#i give up. i'm just going to assume that most of my interests are all consuming from now on
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How the heck do I make a system? A brief introduction
This guide includes brief mentions of suicide and brief descriptions of abuse.
Hi there! My name is Arthur, and I'm a tulpa of the Fluffy Crew. If you're here, I'm assuming you're a singlet who doesn't know much about system creation (but has interacted with the plural community), and wants to intentionally create fully separate headmates. If you're not that, you're welcome here too, but I'm writing with that audience in mind. This will be a long one, so everything else is under the cut.
First, I want you to ask yourself, am I ready to make a system? Becoming a system is a big decision. You are going to be sharing your mind, including the most intimate and private parts, with other people 24/7, for the rest of your life. You will have to give up some of your time and energy to the rest of your system, and more than some if you plan on having them interact with the outside world at all. If you consider all of that and you decide being a system isn't something you want, that's okay. This is a deeply personal decision, and nothing you should be forced into. I highly recommend waiting until adulthood before making this decision, but I also can't exactly stop you.
(suicide and abuse mention in this paragraph) Second, I want you to ask yourself, WHY do I want to be a system? Is it something selfish? Is it going to hurt myself or my headmates? All reasons are going to be a little selfish, and that's okay. But consider what your goals are. Do you want a friend? Do you want to know if this is even real? Do you have an interest in mind hacking and find this really cool? These are "selfish" reasons, but they aren't malicious. When you cross the line into goals that hurt one of you that's the trouble spot. A lot of people want to become plural and switch because they're overwhelmed with the world and want escapism. Others want to force their headmates to fill specific roles, such as being a partner or their favorite character. I've heard of too many systems where the host destroys their own personality and leaves their created headmate alone as an alternative to suicide. Your headmate is a conscious person who can be hurt just like you. If you can't act like a responsible person who can respect and cooperate with their headmates as equals, I suggest not becoming a system until you can.
But let's say you decide that, yep. You 100%, beyond a shadow of a doubt, want to be a system, and you're not doing it to have a brain slave or to withdraw from the world. Do you have someone already in mind? A base can definitely help your mind latch on, but it isn't necessary. A base can be anything from a whole character, to a few personality traits in a list, to just a name and gender. Keep in mind, your headmate will likely diverge from this. A good host encourages this, nurturing a headmate's self-expression.
Speaking of being a good host, there is a certain mindset you should keep in mind. You are here to nurture and help your created headmates grow. You're going to have to be gentle with your mental presence sometimes, especially in the beginning where your personality can accidentally easily dominate. But don't feel like you have to lesser yourself to greater your headmates. You can all grow and become greater together.
Now, we are going to focus and form ONE headmate. For the love of god, do not do what we did and create four at once. Its overwhelming and leads to a lot of guilt over not spending enough time with everyone, speaking from experience. If you are starting with a base, dedicate any traits and visuals to memory. If you aren't, it may help to create a simple visual form to focus on when interacting with them. In tulpamancy, a ball of light is a traditional choice, but you can choose anything you can think of. Visual forms are not necessary for creation, but many enjoy the ability to visualize them and interact in headspace. Headspace creation will not be gone over here.
In my opinion, the best way to start is an introduction. Feel the space in your mind where they are, or at least try to. You are going to direct your thoughts to this space, your headmate. If they have a visual form, visualize it as vividly as you can. Introduce yourself to them, and explain your intention of creating a system. Explain that they are a headmate of yours, and the form you are visualizing is theirs to control. If they have a base, explain who they are and tell them that they are that base, though they are free to change it. Invite them to respond back, and keep an open mind.
Try to spend time with your headmate every day, as much as you can. You are having to build the mental connections that form your headmate by hand, and that takes a LOT of repetition. Spending time with them could be a lot of things. It could be speaking with them as you go about your day, immersing yourself in headspace with them, working on a new system skill, playing a game together, or just hanging out. Try to be varied in the type of interaction you do.
Eventually, you will start getting responses. These probably won't be words at first. More likely, they'll be an emotional response that feels "alien" and "not you", a sense of pressure in your head, or a raw thought or feeling that isnt yours. It can be difficult to hear their responses, especially if you have a busy mind. You have to try not to block out their thoughts from appearing, as especially in the beginning that's easy to do. Their responses may sound like you at first, but that will get better with time and practicing separation.
Now, there isnt exactly one way to form a headmate, and you should experiment on your own to find what works best for you and your system. We theorize the most basic mechanism for created plurality is your brain being allowed to think as someone who isn't the host, over and over, until it happens subconsciously. The difference between a headmate and an imaginary friend or character is autonomy. Wren used to daydream constantly but it didn't lead to a system because they didn't allow their characters any freedom of thought. It was all very much puppeteering. When they started roleplaying, they allowed the characters to "think" on their own, imagining what their emotions and thoughts would be, separate from theirs. This eventually caused me and the other original three to start forming, due to that freedom of thought. Anything that allows your headmate to gain that autonomous thought is just as valid as any other method.
How long development could take varies a lot. Some people are more predisposed to be plural, and become a system easier and quicker than others. Some people have a really hard time becoming plural, and it takes a lot more effort and time to become a system. Singlets who already talk to themselves, have dissociative tendencies, are easily hypnotized, and are creative storytellers tend to have a high disposition for being plural. It could take as short as a week, or as long as years. Average times are around 3-6 months with dedicated work. It took us 18 months to feel confident in saying we were a fully realized system, but we also struggled with motivation and dedication.
The most common system goal is to have fully-realized independent headmates who can operate without their host's help and do not fade without interaction. The best way to get to this stage is just time. Keep spending time with them and living your life together. Treat them as independent, and they will become independent quicker. Your expectations shape a lot of your experiences when it comes to system creation.
I'm not going to cover any more advanced techniques like switching or headspace creation in this guide, as this is meant to be a jumping-off point for beginners. This is our first attempt at a guide and would love to improve. If you have any comments or questions, please feel free to reach out!
Have a wonderful day, and I wish you the best of luck on your system journey!
#plural#system#plural system#pluralgang#created system#tulpamancy#willogenic#parogenic#plural community#endo safe#plurality#pro endo#pro tulpa#guides#How to#paromancy#willomancy#cw sui mention#cw abuse mention
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Well it's that time again for another JJK rant.
So by this point I would assume that most of you know my eternal hatred towards the enemies to lovers trope when it comes to Gojo x reader stories right.
Well we are back at it again cause I am hoping people know that this type of relationship isn't one that Gojo would ever go for. Like it's one of those things that the fandom latched on to like My Hero Academia Hawks being a flirty playboy. It's not something that fits the character but it something that so many people latched on to that they now believe that it's a thing.
Like Gojo knows his worth and value. He literally dislikes those that he views as stuck up or just down right unlikeable. Aka every reader in the enemies to lovers trope. Like you are telling me you hate this guy for no reason but it's okay because your only saving grace is that he finds you attractive.
Seriously.
That is the how 95% of them go. Also to even it out they would make Gojo do some out of pocket stuff to justify the reader treating him like dirt while also always making him the bad guy even if he did nothing wrong.
I am so sick of this copy and paste trope. Now I know i don't have to read it which I don't. If I see it I keep scrolling. Although there are gems I sadly just skip past them because I'm used to the bad and boring ones. (Lowkey reminds me of the dumbest Gojo x reader story on wattpad called Debt. Freaking dumbest reader/mc I have ever read couldn't even get past the first few chapters. The first and only time this has happened)
Another thing is bad reverse harem stories. Like I don't care the reader is 18! Why are men close to their 30s trying to have a relationship with them? Why is said 18 year old trying to have a romantic relationship with freshly turned 15 year old? Look 18 maybe considered an adult but it's still gross and it would have been better if the reader was 20 and up. Also if you want your reader to have love interests that are 15 then they should at least be under 18.
I am sick of gross age gaps, don't care if you are 20 years old dating a 30, 40, or whatever just make it legal! 18 isn't a cheat code!
Also harems suck since they either end up with no one, end up with someone not in the harem, or worst not even completed. Yet, the biggest crime is as I said it before the gross 18 year old cheat code.
Finally the last of my random rant which has to deal with genders and sexyal orientation. Stop writing about boy x boy if you are only going to stereotype them. Yes gay mean may like to be more of the feminine side but NOT all of them. Not all males who prefer to be a bottom want to wear feminine clothes and act like a femboy.
Not all trans people want to be just a title! Don't include them if you are not even going to try! Same with the non binary or gender neutrals. Don't include them but give traits that have a gender that goes against their stances. It's wrong.
Also I lied this is my final rant. Stop saying it's a reader story if you are not going to be neutral. For example giving a reader appearances that instantly alienate a reader. Sure I understand fem reader or male reader tags but to then give them hairstyles, skin tones that alienate others, or ect. I'm a POC (Person of color) and it sucks when you are reading something and instantly shown you are not included. Luckily the anime community is slowly but surely getting more inclusive. No I'm talking about those that want to read reader stories from fandoms like The Boys (Scarlett Witch took over i swear) or (Squid Games I know it's in Korea but dang why can't I be american?).
Anyway that's all. I would love to read and possibly reply to comments. Some may agree others not so much which is far I am criticizing something so it's 100 okay to throw it back!
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Reasons why Blumbridge slaps -
Blumbridge refers to the ship Regulus Black/Dolores Umbridge.
There's an idea floating around that Dolores Umbridge would have attended Hogwarts the same time as Regulus Black, and I've seen a couple of posts on it, many by @plecotusauritus and today as I was soaking some sunshine, I thought to myself: why not, actually. And here you go, a mini essay on why Umbridge and Black were secretly lovers, or could-have-beens, or perhaps Umbridge is actually harboring an assumed-dead Black scion during OoTP.
All in good fun :-) Feel free to add your own reasons!
A. They're passionate about their interests and hobbies. Pair this up with good decor taste, and you've got Regulus’s room with clippings of Voldemort, his path to a better Wizarding World, and a beautifully painted Black Family crest, and green interiors. Why won't you pair that up with Dolores' setup of her offices - both at Hogwarts and at the Ministry - where she has the prominent theme of pink, and florals and of course, her special interest: cats and teapots?
Which brings me to my next point:
B. They have clear ideas of what they want to look like. I'm talking the colour schemes they've figured out for themselves.
Pink for Dolores, and not just any pink, it's the in-your-face pink, to portray the image of a saccharine, feminine witch, a purposefully deceptive image once you hear her vocalise her decidedly unsweet agenda.
Now, Regulus has a lot less screen time so we cannot be clearly sure if his passion for green and silver runs as strong so as to appear prominently in his daily attire, but from the glimpse of his room, and the fact that he's, well, a Slytherin, you bet he flashed his House colours as much as he could. Perhaps to rub it in the face that he was a true Black, honoring their traditions and respecting his forefathers.... unlike a certain brother of his.
C. Vocal about their agenda. Remus cannot get a job because of her draft of the Werewolf Legislation. Her reign at Hogwarts seeks to let people know that following Umbridge's rules are the only way to live. Regulus definitely lets his superiority over muggleborns in school known, and considering what Kreacher says of him in Deathly Hallows, his becoming a Death Eater is to seek out glory and power over those inferior.
D. Okay, the most interesting part, CANON will support me on this ship. Hear me out. Umbridge wears the Slytherin locket Regulus died for! It's practically fate the way it wound into HER hands, all the way from Grimmauld Place. The tragedy??? Plus in a world where Regulus didn't die and the locket wasn't a horcrux, you bet that he would give it as a courting gift.
E. Of course Umbridge denies that Voldemort is back!! (In An AU where Regulus is alive) She doesn't want her boy to be in trouble!!!!
F. Dolores' bloodthirsty approach (literally) and abuse of her authority contrasts against Regulus’s search for autonomy after Voldemort violates the rules of magic by creating a horcrux, and his failure to find authority over Muggles. So, Dolores being successful in pushing out the Muggleborn Registration act makes her all the more attractive to Regulus.
And, in a world where Voldemort didn't exist, if Regulus took a career in the Ministry, a workplace romance with an ambitious and cunning woman sounds like an easy setup for a good story.
There can also be a parallel drawn between the two on how they are less attractive than other characters, Umbridge described as a "toad" and Regulus as "rather less handsome than Sirius"...
In conclusion, to me, it seems like the strong dominance of Umbridge's character will balance the quiet resilience of Black's. And that maybe, amongst the felines covering Umbridge's decorative plates, one of them is the feline Animagus form of Regulus Black.
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Hey there! So, it’s been a while. I have done a lot of thinking, some writing, some attempts—but I have come to the conclusion that I do not think I will be writing out the continuation and end of When Fate Finds Golden Rings. It took me a while to get to this point, and I'm so sorry to anyone who was hoping or expecting me to eventually come back to posting it on ao3. You know, you just.. don’t write on a fic for over a year-ish and surprise! Maybe you really lost the energy and passion for this piece after all. Which is okay.
BUT. Instead,
Welcome to: Ro gives away the plans for the ending, rambles about that process, and gives other weird notes about their first big boy AU. Because I saw a post about bullet point-ing fic and realized I am, in fact, allowed to do that.
Strap in because this is going to be a Big Post. Sorry in advance. And if it wasn't very obvious, um. Spoilers for When Fate Finds Golden Rings below the cut. <3
It’ll probably be starting at chapter 14.
So, I want to disclose, before we begin: the ending is not totally up to my current standards as a writer. And this isn’t going to be me bashing my own creative process or my burnout or anything like that. I just feel like noting that… had I thought about the ending in more detail instead of flying by the seat of my pants, I think that it would be more put-together and interesting. I think that applies to the entire story, honestly. So. Yeah. If the ending falls a little flat, that is why. I was too busy daydreaming over my epilogue—which I will be talking about as well!! It's honestly my favorite aspect that came from continually thinking about the fic rather than writing it. LMAO.
Interestingly enough, I originally wrote that there were going to be at most like, 7-8 chapters left. realistically, that would probably not have happened. Considering this outline was in SHAMBLES, I can safely say it would’ve been a whirlwind last few chapters. sincerely, future Ro after writing out the mess you’re about to see.
The place where Joel, Lizzie, and Etho live was going to be the place where the ending took place. All the chapters in this “arc” as I'd call them—even though that’s not really what they are—were going to be here and were originally intended to be a deeper dive into Tango’s background. Since the first half of the story is really steeped in Jimmy’s world, it had only felt right to give Tango his own section and exposition as a character.
This was going to become the part of the story where it’s like, Jimmy and tango are in a more stable place for a moment so it gives them more time to reflect. It also would’ve given them time to be away from each other, which I thought was important for two guys who had been subjected to good ol’ forced proximity and were finally given little outs to be apart; i.e. Etho taking tango away for a day, Jimmy spending time with Lizzie and/or Joel. That was a chapter idea I had: both basically kinda being like: yeah! no! I can be alone. I don't miss him at all. not even a little. it feels weird without him here though, right- and just dealing with that. Plus the fear of getting caught, the fear of the OTHER one getting caught and not knowing. yeah. <3
Something I had planned on happening between Tango and Jimmy was that Jimmy was basically going to very much avoid his own feelings all around. He’s so attached to this guy, very much falling for him, and convinced that he is in the way despite it all. He’s kinda… under the impression that maybe he’s in the wrong for not wanting to stay, because OBVIOUSLY Jimmy knows better than to stay in one place like this after the whole journey thus far, when Tango seems so happy. So Jimmy, flawed as this idea is, just assumes Tango will be better off if he stays close to his home and Jimmy doesn’t want to make Tango feel like he has to keep running. The best way i can describe this is like
Jimmy: Man. Tango seems really happy here. I don't think he needs me. I bet he wants to stay. No, I'm not gonna ask him, that’s crazy. What I WILL do, however, is leave without telling him.
and then he did. :)
That was basically going to lead into a chapter where Jimmy is ~kidnapped~ on his way out of town by ANOTHER set of characters I was excited about: the mercenaries, Ren, Martyn, and BigB! Golden Rings!Ren is fun to me because he keeps the Red King aesthetic. For some context of why they exist: the three stooges mercenaries heard through the grapevine that if the two princes were captured and returned alive, there would be a big reward. I never actually decided if they’d been tracking Jimmy and Tango for a while, or if it was a coincidence that the reward went out and they happened to stumble into town. but all that matters is that Ren ‘n Gang are in fact successful, and smuggle Jimmy off to a camp somewhere along the road headed back to the palace with full intentions of bringing him home, with or without tango.
behind the scenes, tango is actively losing his mind. so, fun fact here: I never actually…wrote down how this next bit happens. please forgive me i haven’t touched this outline in like a year and a lot has happened since then- but OoOoh wow! Tango manages to find him!! at the camp!! at night. please note here that golden rings!tango has reflective animal eyes. like cats at night when light shines on them? that’s tango.
I had this whole scene planned where I would riff off the Tango Rage and make him go nuts on these guys. The funny thing is that Tango can’t really fight, but I think he would do an effective job on scaring the shit out of them and chasing them out of camp. Like, spooky story level shit—crackling twigs, snapping branches, etc.. At the end, Tango manages to untie Jimmy and they make a quick getaway back to town.
When I tell you this was gonna be one exciting chapter after exciting chapter, I mean it. The next big part, dear rancher enjoyers, was going to be the confession scene.
Basically, imagine. Tango and Jimmy are walking home. tango is really quiet, won’t look at jimmy except to make sure he’s still right there. There is a storm brewing in the sky, and they’re trying to get back as soon as possible. but suddenly, tango freezes in place. Jimmy gets a few feet ahead, but stops and turns when he notices tango isn’t in pace with him. tango looks hurt. more hurt than jimmy’s ever seen him. which makes Jimmy feel awful. and it’s like:
T: If you wanted to leave, you should have told me. J: …Tango. T: If you wanted to leave, you should have come and told me. We are friends— a team, you've said it yourself. I would’ve been ready to go. J: I wasn’t…I was hoping you wouldn’t follow me. T: Why wouldn’t I follow you? J: I just thought it’d be easier on both of us if I left you to your devices here. I’m sorry. T: You’re sorry? You think that’s gonna just- just make this better for me? After you just up and left me there, worried that you’d been taken back to your family? T: And- And you almost were, too! You were this close, Jimmy! If you were that scared of staying then- J: You know, there was nothing forcing you to come get me, I could’ve just gone and you could’ve stayed and lived the life you wanted back in the palace! I thought that was the plan! Freedom for both of us! T: ….You really just don’t get it, huh? Are you that dense? J: What? What don’t I understand? T: I am in love with you, you idiot! J: …You.. you what? [dialogue taken from the scene i started writing but never finished<3]
And then more things happen and then they KISSSSSSSS !!!
Realistically, I want to note that the transition between here and the ending was very finicky and not written down. so, instead, i will be giving you a general run down of what the ending was supposed to be.
With tango and jimmy now having confessed and acting upon those feelings, they think they’re safe for the moment. However, soon after, etho finds them and basically alerts them of an uptick of Nether Guard, having heard that the mercenaries reported their sighting and now, rather rapidly because ~portal transport~, the kings were sending search parties out once more. etho suggests they get out of the city, and the two agree, prepping quickly to leave what became a very good few allies and safe place for the roads once more.
The day they are supposed to flee, the overworld’s royal party arrives; Grian heading the way, seeming to be the one sent to find his little brother.
This part got really fuzzy for me because I don't think I ever actually plotted out the transitionary period between "you two need to run" and "we're running, it's bad."
What I do know, though, is that the final scene would’ve been a confrontation with Grian, who attempts to convince them to come home. but when Jimmy explains, begs his brother to try and understand (i also think he uses his secret relationship with Scar as a bit of an example. leverage, even); Grian eventually wishes his brother goodbye, and turns a blind eye to let them run.
Epilogue: Tango and Jimmy, fittingly, escape to the countryside. When they eventually outrun search parties and the call for their return dies down, they settle on a tiny cottage out on a tiny farm with wishes to expand it and make it their own. Jimmy tends to the animals. Occasionally, he sends a letter under a false name, and he gets one in response; a brother, far away, still keeping him in on happenings in the kingdom and in his life. Tango dives into his redstone, creating and building and making things he never would’ve had much time to while being a king. He thinks of a guard, long left behind, and wonders if he thinks of him too.
The two never marry, as marriage doesn’t leave a very sweet taste in their mouths—but they do make vows, whispered promises to stay together forever. A prophecy haunts them; but they were never really the type to obey any plan laid out for them, anyway.
Some years later, a quiet life has been established—but one day, someone arrives. Tango has gone out to gather supplies, so when there’s a knock, Jimmy answers the door.
Before him, there is a tall figure with a familiar set of eyes. Impulse, knight and ex-personal guard of the Nether Court, stands before him. When Tango returns to find him, a beautiful reunion is had; one with tears and relief and all the love in the world so present in one moment.
GUESS WHAT !!! TANGO/JIMMY/IMPULSE CANON IN GOLDEN RINGS EPILOGUE!! IMPULSE COMES BACK TO HIS BOY AFTER ESSENTIALLY GIVING UP HIS GUARD POSITION BECAUSE IT’S NOT THE SAME!! THEY CAN BE SO SILLY TOGETHER NOW!! AAAAAAAAA I’VE BEEN WAITING TO SHARE THIS GOD-
please god someone ask me about this dynamic i’m not okay
And, yeah! That was kind of it for the story. As I said, it falls flat to an extent. It’s not the ending that I would give it today. I still wanted to share it, even if it wasn’t the best or most detailed. I love this story, I love this universe and its characters and all the work I did on it. I still want to think about it, talk about it, etc. I’m not letting it go completely, just.. the fic won’t be finished. I am of the firm belief that I could’ve done a lot of things differently, that the story could be even better if I rewrote it entirely. But that’s not a project for right now. :) Because holy shit this fic is at 65k and that would be… hoooo.. a lot of work. Just like picking it back up and finishing it would also be quite a bit of work. It’s hard—I’ve had people tell me just to do it, just to finish the damn thing for the sake of finishing it and not quitting. So, this is my version of that, even if it isn’t the same. I don’t feel like I’m quitting, I'm only a little sad about how it's ending for now, but it feels right. I’m just like 99% sure I won’t enjoy writing the rest out. And, like I said at the start, that’s okay. Passion and motivation changes. People grow.
Anyway, that’s all! Thanks for listening to my silly little ramble about this AU that is old but still lovely. If you guys have questions or wanna chat about the AU at all, my ask box is always open even if I am terrible at answering them. If I find anything else or think up anything, maybe I’ll post about it! But, for now, I hope you all enjoyed my sillies. I love everyone who set foot in this space and read what is still my most favorite fanfiction I've ever written. :)
#golden rings au#heyyyyy... how are we feeeeeling....#this was a very.. ramshackle post. and not written the best but yknow. it's here now. i hope u guys like it at least a little#again i'm really sorry if anyone was expecting something different or. yknow. that i was gonna come back to it eventually#genuinely maybe down the line i'd love to reformat this whole fic and rewrite the plot and fully outline it. it'd be fun#but for right now i'm neck deep in a creative rut and trying my best to get back out#so yeah<3
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Valentines prompt 5. a heartfelt love letter 🩷
This, of course, is going to a request for our best Spooky girl. In danganronpa despair time~ Veronika grebenshchikova, I feel she'd be the most interesting for this given her personality and interests. It'd probably be the most unique love letter in existence.
Veronika writing you a love letter
Valentine's prompts #5
Prompt list
Pairing:Veronika grebenshchikova x gn reader
A/n:I actually thought about making an actual letter on canva for this but it was to short and I was too lazy
Tw:a bit of talk about self-harm
Dear y/n
First of all, I am so sorry for leaving this in your dorm without permission, I know you said you don't mind, but I'm still sorry, I promise i didn't touch anything but I did leave another thing with this letter I'll give you some clues it's cute fluffy and may or may not be possessed by the spirit of a dead child....I know it's not that in theme for valentine's day but it was so adorable I couldn't not get it.
And before you freak out, this letter is written in red ink, not blood, turns out you can't write a full letter in blood, it's way too liquid, and also you'd need a ton of it.........so if you see me with a bandage around my finger You know why.
I know I'm sorry, but I thought it would have been so romantic to write my love for you in my own blood. It would have been like a sign that our love will be eternal, not that it already isn't. I would gladly rip my heart out and give it to you just to show you that it beats only for you if I could survive without it, like a zombie or like corpse bride I love that movie...........I just got the best idea for a couple cosplay.
Looks like I'm rambling even in a letter, sorry, but you do always say you love when I ramble about stuff I like, even with how gorey and creepy it may be, you still listen with so much interest, that's one of the many things I love about you.
And that's why I'm writing this in the first place, to tell you all the things I love about you, well not really I would need way more than a piece of paper to list all of them, your smile, your hair, your face, your screams, your laughter, your voice,your blood, your eyes, your inside (granted I've never seen them but I bet they look just as amazing as the rest of you)
The point is I love literally everything about you and just wanted to put it to paper on valentine's day, I assume you're already my valentine probably, is that how it works? Does it come in the package once you start dating? We become each other's valentines for all the following valentine's days? Anyway, still I love you and just wanted you to know that you're the love of my life and I wouldn't change that for the world.
The last thing I want to say is....thank you, just thank you for being in my life, I know we already talked about this and you don't like me to bring this up since it's in the past but I've stopped with the cuts ever since I met you and I think that just shows how great you are, you've helped me past the worst stage of my life and I genuinely could never thank you enough for that, every time I look at the scars I just smile and thank you, because you did that, you helped me move past that and you deserve the world for it, but my love will have to do.
Wow, it's been a while since I got this emotional over anything, but I guess that's kind of the point of valentine's day, to show the person you love just how much you love them, and i hope you felt that in this letter.
So let me say this one last time here, thank you darling, I love you with all of my heart ❤️
Veronika grebenshchikova
P.s:don't think you're getting out of horror movie night just because it's a holiday. You'd be surprised at how many horror movies there are about valentine's day or love in general, I'll wait for you in my dorm in a couple hours darling~
#danganronpa despair time#danganronpa despair time x reader#x reader#drdt x reader#drdt#despair time x reader#despair time#veronika grebenshchikova x reader#veronika grebenshchikova#drdt veronika#veronika drdt#gn reader
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huge fan of telling myself i'm gonna limit how much I consume / post about a special interest and that just being a fucking lie
#''i'm sure i won't be giffing much of vic's dj tour'' *gifs every single set she's done so far*#''probably won't get too deep into these games'' *gets back into writing fanfiction and makes a whole side blog about it*#''i'll get over these films eventually'' *20 years later they still occupy my brain At Least weekly*#i give up. i'm just going to assume that most of my interests are all consuming from now on#the only special interest i can think of that petered out was that i LOVED space and planets when i was a kid#sapph's post
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lots of people in this fandom CLAIM to love Gomez but when someone makes a post with Morticia as "Barbie is everything" and Gomez as "he's just Ken", it gets likes and reblogs
like...isn't that meme essentially saying "he's bland and boring/doesn't do anything interesting/is no good at anything and has nothing special about him, and no-one cares about him that much because he's just some bland generic guy with no personality beyond being a sidekick"?
do the majority of fans genuinely believe Gomez has no personality and no interesting traits?
#I really am starting to consider deleting all my fics and my Tumblr#because most of my planned WIPs focus on Gomez quite heavily#and I feel like no-one will care or want to read them because apparently everyone thinks he is dull and bland#I'm also assuming everyone I've ever talked to about him was secretly#thinking 'I wish this loser would stop going on about this boring character who no-one cares about'#'ugh they're pathetic he's the most generic bland guy on the planet why would anyone be a fan of him'#even if at the time people seemed interested I'm starting to think they must just have been pretending#because APPARENTLY the whole fandom thinks he's boring and useless and bland and stupid and has no personality#if I post any of my fics I'm worried I'll either get zero response because no-one likes or cares about Gomez#or I'll just get comments from people going 'give up and quit writing no-one cares about this stupid character he sucks and so do you'#I don't get why he's apparently seen as dull and boring when he swordfights and builds robots and blows things up but apparently he is?#I especially don't get it from Morticia fans tbh#because I don't think SHE'D actually like people calling Gomez dull and bland and forgettable and useless#she generally seems to believe he's amazing just as much as he believes she's amazing#but hey what do I know I'm clearly the only person in the fandom who finds him interesting#or thinks he has a personality or is anything more than Morticia's forgettable stupid sidekick#so I guess I'm just stupid and wrong about everything#and should stop writing fic because apparently I'm too stupid to understand the characters properly#and I'm just an idiot with bad taste and bad opinions#because if I was a true fan who understood the characters I'd think Gomez was boring and useless too like everyone else does#it's just not fun to know that everyone I thought was interested in my fics and headcanons was only pretending to be
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yes, i'm ready (to fall in love)
── ˚₊✩‧₊ genre: smut, fluff, mild angst
── ˚₊✩‧₊ synopsis: after reader is persuaded into putting herself back out there by long time friend, shoko, she successfully ends up scoring a date. unbeknownst to her, though, the gods have different plans—and one of them seems especially interested in her relationship with ex-husband, gojo satoru.
or in other words: a failed date results in a night of passion amongst former lovers.
── ˚₊✩‧₊ contents: 13.5k words, ex-husband!gojo + co-parent!gojo, slight dub-con (alcohol use), dumbification, overstimulation, vaginal penetration, unconventional form of contraception (pull-out method - don’t do this), pussy eating + one oc for the sake of plot
── ˚₊✩‧₊ note: i know this is really long and most people don’t have the attention span for it but PLEASE give it a chance! this is literally the longest piece of fiction i’ve ever written and i’m really proud of it :(
songs to listen to for best reading experience: donny hathaway - i love you more than you’ll ever know barbara mason - i’m ready partynextdoor - showing you bryson tiller - been that way
After you divorced your ex-husband, and decided to devote all of your time to being a mother, you never really considered getting back into the dating world. Not that you didn’t eventually want to settle down with someone new, but the dating world now was just so–different.
Different in the sense that meeting people organically was becoming increasingly difficult. It wasn’t like how it used to be in high school or college, and it really didn’t take that much effort then to get a man’s number by the end of your outing.
When you were in your early twenties, a brush of your hand on a man’s arm would’ve worked. An ‘accidental’ bump into someone at a grocery store or cafe might’ve ended in a quick lay. Using these tactics today, though, might earn you some weird looks–have–earned you some weird looks.
You’re on call with a friend from college when you begin recounting something embarrassing that happened to you recently. At first, the conversation started out about all of the professors you would’ve slept with (if given the chance), but then, one thing led to another, and she asked you something that made you wince:
“‘How’s your dating life been since, you know, Satoru?’”
There’s a heavy silence from your end, and she almost thinks you hung up.
“I mean, if you want to share,” she splurts, attempting to approach this gently, “I know that after the divorce, I wasn’t there for you like you needed, but I’d like to make up for that–if you’d let me.”
Shoko’s always been like that. Blunt and charismatic, but gentle and zephyr-light in the way she cares for those closest to her. It’s a trait of hers that you admire, because not so many people would care to treat your heart with such fragility.
“No, it’s okay. You can ask, you know, it’s not this secret thing,” you start, sighing before continuing, “it happened, and it was a mutual decision.”
Shoko hums on the other side, “Well, I’m still sorry. I let us go without talking for far too long…”
“Well, I accept your apology, even if it’s unwarranted. Like I said, it was mutual and…there wasn’t really an intense grieving period for me? The only thing that hurt me is that you distanced yourself. I mean, the girls did miss their aunt Shoko…” you say, trying to make her feel bad but not too bad.
“I know, I know, I’m a bad aunt,” she jests, then the tone shifts to something serious. “I think I was just scared because both of you were my best-friends. I didn’t want to ‘pick sides’, but I see now that it was a mutual decision, so I’m assuming you two are on good-terms?”
Again, you pause, “I mean, yeah. Satoru will always be my best friend. We may not be together romantically but he’s such an integral part of my life, I couldn’t do this–all of this–alone.” After you say it, you feel a weight being lifted off of your chest that you didn’t know was even there.
You think nobody would understand if you told them this. You think they’d question how a person could divorce someone who’s supposed to be their best-friend. And with the way you describe it, they’d probably think you were still in love with him. But Shoko’s different, she gets it. Which is why saying it to her came so easily.
“He is a great father,” she chimes in, “but you two rushed into it so quickly, I don’t think either of you had time to discover yourselves after college.”
Although she can’t see it, you smile. Because she gets it. Even if time did place itself in between the two of you, she was there for most of it, when things were still touch-and-go. When things were fresh, and clumsy.
“Exactly, that was our biggest gripe,” you admit, “We didn’t afford ourselves that time to grow, and I think that hindered our relationship. We weren’t husband and wife first, we were parents–and we were young, way too young.”
“You made it, though,” Shoko tries to brighten the mood, “you’re both amazing parents, and I know those beautiful girls that you created are lucky to have you.”
The intimacy of the conversation sends your emotions into overdrive. You quickly realize how much you missed her, how much you yearned to talk to her. To reconnect on this level.
A single tear cascades down your cheek, and you try not to sound like you’re crying when you say, “Ok, enough about that. You wanted to know about my shitty dating life, right?”
It happened last week, the grocery store incident. You were out picking up a few things for dinner when you spotted a cute guy standing outside of the aisle a few rows from you. He was fit beyond measure, in looks and strength, and was wandering around aimlessly in pursuit of red pepper flakes.
Coincidentally, you just happened to be in the seasoning aisle, and like the good samaritan you were, decided to personally hand-deliver it to him.
You wince as you vividly recall the embarrassing ordeal that ensued immediately after.
“Hey,” you peer from behind the aisle, with a bottle of red pepper flakes in tow. “I heard you mumbling about finding this, and you looked pretty lost, so I thought I’d pick ‘em out for you.”
The man’s brows furrow briefly before his lips up-turn into a grateful smile, “Oh, cool, thank you so much!” As quickly as the conversation started, it ends even quicker. He gives you a final nod of endearment before he’s turning around on his heels to resume his shopping.
“God, could he be any more dense? The men today really make you work for it, huh?” you mumble to yourself, pulling the bosom of your blouse down until a good amount of cleavage is on display. “Okay, alright. You got this, you got this. This always used to work, right? Yeah, men love boobs.”
Walking up to the man again, you try a different approach–a bolder approach. “Not to be a bother but I was wondering if I could-”
“Babe? Oh, there you are,” a new voice interjects. The owner of the voice emerges from around the corner and walks up to the man with a cart and a baby in tow. You’re stunned, to say the least. All you can do is stand there and blink in complete and utter dumbfoundment. As you remain in their presence, you take a moment to analyze the woman. She’s gorgeous, and toned. A real model-type broad, with feline-ish features that make so much sense paired with the man who appears to be her partner.
Oh, you think, and apparently say aloud, too. That’s when the woman turns to you, finally acknowledging your much smaller, and much quieter presence.
“Hi, can we help you?” she smiles, and it’s actually genuine. Toothy and perfect, and totally not jealous. You blink once, twice, before gathering your wits to answer her question.
“Yeah, uh, no. I actually, uhm, was helping your h-husband. He was looking for red pepper flakes,” you mutter embarrassedly, and point to the bottle in his hand. Upon further observation, you notice that she isn’t exactly wearing a ring. You find this odd, especially because his not wearing a ring is what encouraged you to pursue him. Carefully, you prod.
“If I may ask, how come neither of you are wearing rings?” The couple gives each other a look, one that makes you feel like the odd man out. A look that is universally known, and without a doubt, could easily be translated to: ‘did this chick really just ask that?’
Still, you smile as you wait for an answer. The woman takes the initiative. “Yeah, we don’t really believe in rings, isn’t that right, babe?” she says so matter-of-factly. You blink again for what seems like the thousandth time, because of all things, you did not expect that to come out of her mouth. Her husband is quick to validate her statement.
“Yeah, we think rings are unnecessary, you know? You don’t need a piece of metal to confirm your feelings,” he says walking to his partner’s side and wrapping an arm around her.
Disgustingly, the two give each other googly eyes before locking lips briefly. You can tell they’re the type to probably share this information with just about any soul who asks. Today, you just happened to be that unfortunate soul.
“Are you married?” she queries, tilting her head against her husband’s chest.
“I was, now we just…co-parent,” you purse your lips, ready for this entire interaction to be over. The woman frowns at your answer, and this time it’s not as genuine.
“Awe, well, I’m sorry to hear that.”
“It was actually a mutual decision,” you quip.
“Okay,” she smiles, widening her eyes at her husband to signal a departure, “well, it was nice meeting you, and thank you for the red pepper flakes.”
The family turns away and heads to the front where check-out is. You don’t even buy the items you intended to purchase, just leave your cart in the middle of whatever aisle you abandoned it and leave the store.
“Oh, baby, you didn’t?” Shoko asks in horror. You nod your head, still forgetting she can’t see you and the way you’re sliding down against the wall.
“I did, and I shan't ever again,” a laugh erupts from your throat.
“I mean, fuck, are we getting old? ‘Don’t believe in rings,’” she mumbles, “Don’t believe in rings, my ass! Is this what the youth are doing these days? Not proposing with rings?”
Now that you think about it, you wonder how that would even work. “Yeah, right? I mean, how does that even work? ‘Will you marry me? But, actually, you should know I don’t have a ring for you, so people will have to guess that we’re together purely based on vibes and energy,’” you mock, in a not-so-great man voice.
Shoko’s laughing so hard by the end of your bit that she breaks the sound barrier, and the sound that makes on the phone sends you into your own fit of laughter. You laugh so hard it seems like a stream of pee comes out. Curse your developed incontinence after motherhood.
“God, you’re so stupid, I can’t breathe,” she says exasperatedly, and you know that on the other side she’s probably keeling over in her bed.
“Oh, please. I bet you haven’t laughed this hard in a long time, bitch.”
“I haven’t,” she cackles. This back-and-forth continues until the two of you settle down enough to continue discussing your (pee-inducing) love life.
“You tried any dating apps?”
It’s a simple and valid question, but it only makes you laugh even harder. You only stop when the other side of the line goes quiet. “Wait, seriously?”
“Yeah, seriously. It’s what everyone’s doing these days! You’re not that old, you know.”
“Shut up,” you kid, “ it’s just that I never considered it. I mean, dating apps feel so impersonal. How serious do people even take it?”
“Sure, there’s people who use it for casual hook-ups and stuff, but a lot of people do come out of it with a relationship. Just don’t knock it ‘till you try it.”
“Oh?” you muse, curious. You wish Shoko could see your face, and the weird little dance your brows were doing. “Shoko, have you used a dating app before?”
The brunette kisses her teeth. “Can’t get anything past you.”
“Never.”
There’s a sense of hesitance but you encourage her to elaborate because ‘she became estranged from you for almost a decade and needed to pay her dues’. Sighing defeatedly, she eventually acquiesces.
“Fine, fine, maybe I’ve…been on a few dates,” she starts, “–and had a few one night stands, maybe more than a few, and maybe even dated a guy that turned into my stalker–”
“Ieiri Shoko! You naughty, naughty girl! Wait, stalker?”
“To make a long story short, I got a restraining order on that creep. Anyway,” she segues, attempting to change the subject, “We should make you a profile!”
For the rest of your phone call, Shoko guides you through all of the dating app basics. She offers her expert advice as you scroll through your camera roll for potential photos to use. You go through about a hundred before you finally settle on five that she really likes.
The one that she tells you to put first is a photo of you in a bikini. It’s a few years old but she says you look ‘radiant’ and that your ‘tits were practically spilling out of the cups’. Plus, for further consolation, she says most people on dating apps are liars.
“Everyone’s got at least one old photo on their profile, doesn’t make you a catfish,” she quips, “just means you’re a nostalgic person!”
“Right…”
The next one is a selfie. You’re smiling big in it, showing your gums, and it’s genuine. Shoko says guys like those types of photos because it shows them that you’re approachable. It also won her over because it’s fairly recent, too.
Out of all your photos, there’s only a select few that were taken within the year. You had to admit to her that you never really took photos of yourself anymore. Satoru took most of your candids. Still, she had a mission. And she wasn’t going to be satisfied until she stuck around to see your first match.
“After the selfie you should put the one of you with the girls.”
The picture she’s referring to is one Satoru also took. You remember that day fondly, and even now, the memories feel like a warm embrace.
about 8 years ago . . .
“Dad, mom, look! Hurry!” Hana, your oldest, shouts. Satoru and you are sitting on a blanket up on the sand dunes with Haruki, who’s trying her best to make a sand castle–to no avail.
“What is it, hon?” Satoru and you rush over to her, snatching toddler Haruki in the same breath. When you get to the scene, a flood of warmth washes over you upon discovering the ‘threat’.
“See, it’s baby turtles!” Hana’s squatting in the sand, watching with pure and unfettered fascination as the hatchlings crawl north to the ocean. When she looks up at you, with eyes so bright, and a smile so big that’s missing two of her front teeth, you want to cry.
“Oh, hon, that’s beautiful,” you gasp, lowering to your haunches so that you can join her. Satoru is about to follow suit before deciding at the last minute to go back to the blanket. When he returns, he snaps a picture unbeknownst to you. Eventually, though, you turn your gaze to him and he captures–what he used to think then–the ‘prettiest’ photo of you.
“You sneaking photos of me?” you squint, pointing at him. He trods closer until he’s standing above you. Then he snaps another. Your head’s tilted up, and you’ve got one eye open, and the other closed because of the sun. He always liked when you squinted like that because it made your nose do this cute little scrunch.
“Yup, ‘cause you’re my muse.”
You’re pulled out of your daydream when Shoko says your name on the other line.
“You still there?”
“Yeah, it’s just…”
“Just what?” she queries, waiting for a response.
“I wanna use it, but my ex-husband took it. It feels weird, you know? And do I want to use a photo of me with the girls?”
“Hon, who cares if Satoru took the photo? It’s still a good photo, and to answer your second question, why wouldn’t you include a picture with your girls?”
“I don’t know, I guess I’m just afraid no one will be interested. Nothing about a picture of a mom with her two daughters exactly screams ‘fuck me’.”
Shoko lets out a small chuckle but you’re being serious. “Oh, sweetie. You’re so cute. Milfs are in these days, I don’t think I’m the one getting old, I think it’s just you!”
“Ha-ha, laugh at the mom,” you feign annoyance, but give her a laugh in return.
“But seriously, please use that photo. Nobody’s going to skip you just because you’re a mom. A lot of men on there have kids of their own, just gotta tweak your settings,” Shoko reassures you.
By the end of your call, the profile is set. You thank your old friend for the previous heart-to-heart conversation, and the time she spent helping you set up your profile.
“Keep me updated, and don’t talk about mom stuff, okay? Now, I’m not saying you can’t talk about them,” she begins, “but show these guys your personality! I know she’s in the closet somewhere hiding next to our old slutty clubbing clothes.”
Then, the both of you say your goodbyes and she wishes you a good-luck on your newly established dating journey. As you lay in your bed, you give your profile a final onceover. Not too bad, you think to yourself.
You ended up using all of the photos she had originally picked out for you. Even the beach photo. To compensate for your old photos, though, Shoko made sure that your prompts were witty and full of personality.
“I’d match me, I think. No, yeah, these are funny. She did a good job.”
The following day, you open your phone to fifty notifications from the dating app. A tingle of excitement shoots through your body from the tip of your toes, to the top of your head. It takes all of your might not to squeal in the office.
“Holy fuck,” you whisper at your desk. The amount of notifications that you initially saw on your homescreen read ‘50’ but when you opened the app, it showed you an overwhelming ‘100’ with a fat plus sign next to it. “Wait, are these all the people who liked me? Shoko’s gonna flip.”
Getting up from your chair, you make a beeline to the nearest bathroom. Not that you have to use it, but so you can scroll through all the potential prospects without your boss seeing you on your phone.
Pulling open the door to the bathroom, you close it shut behind you and lock it. A few minutes pass in the time you’re able to get through about half of the people who liked you. You end up skipping a lot of them. They’re either too young, too self-absorbed, creepy, or just downright not your type.
Some stick out, though. Even trick you into thinking they’re potential matches, but then the other shoe drops–because there’s always another shoe. You’ll scroll through their profiles, and they’ll seemingly have all the perfect traits: intelligent, witty, handsome, tall–and then, boom. You see their ‘don’t want kids’ preference. Every failed match only discourages you more and more.
It’s weird, because your profile preferences are set to ‘have kids’ and you even have a photo pictured with your girls. So why are men liking your profile despite that? After a few more scrolls, you’re just about ready to head back to your desk but then–you have a hit.
Your finger hovers over the ‘x’ at the bottom of the screen, then retracts. The guy’s profile at first impression is miles better than the rest, it’s almost too good to be true. His first photo is what piqued your interest. It’s of him posing for a silly photo with his sons, and he’s got his arms draped around their shoulders.
As you scroll down his profile, you see that there’s even more of him with his children. You take this as a green flag. He wants people to know he has kids, and that he isn’t embarrassed to show them off. You admire him for it.
The last few remaining photos are an amalgamation of selfies and full-body photos. To the average, well-adjusted adult, looks wouldn’t be a deal breaker. But he definitely wasn’t too bad on the eyes, and you were not complaining about that–especially, after the odd men you had to scroll through to get here. In other words, he was gorgeous and still fit despite being older than you (him, respectively being in his early forties).
Checking the time on your phone, you realize that you’re pushing your little ‘bathroom break’. Before heading back to your desk, you decide to respond to his first photo.
You: Cute! Could never get my girls to stand so still for a photo like this now haha :)
Work goes by slower than you’d like, but finishes up just in time when you get a notification from the dating app. You’re a little more excited than you’d care to admit. Tidying up your workspace, you say your goodbyes to your colleagues and head to the elevator. Absent-mindedly, you rush to answer his message but realize it won’t go through because of the elevator’s poor service.
Kazuki: Oh, they’re moody and grown now, don’t be fooled. I can't remember the last time I saw my youngest smile.
You don’t answer his reply until you get home. Actually, you do just about everything but answer his reply: check on the girls, shower, prepare dinner, pour a glass of wine–you’re nervous, and you don’t know why. But you know you should probably answer soon before he becomes disinterested. So you get comfortable in bed with your glass of wine and pull open his chat.
You: Lol, know that all too well. Kids are little assholes, aren’t they?
The speed in which he reads your text is startling, you don’t even have enough time to close out of the chat. Then, he responds.
Kazuki: Hell yeah they are!
Kazuki: Sometimes I want to strangle my youngest. He’s at that age where he’s starting to rebel and question everything. I told him he was supposed to be the ‘easy’ one, but his knucklehead brothers are bad influences on him…Tell me, does it ever get easier?
You: Sounds a lot like my oldest. She used to cling to me like a koala but now she’s the ring leader, and I’m the enemy. My youngest still loves her mama, though (for now lol).
You: And to answer your question, I’d like to think so?
You take a second before continuing your response. Shoko told you to keep the mom talk limited, but this seems to be working for you so far, and he’s genuinely interested in what you have to say. So for once, you’re going to ignore her advice.
You: Kids go through phases. It's our job to reassure them that we’re not going anywhere. No matter how much they push us away or try to, that is :)
Kazuki’s chat bubbles pop up, then disappear. You think he’s deciding on what to say.
Kazuki: I can tell we’re gonna get along great. It’s nice opening up like this, you know? Talking to another parent. If I'm being honest, dating apps have always intimidated me…
Kazuki: People see kids as ‘baggage’, and it really bothers me. My kids aren’t baggage. They’re the best parts of me. And if someone doesn’t see that, then we have no business getting to know each other.
Kazuki: Sorry for getting all sappy. Just felt like I needed to say it.
His apology makes you frown. It feels like a breath of fresh air to hear someone talk about their kids so lovingly, because you feel the exact same way. You’re glad you downloaded the app, and you make a mental note to thank Shoko again later (after you debrief her about this).
You: Never apologize for speaking about your kids! And if we’re being absolutely transparent, that was my biggest gripe with downloading this app, too.
You: I’m so glad we matched each other. I’d like to get to know you more. And I’m hoping the feeling’s mutual?
Kazuki: It’s more than mutual.
Kazuki: Don’t want to get ahead of myself but how do you feel about dinner? There’s a cool high-scale restaurant in the city that I haven’t been to yet. Heard it’s got two Michelin stars despite opening up not too long ago.
The prospect of going on a sit-down dinner date has your stomach in knots. It’s been a hot minute since the last time you’ve done so, but you’re eager to know the man behind the screen on a more personal level. Plus, being treated to a high-scale restaurant with two Michelin stars doesn’t seem too bad either. You’re never one to turn down free dinner.
You: I’d love to, but how soon we talkin’? Gotta see if it’ll align with my schedule.
Kazuki: How’s this Friday at 8 sound? :)
The days leading up to Friday breeze by in a blur. For the majority of the week, it feels like you’re walking on cloud nine. Eventually, the conversation transitions from the dating app to exchanging phone numbers, and since then, the two of you have been texting back-and-forth everyday.
You talk about mundane things. Work, shows, movies, books you’ve recently read, what your kids are up to–but the other things? The other messages are flirty, and sexy, and filled with so much tension that it could cut a rope in half.
In between messages, the two of you have also exchanged a few photos. Nothing risqué or anything of that nature, just random photos of you throughout the day. The last one he sent was a few hours ago of him at work, captioned with: ‘Could this meeting be any longer?’.
You reply to the message with the ‘ha ha’ reaction, in consideration of not wanting to get him in trouble at work (even if he was the one who initiated the conversation). As the days go by, though, you make it a habit to update Shoko every step of the way.
Her first reaction to hearing about him was enthusiastic. That is, until you showed her screenshots from his profile. You vaguely remember her saying something that was meant as a compliment, but came out more like an insult.
“‘Oh, he’s a dad!” was her initial response, “oh, he’s a dad…and he really loves his kids. You’re meant for each other.’”
When you tried to ask her what she meant by that, she changed the subject. Every update since then has earned slightly more positive reactions, though.
Today, you ask her for more advice. Only this time, you’re on video call.
“Shokoooo,” you drawl, “our date is tomorrow! You have to help me find something to wear.” The panic in your voice is so palpable, she can almost feel your shaky hands through the screen. Flipping the camera, you hurriedly pan your phone around the closet.
“Breathe, girl, breathe,” she demonstrates first, before telling you to repeat the same motions. “Take me to that section over there–no, not that one–wait, yep, there.” You amble over to the area she’s directing you to through the phone.
“What’s that black little number right there?” She points. You prop the phone up on a shelf and scour through the section, tugging out a dress you haven’t seen in ages (which has you questioning how she even spotted it because it was pretty far back into the closet). Walking back into frame, you hold the fabric up to your body.
Shoko nods in approval, “That’s the one, babe. Try it on!”
It’d been about a decade since the last time you wore this dress. It’d also been about a decade since you were ever this small. Looking in the mirror, you run your hands over every surface inch, every crevice of the dress, in a newfound sense of appreciation for the adult weight you’ve gained since becoming a mother.
The dress was always stunning but it hugged everything perfectly even more so now. When you walk back into frame, your friend gives you a look of pure adoration. She’s so enthralled that she snaps a few screenshots for keepsaking.
“Thank god it’s Satoru’s turn to get the kids tonight,” she says, “‘cause you’re definitely getting some tonight.”
You roll your eyes, reminding her she’s on speaker phone. “Oh, please. It’s just dinner!”
“Not in that dress,” she retorts, wagging her finger in the camera. While the two of you continue to chat about the details of tonight, a knock on your bedroom door draws your attention.
“Mom, can I come in?” the voice sounds. It’s Haruki.
“Come in, hon!”
After you give the ok, you turn to Shoko and mouth to her to behave. Haruki turns the knob and enters, closing the door behind her. She sees you standing in front of the mirror before you see her, and silently utters a ‘wow’. You’re just about done putting your earrings in when you join her in the other room.
“What do you think, bun? Does your mom look hot?” you spin around, smoothing your hands down the length of the dress. You wait in anticipation for her approval, because if anyone could tell it like it is, it was always going to be a kid. Your Haruki was no exception.
“You look really pretty, Mom. I’m glad you’re going out tonight, I mean, you don’t really have friends so I think this will be good for you,” she elaborates, though you wish she would’ve stopped at the compliment.
Still, it puts a smile on your face to hear her verbalize that she’s okay with you doing something for yourself. You never quite discussed the prospect of getting back out there with your kids–and not even intentionally. It just never felt like the right time.
“You could’ve stopped at the compliment, punk!” you grab her, then wrap her in your arms, “but thank you. Love you, bun.”
“Love you more, mama.” Neither of you make the effort to pull away. Instead, you both stand there. Hugging, breathing, embracing each other’s warmth. You don’t always get hugs this good, so when you do, you savor it. Drag it out until your arms and legs get all tingly.
Or until someone interrupts. Another knock on the door. This time it’s Hana.
“Ew, what’s going on?” Hana feigns a look of disgust. You know she’s just jealous; she’ll never admit it, though. Which is why sometimes you have to force her to participate.
“Get over here,” you scrunch your nose, forcefully pulling her into your tight embrace. She tries to protest but eventually accepts defeat. You squeeze them both until they whine that they can’t breathe anymore. Then you squeeze them some more because this one’s for you.
“My special girls,” you breathe in, taking in all of their love. Soaking it all up so that tonight you have the courage to try again. To allow yourself a love of your own. When you let go, there’s a sniffle from the closet. It totally dawned on you that Shoko was still on the phone.
“They’re so big now, they don’t even know their auntie,” she fakes a sob, blowing her nose into a tissue.
“Mom, who’s on the phone?” Haruki queries with a confused expression etched onto her face. It suddenly dawns on you again that although you’ve been communicating with Shoko again, you haven’t exactly told them.
“Hey, you came in here to tell me something right, Han?” Your attempt to change the subject is poorly done, which doesn’t come as a surprise to you considering deflection has never quite been an ability you excelled at. Nonetheless, the look of suspicion they give you after is fleeting before they explain to you in unison that their father is here.
“Your father’s been waiting down there this whole time and nobody cared to tell me?” you whisper-yell, left eye twitching to emphasize your ill-preparedness. The girls only shrug their shoulders in response, like this was something you were just supposed to know.
“Well, you did force us into a hug and make us do all that Kumbaya stuff,” Hana mumbles under her breath.
“Okay, enough about all that. Are you guys all packed? Where are your bags? I don’t want your dad seeing–”
“You don’t want dad to see your date, right?” Hana raises a brow, all knowing. Sometimes she was a little too smart for her own good. You want to blame that on the private schools Satoru had them enrolled in, but really you just know she’s just a menace in her own right. She learned that from him.
“I agree with the kid,” a voice chimes in. You rush to the closet and grab your phone from the shelf. There’s a huge, shit-eating grin on Shoko’s face. Somehow she’s responsible for this. You don’t know how yet, nor do you have proof, but you know it.
“Okay, thank you, love you, bye!” Before you can hang up, Shoko blurts something.
“Tell him I said hi,” she begins, “–andnottogetahardonwhenheseesyou!”
You hang up the call and roll your eyes, chuckling to yourself because of her idiocy. When you enter the corridor, you hear a faint sound of hushed voices from downstairs. It’s only when you round the bannister at the top, when those voices become discernible and louder.
You stop at the top, and when your eyes meet his, it feels like all the air in your lungs have expelled. Suddenly, you’re hyper-aware of what you’re wearing, and the fabric, and the way it clings to your body. Neither he, nor you, look away–you should, you want to, but you don’t.
And in the time the two of you gaze upon the other, time stops for a modicum of a second. In this second, you and him are the last two souls in the world. At least, that’s how it feels anyway before he breaks eye contact.
You shift your gaze shortly after, and put on a trained smile. Those eyes of his were always so intense. You guess you forgot over the years how easy it was to lose yourself in the crystalline pools of them. Gathering your wits, you resume your movements and saunter down the imperial staircase.
“Hey, didn’t mean to keep you waiting. Sort of lost track of time, but I think the girls are all packed,” you say, your voice coming to a decrescendo upon noticing the way his eyes trail over your frame. They’re unreadable, though. Indifferent, and honestly, you’re not sure how to feel. So, you begin fidgeting uncomfortably with the rings around your finger.
Then, he smiles. It’s eerie and fake. “Not a problem, I haven’t been here too long. But, uh,” he begins ambling around the place, touching random objects around the living room, “Didn’t know you had plans. What’s the occasion? Going out for drinks with your colleagues?”
You furrow your brows, confused with his sudden interests in your plans. It wasn’t really like him to prod. “No, actually,” you rock back-and-forth on the balls of your heels, “i’m…i’m going on a date,” you finish with a pursed smile. He only nods his head in response, still walking around the place touching stuff, messing with the picture frames on the mantle. They’re all crooked now.
“How come this is the only picture you have up of me,” he asks suddenly. You know, that he knows, the answer to that. And he knows, that you know, you’ll indulge in his games anyway.
“The girls wanted them in their rooms. Why do you ask? You want me to go grab them and put ‘em all up around the house?” Again, he doesn’t say anything. Just gives you a final once over before heading back to the foyer to ask if the girls are all set to go.
“Yeah, but I can’t find my tablet, dad. Can I go look for it?” Haruki speaks up. “I thought I packed it.”
Satoru looks at the time on his watch, pinches the crease in between his brows. “Sure, kiddo. Can we make it quick, please?” He throws his hand in the air for emphasis, then points to his watch. Haruki nods, then runs up the stairs.
“Actually, you go on up too and help your sister. You guys are holding up dad,” you turn to Hana and gesture for her to head up with your head. She rolls her eyes, yelling up the stairs for her younger sister to ‘freaking hurry up’.
You and Satoru both turn to each other with wide eyes, laughing at the nerve of those children.
“They get that attitude from you, you know,” you point to him, driving your index finger into his bicep.
“You sure? Their mom’s got a pretty bad mouth on her, too. Or, have you forgotten?” He teases, bending his knees slightly to level his eyes with yours, intruding into your space. The smirk he dons is cheeky, too friendly–too inviting. You want to smack it off of him.
“Oh, shut u–” the sound of your phone chiming interrupts your banter. It’s a message from Kazuki, and you open it while Satoru stands over you. Probably close enough to read the message on his own if he wanted.
Kazuki: Hey, I hate to do this but I don’t think I can go through with tonight.
When you read the message, your heart drops into your stomach. There goes the other shoe, you think, fully embracing your pessimism. Who were you kidding, really? To think that tonight you’d go out and have a good time. Do something for yourself. It was stupidity.
Chat bubbles pop up on the screen. He has more to say.
He has more to say, and you’re fighting the urge to cry–to not shake out of sheer frustration while you’re still standing in front of Satoru. Because nothing would be worse than him seeing you can’t even land a date.
Kazuki: I recently just went through a divorce, and I know that I should have informed you about this before continuing our conversations…Especially since you’ve been so transparent with me about your own divorce and strife.
Kazuki: But if I’m being completely honest, I was scared. I genuinely wanted to see this through, at first. I wanted to forget about my ex-wife for just one night. But I realized I’ve been asking the impossible of myself…I’m still in love with her, and it’s because I’m in love with her that I won’t allow myself to lead you on any further.
Kazuki: I think we would’ve had a good time tonight. It's unfortunate we had to meet under such circumstances because you’re a really lovely woman, and I’m sorry an asshole is standing you up right now.
Kazuki: Take care. I know there’s a guy out there just waiting for his shot.
Satoru takes notice of the way your face drops as you read over the messages. Part of him wants to overstep his boundaries and take a peek at the screen. But he doesn’t. He gives you your space and takes a seat on the couch, waits for you to say something first.
In the meantime, he studies your face. Watches intently as your eyes become glossy the more you scan the messages, watches as your bottom lip catches between your teeth to hold back from crying. He thinks he knows what just happened.
Taking a deep breath, you lock your phone and put on another trained smile, “Well, looks like I’m staying in tonight.” Satoru dislikes when you do that. When you put on a fake smile and overcompensate to make others around you feel better, even when it’s so very obvious you aren’t. He wishes that sometimes you would just be selfish–act out.
And then you continue the façade. It makes his skin itch.
“I was too tired anyway, guess I can just catch up o–”
“Will you stop,” he spits, rising from his seat on the couch to stand. It comes out harsher than he intended, but he doesn’t regret it. You look at him like he’s got two heads as he walks over to the mantle and leans against it. His back is turned towards you, and the palms of his hands hold the crest of it. He uses it as leverage to rock on the heels of his feet. You can tell there’s something he wants to say because of the way his jaw ticks.
Satoru is never one to bite his tongue, so you’re not exactly sure why he’s choosing to be so restrained. If he wasn’t going to spit it out, you were going to poke. “What’s your problem?”
He chuckles at this, rubs his chin then pushes off the mantle to stand in front of you, gets all in your space again. The movement almost sends you back but you hold your ground, tilt your chin up at him and repeat the question. Slowly, this time with more venom.
“My problem? What’s your problem?” He breathes through his nose, his eyes flickering back-and-forth between your own. “Why do you always pretend like you’re not lonely? It’s okay if you were looking forward to having fun tonight. It’s okay to be upset and be mad at the asshole who stood you up!”
With every verbal prod at you, the gap between you decreases. His feet inch closer and closer to your own and force you to retreat farther until your back hits the wall. The coldness of it causes your breath to hitch, and you try to stay calm as Satoru encroaches more into your personal space. Being on the receiving end of his passion was always suffocating, you feel exposed under the intensity of his gaze–even more so as he continues to tear into you.
“Why do you even care?!” you cut him off, eyes wide and veins pumping full of adrenaline. “It’s not your place to be so invested in my life anymore! We’re not together, you don’t have to get so hot and bothered about things going shitty for me. I’m a big girl, and I’m perfectly capable of fighting my own battles.”
By the time you finish, you’re a heaving, shaking mess. He takes this as a sign to withdraw from your space, and goes to sit back down on the couch. When you finally settle your nerves, you join him, leaving a foot of space in between you. There’s an awkward silence, one that wouldn’t have even happened if he just respected your boundaries in the first place. Now he feels like the asshole instead of the actual asshole who dumped you. Taking a hesitant breath, he decides to speak up.
“Look, I’m sorry. I didn’t…It wasn’t my intention to come off so strong like that,” he begins, “I just wanted to let you know that you don’t always have to pretend to be fine. It’s not fair, you shouldn’t do that to yourself.” His eyes wander over to you reluctantly, like he’s scared that if he looks too long you’ll disengage from the conversation.
“It’s okay,” your voice is small, just above a whisper. You want to face him, but you know that if you do, you'll break into a million pieces. So you keep your gaze downward, busy yourself with the stray pieces of thread on the bottom of your dress. “You’re right, you know. I think I just…I think I just tell myself to expect disappointment so that when something bad happens, I’ll know it’s not because I got my hopes up.”
Satoru turns to you, and you can see him frown through your peripheral. Still, you don’t face him because you’re not done talking. But you thank him silently for listening without interrupting.
“Even though you’re right, I don’t appreciate the way you came on so strongly. We’re not married anymore, we’re not a couple–we’re co-parents. So if there’s something I want you to know about that’s outside of the scope of our kids, I’ll let you know. Otherwise, leave it alone.”
Satoru’s face softens. For once you’re being selfish, putting your foot down. This is the side of you he likes. “Okay. I respect that,” he says, “But can I ask you something?” The smile on his face is mirthful, like he’s got something else up his sleeves this evening. Skeptical, you finally face him with a raised brow.
“What?”
“Let me take you to dinner.”
You laugh in his face, even go as far as smacking his arm because you want him to know you found the joke really funny. He doesn’t budge, and that’s when you realize he’s being serious.
“Wait, what?”
“Let’s go to dinner,” he stands up, crossing his arms across his chest. You tilt your head in disbelief. You’re just waiting for someone to tell you you’re on that old reality show punk’d.
“Funny, I just poured my heart out to you and now you’re making fun of me,” you roll your eyes, feigning annoyance.
“I’m being serious,” he reassures, “you’re already dressed up. It’d be a shame for it to go to waste.” His eyes are twinkling with hope, and once again, you find yourself falling victim to their persuasiveness.
Being under Gojo Satoru’s gaze was suffocating.
Giving in, you ask, “So what are you gonna do? Drive all the way home to get dressed?”
The question is genuine, but the bastard just grins. “I’m a little hurt,” he throws a hand over his heart, “don’t you know me by now? I’m a businessman. I keep pressed blazers and slacks on me at all times.”
He swings his keys around his index finger, hoping that the promise of a spare change of clothes being in his car is enough to convince you to say yes.
“I don’t know…” you trail.
“C’mon, let me take you out. I promise you won’t regret it.”
Somehow he was able to persuade you into going out. After he changed into his spare clothes, you ended up telling your girls that there was gonna be a change of plans, and that they’d go home with their dad tomorrow.
Of course, before leaving, you made sure to leave some money on the table for pizza, and you also made sure to drill into their heads not to open the door for anyone except the delivery guy. You knew they knew the drill already, but it didn’t feel right to leave without saying it anyway.
“Be good, listen to your sister, she’s in charge,” you pinch Haruki’s cheek. Hana smirks, nodding her head in agreement with you.
“I will mom, I know,” she huffs, crossing her arms.
“And you,” your finger wags at Hana, her smirk drops. “Don’t provoke your sister, be nice. Act like you love each other, please.”
“Fine, whatever. I guess,” she grabs the knob to the door, ready to kick the both of you out already. “So does this mean the two of you are back together, or?”
Satoru and you turn to each other before answering in unison, “No.”
“Okay, cool. Well, have fun,” she practically closes the door on the two of you, locking it after. Satoru is just as dumbfounded as you are, but then you break into a fit of laughter.
“Those kids, man.”
“Your kids!” you correct, pushing him playfully as the both of you walk down the pebbled pathway. He finds his equilibrium in time to unlock the car and open your side of the door. You pause before ducking inside.
“Oh, how gentlemanly of you,” you jest, “And they say chivalry is dead.”
“How could it be when I’m alive?” He says matter-of-factly, closing your side of the door. He taps the top of the car before sliding across the hood to the other side. Nice to see some things never changed.
When he gets inside and turns on the car, he puts his hand on the back of your seat to back out. The proximity sends a shiver down your spine, and you have to physically refrain from letting your eyes linger on his jaw, and his arms, and the face he makes when he’s trying to concentrate.
You try to dispel these less-than-friendly thoughts by looking somewhere, anywhere else but him. But you can’t, and it’s irritating.
This is the second time tonight you’ve been this close, and it’s only this time that you realize something about him is…different. Earlier, he didn’t really smell like anything, but you quickly notice his smell has changed.
There’s a sort of piney scent coming from him. It’s not strong or obnoxious enough to blind your nostrils, but it’s enough for you to just barely pick up on it. You almost think it was premeditated, that he took the liberty of spritzing some on before walking you to the car. Before you separated, he’d made it a habit to wear variations of woody scents for you. If you can recall correctly, a passing comment you made about the cologne he was wearing that day is what sparked the habit.
Surely, this couldn’t be coincidental?
“You smell nice,” you blurt, filling in the silence.
Satoru glances at you, “Thank you.” You hate that from the corner of your eye, you can see his stupid little smirk growing bigger by the minute. He already had a big ego, it didn’t need to be stroked any more.
“Don’t let it go to your head, though. You usually smell pretty rank.”
“Ohhh, is that so? Guess I gotta start wearing this more often then, huh?”
“Sure, do what you want,” you say, trying to remain indifferent even though you’re failing terribly to hide your smile. When the car approaches a red light, you finally decide to ask the big question. “So where are you taking me?”
“You’ll see,” he glances over, “Just know I’m good friends with the owner, so last minute reservations weren't a problem.”
The rest of the car ride is silent, save for the low hum of the music playing on the radio. When you arrive at the location, Satoru makes sure to walk all the way around to your side of the door again and open it. Immediately after, the two of you are greeted by a young male. He’s wearing a white button down, black slacks, and a black vest with a red tie. Judging by his appearance, you assume he’s a valet driver.
Satoru drops his keys in the driver’s hands, and escorts you towards the entrance. The boy bows and goes to park the car. Looking around, you start to wonder where exactly this place is supposed to be. The area is dark and secluded, and from where you stand outside, it doesn’t sound like there’s supposed to be a restaurant here. You don’t hear any voices, you don’t even see any security or other passerbyers.
Still, you follow behind him like a duckling, only coming to a halt when he leads you to a door taller than the both of you. He gestures for you to back up, then raises his knuckles to blow a strong, single knock. You’re taken by surprise when a set of angry eyes appear behind a slot in the door.
The pair of eyes first scan over you, then Satoru. A gruff voice is second to accompany them, “Where can I get a good drink?”
“I heard the bar down the street is nice,” Satoru answers. The hatch to the door closes, then swings open the door, and the man behind it moves aside to welcome you in.
“Follow me, please.” Once he closes the door, he begins guiding you down the dimly lit hallway. After making what seems like your hundredth turn, you eventually reach a staircase. The man gestures for you to go on ahead, and you think this is him implying where the three of you will depart.
“Thank you,” you say softly, disappearing down the stairs. Satoru isn’t too far behind, keeping a pace between you. As you near the end of the long, narrow hallway, a stream of white light brightens up your whole path. It leads you down to another door like a beacon of light, and when you reach it, you can hear voices, live music, and dishes clanking on the other side. It’s bustling with life. A huge, joyous smile plasters across your face. It’s almost child-like in appearance, like you haven’t seen something this cool in a long time.
Satoru stands beside you and winks. “What d’ya think? Any idea yet where we are?”
“I think this is fucking cool, and hm,” you take a second to mull it over, “are we at a speakeasy?”
“Smart girl. Now come on.” Stepping back, you allow him to pull open the door, and when he does, there isn’t a word to describe the atmosphere of the place you step into. All you can do is stand there in astonishment. Before long, a man walks up to you.
“Welcome, what is the name you reserved under?”
“Gojo.”
Nodding, the host instructs you to follow after him. He leads you to a private seating area, somewhere far in the back that’s secluded from the other patrons. The space is much bigger, and much more extravagant. You know you’re only sitting way back here because Satoru is who he is. And in all the years you’ve known him, his connections were just another party trick in his arsenal.
The hostess seats you, then Satoru, and tells you that a waiter will be with you shortly.
“This is nice, really nice, but is it–”
“Legal?” he finishes your sentence, “don’t worry. It’s a modern speakeasy-style restaurant. There’s nothing illegal going on here, promise.”
While you wait for your designated waiter, your focus shifts from the man in front of you to the man singing on the stage. Up until now, his voice was white noise in the background, but then he started singing a tune scarily reminiscent of your past–and your breath catches in your throat.
If I ever leave you, baby
You can say I told you so
And if I ever hurt you
You know, I hurt myself…
Turning your gaze back to Satoru, you squint your eyes mirthfully in disbelief. You wonder if this is just a funny coincidence, if this is the universe playing her tricks, but you know deep down, that coincidences and Gojo Satoru don’t belong in the same sentence.
You open your mouth to speak, but quickly close it when you see the waiter approaching from the corner of your eye. He greets the both of you with a polite smile, then sets down two glasses of water.
“Good evening, I’ll be your waiter for the night,” he says, placing a menu in front of you, “Can I get you fine folks started off with a bottle of wine?”
Satoru nods, tells him to bring the best bottle of red they have and then gestures for him to come closer so that he can whisper something in his ear. All the while, you sit back in your seat observing, clicking your nails on the table until the server pulls back and bows.
When he departs, you immediately lean in over the table, and ask, “Just how much time did you have to plan all of this?”
Satoru feigns aloofness, taking a sip of his water, “What do you mean?”
You roll your eyes, gesturing at the stage with your eyes. Then, as if suddenly coming to a realization, he goes, “Oh, that? Yeah, I had nothing to do with that. But isn’t it funny they’re playing our old song?”
Now he’s smirking, with his elbow leaning back on the chair, and a gaze so piercing, you’re certain you’ll crumble into nothing unless you look away. So you do, avert your gaze back to the stage and sway calmly.
Is that any way for a man to carry on
Do you think I want my loved one gone
Said I love you
More than you’ll ever know
More than you’ll ever know
“So funny,” you counter.
Eventually, the server comes back with a bottle. “1982 Chateau Latife Rothschild,” he holds it out to present, “Is this alright?”
Despite the years spent with Satoru, and the many elitist events you often attended with him, your knowledge on wine had never surpassed anything but surface level. You knew the difference between good wine and cheap wine was the taste, but your taste buds had grown accustomed to store-bought, so if anything, store-bought tasted like heaven to you. Anyway, though, you nod your head and urge him to pour a glass.
“Thank you,” you smile, before gently swirling the glass and bringing it up to your nose to smell (something you only know to do after being the odd man out at so many company banquets). Satoru waits for you to sip your glass before he sips his. The way you melt into your seat is a silent assurance that you’re pleased.
“This is great, you’re amazing,” you tell the server, who seems pleased by your compliment.
“Glad to be of service, miss. Are you ready to order?”
Dinner goes by smoothly. In fact, it goes by so smoothly, you and Satoru finish the entire bottle of wine. Now you sit at the table, bellies full, faces flushed and sore from laughing, and now you find yourself telling him about the grocery store incident. If you had half a mind (a sober one), you’d shut up right this second to save yourself from the embarrassment. But you don’t. And Satoru’s very persuasive when you’re tipsy.
“Keep going,” he leans in, hand nestled under his chin. He’s completely invested in the story. Actually, as soon as he heard the words ‘store’ and ‘cute guy’, he just had to know more. And you begging him to change the subject didn’t help, not when the sadist in him loved to see you so embarrassed.
“Fine,” you hiccup, “It was so - so bad, Toru.” He doesn’t miss the way you slip and call him by the nickname you’d always reserved for him. It makes his heart race, and god, does he miss the way it sounds spilling from your lips. But he ignores the feeling, and refocuses on your story instead. Which, by the way, was proving to be a task in itself because his eyes couldn’t stop drifting back down to your lips. So soft, so–
“And then she said ‘we don’t believe in rings,’” you whisper, fist coming down on the table. The sound it makes nearly sobers you up, and you realize just how loud you’re being despite your table being secluded from others. Giggling like a kid, you continue, “I mean, how fucking insane is that?!”
“Something as bizarre as that could only ever happen to you,” he replies, laughing along with you, “those people were crazy.”
“The craziest,” you agree, throwing your head back in another fit of laughter. Gradually, the two of you begin to settle down, and once again, you find your attention being drawn back to the man on the stage. Only this time, he’s making an announcement.
“Good evening ladies and gentleman. Tonight I’ve got a special request,” he says, looking out into the audience. Looking at you. “This one’s for a very special lady who, from what I’ve been told, is a great mother that needs to start doing things for herself.”
The singer steps out of the spotlight and hands the note to a server. Your server. Then he begins to sing, and your heart drops into the pit of your stomach. It was your wedding song.
[...] I don’t even know how to love you
Just the way you want me to
But I’m ready (ready) to learn (to learn)
Yes, I’m ready (ready) to learn (to learn)
“Now this one? This one was me,” Satoru leans forward, and you swiftly turn your head to face him. He smiles as he watches your face go through ten different emotions before ultimately softening. It warms your heart to see how incredibly planned this evening was, despite the amount of time he was given to work with. Even so, it kind of scares you–because then that meant this was a grand gesture–that this was his way of saying something. And you weren’t too sure if you wanted to hear it. Your gaze drops to your lap, and Satoru frowns.
To fall in love
To fall in love
To fall in love with you…
“Look at me,” he says softly, but you don’t. “Hey, look at me.” He reaches over the table to take your chin in between his fingers. The touch alone feels electric. Sends liquid hot lightning down the column of your spine. Reluctantly, you meet his gaze, and like always, it’s suffocating. They’re so wide with hope, and so, so gentle in the way they hold you. The longer you gaze upon them, the more you convince yourself it’ll be okay if you surrender to them.
“It’s been years since we’ve divorced,” his voice is shaky, almost strained, like he’s actively thinking how to choose his words carefully, “and when we sat down that night, I thought it was what I wanted, too, you know? And for a while, it was,” he reaches a hand across the table to rest atop your own, “but you gotta know…you gotta know–you’re it for me. There’s no one else on this Earth that I want to start over with. You’ve always been the beginning and end of my story, and I’ll be damned if I let another man start one with you.”
Your heart is beating faster than you can even process what he’s saying. The only thing you’re focused on is not passing out in the middle of this damn restaurant. But then he’s squeezing your hand, and your focus is drawn back to those piercing, pale blues that even put crystals to shame.
“So what do you say?” he says, so softly, so tender. “Can we try again?”
Waiting for your reply, he squeezes your hand again. It’s like your soul is wandering the line between death and the living, and his touch is the tether that brings you back. In the background, the tune of the song sung at your wedding gives you a push of courage.
I don’t even know how to kiss your lips (kiss your lips)
At a moment like this
But I’m going to learn how to do
All the things you want me to
Yes, I’m ready
(Are you ready?) Yes, I’m ready
To fall in love
To fall in love
To fall in love right now
“Yes.”
The walk back to the car is hurried. Aided by both, years and years of built up tension, and the liquid courage currently bubbling in your systems.
The race back to his apartment is even faster. You thank the gods silently that it’s within close proximity to where you just were.
Once you get there, make your way past the doorman and concierge (who both give the two of you a knowing look), go up the elevator, and finally get into his loft–it’s over. Years of restraint, years of pretending, wanting–yearning, come crashing down.
There’s barely any time to close the door before he’s pushing you against it. His lips trail down the column of your neck, then come up to kiss your jaw, until eventually, they find your lips. And when they do, it’s instantaneous–that familiar feeling, the feeling that feels almost like falling.
Once again, for what felt like centuries, you feel again the rush of helplessness. The push and pull of the tide. It brings you down, down, down to the bottom of the ocean floor, and it’s unmerciful.
Kissing Satoru is like being shocked with ten thousand volts of energy. Like all this time you’ve spent not kissing him, has been costing you your life, and he’s the only one who can deliver you salvation. It’s all teeth and tongue for a minute. Messy, and sticky, and nasty. A true testament to the desperation brewing in the pits of both your stomachs.
The sensation of it all has your knees going slack, and that’s when he says–
“Jump.”
Obeying, you do just that. Jump right into his arms, and wrap your legs around his torso like you’ve done so many times before. The way you feel now is the way you used to feel before then, too. Like you were made to fit like this. To be held in his arms like you were molded from the same clay.
Carefully, he adjusts his grip on your body. Keeps his palms planted on the bottoms of your ass, and begins the trek to his room. He struggles a bit getting there because you haven’t stopped kissing since entering the apartment, but he figures it out after a stumble or two (which resulted in a bitten lip and you apologizing profusely through giggles).
“The turbulence up here is crazy, don’t blame me, blame the pilot,” you jest, kissing down his neck to make up for it.
“I’ll make sure to let him know,” he jokes back. As soon as he gets to the bed, he sets you down at the edge of the bed. You try to bring him down to your height but he stops you, wags his finger in your face playfully before using it to push you back into the bed. His fingers start to play with the fabric of your dress, and then his face takes on an indifferent expression. The same one from earlier that night when he first saw you walking down the stairs.
“Can’t believe you were gonna wear this for him…” he trails, lifting the fabric up slowly, eyeing you while doing so, “as if this dress doesn’t mean something.”
Of course, when Shoko chose it, its significance did make you falter–but in your defense, not once did you ever anticipate for him to see you in it. And you especially didn’t expect for him to remember it, the last time you wore it was almost a decade ago.
“I didn’t…” you start, a smile creeping on your lips, “think you remembered?”
“‘Course I did, how could I not?” He says more sharply than intended, taking offense. He takes offense because he spent the better half of the night showing you he remembered. The little things and everything else in between. Couldn’t you see that?
“It was our 4th anniversary. Bought you this dress and fucked you in it that same night. Funny how the second time I’m seeing you in this dress, the circumstances are the same except only this time we’re divorced,” he says, crawling over your body. “Guess I gotta show you just how much I remember.”
With that, he slips a hand under your dress, pulls your panties to the side and runs a finger down your slit. Oh-so-willingly, do you spread your legs for him. It’s almost subconscious, the way your body responds to him. And he revels in it. Lets his fingers work you, feel you, bring you to ecstasy. Then he heightens your pleasure tenfold when he kisses his way down your body, and takes a seat before you on his knees.
Unceremoniously, he pulls your body to the edge of the bed. Takes his time slipping your panties down the length of your legs, then kisses the insides of your thighs, before finally stopping at your mound.
Slowly, he lowers himself to your cunt, kisses your clit softly. Once, twice, three times. The pace in which he’s moving is killing you, to say the least. But you know he’s savoring the moment, making up for all the years he spent not kneeling like this between your legs. So you let him; let him caress you all over before he comes seeking the honey-sweet salvation dripping from your core.
The second his tongue makes contact with your heat, you find yourself clamping a heavy hand over your mouth. “Fuck, Toruuuu,” you drawl, back arching off the bed. Pleased with his abilities, he smiles smugly, using this as an opportunity to push himself even deeper. Up and down, he licks at your slit, uses his fingers in tandem with his tongue to prod at that spongy spot he knows you love.
“Tastes,” a harsh suck, “so good,” another, “better than I remember.”
You know he’s talking, but his words fall on deaf ears. You’re so caught up in your own high, you don’t even take notice of the obscene sloshing sounds coming from your pussy, or the moans you’re making. All you can do is lay there and take it as he takes, and takes, and takes from you.
Soon, you find your orgasm cutting through you like a knife, and you come with a strangled cry that has you biting back tears. Satoru talks you through the whole thing. He lays his head down on your thigh and continues working you with his fingers until you start to shake from the overstimulation.
For a few, you lay and stare at the ceiling. You think you can see the Milky Way–and all the constellations that make it up. It feels like your soul is floating beyond your physical body, and you don’t come back down to Earth until a sharp, stinging sensation brings you back. Did he just?
“Did you just bite me?” you lift your head, peering down to see the evidence. In all its glory, there it was; a red ring smack-dab in the inside of your thigh with teeth imprints. Looking at Satoru, he grins.
“Had to get you back from earlier,” he says, sitting back on his knees. You attempt to kick him with your foot, but he grabs hold of it. Pretending to be wounded, he gasps, “Is this how you treat the man who just gave you a soul-shattering orgasm?”
You roll your eyes, but to your dismay, it only encourages him to continue.
“Fuck, Toru,” he mimics, “oh my god, Toru. You fuck me so goo–”
“Alright, enough!” you manage to kick him this time, laughing as you bring up your hands to cover your face. “Keep carrying on like that and I won’t let you fuck me…” You’re serious in your bite, but he’s smirking. Like he knows you’re full of bullshit.
“Yeah right. You and I both know I make you feel too good.”
Feeling bested, you scoff, though, there’s no real weight behind it. While he begins to remove his shirt, you sit up and replace his hands. He relinquishes control and allows you to unbutton it until the item falls haphazardly to the floor.
He’s so beautiful, you think. Still so chiseled, so perfect after all these years since you’ve last seen him like this. At his most vulnerable. The only difference now is that there are more freckles littered across his skin. Back then, he’d say they were signs of aging, and he’d hate them.
But he’s older now. More mature. So much so that he even winks at you when you trace your fingertips over them.
“They suit you,” you whisper.
“Yeah?”
You nod your head, “mhm.”
Continuing your ministrations, you begin removing his belt. He holds your gaze the entire time it takes for you to unzip his pants and pull them down–and he doesn’t once shy away when you discover the wet spot on the front of his briefs. Slowly, delicately, you remove the soiled item and let it fall down to the floor with the rest of his clothes.
Still looking at him, you take hold of his length and fist him once, twice, experimentally. A dribble of pre oozes from his slit and you bring it to your mouth. All the air in his lungs expel into the air when you lick it off with your tongue, and god, he thinks he could come from that alone.
God, he’s missed you. Missed your touch, your lips–the way you hold him with your eyes like he’s something worth being gentle with. Nothing could ever compare to you, not even his own hand.
As soon as you’re about to take him in your mouth, he stops you. Pushes you back down onto the bed and slots himself between your legs. “No more playing, I’m tired of playing,” he breathes, lowering himself down until half of his weight is on top of you.
Guiding his cock to your entrance, he pushes past your folds with little resistance. The feeling of your cunt squeezing him in has his arms wobbling like jelly, but he musters enough strength somehow to stay up. You, on the other hand, are close to tears.
The more he eases himself in, the more you feel like you’re being stretched open (despite him previously prepping you). If you were being truthful, this wasn’t a complete shock to you. You’ve known that he’s always been big, but something about tonight feels different. Or maybe it’s just been too long since you’ve had something more than just your own fingers.
Even so, you try your best to ignore the burn of the stretch. You throw your arms around his neck and invite him deeper into you, hooking your legs around him so tightly that it renders his limbs useless. For a minute, all you can feel is the weight of him inside of you, and his chest against yours as they rise and fall asynchronously.
“Toru,” your voice is just barely above a whisper, but enough to make the hairs on the nape of his neck stand. “Make love to me.”
Heeding your request, he begins moving. Painfully slow, he unsheathes himself from you until only the head of his cock is inside, then pushes himself all the way back in with force. Again, and again, he repeats this motion. Pulls out, pushes in. Pulls out, pushes in, until he decides to increase his pace and set a steady rhythm.
Every thrust into you is meticulously calculated. Sharp, and forceful, and not once does he disrupt the rhythm. He listens carefully to the sounds you make. Even listens to the way your breath hitches when he hits a spot right. Everything he’s doing is perfect–and it’s to no surprise. Deep down, you know that Satoru knows your body like the back of his hand. He’d know it if you were all old and wrinkly. He’d know it if his soul reincarnated. Hell, he’d know it blind.
“Missed this,” he grunts, burying his head into the interstice of your neck, “missed you,” a kiss to your neck, “missed us.”
The veracity of his words render you speechless. He’s already professed his feelings for you tonight, but it feels even more real now that you’re beneath him. To be loved by Gojo Satoru was a feeling many couldn’t say they had the consolation of knowing. Only a few in his circle could hold that position–but only one person in this world could truly ever know his love to its fullest extent. You.
Satoru continues his mindless rambling, “I love you,” a thrust, “it’s always been you,” another, “was always going to be you.” Leaning back on his heels, he pushes your dress all the way up to reveal your breasts. Now it’s him who sits back and admires this time. As if he were reacquainting himself, he traces the planes and pastures of your chest with an eager hand. He runs it up and over each mound, squeezing and kneading the flesh experimentally.
Then, he dips down and kisses the space between them. Sucks and licks until the skin bruises, and he has evidence to prove tonight actually happened. Eventually, he withdraws from your chest and returns his focus on easing his cock in and out of your cunt.
“So beautiful,” he says, but it’s more to himself than anything. You’re so lost in your own pleasure, he doesn’t even think you can hear him. “Want you to cum on my cock, know you can do it, baby. Know you can,” he grunts, taking your hand and intertwining it with his own. Letting his head fall into your neck, he begins to quicken his pace. Fucks into you with everything he’s got and willing to give.
“Toru,” you finally manage to say, “‘m so close, keep going. Do it - do it inside.”
Do it inside. Do it inside. Do it inside. The thought is tempting, too tempting. It makes his dick twitch inside of you, and he swears if you say it again, he’ll actually do it. But he knows better than to listen to anything you say out of delirium.
“Trust me, sweet girl,” he cradles your face, to which you lean into, “I want to - I want to so fucking badly. But we both know you’d regret it later.”
Whining, your lips form into a pout, and the sight is so cute, he can’t help but to kiss it off of you. Compared to your kiss earlier, this one is much sweeter. Slower. More relaxed. He kisses you with the intent of making you dizzier than you already are, and it’s scary. Even so, you don’t pull away. You allow him to drink you up. Like your lips are the only source of water around, and he’s been quenched for days.
Finally, with a few more thrusts, you reach your climax. The pressure building in the pit of your belly pops like a balloon, and everything goes white. “Toru!” you shriek, arching off the bed and trembling in his grasp.
Using your arch as leverage, he keeps his hands underneath your back and continues to ram into you without abandon. You’re a babbling, wet mess at this point, and your cunt squeezing around him only encourages him more.
“Fuckfuckfuck, ‘m gonna - ‘m gonna,” he curses, balls beginning to tighten. Quickly, he unsheathes himself and fists himself the rest of the way. With an impassioned moan, he climaxes–spurting thick, white, ropes of seed all over your abdomen. Then, falls onto your limp body with a grunt, chest heaving rapidly, and slick with perspiration.
By this time, you’ve settled down enough to form a proper sentence. “That was…”
Satoru huffs, catching his breath. “Yeah.”
Still spent, he continues to lay atop you. And you, having nowhere else to go, let him. The two of you lay comfortably in silence like this for a long time. Just you tracing shapes into his back, and him purring into your neck. Both of you know you should be getting up, but neither of you make an effort to do so. In this moment, time is transcendent. There is no rush to move when time stands still for you.
Soon, that silence is broken.
“I love you,” you say, and there’s no elaboration. Not even a recant. In fact, you say it so nonchalantly, he’s not even sure it was real. You say it like you’ve never been more certain in your life, like it’s the easiest thing you’ve ever had to do.
“Really?” he queries, almost pathetically like the mere idea of you loving him is something unattainable. You look at him like he’s got two heads.
“Yeah, you’re my best friend. I’ve always loved you,” you admit, pausing your ministrations on his back, “I just had to relearn how to love you.” He smiles at this, hums into your neck to keep from crying.
“I’m glad we found our way back to each other,” he mumbles into your neck, “so where do we go from here?”
“From here we take it slow. We’ll learn together what it means to be individuals, and then from there we’ll see where it goes,” you say matter-of-factly, “no more repeating past mistakes.”
“Agreed,” he nods, “what will we tell the girls?”
That’s when your eyes widen and you sit up, forcefully pushing Satoru off of you.
“What did I say, what’s wrong?” he queries, sitting up on the bed. He watches you rummage around the room maniacally, head on a swivel as you run out of the room and return with a purse. You pull your phone out to see a slew of missed calls and messages.
“We forgot to call the girls!” You yell, showing him your phone screen of missed calls. Gojo jumps up to join you, one leg already sliding into his pants.
“Shit!”
Noticing the state of your appearance, you pinch the skin between your brows. “Satoru, I can’t wear this! You got cum all over it,” you groan, pointing to all the splotches of white. He tells you to wait a second before disappearing into his closet, then he comes back with a fist of clothes and throws it at you.
“I can’t wear this either, they’ll wonder why I’m wearing your clothes!”
Satoru runs to you and pull the dress off of your body, “We’ll wash it!” he screams, disappearing again out of the room, and to where you imagine, the laundry room. When he returns, he’s out of breath and panting. It’s only then do you realize how insane he looks with half his shirt buttoned, and his pants twisted around his hips. A giggle escapes your lips.
“What are you laughing at? Chop chop,” he claps, ushering you into his bathroom.
Yeah, you’d be lying if you said you didn’t miss this idiot.
comments + reblogs very appreciated !!!
© arachine 2023
#art by: @yamada_souko (twt)#gojo satoru x reader#gojo satoru x reader smut#satoru gojo x reader#satoru gojo x reader smut#gojo satoru smut#satoru gojo smut#gojo satoru x you#satoru gojo x you#gojo satoru x y/n#satoru gojo x y/n#jjk smut
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Why 457 is actually valid af and not just a "joke" ship
I wanna start this by saying that I'm in no way, shape or form convinced 457 is canon nor I think there will be anything remotely romantic between the two of them in season 3. But people seem to think it's just a joke inside the fandom, while actually, their dynamic is pretty fucking valid and I want to analyze that in this post.
One of the most discussed things (if not the most) when it comes to this ship is the stares.
Some think this is the stare of love, others think In-ho just enjoys seeing him suffer. Well, let me tell you it is neither.
But before we delve into the way In-ho stares at Gi-hun, we first have to go back to talk about Hwang In-ho as a character.
As we know, Hwang In-ho is the Winner of the 2015 Squid Game. He went into the games so he could have the money to treat his sick, pregnant wife, much like Gi-hun who did the same for his sick mother. Both of them won the game, but both of them were too late to save the person they loved from a sad fate.
This lead to In-ho becoming the Frontman. We don't know exactly what happened in the timeframe between him winning and him becoming the Frontman, but we can safely assume that after loosing his wife, In-ho lost faith in humanity. The games have destroyed him, they turned him into the villain he is today.
And the thing is, when he looks at Gi-hun, he sees his past self in him. This was confirmed by both Lee Byung Hun (In-ho's actor) and the director of the show himself.
Or to be more precise, he sees his past self. He sees who he was before the games changed him. And this is what led to his fascination and obsession with Gi-hun, because here's the thing; the games traumatized Gi-hun, but they didn't break his faith and hope in humanity, like they did with In-ho himself.
And this is the thing that, in my view, both fascinates and deeply angers In-ho. Deep inside, subconsciously, he is thinking, "Why were YOU able to retain your hope in humanity? Why were you able to remain a good person when I couldn't?"
In-ho was genuine when he told Gi-hun he wished he'd try to be happy after winning (or to better say, surviving) the games. I find it especially interesting when he tells him "Just pretend it was all a dream."
In-ho wishes he could pretend it was all a dream, but he couldn't. Think about it: he's a billionaire, but he lives in a shitty, small apartment. He doesn't talk to his mother, he doesn't talk to his brother, he doesn't even go visit his wife at the cemetery. Pardon me for borrowing the phrase from The Hunger Games, but he's not living the life of a victor. whether it's because he feels guilty or something else, I guess we'll find out in the next season, but that's not the point. The point is, that In-ho wants Gi-hun to do what he wasn't able to do after he won. He wants him to be happy because he sees himself in Gi-hun.
This is the most important point in this post.
Now I wanna focus on these moments. During the second game, during mingle, and during the lights-out massacre, we see Gi-hun being absolutely destroyed over the players that were killed. He's undoubtedly blaming himself for it. And here we see In-ho staring at him, not with the look of love, not with joy at his suffering, but with sorrow. He's sad for Gi-hun, because he could have spared himself further suffering if he didn't stubbornly decide to go back into the games.
What In-ho is thinking right here, in my view, is; "See? There is no hope. There is nothing you can do. Stop torturing yourself, just give it up already. How much more pain do you have to go through before you give up? Accept you can do nothing and go on with your life. Try to be happy."
Now you might be asking, okay, but what does that have to do with romantic love?
Well let me tell you that these feelings I just described can easily and quickly turn into love.
Many philosophers over the centuries have come to the same conclusion; we see part of ourselves in the people we fall in love with.
"The Front Man believes that Gi-hun is wrong in his way of thinking, but perhaps, he reflects on himself through Gi-hun. He does want to destroy Gi-hun's belief. I felt that a small part of him, unknowingly, might be hoping for Gi-hun's thoughts to be right. And rooting for him in some way."
These words Lee Byung Hun said about In-ho, makes me think of Jacques Lacan's theory in particular (which is a rather complex topic and I will try to summarize as shortly and as simply as I can).
For Lacan, love, at least in the beginning, is essentially a form of narcissism. When we fall in love, we're also falling in love with ourselves. We see ourselves in the other person, but we also see in the other what we subconsciously think we are lacking in ourselves. Which doesn't mean the other person will fix us because, at least according to Lacan, this lack is something that can never actually be "fixed".
And I think that's exactly was is happening with In-ho. He sees in Gi-hun what he's lacking in himself. They were traumatized the same way, but reacted in two completely different manners. In-ho became cruel and disillusioned with humanity, while Gi-hun still believes in humanity and wants to save everyone.
I know that this way, 457 seems like a one-sided kind of love, but that's honestly my personal interpretation of the ship. I think Gi-hun could have fallen for Young-il, for the person In-ho was before the games, if they had more time. But the Frontman In-ho? The person he became after becoming the Frontman? There's no way.
Not all loves are meant to happen, not all lovers get to be lovers. Some are meant to just leave us wondering what could have been. Which is what makes transformative works so fun and interesting! From the canonverse toxic fics to the wholesome alternative universe flower shop fics, I think their dynamic is valid as fuck.
I rest my case.
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I love bombshell reader. Would she ever get jealous?
Your eye is most definitely twitching. The pull and cinch of your lashes and the delicate skin of your eyelid distracts you mildly from the sight in front of you, but not for long.
You rub at your eye with a perfectly filed nail, smudging intricate makeup all over the place. You remember your mascara only after you've mussed it and groan in annoyance. "Fucking fuck," you murmur, slipping a hand into your jacket pocket.
"You okay?" Emily asks.
Using your phone screen as a substandard mirror, you clean up the smudge you'd made of your make up with your pinky finger carefully. "I'm great," you say breezily.
"You sure? You sound stressed."
"She's jealous," Morgan says. Smugness lines his face and the otherwise handsome set of his mouth.
You roll your eyes at him, to his bemusement, and sit back in your cold, leather-backed chair. "Sure, Morgan, I'm very jealous. Of what?"
"Of our baby boy's new friend, obviously," he says.
You don't give him the satisfaction of looking back at Spencer where he stands at the bar, nor do you let the practised smile you're wearing falter. Your guts an aching wound and your skin flushed with heat, you reach for the cherry coasting along the surface of your drink and pull it out by the stem, twisting it between your fingers. Unbothered on the outside, and an insecure, hurt mess on the inside.
It really looked like Spencer was flirting with her.
You chew your cherry for much longer than you need to for want of something to do, hot tears begging to well behind your eyes. Spencer isn't your boyfriend, you've held hands a couple times and that's that. He's allowed to want someone else. Someone prettier, smaller, she'd had a head of perfect braids and a dewy, do eyed smile. Cherry swallowed, you knock back your drink.
"Sorry," Spencer starts, sliding into the booth next to you with another cherry sour for you and what looks like an ice cold glass of coke for himself.
You hadn't asked him for a drink and he hadn't mentioned getting you one. For a moment, the ugly weight of envy lifts from your shoulders. "Oh, thank you."
"I just met this girl at the bar and she had something very interesting to ask me," Spencer says.
You don't want to hear it. Morgan absolutely does, and with Emily to encourage him, they're happy happy torture you both. "Why's Penelope taking so long?" you ask, trying to change the subject too late.
"What did she want, loverboy?" Morgan asks.
"Did you think she was pretty?" Spencer asks you.
Mortified, you stare at him. Plainly hurt, to his surprise, you clasp your hands together tightly in your lap. "Why would you ask me that?"
"Because she wants to ask you out?" Spencer's knee bumps yours. "She thinks you're, quote, intimidatingly pretty."
Emily and Morgan laugh together gleefully. You're glad this is entertaining for them, but mostly you're relieved. You pick up your drink and take a sip, looking over Spencer's shoulder into the bar for the girl he'd been speaking with. She smiles shyly.
"I'm assuming this is from her?"
"What? No, that's from me."
Your gaze flickers back to him. "Really?"
"That's my boy," Morgan jokes, swinging his arm behind Emily's seat. She laughs approvingly.
Firmly back on stable footing, you give Spencer your stickiest grin, looking over his pretty face greedily. He's looking at your drinks rather than you but his torso is turned your way, the backs of his fingers brushing your stocking clad thigh. "Maybe I should go let her down gently?" you murmur, shifting in your seat to turn his way too, flirting with the idea of touching his cheek.
"You might not need to," he says.
"How come?" you ask.
"Well, I… I sort of implied you were taken. You know. With the drink. And I also might've said you weren't interested."
"Yeah?" You put your hand on his shoulder, tracing a whisper of a path up the slope of it to the base of his throat. "Well, it's a good thing I'm not."
Emily shakes the small bowl of roasted peanuts, a deviousness about her as she says, "Good for all of us. I've never seen Y/N that jealous before. For once, I thought we'd have to protect her from you."
You could kill her. Flustered, you tilt your head to one side and look out over nothing, mumbling, "I wouldn't say I was that jealous."
"No?" Spencer asks. "I can go tell her you've changed your mind."
"Don't push your luck, Reid."
#spencer reid#spencer reid x reader#spencer reid x you#spencer reid x y/n#spencer reid x fem!reader#spencer reid imagine#spencer reid fluff#spencer reid fanfic#spencer reid oneshot#spencer reid scenario#spencer reid drabble#spencer reid fic#spencer reid fanfiction#criminal minds fanfiction#criminal minds#criminal minds fic#criminal minds x reader
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🎂PICK A CAKE!🎂 II Who is your fs? + General Messages ( this second part wasn't intentional, kinda just happened lol)
Pile 1: 💚
• Your fs is very, very, very "segsy" I hear, haha (I was asked to spell it that way) they're giving me this very calming energy about them. They say "that's my mind baby" they're very flirtatious and could either be black, mixed or middle eastern, perhaps Arabic. This is more of my ethnic pile. I do sense there's the chance one of them has a beard–
Ooooh wait, one of them? Is there 2? Here I'm getting more of a masculine energy here so could it be you're not sure who your fs is and you're just debating what it is that you want? That's alright. I don't think that you're battling between 2 people, I think you're battling between 2 versions of yourself and 2 different ideals. What it is that you want and you think that you need. Or perhaps you might have a misunderstanding of what the kind of guy you want is. I'm getting some of you are in a relationship right now and you feel like things just don't connect. "You're a princess" for some of you, your father treats you well, listen to them because it's true when they say that you deserve better. Or perhaps you're involved in an arranged marriage, I feel that you still have the chance to step away from this it doesn't matter how far along you've been in this game, speak up now or forever hold your peace...
Anyways, I feel that your type is "the bad guy" maybe you like older guys or you currently like an older guy. If not I'm getting some of you, the person that you like is your fs but you're too stuck in your mind, waiting to be saved to realize it, that they're more than happy to develop something with you but while you dont have to take the lead, it's important to take the initiative and let yourself be known, let yourself say that you're interested, it's okay to let yourself be "saved" and pulled away from all of this but only if you tell them, otherwise they're going to keep on sitting back on their motorbike, completely unaware of your feelings. For a lot of you, you already know this person but they havent realized their feelings yet. Spark that initial light and set it all ablaze, they'll follow along and take care of the rest. But you have to communicate, they assume their silence is "self-respect" and they dont see you as a damsel in distress, reflect for sometime and see how you would like to go about all of this.
But in short terms who is your fs??
A guy that you already know that is somehow always on your mind even if you dont think about him much or hold heavy romantic feelings for him at the moment.
But just know this If you need it, he wants me to tell you: "I think about you too." For some of you "I think about THAT" too" perhaps a moment happened between the both of you. Be attentive and careful yes, but ultimately, at the end of this game we call life we all die. So follow your heart, choose your own path and cause a little chaos if you have to. But most of all, make sure you have fun 💛
I'm sorry if I didnt answer your question, but this is what's coming in.
Pile 2: 🧡
• Oh my god, oh my god, oh my god! Wow! Jeez, your first impression of this guy is going to be bizarre is not jaw dropping. They almost feel like they're a celebrity! If they're not a celebrity I feel like they're like a celebrity-look-a-like, they have a very similar face, tone of voice, even a matter of walking as someone that you like. This might be a singer/song-writter, actor for some or even a YouTube. I'm getting they might be in college and they could be white, I keep seeing Timothee Chalamet in my head but I'm getting he's more of a Tom Holland kind of guy, while your fs looks exactly how you want, he is a little bit more of the masculine kind. And for those of you who are a masc energy reading this I get the sense that, much like my fem readers I get the feeling maybe some of you actually want that "spiderman" type of love or a Tom Holland and Zendaya kind of scene about the two of you. I feel like you might, but I'm also getting that you need to not let yourself fall in a daydream too much, not because you wont have this but because you shouldn't reduce your partners and future romantic relationships into just this. I get the feeling that for some of you, your fs isn't who or how you think they are but they have traits of how believe they could be and what it is that you envision them like. But you should be flexible with this, just a little bit, I promise you'll have your dream come true but for many of you, he may sound a bit "manlier" perhaps you wanted him to have softer, more delicate features and he does but those traits dont encapsulate him entirely and for my fems, perhaps she may not be as tall as you like and maybe she might not hold traits like Zendaya but she's definitely gonna be your type. This energy Is just now coming in but some of you may be lgbt, have many types or simply are poly. That's great! But the same messages apply to you, you'll have your dream! You can have your cake and eat it too! But you have to step back for a minute and reflect for something, who are you? What kind of life do you want? Who do you want to be with? Why? Why not? I'm not saying tear yourself into parts but I'm really getting some of you ( I'm hearing "us" some of you dont separate yourselves from a group and see yourselves as individual persons in society and instead as a "unit" while is great, you are more than that) succumb yourselves to a lot of subcultures or reality just societal ideals of what you believe your life should look like. Take inspiration and make your own life worth living and stop looking at everybody else's as the "perfect guide book" to follow. There is no perfect anything and it's incredibly harmful to yourself and others to believe that there is, you dont know why people are the way they are or what happens behind closed doors. Follow your own path and make something beautiful out of you, even if it resembles somebody else's or looks completely different. Some of you need to come out the closet, haha, (once you feel safe and comfortable to do so of course). I'm been pulling in many directions in this pile so I'm going to cut it here. Know that you are okay and that the path you seek will find you but you need to let yourself realize that you're a unique individual with a mind of their own, let yourself have fun on the path that you walk on and choose if you want this one or not. You can get on an off of it as many times as you want and even choose a new one as many times as you like.
In short words, who is your fs? For some of you, you dont want a future spouse, you just want a life partner and a friend a you will find that, you will find the people who match you and fall into the right place. – For others of you, know that your future spouse is currently looking for you and they are exactly as you envision, if not better. The only thing about them is that you might have a couple traits off such as their nose or skin tone and perhaps ethnicity. They might have some "imperfections" as well that you might not think of, maybe they have braces and for some of you I'm hearing "knee surgery" so it's likely one of them has had an injury and either has a scar they're worried about or they have a slight subtle awkwardness to their walk. Dont worry so much about this, some of you overthink about these imperfections and for many of you I'm getting they're not even there and you're just anxious, I promise you'll be okay, haha. The universe knows your heart and it is good and full of love and that love will go into the right hands. You'll be alright, now go rest your pretty head, some of yall have been up all night 💤💤
Pile 3: 💜
• Wow. I cant even tap into your energy, I just tapped immediately into theirs. This personal is serious, this person means BUSINESS maybe even HAVE a business. They're not playing, they seriously want a commitment. I'm getting that they're a "hot mess" but they may just be very passionate. Much like pile 1 this personal may be black, if male brown skin, tall, tall, tall~ and very endearing gentle eyes. If she's a woman then by LORD she's gorgeous, likely darkskin, clear skin, lip gloss and possibly Christian, she takes her faith very seriously but as serious as she may be or come off she's actually so silly and goofy and just the sweetest soul to have around. She wont play about you. This won't apply to all of you but for some of you this person might be mixed and freckled or a red head, possibly a July Leo (or this might just be you) though this is for a few of you so take only what resonates. Your fs is very well read and well spoken, they're very educated although I'm getting for some of them they never went to college, for a few of you though they already have their masters or are on their way of getting it. They might have a similar background to you and or have the same political beliefs. Honestly what I'm getting from this is almost like a "background check" kind of vibe haha, they're like handing me a clip board and having me be your middle man and "vet" for them, I feel like you might be "hard to approach" or you dont just let ANYBODY in your energy like that, you dont just give anyone YOUR time of day and they're aware of that so they're not playing ANY games and getting straight to it and letting you know straight away why they are a great candidate for being your one and only partner. Although I am getting that they are kind of "flawed", not flawed as in bad but flawed as in, they come off as perfect but I believe you may somehow see through it, that while they are very confident and self sufficient and honestly, very, very, very remarkable, reliable and most of all loyal and dependable, they genuinely are a great catch..while you know all this you also know how they seem to be missing a piece of themselves, theres a loneliness in this and it's very gentle, very tender and childlike. They're very mature but ultimately, they just want love. They want love at it's rawest, purest form, they want to be infatuated with you, by you, lost in you, they want to crave you and admire you and receive at least fraction of that same love as well if possible. They're are a hopeless romantic and altho they may not show it at first I feel like you'll get that first wall to crumble without much effort, the rest of it will simply just dissolve the moment you're finally with them. This person wants something serious and if it applies for some of you even marriage and children or both. But even if you dont want this, it doesn't matter because they only see you and not a check list of things to cross out. They want to share something true with you and see how it blossoms into something beautiful.
This one has heavyyyyy 18+ messages in them, it was hard to hold back from typing them but for a lot of you before you go off doing the do with this person know that they are INTOXICATINGGGGG and soooooooo irresistible and they treat you sooooo so good so WRAP IT UP!!! BECAUSE THE TWO OF YOU HAVE VERY MATCHING ENERGIES AND ARE VERY VERY FERTILE SO IF YOURE NOT USING SOME KIND OF CONTRACEPTION (birth control, condom etc) YOU W I L L HAVE BABIES!!! 🍼👶🍼👶😭😭
Safe sex = Great sex, take care now✌
(I'm being so serious, wrap it up, some of yall dont listen, I get the heat of the moment might be fun or take you in but babies are a serious 18 year long commitment and if you're not ready for that please don't be hard headed and keep you and your partner safe. Thanks!! That's all bye! 💛💛💛)
#Maple's PAC#art#pac#tarot#pick a pile#fs#pac fs#pac future spouse#future spouse#future spouse reading#channeled messages#intuitive reading
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Relativity Falls Lore Concept- The Oracle and Bill
The Oracle:
I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.
(Assume she can change colors because I couldn't pick what I liked most)
This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.
The Oracle and Dipper:
(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)
Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.
I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.
Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.
He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.
Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."
In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.
I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.
Which leads me to...
Bill Cipher:
I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.
Child Bill:
Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.
It would be cool to see a world where Bill didn't accidentally kill his parents though.
Bill - Reincarnated Original
Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.
What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.
(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)
The drawback to this is that it feels a lot like covering old ground.
Simply Bill:
This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).
Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.
Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.
Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.
Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.
I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.
Overview:
- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.
- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.
- The kids may or may not be aware of this.
Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.
(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)
All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.
Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.
#fanart#drawing#gravity falls#relativity falls#relativity au#bill cipher#the oracle#oracle#dipper pines#mabel pines#stanford pines#stanley pines#i'm tired#long post#you don't have to read it#but pretty please look at the shitty drawings#they took my a long time collectively
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Read II
England Lionesses x Child!Reader
Mary Earps x Child!Reader
Summary: There's a reason you don't have sugar
You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.
It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.
They started teaching you how to read very early so you were fairly advanced when you went to school.
You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.
Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.
You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.
They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.
You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.
You don't count but it's definitely a lot.
Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.
You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.
"Er..." You say as you look at the selection," That one."
"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"
You frown. "No. Keep reading, Mary."
"Are you sure? I can take you."
"No, Mary. My book, please."
"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.
You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.
"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."
You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.
"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.
"Jesus, Mary! You scared me there!"
"What did you give my sister?" Mary demands," She's never been like this before."
"Like what?"
"Like that!"
Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.
"She doesn't do that! She's also not wiggly on the bus! What did you give her?"
Tooney winces. "I gave her nothing!"
Mary narrows her eyes. "What did you let Millie and Maya give her?"
Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"
Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."
Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.
It seems most of the sugar rush has disappeared now but then another problem makes itself known.
The bus goes over a series of bumps and you make a little aborted movement forward.
Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."
She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.
This is all their fault, Mary knows it.
It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.
"Juice, please," You say and Mary hands it to you," Sorry, Mary."
"It's okay," She says," It's not your fault. Do you want to continue your book?"
You nod, leaning against your sister, energy drained. "Yes, please."
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Mouthwashing, Dual Protagonists, and Captain Curly
While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.
By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.
It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.
In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.
Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?
Does Curly take responsibility?
Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.
And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.
In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.
I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.
When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.
But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.
It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.
I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.
The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.
She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.
He does not talk to Jimmy.
Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.
But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.
Anya talks to Jimmy herself.
She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.
Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.
Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.
He talks to Jimmy.
And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.
Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.
If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.
But Jimmy was there, and Curly made sure of that.
So, it's time to ask again. Does Curly take responsibility?
Well, yes.
But it's too little, too late.
As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.
Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.
#mouthwashing#mouthwashing spoilers#curly mouthwashing#jimmy mouthwashing#analysis & discussion#cw rape mention#long post
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Hey hey y'all.
I have some things to point out.
Thank you to @biancadoes1 for talking this stuff over with me and encouraging me to share my thoughts. 🩷
1. Look at how crowded Jake's side of the table is while Nicola has allll that space. Jake's items are ALL over the edge.
2. See that orphaned spoon in Nic's pic? Now look at the bottom left corner of Jake's pic where what could well be a spoon is hanging off the edge. Definitely not a match.
3. Isn't the picture of Jake oddly angled and weirdly more close up than Nic's? His shoulder and arm are also cut off.
4. Most people taking a selfie at minimum center themself and don't oddly cut off just one side of them if they are the only subject.
5. Isn't Jake supposed to be pretty interested in photography? Why would an amateur go so avant garde on a restaurant selfie?
6. The pictures to me look like they could have been taken by someone tall and left handed. Jake's is close to him and a bit awkward for it. Nic's is further away but she is nicely framed and level, but clearly shorter than the person taking the photo while Jake is about the same height.
7. Who do we know that is left handed and a prominent figure in Nic's life?
8. Oh, did you know that opposite handedness couples (like my parents) gain the habit of sitting with their non dominant hands together to avoid elbow bumping while eating?
9. That also makes hand holding while eating easy.
10. Who really, really, really likes holding Nicola's hand? Give ya a hint: his initials are LN.
11. Ignore the knife reflection in Nic's pic. The only thing I can tell you it that it's not Jake. It's not the color of his shirt. It could be a ceiling fixture for all we can tell.
12. They posted the pictures at the same time! ... so what? Maybe the person who took them finally remembered to send them? Maybe Nic was like awh shite we should post those and texted Jake. We will never know. Chill about it.
All this leads me to be very close to certain that there was at least one other person at that table. And I find it pretty damned reasonable that it could have been Luke.
And if not Luke? I'm fine with it. But I really think there are too many signs pointing to this being a meal with at least three people to just assume it was only Nicola and Jake.
/takes a bow, exits stage left
You laid this out way better than I ever could have, friend!
Everyone give @greeneyessmize a round of applause 👏👏👏
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<< 😺 | 😺😺😺 >>
Eddie doesn't think more about Steph until there's a knock on the door on Saturday morning. He sighs, knowing it's his duty to open since his uncle would take forever on his crutch. And because he's a good nephew and wouldn't make him do that, of course.
He doesn't bother with the peephole, his sleepy brain basically forgetting of its existence. It's only when he opens the door and finds Steph with a duffel bag on the other side, that he realizes he went to open the door in nothing but his old Iron Man pajama bottoms.
"Good morning!" Steph greets him with a bright smile that falters a bit when her gaze drops to his tattooed chest. Eddie couldn't imagine a sight of zombie and spider tattoos giving him any credit in her pretty, middle-aged eyes. She quickly looks back up to meet his gaze. "Did I wake you up?" she asks, looking apologetic.
Eddie shakes his head, hoping it would send his hair over his shoulders, and cover him up a bit.
"I did!" Wayne pipes up from the kitchen. He sounds way too happy about running into a cupboard on his way out of the bathroom.
"Good morning, Mr. Wayne!" she calls out, making Eddie roll his eyes.
"You can just come in, no need to yell through the whole place."
"Right, sorry," she steps inside tentatively, her hand clutching the strap of her bag. She's wearing a colorful windbreaker and her hair is tied up, showing off the soft line of her jaw and the beauty marks on her neck. She heads to the kitchen, seemingly already knowing her way around, and Eddie closes the door behind her. He quickly runs off to his bedroom (/guest room, now that he's on campus most of the time) and grabs a t-shirt to cover his nipples, tattoos, and overall unattractiveness.
"Visiting Robin for the weekend?" He catches his uncle's question when he steps back in.
It rubs him the wrong way, not knowing who Robin is. Is he Steph's boyfriend? Maybe they're doing long-distance? He returns to the ancient coffee maker he had abandoned to open the door.
"Yeah. I haven't seen Rob since last month. Our days off finally aligned."
"Can't you stay there longer? I'm sure Eddie wouldn't mind taking care of your cats for a day or two more."
"Hey!" Eddie whips around to glare at his uncle. The coffee maker splutters behind him. "Don't just offer my services like that," he scoffs. Then, he turns to Steph. "I wouldn't, though."
She chuckles and he grins, simply happy to make her smile.
"Try dealing with them alone first, and then we'll talk. But, you really wouldn't mind? If I stayed a day longer?"
He shakes his head.
"Not at all." He still has Wayne's words fresh in his mind. That people weren't kind to her, that she doesn't have many friends to rely on. "I'm assuming Robin is someone important to you?" he half-asks, leaning against the counter all casually.
Just the thought of Robin makes Steph glow.
"She's my best friend. We met at our first job serving ice cream."
Eddie's a bit embarrassed at the relief of knowing Robin is a girl. Still, a best friend is higher in ranks than your friendly neighbour's nephew.
"What's it been? Twenty years?" Wayne asks. Steph nods, making him whistle. "I couldn't stand any of my coworkers for longer than a shift."
"Maybe you're bad at making friends," Eddie butts in. "I've known Gareth since high school and we're still going strong."
"You guys are band buddies, that's different," Wayne scoffs.
"You play in a band?" Steph picks up, her eyes shining with interest that Eddie squirms under.
"Yeah, we play metal though. Probably not your stuff."
She shakes her head.
"Any music can be good when you put your heart into it. My friends listen to all kinds of weird stuff, I've heard everything from classical to experimental techno." She rolls her eyes. "I'd love to hear your music if you have anything recorded. Or you could give me a heads up if you're playing somewhere."
All Eddie can do is stare at her, dumbfounded.
"Uh-huh."
Wayne, bless his sometimes useful soul, saves his ass by changing the subject.
"Coffee?" he asks the stunning woman at their table. She's just sitting there, in the Munson abode at their kitchen table while they're still in pajamas like it's normal. Eddie wants it to be normal. Wants to sit in her lap and listen to her laugh.
She looks at her watch. It's white, she must be cleaning it often.
"I only have fifteen more minutes before I really have to go."
"Half a coffee then," Eddie decides for her, grabbing the mugs. She chuckles.
"Fine." She rolls her eyes.
Each of them gets their coffee, and Eddie notes Steph takes her with just a splash of milk. Before he can ask anything, to push their small morning gathering further into a friendly small talk, she reaches into her pocket to fish out her house key.
"I came over to drop the keys," she says, pushing them towards Eddie. "And if you have something to write on, I'll give you Robin's house number in case of emergencies."
"Sure, yeah." He nods, standing up immediately to look for the notepad they plan the grocery list in. In his haste, he catches Wayne's amused stare. He sends him a frown, but the man is already looking away, which only further agitates him.
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