close huh?” Harry muttered, letting the boy down and watching him as he ran toward his home.

The boy stopped as (y/n) called his name, turning as they jogged over to him and handed him another piece of paper “thanks” Elijah squeaked, bolting into his house and slamming the door closed.

(y/n) sighed, rubbing their face in exhaustion “two down….however many kids to go” (y/n) rolled their neck and looked over at harry “now lets get you home too”

Harry stared at (y/n) as they walked up to him and held out their hands “I didn’t do this with the kids because I know they would freak but I can teleport us to where you live”

“yeh can teleport?” Harry asked, tilting his head as he stared at (y/n)s hands.

“yep, me, my mother, and my aunts each have a special power, my mom has a hypnotic singing voice, my aunt Mary can sniff out any kid from miles away, and my aunt Winnie can shoot lightning from her hands” Harry nodded slowly, grabbing onto (y/n)s hands.

“so what now?” Harry asked, watching as (f/c) smoke started to rise around him and (y/n)

“where do you live?” (y/n) chuckled, smiling at him.

“uh, im staying at Evie's castle right now”

“oh, I know where that is!” (y/n) cheered, the smoke swirling around them for a moment before it dissipated, revealing them now to be in front of Evie’s castle.

“cool” Harry muttered, not noticing (y/n) look down at their still intertwined hands and hurriedly ripped their hands away from him, Harry turned to (y/n), furrowing his brows as (y/n) looked around with wandering eyes “don’t go back” (y/n) whipped around to look at him with surprise.

“i-what?”

“don’t go back, stay here” Harry pleaded, grabbing onto (y/n)s shoulders “yer not happy there, and yer gonna waste away being their slave”

(y/n) just stared at him, sighing as they grabbed his hands and slowly took them off their shoulders “I…..I have to, to protect the kids”

Harry sighed, biting his lip in thought “okay….but!” (y/n) looked at harry, confusion swimming in their eyes “after tonight, come back here, im sure Evie would be happy to accommodate yeh, i’ll even ask for extra measure” (y/n) shook their head, looking over their shoulder back towards the witches cottage.

“…okay” (y/n) sighed, giggling as harry beamed at them and grabbed their shoulders in his excitement.

“Okay!?”

“okkayy! I'll come back tomorrow after my mom and aunts are asleep” Harry grinned at (y/n), chuckling as (y/n) smiled back.

“but….why do you want me to come back after tonight?” (y/n) asked, tilting their head at harry.

“because you saved meh from them 12 years ago…might as well return tha’ favor?” Harry smirked, snickering as (y/n)s cheeks darkened.

“well…I should get back now….see ya later?” (y/n) stepped away from Harry, (f/c) smoke rising around them. “see ya later” Harry confirmed, waving (y/n) goodbye as the smoke complexly enveloped them and they disappeared.

Harry sighed, cracking his neck and walking back inside Evie's castle, sneaking back up to his room and flopping on his bed, closing his eyes and falling asleep instantly from the crazy night.

=

Harry sighed in relief as the next morning, when Evie turned on the tv and the Auradon news came up, some breaking news came up about how the Sanderson sisters had been caught attempting their old antics with stealing the life force of children and had been arrested.

And the child of Sarah Sanderson had been confirmed secretly helping the children escaped, as claimed by the many children saved by the teen witch.

“aint (y/n) Sanderson that kid you met on the isle when you were like, 6? Harry?” Uma asked aloud, looking over her shoulder at Harry as he stuck another piece of pancakes in his mouth.

He swallowed and nodded, picking at his scrambled eggs “aye, and I….shoot, Evie I saw ‘em again last night, and might have told them if they wanted to they could come here?”

“that’s perfectly fine” Evie gushed, wiping her flour-covered hands on her apron “I have plenty of room for them here, and-wait you saw them? How?”

“uhhh” Harry stalled, watching as Uma set her fork down and stared at him with raised brows.

“you did a stupid didn’t you?” Uma droned, leaning on her intertwined hands.

“uhhh, yes?” Harry winched, yelping as Uma sent a torrent of water at him “hey! I was bewitched! It wasn’t meh fault!” Harry pouted, crossing his arms.

Everyone went silent as Evie's front door got knocked on, Evie glanced at Harry and took off her apron, tossing it onto the counter and walking over to her door, slowly opening it and peeking around the door.

“oh! You must be (y/n)! Harry told us about you!”

“r-really? He did?” the teen muttered, gasping as Evie grabbed their wrist and dragged them in.

“yep! Now! Are you hungry?” Evie pushed them into the living room that doubled as a dining room that connected to the kitchen, (y/n) stared at all the vks, locking eyes with Harry.

“i-yes?”

“Great! I'll make you up a plate and you get acquainted with everyone!”

Evie clapped her hands and skipped back into the kitchen, giggling with Mal as (y/n) just stood awkwardly where Evie left her.

“yeh kept yer promise” Harry smiled, standing up and walking over to (y/n), putting his hands on his hips and leaning towards (y/n)

“uhh yep” (y/n) chuckled, rubbing their arm nervously “Im here?”

Harry chuckled at their awkwardness and grabbed their shoulder, shoving them into the middle of the room, in view of everyone “(y/n) this is everyone, everyone this is (y/n), they have saved my ass twice now”

“hi” (y/n) waved awkwardly, a small grin on their face. Uma stood from her seat at the island and walked over to (y/n), slowly circling her like a vulture. “ummm hi?”

Uma hummed, standing in front of (y/n), her eyes dark and revealing nothing….then she smiled, reaching out and patting (y/n)s shoulder “nice to meet you (y/n)”

(y/n) gave a small smile, “nice to meet you too….Uma? right?”

Uma nodded and nodded her head back at the island near the kitchen, where Evie was setting (y/n)s plate full of pancakes, eggs, and bacon. “yep that’s me, and your foods ready”

(y/n) slowly walked over to their food, taking off their bag that was slung over their shoulder and setting it on the floor, hesitantly starting to eat the food Evie had given them.

Almost comically, their eyes widened and they started to scarf down the breakfast. Evie giggled and tapped on the counter, grabbing (y/n)s attention “apple or orange juice?”

“apple please” (y/n) spoke with a mouth full of food, blushing as Evie giggled once more and walked over to the fridge, grabbing the bottle.

She poured the drink and set it in front of (y/n) who gently took the cup and started to drink, turning towards the tv as it went back to the Sanderson sister's arrest.

*they will be stripped of their magic and be sent to the new high-security prison implemented on the isle of the doomed.*

“how many kids did yeh save (y/n)?” Harry asked, turning to look at the teen witch. (y/n) swallowed her mouthful of bacon and shrugged.

“around 20, including you and those two kids, my aunts and mom didn’t get far before the Auradon guard was called on ‘em”

“hm” Uma nodded in approval, smirking at harry “good job”

Harry smirked back, standing and sitting next to (y/n), watching as Dizzy changed the channel to Sunday cartoons

“so do yeh think you’ll stick around?” Harry whispered, (y/n) turned to him, and smiled.

“yeah I think I will” they whispered back, leaning back in their chair and watching the show “Powerpuff girls” as it played.

Harry smiled, happy to have finally repaid his debt to the witch who had saved him all those years ago.

And it was going to be fun to tease them since they went all dark whenever he simply looked at them.

-end-

permtaglist

@queer-cosette​ @sephiralorange​

@lunanight2012​ @daughter-of-the-stars11​

@musicarose​ @remembered-license​

@rintheemolion​ @verboetoperee​

@random-thoughts-003​ @imtryingthisout​

[pien-art]

You got any tips on getting out of art burn out? I haven’t been able to draw for months cause of my art teacher lol

oh god i feel you :( long story short i went to my dream school for painting/fine arts after so much hard work for years only for me to drop out after my first year bc my teachers had completely taken all my joy out of painting/creating. And!! its so unfair!! What helped me get out of it after several months, was that i found something i really enjoyed, (could be a series or movie or game or just a subject like a favorite fruit or animal whatever.) and the enjoyment i got from that thing, which for me was stephanie j block and the roles she's played on broadway, was what motivated me! i started making art of her and her characters! not for anyone else, but just for my own enjoyment. And I was able to pour the love i had for her into my art, and that made me enjoy creating again! I do still get some art slumps or periods where i cant motivate myself to draw or paint or whatever. But i know that those will pass. I usually try my best not to be too hard on myself when im unable to draw, and to fill the time i spend not drawing and feeling bad about it, i pick up another hobby like crocheting to keep creating without pressuring myself to contantly make good, finished products, if that makes sense? i hope you'll be able to find something that helps you, and im sorry your teacher's put you in this situation. Don't be too hard on yourself! it's not your fault <3

[aclosetfan]

8

And Np

(ask game)

haha dude you’re like my new best friend now lmao thanks so much for being interested enough to ask about my dumb ideas!

Eight is titled “Artistic Aspirations” which isn’t a creative title at all. It’s another multi-chapter, no powers au, blues fic!! Personally, I think it's too safe and boring to write. The story spans a few years; I’ve shortened the outline to make it readable, but it still ended up being too long, sorry.

Background on the girls at the start of the story:

Bubbles is 21 and a broke, struggling artist finishing/right out of undergrad. Lives in Cityville. she’s on the verge of having to crawl home to her family with her tail between her legs

BC is 23 and finishing her physical therapy program in Townsville. Still lives with the Professor, but she practically lives full time at her boyfriend's place. She’s semi-neurotic about her relationship, not because it’s unstable, but b/c she thinks it’s too good to be true. Butch, for what it’s worth, doesn’t blink an eye—just a chill dude in this one. VERY into BC.

Blossom is 25 and starting her law career. Lives on the East Coast, working for a successful firm. Would like to move back home at one point, but she hasn’t really had the “right” reason to.

Plot (under the cut!)

It opens with Bubbles at a diner waiting for her sisters at their regular booth. Life isn’t all rainbows and sunshine like she had hoped. At the diner, Buttercup announces that she and her long-term boyfriend are finally engaged! Bubbles has met Butch plenty of time as well as Brick, Butch’s older brother, but she has yet to meet his youngest brother. In fact, Bubbles doesn’t even know his name. Butch just affectionately refers to him as “my dumbass little brother,” which Brick (a defense lawyer here in Townsville) wholeheartedly agrees with. Butch has also said “he’s into all that artsy stuff like you. Draws and shit.”

Until they finally meet at the wedding

He wasn’t there for the wedding rehearsal because his flight was delayed—he was somewhere “fancy” according to Butch b/c of some “art thing, idk, he’ll be here.” “He better be!” Cries HIM, who is one of Butch’s dads, but Bubbles doesn’t really know how exactly b/c everyone is adamant that HIM and Mojo (their other eccentric father) have never once been in a relationship

So when Bubs finally meets the brother she’s walking down the aisle with, she—a person who has an undergrad degree in art (haven’t decided what kind yet lol)—is like WAIT BOOMER JOJO THE BOOMER JOJO?!?! He’s like, “lol sup” and she loses her mind because Butch’s dumbass little brother doesn’t just “draw and shit,” he’s actually an art world prodigy, who despite being very young and very alive, is considered very renowned in major art circles.

(Not Banksy per se, but he’s like one of those Bad Boy artists that would make other artists roll their eyes) (also a man of many projects but doesn’t have the follow-through for a lot of them—which if he wasn’t so good at the stuff he actually finishes, would bite him in the ass; he’s flaky, gets bored easily).

Bubbles is amazed she hasn’t made the connection between the brothers and Boomer just laughs.

There’s, quite predictably, an instant connection between the blues. Butch, who cares for his sister-in-law, is like “Bubs don’t date my brother. He’s not mature enough to be dating anyone.” And Bubbles doesn’t listen!! Because she’s desperate for love and this could also mean she’s finally getting her big break!! Their relationship is really intense and Boomer does end up getting her a nice cushy job at some indie gaming company that he’s dipping his toes in. But just a quick as the flame is lit, it goes out. Boomer gets bored, Bubbles’ art isn’t being taken seriously, and she ends up getting fired for creative differences. Fired and despondent, she gets her break-up text from Boomer the next day. The day after that, he’s dating a model.

Absolutely crushed, Bubbles packs up her bags, leaves his apartment, and moves back in with the Professor. Butch and Buttercup (and Brick—but he’s at work) are ready to kick ass. Bubbles though would rather forget about it and holes up in her childhood bedroom. Eventually, BC gets her out of the room, brings her to Butch and her’s home, and is like “listen I know you’re heartbroken, but ima need you to do something for me—“ and Bubbles is like omg srsly?? Right now?? And BC is like “I need a mural on that wall, something cutesy, ya kno a stork or something?” And Bubbles is about to snap but then, she's like WAIT A STORK!!! And a new baby on the way really brings Bubbles out of her stupor—it gets her painting again. (Bubbles is full of love and you can’t tell me she doesn’t love babies)

So the mural is a hit at the baby shower and Robin (longtime best friend, also pregnant), is like Bubbles please paint me one, and her partner Princess is like MONEY IS NO OBJECT IF ROBIN WANTS IT SHE GETS IT. And then, subsequently, Robin’s (and Princess’s) mural takes off in the rich, white lady community, and soon enough Bubbles is being commissioned for more than just Baby Murals. Princess goes around bragging that she was the one who “discovered her,” and becomes Bubbles' “business agent.”

Basically, Bubbles is on the rise. As opposed to Boomer, who is on the fall. He’s hit an art block. It’s really bad. His melancholy is really bad. Very much plays the “woe is me" card. Hasn’t been back to Townsville in a while, so when his nephew (who he’s met briefly over facetime lol) turns one, he decides to fly in for his birthday.

Plans to mope and bum off his brothers for a bit, but is shocked to see Bubbles, who he then realizes he shouldn’t be so shocked to see. Has a ream “this was a mistake, she’ll make scene” moment, but Bubbles greets him as if nothing between them had ever happened (LIKE A QUEEN). Boomer takes this personally. Then Boomer meets Princess, who gloats about Bubbles, and then, looks at the award-winning boy and goes, “so anyway, who are you again?”

This pisses Boomer off even more and then, over the course of the week he stays with the greens, this anger builds up. He eventually takes it out on Bubbles, like, “you wouldn’t be who you are without me.”

[cue that one blinking gif] Bubbles goes off. Boomer storms off. Romance is in the air.

Jk

[well I guess the reds are hitting it off, but that’s c-plot and who cares]

Princess isn’t privy to this growing resentment and only sees an Opportunity™. She reaches out to Boomer’s agent. Then, she reaches out to a museum, and is like “I’ve got the most BITCHING exhibit for you.” Then, she tells Bubbles about the gig she booked for her.

Bubbles and Boomer are like no way am I doing a collab with them. Boomer’s agent is like “chief ima be real with you, it’s this or nothing.” Princess looks at Bubbles and tells her to suck it up. So, they end up working together, which means Boomer is back in Townsville.

Cue lovers to enemies to friends back to lovers speedrun. Hello yes.

Because they’re forced to collaborate, because Bubbles is more confident, and because Boomer has been knocked down a peg or two, they actually (finally) get to know each other on a personal level. And being closer to family helps Boomer, in some ways, mature. It’s a whole connecting back to your roots “ive grown and im better now” character development for Boomer.

Ends ambiguous ;) but it's happy.

[yarichinbokutoclub]

The train was packed. Who knew so many people would be milling about at 1 o’clock on a Wednesday afternoon. You hated it, being around so many people, but with your job at the museum you had learned to tolerate the crowds. This, however, was different, you were crammed in a tiny cabin with God knows how many other people. Don’t these people have work to do? It is a week day after all. So, to put things lightly, your day did not start off on a good note.

           You were, however, looking forward to the Café’s opening. It was your light at the end of the tunnel so to speak. With the café being a bit of a hole in the wall and lacking any media presence you knew it would not attract much of a crowd. The perfect place to work on your botany journal (basically just a journal with different plant clippings and facts and drawings. Think Hiccup’s journal in HTYD or Deku’s journal in BNHA.) You were really looking forward to the new pages you could add now that the museum had gotten in some new flora, that of course they let you be the first to see. The journal was a great help when you were giving tours as you wanted to be as thorough as possible in hopes that you might inspire a bright young mind, like what had happened to you so many years ago.

           The train finally came to a stop and you couldn’t have been more grateful. You got off as quickly as possible and stopped to take a deep breath, really appreciating the fresh air and the open space around you. After you got your bearings, you adjusted your outfit (gotta look good in case there are any cute boys at the café ;)) and got on your way. The café was only about 5 blocks from the train station so it didn’t take you long to get there at all. You turned off the main street onto a little side one, almost like an alley, and towards the end you saw the café.

           The vibe was immaculate. It was everything you could have wished for and more, no crowds and books everywhere, what’s not to love? Taking a deep breath to prepare yourself, you pushed open the front door. A small bell above you jingled to signal your arrival and you were immediately met with not only the eyes of your best friend, Yachi, but also a pair of wide yellow eyes which seemed to be taking in your appearance. Blushing, you tried not to think much of it and made your way to the counter and greeted the cute barista that you knew so well. “Yachi!!! You look so adorable in your apron.” you exclaimed upon getting to the counter, mindful of your volume of course. “Y/n, you actually came!” Yachi replied with a big grin.

“I couldn’t pass up the opportunity to check this place out and bug you on your first day. ;P Speaking of, how has it been, any rude customers yet?”

“It’s been a lot slower than we would have hoped but everyone has been really polite, I honestly couldn’t have asked for a better first day. Anyways, I should probably get back to work. What can I get you? I’ll bring it to your table when it’s ready.”

Yachi, always the positive one and a hard worker too. Scanning over the menu you quickly make your decision. “I’ll have a hot caramel latte and a blueberry muffin! Oh an make sure you do something extra cute for the latte art!!”

“Only the best for you, y/n! I’ll have it right out!”

           With that you made your way to a table near a window so you could attempt to people watch without being near any of the other patrons. It was a quiet corner just the way you liked. However, you could still feel those big yellow eyes on you. Looking up you finally made eye contact with the man who had been staring you down and boy was he cute. You could tell he was athletic too, giving him a curt smile you turned back to your table and pulled out your journal. Maybe this could be where you find your wattpad romance after all. Or so you thought.

           Yachi brought out your order and you got to journaling about the newest flower in the museum’s greenhouse, the Cytandra Vittata or Candy-Striped Violet. Particularly excited about this one due to the flower’s incredible beauty and unique petals, you made sure to put extra care into the pages. You were having a great time, the coffee was amazing and the atmosphere was perfect for getting your work done. That is until HE decided to stop staring at you and go back to reading his manga. Whatever it was, it must have been incredibly interesting because he was… engrossed to say the least.

           Not only did he seem to zone everything around him out, forgetting where he was, but he also felt the need to verbally or physically react to just about everything that was happening in his childish story. He was annoying, sure, but not loud enough to where he could be considered “disturbing the peace” even though he was certainly disturbing YOUR peace. Every two seconds there was an “oooh” or an “ahhhh” maybe even a “WHAT?!” thrown in there. Your patience was certainly running thin and you made sure to glare at him a few times, even hushing him along with the other patrons, but he just was not getting the hint. The next page must have had a huge plot twist or surprise thrown in there because this response, it was the most dramatic. Abruptly, he stood up out of his chair, knocking it to the ground in the process. His eyes were even bigger than before (was that even possible?) and he yelled (yes, this time it was a yell). His exact words were “NO!!! IT WAS HER BROTHER ALL ALONG?! YOU HAVE GOT TO BE KIDDING ME!!!!.” Spoilers, am I right?

           At this you had had enough. Sure, you didn’t like confrontation, but it didn’t seem like anyone else was going to step in and you knew Yachi would be a nervous wreck if she had to. So, you marched over to his table with the most aggressive scowl you think you have ever sported on your face.

“Are you trying to piss off everyone in the store?! Because you’re doing a really good job if that was your plan!” You screamed at the stranger’s face.

He looked up at you confusion written all over his face. “…Huh?” he questioned.

“Are you trying to tell me you have no idea what you’ve been doing for the past 30 minutes?? Because I don’t buy it. You’re being incredibly loud and rude and you need to stop. This is not the place for that. Some people are trying to get work down and you’re making it incredibly difficult. If you wanna read your manga fine do it but do it quietly. Save the theatrics for your bedroom.” you weren’t trying to be mean but you couldn’t help it. Once you start talking you can’t stop yourself and this time you went a little too far. His hair seemed to deflate, something you certainly didn’t miss because was that even possible?

“I’m sorry miss, I didn’t realize I was being so loud I’ll try to quiet down.” He replied with a huge pout on his face.

“Thank you.” You replied and promptly turned on your heels to go back to the violet you were so excited to study.

           Everything was going smoothly now, sure you didn’t mean to be that harsh and you could’ve asked him nicely but your anger took over and you couldn’t help it, though you did feel a bit bad. It certainly didn’t help that your day had started out as poorly as it did and you were so looking forward to the peace and quiet of the café, something that had been so rudely ripped away from you. Another 15 minutes passed by and the silence was amazing, you made some real progress in your journal, even completing a detailed sketch of the flower. After the 15 minutes was up however, the reactions started to seep back out from the yellow eyed man again. He seemed to be over his pouting now. His reactions, although much quieter this time were still quite annoying. You decided to ignore them though, thinking you had been a little too harsh the first time around, and hoping he just slipped up and will go back to being quiet. This, however, was not the case and the disruptions continued for another 10 minutes when you decided you better just leave. Fate is tricky and maybe you just weren’t fated to be at the café today, meaning you’ll try again tomorrow after work. You said your goodbyes to Yachi and made your way to the train station, looking forward to the peace and quiet of your apartment and the soft cuddles of your two cats, Kyo and Tohru.

           What you didn’t know, was that Yachi, deciding it was time to be bold, went over to the loud and excitable customer. She decided it best, for business and for her own sanity, if she politely asked him to leave. And she did just that. The man apologized and made his way out of the café feeling a bit defeated but determined to come back again and next time hopefully not get kicked out.

fear & love

4. series of unfortunate events

prev / next

masterlist

PLOT - y/n is in her first year of college at tokyo u., she has a great friend group, a fantastic internship, life is good… that is until she meets bokuto koutarou. this loud and brash volleyball star is about to turn y/n’s life upside down. the question is, will it be a good change or a bad one?

a/n - Im gonna be honest, not really loving this fic but I am pretty happy with how this chapter turned out, as always any advice is welcomed and pls if there's anything you want to see happen just ask!

taglist (open, send an ask) - @dumbb1tc4 @fleurishnblotts@coffeeaddictedmay@bigchaosenergy @noliamallpayne @evan-rose​ @bokutowo​

BOLD COULDNT BE TAGGED

[shouldntcryoverit]

the art of discordance

captain rex x jedi fic during clones wars era...

CHAPTER TWO

Pure chaos resonated as the small team fought to overcome the controls. The panic bubbling over from the separatist attack didn’t diminish as the smaller ship shot through lightspeed, leaving three half crazed jedi, a few clones, and one injured general.

“Turn the power back on! Turn it on!” Jaida yelled into the cockpit. The victory of avoiding the burning sun they were previously on course to crash straight into was short lived as they swerved dangerously close to another planet.

“I’m... trying!” Aayla groaned, hand outstretched to the lever. It clunked downwards and Jaida, Rex and Aayla fell to the floor with a heavy thud.

The ship plummeted towards the ground, having lost all control over the engines. Smoke encased them through a straight course at least an inch into the growth, leaving a scorched dent in their path. The clones and jedi scrambled to get out the burning wreckage of the ship, though when they all collapsed in relief, they found their situation to be no better.

Anakin was in a bad condition, one that looked to be deteriorating quickly. Ahsoka and Jaida carried him to rest under a makeshift tent, but the young padawan didn’t move as he lay unconscious. Jaida watched with concerned eyes, for her friend yes, but also for the young togruta that shuffled anxiously. The pair hadn’t spoken much; Ahsoka had spent her time training or at the temple whereas Jaida remained very much rooted in battle rooms, but the times they did spend with each other Jaida found the kid’s attitude refreshing. She knew why Anakin spoke so highly of her.

“he’ll be okay kid” Rex reassured. Ahsoka nodded solemnly and sighed, walking forward to talk over her master.

“Jaida and Rex will watch over you, be strong master” the togruta uttered, before resuming her position beside the knights.

The two watched as the rest of the group ran off into the tall grass, leaving them to stand in silence.

Jaida let out a shaky breath as she folded onto the ground, Anakins feet in front of her.

Rex spoke first “he will be okay, sir” it was an attempt to reassure her, though she had not admitted she was worried.

Her response was another huff of breath, followed by a hand running through her hair.

“Anakin has always had the ability to bounce back from injuries, it seems even his body is too stubborn to stop fighting” her words fell heavy as she watched her friend’s chest rise and fall slowly.

Rex’s smile settled “you care more than you let on, don’t you?”

Her eyes lifted from Anakin’s form and met his in a rigid glare. Rex regretted his boldness instantly, but her eyes softened in admission.

“i saw your order” he continued bravely “the men wondered were it all came from” he was referring to the extra order of cotten blankets she had placed a week previously. Rex assumed it was out of compassion as she realised the coldness of the Resolute.

“good, men work better if they actually manage a decent night sleep” She got up and brushed herself down, peaking her head around the corner to check for any signs. Rex felt a twinge in his stomach of her disregard; her kind act now seemed tainted as nothing more than a battle strategy, and it left a bad taste on his tongue.

Rex took a moment actually size up the new general. Her robes were similar to Skywalker’s, but they fitted her form more. She wore black boots and gloves up to her elbow, her collarbone hidden with the same material. Her hair was lighter in the sun, but Rex could still see the way it framed her face and fell loosely from its plaited hold. Her face was still set in that expression of neutrality, though it broke slightly as the hint of serenity curved her alluring lips. Her eyes were young and bright, full of a mixture of gold and blue.

Before she could say anything else, a roar broke the silence, followed by the pounding footsteps of two animals.

Rex shot up, blasters ready, and Jaida ignited her duel blade. They shared a look of panic, before they each dove away to block or attack whatever strike came at them.

After quite some struggle, the pair had overcome their attackers, and the two animals lay dead on the ground. Before the interruption, Jaida had felt a new sense of gratitude towards the captain. That maybe she had misjudged his professionalisms and could enjoy his company further than what protocol dictated. It was when Rex propped himself up that Anakin groaned awake. At the noise, Jaida hurried to his aid.

“Anakin! You okay?” she helped him sit up. He groaned once more and faultered against his injuries.

“this mission- sucks” he managed. As he came to, the surroundings became clearer. “you look like hell”

“always a charmer” she grinned as he helped him up.

“what happened to the others?” Skywalker quizzed

“the went to look for help, actually they should be back soon.”

“so we don’t have a ship, communication or supplies, great” Anakin grumbled

“negativity doesn’t suit you”

“you got a better outlook?” before Jaida could reply to his question, the rest of their team stumbled out of the grass, along with a new companion.

By the time it took to take Anakin back to the village, his condition had deteriorated. Jaida couldn’t budge the irrational feeling in her stomach, but held face as Ahsoka trudged next to her.

“I understand staying neutral, but really? i mean you gotta have an opinion at least!” she ranted

“some people just don’t care about what doesn’t involve them” Jaida countered absentmindedly

“selfish”

“perhaps”

They made it to the village, and despite the old chief’s disgruntled disagreement they were allowed to seek refuge. It was no retreat, that was for certain, but Ahsoka for one felt entirely more secure knowing that her master was getting the medical attention he so desperately needed.

He was whisked away by the village medic almost as soon as they arrived, and the three Jedi left remained cautious of theyre situation.

Time passed, with Ahsoka helping a few villagers carry out daily tasks, and Jaida scouting the near area; it actually felt like time had stopped. There was a peacefulness that none of the visitors had experience in such a long time, for clones maybe never. Rex had never been able to sit and watch as children laughed and played, without thinking about how he should escape if need be. It was tranquil and calm, and it made Rex think.

When Jaida returned, she returned quickly.

“Ahsoka! Tell Aayla we’re gonna have company!” her shouted alerted the relaxed captain into a far more rigid standing.

“who is it?” Bly questioned with furrowed brows

“seppies”

—————————————————-

Everytime she looked his way there was something that sparked, or snapped maybe - he wasn’t sure. It wasn’t anything good, but he doubted that it was hate. Rex just couldn’t stand the feeling he gave her. So he figured he couldn’t stand her.

It was no different now as the pair waited behind the stacks of nut pods for the enemy to near. A plan had been formulated after they left the village so quickly, and by seeing the extent ifthe seperatist forces it was no wonder they had scrambled to do so. Jaida had already irked him today, by seeming so unbothered by the idea of a new ion canon, one that was able to wipe out all organic matter.

His distractions dissipated when the first shot flew past his head. That was certainly enough to wipe his mind. He ducked behind a pod and began shooting, knocking droids down like a pin ball game at 79s.

The disctractions, those that humanised into the form of a woman standing of few metres to his left, seemed to have a mind of their own. Jaida slunked away from her position, and walked straight out into the battlefield. Rex grinded his teeth as she put away her lightsaber. He had to remind himself that yes she was putting herself in unecessary danger, and that no, that wasn’t what he was angry about.

“im sure your a smart man” Jaida called out, hands calmly behind her back “there’s certainly a more pleasant way to deal with situations” the words fell fruitlessly off her tongue.

“what’s she doing?” Bly muttered with spite, though Aayla dismissed his question with a wave of her hand.

“don’t try to trick me, jedi”

“there is no trick. You are the one with canon of course” she smiled coldly at the separatist, patronism seeping through her tone “although, if we do manage to reach an agreement, your day might just turn out swell”

“was that a threat?!” the hast in his voice caused a loud clunk to be heard as the droids aimed they’re guns once more.

“nope” Jaida said, popping the ‘p’, just before a clankers took a shot, and she dodged it. Perfectly.

It looked like some sort of game on the holonet, Jaida avoiding each bullet carelessly and without struggle, as if they bent around her path instead. She reached a safe distance, and smiled pleasantly, reaching into a pocket behind her back and drawing a small explosive. She threw it into the canon opening, and the problem was solved with a rattling boom.

Her solution did work, but Rex still kept a stern look. Even when the support ships finally rescued them.

He kept it until she rested beside him, both standing against a wall bored and tired.

“you look tired” he commented

“hm” Jaida’s eyes never left the datapad she was staring at. “you should get some rest too, it’s been a long few days” she deliberated carelessly. When the captain didn’t reply she turned her head to face him.

“what is it?”

The captain tittered antagonisingly “why is it that you always have to go off script?”

Jaida looked at him with a more confused look than anger.

“i saved those villagers, you know that was my only intention?” her tone was clear, informative.

“you do never fail to keep battles interesting” Rex quipped

“i think i’ll take that as a compliment” she grimaced

“perhaps you should”

She spoke after a moment of pregnant silence. “captain if there’s something you have to say i suggest you say it”

“with all due respect, you ought to realise that you have a responsibility to your men, to yourself even” he began after a beat.

“it isn’t something i’ve failed to notice”

“you brash, careless- you act like you have nothing to loose”

“we’re fighting a war” Jaida countered

“and we don’t need anymore casualties than we already have” Rex’s voice was no longer as angry as it began, now growing colder as exasperation clawed at his tired mind.

Rex paused, taking a deep breath of his own and trying to rid himself of his own irrational and unprofessional nags.

“i am not a liability, you need to trust me” she was stern now. It wasn’t that the captain had irked her, his anger came from a very real place, but she was just annoyed that she couldn’t find the words to calm it.

“and you need to trust that we know what we’re doing, even without your last minute strategies”

Silence. Jaida clicked her tongue, acceptance though Rex didn’t know to recognise it.

“goodnight general”

She locked eyes with him once more. A second passed, before he left her in silence.

He didn’t hate her. That he knew for sure.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

hope you liked this let me know if you want to be tagged in next chapters! :))

Taglist -

@pinkiemme

[ankhisms]

the always wonderful shelley @shanheling tagged me to do this thank u so much!! i think that everyone i wanted to tag has already been tagged to do this but if you feel like doing this feel free to consider urself tagged by me!! im putting this under a readmore bc its long and i ramble a lot

the piece i was tagged to explain my process on is this oc piece! unfortunately i have a habit of deleting my original clip studio file once ive finished my art and saved it as a new png file, so i dont have the file to show the sketch and different stages of this piece. but I still can go through my general process and talk about how i did that piece!

1. planning

honestly i think about the art that i want to do a lot, and in this last year or so ive thought about the art i want to do more than ive been able to actually create and finish that art that i want to do. for my planning i tend to do a lot of different thumbnail sketches for the art im thinking of

these are some examples of thumbnails, a lot of times ill do thumbnails just on pencil and paper and with some of these theyre done quickly with my fingers on my phone note function on a day where i was feeling too bad to get up and draw on paper but still wanted to get the thumbnail ideas down. two of these are for the same songxiao piece that i still havent finished and i have more thumbnails digitally on clip studio for the same piece, i do a lot more thumbnails when a piece isnt working the way i want it to and theres times where ill completely scratch a thumbnail or a sketch and start over in order to do more thumbnails because i dont feel happy with some aspect of it.

two of these are small gouche painting thumbnails for two pieces i did maybe a month or so ago, i did the thumbnails and then tried to expand on them digitally and im wanting to do more thumbnail paintings like this in the future because it was fun

for the piece of my oc trio it was based off a series of ask prompts i got for a few different outfit prompt memes i had reblogged, so i based their outfits on the ones in the meme. when im drawing figures i tend to try and get the movement down in the poses when im sketching, i do several rough sketches of the pose before beginning to start setting down lines (if im doing lineart at all because sometimes i dont like doing lineart and do a more lineless painting kind of style). i really try to get my art to convey some kind of emotion, in the oc piece i wanted it to feel fun and like youre seeing three best friends while theyre out on the town having a fun night

2. creating

this is the only real example i have of a piece in the middle of being filled in and created, this piece is one that im really not very happy with & have had lying around for a while and ill probably scrap it and try to come at it from a different perspective at some point. but anyway it still shows what i do, i lay down a kind of neutral gray color underneath my final sketch/lineart if im doing lineart in that piece and then i start picking out the colors that i want for the piece and kind of setting out a pallette for myself. i dont do this color pallette thing 100% of the time but i do it really often, especially if im working on a commission or a larger piece where i know theres going to be a lot of colors or if its a piece where im not sure exactly what color scheme i want so laying out the colors together helps me kind of decide what kind of scheme i want. i am sooooo picky about my colors in my art i am genuinely obsessed with colors in art and there are times where i really have to stop myself from working on something forever just constantly adding more colors or putting little tiny changes and gradients in the colors.

after ive got the colors i want down i tend to try and block out parts of the piece with the base color for that section, and then i start to paint with the colors that i want to go on top of that base color from there.

once im satisfied with the colors/shading/rendering and everything ill go back and look over things and will fix things that look off or sometimes completely redo segments if they dont look right to me. when i was younger and mainly doing digital art using my phone and my fingers i would use a lot of filters and overlays on top of my art once i was done, and honestly im glad to not be doing that anymore because i dont think it made my art look any better. i do color adjustments and sometimes will put on a color overlay or a layer to emphasize the shadows and the light in the piece, but i try to keep those layers to a minimum and like i said before i have a tendency to obsess over the colors and ill spend a good amount of time in the color adjustment tool of clip studio and then ill just decide "actually it looks fine as it is" so yeah!

3. posting

i feel like i dont have a lot to say here gbfm i mean i honestly have a lot of thoughts about the relationship between artists and social media and how social media changes our views on art including our own art and how we can feel like we constantly need to be posting new art and just become content machines churning out new stuff. but ill save that rant for another time. i used to be really concerned about how many notes my art would get when i was younger, and i dont at all blame anyone who still is very concerned about that bc it sucks when u work hard on something youve created and then you dont get a lot of recognition for it, but honestly within the last two years or so i feel like ive begun to have a lot healthier relationship with posting my art. i really just post my art on my art blog, reblog it to my main blog, and then thats that yknow! i do really appreciate any and all support people give me, it means the world to me, but for me having the mentality where i dont need to post all the art i make and i dont need to be posting every day or every week or every month even has been a lot healthier for me because then im not constantly asking myself why didnt this get notes is my art awful??? and yeah i just kind of post it and my brain goes okay were done with that art we gotta make more

ive honestly been struggling a lot with art thru the pandemic and if youre reading this and have been struggling with creating in any way recently or even before the pandemic, please know theres no shame in having trouble creating and it doesnt make you bad at whatever it is u create!

thank you for reading this, feel free to consider urself tagged by me again if u want to do this!! love u all

[ot3]

My approach to flat colors + limited palette drawings

This is a follow up to this post  i made about how i go about figuring out a color palette for my limited palette drawings. an anon asked me about my actual technique of finishing them so this is gonna be an explanation of how I work in a limited palette with flat colors. I ended up with these thumbnails for a sketch last time so we’re gonna work from here and I’m gonna sort of walk through how i got to the finished version

first things first: every part of this process is just developed as a result of me messing around. take my advice with a grain of salt and if you think you know a way to do something better/that makes you more comfortable. go with that over what I say.

I’m honestly a little surprised when people express confusion about how i draw like this because it’s SUPER simple - literally all you’re doing is just stacking solid color blocks of shape. its very imprecise despite how sharp everything ends up looking. 

First things first is that you want to decide how you will be handling your edges throughout the duration. Do you want your shapes to be ultra-sharp and precise, or do you want a little bit of a wobblier, grainier edge? Both can look good but it’s VERY much a matter of situational basis. i’ve been favoring looser and grainier shapes so that’s how i’m going to be working on this. 

on the left here, you can see the shapes made with precise rectangular selections and an untextured pen, on the right, freehand drawn shapes and a grittier pen. There’s something immediately pretty different feeling about them. So play around with that first - its not something that’s fun to change halfway through! But lets step back a minute. It helps to work large to small. The two biggest shapes here are these orange chunks and everything gets stacked on top of them so i’m gonna do that first. 

Now, a key feature of what i do: clipping masks. almost all digital art programs have them. What a clipping mask does is it constrains the pixels of a layer to the transparency of the layer below it. Here I have the light orange layer, and then on top of it the buildings and billboard are clipped to the orange. Most of you probably already know this and I’m overexplaining a bit, but there was a time when i didnt know how clipping layers worked and someone had to explain it to me.

now you’ll notice the shapes of the buildings are rough, and sloppy. here’s the fun part: since this is all about stacking shapes, only your exterior edges matter. this all gets filled in. be as sloppy as you want when you’re making your shapes. in fact, the outside edges get trimmed out a bunch to when i do this - i go in and erase them clean. Don’t be too finnicky about drawing perfect and precise! its a waste of time. As long as the silhouette is what you want, the interior can be a nightmare.

Working this way, it’s important to keep your layers stacked in a way you can make sense of. Right now there are four layers here: the background dark orange, the two main orange rectangle shapes, and then the buildings on one layer and a billboard on the other. I rack up a LOT of layers doing this and it makes it annoying in some aspects, but being able to freely recolor any one chunk without losing my detail is a key aspect of this.

So, I block those out

Next, I do the same for the smaller chunks that are still main shapes. There are once again, a lot of layers here. The top layer is the hair - you can see the head showing through it. The head and arm underneath the hair, same layer. Then the cup. Then the light green pieces of paper. Then the dark green ones.

The cup is technically farther forward than the head and arm so you would think it’d go on top, but the point isnt to recreate the foreground and background hierarchy with layers so much as it is to group things in a way i can work with. The cup goes underneath so it can be grouped with all the other objects on the table. 

now, i just go and fill in all the shapes. i forgot to do the blinds but i get them later. you might notice a lot of these shapes are pretty rough, which was harder to notice before they were filled in. Now that I can see better, I go in with an eraser and clean up the edges until they’re the shape I want 

sometimes erasing leaves little bits of ‘noise’ around objects like on this napkin here. i like to keep a little bit of this noise for texture, but if you dont like it make sure to get rid of it! if you’re working very crisp this will stand out a LOT

Next up is to add some detail onto the objects

I flipped the canvas here because the head shape was wrong - the ears were uneven and i wanted to fix it. I want to go about adding detail onto the billboard and buildings. i do all detail with clipping masks - but the objects are clipped to another layer and so nothing can be clipped to them. instead, i unclip them and just erase by selection for the same effect

all of the text on the papers is clipped to the papers below it. the buttons are clipped to the phone. the yellow photos and card are actually another independent layer on top, in case i want to recolor them separately. im indecisive and end up recoloring things a lot. For the most part these objects are starting to become recognizable as more than just shapes

i go in an add the details on the background and character now. theres some more stuff on the table. the lines of the face and ears are on one layer, and the flats of the eyes below that. Here’s what each group of layers is, and what they look like on their own

The background/bottom chunk. Just the table, window, and shirt.

The middle bit. All the stuff on the table and the blinds.

Finally, the top, which is just his head and arm. 

now this stage is the bare bones of the drawing. you can more or less tell everything that’s happening. it reads. but its very much lacking in something - it doesnt have a ton of depth or interest. and adding that additional detailing, the dept and interest, is where stuff starts getting REALLY tricky and subjective. 

im gonna take you to a much simpler scenario to show the sort of options i go through at this stage

ahh its our dear friend, sphere casting shadow. this is, more or less, the kind of image we have. you can tell whats happening but it’s lackluster. there are TONSSS of ways frm here that you can go add interior detail to a shape once it has been established. here are some quick and SUPER rough examples

from top left to bottom right: flat cel shading, softer airbrushed/gradient shading, halftone, and a textured brush. Each of these has their strengths and weaknesses. They can also be combined.

for example, here’s the solid cel shading being used to contain a gradient/airbrushed detail. This image - probably the single oldest piece of my art i still willingly show people - is entirely colored with gradients being contained in cel-shaded chunks. It has a sort of soft, luminous quality but without losing its crispness.

here’s a super quick bust with some variations of stuff going on. obviously this is no masterpiece but you see how different types of detailing can interact with each other and be used to distinguish materials too. 

With the mob psycho comic I did, the detailing that wasnt line was done using a variety of halftones of different shapes layered on top of each other

by contrast parts of my ace attorney comic use a textured brush and have a sort of blended, papery feel

any of them can work for pretty much anything as long as you are using it with intent. practice around. mix styles of finishing together. find a comfort zone. the more you do it the more intuitive it becomes and at the heart of it this process is a very intuitive way of drawing because of how far removed it is from realism.

Now here is the trick - light and shadow.

Everything up to this point has been very flat and adding detail helps but there’s only so much that can accomplish. To get HEAVY light and shadow you need to think about things differently. I think if there’s any part of this process that’s complicated, its this one. 

To truly get the most out of your palette, you need to pick chunks of an image to be in higher/lower light and then either ‘step up’ or ‘step down’ the colors in that chunk. here’s what I mean.

Here’s our ball with a beam of light on it. Everything Within the beam of light is one step in our limited palette lighter than anything outside of it. Here’s how I go about doing this: the shape of the beam of light is below everything else. Then, once I have the shape blocked out, i select it. With that selection in place, i go to EVERY SINGLE LAYER that’s effected, lock the opacity, and recolor that chunk. So what’s going on here is that there is only one more layer - the beam of light, below everything but the background, and the rest of this effect is just caused by every layer above it now being two-toned following the exact same silhouette. THIS is why it’s so important to keep your layers separate - if the shadow and highlight had been painted onto the base directly, i would not be able to do this without significant effort. 

This works with all of the finishing techniques I talked about above

A combination of cel shading and half toning, all stepped up to give the appearance of heavier light on one area.This is also how I go about rendering transparency in this style. All of my layers are fully opaque and I allow the colors to do the work of conveying transparent material

Here’s our ball with the patterned/textured brush  shading, being viewed partially through a window

it’s obviously not a very representational way of working, but as long as your audience UNDERSTANDS what you’re trying to convey, then you’re executing it successfully.

So with that, now we’re gonna go and finish this drawing.

For this one, I decide a big central shadow is necessary. In the original thumbnail, he was backlit, which I still plan on doing, and that wouldn’t make sense without casting a shadow.

I’ve had to change the colors of some objects entirely in order to get this to work right. This is what I mean when I call this an intuitive process - some stuff felt weird, so I changed it. This also involves a bit of problem solving. The newspaper is now unable to be separated from his hand. Sometimes changing the color of an object makes that object look better, but ruins its relationship with the objects around it. It’s up to you to learn how to adjust and finagle things until you get it where you want.The paper he has and the napkin underneath it also all blend together now.

The next few parts of this process are REALLY just trial and error, where I toss a bunch of spaghetti at it until it works. It’s hard to decide what to screenshot, because I don’t know what will or will not be part of the finished drawing. To that end, you can watch the recording of this drawing here. This video isn’t edited at all so it contains a couple of minutes of really shitty sketching, and then all of the color thumbnailing work i did in the last post. Actually getting started on these final colors begins around the two minute mark. It is also sideways, I am sorry I don’t know why. 

Now, here you can see where I’ve more or less worked things out. His hand’s not on the cup anymore because my friend pointed out it didnt have an arm attached to it. I added some halftoning to make a gradiating effect in the sky and on the table to give the impression of a sunrise. His eyes are different but as of posting this, I don’t like them and am probably about to go back and change them again. The Cup now has a shadow and some rim lighting. His hand is in shadow. The stain on the napkin is big enough to define the edge of the paper on top of it.

Little things like that. 

The more you draw like this the more the way you need to think about your space becomes natural. I hope this helps and I wish you all the best of luck!

[meowlayn-art]

You're really great at piano! May I ask you some question? I played piano for three years and then leave the lesson and continue by myself, but I'm not that good at it. Also, I'm not that big practicer(?) so what I want, miracles? Btw, how you get inspired? Have you ever had an "music block"? What kind of method of practice do you use? Thank you for your time! 🍀

♪ Hello dear pianist Anon !  ♫

Thank you for reaching out ! Although I am afraid I never posted a video of myself playing piano so you are giving me credit for something I can’t prove ( ´ ▽ ` ) (I was fairly good back in the days but not that much anymore haha).

I think you are referring to this post though, where I explained I got a new piano after stopping playing for a few years, and I was planning on learning MLQC”s theme. The video you saw, as I mentioned in the post, is a video by FlowerEmblem, who performed the MLQC theme (not me) beautifully and gave a link to the piano sheets in her description. If you enjoyed the performance please consider giving her a thumbs up and a nice comment on her Youtube channel  (o´▽`o)ﾉ

NOW. I could give you a few advices, because I played piano for 12 years, and I still remember a thing or two haha.

♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ ♫•*¨*•.¸¸♪ 

1) “ I am not good at it” : it can be hard to keep practicing when you don’t have a teacher to help and motivate you to do so. I know. I had a piano teacher and that’s what kept me motivated for years, but I learned ukulele all by myself, so I understand how someone can feel discouraged of not improving “fast enough”. But funny enough, you answered your own question, Anon : if you don’t practice… Then you won’t improve. No miracles indeed ! ┐(￣ヮ￣)┌ It goes for any craft, any skills.

My advice would be to pick one or two SIMPLE pieces you REALLY enjoy, and start with that. Don’t bite on more than you can chew ! Really, choose something simple and enjoyable and keep practicing until you feel comfortable to move on to a piece that is a little bit more complex. I truly started to enjoy playing piano when I looked for piano version of Naruto’s soundtracks ( Sadness and Sorrow will always be my all time favorite) and kept adding the difficulty with more and more complex pieces, little by little. Also, that’s my personal method, but I never moved on to another piece unless I truly ‘mastered’ the one I was learning – and by that I mean being able to play with nuances and by heart. 

2) Inspiration : movies I really enjoyed, songs that made me cry, video games with gorgeous soundtracks (FINAL FANTASYYY) and anime were my main source of inspiration.

Again, to keep yourself motivated, I would highly recommend melodies you are deeply attracted to, almost in a visceral way. Not only will you be able to recall the melody more easily and spot the mistakes you make along the way as you read the partition sheet, but it will also make the experience more enjoyable. After all, if you don’t have a teacher forcing you to play a specific piece then, you are free to choose whatever you like ! Remember : start with something simple, nice and enjoyable, with a repetitive melody (or at least something you know by heart) if possible.

3) Music block : yes, it happened. And it can also happen nowadays when drawing – that’s called art block and it SUCKS (ง ื▿ ื)ว My advice whenever you feel blocked (either because you are not inspired or because you are not satisfied with what you are currently doing) :

Try something new. Do small exercises. Try and learn some basic music theory. Have fun with silly sound effects if you have a digital piano/keyboard. Try a new genre – but always KEEP. IT. SIMPLE.

Feed your creativity : do ANYTHING ELSE than playing piano and let your brain do the rest. You’ll notice a nice soundtrack in this show here, a beautiful melody in this videogame there, a new song you really enjoy… As I said, my inspirations came from my day-to-day activities.

JUST TAKE A BREAK. Don’t force yourself. Inspiration won’t come if you are frustrated or exhausted. Just accept that it can take a few days/weeks/months to feel inspired again. If playing piano is not your job, then there is no need to rush things. Find something else to keep yourself busy and it will come back 😊

4) Practice : so I might not be the best person to answer this one because I am not a professional, and that’s the method that worked for ME.

I usually make sure I am sitting correctly, that my nails are cut short, my hands are correctly positioned above the keyboard, I don’t have jewels or hair bothering me…

And then I decipher the partition bits by bits, right hand first, then left hand. Once I am comfortable with BOTH, I put them together – I am not that great at reading and playing at the same time at first. I usually do small sessions (not more than 45min because after that reading the sheets feels exhausting). And I don’t decipher the whole partition in one go – I prefer to “master” small bits at a time especially for long pieces, so that I can feel a sense of accomplishment between sessions – also my brain keeps working between the sessions and will memorize the gestures easier if it rests. I have always been taught that its better to work a little bit everyday than to try and learn everything in one afternoon 😊

My very talented writer friend @truth-be-told-im-lying blog (18+ blog) is a professional pianist and I am sure she could have a few more advices to add to this but I leave it to her :D Also please check out this beautiful collab she did with the amazing @saeyoungs-sunflower, it gave me chills  ♡＼(￣▽￣)／♡

Thanks for you message Anon, I hope it was useful in some way !