#i get this all the time with just like. link's trauma in general too.

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[ubeb0nes]

HCs of Sevika in Love ఌ

Congrats champ, you bagged a baddie!

**Reader is fem!

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It's not that Sevika has crazy high standards. Her wants in a partner are actually very straightforward; it's just that most people lack the base integrity and self-accountability to even catch her attention in the first place

I really don't think she'd ever fall for anyone from Piltover, there's just too many generations of trauma accompanied by a life lived under their foot for her to get past. She loves Zaun too much to ever love anything to do with Piltover

That said, she's attracted to the ideals she associates with the Undercity; perseverance, strength (doesn't have to mean physical), adaptability and loyalty. If you have her love, you most certainly earned it bae

For her, it's probably an "oh shit"/"oh no" type of singular moment, when she realizes she's fallen in love

Either you got hurt or in some position where her true feelings were forced out of her, OR it's during an achingly soft moment where it's clear how loyal/devoted you are to her, and only her.

Absolutely spends months denying herself. She will try to distance, reasoning that you're both better off without the notion of love walling you in.

Zaun is no place for that, she thinks. She recalls Felicia and her husband, dying together on that bridge while a twenty-something year-old Sevika, at the time, watched them fall.

The pain to know you couldn't save your loved one in your final moments (even worse to leave two young children behind). She couldn't imagine it. Didn't want to. Sevika knew that her road would end at a violent last stop, and she didn't want you anywhere near that. She thinks about having met you in a different place.

…But she can't fully hide how she feels about you, not ever. She may oftentimes be rough and ruthless, but even at her worst moment Sevika isn't a cold individual. She's too passionate about you, cares too deeply for where you are and how you are

So when you show up at her apartment to yell at her for being so cruel, for shutting you out of her heart instead of being a grown-ass woman and telling you what the fuck you did wrong, she lets you.

She lets you yell until you've tired yourself out, and then she pulls you into that embrace you missed so much. You hit her shoulder or her chest, weakly, because you love her like crazy and never wanna actually hurt her, and tell her to fuck off.

"I didn't wanna push you away, dumbass," she'll say to you, softly, as she presses a kiss to your ear, "You think I don't want you with me all the time? To tell you I love you and shit without it coming back to bite us in the ass? Of course I do. Of course I do. I just… I don't know how. But I'm gonna fuckin' learn, doll. I promise."

"You… you love me? Really?" "Doll, I don't even let Silco talk to me like that." "You asshole-!"

You're mad, but not really. How can you be? You two will make this work, she already gave you her word.

It's more likely for you to move in with her than vice versa. She lets you go ham on adding your personality to her living space, she doesn't have any strong preferences besides cleanliness

Always says I love you before she goes to work. Just in case. If you mess with her and don't say it back, she will get up in arms about it within two seconds of silence

"I could die, you know." "Babe, I'm just joking!" "Do you see me laughing??"

Obviously, lets her drama queen side show more. She's just all-around looser once she confesses.

She makes sure you know how different you are from others, how special you are. Even her posture is different the moment you're within arm's reach

Body language and physicality are Sevika's main fluency. When in love, you notice the way she angles her body protectively around yours in public, or how she always urges you to link your arm with hers when you walk.

You notice that she almost looks… smaller at home. You realize this is on purpose. She makes herself less intimidating when it's just you, lowering herself to your level and opening her posture to you

At home, she likes kneeling by your side when you're sitting on the couch, checking you over or pressing slow kisses to your hands.

Devoted, devoted, devoted. She never wants you to forget.

Every time you call her name, she always stops what she's doing to give you her attention.

"Sevi?" "Yes, baby?" Every time. It's grounding for you both, in a way

Her henchmen become your henchmen. They know better than to say no to your requests for their help. (Ran is down for antics with you regardless!!)

People all over the Undercity start to recognize you as "Sevika's woman". Not her "girl", you garner too much respect for that

You are the only person Sevika answers to besides Silco. Her close circle teases her that you turn her into a little lovestruck puppy

It's really only them who are even capable of teasing her about this, because her changes in behavior are so minute but so important

She puts out her cigarillos when you sit down with her. She always shifts you over to her left side (the side most capable of protecting you). Her eyes start scanning the room more frequently than before you'd arrived.

She figures out over time that she was wrong. When she holds you against her while you sleep, and you grab her hand half-consciously to press kisses to her wrist, she knows you don't make her weak

When you whisper that you love her against her neck while you sway in the kitchen, moving to whatever music vibrates from the depths of her beloved city, she knows you don't make her weak

When you pull her back together without fail, remind her that she is more than just a grunt in a revolution, a soldier that can be replaced, she knows you don't make her weak

There isn't anything she wouldn't do to get back to you. She has to live long enough to know what a good life in a liberated Zaun looks like with you

[prettyinpwn]

Stan Pines: A Masterclass in Character Writing and Symbolism AKA Stan is Godly, Literally (GF Writing Analysis Pt. 5)

If you're interested in reading a similar writing analysis on Ford Pines, please visit this page.

I've wanted to write a post on Stan for a long time, because I'm going to make a bold claim: he is THE best written character in Gravity Falls. I literally have never been able to find a flaw with his writing, and the reason? Not only does he have the markers of quality I mentioned in my post about Ford's writing (a want, need, character arc, realistic flaws), but...

I would also argue he is THE main protagonist and hero of Gravity Falls if I had to pin it down to just one, and his character arc matches the external conflict, that being Bill Cipher and the theme of growing up vs. staying in childhood and ego vs. selflessness, in ways that are just - and I'm not exaggerating - poetic. And the best part is, he had a lot more time and attention in the spotlight in the show than Ford, so everything I mentioned in the other post that was good about Ford's writing, ramp that up x100 for Stan.

His character also touches on multiple other fantastic themes: breaking generational trauma, healing broken familial relationships that seem unfixable, redemption, the misunderstanding of the family "fuckup" (although Stan is not that in the least, but that's part of his character arc), positive masculinity, true brotherhood, self-love, self-identity, and probably a million others I'm missing and will find out even just as I write this.

As for the godly part, well... you'll just have to read to the end. And no, I'm not kidding or exaggerating, either.

Okay, okay, gushing aside, let's get to the analysis. I'm not sure this will be as neatly structured as Ford's was, but there are just so many damn good things about Stan's writing that it's hard to stick to just one point. Let us begin.

Stan's Backstory: I Am Not Ford and That's Bad + Protecting/Providing for Family > Everything Else

So as I discussed in my post about Ford linked above, much of Stan's childhood revolved around Ford. His entire existence as a child was summed up by one question: how do I compare to Ford? This is especially emphasized in how their father, Filbrick, treated them. One of the end credits ciphers in the show reads as follows:

"A STUBBORN TOUGH NEW JERSEY NATIVE, FILBRICK WASN’T TOO CREATIVE, HAVING TWINS WAS NOT HIS PLAN, SO HE JUST SHRUGGED AND NAMED BOTH STAN."

Haha, very funny. But OUCH. Imagine knowing that your whole name is your name, was because your father only expected one son and was too lazy to come up with anything else. So literally, Stan doesn't even have his own name - his own identity - technically. Stan also was apparently the second twin born, so came in "second" even from birth, and being Ford's (either identical or very similar fraternal) twin, well... it's hard for someone to untie their identity from their brother's with those factors surrounding them as a kid.

There are many other factors that illustrate my point (Ford got Filbrick's name as his middle name, the way Filbrick literally put Stan on the lawn for sale as a kid for failing a test, etc). All in all, Ford receives their father's love, Stan does not, although we could argue that this isn't that great for Ford, not really, as I did in my post on his writing. Because it's a love that comes with a, "I'd also like to use you." attached (just like Bill, gee).

All in all, it's very obvious from all these context clues that Ford was the beloved one, and Stan was the unexpected one, from birth to the end of Gravity Falls, where he uses that to his advantage - albeit in a different context - to defeat Bill Cipher.

Worse yet, Stan happened to have a twin that was extremely smart and talented in a way that was easily noticed. Ford is a Golden Child, as I described in his own writing analysis post, and siblings of the golden child like Stan? Well... the other sibling(s) are often the Scapegoat. As the source in the last sentence states, the Scapegoat is "often blamed for family mistakes, discarded, neglected, and has been gaslighted into believing it was their fault. The scapegoated child is usually assigned at a young age and often carries this role through to adulthood and never loses the unfortunate title.". This can highly affect the Scapegoat's self-esteem, even into adulthood.

This page also covers the Golden Child vs. Scapegoat dynamic. Pay attention to these quotes from this source:

"You are the one the parent will come after when things are going wrong."

"You are subjected to their emotional and verbal abuse the most."

"You may even feel like you need to fix your broken family."

Also, take into account these panels from the comic, Lost Legends, released after Gravity Falls ended:

Yikes. A child doesn't say these things unless a parent has taught them that everything they do is wrong and they are lesser than their sibling. This kid's noticed how Filbrick looks with pride at Ford, but not him. And here's the thing: the item Stan stole in this comic that made Filbrick mad? Stan did it to clean it to make his father proud. Sound familiar? In the events of Gravity Falls, Stan works on the portal for thirty years and gets Ford back, and he gets... yelled at for it. Stan always has good intentions. Although, Ford has a point in the above comic panel: Stan does take shortcuts that get him into trouble. He did almost get jailed by the US government and end the universe to save Ford.

But this is a consistent theme with Stan's character throughout the show. Even WE as the audience first see Stan the way his family did - a conniving scoundrel and money-grubbing criminal - but through the events of the show, just as Stan's family starts to realize it, even when Stan does things that seem bad, like stealing radioactive waste, working on a portal described as a potential cause of the end of the world, has a ton of different identities, etc... we find out Stan had good intentions all along.

Even Stan's greediness? That need for money? That also stemmed from the same good intentions, because how ELSE was he going to afford Ford's mortgage to keep the Shack in order to keep working on bringing him home? It was also likely something ingrained into him from when he was kicked out. Because Filbrick told him, basically, until you make us the money that Ford losing his chance at West Coast Tech cost us, GTFO. Literally. :'(

So Stan... really IS not what he seems. He seems like a fuckup, a criminal, a liar, and a greedy conman. But really... he's a family defender, protector, and supporter. Want to have your mind blown? Intentional or not, let's look at the very first scene we see Stan in in the series:

"Oh look, I'm a monster!"

"Just kidding, I'm not. I'm someone else under what looks like a monster."

Yes. Stan's whole character arc is foreshadowed in like... three seconds in the first episode. The very first time we see him. Not just his arc, but also his role as someone that seems deceptively evil but is actually good. And not just the arc that Ford and Dipper take from distrusting Stan to finally understanding his good intentions, but also the realization WE as viewers have about Stan as we follow the story. Additionally - which we'll get into later - it's symbolic of Stan's internal character arc he takes across the series of realizing he himself isn't the monster that his father planted in his mind as a child, but a good person worthy of love.

All of that... in a few seconds of animation. If that wasn't intentional, then DAMN did the writing gods smile on the Gravity Falls team the day they planned this scene. Back to the point about who Stan really is: the family "fuckup" (not really, but we'll get to that later), and a family defender and protector. This is the true core of Stan's character throughout the whole series. Not only was he Ford's defender as a child, protecting him from bullies, but you know those scenes the fandom universally agrees on were Stan at his most badass? Ahem...

"Everything I've worked for, everything I care about, it's all for this family!"

"Turn around and look at me, you one-eyed demon! You're a real wise-guy, but you made one fatal mistake: you messed with my family."

Yeah. Look at what Stan is doing in EVERY single one of these scenes: protecting his family. And as bad as Filbrick was, just like I explained in the post I made about Ford's writing... Filbrick also passed down some things to Stan that make him the hero he is. And it's also stuff that Stan passes down to Dipper:

Yeah, it kinda sucked for Dipper at the time. Was it a perfect way of teaching a child to be tough? Er, no, although another mark of a well-written character is that they can make mistakes and have flaws; Stan's not perfect. And the fandom has criticized the way Stan passed down this lesson to Dipper, because it can be considered very similar to the way Filbrick passed it down to Stan. But look what it did: when the world fights and threatens his family, just like Stan, Dipper fights back. With punches, too:

So... to summarize this first part: Stan was taught from childhood "I'm not Ford, and that's bad. I am a monster unworthy of love that always messes up.", and his role is a family protector, which started with how he protected Ford from bullies as a child. This is the core of his self-identity. So let's get into the writing techniques that make a well-written character that I discussed in Ford's writing analysis post...

Stan's Core Want vs. Need

I'll quote my explanation of want vs. need from my own post on Ford I made about a year ago:

"When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:

1. Their want.

2. Their need.

On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.

But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?

This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.

Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.

So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."

I'll summarize Stan's character writing using these concepts right here, like I did for Ford in his analysis post:

“I want to be Ford because I want to be loved like he is, and I want to protect those I care about and do the right thing. But what I need is to realize is that who I am - not Ford, but Stan - was good enough all along, proven by how I've always protected those I care about, and I never NEEDED to be Ford in the first place. This stems from a wound from my childhood where I was a scapegoat child treated like a fuckup who never did anything right and could never measure up to Ford, and was conditioned to think that being like Ford was a ticket to earn familial love. I had what I needed all along: myself, because I am good enough and worthy of love, despite what my father taught me."

Stan's Arc: I Am Not Ford... and That's Okay

AKA Stan's arc is basically: learning to love yourself and be yourself, even when you were conditioned to think you have no value. Don't believe me? Guess what Stan does for thirty years: pretends to be Ford. And he literally does it by pretending to have died. He "kills" Stanley Pines AKA himself in a staged car crash to become Stanford Pines.

And guess how he defeats Bill? By pretending to be Ford. His greatest weakness is actually his strength, and then he flips it: he reveals to Bill that he's not Ford, he's actually Stan. And THAT'S when the antagonist of Gravity Falls is truly defeated - an antagonist that represents stasis, lack of change, and with The Book of Bill's context, an antagonist that never freed himself from his own past - is when Stan learns to accept himself and admit who he really is and learns to let the past go. And it's telling that this is what he says when he does it:

"Heh. Guess I was good for something after all." AKA: "Yeah, fuck what Pa said about me."

There it is. The moment of Stan realizing his father was wrong, and he was wrong for thinking himself a fuckup all those years. And this is the expression he pulls at this moment of realization; at the peak of his character arc, all while burning in flames like a phoenix reborn. It sounds corny when I put it that way, but LITERALLY, all the fire symbolism feels like it wasn't foreshadowing Stan's death, but his rebirth as himself after pretending to be Ford all those years. He's not burning who he is, he's burning away who he thought - who he was told - he was. Funny that it takes place in the mind, huh?

This is the face of a man who is at peace and finally loves himself for the first time in his life. That ain't just his mind burning. That's him punching his demon that's haunted him and his brother their whole lives, protecting his family as always, and, symbolically, punching a demon that represents the show's overall antagonist of the shackles of staying stuck in the past, forgiveness, and the value of moving on. He literally punches the antagonist - staying stuck in the past - to pieces and THAT'S when he wins.

Also, can we talk about how Bill and Filbrick share color schemes, and Filbrick even has a brick-like pattern in his suit (also, I mean... come on, he's got 'brick' in his name)? I'll let you make your own conclusion about what that means for Stan's character arc:

It's also telling that Bill Cipher's backstory is that he burned his home dimension and loved ones - including his family - to ashes. The Axolotl - Gravity Falls' equivalent of basically God, from what I can tell - says himself about Bill in one of the books released outside of the show:

"Saw his own dimension burn. Misses home and can't return. Says he's happy. He's a liar. Blame the arson for the fire."

Bill misses home. He wants the past and to hold onto his family, just like Stan and Mabel do. Isn't it funny how whenever Bill shows up... time stops?

And look what Bill says in Weirdmageddon: "This party never stops! Time is dead and meaning has no meaning!"

Time stopped. He just wants fun. He's almost like a child that never grew up. And... look at what it was that Stan wrecked in A Tale of Two Stans as a teenager:

A perpetual motion machine. That thing that's not supposed to stop, just like time. Stan 'breaking' time by wanting to hold Ford in the past, with him, instead of leaving him to go to college while Stan was stuck in the past/Glass Shard Beach? That's what broke their brotherhood.

But what makes Stan a hero, and Bill a villain, is that he lets go of the past and his childhood. Bill never does. And he's defeated when Stan lets go of the past, something Bill never did. Why? Because he has family to make facing the future easier. He has familial and self love. Bill doesn't, because he killed his own. (Sorry, got off track again, but Stan's arc and story ties so deeply to the other characters' and the main themes that it's hard not to take some detours, because it illustrates just how well-written Stan is. Gravity Falls' story IS his story.).

Wanna know something cute? Wanna know how Stan realized he had worth during that scene after he defeats Bill? Why I'm betting the show runners showed Stan clutching to a picture of Dipper and Mabel as this happens? I'll give you one guess why Dipper and Mabel are so important to Stan, and why he clutches to their photo even as his mind is burning apart in the finale:

They're the first family members since Ford (whose love he'd lost) who loved Stan for who he was, not for who they thought he should have been. Mabel trusting Stan in Not What He Seems is basically the first damn time Stan's heard in thirty plus years from a family member that, "Hey, I trust you have good intentions and aren't just a lying fuckup. You're not a monster. You're not what you seem.".

Also, he's protecting his family. That always makes him happy, too, of course.

Ego Death and the "Stan is Godly" Part

Yep, we're taking this analysis post train all the way to "damn this is deep and PrettyinPwn is likely crazy for noticing it" station. The only reason I'm tacking this part on is that I saw a Q&A with Hirsch recently that sparked my attention. He was on his The Book of Bill tour, and someone asked if there was anyone more powerful than Bill in Gravity Falls lore. Of course, Hirsch said the Axolotl, but what he said about what Bill vs. the Axolotl stands for caught my eye:

The video in question. The question and answer starts around 21:22. The quote I want to point out is, though, is what we learn about these two beings:

Hirsch: "Bill's weaknesses in terms of his overconfidence, his ego, and his lack of ability to focus on one thing at a time are things that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him because of those things."

So when we boil the conflict of Bill vs. the Axolotl down to simple terms - what makes evil vs. good in the Gravity Falls universe - is this: ego and selfishness vs. no ego and empathy.

Guess which characters wrestle with these themes? The correct answer is: ALL of them. But especially Stan and Ford. This is really what their conflict is about at the core. They both struggled with ego and selfishness, and that's when - in the story - they lose most. But they win when they choose selflessness and empathy. When they... drum roll, please... partake in ego death.

Well, let's describe an ego death. First, we must define what an ego is (source for all of the following quotes):

Ego: "The ego is a sense of self that you develop at a young age." and, "-relates to your feelings about your own importance and abilities.".

*cough "I'm the family fuckup and poor man's version of Ford because that's what people taught me to believe in my youth." cough*

And an ego death "-is the (often instantaneous) realization that you are not truly the things you've identified with, and the "ego" or sense of self you've created in your mind is a fabrication. In some instances, it can offer a profound feeling of peace and connectedness with all that is, as the walls of separation the ego creates come crumbling down."

*cough "I'm not Ford's poor copy, I'm not a fuckup, I have worth, and I realize this in my literal mind as I pull this expression-

-of total peace as the walls of my mind literally BURN around me" cough*

And, "When one comes through on the other side having released all the things they've identified with, with only their true spirit left, Kaiser says, they begin to live from a place of pure love."

*cough "I'll hold a picture of the ones I love and realize self-love as my mind burns around me because this is who I really am: a man who protects and loves my family and my family loves me" cough*

Cheeky asides, well... aside, are you seeing what I'm getting at, folks? Look, I can't prove that Hirsch and crew intended all this, but in my opinion: you wanna know why there are so many gags of Stan or versions of him melting or burning in the show? Why fire is such an important symbol surrounding him? Why there are so many times he's killed his own identity and became a "new" man again and again and again, be it as a young grifter, or as a drifter who became his brother to bring him back again, or as an old man who "killed" his own mind to save the world and his memories returned?

Because it's ego death. The rebirth of true self from a lie you were living. That's literally what Stan's arc is a metaphor for. Even better, he reaches his character arc's zenith when he does this:

That's not an old man punching a stupid little bastard. That's an old man punching what threatens his family, punching his own past, punching his own demons, punching his brother's demon, punching his prior identity, and - given that we know that Bill is a symbol of ego now - punching the personification of literal ego and letting it burn. There are, let's count, seven symbolic meanings in that punch at the very least. Maybe eight if you count that the rightside-up triangle is the alchemical symbol for fire, and by Stan beating it, it's symbolism of his defeating the fire that's eating his memories AKA why he gets his memories back. I could find more, probably.

And yes, the chubby old conman we love so much - and is the opposite of spiritual both in action and in Hirsch's words (he's said Stan is an atheist as an adult) literally has a character arc where he attains spiritual enlightenment that aligns with the god of the Gravity Falls universe - the Axolotl, who has no ego as Hirsch said - hidden under many layers of symbolism. I don't know if Hirsch and the writing crew planned this with Stan, but holy damn... this is what I meant when I said that Stan is the best written character in Gravity Falls, even if this part was unintentional. There are just so many layers of meaning here.

And the best part? Stan was this hero all along. Everything we cheer him on for - be it punching zombies to protect his niblings or spending three decades of his life trying to get his brother back - is when he's being selfless and empathetic. We love Stan as a character because he has a big heart. He's a good person because, as we described above, he is - through beating ego in a universe where its god represents a lack of ego - godly.

No, fangirls, put the sexy Hunkle art down. I mean literally spiritually godly in the Gravity Falls universe, at least in the way good and evil is portrayed in the themes and worldbuilding. No, I'm not exaggerating, either. Let's return to that quote about the Axolotl's powers and why he's stronger than Bill:

"-that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him (Bill) because of those things."

Well... guess what Stan does? He loses his ego so hard he regularly kills his own identity multiple times in his life and goes through a symbolic ego death, he thinks on a long scale (thirty years long), and is empathetic and selfless to the point of sacrifice. And the Axolotl in real life lore? Xolotl, the god of Aztec myth? Guess what he's a god of (source):

Why I highlighted "vulture"? Honestly, this is just a neat little thing I wanted to point out, and was a part of a massive theory I was writing about Stan and Bill that sadly never came to fruition (although I may return to it someday), but here's a hint: what was Stan and Ford's school mascot in New Jersey?

I'll let you take away from all the above what you will. Let's just say: there are a LOT of similarities between Stan and the Axolotl and its real life god counterpart, Xolotl. Does that that mean he's literally the Axolotl when I say he's godly in the Gravity Falls setting? Maybe not.

Here's one last odd something that caught my eye. This is also a leftover from that theory I mentioned above, but I'll just... leave this here, because I don't think anyone else has ever pointed it out before and it expands on what I've been talking about:

Stan in the opening. The first time we see this guy, technically. He's sitting in his favorite chair. And as we all know, he turns to look at something. But just where the hell does he turn to look?

Half of you are like, "Well, what? What's he looking at?". There's a blue glow to his right, and you know what that blue glow is? The tank, which happens to have...

Could be a coincidence, maybe unintentional, but it's... kind of odd, not gonna lie. To have a character that embodies the traits of the setting's god look over at the setting's god the first time viewers see him. Just... a bit strange... and Xolotl was also a shapeshifter god, and given that Stan goes through so many identities in his life... and axolotls are able to regenerate limbs and so are a symbol of healing and rebirth like Stan - whose whole story is about healing and having multiple "rebirths" - is...

Anyways, I've gotten far off track mentioning things from that theory just for fun that I never posted. I may still post it, so I won't spoil all of it or list any more of the very odd coincidences between Stan and the Axolotl, but all you need to know from this post is that Stan shares a lot of similarities with his setting's god in symbolism, and embodies the power of the Axolotl AKA godliness in the Gravity Falls universe: no ego, selflessness, and knowing how to play a long game, because those are exactly the traits he uses to defeat Bill, as well as the traits that help him resolve his character arc wound.

So... now what?

I'm not really sure what to put here, to be honest. This post was a lot more meandering than Ford's was, but that's because there are so many different aspects of Stan's writing that are amazing, especially in symbolism. I hope it was coherent and made sense. A part of me was considering leaving out the ego death and Axolotl parts, but I thought it interesting enough to keep in. Let me know your thoughts!

[rayday-mayday]

I seriously don't get why antis believe that SA ( or just sex in general ) and violence are so far removed from each other. Like, of course there's how both rape/SA and violent actions ( murder, battery, etc ) are illegal and harmful, but there's a lot more on top of that that links the two.

Like, there's how SA aka Sexual Assault literally has the word "Assault" in it. You know, which is a crime of it's own that involves physical violence sometimes. Saying rape/SA of any kind and violence aren't the same/linked, inherently takes away the violence of rape/SA.

We could also take a look at the BDSM scene, where stuff like choking, spanking, bruising, biting, etc are quite common kinks that obviously go alongside sex, which, once again, links the two subjects.

There's cannibalism which is inherently violent, but often sexualized in multiple different ways. Be it the classical soft vore fetish art you see online, or the metaphors where cannibalism and sex are woven together to show some deeper meaning.

And there's also how classical horror media and ( fictional ) non-con media can produce similar reactions in people. I know personally that when I read yandere x reader fanfiction ( both with- and without non-con elements ) it gives me this form of rush that has helped me cope with the urge to be abused. And just here a bit ago I was playing Doors ( yes, the Roblox horror videogame ) which gave me a similar rush of adrenaline.

I know part of the appeal of monsterfucking at times also ties into the fear and horror of the creatures, which ties into the violence and destruction these monsters can commit.

There's also how both violence and sex can be practiced safely if everyone involved is consenting, and have the proper safety precautions in place; and how both can also be traumatizing if done without consent and/or without the proper safety precautions.

As you can see just by those examples, sex, violence, fear, and trauma are incredibly closely linked. This isn't to say that sex is bad or that violence is good, but that denying that all those subjects are tied together, or that saying they aren't similar, is just flat out wrong.

Tbh there's probably more examples out there, too, but those listed above are just the ones I can think of at the moment. Feel free to add onto this in the reblogs/tags/comments if you can think of any. I just wanted to ramble about this after I realized how similar the rush I get from horror games is to the rush I get when I read darkfiction.

[rootspiral]

Agatha All Along deep dive: episode 4 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7])

agatha once again protecting billy with her whole body.

"I didn't think it was real! I thought it was me, that it's my fault that I can't keep a job, that everything I touch turns to shit! That I couldn't save her!"

The poison drips through (yes I love Succession). Generational curse, generational trauma. The pain of who knows how many centuries of parents and grandparents and great-grandparents times a thousand. It's like a boulder that you're carrying around on your shoulders, and you can't see it and you can't put a name to it, how could you? How can you possibly know why your mother drank herself stupid, why your grandmother abused her children? You were born yesterday and drank all that poison without knowing what it was, you let it take it over and you walk around spreading it to the world.

And amidst all the pain, alice only ever chose to blame and hurt herself and she was always gentle to others. her biggest regret is not having been able to save her mom! you know why alice never turned into a villain like agatha? because her mom loved her. as simple and as that. lorna was so ill-equipped to save alice, she didn't know what she was up against, she was in a world of pain herself. and she went above and beyond to show her child how infinitely precious and loved she was.

oh wow, I usually say I'm crying as a figure of speech, but I am crying for real thinking about this.

lilia who has lived so long and experienced her big share of suffering, knowing all too well what alice is going through. there's so much compassion in her voice

jen stubbornly refusing to care about anything but her own pain, which is actually a very human way to respond to trauma? it's like she's at a crossroads and it's up to her to choose whether she goes back to being the force of good she used to be, or whether she goes down agatha's same path. I say it's up to her because it ultimately is, but she was so lucky finding this coven and community at such a crucial moment. agatha didn't have any of it.

no! don't apologize, you beautiful, generous soul! the sense of guilt and inferiority complex is real

agatha's face when billy is attacked

she starts running toward him even before alice

but when she gets there she freezes and lets alice go check on him

when she sees he's fine, she sighs and collapses against the door, clutching her chest.

lilia is really starting to get attached to everyone, and throughout her life love and loss have always been inherently linked. she already knows she's going to lose them.

okay jen refusing to leave the circle is still funny, I'll give her that

through all this rio has been watching and studying agatha, she always does. she knows that her diabolically smart wife loves to be in charge and come up with plans. she's being encouraging!

look at how small alice is! she's been helping and consoling billy just a moment ago, despite being miserable herself.

first of all, that's hilarious, so jot that down. second of all, you know agatha is so relieved she has to put on a show instead of doing something icky like, idk, sitting in a circle and talking about their feelings. and look at rio at the drums, she's already put all the clues together as well

oooh, she's doing the thing! she's detectiving! agatha harkness ladies and gentlemen, her hobbies are women, murder and puzzles.

and who gives her the solution? who has had millennia to study and commiserate human love and grief? she says it and she looks at agatha so pointedly.

The song that's so irrevocably linked to Nicky's memory, the song that she's been desecrating and using as a means to kill. A mother took it and poured all her love into it and made it pure again. Agatha has to live with that now, and you know that's going to take root inside her and affect her no matter what

this whole performance is patti going I might be singing backup again but watch me be a total diva about it

I LOVE YOU PATTI LUPONE

you'd think that alice should sing lead vocals here, seeing as it's her trial and her mom's song and all. WELL THINK AGAIN

the massive ego agatha has, honestly. you gotta respect that.

the feeling when you are the only normal person in a group of total hooligans. did I already say how gorgeous sasheer looks in that outfit? no I didn't. you are an apparition, sasheer.

but I want the song to have its own separate entry so hold on tight, brb

go to episode 4 part 5

[irukasito]

Following the idea that Kakashi gave up parts of himself while in ANBU, I don’t think I’ve ever seen anyone talk about how and when he and Iruka came into each other’s lives. I mean, you start off thinking that Naruto is the only link between them, but once you get to Shippuden it’s revealed that they took a mission together before Naruto was a student to either of them. And this turns their dynamic on its head, because suddenly they exist outside of the co-parent dynamic they get put into and become more three dimensional as characters because of how they influenced each other.

We don’t know much about the mission itself, except that Iruka was hurt because Heart Too Big™️ and that Kakashi tried to take responsibility as captain when questioned by the Sandaime (which probably poked at his own trauma around letting comrades get hurt but thats beside the point). While I do wish we could have gotten an episode or two about that mission, we know all we need to know from what we’re given, specifically that the versions of Kakashi and Iruka that went on that mission were unevolved versions of themselves (compared to how they’re portrayed in the present) and that the versions of them that came out of that mission were changed, or would be changed.

Iruka, for example, realizes and passionately proclaims that he now understands his role as a shinobi is not in the field, but in the village as an instructor passing on the will of fire to the next generation. This clarity changes and sets him on a path toward teaching Naruto later on. Kakashi is changed by virtue of witnessing Iruka’s commitment to not just the will of fire/the village but to future generations. 

The Naruto timeline is a mess, but I do think that the Kakashi watching Iruka and the Sandaime talk is the version of Kakashi that was recently discharged from service as an ANBU (the ages line up well enough). This Kakashi is still jaded and disconnected from his purpose as a shinobi/person after years of working as a weapon for the village in its shadows. You get the idea from the Kakashi ANBU arc that, for all that time, he ran missions like a machine and lost sight of what it was all for. 

(This is also when it becomes clear that they’re foils for one another. The version of Kakashi on that roof was still functioning in the same ways he used to in ANBU, exceptionally skilled and emotionally distant, just under a different title/command,and Iruka, in comparison, was just a chuunin, too emotional and immensely dedicated to the village and its people/will of fire.) 

The scene on the roof is a wake up for Kakashi in terms of reminding him why he does missions, what he’s protecting, etc— it’s sort of a redux of Obito’s speech about comrades and Asuma’s king allegory, which is why I think he (as its alluded) attaches himself, trusts, and seeks out Iruka so often throughout the series and bonus materials (at least in a way he doesn’t for anyone else, that we can see). Iruka, and his dedication/essence/drive, is something he recognizes as invaluable and worth preserving because Kakashi understands that’s what preserves the village, ultimately. Not war, not missions, not killing, but protecting the people in it and a vision for the future. (Sidenote: this is also why Iruka is there in the early seasons when missions get handed out.)

I’m rambling, but to reiterate, hearing Iruka talk about the will of fire and the future pulled Kakashi back into his body after so many years of being in fight or flight, his humanity pushed aside. In fact, the passion Iruka showed made enough of an impression on Kakashi that he remembered it and noted its absence years later when they were on the bench (“there’s no spark in your eyes”/ “your eyes had a spark back then”). I don’t doubt he committed the moment to memory, sharingan be damned. 

 I say this alot, as a proud Iruka supremacist, but Iruka is the will of fire. The Sandaime recognized this in him and nurtured it. Kakashi recognized this too and helped/protected him throughout the story by listening to him (the bench), assuring/comforting him (regarding Naruto in the earlier seasons), encouraging him (the vice principals exam), and saving his life even if it meant putting his own in danger (the 3 kunoichi from Takigakure, Pain). 

And if Iruka is the will of fire, then Iruka is the personification of Kakashi’s purpose and a major facet of his humanity. And while the jokes are funny, their relationship goes far beyond just being co-workers or co-parents to Naruto. Iruka helped turn Kakashi from a blade to a shield-- something that gets underscored in Kakashi Retsuden when he shows Kakashi the non-lethal way to restrain enemies, as Konoha implemented different measures under him-- and Kakashi helped him stay on the path he was meant to be on. Not to mention they grow so much closer as time goes on, taking care and confiding in one another in different ways. It’s a really beautiful relationship, whether you see it as romantic or not.

[journen]

do you have a list of good CoD fanfics, or favorite writers in general?? <3

Presented in no particular order, here are some of my personal faves / fics I really enjoyed, and my own summaries for them. Hopefully you enjoy, thanks for the ask, anon!!!

I didn't tag all the authors because I'm not sure if they all have tumblrs, but also I'm shy tagging people ahjdfhkaheje. If any authors here are mentioned tho and you have a tumblr, feel free to lmk and I can update this post to include your tag!!:)

Anything rated mature I colour coded the name in red, and anything explicit green. Not all the mature fics feature smut, but yeah! I didn't want to link anything tooooo explicit here, but if anyone wants any, I can definitely rb this post to add a few more 😅

Also, just beware the tags on any of these fics because some feature kind of heavy subject matter. 👍

COF FIC REC LIST:

A Very MacTavish Christmas - @m3rrywe4ther

Prob my fav fic in the fandom lololol. HUGE RECCOMMEND. It's about Johnny who gets roped into spending the holiday Christmas season with his , for the most part, very not so nice family, and Simon accompanies him. So much stuff happens in this fic and it's such a great character exploration of Simon and Johnny independently, but also as a couple, and just so much stuff happens in it lol again, HUGE RECOMMEND!!!

We'll make Death Proud to Take us - Literal_Satan

Fic where, it starts off really sweet where Simon goes to Scotland with Johnny to spend Christmas with him and his family, but things take a drastic turn when Soap's brother, a police officer/detective, gets a little too curious about mysterious Simon, and the story spirals from there. All the guys end up on this crazy goose chase tracking down some of the people who were involved in Roba's brainwashing operations. The fic gets v dark at times and deals with some very heavy trauma so beware, but it's SO. GOOD.

Dream a Little Dream - Angelicasdean

Again, one of my total fav fics in the fandom!! AU where Simon leaves the army to raise his nephew Joseph, who's the sole survivor of the Riley family massacre, and Johnny is one of the daycare teachers at the daycare where Simon takes Jo 🥺🥺👍👍

Pretend to love me like I do - FetteEule

Really cute fic of Simon who accompanied Johnny to Scotland for his sister's wedding, under the ruse they are dating. They are v much pining but not there yet. Features lots of really cute domestic moments and Simon being really sweet to Johnny's kid nephew 😭🧡

Something important - Anonymous

One of the fics that has me totally brainrotted rn. It's about Simon's who's been de-aged to 6 years old, and Price, Gaz and Soap all taking care of him and trying to figure out how he got turned, and how to turn him back! They all get tested on their abilities to care for a child, and unwillingly learn a lot of details about Simon's childhood they never knew. This summary doesn't do it justice tho, so I'd just recommend checking it out! Beware tho again, there is some dark childhood trauma stuff but there are warnings at the start of each chapter that contains references to it.

Seasons - StinglessWasp

In this fic every chapter is set during a different season and tells a unique sort of story/mission/interaction Soap and Ghost have. Definitely some v good angst&hurt/comfort stuffs too. Starts off pre-relationship, and explores their characters a lot! It's just really good HUGE reccommend lol.

What the Eyes Don't see - WhiplashRogue

One of my FAVESSSS! So the premise is like, Soap can actually see ghosts ever since he was a child (which most other people can't see and also don't believe in), and Ghost has 2 spirits attached to him that follow him around(Joseph, and Roach). The fic starts off pre relationship, and it mostly about Soap trying to learn more about these two spirits and discovering more about Ghost's past.

All that's said in the Low Light - Headlocket

Probably one of the most emotional I've ever read LMFAO. It's about Johnny, who receives a back & knee injury bad enough he gets discharged from the army, and is back in Scotland living with his parents as he recovers. He and Ghost lost contact a bit since the accident, and it's sort of a story of them reconnecting. This description doesn't do it justice, just read it, but it will emotionally destroy you lol

Time Loops Suck (series) - Enter_fand0m_reference00

The first installment of the fic takes the idea that Soap is stuck in a time loop during the alone mission! And all the optional dialogues and interactions in thE alone mission are separate attempts of his trying to survive the loops and rendez vous with Ghost. It's just sooo good!! And then there's a follow up fic where it deals with the mental aftermath of the loops and Ghost comforting soap through it, then there's 2 other installments of Simon who instead goes through a time loop! They are such great character explorations in how both Soap and Ghost experience the loops, and I whooleee heartedly reccommend.

Yellow Card - SkerryB

Soccer au fic!! It's so good! Simon is the captain of a soccer team Soap is drafted to as their new goalie. Simon has had a history with Soap before though, that he was the only goalie Simon could never score on! So that's how it starts, and it's just so good from there!! Simon's family are also alive in the fic and his nephew is adorable.

You swept me off my feet - @ghoulishhone

Ghost is down bad for strong Soap, the fic xD This was a fic Ghoulishone and I were paired together to work on for the Ghostsoap server reverse bang! They wrote the fic and I made some accompanying art. Just a cute fic of Soap having to pick up Ghost after he gets injured and some other shenanigans that ensues:)

Dear Mr Ghost - @shortcuts-make-long-delays

SUCH A CUTE FIC!! The majority of the fic is these letter/pen pal exchanges between Ghost, and Soap's young niece Chloe...it's just. So. Good. And was written by a friend of mine too! BIG RECCOMMEND.

Give me Hope and Let me Down - MechanicalBones

Some of the best Ghost whump I read lolll. Ghost is captured by some people with ties to Roba and tortured. Meanwhile Soap is on his way to rescue him, and eventually he does, and there's a lot of hurt and comfort. It's also a getting together fic. 🥺

Unspoken Love - Hammy101

( Super amazing oneshot. I feel I can't do this fic justice with any summary. Just read it. 🥺 It has decent Ghost whump AND domestic off duty cute ghost soap angsty stuff it's just one of my faves ever!!!!)

Except You, You can Stay - Iravaid

Really realistic, believable portrayal and expansion upon a lot of the key events that happen in the Ghost comics. From his childhood, to the mental aftermath of Roba, his family dying...it's heavy but really really good. And has a happier hopeful ending that's Ghost/Soap 🥺

Hat Trick of the Heart and the sequel Family, Gotta Love em - Librarian_FanFicFan

Absolutely am obsessed with these fics!!! It's an AU about Ghost who is recently discharged from the military due to injury, and on a flight back to London where he is seated next to Soap, a famous footballer/soccer player. Ghost doesn't know who he is tho, but they hit it off and exchange numbers. The second installment features Simon's family!!! And Tommy being dramatic and shocked over the fact his brother got the number of this famous sports player... SUPER CUTE IF YOU LIKE RILEY FAMILY STUFF.

As for my fav CoD authors I wholeheartedly recommend anything by:

RedClegane, m3rrywe4ther, Hammy101, TheEdwardianOne, Iravaid, and so many authors but I can't list them all ahaha...but hopefully this is a good start!

Hopefully this helps anon! Sorry it took me a while.

[twig-tea]

With 23.5 finally coming out, the people are rejoicing at finally getting a high profile gl from GMMTV. But there have already been several gls airing this year, including my fav TsukuTabe, that have been flying under the radar with fandom, and in general there are more gls already out there than folks seem to think. I just know you have a list of all the gls we should be watching, please share with the class!

Thank you for the ask! How did you know I had a draft of GL recs to make at some point? [Trick question, I mentioned it to you.]

It may seem like I'm out here hating on GL because i've made a couple of negative reviews of recently airing series recently (Love Senior and Chaser Game W in case you're curious) but I actually have lots of GL that I love and that I wish were better known! Thanks for sending this ask so I am inspired to actually finish it! I've limited myself to series so that I could keep the list and this post to a reasonable length. Where possible I've listed where you can find each of these and included a link. And I've included an 'elevator pitch' summary but I am NOT in marketing for a reason, so please don't roast me too hard for my terrible comparisons. Alright, enough waffling!

Twig's GL Rec List

She Loves to Cook and She Loves to Eat S1 & 2 (Japan, 2022 & 2024, both seasons fansubbed by @furritsubs; if you need help accessing this show feel free to DM me!)

Elevator pitch: Our Dining Table with lesbians and an even slower burn. Watch for beautiful food, acespec rep, mental health and therapy rep

What might turn some off: Extremely low heat, and quite slow-moving; warning for a disordered eating and family trauma plot (v gently handled)

Let's start with the one you've already mentioned. This is a heartwarming slice-of-life slow burn in which an autismspec-coded woman who likes to eat is invited by her neighbour, a femme acespec woman who loves to cook, to come and eat her food. It starts from a very practical place (when you love making food you need someone to help eat it), but their relationship grows as they spend more time together. The story follows them as they both move towards self-actualization in several ways: as a lesbian, as asexual, at work, with their families, with their friends, with each other. This show is so careful to say the important words aloud. And there is so much delicious cooking! Each episode highlights a particular recipe, and the food porn is real. Do not watch while hungry, but definitely watch. The found famiy vibes in this one one are also immaculate.

She Makes My Heart Flutter (Korea, 2022, YouTube)

Elevator pitch: Younger lesbian friend group tries to help out (slightly) older lesbian bar owner with mixed success. I can't think of a good BL equivalent, The Moment Since feels the closest with its similar bartender/patron romance

What might turn some off: Comedic tone; short runtime; struggles with being closeted

This is a gem of a miniseries about a bar owner and an interior designer who smoulder at one another while an intrepid group of younger bar regulars (including the bar owner's neice) meddle. This series is really cute, solid, and full of sapphics! Once again found family vibes are immaculate (you may sense a theme in my faves). Run don't walk.

Fragrance of the First Flower (Taiwan, 2021, GagaOOLala)

Elevator pitch: Right-person-wrong-time/second chance romance; tonally is a little like We Best Love 2: Fighting Mr. 2nd but with an ambiguous ending.

What might turn you off: Medium heat, second chance romance means they break up once, internalized homophobia, adultery/cheating, at one point there's a creepy dude, child with autism (depicted well), ambiguous ending

At its core this is a story of a woman who can't stop getting in the way of her own happiness. This series is a little more sad than the rest of this rec list but I couldn't not include it because this relationship is so poignant. Plus there's a s2 that supposedly is to come out in 2024 so maybe we'll get our happy ending after all?

Love Greater Than or Equal to 70 Degrees C (Korea, 2019, YouTube)

Elevator pitch: Ingredients but with lesbians staring at one another over beautiful tea pairings! What more could you ask for?

What might turn you off: Low heat; short runtime; ambiguous ending; like Ingredients this is essentially a long ad for the café it's filmed at.

This is a Korean miniseries about passionate tea sommeliers making really fancy tea while staring at one another a LOT. Perfect sapphic representation, 10/10 no notes. This one packs a lot of the drama tropes into its short runtime, so even though it's short it's full of butterfly-inspiring moments.

Sleep With Me (Philippines, 2022, GagaOOLala/iWantTFC/Netflix w/VPN set to Philippines)

Elevator pitch: The Truth About Cats and Dogs but the self esteem issues are handled without catfishing. BL equivalent: Hmmm. Closest I can think of is Gaya Sa Pelikula.

What might turn you off: There's some ableism (treated as such) in this show; Open ending.

Stellar GL between a late night radio DJ and an insomniac who listens to her show. One of the main couple is a wheelchair user and the show tackles ablelism and navigating disability in relationship as well as feelings of inadequacy in a relationship and how that manifests as interpersonal conflict.

Our Relationship Ended Before it Began (Korea, 2022, YouTube)

Elevator Pitch: Along the lines of I Cannot Reach You; the show gives both perspectives and they are held back by queer angst.

What might turn you off: No kiss (but they make it very clear both want to kiss), internalized homophobia

Really sweet miniseries about having a crush and being afraid of being hurt so you don't actually make a move. I really like the way the girl who has not dated a girl before defaults to gender roles and it throws the more experienced lesbian lol I also really like the way this show makes clear that both of them are waiting for a kiss, and that if you get in your head about things, it can get in the way of your own happiness!

Pearl Next Door (Philippines, 2020, Youtube)

Elevator Pitch: Gameboys but with lesbian vloggers.

What might turn you off: Love triangle, lots of teasing but low heat in the end, a lot of (good) conversations about mental health issues, ambiguous ending

This is the GL spinoff to Gameboys, starring Pearl from Gameboys. Pearl ends up being fought over by the two gorgeous women in the gif, an old love and a new. I love the queer friendships in this story as much as the relationships. I will say it's an open ending (that felt a bit like the showrunners didn't want to decide between ships) and definitely the love triangle features prominently but even in the face of these aspects that would normally turn me off a series I had a good time. The characters and interpersonal conflicts feel very real, and are allowed to be complex even when the show tone is comedic.

Dear Uranus (Taiwan, 2021, YouTube)

Elevator Pitch: Schoolgirl ensemble GL; a little like My School President but without the singing.

What might turn you off: Short runtime; ambiguous ending; a little bit of bullying; very standard romance trope execution

The first Taiwanese GL miniseries, this series was produced by a Taiwanese lesbian couple (Rabbit & Wolf)! Lots of excellent drama tropes, and incredibly gorgeous women (I think the entire watching audience fell in love with Erol.

Lily Fever (Korea, 2015, YouTube)

Elevator pitch: Complete crack; YYY but with more kissing and frankly an even less coherent story.

What might turn you off: The lack of coherent plot; less a romance and more a very thirsty lesbian kissing everyone she can

This miniseries is utter chaos. Nothing really makes sense, it's all just random excuses to cause very suggestive moments (and kissing) to happen. I love so much how this series depicts women being so absolutely thirsty for one another (and yes that date isn't a typo, this series is ~9 years old). Not an "happy ever after" ending but it really isn't that kind of story.

Chasing Sunsets (Philippines, 2020, YouTube)

Elevator pitch: Ocean Likes Me with lesbians. Resort romance with a mental health twist.

What might turn you off: Some of the mental health stuff gets intense, this was filmed in 2020 so the pandemic features heavily; hopeful but slightly ambiguous ending.

A complex story from the Philippines covering mental health and finding yourself. A woman shows up to a resort and befriends one of the women running the resort. They get closer as they spend time together, and the resort owner realizes something is off. There's also a BL side couple in this series.

Show Me Love (Thai, 2023, YouTube)

Elevator pitch: A little like My Day the series with lesbians, in that they work together and fall in love and it's full of tropes

What might turn you off: The advertising for the Miss Grand competition, there is some bullying and cheating (though way less than I was expecting tbh), not a lot actually happens, the editing gets a bit wonky at the end

This is essentially a massive ad for the Miss Grand Thailand competition; this GL was produced by the same company that produces that competition, and the stars are mostly Miss Grand competitors. The main pairing were shipped in the actual competition, and the company decided to make a GL about them. It's very slow paced and low-stakes, and there are better kisses than I expected considering everything I just said about where this show came from. There are a lot of cute moments!

Girlfriend Project (Korea, 2022, YouTube)

Elevator Pitch: Love Class with lesbians

What might turn you off: One of the leads is kind of mean in that pgitail-pulling way? It ends abruptly (but happily)

This is a short miniseries about two girls paired in a class that are assigned to "date". The chemistry is chemistrying. And there is a kiss (a good kiss, and a tiptoes kiss at that!). This show also has one of my favourite tropes, in which someone who seems like a pushover stands up for themselves and their partner finds it very attractive. For the record, in this show they are watching another GL by the same company, Love Tech.

Lulu (Philippines, 2022, Vivamax/grey)

Elevator Pitch: Present Perfect with lesbians (but with a better ending).

What might turn you off: Depictions of panic attacks, brief depiction of drowning, pandemic lockdowns, illness, exes, waffling, happy but open ending (which I actually liked for this story)

Two women trying to move on from the garbage in their lives meet at the beach of a B&B (where one saves the other from drowning) and become one another's company during their escape and then something more. They both have baggage that seems determined to keep them apart even as they continue to be drawn together. In the end, they decide to stick it out and see where they end up, with no guarantee of happily ever after, which I found very sweet. Requires either a VivaMax account or searching the grey for it, but it's worth the effort (check MyDramaList comments for suggestions on where to find it). Plus one of the leads has a cactus as a pet.

Welcome to the Lesbian Bar (Korea, 2023, YouTube)

Elevator Pitch: A little like Fudanshi Bartender but without the fudanshi bartender and all of the bar patrons are lesbians lol

What might turn you off: Short, can get a little bit preachy, abrupt ending

Cute short series with different very stories every episode as different patrons visit the bar. The stories range from women who have been together for awhile, to people meeting from an online app for the first time, to someone visiting a lesbian bar for the first time; and yet the story all weaves together in a way that's satisfying though ends abruptly. Includes some solid marriage equality propaganda.

GAP the Series (Thai, 2022, YouTube)

Elevator Pitch: Kind of the vibes of Together with Me but lesbians and in an office instead of school. Angry boss falls for charming new intern and

What might turn you off: This one is the highest heat of all these recs; homophobia especially amongst family, brief depictions of death by car, brief mentions of suicide, cheating, bullying, abuse of power in the office.

A list would not be complete without this one! Honestly the plot is a bit wobbly but the show is a lot of fun. The girls are very cute, the feelings and tension builds really well between them, the friend group is excellent, and in the special we get a wedding.

---

The rest of these have caveats of one kind or another, but i couldn't leave them off a rec list, so here are the side couples and censored stories that are still worth your time anyway (I might do a separate more detailed post for these, as well as for films, one day if there's interest):

Nevertheless (GL side; Korean, 2021, Netflix) Not sure it's worth watching a whole kdrama for side lesbians? Search soljiwan on youtube. They are great. Even the Netflix account stans them. I watched this (ngl, I watched the SolJiwan cut) as it aired and was constantly braced for it to let us down but it did not! A really good friends-to-lovers story.

Friend Zone 2: Dangerous Area (GL side; Thailand, 2019, YouTube): These sapphics are messy and I love them. Decent conversation about dating someone with mental health issues in this series, and they're one of the only couples in this ensemble to get a happy ending. If you're just watching the lesbian couple (which you can, their story is pretty self-contained) you don't need to have seen s1.

Six Survivors (GL side; Japan, 2022, Viki) This show is a horror comedy and it is SO MUCH FUN. Warning for zombies and blood, but way less than you might think. One of the eponymous 6 survivors is a lesbian who keeps trying to convert them to veganism lol. If you watched Chaser Game W you'll recognize one of the actresses in this, the lead actress is from Kamisama no Ekohiiki, and one of the guys is from the prequel series His as well as I Want to See Only You! And yes there is a kiss. Also a surprising number of Mallrats references. Not for people who can't handle gore or relationships being complicated/not a "true love" story/ambiguous ending.

Kamisama no Ekohiiki (complicated question of is it GL in parts, Japan, 2021, furritsubs once again coming through to save the day) This one is a bit complex because there's bodyswap, but the girl who falls for the bodyswapped boy-in-a-girl's-body is clear that she is only interested in the girl. One of the better bodyswap stories because the bodyswap is not a secret for very long, so instead there's a lot of introspection about what gender means and who/what they are attracted to. Feels wrong to call this GL, necessarily, but it's very queer.

Couple of Mirrors (Censored GL, China, 2021, Viki) Story of a rich girl and her assassin girlfriend. This production did an amazing job getting away with what they could, just don't watch the last five minutes and we've got essentially a happy lesbian family.

Legend of Yunze (Censored GL, China, 2021, @douqi7s) Very cute very low budget xianxia miniseries with two seasons and a special. The special is set in modern times in a future lifetime so if you want a cute censored-but-clearly-a-soulmate-love-story this is the one for you. Don't be thrown off by the weird cuts/abrupt episode endings, that's in line with cdramas in general.

Led Astray by Love (Censored GL, China, 2021, @douqi7s) A very fun and adorable isekai story in which a modern day girl is transported to a wuxia novel setting and has to figure out how to get home, and gets romanced by the princess along the way.

And a few additional links for people who even more content:

My Indian sapphic webseries rec list

My suggestions for content with toms (Thai category that's similar to but not exactly the same as butch lesbians) in response to this post.

This really good GL MyDramaList list (not made by me!) lists what seems to be everything I've mentioned and about 200 more. Even I haven't seen a few of these!

My YouTube playlist of sapphic content: This includes anything I stumble across or find in my searches, a lot of music videos and random shorts as well as some microseries and miniseries that I don't consider GL but are WLW/sapphic in addition to true "GL" content. For serialized content, I add just the first ep. A complete mess, but you can trawl through to find stuff to watch, like Hetero!

SOONOTSUE: The same producers of She Makes My Heart Flutter have other short series on their channel worth checking out; if you liked that one, try Out of Breath!

Shakeshoulder: Thai YouTube producers of very pulpy (read: low budget and dramatic plots) shorts

FuFuKnows: This YouTube channel is owned by a gay Taiwanese couple that produces shorts every week, including some with GL mains and sides. These are very low budget but cover a whole swath of queer themes.

@douqi7s is a godsend providing subtitles for all kinds of content, including sapphic shorts and more series than I've listed here. Check their tumblr for links to all of their content; A Practical Guide to Being a Superstar's Assistant has one of the best setups to giving us great moments in the guise of something else so that they get past censorship I've ever seen; I also recommend The Vampires if you're into genre fiction, as well as Legend of Yunqian if you enjoyed the xianxia parts of Legend of Yunze. @wlwcatalogue did an excellent summary of many of the non-wuxia options here.

Quick pitch for the streaming platform GagaOOLala; it's affordable, has a ton of content, including a whack of GLs (originals, license series, and a ton of shorts), and is run by queer people out of Taiwan who care about good quality queer content being made and having an audience, and using the soft power from those successful series to support social change. And if you can't afford a subscription it's worth checking out what they have for free, they open up temporary free access to some things for various events throughout the year.

In searching for gifs for this post I found fellow tumblr user @drowningparty 's WLW compendium list; they've listed more series and films so check it out if you still need more content!

*wipes sweat off brow* that should be enough to be getting on with, but it's really just the tip of the iceberg! If there's something specific you want to see with sapphics let me know and I can tell you if I know it exists. Anyway, I hope this gives you and everyone else a taste of what all is out there! I of course always want more, I am serious about being a sapphic dragon hoarding every crumb i can get my lizardy hands on, but I do think what we have should also be appreciated more. If I missed one of your faves, please tell me!

[operator-report]

In middle school, I read a short story for English class called Flowers for Algernon. Maybe you’ve read it, too. In the story, a disabled man named Charlie is given a medicine that cures his disability. Over the course of the story, he comes to realize that his “cure” is temporary and that he will “regress” into being disabled again. The story makes it clear that this is a tragedy. As a disabled teenager when I first read it, the story affected me deeply.

I’d like to talk about David and Noelle. 

Content warnings for discussion of suicide, self-harm, ableism and eating disorders below the cut. Spoilers for Worm through arc 27. 

When I was first reading arc 18, one of the things that stuck out to me is how much time the story spends on Eidolon. For me, it was the first time I paid much attention to him - prior to that, Eidolon was just an extremely powerful background character to me. But in arc 18, we learn that (1) Eidolon is losing his powers and (2) he believes that fighting Echidna will allow him to tap into some sort of reservoir to bring them back.

We find this out, of course, through Tattletale exposing him, which is always an extremely embarrassing event for Tattletale’s target. It makes it extremely clear that what Eidolon is doing is pathetic. He is going to kill a teenage girl so he can feel something. 

Which would be messed up enough, right? We don’t need to make this even worse, right? Wrong. Because Wildblow has spent the last several thousand words building up the Case 53s as X-Men style metaphors for oppressed groups, and one of the forms of oppression that Wildblow generally writes well is ableism. I think you can consider most, if not all of the Case 53s as disabled in some way. I think the link is extremely clear with Noelle.

Noelle doesn’t get her powers from traditional Cauldron human experimentation - at least, not directly. Instead, she and Krouse are facing what is, to them, a no-win scenario. They’re quarantined with limited access to medical care. Breaching this quarantine would permanently render them criminals. If Noelle survives her surgery, which is a pretty big if, she’ll become disabled, in a way that both Krouse and Noelle agree is ugly and undesirable. She won’t be able to do “boyfriend-girlfriend stuff” because she won’t be “any good to look at, after.” 

Krouse and Noelle are terrified of death, yes, but they’re also terrified of disability. They are desperate for control over Noelle’s body, control that, as of that moment, only the state has. (Remember the quarantine?) Krouse pressures Noelle into drinking the vial. Noelle is cured. 

Noelle’s cure does not last. In attempting to assert control, her body becomes uncontrollable. Her body is her trauma and her eating disorder made literal. She still needs care.

Worm would be bad if this is why her life sucks. But Worm does something better, instead. Noelle goes through hell, not just due to the sheer difficulty of having her power, but because of the way her teammates and Coil treat her. They talk about Noelle like she’s already dead. They’re ashamed of bringing her the food she needs. When Krouse “includes” Noelle in a discussion in arc 12, it’s mostly perfunctory. They do not believe Noelle is human any longer. They lock her away.

Noelle doesn’t want to be put in a cage. Noelle doesn’t want to be dehumanized. In interlude 18, when we get insight into Noelle’s thoughts, we learn that what Noelle is angry about is the fact that Krouse locked her in a concrete bunker and placated her. When she tells people not to look at her, there’s a coda to that sentence that she doesn’t get to verbalize: don’t look at me like that. 

This is the person who Eidolon is going to kill. 

Via the Simurgh, this is a person Eidolon has unknowingly created.

A few thousand words of Worm go by. It’s Gold Morning. Eidolon is fighting Scion. Now, at the end of the book, we finally get substantial insight into David, the man behind the mask. 

David takes a Cauldron vial to cure his disability. David sees this as the only way out, after an unsuccessful application to join the military, and then, an unsuccessful suicide attempt. David is bearing an immense amount of shame and internalized ableism. David is worried that father’s friends are watching him. (Don’t look at me.) David cleaves the world into two kinds of people: those who can have jobs, who are liked and respected because they are useful; and people like him, who are useless.

It’s a terrible way to think. Without that worldview, how could a person not take the vial? David wants to be used, because David wants to be useful. He never gets the independence he craves – not when he’s in that level of debt to Cauldron – but he gets to be useful, and that’s one of the best things you can be.

Like Noelle’s, like Charlie’s in Flowers, David’s cure doesn’t work. His abilities are wearing off. He is essentially told, when Doctor Mother administers his booster shots, that his medicine is too expensive. 

Cauldron creates Noelle. David, as Cauldron’s soldier, has a role to play in her creation. David knows exactly what he is doing to Noelle. It happened to him. Worm fandom talks a lot about David being a father. He’s a father in more ways than one. (David’s father is always watching him.) (Don’t look at me.)

Cauldron never cures David’s ableism. In his world, you can be useful, or you can die. David asks Noelle if she wants to win. Noelle tells him no. You can have a job, or you can kill yourself. When David tries to kill Noelle to help himself, isn’t that a mercy?

Of course it isn’t. It goes without saying that all of this is extremely fucked up. When it comes to disability, “cure” is a complicated concept. I’m not going to get into all the ways it can be treated; this post is already a thousand words long. But I do think that Worm, through Noelle and David and the concept of the Cauldron vial, provides an extremely vivid picture of the problems with cure. 

Under ableist logic, when you have a disability, a cure is something you’re expected to want. Without it, the story goes, you can’t be useful. You can’t do boyfriend-girlfriend stuff. The expectation is social, like the act of staring. Your desire for it should drive how you organize your life – it is control, like a quarantine. David is crushed by that expectation. He throws his lot in with Cauldron, the cure-makers. The expectation is passed along to Noelle, and even though David can recognize that inheritance, he cannot imagine any other way to respond to it other than attempted murder.

At the beginning of this post, I mentioned that Flowers for Algernon is a tragedy. The reason that story has stuck with me so long is that I keep going back and forth as to why. Is it a tragedy because Charlie goes back to being disabled? There’s a good chance that’s what the author intended. I don’t know. It would be a pretty shitty story if that were the case. Is it a tragedy because people only treat Charlie well when he’s “cured,” and when that stops, he’ll go back to abuse? Seems plausible. I don’t think there’s one right answer. Regardless, when you’re disabled, there’s an immense pressure to seek out a cure, and a cognizable loss when it is withheld. The fact that Worm captures that social pressure and social loss so well is extremely compelling for me, and I’m going to be thinking about these characters for a long time.

[nayatarot777]

Is There Anyone Who You Need To Be Wary Of Right Now?

• Pile One •

This person could be an Earth sign feminine - Taurus, Virgo, Capricorn. If not then they’re someone who enjoys physical comforts and luxuries. This doesn’t have to mean that they’re wealthy, but they may just prioritise money and materialism. This could even be a boss of a company. This person is very rash with the way that they communicate. They don’t think before they speak. They also communicate in a very immature and childish way. Their actions could also be very rash too. I am picking up on a major immaturity from this person though. They’re highly unawakened. This could be linked to how they’re highly materialistic or how they worship money more than anything else, but I’m seeing that they’re highly unawakened in general. They’re not self aware, they’re not aware or understanding of experiences and lifestyles outside of their own. They’re highly judgemental - but this is because they’re highly judgemental towards themselves. This is giving ‘insecure ass person who puts themselves up on a pedestal to cover up their insecurities’.

You need to be wary of this person because you’re trying to gain control over your life. You’re trying to direct your life to the place that you want it to be, but I’m seeing this person trying to cause you pain as a way of putting up blocks in your path. You’re being represented in this reading as the Page of Pentacles - someone who’s learning how to build some type of stability for themselves - and this person is trying to get in the way of this. They’re triggered by any self-stability that you have. Their insensitive way of speaking is the way that they try to hurt you. They know exactly what they’re doing as this is a conscious decision. I’m also seeing that this person could’ve already brought you pain - perhaps triggered some traumas out of you - and they’re trying to control the narrative behind your back. This person is a bit strange too as they don’t want to acknowledge what you’re building for yourself. Whatever money or stability you’re accumulating, they’re not wanting to see it.

Patreon

• Pile Two •

This person is either highly religious or just a major conformist. They could be a preacher or the equivalent to one - someone who likes to preach their own beliefs. They stay in line within society’s expectations of them and they don’t budge. This person could also be a married person. I’m seeing this person watching you and trying to learn things about you while you’re in a dark time mentally. While you’re experiencing fears, anxieties, and kind of stuck in a self-imposed mental prison. This is either a past or present energy. You were protecting yourself from this person, or just keeping yourself away from the external world as you didn’t feel prepared nor stable enough to deal with the judgements or expectations of others. This person could’ve definitely sent you judgements and tried to mask this as “religious help” or “religious teachings”.

The reason why you need to be wary of this person is because this person is highly argumentative and combative. They try to fight people about their beliefs or way of living if those things don’t align with theirs. This person tried (or is trying) to emotionally confuse you, away from something that holds a lot of abundance or positive energy for you. I don’t like this energy at all. It’s like they want to try to brainwash you into following the path that they want you to take and they’re willing to make you feel like you’re confused or lost as a way of doing this. This person is fucking disgusting considering they’ve literally watched you go through a mentally challenging time already. They’re seeing you in this state and deciding that you’re vulnerable enough for them to manipulate and force their own personal beliefs and expectations onto. Very predatory energy - especially if this person is religious in some way.

Patreon

• Pile Three •

I’m not seeing anyone who you need to be wary of currently, Pile Three. At most, you need to be wary about what you’re exposing yourself to online - especially if you’re consuming things that make you feel angry or anxious. You’re nobody’s saviour apart from your own and you’re not responsible for trying to save the world. It’s not normal (or healthy) for human beings to be bombarded with human tragedies and everything wrong about the world all of the time. Apart from that, I’m seeing that you’re part of the group of people who’ve been really isolating yourself and entering contemplation. You seem to be the victor of battles that other people have tried to cause for you and now you’re highly defensive. It doesn’t seem like anyone can really come into your space/energy and negatively affect you.

Again, there’s a need to detach yourself emotionally from the internet in general for a little bit. Some of you may be physically alone and away from others but you’re filling your time with online activities. If you’re not part of the group of people in this pile who are already being introspective, there’s a need for you to detach yourself from the outside/online world and sit in silence for a period of time. There’s some type of mental awakening that you’ll have about your personal beliefs and morals. These things may be swayed or blocked from realising by what you’re consuming online. There’s a need to figure out personally what you’d like to focus on and direct a lot of energy into for your PERSONAL life. Try not to be so distracted by everyone else’s life - especially people who you don’t even know personally. If you’re feeling mentally tired or defeated despite not doing much throughout your days, then this is the reason why. Your brain needs a rest. Not constant stimulation from social media.

Patreon

[kkolg]

Hi there! I recently was recommend your Abyss animatic on YouTube and was like… whoa…. WHAT IS THIS I NEED TO KNOW MORE ABOUT THIS AU‼️I’ve been scrolling through your tumbler for several days just soaking in everything about The New Dawn and I was curios what’s happening in this world. are they in an apocalypse of some sort? Either I didn’t scroll far enough on your Tumbler to know more or you just haven’t revealed yet 💀 . Don’t spill anything you don’t want to, I am here for it all.

Trust me you are NOT ALONE 😭😭, I probably should’ve mentioned that I’m super bad at writing down my thoughts when it comes to storytelling in general BUT IM HERE TO CLEAR THINGS UP NOW I SWEAR‼️‼️ The New Dawn AU summary will be under the cut as it might be a bit long lol ANYWAYS THANKS FOR BEING SO INTERESTED IN THE STORY THAT YOU ASKED AND I APOLOGIZE FOR ALL THE CONFUSION 🙏🧎‍♀️also disclaimer because I’m writing this before the season finale some things may change to be in further line with the show which is another reason I didn’t write out the story before BUT ANYWAYS ENJOY‼️‼️

So basically after the events of the show N and Uzi defeat the solver with the power of friendship (also V’s back idk) and they go back to outpost 3 and are like “YIPEEEE WEVE FINALLY DEFEATED THE ABSOLUTE SOLVER WITH THE POWER OF FRIENDSHIP ALSO DO I HEAR A SONG COMING ON???” And then they all start dancing and Uzi is essentially the new leader of the colony (if you couldn’t tell this part of the story is not that important but you can interpret what I said here as fully cannon in the au if you want lol)

Not too long after that N is like “hey can we try to like reform the disassembly drones and let them into the colony?” And Uzis like “wait that’s an amazing idea” and then they make out but that’s not important- so they go out and start telling all the disassemblys they can find that the solver is gone and can’t spread anymore and that living with the workers is actually pretty lit. A good lot of them are like “woah I didn’t know you were chill like that” and most of them go to live in outpost 3, a few of them are skeptical and still wanna eat workers so not all of the disassembly are chill but most of them are.

While doing this they come across a disassembly drone named A and he’s like “sure I’ll join” and he does…..but he’s not a very cool guy- I plan to make a comic about this so I’m gonna be vague and just say turns out he’s insane and N basically exiled him from the colony.

Fast forward like a month from that incident and Kim is created, finally, and the Doorman’s live happily ever af- WRONG turns out A ganged up with all of the other mean disassembly drones and try’s to just OBLITERATE the colony during a raid and whoopdeedo Thad dies but I’ll make a comic about that later so I won’t get too detailed. OH YEAH KIM IS ALSO ABSOLUTELY TRAUMATIZED SO THATS GREAT-

Fast forward a few years and now we’re in the current time of where most of my comics/drawings take place. Kim is older and looks in the forbidden trauma closet that N and Uzi said never to look in but rebellious child I guess, and he finds stuff about the solver. Getting curious he pulls an Uzi to leave the colony and try to find out what the fuck this thing is and OH NO X JUMPSCARE, again another thing I’ll probably make a comic about but they fight, X says that a certain guy she knows might know about the solver thingy, they become buddies, C-1 is also there- weird visions start to make Kim have a robot seizures, and that’s kinda where we’re at rn

I hope this cleared up a lot of questions you guys may have had and I’ll be adding a link to this post on my pinned in case you ever need to refer back to this‼️‼️

anyways byeeeeeee

[harmonictechnicality]

*wrote this for @vecnuthy's birthday, so here you go babe! i baked you a word cake 🥰🎂* *ao3 link here*

Nobody gets cool shit on their birthday after the age of sixteen - Steve stands by this statement firmly. That year, he got his permit. And by yuppie parent default-mode, he also received his first car.

He almost, almost had a quarter-life crisis on his twenty-fifth birthday. Steve was seconds away from buying a motorcycle. Robin was very dramatic about this decision, kept threatening to order his gravestone if he followed through on an impulse purchase. 

This, however, would’ve nullified his Adults Get Lame Birthday Gifts theory entirely. So Steve apologized to the salesperson, and tucked his credit card back into his wallet. Robin canceled the order on his gravestone as well, thank god.

Gifts have continued to be lackluster every year since then. And his 30th birthday is no exception to this rule.

A gift card from his parents. A pair of athletic socks from Dustin. And a t-shirt from Robin. Essentially, the starter pack of Welcome to Adulthood. 

Except for one minor detail:

The shirt from Robin is exceptionally soft. Bamboo fibers or something, he wasn’t really listening to her description. Even the color is soft. Muted red, almost pink. Everything about it is soft. Airy. 

Touchable.

Okay - that’s not an observation Steve makes upon receiving it. But it’s one that Eddie Munson will never let him forget. 

The first time it happens is a week after Steve’s birthday. The two of them hit up a bar on the outskirts of town. A place Eddie frequents a lot, occasionally dragging Steve along as his Token 9 to 5 Friend.

“Welcome to the Dirty Thirty Club, man!” Eddie crows, already diving into Steve’s atmosphere for a hug. 

“Thanks! Good to see you, Munson.” Steve chokes out, returning the massive hug with a single pat on Eddie's back.

The guy always gives the most suffocating hugs, fucking cages Steve into his arms and steals the breath of out his lungs with one squeeze. Steve has to inhale through his nose, smells the soapy steam rolling off Eddie’s skin.

Shower. Eddie just showered before meeting him here. It’s so fucking clear by the way he feels damp, smells clean.

Steve hates that he notices that. Wishes he didn’t care about Eddie’s hygiene schedule. But the scent of shower gel is addictive, breathing it in fast. Big gulps of fresh air. Lungs extending like they can capture Eddie's atmosphere and keep it there.

Okay, seriously. Steve thought his Eddie Munson Crush had been buried with the rest of his trauma back in 1993.

“Dude. This shirt is so soft, holy shit.” Eddie is rubbing his hand all over the back of Steve’s shirt, fingertips pushing into the fabric.

“Uh yeah. Sure is.”

Eddie must’ve blazed up back at his place, it’s the only reasonable explanation as to why they’re hugging for this long. Gotta be some strong shit too - strong enough to make him sound completely blissed out over a damn shirt.

He’s is humming now, both hands petting Steve’s shoulders, one on each side. Pinching the material, twisting it till it curls around his index finger.

“Gotta get me one of these bad boys.” Eddie chuckles, turns it into a playful growling sound. “Could touch this all day.” 

“I don’t doubt it.” Steve does an awkward wiggle out of the embrace. He looks down at his shoes, cheeks growing warmer as he continues to take Eddie’s words entirely out of context. 

Look, the sensible part of his brain knows that Eddie is talking about the shirt. That’s it. But the insufferably needy and more prominent part of his brain wants Eddie to be talking about himself in general.

That he could touch Steve all day long - shirt or no shirt.

Right. Steve needs a splash of water on his face. Could use a splash of water on his goddamn imagination too. Dilute the delusion for christ’s sake.

It happens again about four months later. Lucas invites the whole crew over to throw a surprise party for Max’s promotion at work.

Of course, Eddie is running late - he didn’t fail senior year twice solely from his shitty GPA. But showing up late to a surprise party? That’s a new level of risky. Not everything has to be a thrill-worthy adventure. Ugh.

“Max should be getting off work right about now.” Lucas explains, peering around the living room. “So everyone should head to your designated hiding spots.”

Nobody budges, just carrying on with their conversation.

“Alright, asshats - you heard Sinclair!” Steve snaps at each of them, glares for good measure. “Find a hiding spot or get the fuck out.” He gives a quick nod to Lucas, who still looks severely stressed, eyes ready to bust out of his skull any minute.

The coach-esque threat does the job. Everyone, ducks into place, voices descending into whispers. Whispers descending into shushes as the minutes draw closer to Max’s arrival. Steve is folded up behind the couch, arms wrapped around his knees. 

There’s a small creak coming from the front door. A few people yell 'surprise.' Steve peaks to the side to see Lucas shaking his head at them.

“No, nobody move.” He instructs, voice caught between a yell and whisper. “I was just letting Eddie inside.”

Instinct takes over. Steve twists around the corner of the couch, needing to see for himself that Eddie is here. That he really came.

Clearly, he didn’t move fast enough. Although he could’ve sworn he moved so embarrassingly fast that the vertebras in his back sound like a bowl of Rice Krispies (post-milk). 

But no one is there. No Eddie. No Lucas. No one.

“What the-” Something grabs the back of Steve’s shirt, pulling at his collar. A few people start aggressively shushing him.

“Chill out, Stevie.” Eddie is right there, meeting Steve’s face with a lopsided smirk. He’s close, way too close. Still holding the collar of Steve’s shirt with one hand, stretching it out. Keeping them close.

“Just trying to check the tag,” He releases Steve just an inch or so. His voice is so hushed, the quietest Steve has ever fucking heard it. “Wanted to see where I might be able to purchase such a godly article of clothing.”

“Ever heard of a thing called boundaries?” Steve hisses, swatting a strand of Eddie’s hair out of his face.

“Doesn’t ring a bell, sorry.”

They haven’t talked much since that night, barely any interaction for four months. But watching Eddie lean in, angling his head lower to study the tag on Steve’s shirt, hot breath on his neck…

It resets the clock. Flips the hourglass on Steve’s feelings for him.

He’s infatuated all over again, and all it took was Eddie invading his personal space. Just like he always does.

“You’ll have to ask Robin.” Steve whispers. Tries not to flinch when Eddie smooths Steve’s shirt collar back into place. “She’s the one that bought it for me.”

“Damn. Buckley has good taste.”

“Sure does.”

No distance is created. Neither of them move away. Eddie’s eyes continue to sketch over every stitch in Steve’s shirt, every hemline. He seems hyper fixated on it, too fixated to notice Steve’s pink-ish cheeks, thank god. 

If it weren’t for the shirt, Steve would assume Eddie is checking him out, looking him up and down with a heavy gaze. Dark pupils, casted darker by the dim lighting.

“Can I?” Eddie raises a hand out to Steve’s shoulder. He pauses, lifts an eyebrow at the end of his question.

Steve’s jaw is too tight to answer or counter back with a joke about how Eddie never asks permission before popping personal bubbles. All he can do is nod a little too eagerly.

Eddie reaches into Steve’s sleeve, rubs the material from the inside. A small grin forms on his face. He looks so pleased, purely amused. That’s enough to untangle Steve’s muscles, relaxing under Eddie’s light touch. 

But that’s the other thing. He’s barely touching Steve. Every now and then, his knuckles roll over Steve’s skin. Really, that’s it, that’s all he’s doing. And god, Steve craves more.

Eventually, Eddie switches it up, pinching the material between the pads of his fingers. He scoots closer to Steve’s side to do so. 

Time feels paused. Time feels rapid. It’s going nowhere and already slipping through his grasp. All Steve can think about is placing his hand underneath Eddie’s chin, bringing his lips up to his own. Kissing him till the clock stops ticking. Till the sand stops running.

“Softest shirt ever.” Eddie gives the material a slight tug. Smiles wider.

Steve gulps. “If you say so.”

“I mean, seriously - it must be made from the glow off an angel’s halo or something, cause damn.”

“You’re a trip, Munson.” 

Steve has to keep telling himself that Eddie is obsessed with touching his clothes - he’s not thinking about taking them off of Steve. No matter how much he wants that to be the reality of the situation. 

It’s not.

They stay like this till the doorknob clicks, turns. Steve almost forgot that he was at a party, surrounded by other people. 

Immediately, all of his senses flip back into Extrovert Autopilot. Everyone jumps out, yells a combination of surprise and congratulations (because they failed to coordinate that apparently).

He stays in this zone for the rest of the party. Talkative and breezy. Charming the pants off Max’s coworkers with silly little anecdotes about her as a kid. 

Steve is damn good at hosting. It’s probably in his white-collar bloodline or some shit. Still, anytime Eddie walks by, he glitches up. Temporarily out of sync.

He doesn’t get a chance to say goodbye. Eddie ducks out early, waving broadly before slipping through the front door.

Time does that weird thing again. Feels paused and rapid all at once as he watches the door shut behind Eddie.

“You okay, man?” Lucas nudges him.

“Yeah.” The gentle gesture returns time back to normal. Brings Steve back into this moment.

“Doing just fine.”

It’s all he thinks about for weeks. Anytime there’s a lull at work or a commercial break on television, Steve drifts. Pictures Eddie is in his shirt, the one he’s so obsessed with.

At first, it’s just that. Basic. Eddie standing in front of him, wearing that muted red, almost pink, shirt. Sometimes smiling, sometimes expectant. Either way, it’s always enough to make Steve’s neck feel flushed, creeping up to his cheeks.

Gradually, it evolves into something more complex. A fantasy, almost dreamlike. He imagines Eddie running his hands all over himself, his torso, his chest. The thin material of the shirt moving and shifting under his palms. His head tipping back, lips plush and red from where he’s gritting down, biting hard. Holding back sounds.

Those images get Steve in trouble. Panting on conference calls and boners at his work desk. 

He’s alone in his apartment when it grows, branches off into darker urges. Desires. Steve glances down at the floor, can’t help but wonder what Eddie might look like down there, staring up at him. Wearing Steve’s clothes. Begging Steve to take them off. Rip them, ruin them.

“That fucking does it.” Steve scolds himself, scolds his dick too. He’s calling Eddie Munson right now - before he has time to overthink it.

His hand is trembling as he picks up the house phone, dials out the number he didn’t even know he had memorized. The trembling thing is kinda embarrassing, but it's still better than sticking it down his pants and jerking off while the Cooking Network plays reruns in the background.

Every ring feels drawn out. Stretching time like taffy. 

Eddie picks up on the fourth taffy-length ring. “Eddie here.”

“Hey, man.” His voice comes out all strained, bone-dry.

“Shit. That really you, Harrington?” 

Apparently his voice comes out unrecognizable too.

“The one and only.”

Eddie snorts loudly into the phone speaker. “Doubt that very much - seems like a common enough name.”

“Yeah yeah, whatever, smartass.” Steve rubs his neck, scratching his skin. Working his way to extracting the words out of his throat. “So um… you busy tonight?”

“Nope.” Eddie answers.

“Cool. Me neither.”

There’s silence after that. Well, almost silence. Just a slight hissing sound from the phone line can be heard. Not enough sound to make things less awkward though.

Steve has no good reason to be so antsy, so wired with anxiety. They’ve been friends since metaphorical shit hit the metaphorical fan back in ‘86. So being outwardly weird around Eddie? It’s too damn fishy. 

“Is that it?” Eddie says. “Did you just want to bond over our empty schedules?” 

Of fucking course, Eddie would call Steve out on his weird bullshit. Doesn’t know subtlety if it bit him in the ass. 

Bad time to think about Eddie’s ass.

“Come over.” Steve blurts out. Needs to say something before a parade of ass-centric images start back up in his mind. “I ordered way too much takeout and there's a stack of movie rentals that I need to binge to minimize those late fees, so yeah… come over.”

No response, even the background hissing from the speaker cuts out. Maybe the phone line went dead. Or maybe Eddie hung up. Wouldn’t be the first time he’s abruptly ended a conversation, perpetually flouncing to whatever is new and shiny. Always distracted. 

“What kind of takeout?” He finally responds.

“The Greek place with the kickass tzatziki sauce.” Steve smirks, already knows the answer before Eddie can utter another word. 

“I’ll be there in an hour.”

Eddie arrives in less than an hour, actually. Knocks on Steve’s door exactly 51 minutes after Steve gets off the phone with him. It’s slightly disturbing that Steve suddenly turns into a math whiz when he’s fawning over someone.

Someone that fawns over his clothes more than him, but who gives a shit about logistics?

“Fucking starving.” Eddie says, slamming the door behind him. 

Steve smiles, motions his head toward the kitchen. “Help yourself, dude.”

The plan is so stupid. Half-baked at best: get Eddie out of his shirt (and jacket), and into Steve’s shirt instead. That’s it. That’s all Steve’s got so far.

But it’s better than nothing. So what the hell? It’s worth a shot.

He waits until Eddie has stuffed his face with a decent amount of spanakopita, fully reclining on Steve’s couch. Looks incredibly comfy, too comfy to move.

Good.

Steve grabs the strawberry sorbet from his freezer, the one Robin forced him to buy after going vegan last spring. He scoops a bowl for himself and a bowl for Eddie. Exhales the last bit of his self-respect before returning to the living room with the most boring dessert option ever.

“Here you go.” Steve says.

Eddie scrunches his nose at it. “The fuck is this?”

“Sorbet.”

“Why am I not surprised that the former rich kid prefers sorbet over ice cream?”

Steve sputters, takes the bowl back before it further offends Eddie somehow. “That’s not… I didn’t… it’s actually-”

“Deep breath, Stevie. I’m just teasing you.” Eddie yanks the bowl back, shovels a brain-freezing amount into his mouth. “Far too easy, by the way. Give me a bit of a challenge next time. Makes it more fun… for one of us, at least.”

“Fun. Sure.”

“The one of us being me.”

“Got that.”

Steve decides to take Eddie’s ‘challenge’ remark as the perfect cue to set his stupid plan into action.

Steve pretends to shift around on the couch cushion, getting situated. Does this until he ‘accidentally’ fumbles the sorbet. Spills it all over Eddie’s clothes, his distressed black shirt, his dark gray sweatpants. All of it. Makes a much bigger mess than he intended to.

Eddie jumps up. “Goddamnit, Harrington!”

“I am so sorry!” No he’s not. If anything, his apology is more smug than sincere.

“This shit is sticky as hell.” 

“Really sorry, man.” Steve hands Eddie a few stray napkins, like that’s going to make a difference.

“Don’t be. It was an accident.”

Except it wasn’t. It was one of the most juvenile tactic that Steve has ever pulled. Truly, it tops the overused movie theater-yawn tactic.

“Here - let me get you a change of clothes.” Steve offers, already heading to his bedroom. He’s walking and talking and fucking fidgeting. Suddenly paranoid that Eddie can see right through him, see all his desperation on display. Splattered everywhere like strawberry sorbet.

He turns back around for a split second. “I’ll throw those in the wash. Have them dry and ready to wear again by the time you head out.”

“Oh…” Eddie keeps patting down his clothes with a sopping napkin, barely listening. “Yeah, sure. Thanks.”

“No problem.”

His acting performance is fucking dismal. Over the top. Porno-level obvious. Must be karma for all of those times he gave Robin and Eddie shit about being in an improv club. Makes a mental note to never mock their nerdy hobbies for the rest of his life.

“Well, it must be my lucky night.” Eddie calls out from the bathroom door, causing Steve to wince at the sheer volume.

“What makes you say that?”

“Bestowing the holy grail of shirts upon me? Allowing me even one hour in downy-soft paradise?” Eddie is using that tone, the one that’s boozy and savory. Borderline mean. Equally hot and annoying. “Possibly the greatest of olive branches you could’ve offered up.”

“Christ, you’re dramatic.” Which is so hypocritical after the stunt he just pulled.

The bathroom door swings open and nothing could’ve prepared Steve for how good Eddie looks in his clothes. The shirt is snug through the sleeves, loose through his chest. Makes Steve realize how differently built they are. The waistband on the athletic shorts is sitting low on his hips, maybe a size too big. If they were any bigger, they’d slip right off. Landing all tousled around his bare feet…

Okay, Steve has got to snap the fuck out of it. He rubs aggressively at his eyes. Needs soap or military-strength detergent to fucking cleanse whatever is going on with him lately. 

“We could watch something.” Steve says, even though that’s exactly what he’s already doing.

Watching.

Eddie shrugs. Leans against the wall. “We could.”

“Or… I don’t know.” Steve can’t rip his gaze away from Eddie’s arms. His pale skin looks even lighter against the reddish tones. The waves and curls of black ink look even darker. Just a splash of color has turned him into a landscape of extremes. 

“You don’t?” 

“Um…” Steve flops, flounders. Scrambling for an idea. A coherent thought. Anything. “Cards. We could play cards.”

Eddie’s forehead wrinkles, then quickly straightens back out. Nodding politely. “Sure, we can do that. If that’s what you want to do.”

Steve mumbles something about grabbing a card deck from the storage closet, although he’s pretty sure it’s unintelligible. Makes a quick escape, jogs at the weirdest tempo known to mankind. 

Flirting with a longtime friend is throwing him for a loop. Many loops actually. Theme park amount of loops. All of his usual ease and charm are being denied access. Not tall enough to ride this ride.

The closet is packed with junk, so finding a deck of cards is obnoxiously difficult. He’s tossing coats into piles and shoving shoes into corners. Between his nerves and his determination, Steve is working up a goddamn sweat.

“Need a hand in here?” Eddie’s voice startles him. Steve jolts backwards, straight into a shelf of puzzles. Tons of pieces go flying, some landing in Steve’s hair. Redecorating the fucking closet with tiny bits of colored cardboard.

Fantastic.

Eddie backs away, arms crossing into his chest. “Jesus, man. You’re freaking me out.” 

“Sorry.” Steve says. Shakes the puzzle pieces out of his hair.

“Is it the shirt?” The question sounds genuine. No jokes, no sarcasm. “Does it look that bad on me?”

“Oh.” Steve doesn’t know how to respond. The shirt looks amazing, that’s not the problem at all. It’s just… “Um, actually-”

“Look, I know I’m not a pastel heartthrob.” Eddie gestures directly to Steve before waving his arms around. He starts pacing in the tiny closet, just ranting away. “And let’s fucking face it. I’m not getting any younger, so I doubt I can pull off this slim-cut style the way I used to… but come on. It can’t be that repulsive, right?”

“Eddie.” Steve frowns. 

“Shit, that bad?” Eddie smacks a hand to the top of his hand. Grabs a fistful of his hair and looks down at the shirt, still rambling. “We’re using first names now? What’s next? Gonna bust out my full legal name? My birth certificate? Then we’ll really mean business.”

Okay, yikes. And Steve thought he was the stressed one. This is going south very, very fast. He needs to curb the self-destruction that’s happening in front of him. Just… reach out. 

“Hey.” And Steve does. Literally. He places a hand on Eddie’s shoulder, sucks in some courage. He waits until Eddie makes eye contact, breathes at a less neurotic speed. Then he exhales all the courage. Turns it into honesty instead. “You look… you look good.”

Eddie scoffs. “Yeah right.”

“No, I mean it. It’s different. But in a good way.” Steve skims his nails against the fabric, drawing shapes into Eddie’s shoulder. “I like it.”

“You do?”

Steve nods. Bites down on his lip, flicks his eyes to Eddie’s mouth. “Like it on you.”

The energy between them is thick, clinging to Steve’s skin. It’s new except it’s not. Steve has felt it before. At the bar, the party, that random Thursday in 1993. He recognizes the flex and curl in his stomach as Eddie takes one step forward, then two. The feeling is familiar and strange combined. Knotted tight.

Eddie raises an eyebrow before taking another step. Like the day behind the couch. Quiet permission, one he doesn’t ask for often. Only when it means something.

Steve lets the hand on Eddie’s shoulder fall slowly. Catching the material at the bottom, tugging it forward. Prays to fucking god that’s all the permission Eddie needs.

“You were right.” Steve lets his hand drift back up, landing in the center of Eddie’s chest. Wrinkling and smoothing the fabric underneath. “It really is soft.”

Eddie’s breath hitches up. “Yeah?”

“Yeah.” Steve’s voice drops lower, richer. “Could touch this all day.”

Eddie thumbs over Steve’s bottom lip, drifting into the small space between them. He places both hands on Steve's cheeks and kisses him firmly. Steve presses in deeper, breathes out through his nose so that he doesn’t have to break away. 

It’s so good, kissing like they’re teenagers behind the bleachers. So swept away in the heat and hunger that they’d be late for class. Showing up to study hall with blotchy skin and achy lips. They keep kissing just like that. Feeling, exploring. Lingering in all the areas that seem to make the other person hum or gasp.

“Steve.” Eddie whispers. His hands push up into Steve’s hair, combing it back, pulling in down with an edge. Hard enough to make Steve tilt his head, mouth dropping open.

“Yeah?” Steve replies. Barely a question, too lost in the feeling of Eddie’s lips on his neck. 

Eddie rubs his mouth over the edge of Steve’s jaw. “You’re so…” 

The sentence stops right there, never gets finished either. He nuzzles over the wet spots of skin covering Steve’s neck. Marks them all up with a gentle nip, not enough to leave bruises. Just enough to make Steve shiver.

Steve is making so many breathy noises, which should be humiliating. Pathetic for someone who’s had fucking loads of first kisses, even more makeout sessions.

But none of that really matters, his age or experience or slutty track record. Nothing counts when being kissed like this. Nothing can stop Steve from taking this moment, eating up all of the sounds and sensations. 

Fuck, he wants all of it. Wants Eddie closer somehow, on top of him, beneath him, surrounding him.

He can’t stop tugging at Eddie’s shirt, well… his shirt. No doubt that it’s stretching out, close to ripping it. Keeps pulling it anyways - dragging Eddie into him till Steve’s back is pressed up against the wall.

“Come here.” Steve curls a finger under Eddie’s chin, brings his face back up to him. Not nearly done kissing him stupid, square on the lips. His mouth is warmer now, a few degrees hotter from sucking Steve’s neck. Licks into Steve’s mouth, gets him to whine at how good it feels. 

The washing machine timer goes off, buzzing throughout the whole apartment. But Steve can’t let this end, he can’t.

Except for the buzzing won’t let up. Continuously interrupting all the delicious noises that Eddie makes whenever Steve bites over his bottom lip, gets it nice and puffy between his teeth. 

“Should we...?” Eddie smushes his nose into Steve’s before motioning to the door. 

“Yeah probably,” Steve unclaws his hand from Eddie’s waist. Kisses him once more before sliding out of reach.

As he walks down the hallway, heading into he laundry room, he hears it. Eddie’s voice, still inside the closet. Chanting the same phrase over and over again:

‘Holy shit, holy shit, holy shit. Holy fucking shit!’

Steve cracks a smile. Kind of hard to believe his heart is chanting the same damn phrase. So full of adrenaline, fucking crumbling under this wave of raw emotion.

Really, he never thought he’d find himself in this situation. Holding Eddie’s clean clothes in one hand, thumbing over his kiss-bitten lips with his other hand. Impatiently craving to get back to where they left off, hopefully on the couch or bed or floor this time.

“Hurry it up, will ya?” Eddie whistles behind him.

“What’s the rush?” Steve tosses the clothes into the dryer, doesn’t turn around because his self-restraint will be fucked if he does. 

“My lips are getting cold.”

“That’s the best line you got?”

“For now, yeah.” Eddie says. “You sucked out all of my brain cells with your mouth. Can’t expect me to be Swayze-level smooth after something like that.”

No way he’s allowed to be so damn cute comparing himself to Patrick Swayze. As if they're even in the same league. Endearing, really.

“You can head back to the living room. I’ll be there in a minute.” Steve pushes a few buttons on the dryer. The timer starts, another reset on the clock.

Feelings that flip the hourglass once again. 

He really fucking hopes it never runs out this time. 

Eddie is perched on the floor, flipping through the channels on the tv. He's squinting at the harsh light because for some insane reason, he always insists on watching the tv in total darkness.

Even that’s cute now. Annoyingly cute.

Steve joins him on the floor, instantly slouching into Eddie’s arms because he can do that now. Completely allowed to be sweet and gross and smitten. 

“Guess my theory was wrong after all.”

“Hm?” Eddie replies, still mindlessly channel-surfing.

Steve gives Eddie a quick kiss on the cheek (because he can do that now too), and looks at the shirt. Muted red, almost pink. Soft and touchable. “Apparently, you do get cool birthday gifts as an adult.”

“What are you mumbling about?”

This thing between him and Eddie. It feels longer than running sand or ticking timers. Longer than their years of friendship. Maybe not timeless…

“I’ll tell you later, Eddie.”

But pretty damn close.

[muchmossymess]

A Revali Fanfic Recommendation

I urge you all to put your life on hold for a moment and go read this brilliant fanfiction:

A hundred years after the fall of Hyrule to Calamity Ganon, and the hero Link has finally sealed the darkness and freed the Divine Beasts of their curse - and with it, their pilots are finally free. But not just as spirits. Awake once again, the four Champions of old have a second chance at life and must re-adjust to this future world with their decendants. Well - all except for one Champion, who doesn't have a decentant. Or even anyone left alive that knew him. Teba is happy to take in his revived ancient idol as one of his own, but sharing a living space with a hundred year old Champion with an ego the size of his divine beast and who might have some issues he's not willing to share can be a lot sometimes and they don't always see eye to eye. Revali thinks he should return to leading the new generation of Rito warriors. Teba thinks this actual child should never have been leading warriors or fighting a war in the first place. Tulin is just excited to have the infamous Rito Champion in his house.

Beautifully written and lovingly crafted, this baby can fit so much trauma and whump into the most gut-wrenching and heat-breakingly found family story you may ever read. 130,000 words, 36 chapters (and still regularly updating!), and a CRIMINALLY low number of kudos. If that doesn't sway you, here is some gushing under the cut <3

You think you've read a champions revival fic before? This will have you saying "how the FUCK have I not seen this before" and completely change the way you view everything (mild exaggeration. m i l d). We have all of your favourite revali tropes: being a dick and getting owned, being a dick and being right, getting own and never showing those feelings to the light of day, getting killed, getting unkilled and loved, showing emotions but being super weird and revali about it, bonding with tulin!!, bonding with teba and the rest of rito village, bonding with the champions, having panic attacks and trauma, vah medoh being the best ever, being a terrifying force of nature, being an idiot kid, and so much more!

Do you like grumpy dad teba? Do you like revali swallowing his pride? Do you like revali immediately spitting his pride back up and being a bitchy bird? Do you like mipha and revali as gossip buddies? Do you like the complete and utter fool revali makes of himself everytime he so much as hears the name link? Do you like people seeing right through his facade and calling him out on it?

AND NOT TO MENTION THE WORLD BUILDING??? this fic is so in depth of the political climates, racism, lore, changes in culture during times of war, colonisation, biology of the races and just fucking everything?? It adds so much life to the world of hyrule I am genuinely shocked at how much this person clearly loves these games (botw/totk/aoc) and they are able to incorporate all of this amazing information in a way that flows so naturally and just hhrnngngg I am fucking insane about it. THE SCIENCE, oh my god how did I forget all the wonderous thoughts surrounding the divine beasts and the sheikah tech, oh god and how they write the magic system? Guys I swear it's so good.

Characterisation is on point, everyone feels so full of life and that they are reacting exactly how you would expect them too, and they just seem so real, like they are right beside you as you're reading. The author does an IMMACULATE job of drawing you in and making you feel a part of the story, all the while being just beautifully written?

Don't get me started on the attention to rito culture. I have never seen someone pour so much love into something before, genuinely on of the greatest things I've seen. I've always had a fascination over how the races of hyrule view each other, similarities and differences, how their cultures and histories intertwine, and conflicts that may arise. But oh. my. god. My jaw was on the floor every time, it's so rich and beautiful but not without the horrors (and oh god, they are Horrors tm) and again it's just so real!!!

Be warned, however, that there is gore and viscera and terror and hurt and war crimes and death (duh), but for each terrible thing to happen it is repaid tenfold in love and kindness somewhere down the line. (Unless you are into hurt no comfort, then sorry buddy!) It is a beautiful narrative and the exploration of trauma and self is mind boggling and just go read it!!! 😭 😭 😭 I just love this fic so much, it has instantly sky-rocketed to one of my top 3 favourite fics I've ever read, and I'm so grateful to have found it and now be along for the ride that if I could bring that to one more person then by god I will fucking do it

[crazylittlejester]

honestly, the fandom dismisses wars trauma a little too much. Have you noticed it’s always never brought up in his character studies? And when it is, it’s totally brushed off him and cia had a WEIRDDD age gap. It’s also weird hyrule warriors never acknowledges this. I honestly don’t think it’s gonna be recognized in LU but idk. It’s just weird how quickly the fandom brushed over all that. What’s your opinion? Cuz you have cool opinions lol

Disclaimer: Everything you’re about to read is my opinion and my interpretation of a game. I’m not talking about headcanons (unless otherwise specified), I’m just talking about my experience with the game and everything else. All of this is from MY perspective interacting with the canon material from both Hyrule Warriors and Linked Universe. Also! I am dyslexic, my bad for oddly autocorrected words or weird spelling mistakes

A huge reason I started yapping so much on this blog was because I saw a lot of people either actively disliking Wars, making fucking INSANE comments about his body, overly sexualizing him, or just straight up dismissing him all together and it helped me get over my posting anxiety because it genuinely made me so upset. He’s been my favorite character since only a few posts into LU (i originally liked Twilight better based sheerly on design but it took like only a few posts before that changed), and I love HW Link in general, and I thought it was actually crazy that more people didn’t like him. I’ve written several of my own characters studies on him, some of which I’ve posted, others lay trapped in my old laptop in the form of a full on analysis paper, never to see the light of day

You can send a full grown man to war and he will come back with trauma, imagine what happens when you grab some poor teenager and tell him everything relies on him. Literally forget Cia for a minute, Link as a teenager was taken and shoved into a full on war where his men turned on him and in order to survive, he had to kill. Monsters and hylians alike, it was him or them, and he’s the one who made it out. Not to mention he was constantly running all over the battle field trying to prevent the hylian captains from being defeated, and he most certainly lost many people he cared about just because he couldn’t get there in time. He had to carry around the guilt that this war was started because some sorceress was obsessed with him ON TOP of that

This was said earlier by an anon on a post I reblogged, and I’ve been saying it myself for months but I will say it again: If Warriors had been a girl and been obsessed over that same way, I fucking GUARANTEE you people would be taking it more seriously

I literally just typed in the character name and the game she’s from and that is what google had to say about her. If an older man was described as ‘harboring serious affections’ and having a ‘desire to claim’ a teenage girl I literally don’t think it would’ve been glossed over or ignored like it is

I don’t think nintendo was ever gonna elaborate or really recognize it in the game, they never go super in depth on anything in Zelda games from my experience, and I doubt Jojo will really get into it in LU mainly just because she has so much going on with eight other dudes and potentially two more (based on the header on the linked universe blog)

I saw a lot of characterizations of Warriors and opinions of him that made me so confused and also a bit mad, such that he is a womanizer or a stupid twink (of which he is neither), and that’s a huge reason I started writing fanfiction for this fandom. Firstly to just create more content for my favorite character because I rarely saw any that focused on him, and secondly because I didn’t like some (NOT ALL) of how I was seeing him characterized. (i cannot emphasize enough: NOT ALL people in the fandom characterized him this way, I saw plenty of amazing and beautiful characterizations of Warriors)

I do not think he is a womanizer at all, in fact I fully believe his flirtatious behavior is a defense mechanism. I think his ‘woman problems’ are the fact that he’s afraid of women (especially older women) he doesn’t know or trust, but also that’s just my opinion. And I am genuinely a bit worried that now that people have stopped talking about how they noticed he seemed off a few updates ago and now that they’re saying he’s back to normal that people are going to start reducing him to a stupid dramatic twink again, as if Warriors was not the one who came up with the initial plan to fight Dink and was not the first one to fight him. As if this is not a man who lead a god damn army. As if everything he’s done and everything he is no longer matters because he’s ‘pretty’

anyways I have a lot of thoughts about him in general and im just glad the fandom has been treating him better as of late, but i am a bit worried it’s just gonna go back to how it was

thanks for the ask!! sorry i got a bit carried away 😭

[hyperfixation-fix]

Alright girls, guys, and gays - welcome to...

A Newby's Guide to the Marauders Fandom

You keep seeing your mutuals post about this Harry-Potter-adjacent fandom. It seems cool, and pretty damn gay, and you're kinda curious to know more. Except there's one problem: there is little-to-no actual canon.

How do you get into a fandom with little-to-no canon material?

Well friends, I'm here to help! Consider this post your roadmap to the fandom - useful locations are noted, major landmarks and tourist destinations are starred, and recommended routes are highlighted.

But where you actually go is up to you.

Level 1: The Basics

If you're the freshest of fresh meat to this fandom, you may like to start with a nice little overview of our chaos-fanon. Here are some YouTube videos that give you a good tl;dr:

a deep dive into the marauders fandom by uncarley (YouTube video, general topic, no major content warnings) - this is a great starter video, especially if you're not a fandom person usually. It's digestible, fun, and not too lore-heavy.

The Marauders Era Fandom Deep Dive! by Coffeekoe (YouTube video, general topic, no major content warnings) - alternatively (or in addition), this is another great starter video, but possibly more from a fandom-familiar perspective. Also Coffeekoe just has great vibes and I want to kiss them on the forehead. Mwuah mwuah mwuah.

Marauders Era Ships Deep Dive! by Coffeekoe (YouTube video, several different ships, no major content warnings) - after you've got the gist of how the fandom works, you might want to know a bit more about the common Marauders ships. This video gives an awesome (and comprehensive) overview.

Level 2: The Canon in the Fanon

You're going to have a pretty tough time in the fandom if you're not at least somewhat familiar with The Fanfic™️, All the Young Dudes. This fic is as highly revered (if not more so) than the real actual canon text (obligatory fuck JKR).

First off let's understand what it is.

All the Young Dudes is a long-form fanfiction written by MsKingBean89 and published on Archive of Our Own. And when I say long-form, I mean long-form - this thing is a monstrous 188 (chunky) chapters long. It spans from 1971, when the Marauders start their first year at Hogwarts, until 1995, when Remus dies. Speaking of which, it's also canon-compliant, so I'll save you some heartache and tell you right now that all of the characters die in pretty tragic ways. I'm not going to lie to you, it's a pretty heavy story - there are strong themes of child abuse, homophobia, underage drinking/smoking, drug abuse, abusive relationships, and trauma. BUT. I really enjoyed it and have read it twice now, simply because the happy bits are worth the painful bits.

With all of that in mind, here are (my recommendations for) your options for acquiring your ATYD education:

All The Young Dudes Deep Dive! by Coffeekoe (YouTube video, ATYD, some light discussion of triggering topics mentioned above, spoiler heavy!!!) - yep that's right, it's Coffeekoe again. Mwuah mwuah mwuah. This video is a super duper great alternative to reading ATYD, or a great way to dip your toe in and see if you want to commit to reading it in full. Obviously it's spoiler heavy, so if you already know you want to read ATYD and spoilers bug you, just skip it.

All the Young Dudes by MsKingBean89 (AO3 fic, mostly Wolfstar, triggers as mentioned above) - here's just a straight up link to the fic. You may need an account on AO3 to access it.

All the Young Dudes by BIBLIOBIBULI (YouTube, same as above) - if you're like me and love the idea of reading a long-fic, but don't actually have the time/energy/patience/stamina to do it, an audiobook might be the way to go! This one is great, and complete. You're welcome 🫶

Level 3: Fics of Note

Okay! By now, you should have received your official Marauders Fandom Certification in the mail (or, I guess, via owl), and you're pretty much free to go and explore the fandom on your own. You may, however, still come across references that confuse you. Those (probably) come from one of the many, many, many popular fics in the fandom.

Here's just a few of the major ones and links to them, for your convenience (asterisks indicate fics that require an account to access):

NOTE: This is not a rec list. Approach with caution and read all the tags.

Crimson Rivers by bizarrestars*

Just Lovers (Like We Were Supposed To Be) by bizarrestars*

Best Friend's Brother by bizarrestars*

Choices by MesserMoon

Kill Your Darlings by MesserMoon

All the Young Dudes - Sirius's Perspective by Rollercoasterwords

The Cadence Of Part-Time Poets by motswolo

Art Heist, Baby! by otrtbs

Only the Brave by Solmussa*

Level 4: You're On Your Own, Kid

You're still here? Why are you still here? You should be out there, enjoying your newly acquired fandom!

Fine, one last piece of advice and then you really have to leave:

Engage.

This fandom is unique because it is the weird, Frankenstein's-Monster-esque lovechild of thousands of strange little obsessive gremlin people like you and me. Sure, it only has one eye and far too many nipples, but who cares? We made this and we love it. And it's your job, as someone in the fandom, to keep it alive by engaging. Yes, this is true for every fandom, but even more so here. Comment, reblog, share, recommend fics, ask for fic recs. Fuck it, create too - write, draw, share headcanons, make playlists. It doesn't matter if it's "bad" or "wrong", there aren't any fucking rules.

Add another nipple, by all means! Eyes are overrated anyway.

[muuurder]

your finest gaara headcanons my good regent

*breathes* I have so many anon thank you for asking. I’ll put more under cut to spare people from a long post lol.

*cracks knuckles*

-starting us off right here: I flip between Gaara’s gender but honestly I maintain the idea he has tboy swag and most of Suna was too afraid to question it for years and now it’s just the norm. Not to mention his general physique and medical neglect aided in pushing off puberty.

-gaara still has erratic mood swings post chin in exams even when he’s getting better and learning. That boy faced traumatic events from a young age and then was neglected and hunted for sport on top of total isolation. That shit doesn’t go away just because a blonde boy punches you with the power of friendship ok.

-that being said I will maintain the idea his siblings Lee and Naruto are the only ones he feels he can relax a bit with.

-also I do not see people making him weird enough. Cause affectionately as someone who like also experienced isolation, trauma and neglect. You end up having weird interests and like just a r e the weird kid. And I mean yes he is the weird kid, but like…… make him weirder you know lol.

- he loves gardening he talks to his plants. He also likes animals, and is fiercly protective of small kids. That amplifies as he gets older and temari has kids of her own.

-I also think he is a funny guy but his humor is super dry or a little dark. But he will catch you off guard and say some of the most out of pocket shit I swear.

-I am a medaru is gaara’s biological kid truther. I’ll maintain the idea medaru was not planned. Lee absolutely stayed in Suna for a longer period of time and Lee subjected Gaara to routine and healthy habits and the stars aligned and medaru happened.

-honestly ever since I read the brunch fic (I linked it I love it please.) I love the idea of modern au gaara incorporating his mother’s ashes into his garden. It’s sweet.

-I also love the idea that the face tattoo fades as time goes on. Like he stops carving out the wound as a reminder and it fades with time which is a lovely show of his character change.

-I also like everyone else believe he and Lee begin corresponding through letters. Particularly I think the letters begun either after gaara’s death, where Lee wrote to him. Or perhaps Gaara begun them because he was growing and changing and felt guilty about Lee and reached out (at Naruto’s suggestion.)

-following the last point, I can never decide if when gaara died in shippuden if I headcanon Lee realized he was inlove with him and had feelings then the moment he thought he lost gaara.

-both Lee and gaara are gossip mongers I do not care. Gaara finds out so much shit and caught the gossip gene from his brother. He is nosy.

-I also think gaara is still a menace. A little shit even. He thinks it’s funny to fuck with people just a little bit.

-that being said I think he doesn’t do it often unless you work with him or he’s really close and you know he would never hurt you now.

- adding onto that, I will also say I headcanon that in his attempt to become more palatable for his people and suppress his mood swings and correct his behavior, he gets taken advantage of more often and gaara just lets it happen more sometimes because he’s afraid of slipping back into the old image. Especially once he feels connected to his people again. Gaara despite past transgressions chooses to be kind and gentle. He always was a kind gentle child. I think that shows a lot more as an adult and that shit takes so much strength.

-I am a rasa hater so. You know. Fuck rasa, he abused all his kids post the death of their mother.

-I also love the idea gaara has super human senses from shukaku. He can see better at night, detect and smell things better. That being said he isn’t immune to illness, he has gotten sick because his health is absolute dookie okay. He doesn’t sleep his immune system is shit.

-he had the fattest crush on Naruto I do not care lol.

-he doesn’t exactly hate sasuke. But he very much dislikes him because he mistreats Naruto.

-gaara is a crier. Like when he isn’t compartmentalizing and disassociating to cope with his mood swings and trauma, he is a leaky faucet.

-also convinced the whole chunin arc was a really fucked up way of him going friend? Because literally the only way he ever learned to socialize is through violence. The whole thing with him showing up at sasuke’s training was he tried to be friend cause he said “oh you’re fucked up too huh? Wanna fight about it?”

-gaara has the earth sign stank face when he doesn’t like something.

-gives solid advice

-modern au headcanons (might be courtesy of the moss cough cough) he would get into therapy and want to become a therapist lol, he gives solid advice. Also the incident with Lee will always be either he hits him with a car or my personal favorite (potentially for a fic I am brewing) he beat that fucker with a lead pipe when Lee tried to be a Good Samaritan and got involved :)

-also love the idea of gaara had substance abuse issues to cope in modern aus.

-oh and I love when shukaku is brought in as a fucking small crusty white dog with bad manners and barks too much. I may be biased because I have a white crusty small dog who barks too much and has an attitude that rivals god himself.

-gaara hilariously doesn’t actually like fighting especially as an adult. He by nature is nervous and it just sets his ass on edge.

-last thing I’ll say, he is a bratty bottom. Thank you for coming to my Ted talk.