#i generally believe that about fantasy as a whole
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Finally finished Veilguard a few days ago and took some time to process and put my thoughts in order. In brief: 8/10 game as a whole, a really fantastic gaming experience, but 5 or even 4/10 as a dragon age game since it does no meaningful exploration of any nuance or moral complexity and seems to have forgotten what made Thedas distinct. My thoughts, critical and positive, coming from a place of love for the series with little to no spoilers:
Thedas has always been special to me because it was a nuanced world. Different groups had different opinions based on their pasts. City elves and the dalish had divergent histories. Injustice against magic was common, but you could understand the justification for it even when you didn’t agree. Now, the worldbuilding is flattened. A mageocracy is fine, it’s only bad apples. Slavery is never addressed. City and dalish elves are basically the same but one lives in the forest. There’s no conflict about what’s best from each individuals’ perception, all groups are monoliths.
“Elves won’t follow the gods just because they’re elves,” yes they would, in past lore. Perhaps not all but some would - these are their Creators. The game refuses to deal with religious belief in any meaningful way, to the point that I don't know if its impact is fully understood. Dalish religion is as much about cultural preservation as religion and it would be CRUSHING to lose that connection to the past when it had been all you could cling to for thousands of years.
And no, seeking out relics of Arlathan would not make up for the foundation of your society shattering and what that would mean to the dalish. Bellara being guilty that her gods are evil is not the takeaway I expected when I thought the dalish would explore that everything they believed was a lie. I'd also like to briefly comment on how an elf can comment that they weren’t raised dalish but adopted their tattoos. Their closed practice tattoos. Closed even to city elves unless they fully joined a clan. Removing cultural boundaries didn’t make the material less 'problematic', it just created a new blind spot.
“They’d never sanitize the Crows” I said before release. Assassins who walked the line between murderer and hero depending on perspective. But in this game they give you absolute truth: they’re freedom fighters. Responsible government who, the mob is benevolent and that is never subverted. They see themselves as the 'good guys' and so they are.
“They wouldn’t put powerful mages in charge of the shadow dragons” I said. “Surely they will explore the nuance of Neve having the privilege of magic in a mageocracy even when she comes from a lower class beyond ‘everyone is welcome in the shadow dragons’.” “Surely if Maevaris is connected her intersectionality as a magister and altus and trans woman will come up - not what Tevinter expects, helping with change, but still privileged and upper class. Surely low class non mages and slaves would be leading the Shadow Dragons, not the powerful being benevolent.”
But no. All factions in the game are black and white, good and evil, no moral complexity. The bad people want power and collect bad people who want power and only bad people do bad things. The antagonists I liked most were the ones with a motivation beyond simply power and they were few.
And that’s setting aside the fact that all of the mystery and fantasy was removed from the setting by the end. The things that mattered before, the religious conflicts, the approaches to history? All false or meaningless now that we know absolute truth. Everything that set Dragon Age apart from generic fantasy was flattened. All of the lore for the world that I had spent hours, days, years in and creating fanfic for became simple groups of good and bad, subjectivity replaced by objective truth. It’s not a world I want to unravel and explore anymore.
That hurts more than the slap in the face that was every cameo and past reference. If they wanted a soft reboot, why include them at all? Every time I saw or heard about a past character or event I felt hurt and angry and it actively harmed my experience of the game. When the choices are pared down to only do something "meaningful" with them and then that meaningful thing is a codex that had been so disdained in dev comments? I do feel pretty let down. Especially when that codex isn’t even personalized.
They never use Rook or the inquisitor’s first name in text once. Vocal I get, but no codex? The Inquisitor, a person depersonalized into a symbol, signing off “Yrs. The Inquisitor” when we input their name in CC was a twist of the knife I didn’t expect. It’s like every time I lower my expectations to grant grace they need to be lowered yet again.
Similarly, the romances in the “most romantic game yet” are paper thin throughout the game depending on your choice, with few chances to truly connect on an emotional level and have deep conversations in some routes. It’s not all about kissing but having the chance to say how you feel, or try to.
But that’s part of a larger problem, that this is a “found family” but Rook is the outsider in it. Rook isn’t asked how they’re handling things or about who they are or what they want except by Solas. The team needs them to fix problems but has little interest in giving back. The companions are lovely, but I can’t help wishing they were friends with me and not just each other. Or wanted to romance me and not just each other, as they begin to flirt before I can and have more banter comments than the player romance. At least if no one got me I know Davrin got me.
These last comments are the reason it’s 8/10 as a game rather than 10/10 for me - the lore I care about but others won’t. The lack of connection is a genuine issue, along with how unbalanced it is depending on romance. I just feel sad at the lost potential to reflect and gain support from companions.
On a positive note, this is the most fun Dragon Age game I’ve ever played. The gameplay is top notch and combat is so fluid and fun. I felt excited to fight rather than dreading the next battle. Really getting into the roleplay of a slippery rogue
The environments are so gorgeous. Lighting, animation, level design, sound design, all spectacular. I’m bad with maps and yet I never got lost and always managed to find my way around. Secret passages to treasure were just the right length to be satisfying. The puzzles were exactly the right amount of investment for the reward. I never felt frustrated by them but also not disappointed by the simple ones, there was a good balance. I had a lot of fun uncovering them. So many areas looked like a perfect representation of thedosian places I had never been to and wanted to visit.
Every time I was in the necropolis it felt like coming home. Maybe it’s because the lore was the most similar to past lore, maybe it’s just because it was cool, but I loved being there. I loved the wisps most of all. And I loved Emmrich’s journey and sympathetic exploration of death. The Hossberg Wetlands were also a standout area. Absolutely horrible (complimentary). Evka and Antoine my beloveds and the environment storytelling was fantastic. Like a hideous combination of the Fallow Mire and Chateau d’Onterre and I was so there for it. Davrin’s story broke my last flight loving heart.
The set pieces and narrative flow in the major battles and main story missions is really wonderful. I also did enjoy the faction reactivity, even if there were few chances to explore the intersectionality of being a particular lineage with a particular faction. I’ll make our House proud Viago!
It’s such a fun game that when I play I can almost forget all of the things that I dislike until a codex or cameo punches me in the face. It has such great gameplay that I can finally discuss DA with my partner who refused to play the other games in the series. But what a monkey’s paw. I know from their previous work that they can foster nuance. From the art book that their instincts were there from the beginning. But somewhere after multiple reboots they made a world with contradiction and complexity removed, more reactive to fan discourse than to telling a complex narrative.
It kills me because if the nuance and subjectivity and moral complexity had been there, I would have considered this the best Dragon Age game ever made. It will always be the most fun. But it is legitimately more fun for people who don’t know lore than people who do, and that is soul-crushing. It's the most beautiful Thedas has ever been, and the least like Thedas it has ever felt.
I’ve played it once. I already started a replay. I enjoy the game a lot when I am playing it, overall. But I miss Thedas, and I miss that the “world worth saving” that I cared for is a slate wiped clean and this new world is a more simplistic place.
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suburban legends - in depth of a theory that the song is written about matthew gray gubler
this theory was made by me and rafa (@bendthwrules on twitter) cause we’re both delusional and have lots of free time apparently lol please take this lightly this is just to have fun. if you have any thoughts to share or add to our theory dont be shy !
first and foremost, we’ll start with a timeline then dive in to analyze the lyrics! it all starts with taylor’s infamous 4th of july parties, as most of you probably already know, matthew was in one of her parties in 2013, she threw the party at her house in rhode island.
on july 3rd, matthew tweeted that his next stop was new england, later that day, he took a photo with a fan during a flight to connecticut. the rumors that he was at her party started when he posted pictures with face paint and sparklers and people started to notice similarities between his and taylor’s pictures, he later deleted said pictures.
for reference, first are the pictures he posted and the pictures taylor took with other friends on the same occasion.
later on, we got this picture of the of them together, confirming that he was at her party indeed. (i can’t remember who posted this so if you remember please let me know)
his attendance on taylor’s independence party sparked rumors of a possible romance, although they didn’t officially date, it’s common knowledge that they did have a fling (also for the sake of the theory we’ll accept that as true lol).
let’s fast forward to 300 (and almost 65) days later, a new movie premieres at the fantasia international film festival on june of 2014, the movie is suburban gothic. and this was the starting point for me and rafa i mean suburban gothic… suburban legends…
taylor announced her first pop album ever, 1989, on a yahoo worldwide livestream on august 18th, 2014. by the time she announced it, of course, the album was already finished and the tracks it would have were already determined so anything taylor wrote after that, wouldn’t be in the original version of 1989.
our grand theory is that the premier of matthew’s new movie, suburban gothic, made taylor think back on her (very very) brief relationship with him, therefore, inspiring her to write suburban legends, a direct reference to the movie title.
without further ado, let’s get to the lyrics!!
taylor start the song by singing
“You had people who called you on unmarked numbers
In my peripheral vision”
which led us to associating it to mgg’s previous girlfriend and also his co-star in suburban gothic, kat dennings. since they were doing a movie together, they probably were in contact a lot and that’s possibly what taylor was referencing in this verse.
she then goes
“I let it slide like a hose on a slippery plastic summer
All was quickly forgiven”
keep in mind all the 4th of july parties are in the middle of summer, this verse could be a direct reference to that since the very first rumors started with a party in the middle of summer.
“And you kiss me in a way that's gonna screw me up forever”
do i even need to say anything else?
“I had the fantasy that maybe our mismatched star signs would surprise the whole school”
when sharing my thoughts on the lyrics with rafa, i reminded her of what taylor wrote in state of grace “just twin fire signs”, this could be about taylor and the person she’s singing about sharing star signs (of the elements fire) but also about them being twin flames (or at least she thought so). just like she purposefully mentioned matching signs in previous lyrics, i do believe she would mention mismatched signs, mind you that taylor is a sagittarius and matthew is a pisces.
that verse could also be a metaphor about how would people view their relationship, they are from different parts of the industry and didn’t share many mutual friends. “surprising the whole school” could be about how shocked the general public would be about them being together.
“When I ended up back at our class reunion walking in with you
You'd be more than a chapter in my old diaries with the pages ripped out”
here i want to highlight the expression “you’d be” and in the previous verse “i had a fantasy”, when using these expressions, taylor is taking a position of someone imagining something, someone wondering even daydreaming about what things would be like. all the other theories about who this song is about revolve around people who taylor actually had a relationship with like harry styles and it just doesn’t make sense to me why she’d be having a fantasy of how things would be like when she knew how things were. personally, this verses make much more sense when placed in a context of someone who taylor didn’t have a real relationship with, like matthew.
“I know that you still remember”
if we’re starting from the assumption that she wrote the song almost a year later looking back at what happened between them, this verse could be how she is directly talking to him, she is remembering what happened and she knows he still remember as well.
“When you told me we'd get back together”
this could possibly hint to him wanting to get back together with her, wanting to actually evolve into a true relationship.
“I broke my own heart 'cause you were too polite to do it”
although i think there’s something almost sarcastic to this verse (like you were sooo polite you couldn’t even break my heart 🥴), i still do think it makes a connection to the previous verse i mentioned, perhaps he wanted to have a real relationship with her and when she realized it wouldn’t work, she had to break her own heart so she could move on.
and some other verses that just scream matthew gray gubler (iykyk) but i can’t quite put into words like “You were so magnetic it was almost obnoxious” or “We were born to be national treasures”.
well, that was too much ! i think it’s pretty clear that i’m not the most skilled writer (😭) but this was just to share the thoughts that were making me go crazy. huuuuge thanks to rafa cause she was the one to make me stop and think about it also helped me with the writing process and also is big on timeline cause she’s been on both fandoms a long time, ty love 🩷.
please let me know your thoughts on this, love you pookies 🫶
#mgg#matthew gray gubler#taylor swift#ts#1989#1989 taylor's version#suburban gothic#suburban legends#fan theory#taylor swift theories#gublernation#dare i debut the tag vivi theorizes
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Mallory nodded. "Yes, you're right. Nothing ends as it does in fairy tales. I did love them so, and I did believe them. I'm sorry they aren't true."
"Not true?" Cried Arbican. "Of course they're true! As true as you'll ever find."
"But you told me-"
"I never said such a thing! How could you have misunderstood me? Those tales of yours- yes, you people made them up. They aren't tales about us, though you may pretend they are. They're tales about yourselves, or at least the best parts of yourselves. They're not true in the outside world, mine or any other. But in the inside, yes, indeed.
-The Wizard in the Tree, chapter 16
#the wizard in the tree#lloyd alexander#quotes#arbican#on fairy tales#i always love the idea that fairy tales are true even though they aren't fact#i generally believe that about fantasy as a whole#that there are truths within it that enter our hearts in ways that simply being told them fails to do#reading rat
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LADY BEETLE | knj
pairing: non-idol!namjoon x oc
genre: situationship au ; sex playhouse ; glory hole / smut, fluff
word count: 10.4k
summary: when you came to seoul's hidden sex playhouse to forget about namjoon, you didn't think the anonymous mr. kim would actually be namjoon.
pin: lady beetle / taglist: join / discord: join
warnings: sex club setting, oc struggles with her feelings towards namjoon, glory hole but with hoseoksluna twist, engaging in sexual practices with a person you don't know, commitment issues, heated conversations, dirty talk, patience game, counting down (for my neva play girlies), oral sex (f. & m. receiving), deepthroat, face fucking, nipple play, unprotected and rough sex, teacher namjoon, spanking, praise kink, size kink, choking on fingers, rough treatment in general, aftercare, oc and namjoonie smoke together.
note: i daresay this is my best work. :D fuck my life, guys. i need this namjoon like i need air to breathe. if i see any of you wearing panties... TAKE EM OFF NOW. sldjflskdjfsl jk, jk. THE SUPRISE IS REVEALED. GLORY FAWKING HOLE. my babies, enjoy this filth. stream neva play. imagine that deep voice of his.... yeah. yeah....... faaawwkwkjsdlfjsdlfjsdfjslfjsls. ENJOYYYYY. LET ME KNOW WHAT YOU THINK. MY ASK BOX IS OPEENNNNNNN.
The building looked ordinary from the outside view. Like any other building in this part of the city. Long and tall, coalescing with the evening heavens and with its freckles of stars—very much like those upon your skin. McDonald’s was just down the road, a to-go coffee stand perfumed the whole street with its coffee beans, and a bookstore stood right next to this peculiar piece of urban architecture, unaware of all the sins that lurked behind its walls.
It may pretend to be pure, with its grand hall, its sophisticated reception and even graceful employees—dressed in the finest of fabrics that glinted beneath the opulent chandelier—but it was just that.
An act.
They smiled at you, but in their heart they knew what you were here for.
In this seemingly normal, ordinary building all your sexual fantasies flare out. In the simplest of words, you come here to get fucked out of the norm that is considered vanilla. You fill out an online application, set the date, the time—and depending on your desire, you even get to see who your dream fulfiller is.
In your case, you were going into this blind.
And so was he, your dream fulfiller.
While you opted to stay anonymous, the only detail you knew about the man was that he was from the cursed Kim clan. Another male that bore the last name like the one who wrecked your nerves to the point that you had to bite the bullet and try this out as nothing else was working. It was a newfound obsession of your best friend, who gifted you a voucher to this place on your birthday. And you weren’t sure if Kim Namjoon had the sixth sense and somehow knew about this, although you’d believe he was very much capable of possessing one, just to piss you off even more.
You have been crushing on this man since the day you met him at your mom’s small ramyeon restaurant you are working in for her. Since the moment, in fact, you glimpsed at his vintage black Cartier watch with a matching singular bracelet adorning his wrist that he kept calmly on the table while he was on a work call, growling and snapping into the phone. Your mom curled her lips, swatted her eyelashes as she grew hot in the cheeks, chopping green onions for him from her cooking station while you were watching over the noodles. It was her who noticed him at first—and it was her who told you to do your best and seduce him.
And when you lifted your eyes, saw that thick mane of his cloudy hair, the cleft of his cheek as he gritted his jaw and then that picturesque hand of his, you sensed that unfamiliar, magnetic pull towards him that made you blush. And you never looked more like her than in that moment.
For some reason you knew better than to not listen to her and do as she says. You felt it was the right decision, the right move and so you fixed your hair, swiped your flower clip through a half of it while your face-framing wisps fell naturally in front of your pink face. Your mom tossed you her lip gloss from the pocket of her apron and you brought him the ramyon she cooked for him.
Smiled at him. Batted your eyelashes at him like your mother taught you throughout your girlhood and it worked.
Namjoon told you were a breath of fresh air when you sashayed towards him after such an important, yet aggravating phone call, apologized for the inconvenience, bowed slightly. Balanced, most delightfully, respect and flirting. Leaned more towards the latter when he would steal glances at you and smile at you at every opportunity that your gaze would connect to his.
Your heart hammered once he came to you to pay for his meal. Your mother stopped whatever it was that she was doing just to beam at him and he personally gave her a huge tip in cash—right into her right hand that he held. Turned to you and asked you if you’d like to have dinner with him sometime.
And you agreed—without knowing he would get on your nerves in the long run.
Namjoon was not a serious man, not as he appeared to be. Although he showed you the side of Seoul you would otherwise never have the option to see and feel with your entire being by taking you to luxurious dinners, cafés, art exhibitions and work events—the things he would say and the things he would do did not reflect those settings by any chance.
He took you from rags to riches and you paid for it by being a victim of his odd form of cute aggression.
The man would get you tangled up in your sentences because he simply enjoyed the view of you getting flustered. He found pleasure in revving you up enough for you to curse at him and growl at him, be it by bugging you with tickles, pokes or be it by making fun of you until you yourself laughed.
There was nothing sexual about your relationship, if you could call it that. He didn’t hold your hand, he didn’t regard you hungrily as so many men do in his place, but he did look at you with the rawest form of purity. At your freckles—ones that made him give you the adorable nickname Lady Beetle—at your butterfly tattoo on your ankle that your dress would always expose from its natural criss-crossed position. The things he would say did not contain any hints of this leading into the bed. And he never kissed you, even though there were many occasions, where he looked like he was about to do it.
He always held back. And while it, and everything else, made you pristinely fall for him, it also angered you so much that there was nothing else you wanted to do but to grab his head and kiss him madly.
And the other day, you did.
Leaned in after the heft of your shared tension grew too big for you to hide it in your hands—only for him to turn his head, slightly, and let you merely kiss his cheek.
That was the final straw. And so you stopped agreeing to his “date” invitations until you stopped replying to his messages altogether. You thought he wasn’t going to have any part of you if he wasn’t willing to properly date you.
And in your anger, you dwelled in the hole he left behind. The hole that was asking for his fatherly attention that caused you so much extraordinary joy. Your mother must’ve sensed it with her motherly instincts that he would occupy that place in your life, which your father didn’t. Your body missed laughing with him until your tummy hurt—and you missed him. And the more you did, the more your anger blazed.
You couldn’t get rid of it.
You tried exercising. You tried running around the block, only to never do it again because you couldn’t catch your breath and you thought you had almost died that day. You smoked a pack after pack, and that didn’t help either.
Neither did abusing your cunt until you couldn’t go on anymore. Your anger burned down your bedroom and once you groaned and whined, punched the pillows and kicked your legs, your eyes fell upon the voucher you had pinned on your corkboard
Your remedy was in front of you, and in the worst of your anger—you gave it a go.
You filled out that application in the middle of the night, one that made you even hornier. And because you didn’t want to see any other man but Namjoon while you were getting your brain fucked out of your head, you chose the only option there was for that case.
Glory hole.
And the idea of it made your anger falter ever so slightly. You could imagine it was him pounding you through the barrier. The wall would only help your imagination.
Friday. Seven PM. You had to come two hours early because it was a necessity for you to shower at the place after you signed the contract. You also had to quickly think of a safe word, it was the only thing you foolishly forgot to fill out that day, as lost as you were within your flight of fancy. And because the employee standing in front of you made you anxious, you wrote down the first thing you thought of.
Beetle.
Your heart pounded, and when you let go of the pen, the gravity of the moment hit you. You truly were about to swim in a pool of sin only because the man you desperately wanted didn’t want you back. At least not in the way you wanted him to.
The employee led you into the room, where your own personal sin would uncoil. A grandiose, large space, plucked out of a French chateau, with dark antique furniture, an easel with a painting you were quick to skip to in order to ogle at it. Your kitten heels clicked on the old, parquet floors that creaked, scuffed against the carpet that cost more than your yearly salary. It was a room that Namjoon would like—and it was a room that took your breath away.
And the painting paused your blood flow.
The Unequal Marriage by Vasili Pukirev.
A painting of you, essentially, because you can’t have the man you yearn for.
Your heart shrinks, painful pinpricks digging deeply into the flesh. You lift a finger and trace the despondent face of the bride, acknowledge yourself with that secret, yet vivid piece of your agony eternalized within the thickness of the brushstrokes. Her silver flower crown, the gossamer fabric of her veil, and finally her delicate hand. And in your soul, you hold it.
You peek at the elderly groom and disgust seizes you. Because of the poor girl’s fate, because of your own. It feels as though you’re about to sin with that very man and you regret ever coming here.
An emotion that you hurriedly shake off because your best friend paid a huge amount of money for you to experience a good time. Like she did.
Your hand slaps back to your side. Your emotions, too. You will them to hide their starlight just for this one night. Hide their love for the man they can’t have.
You turn around and glimpse upon a table with bottles of both champagne and wine. Think you need one at this moment; think your dream fulfiller would appreciate it if you poured him one, too. But having one sip of that dark liquid, you say fuck it and finish his glass as well.
Undress. Take a shower. Weep under the stream.
And the same employee waits for you when you emerge out of the bathroom in your robe. With manicured hands folded over her stomach, her eyes have softened a little bit, and abruptly, you realize how glad you are that a woman is accompanying you on this strange journey. If a man stood in her place, you would’ve already walked out and wasted your best friend’s money.
“Mr. Kim wishes for you to be naked,” she says, her voice light, but firm. Your skin prickles with goosebumps—you bought a lacy red lingerie for the occasion, to help your imagination do its job to the fullest. A certain wisp of sadness clutches you that you won’t be able to wear it.
Or…
“What happens if I disobey?” you ask, gripping the thick lining of your bathrobe at your chest for mental support. The seriousness of the situation inches nearer and nearer and your stomach knots.
She inhales, straightening up, as if she was about to leave this room. “Mr. Kim is not a regular, so I don’t know anything about this temper, but I would suggest respecting his wishes.”
And she does, making space for your thoughts to whirl, and your eyes trace the flowers on the red Persian rug underneath your slipper-shod feet.
He’s not a regular, so that means he’s not anything like the disgusting groom in the painting. He may be an ordinary person just like you, trying your luck in an unusual setting. Perhaps young, perhaps older—but normal. Not a lecher about to feast on your purity.
Your stomach relaxes as do your muscles and you walk over to the bed to grab your make-up bag. Set yourself into the doll version of you that enjoys a male company with your eyeliner and glitter. Finish the process with a red tendril of lipstick over your mouth—just to leave behind a pleasant trace if the man ever decides to up the fun a little bit.
Will it be fun? Or will you regret every second?
An unanswerable question for your doll brain. You shake it off. Sit down at the edge of the bed and wait.
Wait for him to fuck not just your anger, but your feelings out of your body.
The woman emerges out of the bright light of the hall as if she was a housekeeper coming in to clean the hotel room. To a naked eye, it is not far from reality. This time, her softness has deepened so much that she bears a smile on her face. One, that you’re unsure of what it means. And one that relaxes your system to its finality.
She raises a hand towards the double doors, in the direction of the easel with the painting, and nods, her smile unwavering.
“You may proceed, miss, through this door. You can take off your robe now and get on the bed through the back of the cubicle. Mr. Kim will join you in five minutes.”
Your breath shivers as you exhale. You thank her and she clicks the door shut behind her. Scurrying onto your feet, you gather as much bravery as you can. Your bathrobe plops down onto the bed. You give one last look to the unhappy bride in the painting before you open the door.
You sense her encouraging you to go on—to live a life full of emancipation that she never got to grasp with her fist. And that, you find, is your bravery.
The dimmed room, in size, mirrors the one you just walked out of. And it stares at you head-on.
The cubicle the employee spoke of faces you to the right. A black-painted wooden little structure with a hole in the middle, covered in leather that is cut into long fringes. The lower half of your body will stick out of it and you reckon it depends on Mr. Kim himself what he does with your legs—whether he pins them up using the restrains on the wood or if he holds them.
The unknown lengthens and for the first time during this night, a small ribbon of excitement begins to swathe your chest.
Next to the cubicle, in the far corner of the room, is a dresser. You believe the drawers are filled with toys, but the top is lined with dark bottles of alcohol that you recognize. European—Jack Daniel’s, Jim Beam. Suits the play house’s style, you guess.
And on the left, a monumental bed that takes up the rest of the room. And it’s hung up from the ceiling.
You don’t have time to ogle it as time ticks, but while you run to the back of the cubicle like you were advised, you do notice that there are no paintings embellishing the walls. No person from the old age of time to witness the unfolding of your so-called dream. Sinful, sinful dream.
Maybe that was done on purpose. Maybe you’re supposed to live this dream with the anonymous Mr. Kim in some way.
The mattress inside the cubicle is made out of leather, but it is the strong scent of fresh wood that hits your nostrils. It is decorated with twinkle lights all around, giving it a comforting feel. One pair of restraints is installed into the walls as well, but you think it’s more for leverage than for the wishes of the dream fulfiller. Milky and silken, they stand out from the dark tones of it all, and you gaze at them for some kind of comfort as you strengthen your legs through the hole, the cold tassels drifting along your bare body sending sparks of strange delight up your stomach. You bite your lip at the sensation, scooching up to an awkward, almost sitting position so your legs don’t dangle out, but the backs of your knees press against the edge of the mat.
You cross your ankles.
And you wait, all over again.
Wonder if you should touch yourself or if you should give the honors to Mr. Kim to make you ready for him, but the tassels, the sight of your hip bone tattoo that says angel… your nipples perk up on their own and maybe you’ve come to like the act of waiting for him. Or maybe you like the view of your nakedness at a peculiar place such as this. Of your angelic form bare and about to be taken back to heaven.
Your stomach swarms with anxious morsels at that thought and you take a deep breath. At your exhale, you hear the door creak open and close with a certain tenderness that you immediately know it was used in order not to startle you.
One point up for Mr. Kim.
Maybe the Kim clan has good manners and thoughtfulness engraved in their DNA, but they’re men and disappointment always awaits you eventually—
His footsteps lead towards you, carrying that same tenderness. The sound of the muted thuds grow more and more distinct, no ounce of hurriedness lodged in them. A small fire begins to burn in you due to his evident patience, awakening your body, and you’re so, so surprised to detect such gentle arousal just from the energy he’s brought in.
That, alone, causes you to curl in your coyness, but when you hear him huff out a gentle laughter, you instinctively squeeze your thighs first before you bury your face in your hands, your cheeks hot to the touch.
Why is he laughing—
He places a large, warm palm on your knee. You flinch and his touch becomes heavier as if he was telling you not to be scared, its warmth begins to descend down your shin—and then lips. His breath wafts over your skin and he presses his lips against it as a way of greeting.
It is the rule of this sexual practice—no speaking between the partners. And now that it’s unfolding in action, you find yourself absolutely enthralled by it.
You flutter all over, the apex of your inner thighs slick with the liquid expression of your arousal. Your heart pounds, touched by that unusual but kind gesture, and you’re curious for more.
He rubs the place he kissed with his thumb and then… coldness. He must have withdrawn, straightened his posture, and a great oddity begins to take form in you.
Your knees tremble, sensitive from his benevolence.
And you wonder if he’s watching his creation, taking his time as he is for the next move. You long for it, timid, unsure of what to do with your hands. You flex them and unflex them on the leather, your lower limbs gaining momentum, and you feel your wetness trickling down onto the mat. You do well to stifle the mewls gathering in your throat and you yearn for those considerate hands of his to touch you everywhere—
He yanks you forward and, remarkably, the yelp that is flung out of you is hushed, not heard by his ears. At least you hope so—you don’t want to get in trouble, turn that kindness of his around. You’d regret that, and you’d regret that very much.
Mr. Kim spreads your legs apart, but your femininity is concealed by those suspended tassels that tease your core, your clit, and your hip bones, the most sensitive and vulnerable parts of you. A great dose of pleasure surges through you from it and from the way those fingers of his glide upon the inner of your thigh. He reaches as far as where your shiny stain is. A low, deep breath is exuded from his chest when he feels it and he smears it along your pelvic bone and a little bit on one of your folds.
He heightens your tremor by doing that.
You feel bad for reacting like that, but you can’t help it—neither can you stop it. You try to keep your body still and through the opening you can see him propping his hand on your thigh, watching you do so, as if he won’t continue until he knows you’ve regained your composure. And something about that, in its own way, helps you, and it helps you tremendously.
With his palm flat, he caresses your flesh in a circular motion to praise you for it, lifting his hand upwards and beyond your sight. Your stomach undulates and it is now that you notice the navy blue of his dress pants, the growing tent that takes shape in the middle, and owing to the calmness and the sense of safety he’s installed within you, you do the boldest thing you’ve ever done, save for leaning in to kiss Namjoon nearly two weeks ago.
Turned on from the sight of his arousal, you grab a hold of the tassel and you begin to provoke him, deciding that you want his manhood to grow. Because of the way he treats you, you deem he deserves it.
You move, smooth, the leather strip along your cunt, collecting your slick. You shift your hips in circles, the fabric cool and sensual in a way you never thought it would be. Your breaths come out whiny the longer you do it and when you change the direction and move up and down, you can hear his breaths, too. And maybe the blackness of the walls are messing with your mind, but you could’ve sworn, his secret noises have become whiny just the same once you pressed the tassel against your swollen clit.
And it isn’t until you naturally feel the back of his leg with the ball of your foot that he lets you see how much your little show advanced his arousal. The print of is cock is prominent, thick in the tightness of his pants, and you want it.
You no longer want Namjoon’s. You want his.
The plan worked.
And with a smile of a winner gracing your features, to celebrate you start to make yourself feel delightful. You rub your clit, still with the strip, biting your lips in order to suppress your moans, the pleasure more vivacious this time around. He’s not palming himself, he’s not doing anything at all but watching you, his hands by his sides, and perhaps to reward him—you let go of the tassel.
You let him see your pussy.
Shiny, swollen and needy, asking for a man you haven’t seen and won’t even see.
How sinful, how titillating. You can’t wait to have a cigarette after this.
His cock twitches and it beguiles you, the way your hand, without your conscious knowing, extends out and reaches for it through the hole. Your femininity, your sexuality—brazen and alive, unafraid and illimitably splendid.
And in this situation, it is a thing of absolute sublimity, the act of him inching forward and letting you touch him, feel your own creation the way he felt his. You want his number, you want to make him come. You want him to take you out and you want to show it off on your Instagram story, hiding everyone else from seeing it except for Namjoon. A devilish laughter pricks at your throat, desperate to be heard. You sense how heavy his cock must be, how strong, how hard. It’s impossible for you to suck it as he’s not allowed to see your face, but you know the idea of it will haunt your daydreams—
He grasps a hold of your wrist, silencing your thoughts, and you hold your breath. He slides his grip down to your hand and he makes you squeeze him, his length, his balls. Your hole clenches, even your features scrunch up in need, and with your other hand you begin to help yourself, but he stops you.
Pins your hands down on the leather. Maneuvers to firmly grapple both of your wrists on top of your tummy and uses his free hand to push you forward a little bit. Your legs dangle out, uncomfortably, and he’s so attuned to you that he notices. Leads your leg to wrap around him, the other one two, and if it weren’t for the mattress jutting out, you and him would be flush to each other.
Body to body.
He sucks in a breath at the first contact of his thumb and your clit. He must feel how swollen it is and he dips down to your hole, circling it there, gathering your arousal before he returns to that needy flesh, continuing his circles there. Slow, slow circles that make you writhe on the mat, the leather creaking. You lament that he can’t attach his mouth to it, regret that you chose this option because of your foolish feelings, and despite the fact you thought your plan worked and Mr. Kim alleviated your anger, the emotion bursts within you.
Your muscles tense, your lips flatten in a tight line, your fists in his hold clench, and you’re angry. Angry, angry, angry. Hateful of your life, hateful of your body, of your heart. And in the middle of the explosion, you make a mistake.
You growl.
He stops his circles.
Time beats two times before you’re yanked out of the hole, your feet landing on the parquet floors with that familiar gentleness the man bears.
And the man…
The man is no other but Kim Namjoon himself. The source, the epitome of your anger.
And you feel nothing. Your shock evens out through every fraction of your nerve endings, paralyzing you. Time ceases its beats here—while you stare up at him and he stares down at you. Namjoon isn’t seized by the shock like you are, though. He begins to laugh, darkly, hushedly, humorlessly. Slides his hands into the pockets of his pants and takes a step back.
Embeds life into time.
“I fucking knew it was you,” he rasps, that laughter melting into nothingness until the gravity of this situation spreads across this sinful room. Heavy, heavy energy. You should feel ashamed at this very moment, you should cover yourself up, but you don’t. You don’t do anything. “I read your safe word. I thought it was a coincidence, life making fun of me. And then, I saw your butterfly tattoo, but tattoos can lie to me and it was too good to be true. But that growl… that growl of yours can’t lie to me. I know it like I know myself.”
Your growl was your response to his never-dying teasing. If he tickled you, nudged you, bugged you, the only way you would make it stop was by letting out that vexed noise of yours—and it would work. He’d laugh to himself and withdraw his hands.
You part your mouth, but you can’t say anything. Your shock rises in you like a tidal wave that submerges in you and you drown.
Then, a perplexing song of a mockingbird breezing through the wind outside sounds out within the room, saying things your body is unable to.
Namjoon blinks, taken aback by your lack of retort. No words, no growls. Merely the song crooning along the spaciousness of the atmosphere. He licks his lips.
“Why did you stop replying to my messages?” he asks, and you find it obscene that he’s inquiring about this when you’re all bare, trembling, and with your arousal dripping down your inner thighs. If anything, he should be asking you what you’re doing here, but it’s like the fact isn’t news to him.
And what you don’t know is that he pours life into you with his bizarreness.
Your first reaction is to scoff. Your second is to bash your fists against his chest, pushing him a step back. And Namjoon… he smirks. As if he succeeded in his plan—pulling you out of your state of shock into a blooming garden of your emotions, where you can run, where you can scream and where you can inflict violence.
Where you can speak.
“Why did I stop replying to your messages?” you throw it back at him, your voice rising in volume, and Namjoon straightens, delightfully watches you be full of life. “You think you can share your life with me, take me on dates, pay for me and leave it at that? Turn your head when I try to kiss you? Do you think I’m some kind of lady companion—”
“No,” he interrupts, tilting his chin up, his dominance on full display with the deepness of his voice, the width of his shoulders and his powerful stance. You drip for him, but you’re as powerful as he is. You’re equal—equally tangled up in the same sin. “You’re my Lady Beetle, aren’t you?”
Your breath hitches, your nipples hardening, and your wetness is so, so uncomfortable, trickling down your flesh. And he provokes the pressure of your arousal in your core by that nickname, even more so when he lifts a finger and traces the freckles upon your right shoulder, the meaning behind that term of endearment, from his distance. Even more so when he sinks his fingers into the hair on the nape of your neck, uttering his following words.
“Get back inside the cubicle.”
But you’re not obeying. You don’t know his temper either, but you are getting yourself into trouble. And you’re not getting fucked until you know that he reciprocates your feelings.
And you know what to do.
“Kiss me,” you murmur, crossing the distance, inching towards his face. Namjoon tilts his head down, his lips nearly brushing against yours, and that’s all he does, nudging your anger. “Kiss me, Namjoon, or I’m walking out of this room.”
He lets the tension simmer, unblinking, consuming your eyes from this close proximity. And when he opens his mouth, you think he’s about to kiss you, but you’re mistaken. Deadly, deadly mistaken.
“Did you come here to forget about me?” he whispers, inching even closer until your nipples graze against the soft material of his sweater, hums in question when you don’t answer. Lifts your chin to make you look at him when your eyes stray away, your anger bubbling in you. He perceives the real you, always has, and you don’t have to say a word. Only a person intertwined with your soul could be able to do this; why won’t he act on it?
“Did you come here to look for me?” you whisper back, pressing your torso against him until your breasts squish against his hard chest. His still hard manhood pokes you in your tummy, harder than it was when you touched him earlier, and wrap your arms around him, your hands traveling all across the width of his back until they wander down his loins, even lower to his buttocks.
He pants, but his voice is not affected by the whirlwind of his emotions. Delicious, delicious whirlwind.
“Yes,” he says, firmly, flattening his lips and growling when you squeeze his butt. You enjoy those selfish touches so much that your grin illuminates the room, a ball of light amidst all this darkness. Your anger watches on, stunned. “What do you think? If I wanted to move on, I wouldn’t have chosen a fucking glory hole out of all the options. I’m not like you. I don’t give up. I’m patient.”
“Patient…” You taste those words on your tongue, dwelling on them. They’re bittersweet, and you stand in the middle of your decision whether you like them or not. “What are you waiting for?”
He sighs, lifting his hands and digging his fingertips into your ribs, holding you to him. You mirror his movements, and you let out that strained breath of yours when he bends his head and places a singular, wet kiss onto the side of your neck.
You had asked him to kiss you, even though you didn’t specify where, but you didn’t expect your body to tingle this much and grow boneless in his unfailing hold. You cling to him with all your might—there’s nothing left for you to do.
You’re his. Have been his since the moment you saw his watch.
And you can’t believe you haven’t noticed that Cartier adornment when you were ogling his manhood.
He brushes away a wispy strand of your hand before returning it back to its rightful place. “You deserve the world and I’m not there yet to give it to you. And you’re not gonna look for it elsewhere, I’m not letting that happen. I’m gonna give it to you.”
Honesty is here at last, the explanation to his distance. You hide the fluttering joy that opens in your chest, but you do let him see the smile that begins to curve your lips. He likes you; you can live at peace now. No more anger, no more daydreams.
“Kim Namjoon,” you breathe out, moving your hands to his sides. “Is that a promise I hear?”
He nods, tilting his head to the side as his pupils grow large. “Yes, that’s a promise. The last relationship I was in fucked me up, but I’m gonna get right, and I want you to hold onto that promise.”
You hum. “What does that mean for us right now?”
He smirks, that cheek cleft enchanting you all over again. “If you want kisses, then kisses is what you’re gonna get.”
Your smile lengthens until your cheeks hurt, heated. “I want kisses. Lots of kisses. On different places of my body, too.”
Namjoon retreats back to your neck, peppering kisses along that column. You whimper, hands hurrying to undo the button of his pants, desperate and arbitrary. But with a disapproving noise, Namjoon stops your hasty movements. Pins your hands behind your back.
“Patience,” he whispers, gliding his lips across the kisses he left behind. Your skin prickles with goosebumps against him, your nipples so stiffened that they ache, and, most unfortunately, you moan softly in impatience. “You’re gonna learn what true patience is, little beetle.”
Color heats your cheeks and as you grin, you bite your bottom lip. “Be my teacher, Namjoon.”
He chokes out a groan, dizzied by the idea, one that fades into your yelp when he unexpectedly turns you around and pushes your back against his chest, your arms long and criss-crossed behind you, hands flat against his cock.
Something tells you this lesson will be one of great difficulty for you. And of great pleasure.
Namjoon cups your jaw, swivels your head to face him a little. “Where do you want those kisses?”
Your quivering breath fans out across his big hand. “On my nipples.”
At your quick answer, he makes a sound of approval and with a feathery-light touch he sails his knuckles down the right side of your chest, from your collarbone down to the beginning of your supple breast, where he stops his voyage to study your reaction. As much as you’d die for his fingers to go a little lower, you keep your tremors in tact. Even your fingers remain obedient, relaxed in their position and not tempting his temper. You close your eyes, try your bestest to hold it while you wait it out, and your slick by now creates a pool between your feet. Namjoon’s cock twitches at your goodness and he sighs a little praise into your ear, just for you to hear. It roots deeply in your gut, where it stirs the butterflies that are painted in the color of his eyes.
His knuckles descend lower and lower, stop at the apex of your nipple, and the nearness is enough for you to stoop in your desperation.
Something you shouldn’t have done.
Namjoon slaps that pointy flesh, coaxing such a filthy moan out of you that it reverberates through the room. The harshness, intertwined with the swift stimulation of your nipples spreads a buzzing sensation down your body, settling in your aching clit, and the loud noise you let out echoes in small whimpers, wordless pleas for more. He becomes harder in your hands, as if he could translate them, and the temptation croons at you again, telling you to squeeze him. This time, you can’t really hold back. This time, you want him to do it again.
On the other breast.
You squeeze him, the weight of his cock an inexplicable experience that drives you to a point of carnal madness. You slide your palms along that thick length and the way he’s quiet, unspeaking, unbreathing, puzzles you and alarms you simultaneously.
You look behind you. Catch his features screwed up in such pleasure that you whimper again, announcing that you’ve seen him in his weakest. And Namjoon is brought back into his teacher mode. He allowed himself that fraction of time for his own pleasure, perhaps for yours, too, and you’ve never discovered something so imposing.
Your sexuality and his, interwoven, a thing of glory more magnificent than this playhouse itself.
“Little beetle, you’re just so naughty, aren’t you?” he rasps into your ear, pressing you against him with both of his arms wrapped around your chest, nuzzling his face into your neck. He kneads your breasts hard before he slaps them, both at the same time, and you make such a mess. “So impatient, so desperate to touch and be touched. What am I gonna do with you? Can you even learn, hm?”
Knead. Slap. Namjoon tweaks your nipples, circles them with his fingers, filling your body with such pleasure that your knees nearly give out on you. And he holds you to him by your neck, a firm grip that conveys to you that from now on, he won’t be very nice.
And you don’t really mind.
“Get back inside the cubicle so I can deal with you accordingly,” he mutters his order, tracing the shell of your ear with his puffy lips before he latches onto your earlobe, sucking it into his mouth briefly, making you cry out. “Do you know what happens to girls who can’t be helped?”
Your voice is strained, impossible to use. “No.”
“They get spanked and fucked so hard that they forget who they are,” he reveals, sailing his hands back down your body, flicking your nipples on the way, before his palms anchor at the V-shape of your private parts. He plays with your folds, stimulating your clit in that way without touching it. You grind your hips into his movements, seeking more, but he slaps your pussy for it, halting you. “That’s the only way they get salvaged.”
And then he lets go of you. And the look he gives you is so lecherous, so dirty that your legs are jelly as you scurry to the end of the glory hole cubicle, thinking that this entire moment is speckled with glory that will haunt you for the rest of your days.
You get back into position, your legs dangling out, and Namjoon repeats his voyage. Sails, sails down your tummy before anchoring at the mound of your cunt, but this time he doesn’t gratify you with any delight. He continues down your wet thighs and, abruptly, he turns you over, pushing you forward so your bum shows fully, your tippy toes touching the floor.
The tassels are warm and saturated with the dew of your arousal, tickling the small of your back.
“Now listen to me,” he says, his fingers wandering all around your flesh, but not where you want him the most. “I’m not Namjoon at this moment. I’m not your teacher. In your mind, you’re gonna go back to who you thought I was before I showed myself to you. Mr. Kim. And you’re gonna address me as so, do you understand?”
Your brows furrow and you curve your body to the side in question, not understanding this sudden change of the play. You may have wanted this fictional Mr. Kim more than you wanted Namjoon but that was before you found out that he felt the same way as you.
“Why?”
He massages the round, graceful cheeks of your bum, propelling you to rest your torso flat on the mat, comfortably. “Because you deserve it. Because your Namjoon isn’t where he’s supposed to be yet. So I’m not fucking you as Namjoon, I’m fucking you as Mr. Kim. This is the only time you’re getting fucked before I get right, so I suggest you enjoy every second.”
You gasp at his words, but your hole reacts first before you do, opening and closing all for his eyes to see—and they do. And he likes the view so much that he takes his thumb and perseverates the brief motion, your center coating his digit in sopping wetness. Your hips follow him and this time, he lets you. He gives you a moment to comprehend your future full of pure possibilities and kisses and you detect in your soul no disapproval. Because you’re rewarded with his heart in the end, it’s worth it.
His heart is one of gold, one that won’t perish.
You’ve seen it in the way he treated your mother, in the way he would stop his teasing when you had enough. In the respect he has towards you because he isn’t ready for a relationship. In the promise he gave you, even though that gold is scratched.
You love him, and because of that you shall play his game.
“Yes, Mr. Kim.”
He kisses the fleshiest part of your bum, wetly, humming into your skin—another reward.
“That’s a good girl,” he praises, nibbling the place he gave love to. “Try staying one.”
You mewl, grinding into his face, desirous for a release. “Yes, sir.”
He draws back and chuckles. “Look at you, so good all of a sudden when you’re all spread for me. You’re still getting spanked, little girl.”
You whine, pretending that you don’t like what awaits you, when in reality you can’t wait. “Can I get another kisses after?”
His laughter roars through the room. “Where do you want them?”
“On my pussy, Mr. Kim.”
He growls, swearing, his hands nowhere to be found on your body. “You’ll get lots of kisses on your pussy if you take these spanks well. Can you count them down for me?”
You nod, but you quickly realize that he can’t see you. Your dusky world pirouettes and you’ve tumbled into a state of haziness, needing his firm hand, his dependable stability. “Yeah, I can.”
Namjoon coos, his palm back on your bum, fondling it. “Good. Do you remember your safe word? You’re still getting those kisses if you use it, darling.”
You dissolve into the leather, your body limp, but you do remember the magic word of utmost adoration. “Beetle.”
A kiss on your flesh. “That’s it. Perfect. Does someone you know call you by that nickname?” he asks and you giggle, the comfort and the safety of the moment almost lulling you to sleep. “From ten, little beetle.”
And he rouses you from your sleepiness by landing a sharp spank on the cheek that he made so tender. The pain is so acute, so good that you almost forget to utter out the number, swimming in the sensation as you are, but Mr. Kim isn’t upset by it. No, he helps you.
“What number was that?”
“Ten.”
“Ten, that’s right. You’re doing so good.”
Mr. Kim’s kindness enters you all over again, liquifies between your legs, and you moan out. The following sting of his palm is greater than the previous one and your chest arches off the leather, but you like it. Even though he doesn’t alleviate the spank, lets only the air make it better, you still like it—so much that you don’t make a mistake and count it down.
“Nine.”
And he repeats it after you, spanking you again and again until the skin of your left cheek is inflamed, burning red, and the perception of the pricks is too much for you to handle. But taking after him, you don’t give up. Grit your jaw, flex your fists, scream out the numbers until you reach one and that side of your bum feels numb.
And Mr. Kim praises you for it so lasciviously that you can only whine in response, your little noises muffled by the leather.
“Good girl. You took your punishment so well. Your ass is so prettily red, oh my God. You’re gonna get those kisses now. So, so many of them until you come all over my tongue. Spread your legs even more for me.”
You do as he says, mind blank, and you hear the thud of his knees hitting the floor. That alone makes you drool, the sound of his submission, let alone his satisfied groan when he attaches his mouth to your pussy lips.
And you can’t voice out the surplus of your emotions, the unrestrained joy that you feel because you’re being eaten out by a man that you love, but because of their boisterous nature, they come out nonetheless. Out of your tear ducts, out of the corner of your mouth in the form of drool and little muted noises that are impossible for anyone to hear but you. And you fail him. You can’t imagine a fictional person sucking on your clit like that, that feels as though your soul is being yanked out of you like you were so many times upon this night. No, only Namjoon can do this to you—and so, privately, you bask in it. In Namjoon’s tongue swirling circles on your clit; in Namjoon’s lips sucking them so hard that you lose track of time, surroundings and your own being. In Namjoon’s hands shaking your bum in his face; in his fingers rubbing rapid side-to-side motions on your wet clit from the front when he fucks you with his tongue from the back.
You’re transported to a place that is neither heaven nor paradise. A place he, himself, must have brought into existence by the energy of his utter devotion for you. And you make it real when you come—sprinkle him with the fountain of your essence that contains the molecules of the universe he created for you. And you float, you float, you float. And he seizes the gravity by praising you for squirting for him, for coming so well and making the best of your so-deserved kisses.
And then his pants flop to the floor, his sweater—until the only things he’s wearing are his watch, his bracelet and his affection for you. You turn your body halfway so you can see him, the wholeness of his manliness that is aching for you, dripping for you like you’re dripping for him, and his cock is so hard that it points up to his abdomen. You’ve never seen anything like this before and you grow so savagely hungry for it that you begin to suck on your index finger.
Purposefully loudly, smacking your mouth.
Namjoon chuckles, darkly, and the warmth of that expression of his pulsates in you. “Oh, you’ll be sucking on this cock, too, don’t you worry, my beetle. I just need to feel your pussy around me.”
Oh, the slip-up. He feels this on the same wavelength as you—no Mr. Kim, no anonymity. Only Namjoon and you. If you were unsure of his feelings before, you can’t be unsure now. The universe he created palpitates around you and you’re so drunk on all of this new knowledge that when he buries himself inside your heat, you can’t let him in. Your walls are compressing so tightly with your still-yet growing arousal that you clamp down on him, but at the sound of his torturous moans, you suck him in.
And he doesn’t go easy on you.
With his hard, hard, and long shaft he begins to fuck you, violently. He rams into you without any mercy, lifting your leg onto the mat and entering you more deeply, curling his hips to kiss and kiss your cervix again and again. His strokes are reverberated throughout your whole body—your nipples rub against the leather, your head rocks against it in a way that turns you feral, you gag on your finger, your clit is teased with those relentless pounds. You’re helpless, but also boundless, being fucked like that, and you realize, with your dumb, blank and empty brain, that you’re extensively getting your best friend’s money’s worth.
And Namjoon elevates your experience.
He reaches through the hole and roughly captures your hair in his fist, popping your finger out of your mouth. Decides it’s not enough, decides you’ve had enough of the hole time and he pulls you out, all while still being inside of you. Straightens you against him, grasps your jaw while his other hand slips down to your clit.
And the side-to-side motions are brutal. Mean. So dominant in the way he keeps the contact light, barely stimulating you, but stimulating you, regardless.
“You think you can gag on your little finger and that it does nothing to me?” he scolds, pinching your clit, and your growl is scratchy, raspy, so fucked out. He’s reprimanding you, but his words don’t reflect his actions. Namjoon kisses you everywhere he can reach. Ear, cheek, jaw, neck. So frantically, so impatiently. “Have you learned nothing?”
You pant, your orgasm so awfully close from being bound but unbound at the same time, fucked slowly and torturously as Namjoon begins to move, grinding against you. But he has to stop—because if he doesn’t, you’re gonna come all over his cock, right in the center of this room. He’s teasing your build-up, just like you imagined he would, letting it rise and letting it fall in short intervals.
But he has pity on you, stemming from his affection. A cold, cold pity that you need for the heat rippling through you.
“Get on the bed. On your knees.”
He pulls himself out of you and urges you forward—towards the hanging bed. And you don’t care to ponder if it will move under your weight. All you can think about is his dick as you crawl onto that bed that does not wobble at all, but remains perfectly offset. You sit back on your folded legs and wait for him—watch him take those leisurely, effortless steps like he did at the start of this evening. Only this time, you get to see it with your eyes. His tall height, his swaying shoulders, flat abdomen and that hard cock, glistening with your slick. Carmine, aching.
You lick your lips. Prop yourself on your knuckles in front of you, back arched. Realize he kissed you everywhere, but on your mouth. And so you pout—and you make puppy eyes at him.
He smooths down a flyaway on your sweaty hairline, endeared. “What’s wrong?”
“You haven’t kissed me on the lips.”
Namjoon smiles down at you, dejectedly. Curls your hair behind your ear, grabs you by the back of your neck, calls to attention all the butterflies in your tummy. “I’m sorry.”
And he captures your mouth. As Namjoon, as a golden-hearted man that longs to give you the world, and you can vividly feel it. Mr. Kim doesn’t exist anymore and Namjoon seals that fact in when he prods his tongue inside, toying with yours before retreating back, moaning into the kiss.
A kiss that was more than a kiss.
And you have to kiss him again when he takes a moment to breathe. You have to devour him, clasp your hand around his wet cock as you do so—and Namjoon has to push your head down, fucking your mouth until your tears freely escape from all directions. He grips your hair tight, holds you to him from the side, plunging in and out of your throat however he pleases, your gagging noises encouraging him to possess every inch of you. Your mascara zigzags down your face in clumps—and once Namjoon’s pity flickers in him all over again, he lifts you and kisses you so nastily that you fade into nothingness.
Then, you’re on your back and he pounds that nothingness. Uses your thighs as leverage as you’re just laying there, a hole and nothing else. Perhaps the cubicle changed your life to such an extent that you’ve become it. You shall never forget it—even now it is scattered all across your vision as you’re fucked into oblivion, the skin-slapping sounds and your pussy squelching around him accompanying your memory of the dark wood, the fairy lights, the restraints you never used.
The sex was too personal, too intimate for you to do so. Even before you discovered that Mr. Kim was Namjoon. Your body recognized his, your mind too blind, too preoccupied with your anger that is now healed.
As if Namjoon could read your thoughts, he pumps into you with a hard thrust, eternalizing it.
“Focus on me,” he growls and you squeak, hiccuping into every movement. It feels as though he’s blocking your throat with how deeply he’s ravaging you and you can only nod.
You can only moan his name.
“Namjoon. Yes, yes, yes—oh, Namjoon.”
He laughs, that articulation of his joy abating in your mouth as he bends to kiss you, fully buried in you. And then he pulls out, presses his heavy cock on your cunt, lifts your head by grabbing your hair, consuming your mouth as if you were everything he ever lacked in his life.
“Grind your pussy on it, it’s yours, my little beetle.”
You whine, pucker your mouth against his, spinning your hips in circles, his cock so wet and so sticky from your happy juices.
“Joonie, Joonie bug.”
He closes his eyes, moaning all in your face, the principle of you softening and connecting his persona to yours absolutely ruining him. He tightens his grip on your hair, sinks himself inside you with his other hand and then sticks those soaked fingers inside your mouth. All four of them, gagging you.
“Little beetle and big Joonie bug, hm. How do we taste?” His tone is so low that it penetrates your skin, paralyzing your senses until only one remains. Until all you know is the bitter-sweetness of his precum and the tanginess of your slick. And he doesn’t draw his fingers back, he continues to control your gags until he paints your face in another set of pretty black tears. “Tell me. How do we taste?”
You growl around him, the sound he knows, and he pounds you for it, a thrust that hurts but feels good at the same time. You suck on his fingers, a trail of your drool trickling down from your connection, and Namjoon grunts. Slides his fingers out of your mouth and places them right on your clit.
Rapid, rapid rubs. And equally rapid strokes.
“Come,” he orders, and it’s like he flicked his fingers and made your body come. You didn’t have to do a thing. “Good. Finally. It feels so good, doesn’t it? Coming around my cock after all this time. Joonie bug is right there with you. Just a little bit more.”
He’s given life to your orgasm by his words. A storm erupts, clearing out everything negative that was ever seeped throughout your soul. Your body quakes, submitted to him through and through, at his disposal to make himself come—until your orgasm is so milky that you can’t see. Your vision is dotted with white, with tiny glazing stars that must be hung up in the sky just like this bed. And Namjoon brings you to him, lips to lips, needing you as he fucks you through your mutual release, and those stars splotch him with their dust.
You squirt all over him, for the second time around. And you don’t stop, the twitching of his cock, the warmth of his cum as he keeps stuffing you full of it, the unfaltering hardness of his thick shaft roll in your tiny orgasms, those little fountains of boundless pleasure that drench him, give him the likeness of those stars. He’s turned on your squirting ability and there’s no way back. No, no way back.
Namjoon is exhausted as he pulls out—and you already feel so empty, so lonely. His cum streams out of you, staining the bed, and it saddens you so much that you reach into your heat to collect it, plunging your fingers into your mouth, eating him. And you moan, at his male taste, for the last time.
“Fuck, don’t do that. I can’t go again.” He wipes down his face, a gleaming man that has your entire identity woven into his veins that run all across his arms, and you love him. You love him so drastically that you can’t get on your feet on your own, can’t make a decision of your own, can’t live without him.
He fucked you so well that he attached you to himself.
A wave of strange emotions engulf you.
“Namjoon,” you whimper, tears burning each corner of your eyes, and you don’t know what to do, you don’t know what is happening. He lifts his head, round eyes blinking, and he’s so quick to cradle you into his arms, letting you cling to him, letting you wrap your legs around his torso like a baby. And that’s precisely how you feel—like a baby.
“Talk to me,” he encourages, caressing your back in circles, and you moor your face in his neck, inhaling his individual bodily scent. So masculine, so heady, so intoxicating. You sob, running your fingers through his misty, blond-streaked hair, needing to be even closer to him than is physically possible.
Namjoon shushes you, kissing your shoulder, giving you the strength to speak, giving you the identification of what you’re feeling.
“This was so intense,” you croak out and Namjoon hums, halting his touch to focus on you wholly. “Emotionally. I feel much closer to you. Too close.”
And he’s not running out of things to give you. He gives you kisses on your neck that bear no sexual context—romantic, reassuring kisses that ease up your muscles, that part the raging thunder of your emotions. And he gives you such comfort that you feel as though you’re floating upon an open body of water, as free as a human being can be.
“What we did was intense but it was right. What you’re feeling is normal. I’m feeling it, too. We’ve been hiding our feelings for so long and we let them out just now, so it’s overwhelming. It’s okay. You’re good. Such a good girl, my good little lady beetle, tiniest girl beetle in the whole universe. I will protect you from the other bugs. Let’s get this make-up off, hm?”
You nod, sob and laugh softly at that solace. Namjoon carries you into the shower. Lets the cold water streak down on you while you shield yourself from it, nearly slipping off his grasp. Namjoon chuckles, hoisting you higher, taking a step back to wash you completely clean. You scream and his chuckle deepens, getting you away from the iciness by pressing you against the tiles.
He truly won’t stop teasing you.
The water turns warm by the time he fetches the make-up remover. Pouring some on a large cotton pad, he cleanses the remnant of your sex tears, the physical memory of how good he fucked you and how he bound your soul to his. He’s careful around your eyes, focusing so intently that his lip is caged between his teeth. Once he’s finished, he kisses you—with Mr. Kim’s gentleness.
Washes you clean, especially thoroughly between your legs. Embraces you in the shower and lets you feel—creates a safe space for your feelings.
And then he’s dressing you in the clothes you came here in. A dark green dress that ends at your ankles. He makes sure to kiss your butterfly tattoo as he smooths down the skirt and you think you’re ready to marry him.
You want to meet his mother. Not now, not after what you’ve done together. But someday soon. And you want your mother to meet his.
“I need a cigarette,” you comment as he’s scrunching your hair with a towel. He himself has changed into a pair of clean black dress pants and a plain white shirt, almost oversized. An outfit that made your mouth water. “Like right now. And at least two.”
He huffs out a laugh. “You can smoke on the balcony. I’ll have one with you. Do you want a drink?”
Your eyes light up. Your whole body, too.
Placing a bathrobe around your shoulder, he gently slaps your butt and guides you forward to the balcony. He grabs that bottle of red wine you had opened and joins you.
Two chairs, one small round table in the middle. The view of the entire Seoul city and a fucking statue in the corner of the balcony.
A beautiful girl, half dressed. The fabric of her forever garment falls off her chest and you’ve never seen a more spectacular sculpture in your life. You enkindle your cigarette and touch her cool face, feel yourself immersed in her seductive beauty. One day you shall be just like her—once Namjoon comes to collect you. Not a doll, but a girl.
“Take a picture of me,” you say, getting into position, only to realize that Namjoon has been snapping pictures of you while you were acknowledging yourself with the statue. With a cigarette hanging limply in the corner of his mouth.
You can’t love him any deeper.
You pose with her. Mirror her body language, even shake off your bathrobe and let your straps fall off your body like her. Private pictures just for him and for you—a reminder for what awaits you.
A future full of pure possibilities. And sex, lots of and lots of sex.
𓂃 ౨ৎ LOVE-KISSED BABIES: @tkslovechild , @jjk7k , @parkinglot-nights , @bethvar , @Sexytholland , @yoongibaybee , @crystaleah ,@fennecnco, @lil-kpopstan , @euphoricmyth , @jungkoock , @cinmmongirl , @hoseokkie-caeks , @kam9404 , @fr0ggieth1nk .
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✨ The In Stars and Time Spoiler Q&A ✨
it's time. MASSIVE IN STARS AND TIME SPOILERS UNDER THE CUT. IT'S GONNA BE SO LONG. LET'S GO
I hope you are aware of The Secret Final Boss because I'm also gonna spoil the crab out of that. If you haven't,
1. Did you know the events for interacting with your souvenirs are randomized for some of them, and also change depending on how far you are in the game.
2. Did you know there's a way to show souvenirs to a certain character.
3. Did you know you can go back to Dormont during the Epilogue.
Figure that out, and come back here! Or watch a let's play online. You can also do that.
I will also try to adopt a ~mysterious cool voice with no exclamation points~ for Effect. Come with me on this journey.
Now. Questions time!
✨ Will you ever make a sequel to ISAT, or make a game in the same universe?
Nah. This was always intended to be The Story. This is your turn to imagine things now.
✨ But so what happened to the Country? What was its name? What about the wishes? What about the colors? What did Siffrin say as an openphrase to open the door to the King's room? What about--
I will not answer those. It's your turn.
✨ BUT THE COUNTRY AND THE COLORS AND THE WISHES
Ok fine. Here are some facts that I alluded to in-game, that I am confirming now.
-The Country disappearing and the events that made colors go away are not related.
-The colors disappeared a loooong time ago, which is why knowing they even existed is a relatively new find.
-A wish made everyone forget the Country.
I will ALSO say that ISAT's map operates on Final Fantasy/General Fantasy rules (i.e. in-universe locations are based off of real ones when it comes to culture, but are not one to one parallels, especially for geography), so no, the Country isn't based on the UK oh my god please do not say that to me again or im deleting ISAT out of your computers and putting legos at the foot of your bed. It's based on another place. You can figure it out, I believe in you.
✨ But why won't you give more info on what happened :(
Can you imagine if I did answer. Wouldn't that be a bummer, whatever my answer was. Sometimes things need to stay a mystery. And also, I don't want to answer <3
✨ Does the world Loop came from still exist after they left? Or is this a get mystery'd situation?
There is only One Timeline and it's the timeline that goes from the prologue to ISAT. Every timeline that gets rewound does not exist anymore, and that includes the prologue's timeline.
✨ What's the deal with Siffrin's dream at the start?
It's Siffrin's dream, but that doesn't mean our Siffrin is the main star.
✨ Is [specific missable game moment] canon?
Every moment that you personally experience in the game is canon.
✨ Is there a reason Siffrin remembers their name but the King doesn't?
What makes you think Siffrin does?
✨ At the very very end of the game, if you look out the window behind the Head Housemaiden, Sif mentions seeing an island in the distance. Is that his country?
It is. It's always been there, for the whole game. You can see it in the distance, too.
✨ Who was the King, before?
He was just a guy!
✨ With the King left remembering in the end, does that in any way change the redaction effect for other people in the world going forward?
That's a fun idea. Maybe!
✨ One thing that never really clicked for me is: Is the sweet smell Time Craft or Wish Craft? Or is the sweet smell TIme Craft and specifically the burnt sugar smell is Wish Craft? Other way around? Does this question even matter since without Wish Craft you can't attain Time Craft in the first place? (To me, yes.)
Wish Craft smells sweet. Time Craft doesn't have a smell per se, but it does do something.
✨ Does Mirabelle retain her immunity to being frozen in time after the events of the game or does it go away after the Head Housemaiden is saved? Or does it persist for a while and eventually fade away?
I imagine the immunity slowly faded away. But no one's left to do Time Craft, so it's a moot point anyway.
✨ How was Odile able to stop Siffrin from looping back during the fight against Siffrin?
In the Discord channel I stated that it's because "she's just that cool", but really, she does have access to some skills that heighten the efficacity of Rock/Paper/Scissors attacks, so it's not too much of a stretch to imagine she could lower the efficacity of Time Craft as well. In this last loop, while listening to Loop and observing, she could figure out Siffrin was looping way earlier than she could in even the Sus Quest, so she made plans. She is Very Smart <3
✨ Will you ever share everyone's full names?
That's artbook content <3
✨ In the ending, what happened to Siffrin's hat?
Flew away. It's gone now.
✨ Looking back at the original comics, and seeing how comic!sif has both eyes at the start of their loops, but in ending sequences is shown with his eye patch...did you ever consider making that concept of sif losing their eye a part of the main loop in either of your games? and if so, was there any reason why you decided against it?
Early on, I did think about making that whole event an event that happens during the loops, but quickly let that go since 1. it would be a pain to write and code (two different sets of Siffrin portraits!) and 2. if it happened, the player might want to look for a way to NOT make that happen and so 3. it would be a pain to write and code
✨ How was Siffrin's homelife before?
Pretty good!
✨ How old were Nille and Bonnie when they ran away? How old was Sif when their home got zapped?
Both were teens.
✨ How old IS everyone?
Siffrin is mid-late 20s. Mirabelle and Isabeau are early-mid 20s, with Isabeau being slightly older. Bonnie is a preteen. Odile is Too Old For This. Petronille, Bonnie's sister, is late teens-early 20s. You can ignore whatever I said in the prologue's artbook, whoever wrote this was Wrong!!!!!!!!!!
✨ Regarding the book that talks about someone who crafted a copy of themself using wish craft: is that meant to imply someone we know is the author (and/or the copy), or is it not directly related to any of em? or is it a "who knows ;)" situation where we can just speculate and theorize either way?
Please check the book again during Act 5! This applies to most items/map events by the way, like the pendant. You can check those during Act 5 and 6 for some fun new dialogue!
✨ Why are Siffrin's clothes so warm looking?
The Country got cold at night.
✨ What's up with Siffrin's pins?
They're made out of a special material. And also, they make Siffrin look cool <3
✨ I want to know the story behind Loop’s different eye shades!
They're blind in one eye. Also, fun foreshadowing <3
✨ What determines whether someone is paper/rock/scissors craft? Is it assigned naturally at birth or something else (and how do you find out)? Does it make you more inclined to use that specific craft or is anyone generally free to use whatever craft they want?
Astrology rules, It Just Is A Thing. Being Rock Type means it is way easier for you to do Rock Craft, but that doesn't mean you can't learn other types of craft, although it's way harder. Doing Craft of your type is instinct, doing Craft of another type would take some time and resarch.
✨What crimes has Odile committed before. I need to know.
Odile just smiles.
✨ Why did the King specifically target the House of Dormont?
I had a reason in mind, but adding it to the game would've added a layer of Explanation that really didn't need to be there. It's just a nice House.
✨ Who was Odile's hatecrush...
Dunno. It's your turn.
✨ What is loop's body situation. like is the surface of their "skin" solid? they did poke siffrin that one time, and we know they aren't cold, but...
I have some idea. But it's your turn!
✨ Would Sif still have looped if they hadn't made the wish he made in the beginning? As in, would Vaugarde's combined wish have made him loop until managing to beat the King?
No. But without time powers, you can imagine what would've happened next.
✨ During the Loop Hangout, how did the rest of the team make it all the way to The King? What about during Act 5?
During the Loop Hangout: with difficulty. During Act 5: Loop was there to guide them.
✨ Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they'd like to be perceived? or 3. time lops stole he from they they :(
Mostly that first one. But all three of those reasons have a bit of truth to them.
✨ Who cooked crab in the House of Change???
This is a very funny question! I've never thought about it. It's your turn.
✨ What are the Orbs that open the gate? Did the King create the Gate or was it there before?
(did not think about the orbs or the gate beyond "plot that proves there was a journey before") Stop Asking Questions,,,, It's your turn,,,,,,
✨ Bonnie's dialogue is *extremely* accurate to how overexcited kids talk, which is really rare to see. Was that something that took a lot of effort to achieve, or did it come naturally to you?
Thank you <3 I'm just that good. Really, Bonnie is an adult with no filter, and less general knowledge. I'm very glad I managed to write Bonnie well, especially since. I haven't talked to a kid. Since I was one myself
✨ The Spoilery Concept Art. Blease
oh yeah. here have it all. this is what I gave Mimi to do the animated trailer!
✨ So. What's everyone's favorite shade.
FINALLY the question. Plus I can say shade names now. White = darkless, Black = lightless. Light and Dark is like light grey/ dark grey. Oh my god I'm checking my notes and I wrote a small event I never used about hair dye colors like "midnight dark", "tomato grey", "snow light" past me that's so fucking funny
Anyway, Siffrin loves darkless, Mirabelle is more of a light shade lover, Isabeau loves that lightless (BECAUSE ITS FASHIONABLE OK), Odile likes darker shades, and Bonnie also loves that lightless (BECAUSE ITS AS DARK AS MY SOUL OK)
✨ Are there any bugs you found during developments that you've made into features?
Two! The first one was the ability to ask Loop to just silently hang out during Act 4. I messed up the code and the game softlocked there, with Siffrin and Loop sitting there silently. I thought it was very sweet. They deserve a little quiet time.
The second was in Act 5 - the House map had a lot of issues with the Act 5 map bringing you back to the normal House map. So one of the testers got brought to the normal House map and didn't notice, and interacted with the Mirror on Floor 3, and it gave them the normal interaction with everyone seeing the mirror and taking a picture, and when they went to look at the picture in their inventory, it gave them the actual Act 5 picture. A little bit after they realized the game bugged out, and told me about it, and begged me to keep that in because they were very unsettled by it. So here it is! Beforehand, it was just Siffrin silently taking a picture, so I'm glad I changed it.
✨ Did you ever have emotional difficulty writing the more sensitive parts of the script, like Siffrin’s intrusive/negative thoughts, for one reason or another? Moreover, did you worry the script may be darker than your initial vision for it anticipated?
Not really. The Mirabelle and Odile hangout scenes were the hardest scenes by far because I really wanted to get them right, but everything else was about the same amount of difficulty. And actually, I wanted to go a little bit darker for the script, but I was worried it was going to be too dark... When it comes to the dagger event, I had a whole tangent about Siffrin thinking about the best way to strike, so to speak, but I deleted it because it was getting A Little Too Detailed. T rating come back to me
✨ For the questions you WON'T answer, did you have your own answers while making the game? Or were they left blank?
Some of them I do, some of them I don't!
✨ I loved this game and I want to replay it but I don't want Siffrin to go through everything again!
Here's a little fun fact I decided: if you hit the credits, you helped a Siffrin escape. If you start a new game, you are creating a new Siffrin that you can emotionally tortu-IIIIIIII MEAN, a new Siffrin that you can help. Do not worry about your Siffrins they are fine
✨ A lot of those answers ended up being "It's your turn", huh.
Yea <3 The answers to some of those questions ARE there if you look. Some just aren't. But you can imagine whatever you want. It's your turn! I finished the game! I'm done working! It's your turn!!!
✨ I loved ISAT and it made me feel so many feelings!
Thank you so much. I'm sorry if you sent a message or ask and I didn't answer it. I read every single one and cherish it! Thank you for playing and thank you for writing me a message!!!!! When I get a little down I look at all of those and I feel better. Thank you. I'm sorry I can't answer them all.
✨ What will you work on next?
I have a project I'm currently in the preproduction stages of. I don't want to talk about it until I feel like I have some stuff to show. Plus I still have to make the ISAT artbook and some other stuff, so it won't be for a while. Nonetheless, I hope you will enjoy it!!!
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Golden Hour
Jing Yuan | M. Reader
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Reincarnation AU
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There's a particular painting inside the Luofu Museum. It's a painting of the former General, they say that the General never smiles and always has a blank expression. That painting is the most precious and one of a kind in the whole world...
Why?
Because it's the only time...
Where the General finally smiles...
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"Huh... "Wise and Brave; Jing Yuan." Hey, wouldn't it be funny if he's actually you from the past?"
"Nonsense, we just have the same name."
[Name] turn his head towards the white haired man with a raised eyebrow. "Yeah.. Sure.. But you do have the same smile as him." He said as he look back at the painting in front of them.
The General in the painting looks almost identical to the man standing beside him down to the same smile. Then again, [Name] couldn't imagine Jing Yuan being all stoic like, a smile fits him better. "You know... They say that the General had fallen in love with the Strategist in the Xianzhou, some even say that the Strategist was the reason why he started smiling."
"Really?"
"It's just a myth though, don't know if it's true."
Jing Yuan chuckles at that statement, after all myths are just myths, there's no telling if it's real or not. It's probably fake, people usually make up things just to satisfy their own fantasies, but something in him tells him otherwise.
That maybe, just maybe... It's the truth.
.
.
.
.
.
"ARE YOU INSANE?!"
"It's the most optimal solution, General."
"BY SACRIFICING MY MEN!?"
"Losing a handful of soldiers are better than losing civilians, plus—isn't it their duty to give their live for the people and die in battle?"
"HOW CAN YOU SAY THAT WITH SUCH A CALM VOICE?!" The General huffs as he glared daggers at the man in front of him, the man who proposed the very strategy that practically sacrifices his men "for the greater good." Jing Yuan always wonder how this man is able to be the Strategist of the Xianzhou...
A man who stood to benefit from betraying others... It's not proven or anything and yet...
Jing Yuan is certain that he'd turn against the Reignbow Arbiter in a heartbeat...
There's isn't a sane bone in his body.
The other man sigh at Jing Yuan's response as he crosses his arms and spoke up with his usual calm yet firm voice. "And here I thought you'd be more reasonable, given that you're the General."
"The leader of an organization is at the pinnacle of it and, at the same time, he is its slave. The leader must be more than willing to commit any atrocity in order to ensure the organisation's survival."
He hates it.... He hates this man so much...
How could he talk about that so casually? As if these men... Were just mere pawns to him... After all sacrificing a few pawns means relatively little if it means your King's safety.
'He's not thinking about the people.. He's thinking about the Xianzhou Loufu's survival instead...'
"They were right about you... You're a wolf in sheep's clothing..." He started as he continues to glare daggers at the man. The man only gave him an unamused look as he asked in a calm voice. "And why would you think that?" Jing Yuan scoffed at the question as he crosses his arms. "Talking to you is impossible."
"But in all honesty, give my strategy some thought, General."
"There's nothing left to think regarding that. I want you to change it this instant."
The man sigh at the order he was given, he uncrossed his arms and took back the papers from the General's desk. "As you wish."
And with that... The man left his office.
Jing Yuan sigh as he put a hand on his forehead and look down at his wooden desk. "I can't believe that man... [Name] was it..?" He mumbled under his breath.
'It's as if a life meant relatively little to him.'
.
.
.
.
.
"I never knew you could be a skilled doctor.."
"I was the Head Physician before becoming your strategist, General."
"..."
The two fall silent as [Name] bandaged the general's wounds. It seems even the "Mighty General of the Loufu" can get hurt. How fascinating. Once he's done, [Name] lets out a sigh and puts back the supplies he had used. "I suggest you shouldn't go to any missions at the moment. Let your wounds heal."
Jing Yuan remains silent as he inspects his carefully treated wounds. The bandages aren't too tight, and his body isn't as sore anymore. [Name] might be a sociopath with the types of strategies he comes up with. But he's a wonderful physician. Maybe he should stay as one.
"Can't have you start bleeding out in the middle of a fight after all. Unless you wanted me to operate on you then go ahead."
Jing Yuan can't help but sigh at those words. Of course the doctor has to open his mouth and end it on that note... even if he's good, [Name]'s still a sociopath though..
"...Understood."
"Good."
.
.
.
.
.
The crowd was silent as they watched the starskiff flies to through the sky. Reaching greater heights. "Another sent of.." The doctor mumbled under his breath.
"Sad, isn't it?"
"Not really."
Oh you sociopath! Jing Yuan snapped his head towards him. He was about to argue until he saw a soft smile on the doctor's face. A soft. Melancholy. Smile.
"It's not sad. It's poetic." [Name] says softly as he watches the starskiff. "In a way, if you're at a loss, you could look up at the sky and.... remember that they're watching over you.. and there's nothing to be afraid of.." Turning his head towards the general, [Name] gave him a closed eye smile as his hair got caught in the wind. "It's almost romantic, is it not?"
Jing Yuan felt a strange and warm feeling on his chest. Without thinking, he returns the smile with his own. "If you put it that way.. it is kinda poetic.."
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"Well... I heard that the Strategist is far more worse than the General." Jing Yuan spoke up, making [Name] turn his head to look at him with a raised eyebrow. "Really?" He asked as he crosses his arms, waiting for am explanation. "Yup, they say that the Strategist is a sociopath. I've also heard that the General was the reason the Strategist began to have a "heart". " Jing Yuan concluded with a smirk on his face.
[Name] can't help but chuckle at those words. For some reason.. he had a feeling it was true..
#seme male reader#top male reader#hsr#hsr x male reader#hsr x reader#honkai star rail#honkai star rail x male reader#honkai star rail x reader#hsr jing yuan#jing yuan#jing yuan x reader#jing yuan x male reader#x male reader#x reader
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Worldbuild Differently: Unthink Religion
This week I want to talk a bit about one thing I see in both fantasy and scifi worldbuilding: Certain things about our world that we live in right now are assumed to be natural, and hence just adapted in the fantasy world. With just one tiny problem: They are not natural, and there were more than enough societies historically that avoided those pitfalls.
Tell me, if you have heard this one before: You have this fantasy world with so many differnet gods that are venerated. So what do you do to venerate those gods? Easy! You go into those big temple structures with the stained glass in their windows, that for some reason also use incense in their rituals. DUH!
Or: Please, writers, please just think one moment on why the fuck you always just want to write Christianity. Because literally no other religion than Christianity has buildings like that! And that has to do a lot with medieval and early post-medieval culture. I am not even asking you to look into very distant cultures. Just... Look of mosques and synagogues differ from churches. And then maybe look at Roman and Greek temples. That is all I am asking.
Let's make one thing clear: No matter what kind of world you are building, there is gonna be religion. It does not matter if you are writing medieval fantasy, stoneage fantasy, or some sort of science fiction. I know that a lot of atheists hate the idea that a scifi world has religion, but... Look, human brains are wired to believe in the paranormal. That is simply how we are. And even those atheists, that believe themselves super rational, do believe in some weird stuff that is about as scientific as any religions. (Evolutionary Psychology would be such an example.)
What the people will believe in will differ from their circumstance and the world they life in, but there is gonna be religion of some sort. Because we do need some higher power to blame, we need the rituals of it, and we need the community aspect of it.
Ironically I personally am still very much convinced that IRL even in a world like the Forgotten Realms, people would still make up new gods they would pray to, even with a whole pantheon of very, very real gods that exist. (Which is really sad, that this gets so rarely explored.)
However, how this worship looks like is very different. Yes, the Abrahamitic religions in general do at least have in common that they semi-regularily meet in some sort of big building to pray to their god together. Though how much the people are expected to go into that temple to pray is actually quite different between those religions and the subgroups of those religions.
Other religions do not have this though. Some do not have those really big buildings, and often enough only a select few are even allowed into the big buildings - or those might only be accessible during some holidays.
Instead a lot of polytheistic religions make a big deal of having smaller shrines dedicated to some of the gods. Often folks will have their own little shrine at home where they will pray daily. Alternatively there are some religions where there might be a tiny shrine outside that people will go to to pray to.
Funnily enough that is also something I have realized Americans often don't quite get: Yeah, this was a thing in Christianity, too. In Europe you will still find those tiny shrines to certain saints (because technically speaking Christianity still works as a polytheistic religion, only that we have only one god, but a lot of saints that take over the portfolios of the polytheistic gods). I am disabled, and even in the area I can reach on foot I know of two hidden shrines. One of them is to Mary, and one... I am honestly not sure, as the masonry is too withered to say who was venerated there. Usually those shrines are bieng kept in a somewhat okay condition by old people, but yeah...
Of course, while with historically inspired fantasy settings make this easy (even though people still hate their research), things get a bit harder with science fiction.
Again, the atheist idea is often: "When we develop further scientifically, we will no longer need religion!" But I am sorry, folks. This is not how the human brain works. We see weird coincidences and will go: "What paranormal power was responsible for it?" We can now talk about why the human brain has developed this way. We are evolved to find patterns, and we are evolved (because social animal and such) to try and understand the will others have - so far that we will read will in nature. It is simply how our brains work.
So, what will scifi cultures believe in? I don't know. Depends on your worldbuilding. Maybe they believe in the ghost in the machine, maybe there si some other religions there. You can actually go very wild with it. But you need to unthink the normativity of Christianity to do that. And that is... what I see too little off.
#worldbuilding#fantasy worldbuilding#science fiction#scifi worldbuilding#religion#fantasy religion#forgotten realms#dungeons & dragons#dnd#writing#fantasy writer
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This is one of my favorite moments from the episode. Like from an art point of view the expression and body language is so on point. If you watch this sequence without sound it tells the story just as effectively as the dialogue, so kudos to them. A+ animation.
However, I’ve seen a few people say it doesn’t make sense for Stolas to react like this because he overheard Stella plotting to kill him. Which, I think that scene was more to highlight Stolas’s obliviousness in general more than him knowing she was trying to kill him? But that’s a separate post. This moment though has very little to do with Stolas’s worry over his personal safety or even the assassination attempt itself. He is not reacting to the reveal that Blitz didn’t warn him about an assassin from a place of “I could have prepared myself better with a warning and known what Stella was plotting earlier”.
He’s reacting to it from a place of “Someone tried to kill me and you didn’t care enough about me to even mention it”. The episode is about how Stolas is interpreting and “learning” that Blitz was showing him all along he didn’t care about him, that Blitz just does this to people, that Stolas is NOT special he’s just another in a crowd of people Blitz fucked and fucked off.
That they conveyed so well how crushing this must have been, to learn the person you love and care for not only knew months ahead of that someone was trying to kill you but you factored so little into their thoughts they just FORGOT to tell you? How he realized that he meant so little in the scheme of Blitz’s life that Blitz couldn’t even be bothered to mention it?
So yeah this isn’t a mistake, this isn’t the writers forgetting Stolas already knew, the issue here is not about the assassination at all, it’s about how Stolas is now interpreting this as “Someone tried to end my life and I meant so little to you I didn’t even warrant a heads up about it”. Like, not to be dramatic but Blitz just basically confessed that he didn’t care about Stolas’s existence at all.
We know it’s because of how Blitz sees Stolas as this untouchable immortal figure on high, but Stolas doesn’t see himself that way. He’s very clear he doesn’t recognize his own power and position.
It goes even deeper than that devastating line of thought though. It casts the whole “Am I in danger?” aspect of Western Energy into a whole different light. We interpret it as him not really believing he is in trouble, just mildly inconvenienced and wanting Blitz to play hero for his romantic fantasies. He is kidnapped by someone he recognizes as being a friend of Blitz’s, he calls him to clarify it, Blitz is then “I can’t save you today, my daughter has a thing”. During this point in the conversation Stolas has no idea Striker is sent to assassinate him persay, he thinks he’s just been kidnapped by a friend of Blitz’s. But Blitz DOES know Striker tried to kill Stolas in the past and is a credible threat. In this scene in Apology Tour Stolas finds out that Blitz knew that from the beginning, that he knew that and still couldn’t be bothered to come and was dismissive of it. That’s what Stolas saw anyway. He didn’t see Blitz driving crazy and turning around. He didn’t see his face of worry or regret. So the only information Stolas has now is “I called you telling you I was kidnapped by a man you knew tried to kill me and you said you were too busy. You knew how dangerous he was and you didn’t even care about me enough to help me.”
I’m sure it was a lot easier to deal with and excuse Blitz not being there and being busy when he assumed Blitzø didn’t know he was in real danger, now Stolas knows the truth. Blitz knew the person he identified as having kidnapped him had tried to murder him in the past and it still wasn’t enough to stir Blitz to save him.
Like that’s so fucking crushing? And important. Like critical really.
Like do the Stolas math of “Let me add up the evidence to interpret his feelings” and in addition to all the times he sneered or turned away add in “He knew a person who kidnapped me had already attempted murder and still didn’t give a shit”.
We know that’s not the whole story, that Blitz was worried and did turn around but Stolas doesn’t. This is the whole pattern of their entire relationship. He never sees when Blitz turns around in any context. He looks at Blitz and SEES him, is rebuffed by Blitz turning away and so Stolas looks away and just as he does Blitz turns back to him. It makes me want to claw my face off. This isn’t about the assassination at all, this is about them missing each other yet again.
In my head I think of it like a trapeze act. They each take the swing, they are flying through the air but they aren’t paying attention, they look away and miss the grab and both are plummeting to the ground.
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Rewatching some of "Merlin" again and... I really love worldbuilding where I'm not sure the creators were thinking through all the implications. Like, the show opens with the King overseeing the execution of a man, Thomas Collins, who used magic (not even to commit actual harm as far as we know) and the crowd is dead silent during Uther's solemn anti-magic speech. Then they GASP in horror and disgust when the poor guy gets beheaded offscreen, and they remain dead silent as Uther's speech continues, declaring a festival to celebrate 20 years since the Great Dragon was captured and sorcery outlawed. And then no one cheers or even SMILES about this.
Like, okay, the people of the past were not always chill or excited by public executions, because historical people all around the world and across time are not a monolith. There have always been people who hated them. But there have definitely been points in time where some people viewed public executions as good entertainment for the whole family and/or have reveled in the righteousness of bloodshed.
A lot of these people must have lived through the Purge: if they actually, you know, believed in and supported Uther's anti-magic philosophies, you'd think that you'd see a few cheers? Maybe some nodding? You'd kind of think that the people who would actually show up to public executions are those who share Uther's radical, violent beliefs, but no... the camera doesn't show a single smile or nod in the gathered crowd. This is Fantasy Medieval Land and no one is cheering the public execution. Okay.
You could say, "Well, maybe Uther is just a sour grape who doesn't like people talking when he's talking. Maybe Uther takes his campaign against magic dead seriously and this extends to him wanting a solemn, respectful atmosphere at all of his public executions of sorcerers." Sure. There are a LOT of guards in the crowd, possibly a leftover habit from the early days of the Purge, when there were more people who were presumably Not Okay with Uther's sudden change in policy.
But again, even if this obviously tyrannical King really doesn't like any cheering or smiling, no one is even nodding along to his speech. It doesn't look like any of these watching people wholeheartedly agree with his anti-magic beliefs. They're not happy about the death of a sorcerer. The division in ideology between Uther and the lower classes here appears to be a very, VERY stark line.
And then Uther declares a FESTIVAL! Uther is smiling! There's a happy tone in Uther's voice, like he wants the people to be happy about the absence of magic, and I can't see why he'd be against cheering here. He wants to celebrate!
But NO ONE cheers. No one smiles. Like, yes, this crowd seems to mostly contain the lower classes, who are probably not going to be feasting in the King's hall later, but a festival implies to me that there's going to be more of a city-wide celebration. That the King is going to provide some amount of free food and entertainment to his people, give out bread and hire some musicians or something, that there's going to be some sort of relief from work for a day, and maybe other charitable givings that boost a monarch's popularity.
But NO ONE cheers. And, again, okay, maybe Uther hosts a bad party. Very possible. Maybe Uther is really just going to hold one formal dinner for the upper classes and he's announcing that to the lower classes who are going to get nothing because he's that out of touch somehow? But, also, no, a festival means something different than a feast. And Uther is awful, but I would think he has a little more social cunning than that. I'm going to suppose that he earnestly wants to "generously reward" the common people for resisting the corruption of magic, and that he intends to give out some benefit.
But NO ONE smiles. This is a Fantasy Medieval Land where someone gets executed for doing the Evil Magic and then the King announces a Victory Festival, and no one cheers or looks even remotely happy through any of it. Everyone is about to shuffle off sadly before the executed man's mother starts screaming at Uther, saying that he is the true evil of Camelot and promising to kill his son. And no one boos her for it. They mostly just watch her, wait for Uther's inevitable bad reaction, and then just... shuffle away quietly after she vanishes in a whirlwind. Huh.
This one scene is implying a LOT about the social and cultural state of things in Camelot, and what the common people think of their King and his campaign. Other episodes will go on to elaborate and say other things about this world. But this is the opening scene that's stuck with me for a long time. We're obviously not meant to think well of Uther during this scene. Maybe we're meant to see that Uther is not at all a beloved king here. It looks like they're intentionally going for a frightening tone because this is all meant to be very scary for Merlin, who walked into this place like five minutes ago and could be next.
But I don't know if the show fully thought through what the actions of the background extras are suggesting here (they were presumably understandably focused on other things, this is the pilot and they're still working out kinks, this show is kind of silly anyway, etc.), and I think what it says is neat: Uther is a relatively recent king (his speech contains the words "when I first came to this land") and he is NOT popular. There's a difference between "not liked" and "NO ONE likes this guy even when they actually showed up to his event", and what they show here seems to be the latter.
Everything in a visual medium contributes to the story, whether the creators intended it or not, and none of the background extras filling out the scene cheer or smile when the camera points their way. Usually, hatred like Uther's will attract eager assholes happy to blame the Designated Other for all of their problems and society's problems, and obviously Uther does have a lot of guards and soldiers and willing followers in them, but still... not a SINGLE person (not even the soldiers doing crowd control) cheers or smiles at the public execution OR when the king declares a festival. Not one. It's unfortunately not unrealistic for people to cheer tyrants and join hate campaigns, but Uther's willingness to kill anyone on a shred of evidence has made him so unpopular that he can't get a single huzzah here.
That's something.
(Also, the near-complete absence of the Church in this world is VERY funny.)
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It makes me incredibly angry when people say "Riz is canonically aro/ace" and act like you're a horrible person if you ship him with people. Like. Nowhere in the show is it ever stated that he's aro/ace. The conversation people reference as him being "canonically" aro/ace is just him expressing his lack of very specifically sexual attraction, and even then the response from his dad (and by extension Brennan and the show as a whole) is that it's okay, and that it's specifically unclear whether he's ace or whether it's just not something that's happened for him in specific yet. It is intentionally vague as to whether he is ace or not, and there's genuinely zero indication in the show that he's aro other than that he doesn't have a love interest which could be completely unrelated.
Right so I'd like to share my opinion on this for a brief moment. I am still fully here to give people a voice, but this is just, an issue that kinda hits close to home since I'm demiaro.
The most annoying thing in a lot of media is when representation is shoehorned in as a list of labels and buzzwords we're given. Queer people should not have to turn to the screen and say their full identity in order for them to be canonically queer. That's what subtext is for. That's what good writing does. Is not spell it out for you when it's not necessary to do so. They do not need it to be spelt out for it to be very clear that he's ace/aro.
I am going to assume ignorance here instead of assuming malicious intent. The idea that the reason he isn't ace, is because "it's not something that's happened for him in specific yet", is an extremely common thought process behind asexual erasure. I'm sure that's not what you intended, but that is something to reflect on in general.
Both Adaine and Riz have yet to have relationships or display crushes (not counting junior year since most of the evidence comes from sophomore year) . Adaine hasn't gotten an entire nightmare sequence / arc around dealing with here friends all finding partners and leaving them alone. Adaine hasn't expressed or had conversations about any lack of sexual or romantic feels to the extent Riz has. Adaine is headcanoned as ace/aro by some people. Riz is more than that. Riz is very much canonically ace/aro if you do the slightest bit of character analysis. There's accidental coding and then there's Riz Gukgak.
List of every single Riz trait that is hella ace/aro coded
A lack of sexual and romantic attraction to other people (I'm not counting the time where he said he was kinda into Sexy Rat, that whole scene was a bit, and absolutely insane)
Making up a partner/crush in order to fit in (I have 1000% done that and so have a lot of acespec and arospec people)
A fear of being left behind by his friends because of a belief that they will find partners and move on from him, largely caused by alloromantic culture's insane emphasis on how the most important relationship is a romantic one
The fact that almost every other fantasy high pc has been in a relationship or a crush (kristen had tracker and gertie, gorgug had zelda, unit, and mary ann, fabian had aelwyn, ivy, and mazey, adaine had oisin and possibly zayn depends on your interpretation, and fig has had ayda and a string of professionals in a variety of fields across seasons 1 and 2) with only riz as a single character
The fact his sophomore year arc was entirely about his lack of sexual/romantic attraction and fear of being left alone because of it
Like not even a joke, it was that and his dad, that was the whole arc
His junior year arc was also about his obsession to stay together as a friend group, which like I mentioned above, is very clearly based in his asexuality and aromanticism
I am not going to stop people from shipping characters ever. If you want to rewrite character sexualities, that's fine by me, I'm a big believer in "Don't Like, Don't Read". I am not gonna pretend like characters are not their sexuality in canon so that people feel justified in writing their stories. People who rewrite character sexuality can do so without making everyone else assuage their guilt for them. I know I'm on the "piss on the poor" reading comprehension website, but it's not hard to tell Riz is ace/aro in canon, and pretending otherwise doesn't help your case.
#ask#dropout#dropout tv#dimension 20#d20#dimension twenty#riz fantasy high#riz d20#fabian x riz#riz x fabian#pok gukgak#riz gukgak#d20 fantasy high#dimension 20 fantasy high#dimension20#fantasy high spoilers#fantasy high#adaine abernant#adaine o'shaughnessey#adaine fantasy high#brian murphy#bleem#brennan lee mulligan#siobhan thompson#fantasy high sophomore year#dimension 20 fhsy#fantasy high junior year#d20 fhjy#fhjy spoilers#dimension 20 fantasy high junior year
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Macaques feelings towards wukong
-disclaimer this is just me rambling about something I feel is under utilised in the fandom but I am NOT putting anything else down or saying it’s bad please this just something I’ve had stuck in my head 😭.
In the shadowpeach fandom or the LMK fandom in general I often see wukong being the jealous one or the one who’s awkward and obsessed (or yandere but that’s a whole can of worms on its own) which is fine, but like even canonically in the show? Macaque is OBSESSED with wukong. (Not generally in a “positive”way.
Something happened in there friendship (probably around joining the brotherhood) where macaque stopped seeing wukong as a person and instead an IDOL and HE placed himself behind wukong (his shadow) because of it, no one else put him there and yeah there relationship in general was very much both there fault in some degree. But when you stop viewing someone as a person and instead an idea or fantasy any relationship with them is destined to fail.
When macaque revives he has neutral feelings to everyone maybe fear towards LBD at best, but realistically I don’t even think HE thinks about anyone else except wukong and even back in the brotherhood it’s just wukong not even the others call him brother because he’s not. He’s not there for them he’s there for wukong. When he revives wukong is all he thinks about, when he targets mk he doesn’t even see mk as anything but an extension of wukong just something he can use to get to WUKONG.
Am I saying macaque is a bad unfeeling guy? Well not quite (I’m not up to touching morals and good and bad with 60ft pole rn) unfeeling towards others isn’t true though. In macaques natural state of being (without wukong involved) he’s morally neutral at worst and seems to lean towards neutral good mostly but when wukong enters the picture? Nothing else matters NO ONE else matters and that’s scary.
Wukong in the show (I think this is just a narrative oversight but maybe not) doesn’t really show ANY feelings towards macaque till the later seasons, wukong fights him but only when MK is in danger he seems annoyed at macaque at best but otherwise doesn’t really seem to think about him at all, even when he “teams” up with LBD wukong pays him anymind but only because LBD is involved
[my personal head cannon is that until the defeat of LBD wukong hasn’t processed that macaque is alive and still believes it’s not really him (like he knows it’s macaque on a logical level but hasn’t processed it emotionally) (or he’s also processing that macaque is back AFTER he KILLED him if you believe he did)and that’s why he holds no emotion to him]
In conclusion macaque can be taken to ways with this like in the show he can learn to have healthy relationships and grow OR he can become so much WORSE and I think that’s what’s so fun about fandoms and shipping like yes my old gay monkeys can start to heal and move forward together healthy or they can get worse >:3
[Also wukongs lack of emotionals towards him could be explored to 🤭]
#shadowpeach#lmk wukong#lmk sun wukong#lego monkey kid fandom#lego monkey kid macaque#lmk macaque#lmk#six eared macaque#thoughts#ramblings
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pinch me
the wistful wyvern, chapter eight
a/n: i can’t believe this is the last chapter… this whole series is the thing that i’ve let myself go the most crazy with and not held back, so it’s kinda bittersweet when it comes to a close. it’s hard to say goodbye and let go of something you put so much work into, but it’s incredible to finally share the ending with you all so you can enjoy the story in its entirety.
summary: the wrestling was playful as you slowly shuffled further into the sparse cluster of trees. Giggling and shrieking, your back eventually collided with the trunk of a tree and Bucky pinned your hands above your head.
warnings: knight!bucky barnes x knight!reader, smut, fantasy AU (monsters, but not much magic), original fantasy world, ex-friends to lovers, coworkers to lovers, former fuckboy!bucky, tattooed!bucky, forced proximity, violence, injuries, kissing, oral, dirty talk, impact play, size kink, multiple orgasms, penetrative sex, protected sex (a fantasy birth control tea commonly used by men), creampie, time jump
word count: 2562
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“You know, it’s still not too late for you to apologise, we can both just go on our separate way,” you shrugged as you dodged the blow thrown by one of the bandits still on his feet before you.
“Fuck you, you cunt!” he simply spat back.
Blinking a moment, your head tilted slightly as you breathed out, “alright then,” and then clocked him in the face, making him stumble back, clutching his battered nose.
One of the outlaws in the grass then lifted himself back up onto his feet behind where you stood and charged at you, raising the dull axe in his grasp up to attack.
He only managed to nick your arm, and though a small cry did tumble out of your lungs, only a second passed before your fingers wrapped around the hilt of the weapon and you bashed the blunt side back against the bloke, knocking him back onto the ground.
“You good?” Bucky’s voice found your ears and you glanced over to see him wrestling with his own half of the dubious group.
“Oh yeah,” you smiled and tossed the rusty axe further down into the field that unfolded on the side of the road, “I’m great,” before whacking your elbow over the dirty-mouthed man who stumbled back towards you, blood dribbling from his nose.
Barely looking at his own opponents, the corners of your partner’s lips curled up as he purred, “that’s my girl.”
You had started by giving the highway robbers a generous out, stating that a fight between you two wardens and the eight of them just wouldn’t be fair. If they’d let one of you sit that one out and only fought either you or Bucky, then perhaps it would have evened the playing field just a bit more.
Yet, they didn’t heed your warnings and ended up losing in the blink of an eye.
“You guys should really consider a career change,” you said as they all laid dazed and bruised on the ground, “or at the very least get better at this one.”
As the pair of you went through and kicked their weapons far enough out of their reach, Bucky cast a glance at the boulder of a man curled up on the ground and clutching his arm.
“Hey buddy,” your fellow warden called, “try and keep that elevated till you see a healer.”
“Fuck you,” he groaned and squeezed his eyes shut.
“You were the one that fell on it,” his arms raised up before he looked to the other bandits, “guys, can you please make sure he gets that checked out?” and after they grumbled in agreement to help their stubborn friend, Bucky exhaled, “great,” and turned to grasp Echo’s reins, the black stallion only a few paces away from the aftermath, “well, have a nice life!”
“See,” you uttered as the pair of you began to walk off, tugging the horse along, “I told you we shouldn’t have taken this road. I was a criminal, I know what roads are hot for highway robbers.”
“Yeah, well, you were always smarter than me,” he chuckled, then smirked in your direction, “isn’t that what you used to say whenever I’d let you win during training? That I might be stronger, but you’re smarter?”
“You did not let me win,” you gasped, immediately defending your recollection, “I always won fair and square!”
“Hm,” he hummed as he let his gaze dance over the patchy cluster of trees that began to bloom on the right-hand side of the dirt road, “you sure about that?”
“Oh really?” your head cocked as you smiled back at him, “you wanna fucking go, Barnes?”
“Why not?” he reached out to tickle your waist, “just had a little warm-up, didn’t we?”
As Bucky let go of the reins, Echo simply dipped his head down to graze on the long grass below.
The wrestling was playful as you slowly shuffled further into the sparse cluster of trees. Giggling and shrieking, your back eventually collided with the trunk of a tree and Bucky pinned your hands above your head.
As you gazed back into his blue stare, the laughter began to fade from you both as another instinct entirely took over.
Tilting his head, Bucky captured your lips and kissed you fiercely. His fingers, enclosed around your wrists, flexed as your lips parted in a giddy groan and made way for his tongue to slip past and catch a taste of your own.
When his grip eventually loosened around you, his fingers floated down to weave within your hair and tilt your face to deepen the hungry kiss.
Then, as your hands had started scraping down the cool iron of the partial chainmail on his torso, the tiny loops grazing your skin gently, he pulled back just enough for you both to catch your breath.
“Drop your drawers, snow,” he commanded playfully, nuzzling his nose softly against your own.
His head tilted slightly so that his forehead rested against your own, and he shared your breath, as your fingers desperately soared to fulfil his demand. Undoing your pants, you swiftly shimmied them down till they were kicked off into the wild grass.
After stealing another kiss from you, a smile then spread across your face as you watched Bucky sink down to his knees before you. Planting pecks across your thighs, his gaze flickered up to capture yours as his lips danced up to your right hipbone.
“Please don’t make me beg,” you chuckled and ran a hand through his brown locks.
“But you sound so pretty when you do,” he smirked. The closer his peppering pecks got to your centre, the sloppier they grew, “just as pretty as when I do this,” he then closed the distance and flicked his tongue teasingly through your folds, dragging a whimper out of your throat.
Thankfully, he only kept his cruelly light licks to a minimum before he lapped at you properly, swapping your squirming jolts out with a trembling rocking as he savoured your slickness swiftly soaking his short beard.
Throwing your head back against the tree trunk, your fingers tangled in his hair as he enclosed around your clit. As your gaze fluttered down for his stare to capture yours, a warm rumble vibrated against your pearl as his eyes crinkled up and he smiled against your pussy.
“O-oh, just like that,” you uttered breathily as your fingers combed through his locks before finding purchase in them, “feels so fucking good.”
His broad palms curled around to your bottom and groped the curve a moment before one of his hands slid down your thigh and plucked it off of the ground, hooking it over his wide shoulder and thereby drawing you that much closer to his greedy tongue.
Tilting your hips slightly, his sloppy efforts only managed to wander down to your other hole for one kiss before everything unravelled inside of you and you came all over his face.
Standing back up to his full height, Bucky ducked down to steal a brief kiss from your breathless lips, letting you taste yourself still freshly lingering on his tongue, before fervently spinning you around.
Bracing against the tree, you peeked over your shoulder as his fingers hastily undid his trousers, his heavy lids staying glued to your backside.
Silky moans seeped out of the both of you in unison when he slowly buried himself in you. Melting down against your spine a moment, you felt the reassuring weight of his head against your shoulder, panting against your tunic, as his girth settled inside of you, your cunt dripping around him, begging for his movements to pick up.
“Fuck, I love you,” he hissed as he dragged his cock back out, just till the memory of him remained before slamming back inside, harshly enough for you to lose your breath.
His presence dissipated from your spine as he straightened up. One of his hands trailed down your back, bending you over more, before it settled parallel to the other around your hips.
Scratching against the dark bark, you whimpered every time his thrusts concluded with a teasing tap against your puffy pearl from his heavy sack.
“Shit,” he groaned loudly, “your little pussy’s gripping onto me so tight,” in awe, he glanced down at how snugly your cunt was clinging onto his cock, “does it feel good, baby? Does your pussy like being stretched out by me?” he landed a few electric slaps to your ass, “because it sure fucking feels like it… gods, she’s creaming all over me, turning my dick all fucking milky…”
“I–, I–,” your fluttering moans found their way out your throat as your fingers left the tree and reached back to blindly grab for him.
“What?” he swiftly captured your searching hand in his and slowed his efforts just enough for you to think, “what is it, snow?”
Your brain was all jumbled, so all you managed to mumble was, “…kiss…”
Curling his burly arms around your form, your brows crinkled up as he then slipped out before guiding you back around to face him.
Planting his lips to yours in a soft and slow peck, your molten arms slid up to wrap around his neck.
“Is this better?” his nose ghosted against your own, “huh?”
“Mhm,” you nodded lightly, your features nuzzling against his as you did.
“You good?” his gentle exhale seeped into your bones.
A soft smile then tipped up your lips as you uttered, “I’m phenomenal…”
Mirroring your own grin, he captured your lips once more before he plucked your left leg up off the ground. Sweeping his tip through your glinting folds, he nudged at your clit long enough to make you wiggle in his grasp before he dipped down to your drooling entrance and slowly slid back in.
“Ah,” you gasped and your head tilted away from his a moment as he split you back open for him, “I love you so much.”
“I love you, I love you,” his grip dented your flesh as he settled back into a silky pace, pumping in and out of your creamy cunt, “o-oh, fuck!”
Picking your other leg up, he lifted you into his strong arms and your ankles swiftly hooked around his frame.
Sloppy symphonies of your skin clapping against each other resonated every time he lifted you off his cock, dragging you over every detail of his fat girth before slamming you back down on it. The sounds echoed throughout the surroundings, dominating your attention rather than the wistful birdsongs that your lustful ears filtered out.
It didn’t take very long of him carrying you close and fucking you nearly through the tree that scrapped at your spine, before your body went as tight as a bowstring taking aim, and shaky profanities leaked out past your panting breaths as you tumbled over the edge.
Bucky’s mouth was hot on the side of your neck as you clambered around him, your pussy completely choking his throbbing length, and a gravelly groan rumbled against your skin as he swiftly emptied himself in your haven.
With his load dripping down onto the tall grass as he continued to cradle you in his arms, his softening girth stayed buried in you as you caught your breaths.
“See?” his heavy exhale fanned across your cheek as the side of his head rested against yours, “told you I used to let you win.”
“Oh,” you playfully chuckled, tilting your chin enough to find his hazy gaze, “you think you won just now?”
“Yeah, I clearly did.”
“Did you though,” you cocked your head, “or did I just let you?”
His eyes then narrowed to a squint as he sucked in a breath, “…rematch,” he declared, “as soon as we get home.”
“Really? You wanna wait–, what, a whole hour?” you guessed the time reminding till you arrived back to Borün.
“Yes, I wanna wait a whole hour,” a sly smirk crept up on his face as he slowly inched in closer, “one hour and then I finally get to throw you around in my own bed…”
FIVE YEARS LATER, ON THE THIRTIETH DAY OF SUMMER 863 PR
“Pinch me,” you murmured through your grin as Bucky’s kisses nipped down the column of your neck.
“What,” he smirked against your skin, clearly assuming you wanted to heat up your impromptu make-out session, “right here?”
Your glance flickered to the rest of the topiary garden, that sprouted in the centre of the great castle that was Fort Borün, and hoped that the pair of you were tucked away well enough in the semi-secluded corner for the other guests, who were up at the palace to round off the annual summer solstice festival, not to notice your intimate activities.
Not taking his lewd thought to heart, you went on and uttered, “it must be a dream, being here with you and in this beautiful place,” the smile on your lips grew wider as you reflected on the way your life looked now. Growing up you’d never dare to let yourself imagine anything like this, being so safe and at peace, living in a comfortable little cabin by the sea with the love of your life, “you my husband and I your wife…”
Tilting his head back up to be at your level, he caught your glinting eye and reassured you, “you’re not dreaming, snow,” one of his thumbs then swiped a few times at the hold he had on your waist. Leaning back in, his lips then tilted back up into a devilish smirk as he asked, “but can I still pinch you?”
As his fingers tightened around you and he leaned back down to seize your lips again, a giggle bubbled out of you and your palms swept up to his chest to keep him at bay, “not here!”
And just then, as your husband’s kisses began to bloom across your skin once more, burning so hot you nearly gave in, a pair of tiny footsteps echoed throughout the courtyard.
“Uncle Buck! Uncle Buck!”
Turning around, both of your glances fell upon the little princess that appeared around the central fountain.
“Cora, isn’t it well past your bedtime?” Bucky cocked his head gently.
“Papa promised I could dance one last time and you never gave me all of yours!” Cordelia demanded with a raised finger, “you still owe me one.”
Sucking in a breath, he nodded lightly, “I did promise you five, didn’t I?” and his gaze flickered up to spot the king as he caught up to his daughter.
Catching the tail end, Steve’s brows shot up, “she made you agree to five?”
“Well, I don’t know how to say no to that face,” the fellow warden beside you shrugged and gestured down to the little girl, “I mean look at her!”
Letting out a soft sigh, the king then tilted his head as a light plea flowed out past his gentle smile, “Bucky, please just dance with my daughter or she won’t let me tuck her into bed.”
Taking a step further away from you, Bucky then smiled down at the princess, “your highness,” and offered her his hand, “shall we?”
Snatching it up, a bright giggle then billowed out of the little girl as she dragged him back inside.
© 2024 thyme-in-a-bubble
#lea’s writing#eflorr au#bucky barnes smut#bucky barnes x reader#bucky barnes au#bucky barnes series#bucky barnes imagine#bucky barnes x you#bucky barnes fanfiction#bucky barnes x y/n#bucky barnes x female reader#bucky barnes fanfic#winter soldier smut#bucky barnes fic#sebastian stan smut
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This is going to be very long and sound a little crazy at first, and maybe a little mean but please hear me out…
I’m convinced that Taylor sometimes purposefully includes one line or multiple lines of poorly written or clunky lyrics in specific songs to make a point.
We all have seen some version of this with bearding songs like London Boy, a simple bop whose lyrics were immediately detected as sounding disingenuous, even with the general population (the locations she was signing about were the most touristy and too far away from each other to visit on the same day, etc, basically implying that she doesn’t actually have a long term local bf there that she spends a bunch of time with exploring the city with, etc).
But just like everything else on the album, I think she’s doing maybe a more in your face version of that. No holds barred.
So High School is an obvious example of this, with all of the early 2000’s hs imagery, she seems pretty blatantly to be mocking the idea the public has of her “living out every American girl’s high school fantasy” of dating the tall popular football player. With lyrics like “touch me while your friends play grand theft auto” (barf), etc, shes being clear enough that this is not a serious song.
This is the possibly controversial part, but I’m so curious to see what others think about this - I think another iteration of this on this album is the title track, The Tortured Poets Department. Hear me out.
(First, I want to reassure you that there are lines in this song that I really like and think are well written, like: “you’re in self-sabotage mode/throwing spikes down on the road” and “but you awaken with dread/pounding nails in your head/but I’ve read this one/where you come undone/I chose this cyclone with you”. And I fully agree with the idea that these sentiments are from Karlie’s perspective. Basically, when you take out the chunks I’m about to talk about this song makes way more sense and has a beautiful sentiment of undying love behind it - which makes the following parts stick out that much more!)
The first time I listened through the album, and this was the second song, I got terrified because I didn’t understand its place in the whole narrative and when I heard the first clunky line “scratch your head like a tattooed golden retriever” I got the ick. Then the bridge with no structure and no wit and no clever turns of phrase, no metaphor, just “you put my ring on the finger people put wedding rings on” and “that was the closest I’ve ever been to my heart exploding”. So over simplified and cheesy, and doesn’t sound anything like her writing, especially the caliber of her recent lyrics
I know art is largely subjective, but I insist there is no way that the same person who wrote Cowboy Like Me wrote these lines into her title track if she didn’t have a reason and a point to make. To make it clear that this isn’t a matter of genre personal taste, because I know CLM is a very specific sound and a style that music snobs often take more seriously - I love SO many of her candy pop bangers, they are infinitely more clever, articulate, and overall works of art by a true wordsmith than this. Karma, The Very First Night, etc are all a master classes in clever words and tight writing being tucked into an “unserious” pop song.
The lyrics I cited above to me sound like what haters believe her writing sounds like, even fans who make little jokey TikTok’s about her and make up a spoofy something to sing while in character - that’s what these lyrics sound like.
Im worried im being too harsh, but please stay with me because the more I think about the more genius I think it actually is.
In the context of the themes of rest of the album, (her being trapped, miserable, manipulated, ready to burn it all down, screaming to be seen) this theory became clear to me. I think she’s leaning into her public persona (in more ways than one, we’ve already seen it with the stunting), in a way setting a “trap” for her fans and the public, that will essentially call them all out on how they ignored the real her in favor of her pr narrative, making the album about paternity tests, etc, all of which I’m guessing will become very clear in retrospect, possibly after she comes out? (Of course it’s already clear to us now, which is another purpose of the beard songs including clunky writing - to signal to us that these are not serious and that she knows that we know that she knows (like Phoebe on friends lol))
Ultimately, this is (along with So Highschool) a classic beard song. When she writes in this voice, she embodies the most extreme versions of her public persona, not just the one she has cultivated on purpose, but also the one that people have of her that don’t know her (as she did in Blank Space), including those that don’t take her seriously - because her identity as a boy crazy psycho ex girlfriend is directly tied to people dismissing her art as vapid because, they’ve only ever heard her singles, they don’t know the full her.
That voice is the straightest, the most boy crazy, the most one note, and sometimes the most unsophisticated writer version of her that people have in their minds, including her fans - the fans that refuse to see her as a whole person, the real, that believe she is head over heals for big football boy, that believe “he knows how to ball, I know Aristotle” is a romantic line about how opposites attract, the fans that say they don’t “get” some of her most beautiful and well-written songs, the fans that don’t see her and haven’t been seeing her.
They didn’t see giant Taylor on the eras tour, they refuse to see all of her queer signaling, etc, and I think she’s making the bearding songs obvious to underscore the difference between her Taylor(TM) and Taylor(person) personas.
She knows that despite the fact that the lyrics don’t even come close to measuring up to the rest of the album, the public, and many of her fans, will make this song one of the most listened to simply because they are looking for evidence of her relationships from the past year. We’ve all commented on how insane it is that this layered, complex, devastating album is being reduced to the usual paternity tests. This is currently one of the top songs precisely because it is “about Matty”. And of course, So High School is one of the tops songs along with it because it’s “about Travis”.
The juxtaposition of the bearding songs alongside her beautifully written poetry of Prophecy, Peter, Whose Afraid of Little Old Me, Cassandra, How did it end, The Albatross, etc mirrors the juxtaposition of her two selves during the Midnights era.
She has proven the point that if they think she wrote every line of this song completely in earnest, then they see her largely no differently than her haters do, as a subpar writer who writes absurdly cheesy love songs praising trashy to mediocre, problematic men. By eating it up they tell her that’s what she’s good for, for being the subject of tabloids and warring fans who make this entire album about two (purposefully) mediocre songs and the men who “inspired” them.
She has proven her point - that a subset of her fans will be distracted by a lesser song simply because they think it’s about one of the greasy men that’s she been seen holding hands with. That they will ignore once again all of her pleas to be seen, that she’s in pain and caged, and has been driven insane by their willful ignorance. That they don’t appreciate her full potential and talent, that they don’t even see it, and just want to be confirmed in their ideation of her.
This song is essentially the “forget him(her)” pill at the beginning of the fortnight mv, but it’s a sedative for the fans, who are addicted to her straight narrative. Similar to Willow’s 13 chants of “that’s my man” that started off evermore, casting a spell of heteronormativity over everyone who wanted it, so that they could choose to just completely ignore the following 14 gayest songs ever written. Don’t pay no mind to her singing directly about women with zero male perspective - she said “that’s my man!” We’re good! She’s still straight!
Taylor in the fortnight mv had to a take a sedative to be able to go into the next room and write her bearding songs - ie she self medicates to deal with keeping up the straight persona and to get through having to release dumbed down songs to feed the masses. (I also see the pill as something forced on her, I think it represents both layers)
From the first time I watched the music video I thought the writing Taylor looked so miserable and the bearding songs are why.
In this room she’s trapped, churning out the songs that her fans expect of her, the songs that make her team money, the songs that make her money, but that she has to compromise her truth to create.
But when she frees herself she’ll burn the stories that weren’t true, the filler that doesn’t represent her.
I’m curious to hear other’s thoughts on this - have you ever felt like Taylor purposefully inserts off-sounding lyrics that are written in a different voice to make a point?
I want to reiterate that it’s not the entirety of either song that I think is terrible, I genuinely love bopping along to both So High School and TTPD (track). Like I said above, when you remove the clunky lines from ttpd (track), the song has another layer and likely gives voice to some Karlie insight that is beautiful and tragically profound. It’s the red herrings, the pieces specifically meant to tie this song to a bearding narrative, that I’m dissing, and the only reason they are suspicious in the first place is because I know how gifted Taylor is with the written word.
Taylor is such a skilled writer that she can embody the voice of the bad writer that dismissive ignorant idiots believe her to be, just to make a point!
I even wonder if maybe there is a second version of this song locked away in one of those drawers in the fortnight writing room that leaves out the red herrings and is a thousand times better than the bearding version we got.
I hope one day we get to hear it.
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Hi! If I may be so self indulgent and request something... 👉🏻👈🏻
Reader being a (for lack of better words) boring person. They're good at blending in within social circles but never standing out or having a circle or friend of their own. Good laughing at jokes but can't come up with good ones or even if they did, they don't have the courage to tell them outright. They're very much a chicken when it comes to expressing themselves as an individual because they're never comfortable enough around anyone. They are a chicken in general, to be honest. This essentially (and sadly) leaves them as an NPC in their own life. And they've accepted it, trying to come to terms with a life of extreme mediocrity. They're actively trying to push down any need of wanting more from life 99% of days.
However, when you're good at listening, you observe things much better and you learn things faster. And subconsciously, reader has been observing a lot of things about Velaris (including the IC). I'm not sure where this would lead but this is probably the only real skill they have; being a good observer and learner.
I leave the rest to you. I was thinking pairing them with Azriel (since he would probably understand her better) but I'm open to any modifications.
Also, just an afterthought, I've always wondered what job I would love to have in a fantasy world (and I don't know if this counts as an actual job) but something like observing the sky/stars to look for any forthcoming events sounds really cool. So I guess reader could do that since major events happen don't happen once in a hundred years or something which ultimately makes their job very boring. However, they love it because who wouldn't love spending their whole night star-gazing (potential date idea?? YESS).
Sorry this became way longer than I intended. I wouldn't judge if you chose not to write on it. Thanks & have a great day :)
Am I boring? | Azriel X boring F reader
A/N: Hiii! Tysm for your ask. I hope I captured what you were imagining right. 💖
summary: You’re a star mapper. And you’re boring with no hope of love. Or at least you believed that until Azriel came along.
1.2k words
warnings: no use of y/n, she/her pronouns, cussing??, romance?? That’s it?? I think?
The stars shined brighter tonight. Since you were a little girl, you had always been fascinated by them. How they sparkled. They were interesting, and beautiful- unlike you. Maybe that’s why you clung onto them.
You pulled a piece of parchment from your bag, and started mapping the stars. Rhysand, the highlord of the night court, had invited you to his court to observe and map stars from this part of the world. You accepted, wanting some change. Even if you knew it wouldn’t be much of a difference to you. The inner circle was more than nice to you, and you appreciated it.
Laughter bubbled from behind you. You currently sat with your telescope on the balcony of the House of Wind. This was your third week here. Rhysand had offered you a permanent place here in the night court, but you were yet to accept. You didn’t fit in. You were a background character. A random star mapper, a job would probably never be much of use to anyone. Except weird star fanatics. Aka you. You were sure he only offered you a place here because of pity.
The inner circle seemed to really like you, and whether that was because of your quiet and shy nature, or the fact you always listened and gave great advice, or the fact you always laughed to try and fit in even if you didn’t quite understand the joke, you didn’t know. The only one who seemed to see past your mask of people pleasing was the Shadowsinger.
Anytime you ‘laughed’ at Cassian’s jokes, he was always there, smirking with a known look at you. As if he knew you. As if he had known you your whole life. Azriel had seemed curious about you. It was uncomfortable. Nobody had ever been curious about you. Everyone always enjoyed someone that they could talk to about themselves for hours. But he was the one always interrupting the other members of the inner circle to question you, on you. And your own life. And sadly you didn’t have many answers other than, “oh I don’t know.”
It made you feel weird at how interested he seemed in you. It made you feel awkward. But you knew he would lose interest once he really discovered there wasn’t actually much to you. You were a bore.
“Those stars are named Arktos, Carynth, and Oristes. They shine above that mountain for a week once a year during the blood rite.” A voice said beside you. You flinched as you noticed Azriel sitting directly by you, his shadows swirling around you both. He was always appearing out of nowhere. He handed you a plate of cake.
“Courtesy of Elain. She baked dessert tonight.” Azriel said, lifting a bite of his cake to his mouth and chewing on it.
“Oh.” You responded, setting the plate down beside you. You quickly labeled the stars on your parchment. They were beautiful.
“Do you like cake?” He questioned.
You paused and stared blank at him.
“I’m not sure?” You responded, fiddling with your hands. “It’s okay, I guess.”
Azriel smiled at you knowingly. Loud laughter boomed from the room behind you two. He looked right at you with piercing amber eyes that seemed annoyed. As if he had noticed you flinching from the loud sounds.
“Come with me? Just trust me.” He whispered, grasping your hand gently with caution. It was sudden. And you weren’t sure. You didn’t know him much. How could you trust him? But something in your body and soul screamed yes. Why not? It was risky- but life was boring.
“Okay.” You responded, gasping as he pulled you close, his wings wrapping you close to him, and his shadows swarming around you both before all of a sudden you were now standing on a cliff. Oh gods. His hands were on your hips gently, his wings spread wide, letting you see the view.
You both stood on a cliff that overlooked a waterfall and river. The moon reflected in the water and the stars did too, creating a mirror effect. It was probably the most gorgeous sight you had ever seen.
“Its- it’s…” Your words fumbled, mouth open in shock. “Beautiful..” you whispered. His breath was hot against your ear.
“Very.” He whispered back. When you looked at him he wasn’t even looking at the view. His eyes were glued on you. And he was looking at you as if you were a goddess. Azriel’s eyes softened, with adoration. It scared you. Nobody had ever looked at you like that. With a blush you realized he was holding you like a lover. He smirked at you as if knowing you just realized it.
Azriel slowly let go and used his wing to guide you to turn around. Blankets and pillows were on the ground. Like a picnic but a nest. His shadows swirled excitedly around the set up. He guided you gently to the set up, helping you sit down before sitting beside you.
“Do you want your mapping materials? My shadows can retrieve them for you. I wasn’t sure if you’d want to just relax and enjoy this night or continue star mapping.” He murmured.
You thought for a second. This was odd. Was this a date? Or did he do this with all of his friends? Did you want to map or did you want to enjoy this night with him?
“No it’s okay.” You replied, eyes glued to the stars above. They were much clearer from this view then from the House of Wind. You guess the city lights blurred them out. But here? They were in their full glory.
“Why did you bring me here?” He seemed to pause before responding.
“My shadows told me you might be leaving soon. This is my attempt at convincing you to stay here. In the night court. With your mate.” Azriel confessed.
He watched your eyebrows furrow.
“Mate? I don’t have a mate-“ you panicked.
His wings cocooned you and his arm enveloped you. It was like he could sense your panic. He rocked you back and forth like a child. And it was comforting.
“I’m your mate. I’ve known since I’ve met you. I thought I would have more time to get to know you and the bond would snap for you, but then my shadows informed me of your soon departure.”
You swallowed, throat bobbing. You blinked a few times. “There isn’t anything about me to get to know.” You replied harshly. Azriel’s eyebrows furrowed with concern. Shadows swirled around you both, some tendrils caressing you.
“Don’t say that. I know it isn’t true. Everyday I learn something new about you. I don’t care what you say, you are the most interesting person I’ve ever met.” He said, words much louder and firmer now. He thinks you’re interesting?
“Stay. Stay with me. Let me get to know you. I don’t expect you to accept the bond anytime soon. But give me- give us a chance.” Azriel said, wings tightening around you both. His eyes bore into you, with a fierce and loving look in them. You couldn’t help but soften in his hold.
You realized then, you deserved love. And for once a belonging feeling overwhelmed your senses.
“I’ll stay.”
Hope you guys enjoyed 💗
#azriel#acosf#acotar#imagine#x reader#acotar 5#acotar fanfiction#acotar fic#azriel acotar#azriel fanfic#azriel shadowsinger#azriel x reader#azriel x you#azriel spymaster#acotar series#Azriel imagine#reader insert#azriel x reader fluff#fluff
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So I think I've cracked this moment.
So this moment has bothered me. I've seen several people say this is Crowley breaking up with Aziraphale, but I think it has a different meaning. I think he's saying, "I understand."
Hear me out.
It was actually listening to the song Good Old Fashioned Lover Boy that caused me to have a little epiphany. I love how it's juxtaposed over Crowley rushing back to Aziraphale, indicating that he is the Good Old Fashioned Lover Boy, but there is more to it.
That song was released in 1976, which is a time when being gay or being queer of any kind was deeply frowned upon. Though laws in the UK banning same sex relationships had been lifted by this time, for consenting adults over the age of 21. Freddie explicitly coming out at this time was something that could have ended his career. Freddie danced with the media on this one, hinted but was never forthright and kept his romantic life largely under wraps. This is something that queer people did in general and had to do well into the 90s. They flirted in code, they romanced behind closed doors. They kept their love out of sight.
Much like our Ineffable Husbands.
Editing to add- that the reason this triggered something for me, is that despite the secrecy, Freddie Mercury got up on stage and sang a song about a man taking another man out on a date at the Ritz. Everyone knew. Just no one knew knew. And it wasn't enough to end his career. Much like our Ineffable Husbands. Everyone knows, including them. Just no one says a thing about it.
Which brings me back to A Nightingale Sang in Berkeley Square.
This song is about one magical night. A couple meet, fall in love, feel the magic of their romance, and then as the sun comes up they go home. It is something like a dream that has to be let go with the harsh light of day. But there is hope, because sometimes they can hear the echo of the nightingale. A promise perhaps to meet again.
So I think it is widely assumed that there is more to the 1941 flashback. I tend to concur. I think we will see the origin of why this song is important to them. I suspect the song is about them. They have one magical night, where they are both brave and express their love for each other. But then the sun comes up and they realise that they have to go back to their lives. I think they will acknowledge that the incident with the zombies was a close call, and they need to cool off and stay away from each other. Slow down.
So 1967 is the first time they have seen each other since. They both know how they feel, they're just waiting for the right time. They shouldn't have met at all, except Aziraphale wants to give Crowley the holy water. I think that explains the awkwardness but also their softness toward each other. It's a meeting of lovers, but the time isn't right just yet. No nightingales are singing. That's what Aziraphale means by "You go too fast for me." Not yet, it's too soon. We're still under suspicion.
So the end of season one, the world is not over and our ineffable husbands are free. What do they do? They go for date at the Ritz. You can not tell me this is not a date. Sorry, don't believe you. "The Ritz is the most romantic hotel in the world." It's like their whole selling point. It's why it pops up in the lyrics of Berkley Square, and also in the lyrics of Good Old Fashioned Lover Boy. It's the place where magic happens. And for me, the playing of the song, and the reference from God herself, it's saying the time is right. They can finally be together again. This is their moment.
So Season Two. I've read reviews of season two where people liken it to fanfiction. Neil calls it is a bridge season. I think it's the dream. Not actually a dream, I don't think Neil is that unoriginal. But in the song they liken that one magical night to a dream. It's a fantasy that they get to live until the sun comes up. They get to live their dream for four years. They are together and they are in love but they are still living in secret. They still don't acknowledge it. They're still holding back. One of the themes in this series is timing is everything. Maggie and Nina's relationship doesn't work because timing. The magic trick worked the time it mattered. Timing is important, and the ineffable husbands are bad at it. They should have thrown themselves into this but they were too cautious and they missed their chance.
I think this conversation is when Crowley realises. Not that he is love with Aziraphale, that was established in 1941. But that everyone knows anyway. There is no reason to hide. No one cares that they're an item. Aziraphale has a similar epiphany after his chat with Shax. So they both decide to move the relationship along, but damn do they have bad timing.
Now I am as confused and heart broken as anyone about the final fifteen. And I am certain that there is something that we are not seeing, a trick that we've missed. There are six minutes unaccounted for. Neil says its a continuity error, but he's demon, he lies.
So here is what I think, and why this line "that's the point, no nightingales" is important. At some point during that conversation Crowley catches on. Whether they have a moment of stopped time, or the fact that Aziraphale is acting so utterly unhinged, there is something that happens that we don't see and it clues him in. He is hurt and angry yes, but he understands. What he is understanding is that the dawn came stealing up, and that the interlude is over. The nightingales stopped singing, and they have to go back to work. He gets it and that's how he lets Aziraphale know.
"You're an idiot, we could have been us." He doesn't like the plan, whatever it is. He thinks running would have been preferable, but he is resigned to it.
Then that kiss. One last goodbye just in case the world ends? Desperate longing and years of pent up frustration? I don't think the trick is here. I think this is misdirection. We're all looking at the kiss, we missed the coded message that came right before. I think "No nightingales" may also suggest that this isn't the kiss. The romantic kiss will come later, when the nightingales sing again. And they will, of that I'm certain now.
The song playing in the car, a message from Aziraphale or from the Bentley reminding him to have hope. Two things we know about Crowley. He is an optimist. He loves to rescue his angel. We also know that he is the trusted stooge with the steady hand. Aziraphale will perform the theatrics, he will do the rest. The fact that he waited and didn't just storm off like he did when he was rejected in series 1 tells Aziraphale that he is still here. He's still in this.
That's my interpretation anyway.
#good omens#good omens meta#yup i have way too much time on my hands#and i hate unhappy endings#and will live in denial about this
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I know a lot of ppl ask u abt jason or dick but im wondering now, what do u think about bruce? I find him a very interesting character whose characterization is incredibly feeble, both bc of his 80 years of history and the tendency writers have to project their own male fantasies on him. So i'd definitely love to hear ur own thoughts about him. I personally enjoy depicting him as someone morally grey, although my sympatization for him changes day to day. Wether you think he is a good or a bad person, i believe u need to make him dedicated to gotham and the bat as a symbol, and that comes with all its advantages and drawbacks
bruce wayne is sooooo interesting (derogatory) because like u said, he carries the baggage of every masochismo author that decided batman was too woke and should hurt his kids and that supporting gotham’s infrastructure is for pussies. there’s also the flipside of that, where he’s the perfect father who’s waaaay too emotionally regulated for my taste. both of these interpretations are bad imo, and both functionally miss the point.
i think part of this (in fandom) is an obsession with moral angst — u can either be a good person doing good things, or a bad person doing bad things. think about how some characters are crucified while others are babied. someone always has to be absolutely right, and the other has to be absolutely wrong.
in reality, there are a lot of people who are fundamentally kind and fundamentally want to do good that are really terrible to the people in their lives. bruce wayne being someone who relies on having so much control that it implodes his connections to the people around him is an important part of his character. his profound love for his children, for gotham and her people, for humanity in general and his belief in peoples ability to change, doesn’t circumvent the fact that he’s often an emotionally abusive man who hurts others to achieve his own ends. he contains multitudes.
writing him as a functionally irredeemable, violently abusive person is the anti-thesis to the symbol that he himself created. no, i personally don’t believe he actively beats his kids (even though it’s supported in the text). no, i don’t think he’s an irredeemable sadist (as much as frank miller wants u to believe otherwise). to have people like dick grayson and diana and clark and dinah love and believe in u means that there has to be something there worth caring about, otherwise the whole universe is gonna fall apart.
that’s what makes his relationship to cass so interesting — he sees his neuroticism, his dedication to the cause above all else, and does not find it admirable. he finds it confronting and upsetting. and to be clear, cass (like dick) is very much the moral ideal of what batman should be, but still bruce finds it hard to deal with!!
his abject failures — his treatment of the robins, his crippling guilt about jason, his fears of becoming a killer, the impossible load he gives himself to carry — means that when he’s shown as someone who genuinely cares, it makes him more complex. like yeah, bruce isn’t actually a cold hearted person. he really really gives a shit. too many shits, to be totally honest. he’s a morally grey person that wants to do good, but is so terrified of losing control that he keeps others away and hurts them in the process. there’s a reason why his emotional crutch was a traumatised eight year old fr. nothing is more important than the mission, including bruce wayne himself
#brucie baby (derogatory)#bruce Wayne#cassandra cain#dick grayson#batman#batfam#dc comics#the ask and the answer
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