#i get it. i also like to read manga

[tommyssupercoolblog]

Spoilers for episode four of The Amazing Digital Circus under the cut

Jax is a weeb. Jax is a weeb and we're not saying anything about this??? Bro has the same mentality of that one kid in school who bullied you for being cringe because they were ALREADY CONSIDERED CRINGE and thought they could climb the ladder but in reality they were still cringe to everyone else

Jax is a COMIC ARTIST who will read manga and webcomics, which are considered nerd hobbies that get you bullied, and be like "eww kinger likes bugs and you all show emotions" this doesn't compensate for the body pillow in your closet dude. Just chill the fuck out

[originalartblog]

Someone's last crush didn't live up to the hype 😬

[hinamie]

sympathy for cain

[aquanutart]

THEY'RE BACK!!!! my childhood manga!!!

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[fuupan]

drew these for heart pirates day and uhhhh ep1115

[choccy-milky]

seb vs. clora's Childhood Friend™️ 😇🥰 ((from my new chap! ao3/wattpad))

[sualne]

something i wish i'd see more in trigun fanarts is people having vash speak their native/non-english languages completely unprompted, ive seen folks have him speak french, which he canonically knows, but i really do believe he's a polyglot. mostly because of that one time in the desert when he saw the samurai and wanted to greet him in japanese but struggled to remember how to even say hello.

my headcanon is that rem had them learn as many languages as possible but with the big fall and so many people dying, which i think is what led english to became No man's land main (or even only?) language, means that vash (and knives!) both got horribly out of practice and are various sort of rusty in every others languages.

what im saying if there's any pun or joke you've been dying to write but just doesn't work in english vash (and knives!!) are right there!

[ladyloveandjustice]

oh god I'm seeing all these posts in the dandadan tag about how the sex jokes/fanservice/nudity is "meaningful and deep" and even calling it a successor to klk and please. we cannot go back to 2013 we can't go through this again in year of our lord 2024.

Please can we accept we're watching a shonen with a side of raunchy sex comedy, with occasional moments done pretty poorly, and not make it this subversive empowering deep meaningful thing. I do think some of the sex stuff in DandaDan is an expression/metaphor of wrestling with sexuality as a teen and the insecurites and fears and I think that's fun to analyze. But can we not pretend the fanservice and sexy comedy ISN'T there to be funny and sexy and often absurd?

It's okay to admit you like a show with sex jokes, fanservice and occasional skeevy moments that don't sit right (like what happened in episode 1 for me tbh). It's fine! You don't have to make it some huge "it deconstructs our preoccupation with of bodies and aesthetics and showcases strength and vulnerability in our society" when we see someone in their skivvies.

Like please. it's okay. You don't have to feel bad for liking it. You don't have to twist yourself into knots. Unlike KLK, DandaDan ISN'T trying to claim it's anything other than what it is, so you don't need to do that for it. We do not need infographs about how the the fanservice is feminist and empowering like in the klk era. I refuse to go back.

People with common sense will not judge you for liking this! I personally enjoy some of the absurd comedy. I'm bleh about some things, but it's got great characters and good chemistry and great fights and I also understand it's trying to appeal to a horny teenage audience. I can also completely get those who don't want to watch it because of how Momo's near assault in ep 1 was handled, or some other fanservice thing that didn't sit right with them. Please please please accept what you're watching isn't as pure as driven snow. I can't do this again.

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[almondpiglet]

needed to draw something this year for tomes bday...really wanted to draw her highschool friends

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[5-pp-man]

no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[haliaiii]

I know I was supposed to finish persona 5 but I got addicted to persona 2 lmao 😭😭 (+ persona 1 doodles cause I played that for a bit)

[filipinoizukuu]

fun fact about togame, his voice actor also voices a jojo character named "Weather Report" (you see where i'm going with this?)

i want to believe that the one singular contact number in sakura's phone is not in fact his piss poor attempt to use a phone, but rather a well-kept secret point of contact between him and one certain togame jo. after the showdown with shishitoren and the rooftop celebration, togame and sakura remain... curious about each other. it starts off surface-level enough. togame wants to find a way to repay his debts somehow -- keep an avenue available to someday prove to sakura that he isn't so lame anymore.

he's eternally thankful to sakura for snapping him out of whatever fugue state choji's mistakes put him in and wants to actually befriend sakura because of it. make sure he hasnt changed and all. meanwhile sakura contemplates it, because umemiya WAS right in the grand scheme of things and he did somehow "communicate" with togame in their fight. he wants to keep talking to togame, sort of. learn all the things he couldn't gather with his jabs and kicks. so they both find themselves at the tunnel a few days after the fight as complete coincidence.

its complete fate they ran into each other without meaning to, but togame wastes no time in warmly greeting sakura and chatting him up. night begins to creep up and at that point sakura knows they've gotta start getting home if they both don't wanna start shit sitting out at night on territory boundaries while wearing their respective recognizable uniforms. he's hesitant to pull away from the conversation though and togame seizes the opportunity to ask for sakura's (barely used) phone and write himself into sakura's contacts. (he doesn't even have a password btw)

"Wow~ Not a single person on here, Othello-kun."

"Hah? What th' hell would I even need it for? If I need something, I can just go ask in person. None of that slow, boring texting crap."

"You really live life too fast, haha. What if it's too small for the effort? Or you can't come find me in time? Shishitoren territory is quite far from Furin's campus, after all."

"What would I even need'ta ask you that isn't urgent enough to come here, scraggly?"

Togame simply laughs under his breath. "Anything you can think of." he hands the phone back to Sakura, screen lit up with a single new contact under the name 'Weather.'

That's stupid.

The older boy continues to tease Sakura. "Call me to ask about the weather, if you really can't come up with anything at all. I promise I'd pick up; it's the least I can do for you after everything."

They part ways, and even if neither of them mention it -- Sakura keeps this encounter close to his chest. Thinks about it when his classmates make fun of him for it the very next day, even as he says nothing and lets them tease him. With 5 new names in his list of contacts, he remembers to go home and scroll to 'W' and asks about the weather tomorrow. Asks a whole lot of other things too. All until he falls asleep.

(He never changes Togame's contact name after that. Not even months later, stranded on a bridge and staring down an army of enemies and another black-haired tall douchebag to humble. What will the weather be like tomorrow? Clear motherfuckin' skies, baby.)